Chapter X: Act IV: Scene: Interior of Ichirō's house. Three persons kneeling in (4)

"Do you remember," I asked, "when you declared in the schoolroom that you wished to die for His Majesty the Emperor?"

"Yes," he answered, laughing. "And the chance has come,--not for me only, but for several of my class."

"Where are they?" I asked. "With you?"

"No; they were all in the Hiroshima division, and they are already in Korea. Imaoka (you remember him, teacher: he was very tall), and Nagasaki, and Ishihara,--they were all in the fight at Söng-Hwan. And our drill-master, the lieutenant,--you remember him?"

"Lieutenant Fujii, yes. He had retired from the army."

"But he belonged to the reserves. He has also gone to Korea. He has had another son born since you left Izumo."

"He had two little girls and one boy," I said, "when I was in Matsue."

"Yes: now he has two boys."

"Then his family must feel very anxious about him?"

"_He_ is not anxious," replied the lad. "To die in battle is very honorable; and the Government will care for the families of those who are killed. So our officers have no fear. Only--it is very sad to die if one has no son."

"I cannot see why."

"Is it not so in the West?"

"On the contrary, we think it is very sad for the man to die who has children."

"But why?"

"Every good father must be anxious about the future of his children. If he be taken suddenly away from them, they may have to suffer many sorrows."

"It is not so in the families of our officers. The relations care well for the child, and the Government gives a pension. So the father need not be afraid. But to die is sorrowful for one who has no child."

"Do you mean sorrowful for the wife and the rest of the family?"

"No; I mean for the man himself, the husband."

"And how? Of what use can a son be to a dead man?"

"The son inherits. The son maintains the family name. The son makes the offerings."

"The offerings to the dead?"

"Yes. Do you now understand?"

"I understand the fact, not the feeling. Do military men still hold these beliefs?"

"Certainly. Are there no such beliefs in the West?"

"Not now. The ancient Greeks and Romans had such beliefs. They thought that the ancestral spirits dwelt in the home, received the offerings, watched over the family. Why they thought so, we partly know; but we cannot know exactly how they felt, because we cannot understand feelings which we have never experienced, or which we have not inherited. For the same reason, I cannot know the real feeling of a Japanese in relation to the dead."

"Then you think that death is the end of everything?"

"That is not the explanation of my difficulty. Some feelings are inherited,--perhaps also some ideas. Your feelings and your thoughts about the dead, and the duty of the living to the dead, are totally different from those of an Occidental. To us the idea of death is that of a total separation, not only from the living, but from the world. Does not Buddhism also tell of a long dark journey that the dead must make?"

"The journey to the Meido,--yes. All must make that journey. But we do not think of death as a total separation. We think of the dead as still with us. We speak to them each day."

"I know that. What I do not know are the ideas behind the facts. If the dead go to the Meido, why should offerings be made to ancestors in the household shrines, and prayers be said to them as if they were really present? Do not the common people thus confuse Buddhist teachings and Shintō belief?"

"Perhaps many do. But even by those who are Buddhists only, the offerings and the prayers to the dead are made in different places at the same time,--in the parish temples, and also before the family butsudan."

"But how can souls be thought of as being in the Meido, and also in various other places at the same time? Even if the people believe the soul to be multiple, that would not explain away the contradiction. For the dead, according to Buddhist teaching, are judged."

"We think of the soul both as one and as many. We think of it as of one person, but not as of a substance. We think of it as something that may be in many places at once, like a moving of air."

"Or of electricity?" I suggested.

"Yes."

Evidently, to my young friend's mind the ideas of the Meido and of the home-worship of the dead had never seemed irreconcilable; and perhaps to any student of Buddhist philosophy the two faiths would not appear to involve any serious contradictions. The Sutra of the Lotus of the Good Law teaches that the Buddha state "is endless and without limit,--immense as the element of ether." Of a Buddha who had long entered into Nirvana it declares, "Even after his complete extinction, he wanders through this whole world in all ten points of space." And the same Sutra, after recounting the simultaneous apparition of all the Buddhas who had ever been, makes the teacher proclaim, "_All these you see are my proper bodies, by kotis of thousands, like the sands of the Ganges: they have appeared that the law may be fulfilled._" But it seemed to me obvious that, in the artless imagination of the common people, no real accord could ever have been established between the primitive conceptions of Shintō and the much more definite Buddhist doctrine of a judgment of souls.

"Can you really think of death," I asked, "as life, as light?"

"Oh yes," was the smiling answer. "We think that after death we shall still be with our families. We shall see our parents, our friends. We shall remain in this world,--the light as now."

(There suddenly recurred to me, with new meaning, some words of a student's composition regarding the future of a just man: _His soul shall hover eternally in the universe._)

"And therefore," continued Asakichi, "one who has a son can die with a cheerful mind."

"Because the son will make those offerings of food and drink without which the spirit would suffer?" I queried.

"It is not only that. There are duties much more important than the making of offerings. It is because every man needs some one to love him after he is dead. Now you will understand."

"Only your words," I replied, "only the facts of the belief. The feeling I do not understand. I cannot think that the love of the living could make me happy after death. I cannot even imagine myself conscious of any love after death. And you, you are going far away to battle,--do you think it unfortunate that you have no son?"

"I? Oh no! I myself _am_ a son,--a younger son. My parents are still alive and strong, and my brother is caring for them. If I am killed, there will be many at home to love me,--brothers, sisters, and little ones. It is different with us soldiers: we are nearly all very young."

"For how many years," I asked, "are the offerings made to the dead?"

"For one hundred years."

"Only for a hundred years?"

"Yes. Even in the Buddhist temples the prayers and the offerings are made only for a hundred years."

"Then do the dead cease to care for remembrance in a hundred years? Or do they fade out at last? Is there a dying of souls?"

"No, but after one hundred years they are no longer with us. Some say they are born again; others say they become kami, and do reverence to them as kami, and on certain days make offerings to them in the toko."

(Such were, I knew, the commonly accepted explanations, but I had heard of beliefs strangely at variance with these. There are traditions that, in families of exceeding virtue, the souls of ancestors took material form, and remained sometimes visible through hundreds of years. A sengaji pilgrim[1] of old days has left an account of two whom he said he had seen in some remote part of the interior. They were small, dim shapes, "dark like old bronze." They could not speak, but made little moaning sounds, and they did not eat, but only inhaled the warm vapor of the food daily set before them. Every year, their descendants said, they became smaller and vaguer.)

"Do you think it is very strange that we should love the dead?" Asakichi asked.

"No," I replied, "I think it is beautiful. But to me, as a Western stranger, the custom seems not of to-day, but of a more ancient world. The thoughts of the old Greeks about the dead must have been much like those of the modern Japanese. The feelings of an Athenian soldier in the age of Pericles were perhaps the same as yours in this era of Meiji. And you have read at school how the Greeks sacrificed to the dead, and how they paid honor to the spirits of brave men and patriots?"

"Yes. Some of their customs were very like our own. Those of us who fall in battle against China will also be honored. They will be revered as kami. Even our Emperor will honor them."

"But," I said, "to die so far away from the graves of one's fathers, in a foreign land, would seem, even to Western people, a very sad thing."

"Oh no. There will be monuments set up to honor our dead in their own native villages and towns, and the bodies of our soldiers will be burned, and the ashes sent home to Japan. At least that will be done whenever possible. It might be difficult after a great battle."

(A sudden memory of Homer surged back to me, with, a vision of that antique plain where "the pyres of the dead burnt continually in multitude.")

"And the spirits of the soldiers slain in this war," I asked,--"will they not always be prayed to help the country in time of national danger?"

"Oh yes, always. We shall be loved and worshiped by all the people."

He said "we" quite naturally, like one already destined. After a little pause he resinned:--

"The last year that I was at school we had a military excursion. We marched to a shrine in the district of In, where the spirits of heroes are worshiped. It is a beautiful and lonesome place, among hills; and the temple is shadowed by very high trees. It is always dim and cool and silent there. We drew up before the shrine in military order; nobody spoke. Then the bugle sounded through the holy grove, like a call to battle; and we all presented arms; and the tears came to my eyes,--I do not know why. I looked at my comrades, and I saw they felt as I did. Perhaps, because you are a foreigner, you will not understand. But there is a little poem, that every Japanese knows, which expresses the feeling very well. It was written long ago by the great priest Saigyo Hōshi, who had been a warrior before becoming a priest, and whose real name was Sato Norikyo:--

"'_Nani go to no_
_Owashimasu ka wa_
_Shirane domo_
_Arigata sa ni zo_
_Namida kobururu._'"[2]

It was not the first time that I had heard such a confession. Many of my students had not hesitated to speak of sentiments evoked by the sacred traditions and the dim solemnity of the ancient shrines. Really the experience of Asakichi was no more individual than might be a single ripple in a fathomless sea. He had only uttered the ancestral feeling of a race,--the vague but immeasurable emotion of Shintō.

We talked on till the soft summer darkness fell. Stars and the electric lights of the citadel twinkled out together; bugles sang; and from Kiyomasa's fortress rolled into the night a sound deep as a thunder-peal, the chant of ten thousand men:--

Nishi mo higashi mo
Mina teki zo,
Minami mo kita mo
Mina teki zo:
Yose-kura teki wa
Shiranuhi no
Tsukushi no hate no
Satsuma gata.[3]

"You have learned that song, have you not?" I asked.

"Oh yes," said Asakichi. "Every soldier knows it."

It was the Kumamoto Rōjō, the Song of the Siege. We listened, and could even catch some words in that mighty volume of sound:--

Tenchi mo kuzuru
Bakari nari,
Tenchi wa kuzure
Yama kawa wa
Saicuru tameshi no
Araba tote,
Ugokanu mono wa
Kimi ga mi yo.[4]

For a little while Asakichi sat listening, swaying his shoulders in time to the strong rhythm of the chant; then, as one suddenly waking, he laughed, and said:--

"Teacher, I must go! I do not know how to thank you enough, nor to tell you how happy this day has been for me. But first,"--taking from his breast a little envelope,--"please accept this. You asked me for a photograph long ago: I brought it for a souvenir."

He rose, and buckled on his sword. I pressed his hand at the entrance.

"And what may I send you from Korea, teacher?" he asked.

"Only a letter," I said,--"after the next great victory."

"Surely, if I can hold a pen," he responded.

Then straightening up till he looked like a statue of bronze, he gave me the formal military salute, and strode away in the dark.

I returned to the desolate guest-room and dreamed. I heard the thunder of the soldiers' song. I listened to the roar of the trains, bearing away so many young hearts, so much priceless loyalty, so much splendid faith and love and valor, to the fever of Chinese rice-fields, to gathering cyclones of death.

[1] A sengaji pilgrim is one who makes the pilgrimage to the thousand famous temples of the Nichiren sect; a journey requiring many years to perform.

[2] "What thing (cause) there may he, I cannot tell. But [whenever I come in presence of the shrine] grateful tears overflow."

[3] This would be a free translation in nearly the same measure:--

Oh! the land to south and north
All is full of foes!
Westward, eastward, looking forth,
All is full of foes!
None can well the number tell
Of the hosts that pour
From the strand of Satsuma,
From Tsukushi's shore.

[4]

What if Earth should sundered he?
What if Heaven fall?
What if mountain mix with sea?
Brave hearts each and all,
Know one thing shall still endure,
Ruin cannot whelm,
Everlasting, holy, pure,--
This Imperial Realm.

III

The evening of the same day that we saw the name "Kosuga Asakichi" in the long list published by the local newspaper, Manyemon decorated and illuminated the alcove of the guest-room as for a sacred festival; filling the vases with flowers, lighting several small lamps, and kindling incense-rods in a little cup of bronze. When all was finished, he called me. Approaching the recess, I saw the lad's photograph within, set upright on a tiny dai; and before it was spread a miniature feast of rice and fruits and cakes,--the old man's offering.

"Perhaps," ventured Manyemon, "it would please his spirit if the master should be honorably willing to talk to him. He would understand the master's English."

I did talk to him; and the portrait seemed to smile through the wreaths of the incense. But that which I said was for him only, and the Gods.

X

IN YOKOHAMA

A good sight indeed has met us to-day,--a good daybreak,--a beautiful rising;--for we have seen the Perfectly Enlightened, who has crossed the stream.--HEMAVATASUTTA.

I

The Jizō-Dō was not easy to find, being hidden away in a court behind a street of small shops; and the entrance to the court itself--a very narrow opening between two houses--being veiled at every puff of wind by the fluttering sign-drapery of a dealer in second-hand clothing.

Because of the heat, the shōji of the little temple had been removed, leaving the sanctuary open to view on three sides. I saw the usual Buddhist furniture--service-bell, reading-desk, and scarlet lacquered mokugyō, disposed upon the yellow matting. The altar supported a stone Jizō, wearing a bib for the sake of child ghosts; and above the statue, upon a long shelf, were smaller ages gilded and painted,--another Jizō, aureoled from head to feet, a radiant Amida, a sweet-faced Kwannon, and a grewsome figure of the Judge of Souls. Still higher were suspended a confused multitude of votive offerings, including two framed prints taken from American illustrated papers: a view of the Philadelphia Exhibition, and a portrait of Adelaide Neilson in the character of Juliet. In lieu of the usual flower vases before the horizon there were jars of glass bearing the inscription,--"_Reine Claude au jus; conservation garantie. Toussaint Cosnard: Bordeaux._" And the box filled with incense-rods bore the legend: "_Rich in flavor--Pinhead Cigarettes._" To the innocent folk who gave them, and who could never hope in this world to make costlier gifts, these _ex-voto_ seemed beautiful because strange; and in spite of incongruities it seemed to me that the little temple did really look pretty.

A screen, with weird figures of Arhats creating dragons, masked the further chamber; and the song of an unseen uguisu sweetened the hush of the place. A red cat came from behind the screen to look at us, and retired again, as if to convey a message. Presently appeared an aged nun, who welcomed us and bade us enter; her smoothly shaven head shining like a moon at every reverence. We doffed our footgear, and followed her behind the screen, into a little room that opened upon a garden; and we saw the old priest seated upon a cushion, and writing at a very low table. He laid aside his brush to greet us; and we also took our places on cushions before him. Very pleasant his face was to look upon: all wrinkles written there by the ebb of life spake of that which was good.

The nun brought us tea, and sweetmeats stamped with the Wheel of the Law; the red cat curled itself up beside me; and the priest talked to us. His voice was deep and gentle; there were bronze tones in it, like the rich murmurings which follow each peal of a temple bell. We coaxed him to tell us about himself. He was eighty-eight years of age, and his eyes and ears were still as those of a young man; but he could not walk because of chronic rheumatism. For twenty years he had been occupied in writing a religious history of Japan, to be completed in three hundred volumes; and he had already completed two hundred and thirty. The rest he hoped to write during the coming year. I saw on a small book-shelf behind him the imposing array of neatly bound MSS.

"But the plan upon which he works," said my student interpreter, "is quite wrong. His history will never be published; it is full of impossible stories--miracles and fairy-tales."

(I thought I should like to read the stories.)

"For one who has reached such an age," I said, "you seem very strong."

"The signs are that' I shall live some years longer," replied the old man, "though I wish to live only long enough to finish my history. Then, as I am helpless and cannot move about, I want to die so as to get a new body. I suppose I must have committed some fault in a former life, to be crippled as I am. But I am glad to feel that I am nearing the Shore."

"He means the shore of the Sea of Death and Birth," says my interpreter. "The ship whereby we cross, you know, is the Ship of the Good Law; and the farthest shore is Nehan,--Nirvana."

"Are all our bodily weaknesses and misfortunes," I asked, "the results of errors committed in other births?"

"That which we are," the old man answered, "is the consequence of that which we have been. We say in Japan the consequence of mangō and ingō,--the two classes of actions."

"Evil and good?" I queried.

"Greater and lesser. There are no perfect actions. Every act contains both merit and demerit, just as even the best painting has defects and excellences. But when the sum of good in any action exceeds the sum of evil, just as in a good painting the merits outweigh the faults, then the result is progress. And gradually by such progress will all evil be eliminated."

"But how," I asked, "can the result of actions affect the physical conditions? The child follows the way of his fathers, inherits their strength or their weakness; yet not from them does he receive his soul."

"The chain of causes and effects is not easy to explain in a few words. To understand all you should study the Dai-jō or Greater Vehicle; also the Shō-jō, or Lesser Vehicle. There you will learn that the world itself exists only because of acts. Even as one learning to write, at first writes only with great difficulty, but afterward, becoming skillful, writes without knowledge of any effort, so the tendency of acts continually repeated is to form habit. And such tendencies persist far beyond this life."

"Can any man obtain the power to remember his former births?"

"That is very rare," the old man answered, shaking his head. "To have such memory one should first become a Bosatsu [Bodhissattva]."

"Is it not possible to become a Bosatsu?"

"Not in this age. This is the Period of Corruption. First there was the Period of True Doctrine, when life was long; and after it came the Period of Images, during which men departed from the highest truth; and now the world is degenerate. It is not now possible by good deeds to become a Buddha, because the world is too corrupt and life is too short. But devout persons may attain the Gokuraku [Paradise] by virtue of merit, and by constantly repeating the Nembutsu; and in the Gokuraku, they may be able to practice the true doctrine. For the days are longer there, and life also is very long."

"I have read in our translations of the Sutras," I said, "that by virtue of good deeds men may be reborn in happier and yet happier conditions successively, each time obtaining more perfect faculties, each time surrounded by higher joys. Riches are spoken of, and strength and beauty, and graceful women, and all that people desire in this temporary world. Wherefore I cannot help thinking that the way of progress must continually grow more difficult the further one proceeds. For if these texts be true, the more one succeeds in detaching one's self from the things of the senses, the more powerful become the temptations to return to them. So that the reward of virtue would seem itself to be made an obstacle in the path."

"Not so!" replied the old man. "They, who by self-mastery reach such conditions of temporary happiness, have gained spiritual force also, and some knowledge of truth. Their strength to conquer themselves increases more and more with every triumph, until they reach at last that world of Apparitional Birth, in which the lower forms of temptation have no existence."

The red cat stirred uneasily at a sound of geta, then went to the entrance, followed by the nun. There were some visitors waiting; and the priest begged us to excuse him a little while, that he might attend to their spiritual wants. We made place quickly for them, and they came in,--poor pleasant folk, who saluted us kindly: a mother bereaved, desiring to have prayers said for the happiness of her little dead boy; a young wife to obtain the pity of the Buddha for her ailing husband; a father and daughter to seek divine help for somebody that had gone very far away. The priest spoke caressingly to all, giving to the mother some little prints of Jizō, giving a paper of blest rice to the wife, and on behalf of the father and daughter, preparing some holy texts. Involuntarily there came to me the idea of all the countless innocent prayers thus being daily made in countless temples; the idea of all the fears and hopes and heartaches of simple love; the idea of all the humble sorrows unheard by any save the gods. The student began to examine the old man's books, and I began to think of the unthinkable.

Life--life as unity, uncreated, without beginning,--of which we know the luminous shadows only;--life forever striving against death, and always conquered yet always surviving--what is it?--why is it? A myriad times the universe is dissipated,--a myriad times again evolved; and the same life vanishes with every vanishing, only to reappear in another cycling. The Cosmos becomes a nebula, the nebula a Cosmos: eternally the swarms of suns and worlds are born; eternally they die. But after each tremendous integration the flaming spheres cool down and ripen into life; and the life ripens into Thought. The ghost in each one of us must have passed through the burning of a million suns,--must survive the awful vanishing of countless future universes. May not Memory somehow and somewhere also survive? Are we sure that in ways and forms unknowable it does not? as infinite vision,--remembrance of the Future in the Past? Perhaps in the Night-without-end, as in deeps of Nirvana, dreams of all that has ever been, of all that can ever be, are being perpetually dreamed.

The parishioners uttered their thanks, made their little offerings to Jizō, and retired, saluting us as they went. We resumed our former places beside the little writing-table, and the old man said:--

"It is the priest, perhaps, who among all men best knows what sorrow is in the world. I have heard that in the countries of the West there is also much suffering, although the Western nations are so rich."

"Yes," I made answer; "and I think that in Western countries there is more unhappiness than in Japan. For the rich there are larger pleasures, but for the poor greater pains. Our life is much more difficult to live; and, perhaps for that reason, our thoughts are more troubled by the mystery of the world."

The priest seemed interested, but said nothing. With the interpreter's help, I continued:--

"There are three great questions by which the minds of many men in the Western countries are perpetually tormented. These questions we call 'the Whence, the Whither, and the Why,' meaning, Whence Life? Whither does it go? Why does it exist and suffer? Our highest Western Science declares them riddles impossible to solve, yet confesses at the same time that the heart of man can find no peace till they are solved. All religions have attempted explanations; and all their explanations are different. I have searched Buddhist books for answers to these questions, and I found answers which seemed to me better than any others. Still, they did not satisfy me, being incomplete. From your own lips I hope to obtain some answers to the first and the third questions at least. I do not ask for proof or for arguments of any kind: I ask only to know doctrine. Was the beginning of all things in universal Mind?"

To this question I really expected no definite answer, having, in the Sutra called Sabbâsava, read about "those things which ought not to be considered," and about the Six Absurd Notions, and the words of the rebuke to such as debate within themselves: "_This is a being: whence did it come? whither will it go?_" But the answer came, measured and musical, like a chant:--

"All things considered as individual have come into being, through forms innumerable of development and reproduction, out of the universal Mind. Potentially within that mind they had existed from eternity. But between that we call Mind and that we call Substance there is no difference of essence. What we name Substance is only the sum of our own sensations and perceptions; and these themselves are but phenomena of Mind. Of Substance-in-itself we have not any knowledge. We know nothing beyond the phases of our mind, and these phases are wrought in it by outer influence or power, to which we give the name Substance. But Substance and Mind in themselves are only two phases of one infinite Entity."

"There are Western teachers also," I said, "who teach a like doctrine; and the most profound researches of our modern science seem to demonstrate that what we term Matter has no absolute existence. But concerning that infinite Entity of which you speak, is there any Buddhist teaching as to when and how It first produced those two forms which in name we still distinguish as Mind and Substance?"

"Buddhism," the old priest answered, "does not teach, as other religions do, that things have been produced by creation. The one and only Reality is the universal Mind, called in Japanese Shinnyo,[1]--the Reality-in-its-very-self, infinite and eternal. Now this infinite Mind within Itself beheld Its own sentiency. And, even as one who in hallucination assumes apparitions to be actualities, so the universal Entity took for external existences that which It beheld only within Itself. We call this illusion Mu-myo,[2] signifying 'without radiance,' or 'void of illumination.'"

"The word has been translated by some Western scholars," I observed, "as Ignorance.'"

"So I have been told. But the idea conveyed by the word we use is not the idea expressed by the term 'ignorance.' It is rather the idea of enlightenment misdirected, or of illusion."

"And what has been taught," I asked, concerning the time of that illusion?"

"The time of the primal illusion is said to be Mu-shi, 'beyond beginning,' in the incalculable past. From Shinnyo emanated the first distinction of the Self and the Not-Self, whence have arisen all individual existences, whether of Spirit or of Substance, and all those passions and desires, likewise, which influence the conditions of being through countless births. Thus the universe is the emanation of the infinite Entity; yet it cannot be said that we are the creations of that Entity. The original Self of each of us is the universal Mind; and within each of us the universal Self exists, together with the effects of the primal illusion. And this state of the original Self enwrapped in the results of illusion, we call Nyōrai-zō,[3] or the Womb of the Buddha. The end for which we should all strive is simply our return to the infinite Original Self, which is the essence of Buddha."

"There is another subject of doubt," I said, "about which I much desire to know the teaching of Buddhism. Our Western science declares that the visible universe has been evolved and dissolved successively innumerable times during the infinite past, and must also vanish and reappear through countless cycles in the infinite future. In our translations of the ancient Indian philosophy, and of the sacred texts of the Buddhists, the same thing is declared. But is it not also taught that there shall come at last for all things a time of ultimate vanishing and of perpetual rest?"

He answered: "The Shō-jō indeed teaches that the universe has appeared and disappeared over and over again, times beyond reckoning in the past, and that it must continue to be alternately dissolved and reformed through unimaginable eternities to come. But we are also taught that all things shall enter finally and forever, into the state of Nehan."[4]

An irreverent yet irrepressible fancy suddenly arose within me. I could not help thinking of Absolute Rest as expressed by the scientific formula of two hundred and seventy-four degrees (centigrade) below zero, or 461°.2 Fahrenheit. But I only said:--

"For the Western mind it is difficult to think of absolute rest as a condition of bliss. Does the Buddhist idea of Nehan include the idea of infinite stillness, of universal immobility?"

"No," replied the priest. "Nehan is the condition of Absolute Self-sufficiency, the state of all-knowing, all-perceiving. We do not suppose it a state of total inaction, but the supreme condition of freedom from all restraint. It is true that we cannot imagine a bodiless condition of perception or knowledge; because all our ideas and sensations belong to the condition of the body. But we believe that Nehan is the state of infinite vision and infinite wisdom and infinite spiritual peace."

The red cat leaped upon the priest's knees, and there curled itself into a posture of lazy comfort. The old man caressed it; and my companion observed, with a little laugh:--

"See how fat it is! Perhaps it may have performed some good deeds in a previous life."

"Do the conditions of animals," I asked, "also depend upon merit and demerit in previous existences?"

The priest answered me seriously:--

"All conditions of being depend upon conditions preëxisting, and Life is One. To be born into the world of men is fortunate; there we have some enlightenment, and chances of gaining merit. But the state of an animal is a state of obscurity of mind, deserving our pity and benevolence. No animal can be considered truly fortunate; yet even in the life of animals there are countless differences of condition."

A little silence followed,--softly broken by the purring of the cat. I looked at the picture of Adelaide Neilson, just visible above the top of the screen; and I thought of Juliet, and wondered what the priest would say about Shakespeare's wondrous story of passion and sorrow, were I able to relate it worthily in Japanese. Then suddenly, like an answer to that wonder, came a memory of the two hundred and fifteenth verse of the Dhammapada: "_From love comes grief; from grief comes fear: one who is free from love knows neither grief nor fear._"

"Does Buddhism," I asked, "teach that all sexual love ought to be suppressed? Is such love of necessity a hindrance to enlightenment? I know that Buddhist priests, excepting those of the Shin-shū, are forbidden to marry; but I do not know what is the teaching concerning celibacy and marriage among the laity."

"Marriage may be either a hindrance or a help on the Path," the old man said, "according to conditions. All depends upon conditions. If the love of wife and child should cause a man to become too much attached to the temporary advantages of this unhappy world, then such love would be a hindrance. But, on the contrary, if the love of wife and child should enable a man to live more purely and more unselfishly than he could do in a state of celibacy, then marriage would be a very great help to him in the Perfect Way. Many are the dangers of marriage for the wise; but for those of little understanding the dangers of celibacy are greater. And even the illusion of passion may sometimes lead noble natures to the higher knowledge. There is a story of this. Dai-Mokukenren,[5] whom the people call Mokuren, was a disciple of Shaka.[6] He was a very comely man; and a girl became enamored of him. As he belonged already to the Order, she despaired of being ever able to have him for her husband; and she grieved in secret. But at last she found courage to go to the Lord Buddha, and to speak all her heart to him. Even while she was speaking, he cast a deep sleep upon her; and she dreamed she was the happy wife of Mokuren. Years of contentment seemed to pass in her dream; and after them years of joy and sorrow mingled; and suddenly her husband was taken away from her by death. Then she knew such sorrow that she wondered how she could live; and she awoke in that pain, and saw the Buddha smile. And he said to her: 'Little Sister, thou hast seen. Choose now as thou wilt,--either to be the bride of Mokuren, or to seek the higher Way upon which he has entered.' Then she cut off her hair, and became a nun, and in after-time attained to the condition of one never to be reborn."

For a moment it seemed to me that the story did not show how love's illusion could lead to self-conquest; that the girl's conversion was only the direct result of painful knowledge forced upon her, not a consequence of her love. But presently I reflected that the vision accorded her could have produced no high result in a selfish or unworthy soul. I thought of disadvantages unspeakable which the possession of foreknowledge might involve in the present order of life; and felt it was a blessed thing for most of us that the future shaped itself behind a veil. Then I dreamed that the power to lift that veil might be evolved or won, just so soon as such a faculty should be of real benefit to men, but not before; and I asked:--

"Can the power to see the Future be obtained through enlightenment?"

The priest answered:--

"Yes. When we reach that state of enlightenment in which we obtain the Roku-Jindzū, or Six Mysterious Faculties, then we can see the Future as well as the Past. Such power comes at the same time as the power of remembering former births. But to attain to that condition of knowledge, in the present age of the world, is very difficult."

My companion made me a stealthy sign that it was time to say good-by. We had stayed rather long--even by the measure of Japanese etiquette, which is generous to a fault in these matters. I thanked the master of the temple for his kindness in replying to my fantastic questions, and ventured to add:--

"There are a hundred other things about which I should like to ask you, but to-day I have taken too much of your time. May I come again?"

"It will make me very happy," he said. "Be pleased to come again as soon as you desire. I hope you will not fail to ask about all things which are still obscure to you. It is by earnest inquiry that truth may be known and illusions dispelled. Nay, come often--that I may speak to you of the Shō-jō. And these I pray you to accept."

He gave me two little packages. One contained white sand--sand from the holy temple of Zenkōji, whither all good souls make pilgrimage after death. The other contained a very small white stone, said to be a shari, or relic of the body of a Buddha.

I hoped to visit the kind old man many times again. But a school contract took me out of the city and over the mountains; and I saw him no more.

[1] Sanscrit: _Bhûta-Tathatâ._

[2] Sanscrit: _Avidya._

[3] Sanscrit: Tathâgata-gharba. The term "Tathâgata" (Japanese Nyōrai) is the highest title of a Buddha. It signifies "One whose coming is like the coming of his predecessors."

[4] Nirvana.

[5] Sanscrit: _Mahâmaudgalyâyana._

[6] The Japanese rendering of Sakyamuni.

II

Five years, all spent far away from treaty ports, slowly flitted by before I saw the Jizō-Dō again. Many changes had taken place both without and within me during that time. The beautiful illusion of Japan, the almost weird charm that comes with one's first entrance into her magical atmosphere, had, indeed, stayed with me very long, but had totally faded out at last. I had learned to see the Far East without its glamour. And I had mourned not a little for the sensations of the past.

But one day they all came back to me--just for a moment. I was in Yokohama, gazing once more from the Bluff at the divine spectre of Fuji haunting the April morning. In that enormous spring blaze of blue light, the feeling of my first Japanese day returned, the feeling of my first delighted wonder in the radiance of an unknown fairy-world full of beautiful riddles,--an Elf-land having a special sun and a tinted atmosphere of its own. Again I knew myself steeped in a dream of luminous peace; again all visible things assumed for me a delicious immateriality. Again the Orient heaven--flecked only with thinnest white ghosts of cloud, all shadowless as Souls entering into Nirvana--became for me the very sky of Buddha; and the colors of the morning seemed deepening into those of the traditional hour of His birth, when trees long dead burst into blossom, and winds were perfumed, and all creatures living found themselves possessed of loving hearts. The air seemed pregnant with even such a vague sweetness, as if the Teacher were about to come again; and all faces passing seemed to smile with premonition of the celestial advent.

Then the ghostliness went away, and things looked earthly; and I thought of all the illusions I had known, and of the illusions of the world as Life, and of the universe itself as illusion. Whereupon the name Mu-myo returned to memory; and I was moved immediately to seek the ancient thinker of the Jizō-Dō.

The quarter had been much changed: old houses had vanished, and new ones dovetailed wondrously together. I discovered the court at last nevertheless, and saw the little temple just as I had remembered it. Before the entrance women were standing; and a young priest I had never seen before was playing with a baby; and the small brown hands of the infant were stroking his shaven face. It was a kindly face, and intelligent, with very long eyes.

"Five years ago," I said to him, in clumsy Japanese, "I visited this temple. In that time there was an aged bonsan here."

The young bonsan gave the baby into the arms of one who seemed to be its mother, and responded:--

"Yes. He died--that old priest; and I am now in his place. Honorably please to enter."

I entered. The little sanctuary no longer looked interesting: all its innocent prettiness was gone. Jizō still smiled over his bib; but the other divinities had disappeared, and likewise many votive offerings--including the picture of Adelaide Neilson. The priest tried to make me comfortable in the chamber where the old man used to write, and set a smoking-box before me. I looked for the books in the corner; they also had vanished. Everything seemed to have been changed.

I asked:--

"When did he die?"

"Only last winter," replied the incumbent, "in the Period of Greatest Cold. As he could not move his feet, he suffered much from the cold. This is his ihai."

He went to an alcove containing shelves incumbered with a bewilderment of objects indescribable,--old wrecks, perhaps, of sacred things,--and opened the doors of a very small butsudan, placed between glass jars full of flowers. Inside I saw the mortuary tablet,--fresh black lacquer and gold. He lighted a lamplet before it, set a rod of incense smouldering, and said:--

"Pardon my rude absence a little while; for there are parishioners waiting."

So left alone, I looked at the ihai and watched the steady flame of the tiny lamp and the blue, slow, upcurlings of incense,--wondering if the spirit of the old priest was there. After a moment I felt as if he really were, and spoke to him without words. Then I noticed that the flower vases on either side of the butsudan still bore the name of Toussaint Cosnard of Bordeaux, and that the incense-box maintained its familiar legend of richly flavored cigarettes. Looking about the room I also perceived the red cat, fast asleep in a sunny corner. I went to it, and stroked it; but it knew me not, and scarcely opened its drowsy eyes. It was sleeker than ever, and seemed happy. Near the entrance I heard a plaintive murmuring; then the voice of the priest, reiterating sympathetically some half-comprehended answer to his queries: "_A woman of nineteen, yes. And a man of twenty-seven,--is it?_" Then I rose to go.

"Pardon," said the priest, looking up from his writing, while the poor women saluted me, "yet one little moment more!"

"Nay," I answered; "I would not interrupt you. I came only to see the old man, and I have seen his ihai. This, my little offering, was for him. Please to accept it for yourself."

"Will you not wait a moment, that I may know your name?"

"Perhaps I shall come again," I said evasively. "Is the old nun also dead?"

"Oh no! she is still taking care of the temple. She has gone out, but will presently return. Will you not wait? Do you wish nothing?"

"Only a prayer," I answered. "My name makes no difference. A man of forty-four. Pray that he may obtain whatever is best for him."

The priest wrote something down. Certainly that which I had bidden him pray for was not the wish of my "heart of hearts." But I knew the Lord Buddha would never hearken to any foolish prayer for the return of lost illusions.

XI

YUKO: A REMINISCENCE

MEIJI, xxiv, 5. MAY, 1891

Who shall find a valiant woman?--far and from the uttermost coasts is the price of her.--_Vulgate._

"_Tenshi-Sama go-shimpai._" The Son of Heaven augustly sorrows.

Strange stillness in the city, a solemnity as of public mourning. Even itinerant venders utter their street cries in a lower tone than is their wont. The theatres, usually thronged from early morning until late into the night, are all closed. Closed also every pleasure-resort, every show--even the flower-displays. Closed likewise all the banquet-halls. Not even the tinkle of a samisen can be heard in the silent quarters of the geisha. There are no revelers in the great inns; the guests talk in subdued voices. Even the faces one sees upon the street have ceased to wear the habitual smile; and placards announce the indefinite postponement of banquets and entertainments.

Such public depression might follow the news of some great calamity or national peril,--a terrible earthquake, the destruction of the capital, a declaration of war. Yet there has been actually nothing of all this,--only the announcement that the Emperor sorrows; and in all the thousand cities of the land, the signs and tokens of public mourning are the same, expressing the deep sympathy of the nation with its sovereign.

And following at once upon this immense sympathy comes the universal spontaneous desire to repair the wrong, to make all possible compensation for the injury done. This manifests itself in countless ways mostly straight from the heart, and touching in their simplicity. From almost everywhere and everybody, letters and telegrams of condolence, and curious gifts, are forwarded to the Imperial guest. Rich and poor strip themselves of their most valued heirlooms, their most precious household treasures, to offer them to the wounded Prince. Innumerable messages also are being prepared to send to the Czar,--and all this by private individuals, spontaneously. A nice old merchant calls upon me to request that I should compose for him a telegram in French, expressing the profound grief of all the citizens for the attack upon the Czarevitch,--a telegram to the Emperor of all the Russias. I do the best I can for him, but protest my total inexperience in the wording of telegrams to high and mighty personages. "Oh! that will not matter," he makes answer; "we shall send it to the Japanese Minister at St. Petersburg: he will correct any mistakes as to form." I ask him if he is aware of the cost of such a message. He has correctly estimated it as something over one hundred yen, a very large sum for a small Matsue merchant to disburse.

Some grim old samurai show their feelings about the occurrence in a less gentle manner. The high official intrusted with the safety of the Czarevitch at Otsu receives, by express, a fine sword and a stem letter bidding him prove his manhood and his regret like a sa murai, by performing harakiri immediately.

For this people, like its own Shintō gods, has various souls: it has its Nigi-mi-tama and its Ara-mi-tama, its Gentle and its Rough Spirit. The Gentle Spirit seeks only to make reparation; but the Rough Spirit demands expiation. And now through the darkening atmosphere of the popular life, everywhere is felt the strange thrilling of these opposing impulses, as of two electricities.

Far away in Kanagawa, in the dwelling of a wealthy family, there is a young girl, a serving-maid, named Yuko, a samurai name of other days, signifying "valiant."

Forty millions are sorrowing, but she more than all the rest. How and why no Western mind could fully know. Her being is ruled by emotions and by impulses of which we can guess the nature only in the vaguest possible way. Something of the soul of a good Japanese girl we can know. Love is there--potentially, very deep and still. Innocence also, insusceptible of taint--that whose Buddhist symbol is the lotus-flower. Sensitiveness likewise, delicate as the earliest snow of plum-blossoms. Fine scorn of death is there--her samurai inheritance--hidden under a gentleness soft as music. Religion is there, very real and very simple,--a faith of the heart, holding the Buddhas and the Gods for friends, and unafraid to ask them for anything of which Japanese courtesy allows the asking. But these, and many other feelings, are supremely dominated by one emotion impossible to express in any Western tongue--something for which the word "loyalty" were an utterly dead rendering, something akin rather to that which we call mystical exaltation: a sense of uttermost reverence and devotion to the Tenshi-Sama. Now this is much more than any individual feeling. It is the moral power and will undying of a ghostly multitude whose procession stretches back out of her life into the absolute night of forgotten time. She herself is but a spirit-chamber, haunted by a past utterly unlike our own,--a past in which, through centuries uncounted, all lived and felt and thought as one, in ways which never were as our ways.

"_Tenshi-Sama go-shimpai._" A burning shock of desire to give was the instant response of the girl's heart--desire over powering, yet hopeless, since she owned nothing, unless the veriest trifle saved from her wages. But the longing remains, leaves her no rest. In the night she thinks; asks herself questions which the dead answer for her. "What can I give that the sorrow of the August may cease?" "Thyself," respond voices without sound. "But can I?" she queries wonderingly. "Thou hast no living parent," they reply; "neither does it belong to thee to make the offerings. Be thou our sacrifice. To give life for the August One is the highest duty, the highest joy." "And in what place?" she asks. "Saikyō," answer the silent voices; "in the gateway of those who by ancient custom should have died."

Dawn breaks; and Yuko rises to make obeisance to the sun. She fulfills her first morning duties; she requests and obtains leave of absence. Then she puts on her prettiest robe, her brightest girdle, her whitest tabi, that she may look worthy to give her life for the Tenshi-Sama. And in another hour she is journeying to Kyōto. From the train window she watches the gliding of the landscapes. Very sweet the day is;--all distances, blue-toned with drowsy vapors of spring, are good to look upon. She sees the loveliness of the land as her fathers saw it, but as no Western eyes can see it, save in the weird, queer charm of the old Japanese picture-books. She feels the delight of life, but dreams not at all of the possible future preciousness of that life for herself. No sorrow follows the thought that after her passing the world will remain as beautiful as before. No Buddhist melancholy weighs upon her: she trusts herself utterly to the ancient gods. They smile upon her from the dusk of their holy groves, from their immemorial shrines upon the backward fleeing hills. And one, perhaps, is with her: he who makes the grave seem fairer than the palace to those who fear not; he whom the people call Shinigami, the lord of death-desire. For her the future holds no blackness. Always she will see the rising of the holy Sun above the peaks, the smile of the Lady-Moon upon the waters, the eternal magic of the Seasons. She will haunt the places of beauty, beyond the folding of the mists, in the sleep of the cedar-shadows, through circling of innumerable years. She will know a subtler life, in the faint winds that stir the snow of the flowers of the cherry, in the laughter of playing waters, in every happy whisper of the vast green silences. But first she will greet her kindred, somewhere in shadowy halls awaiting her coming to say to her: "_Thou hast done well,--like a daughter of samurai. Enter, child! because of thee to-night we sup with the Gods!_"

It is daylight when the girl reaches Kyōto. She finds a lodging, and seeks the house of a skillful female hairdresser.

"Please to make it very sharp," says Yuko, giving the kamiyui a very small razor (article indispensable of a lady's toilet); "and I shall wait here till it is ready." She unfolds a freshly bought newspaper and looks for the latest news from the capital; while the shop-folk gaze curiously, wondering at the serious pretty manner which forbids familiarity. Her face is placid like a child's; but old ghosts stir restlessly in her heart, as she reads again of the Imperial sorrow. "I also wish it were the hour," is her answering thought. "But we must wait." At last she receives the tiny blade in faultless order, pays the trifle ashed, and returns to her inn.