Chapter V: Part 5

Presently he stopped crying, and let his little sister in. She had been crying, too, outside the door, ever since he came home and pushed past her on the stairs. She pitied his bruised face, and said it was a shame of Billson Minor to hit a boy littler than he was.

'I'm not so very little,' said Hildebrand; 'and you know how brave I am. Why, it was only last week that I was the chief of the mighty tribe of Moccasins, who waged war against Bill Billson, the Vulture-faced Redskin----'

He told the story to its gory end, and Ethel liked it very much, and hoped it wasn't wrong to make up such things. She couldn't quite believe it all.

Then she went down, and Hildebrand had to wash his face for dinner; and when he looked at the boy in the looking-glass and saw the black eye Billson Minor had given him, and the cut lip from the same giver, he clenched his fist and said:

'I wish I could make things true by saying them. Wouldn't I bung up old Billson's peepers, that's all?'

'Well, you can if you like,' said the boy in the glass, whom Hildebrand had thought was his own reflection.

'What?' said he, with his mouth open. He was horribly startled.

'You can if you like,' said the looking-glass boy again. 'I'll give you your wish. Will you have it?'

'Is this a fairy-tale?' asked Hildebrand cautiously.

'Yes,' said the boy.

Hildebrand had never expected to be allowed to take part in a fairy-tale, and at first he could hardly believe in such luck.

'Do you mean to say,' he said, 'that if I say I found a pot of gold in the garden yesterday I did find a pot of gold?'

'No; you'll find it to-morrow. The thing works backwards, you see, like all looking-glass things. You know your "Alice," I suppose? There's only one condition: you won't be able to see yourself in the looking-glass any more!'

'Who wants to,' said Hildebrand.

'And things you say to _yourself_ don't count.'

'There's always Ethel,' said Ethel's brother.

'You accept, then?' said the boy in the glass.

'Rather!'

'Right' And with that the looking-glass boy vanished, and Hildebrand was left staring at the mirror, which now reflected only the wash-hand-stand and the chest of drawers, and part of the picture of Lord Roberts pinned against the wall. You have no idea how odd and unpleasant it is to look at a glass and see everything reflected as usual, except yourself, though you are right in front of it. Hildebrand felt as if he must have vanished as well as the looking-glass boy. But he was reassured when he looked down at his hands. They were still there, and still extremely dirty. The second bell had rung, and he washed them hastily and went down.

'How untidy your hair is!' said his mother; 'and oh, Hildebrand, what a disagreeable expression, dear! and look at your eye! You've been fighting again.'

'I couldn't help it,' said our hero sulkily; 'he called names. Anyway, I gave him an awful licking. He's worse than I am. Potatoes, please.'

Next day Hildebrand had forgotten the words he had said at dinner. And when Billson asked him if one licking was enough, and whether he, Billson, was a liar or not, Hildebrand said:

'You can lick me and make me anything you like, but you _are_, all the same, just as much as me,' and he began to cry.

And Billson called him schoolgirl and slapped his face--because Billson knew nothing of the promise of the looking-glass boy, that whatever Hildebrand said had happened should happen.

It was a dreadful fight, and when it was over Hildebrand could hardly walk home. He was much more hurt than he had been the day before. But Billson Minor had to be carried home. Only he was all right again next day, and Hildebrand wasn't, so he did not get much out of this affair, except glory, and the comfort of knowing that Billson and the other boys would now be jolly careful how they called him anything but Pilkings, which was his father's and his mother's name, and therefore his as well.

He had to stay in bed the next day, and his father punished him for fighting, so he consoled himself by telling Ethel how he had found a pot of gold in the cellar the day before, after digging in the hard earth for hours, till his hands were all bleeding, and how he had hidden it under his bed.

'Do let me see, Hildy dear,' she said, trying hard to believe him.

But he said, 'No, not till to-morrow.'

Next day he was well enough to go to school, but he thought he would just take some candle-ends and have a look at the cellar, and see if it was really likely that there was any gold there. It did not seem probable, but he thought he would try, and he did. It was terribly hard work, for he had no tools but a spade he had had at the seaside, and when that broke, as it did almost at once, he had to go on with a piece of hoop-iron and the foot of an old bedstead. He went on till long past dinner-time, and his hands were torn and bleeding, his back felt broken in two, and his head was spinning with hunger and tiredness. At last, just as the tea-bell rang, he reached his hand down deep into the hole he had made, and felt something cold and round. He held his candle down. It was a pot, tied over with brown paper, like pickled onions. When he got it out he took off the paper. The pot was filled to the brim with gold coins. Hildebrand blew out his candle and went up. The cook stopped him at the top of the cellar stairs.

'What's that you got there, Master Hildy? Pickles, I lay my boots,' she said.

'It's not,' said he.

'Let me look,' said she.

'Let me alone,' said Hildebrand.

'Not me,' said the cook.

She had her hand on the brown paper.

Hildebrand had heard how treasure-trove has to be given up to Government, and he did not trust the cook.

'You'd better not,' he said quickly; 'it's not what you think it is.'

'What is it, then?'

'It's--it's _snakes_!' said Hildebrand desperately--'snakes out of the wine-cellar.'

The cook went into hysterics, and Hildebrand was punished twice, once for staying away from school without leave, and once for frightening the servants with silly stories. But in the confusion brought about by the cook's screams he managed to hide the pot of gold in the bottom of the boot cupboard, among the old gaiters and goloshes, and when peace was restored and he was sent to bed in disgrace he took the pot with him. He lay long awake thinking of the model engine he would buy for himself, also of the bay pony, the collections of coins, birds' eggs, and postage-stamps, the fishing-rods, the guns, revolvers, and bows and arrows, the sweets and cakes and nuts, he would get all for himself. He never thought of so much as a pennyworth of toffee for Ethel, or a silver thimble for his mother, or a twopenny cigar for Mr. Pilkings.

The first thing in the morning he jumped up and felt under the bed for the pot of gold. His hand touched something that was not the pot. He screamed, and drew his hand back as quickly as though he had burned it; but what he had touched was not hot: it was cold, and thin, and alive. It was a snake. And there was another on his bed, and another on the dressing-table, and half a dozen more were gliding about inquisitively on the floor.

Hildebrand gathered his clothes together--a snake tumbled out of his shirt as he lifted it--and made one bound for the door. He dressed on the landing, and went to school without breakfast. I am glad to be able to tell you that he did say to Sarah the housemaid:

'For goodness' sake don't go into my bedroom--it's running alive with snakes!'

She did not believe him, of course; and, indeed, when she went up the snakes were safe back in the pot. She did not see this, because she was not the kind of girl who sweeps under things every day. That night Hildebrand secretly slept in the boxroom, on a pile of newspapers, with a rag-bag and a hearthrug over him.

Next day he said to Sarah:

'Did you go into my room yesterday?'

'Of course,' said she.

'Did you take the snakes away?'

'Go along with your snakes!' she said.

So he understood that she had not seen any, and very cautiously he looked into his room, and finding it snakeless, crept in, hoping that the snakes had changed back into gold. But they had not--snakes and gold and pot had all vanished. Then he thought he would be very careful. He said to Ethel:

'I had twenty golden sovereigns in my pocket yesterday.'

This was Saturday. Next day was Sunday, and all day long he jingled the twenty golden sovereigns he had found that morning in his knickerbocker pocket. But they were not there on Monday. And then he saw that though he could make things _happen_, he could not make them _last_. So he told Ethel he had had seven jam-tarts. He meant to eat them as soon as he got them. But the next day when they came he had a headache and did not want to eat them. He might have given them to Ethel, but he didn't, and next day they had disappeared.

It was very annoying to Hildebrand to know that he had this wonderful power, yet he could not get any good out of it. He tried to consult his father about it, but Mr. Pilkings said he had no time for romances, and he advised Hildebrand to learn his lessons and stick to the truth. But this was just what Hildebrand could not do, even after the awful occasion when his schoolfellows began to tease him again, and, to command their respect, he related how he had met a bear in the lane by the church and fought it single-handed, and been carried off more dead than alive. Next day, of course, he had to fight the bear, which was very brown and clawy and toothy and fierce, and though the more-dead-than-alive feeling had gone by next day, it was not a pleasant experience. But even that was better than the time when they laughed at a very bad construe of his--the form was in Cæsar--and he told them how he had once translated the inscription on an Egyptian Pyramid. He had no peace for weeks after that, because he had forgotten to say how long it took him. Every time he was alone he was wafted away to Egypt and set down at that Pyramid. But he could not find the inscription, and if he had found it he could not have translated it. So, in self-defence, he spent most of his waking-time with Ethel. But every night the Pyramid had its own way, and it was not till he had cut an inscription himself on the Pyramid with the broken blade of his pocket-knife, and translated it into English, that he was allowed any rest at all. The inscription was _Ich bin eine Gans_, and you can translate it for yourself.

But that did him good in one way; it made him fonder of Ethel. Being so much with her, he began to see what a jolly little girl she really was. When she had measles--Hildebrand had had them, or it, last Christmas, so he was allowed to see his sister--he was very sorry, and really wished to do something for her. Mr. Pilkings brought her some hothouse grapes one day, and she liked them so much that they were very soon gone. Then Hildebrand, who had been very careful since the Pyramid occasion to say nothing but the truth, said:

'Ethel, some grapes and pineapples came for you yesterday.'

Ethel knew it wasn't true, but she liked the idea, and said:

'Anything else?'

'Oh yes!' said her brother--'a wax doll and a china tea-set with pink roses on it, and books and games,' and he went on to name everything he thought she would like.

And, of course, next day the things came in a great packing-case. No one ever knew who sent them, but Mr. and Mrs. Pilkings thought it was Ethel's godfather in India. And, curiously enough, these things did not vanish away, but were eaten and enjoyed and played with as long as they lasted. Ethel has one of the dolls still, though now she is quite grown up.

Now Hildebrand began to feel sorry to see how ill and worried his mother looked; she was tired out with nursing Ethel, so he said to Sarah:

'Mother was quite well yesterday.'

Sarah answered:

'Much you know about it; your poor ma's wore to a shadow.'

But next day mother _was_ quite well, and this lasted, too. Then he wanted to do something for his father, and as he had heard Mr. Pilkings complain of his business being very bad, Hildebrand said to Ethel:

'Father made a most awful lot of money yesterday.'

And next day Mr. Pilkings came home and kissed Mrs. Pilkings in the hall under the very eyes of Sarah and the boot-boy, and said:

'My dear, our fortune's made!'

The family did not have any nicer things to eat or wear than before, so Hildebrand gained nothing by this, unless you count the pleasure he had in seeing his father always jolly and cheerful and his mother well, and not worried any more. Hildebrand _did_ count this, and it counted for a good deal.

But though Hildebrand was now a much happier as well as a more agreeable boy, he could not quite help telling a startling story now and then. As, for instance, when he informed the butcher's boy that there was an alligator in the back-garden. The butcher's boy did not go into the garden--indeed, he had no business there, though that would have been no reason if he had wanted to go--but next day, when Hildebrand, having forgotten all about the matter, went out in the dusk to look for a fives ball he had lost, the alligator very nearly had him.

And when he related that adventure of the lost balloon, he had to go through with it next day, and it made him dizzy for months only to think of it.

But the worst thing of all was when Ethel was well, and he was allowed to go back to school. Somehow the fellows were much jollier with him than they used to be. Even Billson Minor was quite polite, and asked him how the kid was.

'She's all right,' said Hildebrand.

'When my kiddie sister had measles,' Billson said, 'her eyes got bad afterwards; she could hardly see.'

'Oh,' said Hildebrand promptly, '_my_ sister's been much worse than that; she couldn't see at all.'

When Hildebrand went home next day he found his mother pale and in tears. The doctor had just been to see Ethel's eyes--and Ethel was blind.

Then Hildebrand went up to his own room. He had done this--his own little sister who was so fond of him. And she was such a jolly little thing, and he had made her blind, just for a silly bit of show-off to Billson Minor; and he knew that the things he had said about Ethel before had come true, and had not vanished like the things he said about himself, and he felt that this, too, would last, and Ethel would go on being blind always. So he lay face down on his bed and cried, and was sorry, and wished with all his heart that he had been a good boy, and had never looked in the glass, and wished to bung up the eyes of Billson Minor, who, after all, was not such a bad sort of chap.

When he had cried till he could not cry any more he got up, and went to the looking-glass to see if his eyes were red, which is always interesting. He never could remember that he couldn't see himself in the glass now. Then suddenly he knew what to do. He ran down into the street, and said to the first person he met:

'I say, I saw the looking-glass boy yesterday, and he let me off things coming true, and Ethel was all right again.'

It was a policeman, and the constable boxed his ears, and promised to run him in next time he had any of his cheek. But Hildebrand went home calmer, and he read 'The Jungle Book' aloud to Ethel all the evening.

Next morning he ran to his looking-glass, and it was strange and wonderful to him to see his own reflection again after all these weeks of a blank mirror, and of parting his hair as well as he could just by feeling. But it wasn't his own reflection, of course: it was the looking-glass boy.

'I say, you look very different to what you did that day,' said Hildebrand slowly.

'So do you,' said the boy.

That other day, which was weeks ago, the looking-glass boy had been swollen and scowling and angry, with a black eye and a cut lip, and revengeful looks and spiteful words. Now he looked pale and a little thinner, but his eyes were only anxious, and his mouth was kind. It was just the same ugly shape as ever, but it looked different. And Hildebrand was as like the boy in the glass as one pin is like another pin.

'I say,' said Hildebrand suddenly and earnestly, 'let me off; I don't want it any more, thank you. And oh, do--do make my sister all right again.'

'Very well,' said the boy in the looking-glass; 'I'll let you off for six months. If you haven't learned to speak the truth by then--well, you'll see. Good-bye.'

He held out his hand, and Hildebrand eagerly reached out to shake it. He had forgotten the looking-glass, and it smashed against his fist, and cracked all over. He never saw the boy again, and he did not want to.

When he went down Ethel's eyes were all right again, and the doctor thought it was _his_ doing, and was as proud as a King and as pleased as Punch. Hildebrand could only express his own gladness by giving Ethel every toy he had that he thought she would like, and he was so kind to her that she cried with pleasure.

Before the six months were up Hildebrand was as truthful a boy as anyone need wish to meet. He made little slips now and then, just at first, about his escape from the mad bull, for instance, and about the press-gang.

His stories did not come true next day any more, but he had to dream them, which was nearly as bad. So he cured himself, and did his lessons, and tried to stick to the truth; and when he told romances he let people know what he was playing at. Now he is grown up he dreams his stories first, and writes them afterwards; for he writes books, and also he writes for the newspapers. When you do these things you may tell as many stories as you like, and you need not be at all afraid that any of them will come true.

THE RING AND THE LAMP

You are, of course, a singularly intelligent child, and so must often have wondered what has become of all the interesting things that you read about in the old fairy-tales--the shoes of swiftness, and the sword of sharpness, and the cloak that made its wearer invisible, and things like that. Well, the fact is all these things are still in the world, hidden about somewhere, only people are so busy with new inventions, wireless telegraphs and X rays, and air-ships, that they don't trouble any more to look for the really interesting things. And if you don't look for things, you don't find them--at least, not often; though some lucky persons have only to walk out of doors and adventures happen to them as readily as breakfast and bed happen to ordinary folk. But when people do find any of the wonderful old treasures they generally hold their tongues about it, because it is so difficult to make people believe the truth if it is at all out of the way. Two of the wonder things out of the old stories were found only the other day by a little girl in Sussex; and she never told anyone but me and one other person. I often have things told me that no one else ever hears of, because everyone knows that I can believe anything.

The little-girl-in-Sussex's name was Seraphina Bodlett. She did not belong to Sussex, having been born in Tooting; but she was staying at a Sussex farmhouse for the summer holidays. It was the very nicest place to stay at, plenty of room to play in--all the Sussex Downs, in fact--and plenty of animals to pet and feed. The only thing was that all the other people at the farm were grown up, and Seraphina longed very much for someone to play with. The farmer's daughter, Miss Patty, was very kind, and always quite willing to play Halma; only it happened that Halma was not what Seraphina wanted to play.

It was summer, and Seraphina went to bed early, while it was still daylight. She used to lie awake in the big four-post bed, with the white dimity curtains, and look at the latticed window and the oak chest of drawers with the shell boxes on it, and try to make herself dream that she had another little girl to play with. But she always surprised herself by waking up in the morning without having dreamed of anything at all.

The best parlour at the farm was a very nice place, but Seraphina (whose name takes so long to write that I think I had better call her Fina, as everyone else did) was not usually allowed to play there, and the blinds were always drawn down exactly halfway, because that is genteel.

Sometimes Fina was taken into the parlour by Miss Patty, and then Miss Patty would bring out the curiosities that her brother the sailor had brought home from his voyages: South Sea necklaces of seeds and beads and cut-up reeds, and fat idols from India, with far more arms than most of us could find a use for. Then there were beady pincushions made by seamen, and a stuffed parrot exactly like life, except that one eye was out, and Chinese junks in beautiful carved ivory, and a pagoda (or Chinese temple), and that was of ivory too, and all carved out of one solid block, Miss Patty said. Fina loved the pagoda best of all the curiosities. You could see right into it. It was a tower with seven stories, and it had little gold bells on it that rang when Miss Patty took off the glass case and gently shook the wooden stand. Of course, Fina was never allowed to shake it herself.

'Where did it come from?' She asked this question every time she was shown the pagoda.

'It came from the Emperor of China's own Summer Palace at Pekin,' Miss Patty always said; 'but my brother Bob never would tell me how he got it.'

Then, when Fina had had a last peep through the windows of the pagoda, the glass case would be put on again, and Fina would be told to 'run along now and play.'

One day she was 'running along and playing' when she met a playfellow. It was a fat foxhound puppy, very clumsy and very affectionate. They had a romp together, and then the puppy blundered off, and Fina went indoors to wash her hands, because the puppy's idea of a romp had been a roll in the dust, which Fina had gladly consented to share.

But as she passed the door of the best parlour she stopped a minute, for the door was open. It was the day for cleaning out the room, but Miss Patty had stopped in the middle of the cleaning to go to the back-door to see a pedlar who had some really wonderful bargains in handkerchiefs and silk dresses, and mixed white pins and back-hair combs. Fina often wondered afterwards whether that pedlar was a real pedlar or a magician in disguise.

Now, Fina was an obedient little girl. She did _not_ slip into the parlour to have a look round just because the door was open and no one was about. But she had not been forbidden to _look_ in, if she got the chance, so she stood at the door and looked at the stuffed parrot, and the junk, and the rest of the things; and as she looked she started, and said:

'_Oh!_ it will tumble down--I know it will--if a door banged even!'

And just then the front-door _did_ bang, and the pagoda trembled; for it was standing at the very edge of the chiffonnier, and one of the little black, carved claw-feet of its stand was actually overhanging the chiffonnier edge.

'I _must_ stand it steady,' said Fina. 'If I go and tell Miss Patty it may tumble off before I get back.'

So she went quickly in and took the glass case and stand and pagoda very carefully in her hands to move them back to a safe place.

It was this very moment that the foxhound puppy chose for rushing in--all wriggle and bark and clumsy paws--and plunging between Fina's feet. She reeled, staggered, and she, the puppy, the stand, the glass case, and the precious pagoda, all went down together in a crushing heap.

When Fina picked herself up the puppy's tail was just disappearing round the door, and at her feet lay a scattered heap of splintered ivory and glass, the hopeless ruins of the beautiful pagoda.

Her heart seemed to stand still, and then began to beat so hard and fast that she felt as though she had a steam-engine in her chest.

Her hands trembled so much that she could hardly pick up the pieces; but she did begin to pick them up.

'Perhaps it could be mended,' she said, 'with glue or white of egg, like nurse did the china basin; only the pieces are so small and chippety, some of them, that I don't see how you could ever fit them together. And Miss Patty will be in in a minute! Oh, I wish I was somebody else and not me! Oh, whatever will she say?'

Among the shivered splinters of ivory the little gold bells were scattered.

'But what's that?' said Fina. 'It's not a bell or----'

She picked whatever it was up from among the shattered ivory and glass. It was a gold ring, thick and beautiful, with a strange design on it like on the sides of tea-caddies. She slipped it on her hand to keep it safe while she went on with the dismal work of picking up the pieces. And then, suddenly, the dreadfulness of the deed she had done--though quite the puppy's fault, and not hers at all--came over her. She began to breathe quickly and then to make faces, and in a moment she was sobbing and sniffing, and rubbing her wet eyes with her knuckles, still dirty from her politeness in letting the puppy choose what game she and it should play at.

She was roused from her crying by a voice, and it was not Miss Patty's voice. It said:

'Your servant, miss. What can I have the pleasure of doing for you?'

She took her knuckles out of her eyes, and saw, from between her very dirty eyelids, a tall footman who was bowing respectfully before her. He was dressed wonderfully in green satin--his large and lovely legs wore white silk stockings, and his hair was powdered till it was as white as the inside of a newly-sheared fleece.

'Thank you,' said Fina, sobbing, but polite; 'no one can do anything for me, unless they can mend all this, and of course nobody can.'

'Your servant, miss,' said the footman. 'Do I understand that you order me to mend this?'

'If you can,' said Fina, a ray of hope lighting her blighted existence; 'but, of course----WHAT?'

The pagoda stood on the table _mended_! Indeed, it seemed as though there had never been any breaking. It was there, safe and sound as it had always been, on its ebony stand, with the shining bubble of its glass case rising dome-like over it.

The footman had vanished.

'_Well!_' said Fina, 'I suppose it was all a waking dream. How horrible! I've read of waking dreams, but I didn't know there were ever waking nightmares. Perhaps I better _had_ wash my hands--and my face,' she added, when she saw it, round, red, and streaked with mud (made of dust and tears), in the glass of the chiffonnier.

She dipped her face in fresh water in the willow-patterned basin in her big attic bedroom. Then she washed her hands. And as she began to rub the soap on she heard a noise.

'Your servant, miss. What can I have the pleasure of doing for you?'

And there was that footman again.

'Who are you?' said Fina. 'Why do you follow me about?'

'I am the Slave of the Ring, please, miss,' replied the footman, with another bow. 'And, of course, when you rubs it I appears.'

'The Slave of the Ring?' said Fina, letting the soapsuds drip from her hands to the carpet. 'Do you mean Aladdin's ring?'

'The ring belonged to the gentleman you mentions at one time, miss.'

'But I thought the Slave of the Ring was a genie--a great, foaming, fierce, black slave in a turban.'

'Times is changed, miss,' said the footman. 'In this here civilised country there aren't no slaves, only servants. You have to keep up with the times, even if you're a----'

'But I thought the Slave of the Ring spoke Chinese?'

'So I does, miss, when in that country. But whatever'd be the use of talking Chinese to you?'

'But tell me--oh, there's the dinner-bell! Look here, I wish you'd not keep appearing so suddenly. It does startle me so.'

'Then don't you go on rubbing the ring sudden, miss. It's that as does it. Nothing I can do for you, miss?'

'Not now,' said Fina, and he vanished as she spoke.

When Fina sat down to dinner in the farm kitchen--a very nice dinner it was, boiled pork and beans, and a treacle-tart to follow--she picked up her horn-handled knife and fork and clutched them hard. They felt real enough. But the footman--she must have dreamed him, and the ring. She had left the ring in the dressing-table drawer upstairs, for fear she should rub it accidentally. She knew what a start it would give Miss Patty and the farmer if a genie footman suddenly appeared from nowhere and stood behind their chairs at dinner.

Miss Patty seemed very cheerful.

'It _was_ a piece of luck, father, wasn't it, that pedlar wanting Chinese things? He gave me two pieces of broadcloth that'll cut into three or four coats for you, and a length of black silk that rich it'll stand alone, and ten pounds in gold, and half a dozen silk neck-squares.'

'Yes,' said the farmer, 'it was a good bargain for you; and Bob give you the pagoda, and you've a right to do as you like with your own.'

'Oh, Miss Patty,' said Fina, 'you've never been and sold the pagoda--the beautiful, darling pagoda?'

'Yes, I have, dear; but never mind, I'll buy you a new doll out of the money I got for it.'

'Thank you,' said Fina; but the pork and beans did not taste so nice now she knew that the pretty pagoda was sold. Also she was rather worried about the ring. Ought she to keep it? She had found it, of course, but someone must have lost it. Yet she couldn't bear to give it up, when she hadn't made the slave of it do a single thing for her, except to mend the pagoda.

After dinner Fina went and got the ring. She was very careful not to rub it till she was safe and alone in a quiet green nook in the little wood at the end of the garden, where the hazels and sweet chestnuts and hornbeams grew so closely that she was quite hidden.

Then she rubbed the ring, and instantly the footman was there. But there was no room for him to stand up under the thicket, so he appeared kneeling, and trying to bow in that position.

'Then it's not a dream?' said she.

'How often I have heard them very words!' said the Slave of the Ring.

'I want you to tell me things,' said Fina. 'Do sit down; you look so uncomfortable like that.'

'Thank you, miss,' said the footman; 'you're very thoughtful for a child of your age, and of this age, too! Service ain't what it was.'

'Now, tell me,' she said, 'where did the ring come from?'

'There's seven secrets I ain't allowed to tell,' the footman said, 'and that there what you asked me's one of them; but the ring's as old as old--I can tell you that.'

'But I mean where did it come from just now--when I found it?'

'Oh, _then_. Why, it come out of the pagoda, of course. The floor of the third story was made double, and the ring was stuck between the floor of that and the ceiling of the second floor, and when you smashed the pagoda o' course it rolled out. The pagoda was made o' purpose to take care of the ring.'

'Who made it?' asked Fina.

'I did,' said the genie proudly.

'And now,' said Fina, 'what shall we do?'

'Excuse me,' the footman said firmly; 'one thing I'm _not_ bound to do is to give advice.'

'But you'll do anything else I tell you?'

'Yes, miss--almost anything. I'll talk to you willing, I will, and tell you my life's sorrows.'

'I should like that some other time,' said Fina, 'but just now, perhaps, you'd better get me a doll.'

And a doll lay at her feet among the dead leaves. It was a farthing Dutch doll.

'You didn't say what sort of a doll,' said the footman, when she had rubbed the ring and he had reappeared, and she had reproached him. 'I've been in service long enough to do exactly what I am told. My life-sorrow has been----'

'I say,' Fina said suddenly, 'can't you get the pagoda back for me?'

Instantly the pagoda was there and the footman was not. Fina spent the afternoon playing with the beautiful ivory toy, but when it was tea-time she had to ask the genie footman to take it away again, for she dared not face the questions and she could not invent the explanations that would have followed if she had turned up at the house with the pagoda under her arm.

You will think that Fina ought to have been the happiest of little girls, now that she had a genie footman Slave of the Ring in a green coat to get her anything she wanted, and run her errands on his beautiful balustrade-like white silk legs. But this was not so.

It was all very well to go into the wood every day and make the footman fetch her the most beautiful dolls and toys and sweets, but even sweets are dull if you eat them alone; and what is the use of toys, or even pagodas, if you have no one to show them to, and dare not have them except in a secret corner of the wood?

She tried to get the footman to play with her, but he said that was a little more than anyone could expect, and began again about his sorrows; and as for getting him to take any interest in the wonderful things he fetched for her, she felt at once that these were nothing to a genie footman with such a jewelled and exciting past as his.

She was not a very clever little girl. She wished for a white pony, and, of course, it came, but there was no room for it in the wood, and it walked on her foot and tried to bite her, and she hastily had to send it away. She wished for a pet lamb, but it baaed so loudly that she was almost discovered by the farmer, so that had to go too. And she had been wishing for these vain and unsatisfying things for more than a week before she thought of asking for a little girl to play with.

The genie brought a little girl at once, but she was a horrid little girl, with a red pigtail and a green frock trimmed with black bead trimming, and she broke the toys and laughed at Fina when she tried to tell her the story of the pagoda and the Ring Slave. Also there was no room to play in the secret nook in the wood, and when the little girl had slapped Fina and taken the pagoda away from her it seemed best to ask the genie to take the little girl herself away. Fina never saw her again, and never wanted to either!

At last Fina knew that what she really wanted was not only someone to play with, but a good place to play in, so she shut her eyes and thought--as hard as a not very clever person of eight can think--and then she rubbed the ring and said:

'Please take me somewhere where there is a little girl who will play with me, a nice little girl, and room to play in.'

And at once the wood vanished--like a magic-lantern picture when the kind clergyman who is showing it changes the slide--and she was in a strange room.

It was a nursery--very large and light. There were flowers at the window, and pictures on the walls, and many toys. And on a couch, covered with a bright green rug with yellow daisies embroidered on it, lay a little girl with pretty yellow hair and kind, merry blue eyes.

'_Oh!_' said the little girl, very much astonished.

'_Oh!_' said Fina, at the same minute, and with the same quantity of astonishment.

'I've come to play with you, if you'll let me,' said Fina.

'How lovely! But how did you get in?'

'The Slave of the Ring brought me.'

'The Slave of the Ring! How wonderful!'

'Yes, isn't it? What's your name?'

'Ella.'

'Mine's Fina. Wouldn't you like to see my Ring Slave, Ella?'

'Yes--oh yes!' Ella was laughing softly.

Fina rubbed the ring and the footman genie appeared, his silk legs more beautifully silk than ever.

'Please fetch the pagoda.'

The pagoda toppled on to the couch, and the genie vanished, as he always did when he had executed an order.

When Ella had admired the pagoda, which she did very thoroughly and satisfyingly, she said:

'And now I'll show you _mine_!'

She pulled a battered iron thing from under her pillow and rubbed it. Instantly a very grand stout gentleman in evening dress stood before them. He had most respectable whiskers, and he said:

'What can I do for you, madam?'

'Who is it?' whispered Fina.

'It's the Slave of the Lamp,' said Ella. 'He says he's disguised as a perfect butler because times have changed so since _his_ time.'

'Send him away,' said Fina.

'Oh, dear Ella,' she went on, when they were alone, 'tell me all about yours, and I'll tell you all about mine.'

'Well,' said Ella, 'I found the lamp at the seaside, just before I hurt my back. I fell off the sea-wall, you know, and I shan't be able to walk for ever so long. And one day I rubbed it by accident, and since then my beautiful perfect butler gets me anything I want. Look here, I'll tell him to make it like it was yesterday.'

The lamp was rubbed, the order given, and the nursery became a palace hall hung with cloth of gold and blazing with jewels and softly-coloured lamps.

'But can't your butler cure your back?'

'No. Time is the only genie who can do that, my butler says. You don't know how I've wanted someone to show it all to! But I never thought of wishing for you. It's only a week since I found the lamp----'

'Do they leave you alone all the time?'

'Oh no, only when I say I'm sleepy; and my butler has orders to change everything to ordinary directly the door-handle turns.'

'Have you told anyone?'

'Oh _no_! My butler says if you tell anyone grown-up that you've got the lamp it will vanish away. I can't remember whether it's like that in the "Arabian Nights"; perhaps it's a new rule.'

The two little girls talked all the afternoon about the wonderful things they would make their slaves do for them, and they were so contented with each other's company that they never once called on their slaves for anything.

But when Fina began to feel the inside feeling that means teatime, she rubbed the ring for her slave to take her back to the farm.

'I'll get my slave to take me to see you home,' said Ella. 'He can carry me quite without hurting me.'

So she rubbed the lamp, and the stately butler instantly appeared.

'Please----' Ella began; but the glorious butler interrupted.

'James,' he said to the footman, 'what are you doing here?'

'I'm in service with this young lady, Mr. Lamp, sir.'

'Give me the ring, James.'

And instantly the footman took the ring, very gently but quite irresistibly, from Fina's finger, and handed it to the butler.

'Oh _no_!' Fina cried, 'you've no right to take my ring. And he's no right to obey you. He's _my_ slave.'

'Excuse me, madam,' said the butler, looking more and more perfect, and more and more the sort of person who is sure to know best, 'he is not _your_ slave. He is the Slave of the Ring. But then, you see, he is a footman, and footmen have to obey butlers all the world over.'

'That's so, miss,' said the footman; 'but the lamp's stronger than the ring.' He snatched up the lamp. 'Now, then,' he said, turning fiercely to the butler, 'we'll see if you're going to begin a-orderin' of me about!'

The butler so far forgot himself as to scratch his head thoughtfully.

'Yes,' he said, after a pause; 'I've got to own that you've got the better of me there, James Rings. But why dispute--which is beneath the dignity of a six-foot footman like yourself, to say nothing of the dignity of a butler, which is a thing words can't do justice to? You're my slave because I've got the ring and because I'm a butler and you're a footman. And I'm your slave because you've got the lamp. It's half a dozen of one and six and a half of the other. Can't we come to some agreement between ourselves, James?'

'Oh,' cried Ella, 'what about _us_?'

'We are excessively sorry to cause any inconvenience, madam,' said the butler, 'but we give you five minutes' notice. We are leaving service for good.'

'Oh, Lamps!' cried Ella. 'And you were always such a beautiful butler. I thought you enjoyed being it.'

'Don't you make any mistake, miss,' the footman put in. 'Nobody _enjoys_ being in service, though they has to put up with it. Me and Mr. Lamps is retiring from service. Perhaps we may take a little business and go into partnership, and always wishing you well, young ladies both.'

'But,' said Fina, 'you _can't_ go and leave me here! Why, I should never get home. I don't so much as know what county I'm in.'

'You're in Auckland, miss,' said James.

'There isn't such a country.'

'Pardon me, madam,' said the butler, 'there is. In New Zealand.'

'Don't cry, miss,' said James. 'If Mr. Lamps 'll only give the word, I'll take you home.'

'And then I shall never see Ella again.'

'Oh, tell Lamps to rub the ring and tell you to arrange for me to come and live near her in England,' cried Ella; 'if he'll do that I don't care. I'd rather have a friend than twenty slaves.'

'A very proper sentiment, ma'am,' said the butler approvingly. 'Is there any other little thing we could do to oblige you?'

'The pagoda,' said Fina. 'If you could only get it back to Miss Patty, so that she won't lose the things she sold it for, and won't know about the ring having been in it.'

'Consider it done, madam,' said the Slave of the Lamp, stroking his respectable butlerial whisker. 'Now, if you're ready, your footman shall see you home.'

'Good-bye, oh, good-bye,' said the little girls, kissing each other very much.

Then Fina shut her eyes, and there she was in the wood in Sussex--alone.

'Now, _have_ I dreamed it all?' she said, and went slowly home to tea.

The first thing she saw on the tea-table was the pagoda! And the next was a brown-faced sailor eating hot buttered toast in the Windsor armchair.

'Well may you look!' said Miss Patty; 'this is my brother Bob, newly arrived from foreign parts. And he met that pedlar and bought the pagoda off him for two pounds and a highly-coloured cockatoo he was bringing home. And these ten sovereigns the wicked old man gave me are bad ones. But the dresses and the cloth are good. It's a wonderful world!'

Fina thought so too.

Now, the oddest thing about all this is that six months later some new people came to live in the house next door to the house where Fina lived in Tooting. And those new people came from New Zealand. And one of them was called Ella!

Fina knew her at once, but Ella had forgotten her, and forgotten the beautiful perfect butler and the perfect footman, and the lamp and the ring, and everything. Perhaps a long sea-voyage is bad for the memory. Anyway, the two little girls are close friends, and Ella loves to hear Fina tell the story of the two slaves, though she doesn't believe a word of it.

Fina's father and Ella's father have left Tooting now. They live in lovely houses at Haslemere. And Fina has a white pony and Ella has a brown one. Their fathers are very rich now. They both got situations as managers to branch houses of Messrs. Lamps, Rings, and Co., Electrical Engineers. Mr. Lamps attends to the lighting department, and Mr. Rings is at the head of the bells, which always ring beautifully. And I hear that Ella's father and Fina's father are likely to be taken into partnership. Mr. Bodlett has bought the pagoda, at Fina's earnest request, and it stands on a sideboard in his handsome drawing-room. Fina sometimes asks it whether she really did dream the whole story or not. But it never says a word.

Of course, you and I know that every word of the story is true.

THE CHARMED LIFE; OR, THE PRINCESS AND THE LIFT-MAN

There was once a Prince whose father failed in business and lost everything he had in the world--crown, kingdom, money, jewels, and friends. This was because he was so fond of machinery that he was always making working models of things he invented, and so had no time to attend to the duties that Kings are engaged for. So he lost his situation. There is a King in French history who was fond of machinery, particularly clock-work, and he lost everything too, even his head. The King in this story kept his head, however, and when he wasn't allowed to make laws any more, he was quite contented to go on making machines. And as his machines were a great deal better than his laws had ever been, he soon got a nice little business together, and was able to buy a house in another kingdom, and settle down comfortably with his wife and son. The house was one of those delightful villas called after Queen Anne (the one whose death is still so often mentioned and so justly deplored), with stained glass to the front-door, and coloured tiles on the front-garden path, and gables where there was never need of gables, and nice geraniums and calceolarias in the front-garden, and pretty red brick on the front of the house. The back of the house was yellow brick, because that did not show so much.

Here the King and the Queen and the Prince lived very pleasantly. The Queen snipped the dead geraniums off with a pair of gold scissors, and did fancy-work for bazaars. The Prince went to the Red-Coat School, and the King worked up his business. In due time the Prince was apprenticed to his father's trade; and a very industrious apprentice he was, and never had anything to do with the idle apprentices who play pitch and toss on tombstones, as you see in Mr. Hogarth's picture.

When the Prince was twenty-one his mother called him to her. She put down the blotting-book she was embroidering for the School Bazaar in tasteful pattern of stocks and nasturtiums, and said:

'My dear son, you have had the usual coming-of-age presents--silver cigar-case and match-box; a handsome set of brushes, with your initials on the back; a Gladstone bag, also richly initialled; the complete works of Dickens and Thackeray; a Swan fountain-pen mounted in gold; and the heartfelt blessing of your father and mother. But there is still one more present for you.'

'You are too good, mamma,' said the Prince, fingering the nasturtium-coloured silks.

'Don't fidget,' said the Queen, 'and listen to me. When you were a baby a fairy, who was your godmother, gave you a most valuable present--a Charmed Life. As long as you keep it safely, nothing can harm you.'

'How delightful!' said the Prince. 'Why, mamma, you might have let me go to sea when I wanted to. It would have been quite safe.'

'Yes, my dear,' said the Queen, 'but it's best to be careful. I have taken care of your life all these years, but now you are old enough to take care of it for yourself. Let me advise you to keep it in a safe place. You should never carry valuables about on your person.'

And then she handed the Charmed Life over to him, and he took it and kissed her, and thanked her for the pretty present, and went away and hid it. He took a brick out of the wall of the villa, and hid his Life behind it. The bricks in the walls of these Queen Anne villas generally come out quite easily.

Now, the father of the Prince had been King of Bohemia, so, of course, the Prince was called Florizel, which is their family name; but when the King went into business he went in as Rex Bloomsbury, and his great patent Lightning Lift Company called itself R. Bloomsbury and Co., so that the Prince was known as F. Bloomsbury, which was as near as the King dared go to 'Florizel, Prince of Bohemia.' His mother, I am sorry to say, called him Florrie till he was quite grown up.

Now, the King of the country where Florizel lived was a very go-ahead sort of man, and as soon as he heard that there were such things as lifts--which was not for a long time, because no one ever lets a King know anything if it can be helped--he ordered one of the very, very best for his palace. Next day a card was brought in by one of the palace footmen. It had on it: 'Mr. F. Bloomsbury, R. Bloomsbury and Co.'

'Show him in,' said the King.

'Good-morning, sire,' said Florizel, bowing with that perfect grace which is proper to Princes.

'Good-morning, young man,' said the King. 'About this lift, now.'

'Yes, sire. May I ask how much your Majesty is prepared to----'

'Oh, never mind price,' said the King; 'it all comes out of the taxes.'

'I should think, then, that Class A ... our special Argentinella design--white satin cushions, woodwork overlaid with ivory and inset with pearls, opals, and silver.'

'Gold,' said the King shortly.

'Not with pearls and ivory,' said Florizel firmly. He had excellent taste. 'The gold pattern--we call it the Anriradia--is inlaid with sapphires, emeralds, and black diamonds.'

'I'll have the gold pattern,' said the King; 'but you might run up a little special lift for the Princess's apartments. I dare say she'd like that Argentinella pattern--"Simple and girlish," I see it says in your circular.'