Chapter II: Part I: An Easy Traveller (2)

"When I read I want nothing but a paper-cutter close at hand--a good, big paper-cutter, whose own weight carries it through the leaves. And I want to be alone with that book. If I am too lazy to go to the library for another, then it is not worth reading. When I get head-achy with print and look up, I don't want to stare at the backs of more books. I want something to rest and fill the eye. I--"

"Father," Mary admonished him, "I fear this is going to be long. Why not continue after Mr. Wingfield has washed off the dust of travel and we are at table?"

"Mary is merely jealous. She wants to hurry you to the dining-room, which was designed to her taste," answered her father, with an affectation of grand indignation. "The dust of travel here is clean desert dust--but I admit that it is gritty. Come with me, Sir Chaps!"

He bade Jack precede him through a door diagonally opposite the one by which he had entered from the veranda. On the other side Jack found himself surrounded by walls of books, which formed a parallelogram around a great deal table littered with magazines and papers. Here, indeed, the printed word might riot as it pleased in the joyous variety and chaos of that truly omnivorous reader of herbivorous capacity. Out of the library Jack passed into Jasper Ewold's bedroom. It was small, with a soldier's cot of exaggerated size that must have been built for his amplitude of person, and it was bare of ornament except for an old ivory crucifix.

"There's a pitcher and basin, if you incline to a limited operation for outward convention," said Jasper Ewold; "and through that door you will find a shower, if you are for frank, unlimited submersion of the altogether."

"Have I time for the altogether?" Jack asked.

"When youth has not in this house, it marks a retrocession toward barbarism for Little Rivers which I refuse to contemplate. Take your shower, Sir Chaps, and"--a smile went weaving over the hills and valleys of Jasper Ewold's face--"and, mind, you take off those grand boots or they will get full of water! You will find me in the library when you are through;" and, shaking with subterranean enjoyment of his own joke, he closed the door.

Cool water from the bowels of the mountains fell on a figure as slender as that of the great Michael's David pictured in the living-room; a figure whose muscles ran rippling with leanness and suppleness, without the bunching over-development of the athlete. He bubbled in shivery delight with the first frigid sting of the downpour; he laughed in ecstasy as he pulled the valve wide open, inviting a Niagara.

While he was still glowing with the rough intimacy of the towel, he viewed the trappings thrown over the chair and his revolver holster on the bureau in a sense of detachment, as if in the surroundings of civilization some voice of civilization made him wish for flannels in which to dine. Then there came a rap at the door, and an Indian appeared with an envelope addressed in feminine handwriting. On the corner of the page within was a palm-tree--a crest to which anybody who dwelt on the desert might be entitled; and Jack read:

"DEAR MR. WINGFIELD:

"Please don't tell father about that horrible business on the pass. It will worry him unnecessarily and might interfere with my afternoon rides, which are everything to me. There is not the slightest danger in the future. After this I shall always go armed.

"Sincerely yours,

"MARY EWOLD."

The shower had put him in such lively humor that his answer was born in a flash from memory of her own catechising of him on Galeria.

"First, I must ask if you know how to shoot," he scribbled beneath her signature.

The Indian seemed hardly out of the doorway before he was back with a reply:

"I do, or I would not go armed," it said.

She had capped his satire with satire whose prick was, somehow, delicious. He regarded the sweep of her handwriting with a lingering interest, studying the swift nervous strokes before he sent the note back with still another postscript:

"Of course I had never meant to tell anybody," he wrote. "It is not a thing to think of in that way."

This, he thought, must be the end of the correspondence; but he was wrong. The peripatetic go-between reappeared, and under Jack's last communication was written, "Thank you!" He could hardly write "Welcome!" in return. It was strictly a case of nothing more to say by either duelist. In an impulse he slipped the sheet, with its palm symbolic of desert mystery and oasis luxuriance, into his pocket.

"Here I am in the midst of the shucks and biting into the meat of the kernel," said Jasper Ewold, as Jack entered the library to find him standing in the midst of wrappings which he had dropped on the floor; "yes, biting into very rich meat."

He held up the book which was evidently the one that had balanced uncertainly on the pile which Jack had brought from the post-office.

"Professor Giuccamini's researches! It is as interesting as a novel. But come! You are hungry!"

Book in hand, and without removing his tortoise-shell spectacles, he passed out into the garden at the rear. There a cloth was laid under a pavilion.

"In a country where it never rains," said the host, "where it is eternal spring, walls to a house are conventions on which to stack books and hang pictures. Mary has chosen nature for her decorative effect--cheaper, even, than mine. In the distance is Galeria; in the foreground, what was desert six years ago."

The overhead lamp deepened to purple the magenta of the bougainvillea vines running up the pillars of the pavilion; made the adjacent rows of peony blossoms a pure, radiant white; while beyond, in the shadows, was a broad path between rows of young palms.

Mary appeared around a hedge which hid the open-air kitchen. The girl of the gray riding-habit was transformed into a girl in white. Jack saw her as a domestic being. He guessed that she had seen that the table was set right; that she had had a look-in at the cooking; that the hands whose boast it was that they could shoot, had picked the jonquils in the slender bronze vase on the table.

"Father, there you are again, bringing a book to the dining-room against the rules," she warned him; "against all your preachments about reading at meals!"

"That's so, Mary," said Jasper Ewold, absently, regarding the book as if some wicked genius had placed it in his hand quite unbeknown to him. "But, Mary, it is Professor Giuccamini at last! Giuccamini that I have waited for so long! I beg your pardon, Sir Chaps! When I have somebody to talk to I stand doubly accused. Books at dinner! I descend into dotage!"

In disgust he started toward the house with the book. But in the very doorway he paused and, reopening the book, turned three or four pages with ravenous interest.

"Giuccamini and I agree!" he shouted. "He says there is no doubt that Burlamacchi and Pico were correct. Cosmo de' Medici did call Savonarola to his death-bed, and I am glad of it. I like good stories to turn out true! But here I have a listener--a live listener, and I ramble on about dead tyrants and martyrs. I apologize--I apologize!" and he disappeared in the library.

"Father does not let me leave books in the living-room, which is his. Why should he bring them to the dining-room, which is mine?" Mary explained.

"There must be law in every household," Jack agreed.

"Yes, somebody fresh to talk to, at, around, and through!" called Jasper Ewold, as he reappeared. "Yes, and over your head; otherwise I shall not be flattered by my own conversation."

"He glories in being an intellectual snob," Mary said. "Please pretend at times not to understand him."

"Thank you, Mary. You are the corrective that keeps my paternal superiority in balance," answered her father, with a comprehending wave of his hand indicating his sense of humor at the same time as playful insistence on his role as forensic master of the universe.

How he did talk! He was a mill to which all intellectual grist was welcome. Over its wheel the water ran now singing, again with the roar of a cataract. He changed theme with the relish of one who rambles at will, and the emotion of every opinion was written on the big expanse of his features and enforced with gestures. He talked of George Washington, of Andrea del Sarto, of melon-growing, trimming pepper-trees, the Divina Commedia, fighting rose-bugs, of Schopenhauer and of Florence--a great deal about Florence, a city that seemed to hang in his mind as a sort of Renaissance background for everything else, even for melon-growing.

"You are getting over my head!" Jack warned him at times, politely.

"That is the trouble," said Jasper Ewold. "Consider the hardship of being the one wise man in the world! I find it lonely, inconvenient, stupefying. Why, I can't even convince Jim Galway that I know more about dry farming than he!"

Jack listened raptly, his face glowing. Once, when he looked in his host's direction suddenly, after speaking to Mary, he found that he was the object of the same inquiring scrutiny that he had been on the porch. In lulls he caught the old man's face in repose. It had sadness, then, the sadness of wreckage; sadness against which he seemed to fence in his wordy feints and thrusts.

"Christian civilization began in the Tuscan valley," the philosopher proceeded, harking back to the book which had arrived by the evening's mail. "Florence was a devil--Florence was divine. They raised geniuses and devils and martyrs: the most cloud-topping geniuses, the worst devils, the most saintly martyrs. But better than being a drone in a Florence pension is all this"--with a wave of his hand to the garden and the stars--"which I owe to Mary and the little speck on her lungs which brought us here after--after we had found that we had not as much money as we thought we had and an old fellow who had been an idling student, mostly living abroad all his life, felt the cramp of the material facts of board-and-clothes money. It made Mary well. It made me know the fulness of wisdom of the bee and the ant, and it brought me back to the spirit of America--the spirit of youth and accomplishment. Instead of dreaming of past cities, I set out to make a city like a true American. Here we came to camp in our first travelled delight of desert spaces for her sake; and here we brought what was left of the fortune and started a settlement."

The spectator-philosopher attitude of audience to the world's stage passed. He became the builder and the rancher, enthusiastically dwelling on the growth of orchards and gardens in expert fondness. As Jack listened, the fragrance of flowers was in his nostrils and in intervals between Jasper Ewold's sentences he seemed to hear the rustle of borning leaf-fronds breaking the silence. But the narrative was not an idyll. Toil and patience had been the handmaidens of the fecundity of the soil. Prosperity had brought an entail of problems. Jasper Ewold mentioned them briefly, as if he would not ask a guest to share the shadows which they brought to his brow.

"The honey of our prosperity brings us something besides the bees. It brings those who would share the honey without work," said he. "It brings the Bill Lang hive and Pete Leddy."

At the mention of the name, Jack's and Mary's glances met.

"You have promised not to tell," hers was saying.

"I will not," his was answering.

But clearly he had grasped the fact that Little Rivers was getting out of its patron's hands, and every honest man in that community wanted to be rid of Pete Leddy.

"I should think your old friend, Cosmo de' Medici, would have found a way," Jack suggested.

"Cosmo is for talk," said Mary. "At heart father is a Quaker."

"Some are for lynching," said Jasper Ewold, thoughtfully. "Begin to promote order with disorder and where will you end?" he inquired, belligerently. "This is not the Middle Ages. This is the Little Rivers of peace."

Then, after a quotation from Cardinal Newman, which seemed pretty far-fetched to deal with desert ruffians, he was away again, setting out fruit trees and fighting the scale.

"And our Date Tree Wonderful!" he continued. "This year we get our first fruit, unless the book is wrong. You cannot realize what this first-born of promise means to Little Rivers. Under the magic of water it completes the cycle of desert fecundity, from Scotch oats and Irish potatoes to the Arab's bread. Bananas I do not include. Never where the banana grows has there been art or literature, a good priesthood, unimpassioned law-makers, honest bankers, or a noble knighthood. It is just a little too warm. Here we can build a civilization which neither roasts us in summer nor freezes us in winter."

There was a fluid magnetism in the rush of Jasper Ewold's junketing verbiage which carried the listener on the bosom of a pleasant stream. Jack was suddenly reminded that it must be very late and he had far overstayed the retiring hour of the desert, where the Eternal Painter commands early rising.

"Going--going so soon!" protested Jasper Ewold.

"So late!" Jack smiled back.

To prove that it was, he called attention to the fact, when they passed through the living-room to the veranda, that not a light remained in any ranch-house.

"I have not started my talk yet," said Jasper. "But next time you come I will really make a beginning--and you shall see the Date Tree Wonderful."

"I go by the morning train," Jack returned.

"So! so!" mused Jasper. "So! so!" he objected, but not gloomily. "I get a good listener only to lose him!"

But Jack was hardly conscious of the philosopher's words. In that interval he had still another glimpse of Mary's eyes without the veil and saw deeper than he had before; saw vast solitudes, inviting yet offering no invitation, where bright streams seemed to flash and sing under the sunlight and then disappear in a desert. That was her farewell to the easy traveller who had stopped to do her a favor on the trail. And he seemed to ask nothing more in that spellbound second; nor did he after the veil had fallen, and he acquitted himself of some spoken form of thanks for an evening of happiness.

"A pleasant journey!" Mary said.

"Luck, Sir Chaps, luck!" called Jasper Ewold.

Jack's easy stride, as he passed out into the night, confirmed the last glimpse of his smiling, whimsical "I don't care" attitude, which never minded the danger sign on the precipice's edge.

"He does not really want to go back to New York," Mary remarked, and was surprised to find that she had spoken her thought aloud.

"I hardly agree with that opinion," said her father absently, his thoughts far afield from the fetter of his words. "But of one thing I am sure, John Wingfield! A smile and a square chin!"

VI

OBLIVION IS NOT EASY

"A smile and a square chin!" Mary repeated, as they went back into the living-room.

"Yes, hasn't he both, this Wingfield?" asked her father.

"This Wingfield"--on the finish of the sentence there was a halting, appreciable accent. He moved toward the table with the listlessness of some enormous automaton of a man to whom every step of existence was a step in a treadmill. There was a heavy sadness about his features which rarely came, and always startled her when it did come with a fear that they had so set in gloom that they would never change. He raised his hand to the wick screw of the lamp, waiting for her to pass through the room before turning off the flame which bathed him in its rays, giving him the effect of a Rodinesque incarnation of memory.

Any melancholy that beset him was her own enemy, to be fought and cajoled. Mary slipped to his side, dropping her head on his shoulder and patting his cheek. But this magic which had so frequently rallied him brought only a transient, hazy smile and in its company what seemed a random thought.

"And you and he came down the pass together? Yes, yes!" he said. His tone had the vagueness of one drawing in from the sea a net that seemed to have no end.

Had Jack Wingfield been more than a symbol? Had he brought something more than an expression of culture, manner, and ease of a past which nothing could dim? Had he suggested some personal relation to that past which her father preferred to keep unexplained? These questions crowded into her mind speculatively. They were seeking a form of conveyance when she realized that she had been adrift with imaginings. He was getting older. She must expect his preoccupation and his absent-mindedness to become more exacting.

"Yes, yes!" His voice had risen to its customary sonority; his eyes were twinkling; all the hard lines had become benignant wrinkles of Olympian charm. "Yes, yes! You and this funny tourist! What a desert it is! I wonder--now, I wonder if he will go aboard the Pullman in that stage costume. But come, come, Mary! It's bedtime for all pastoral workers and subjects of the Eternal Painter. Off you go, or we shall be playing blind-man's-buff in the dark!" He was chuckling as he turned down the wick. "His enormous spurs, and Jag Ear and Wrath of God!" he said.

Her fancy ran dancing rejoicingly with his mood.

"Don't forget the name of his pony!" she called merrily from the stairs. "It's P.D."

"P.D.!" said her father, with the disappointment of one tempted by a good morsel which he finds tasteless. "There he seems to have descended to alphabetic commonplace. No imagery in that!"

"He is a slow, reliable pony," put in Mary, "without the Q."

"Pretty Damn, without the Quick! Oh, I know slang!"

Jasper Ewold burst into laughter. It was still echoing through the house when she entered her room. As it died away it seemed to sound hollow and veiled, when the texture of sunny, transparent solidity in his laugh was its most pronounced characteristic.

Probably this, too, was imagination, Mary thought. It had been an overwrought day, whose events had made inconsiderable things supreme over logic. She always slept well; she would sleep easily to-night, because it was so late. But she found herself staring blankly into the darkness and her thoughts ranging in a shuttle play of incoherency from the moment that Leddy had approached her on the pass till a stranger, whom she never expected to see again, walked away into the night. What folly! What folly to keep awake over an incident of desert life! But was it folly? What sublime egoism of isolated provincialism to imagine that it had been anything but a great event! Naturally, quiet, desert nerves must still be quivering after the strain. Inevitably, they would not calm instantly, particularly as she had taken coffee for supper. She was wroth about the coffee, though she had taken less than usual that evening.

She heard the clock strike one; she heard it strike two, and three. And he, on his part--this Sir Chaps who had come so abruptly into her life and evidently set old passions afire in her father's mind--of course he was sleeping! That was the exasperating phlegm of him. He would sleep on horseback, riding toward the edge of a precipice!

"A smile and a square chin--and dreamy vagueness," she kept repeating.

The details of the scene in the store recurred with a vividness which counting a flock of sheep as they went over a stile or any other trick for outwitting insomnia could not drive from her mind. Then Pete Leddy's final look of defiance and Jack Wingfield's attitude in answer rose out of the pantomime in merciless clearness.

All the indecisiveness of the interchange of guesses and rehearsed impressions was gone. She got a message, abruptly and convincingly. This incident of the pass was not closed. An ultimatum had been exchanged. Death lay between these two men. Jack had accepted the issue.

The clock struck four and five. Before it struck again daylight would have come; and before night came again, what? To lie still in the torment of this new experience of wakefulness with its peculiar, half-recognized forebodings, had become unbearable. She rose and dressed and went down stairs softly, candle in hand, aware only that every agitated fibre of her being was whipping her to action which should give some muscular relief from the strain of her overwrought faculties. She would go into the garden and walk there, waiting for sunrise. But at the edge of the path she was arrested by a shadow coming from the servants' sleeping-quarters. It was Ignacio, the little Indian who cared for her horse, ran errands, and fought garden bugs for her--Ignacio, the note-bearer.

"Señorita! señorita!" he exclaimed, and his voice, vibrant with something stronger than surprise, had a certain knowing quality, as if he understood more than he dared to utter. "Señorita, you rise early!"

"Sometimes one likes to look at the morning stars," she remarked.

But there were no stars; only a pale moon, as Ignacio could see for himself.

"Señorita, that young man who was here and Pete Leddy--do you know, señorita?"

"The young man who came down from the pass with me, you mean?" she asked, inwardly shamed at her simulation of casual curiosity.

"Yes, he and Leddy--bad blood between them'" said Ignacio. "You no know, señorita? They fight at daybreak."

The pantomime in the store, Jack's form disappearing with its easy step into the night, analyzed in the light of this news became the natural climax of a series of events all under the spell of fatality.

"Come, Ignacio!" she said. "We must hurry!" And she started around the house toward the street.

VII

WHAT HAPPENED AT LANG'S

While Jack had been playing the pioneer of rural free delivery in Little Rivers, Pete Leddy, in the rear of Bill Lang's store, was refusing all stimulants, but indulging in an unusually large cud of tobacco.

"Liquor ain't no help in drawing a bead," he explained to the loungers who followed him through the door after Jack had gone.

If Pete did not want to drink it was not discreet to press him, considering the mood he was in. The others took liberal doses, which seemed only to heighten the detail of the drama which they had witnessed. To Mary it had been all pantomime; to them it was dynamic with language. It was something beyond any previous contemplation of possibility in their cosmos.

The store had been enjoying an average evening. All present were expressing their undaunted faith in the invincibility of James J. Jeffries, when a smiling stranger appeared in the doorway. He was dressed like a regular cowboy dude. His like might have appeared on the stage, but had never been known to get off a Pullman in Arizona. And the instant he appeared, up flashed Pete Leddy's revolver.

The gang had often discussed when and how Pete would get his seventh victim, and here they were about to be witnesses of the deed. Instinct taught them the proper conduct on such occasions. The tenderfoot was as good as dead; but, being a tenderfoot and naturally a bad shot and prone to excitement, he might draw and fire wild. They ducked with the avidity of woodchucks into their holes--all except Jim Galway, who remained leaning against the counter.

"I gin ye warning!" they heard Pete say, and closed their eyes involuntarily--all except Jim Galway--with their last impression the tenderfoot's ingenuous smile and the gleam on Pete's gun-barrel. They waited for the report, as Mary had, and then they heard steps and looked up to see that dude tenderfoot, still smiling, going straight toward the muzzle pointed at his head, his hands at his side in no attempt to draw. The thing was incredible and supernatural.

"Pete is letting him come close first," they thought.

But there, unbelievable as it was, Pete was lowering his revolver and the tenderfoot's hand was on his shoulder in a friendly, explanatory position. Pete seemed in a trance, without will-power over his trigger finger, and Pete was the last man in the world that you would expect to lose his nerve. Jim Galway being the one calm observer, whose vision had not been disturbed by precipitancy in taking cover, let us have his version.

"He just walked over to Pete--that's all I can say--walked over to him, simple and calm, like he was going to ask for a match. All I could think of and see was his smile right into that muzzle and the glint in his eyes, which were looking into Pete's. Someway you couldn't shoot into that smile and that glint, which was sort of saying, 'Go ahead! I'm leaving it to you and I don't care!'--just as if a flash of powder was all the same to him as a flash of lightning."

The desert had given Jack life; and it would seem as if what the desert had given, it might take away. He was not going to humble himself by throwing up his arms or standing still for execution. He was on his way into the store and he continued on his way. If something stopped him, then he would not have to take the train East in the morning.

"Now if you want to kill me, Pete Leddy," the astonished group heard this stranger say, "why, I'm not going to deny you the chance. But I don't want you to do it just out of impulse, and I know that is not your own reasoned way. You certainly would want sporting rules to prevail and that I should have an equal chance of killing you. So we will go outside, stand off any number of paces you say, let our gun-barrels hang down even with the seams of our trousers, and wait for somebody to say 'one, two, three--fire!'"

Not once had that peculiar smile faded from Jack's lips or the glint in his eyes diverted from its probe of Leddy's eyes. His voice went well with the smile and with an undercurrent of high voltage which seemed the audible corollary of the glint. Every man knew that, despite his gay adornment, he was not bluffing. He had made his proposition in deadly earnest and was ready to carry it out. Pete Leddy shuffled and bit the ends of his moustache, and his face was drawn and white and his shoulder burning under the easy grip of Jack's hand. From the bore of the unremitting glance that had confounded him he shifted his gaze sheepishly.

"Oh, h--l!" he said, and the tone, in its disgust and its attempt to laugh off the incident, gave the simplicity of an exclamation from his limited vocabulary its character. "Oh, h--l! I was just trying you out as a tenderfoot--a little joke!"

At this, all the crowd laughed in an explosive breath of relief. The inflection of the laugh made Pete go red and look challengingly from face to face, with the result that all became piously sober.

"Then it is all right? I meant in no way to wound your feelings or even your susceptibilities," said Jack; and, accepting the incident as closed, he turned to the counter and asked for the Ewold mail.

Free from that smile and the glint of the eyes, Pete came to in a torrent of reaction. He, with six notches on his gun-handle, had been trifled with by a grinning tenderfoot. Rage mounted red to his brow. No man who had humiliated him should live. He would have shot Jack in the back if it had not been for Jim Galway, lean as a lath, lantern-jawed, with deep-set blue eyes, his bearing different from that of the other loungers. Jim had not joined in the laugh over Pete's explanation; he had remained impassive through the whole scene; but the readiness with which he knocked Leddy's revolver down showed that this immovability had let nothing escape his quiet observation.

When Jack looked around and understood what had passed, his face was without the smile. It was set and his body had stiffened free of the counter.

"I'll take the gun away from him. It's high time somebody did," said Galway.

"I think you had better, if that is the only way that he knows how to fight," said Jack. "I have wondered how he got the six. Presumably he murdered them."

"To their faces, as I'll get you!" Leddy answered. "I'll play your way now, one, two, three--fire!"

Galway, convinced that this stranger did not know how to shoot, turned to Jack:

"It's not worth your being a target for a dead shot," he said.

"In the morning, yes," answered Jack; and he was smiling again in a way that swept the audience with uncanniness. "But to-night I am engaged. Make it early to-morrow, as I have to take the first train East."

"Well, are you going to let me go?" Leddy asked Jim, while he looked in appeal to the loungers, who were his men.

"Yes, by all means," Jack told Galway. "And as I shall want a man with me, may I rely on you? Four of us will be enough, with a fifth to give the word."

"Ropey Smith can go with me," said Leddy.

It scarcely occurred to them to give the name of duel to this meeting, which Jack held was the only fair way when one felt that he must have satisfaction from an adversary in the form of death. An _arroyo_ a mile from town was chosen and the time dawn, for a meeting which was to reverse the ethics of that boasted fair-play in which the man who first gets a bead is the hero.

"It seems a mediaeval day for me," Jack said, when the details were concluded. "Good-night, gentlemen," he added, after Bill Lang, with fingers that bungled from agitation, had filled his arms with second-class matter.

Jim Galway resumed his position, leaning against the counter watchfully as the gang filed out to the rear to wet up, and in his right hand, which was in his pocket, nestled an automatic pistol.

"I'd shot Pete Leddy dead--'twas the first real fair chance within the law--so help me, God! I would," he thought, "if there had been time to spare, and save that queer tenderfoot's life. And me a second in a regular duel! Well, I'll be--but it ain't no regular duel. One of 'em is going to drop--that is, the tenderfoot is. I don't just know how to line him up. He beats me!"

VIII

ACCORDING TO CODE

It was the supreme moment of night before dawn. A violet mist shrouded everything. The clamminess of the dew touched Mary's forehead and her hand brushed the moisture-laden hedge as she left the Ewold yard. She remembered that Jack had said that he would camp near the station, so there was no doubt in which direction she should go. Hastening along the silent street, it was easy for her to imagine that she and Ignacio were the only sentient beings, abroad in a world that had stopped breathing.

Softly, impalpably, with both the graciousness of a host and the determinedness of an intruder who will not be gainsaid, the first rays of morning light filtered into the mist. The violet went pink. From pale pink it turned to rose-pink; to the light of life which was as yet as still as the light of the moon. The occasional giant cactus in the open beyond the village outskirts ceased to be spectral.

For the first time Mary Ewold was in the presence of the wonder of daybreak on the desert without watching for the harbinger of gold in the V of the pass, with its revelation of a dome of blue where unfathomable space had been. For the first time daybreak interested her only in broadening and defining her vision of her immediate surroundings.

When the permeating softness suddenly yielded to full transparency, spreading from the fanfare of the rising sun come bolt above the range, and the mist rose, she left the road at sight of two ponies and a burro in a group, their heads together in drooping fellowship. She knew them at once for P.D., Wrath of God, and Jag Ear. Nearby rose a thin spiral of smoke and back of it was a huddled figure, Firio, preparing the morning meal. Animals and servant were as motionless as the cactus. Evidently they did not hear her footsteps. They formed a picture of nightly oblivion, unconscious that day had come. Firio's face was hidden by his big Mexican hat; he did not look up even when she was near. She noted the two blanket-rolls where the two comrades of the trail had slept. She saw that both were empty and knew that Jack had already gone.

"Where is Mr. Wingfield?" she demanded, breathlessly.

Firio was not startled. To be startled was hardly in his Indian nature. The hat tipped upward and under the brim-edge his black eyes gleamed, as the sandy soil all around him gleamed in the dew. He shrugged his shoulders when he recognized the lady speaking as the one who had delayed him at the foot of the pass the previous afternoon. Thanks to her, he had been left alone without his master the whole evening.

"He go to stretch his legs," answered Firio.

Apparently, Sir Chaps had been disinclined to disturb the routine of camp by telling Firio anything about the duel.

"Where did he go? In which direction?" Mary persisted.

Firio moved the coffee-pot closer to the fire. This seemed to require the concentration of all his faculties, including that of speech. He was a fit servant for one who took duels so casually.

"Where? Where?" she repeated.

"Where? Have you no tongue?" snapped Ignacio.

Firio gazed all around as if looking for Jack; then nodded in the direction of rising ground which broke at the edge of a depression about fifty yards away. Her impatience had made the delay of a minute seem hours, while the brilliance of the light had now become that of broad day. She forgot all constraint. She ran, and as she ran she listened for a shot as if it were something inevitable, past due.

And then she uttered a muffled cry of relief, as the scene in a depression which had been the bed of an ancient river flashed before her with theatric completeness. In the bottom of it were five men, two moving and three stationary. Jim Galway and Ropey Smith were walking side by side, keeping a measured step as they paced off a certain distance, while Bill Lang and Pete Leddy and Jack stood by. Leddy and Lang were watching the process inflexibly. Jack was in the costume which had flushed her curiosity so vividly on the pass and he appeared the same amused, disinterested and wondering traveller who had then come upon strange doings.

She stopped, her temples throbbing giddily, her breaths coming in gasps; stopped to gain mastery of herself before she decided what she would do next. On the opposite bank of the _arroyo_ was a line of heads, like those of infantry above a parapet, and she comprehended that, in the same way that news of a cock-fight travels, the gallery gods of Little Rivers had received a tip of a sporting event so phenomenal that it changed the sluggards among them into early risers. They were making themselves comfortable lying flat on their stomachs and exposing as little as possible of their precious bodies to the danger of that tenderfoot firing wild.

It was a great show, of which they would miss no detail; and all had their interest whetted by some possible new complication of the plot when they saw the tall, familiar figure of Jasper Ewold's daughter standing against the skyline. She felt the greedy inquiry of their eyes; she guessed their thoughts.

This new element of the situation swept her with a realization of the punishment she must suffer for that chance meeting on Galeria and then with resentful anger, which transformed Jack Wingfield's indifference to callous bravado.

Must she face that battery of leers from the town ruffians while she implored a stranger, who had been nothing to her yesterday and would be nothing tomorrow, to run away from a combat which was a creation of his own stubbornness? She was in revolt against herself, against him, and against the whole miserable business. If she proceeded, public opinion would involve her in a sentimental interest in a stranger. She must live with the story forever, while to an idle traveller it was only an adventure at a way-station on his journey.

She had but to withdraw in feigned surprise from the sight of a scene which she had come upon unawares and she would be free of any association with it. For all Little Rivers knew that she was given to random walks and rides. No one would be surprised that she was abroad at this early hour. It would be ascribed to the nonsense which afflicted the Ewolds, father and daughter, about sunrises.

Yes, she had been in a nightmare. With the light of day she was seeing clearly. Had she not warned him about Leddy? Had not she done her part? Should she submit herself to fruitless humiliation? Go to him in as much distress as if his existence were her care? If he would not listen to her yesterday, why should she expect him to listen to her now?

She would return to her garden. Its picture of content and isolation called her away from the stare of the faces on the other bank. She turned on her heel abruptly, took two or three spasmodic steps and stopped suddenly, confronted with another picture--one of imagination--that of Jack Wingfield lying dead. The recollection of a voice, the voice that had stopped the approach of Leddy's passion-inflamed face to her own on the pass, sounded in her ears.

She faced around, drawn by something that will and reason could not overcome, to see that Jim Galway and Ropey Smith had finished their task of pacing off the distance. The two combatants were starting for their stations, their long shadows in the slant of the morning sunlight travelling over the sand like pursuing spectres. Leddy went with the quick, firm step which bespoke the keenness of his desire; Jack more slowly, at a natural gait. His station was so near her that she could reach him with a dozen steps. And he was whistling--the only sound in a silence which seemed to stretch as far as the desert--whistling gaily in apparent unconsciousness that the whole affair was anything but play. The effect of this was benumbing. It made her muscles go limp. She sank down for very want of strength to keep erect; and Ignacio, hardly observed, keeping close to her dropped at her side.

"Ignacio, tell the young man, the one who was our guest last evening, that I wish to see him!" she gasped.

With flickering, shrewd eyes Ignacio had watched her distress. He craved the word that should call him to service and was off with a bound. His rushing, agitated figure was precipitated into a scene hard set as men on a chess-board in deadly serenity. Leddy and Jack, were already facing each other.

"Señor! Señor!" Ignacio shouted, as he ran. "Señor Don't Care of the Big Spurs--wait!"

The message which he had to give was his mistress's and, therefore, nobody else's business. He rose on tiptoes to whisper it into Jack's ear. Jack listened, with head bent to catch the words. He looked over to Mary for an instant of intent silence and then raised his empty left hand in signal.

"Sorry, but I must ask for a little delay!" he called to Leddy. His tone was wonderful in its politeness and he bowed considerately to his adversary.

"I thought it was all bluff!" Leddy answered. "You'll get it, though--you'll get it in the old way if you haven't the nerve to take it in yours!"

"Really, I am stubbornly fond of my way," Jack said. "I shall be only a minute. That will give you time to steady your nerves," he added, in the encouraging, reassuring strain of a coach to a man going to the bat.

He was coming toward Mary with his easy, languid gait, radiant of casual inquiry. The time of his steps seemed to be reckoned in succeeding hammer-beats in her brain. He was coming and she had to find reasons to keep him from going back; because if it had not been for her he would be quite safe. Oh, if she could only be free of that idea of obligation to him! All the pain, the confusion, the embarrassment was on her side. His very manner of approach, in keeping with the whole story of his conduct toward her, showed him incapable of such feelings. She had another reaction. She devoutly wished that she had not sent for him.

Had not his own perversity taken his fate out of her hands? If he preferred to die, why should it be her concern? Should she volunteer herself as a rescuer of fools? The gleaming sand of the _arroyo_ rose in a dazzling mist before her eyes, obscuring him, clothing him with the unreality of a dream; and then, in physical reality, he emerged. He was so near as she rose spasmodically that she could have laid her hand on his shoulder. His hat under his arm, he stood smiling in the bland, questioning interest of a spectator happening along the path, even as he had in her first glimpse of him on the pass.

"I don't care! Go on! Go on!" she was going to say. "You have made sport of me! You make sport of everything! Life itself is a joke to you!"

The tempest of the words was in her eyes, if it did not reach her tongue's end. It was halted by the look of hurt surprise, of real pain, which appeared on his face. Was it possible, after all, that he could feel? The thought brought forth the passionate cry of her mission after that sleepless night.

"I beg of you--I implore you--don't!"

Had anyone told her yesterday that she would have been begging any man in melodramatic supplication for anything, she would have thought of herself as mad. Wasn't she mad? Wasn't he mad? Yet she broke into passionate appeal.

"It is horrible--unspeakable! I cannot bear it!"

A flood of color swept his cheeks and with it came a peculiar, feminine, almost awkward, gentleness. His air was that of wordless humility. He seemed more than ever an uncomprehending, sure prey for Leddy.

"Don't you realize what death is?" she asked.

The question, so earnest and searching, had the contrary effect on him. It changed him back to his careless self. He laughed in the way of one who deprecates another's illusion or passing fancy. This added to her conviction that he did not realize, that he was incapable of realizing, his position.

"Do you think I am about to die?" he asked softly.

"With Pete Leddy firing at you twenty yards away--yes! And you pose--you pose! If you were human you would be serious!"

"Pose?" He repeated the word. It startled him, mystified him. "The clothes I bought to please Firio, you mean?" he inquired, his face lighting.

"No, about death. It is horrible--horrible! Death for which I am responsible!"

"Why, have you forgotten that we settled all that?" he asked. "It was not you. It was the habit I had formed of whistling in the loneliness of the desert. I am sorry, now, that I did not stick to singing, even at the expense of a sore throat."

Now he called to Leddy, and his voice, high-pitched and powerful, seemed to travel in the luminous air as on resilient, invisible wires.

"Leddy, wasn't it the way I whistled to you the first time we met that made you want satisfaction? You remember"--and he broke into a whistle. His tone was different from that to Leddy on the pass; the whistle was different. It was shrill and mocking.

"Yes, the whistle!" yelled Leddy. "No man can whistle to me like that and live!"

Jack laughed as if he appreciated all the possibilities of humor inherent in the picture of the bloodthirsty Leddy, the waiting seconds and the gallery. He turned to Mary with a gesture of his outstretched hands:

"There, you see! I brought it on myself."

"You are brutal! You are without feeling--you are ridiculous--you--" she stormed, chokingly.

And in face of this he became reasoning, philosophical.

"Yes, I admit that it is all ridiculous, even to farce, this little _comédie humaine_. But we must remember that beside the age of the desert none of us last long. Ridiculous, yes; but if I will whistle, why, then, I must play out the game I've started."

He was looking straight into her eyes, and there was that in his gaze which came as a surprise and with something of the effect of a blade out of a scabbard. It chilled her. It fastened her inactive to the earth with a helplessness that was uncanny. It mixed the element of fear for him with the element of fear of him.

"Remember I am of age--and I don't mind," he added, with the faintest glint of satire in his reassurance.

He was walking away, with a wave of his hand to Leddy; he was going over the precipice's edge after thanking the danger sign. He did not hasten, nor did he loiter. The precipice resolved itself into an incident of a journey of the same order as an ankle-deep stream trickling across a highway.

IX

THE DEVIL IS OUT

She had done her best and she had failed. What reason was there for her to remain? Should she endure witnessing in reality the horror which she had pictured so vividly in imagination? A flash of fire! The fall of a careening figure to the earth! Leddy's grin of satisfaction! The rejoicing of his clan of spectators over the exploit, while youth which sang airs to the beat of a pony's hoofs and knew the worship of the Eternal Painter lay dead!

What reason to remain except to punish herself! She would go. But something banished reason. She was held in the leash of suspense, staring with clearness of vision in one second; staring into a mist the next; while the coming and going of Ignacio's breaths between his teeth was the only sound in her ears.

"Señor Don't Care of the Big Spurs will win!" he whispered.

"He will?" she repeated, like one marvelling, in the tautness of every nerve and muscle, that she had the power of speech.

She peered into Ignacio's face. Its Indian impassivity was gone. His lips were twitching; his eyes were burning points between half-closed lids.

"Why?" she asked. "How?"

"I know. I watch him. I have seen a mountain lion asleep in a tree. His paw is like velvet. He smiles. There seems no fight in him. I know. There is a devil, a big devil, in Señor Don't Care. It sleeps so much it very terrible when it awakes. And Pete Leddy--he is all the time awake; all the time too ready. Something in him will make his arm shake when the moment to shoot comes and something in Señor Don't Care--his devil--will make his arm steady."

Could Ignacio be right? Did Jack really know how to shoot? Was he confident of the outcome? Were his smiles the mask of a conviction that he was to kill and not to be killed? After all, had his attitude toward her been merely acting? Had she undergone this humiliation as the fish on the line of the mischievous play of one who had stopped over a train in order to do murder? No! If he were capable of such guile he knew that Leddy could shoot well and that twenty yards was a deadly range for a good shot. He was taking a chance and the devil in him was laughing at the chance, while it laughed at her for thinking that he was an innocent going to slaughter in expression of a capricious sense of chivalry.

"He will win--he will win if Leddy plays fair!" Ignacio repeated.

Now she was telling herself that it was solely for the sake of her conscience that she wanted to see Señor Don't Care survive; solely for the sake of her conscience that she wanted to see him go aboard the train safe. After that, she could forget ever having owed this trifler the feeling of gratitude for a favor done. Literally, he must live in order to be a dead and unremembered incident of her existence.

And Jack was back at his station, with the bright sunlight heightening the colors of his play cowboy attire, his weight on the ball of his right foot thrown well ahead of the other, his head up, but the whole effect languid, even deferential. He seemed about to take off his hat to the joyous sky of a fair day in May. His shadow expressed the same feeling as his pose, that of tranquil youth with its eyes on the horizon. Leddy had the peculiar slouch of the desperado, which is associated with the spread of pioneering civilization by the raucous criers of red-blooded individualism. If Jack's bearing was amateurish, then Pete's was professional in its threatening pose; and his shadow, like himself, had an unrelieved hardness of outline.

Both drew their guns from their holsters and lowered them till the barrels lay even with the trousers seams. They awaited the word to fire which Bill Lang, who stood at an angle equidistant from the two men, was to give.

"Wait!" Jack called, in a tone which indicated that something had recurred to him. Then a half laugh from him fell on the brilliant, shining, hard silence with something of the sound of a pebble slipping over glare ice.

"Leddy, it has just occurred to me that we are both foolish--honestly, we are!" he said. "The idea when Arizona is so sparsely settled of our starting out to depopulate it in such a premeditated manner on such a beautiful morning, and all because I was such an inept whistler! Why, if I had realized what a perfectly bad whistler I was I would never have whistled again. If my whistle hurt your feelings I am sorry, and I--"

"No, you don't!" yelled Leddy. "I've waited long enough! It's fight, you--"

"Oh, all right! You are so emphatic," Jack answered. His voice was still pleasant, but shot with something metallic. The very shadow of him seemed to stiffen with the stiffening of his muscles.

"Ready!" called Bill Lang.

The ruling passion that had carved six notches on his gun-handle overwhelmed Pete Leddy. At least, let us give him the benefit of the doubt and say that this and not calculation was responsible for his action. Before the word for preparation was free of Lang's lips, and without waiting for the word to fire, his revolver came up in a swift quarter-circle. He was sure of his aim at that range with a ready draw. Again and again he had thus hit his target in practice and six times he had winged his man by such agile promptness.

With the flash from the muzzle all the members of the gallery rose on hands and knees. They were as sure that there was to be a seventh notch as of their identity. There was no question in their minds but Pete had played a smart trick. They had known from the first that he would win. And the proof of it was in the sudden, uncontrollable movement of the adversary.

Jack whirled half round. He was falling. But even as he fell he was still facing his adversary. He plunged forward unsteadily and came to rest on his left elbow. A trickle of blood showed on the chap of his left leg, which had tightened as his knee twisted under him. Leddy's rage had been so hot that for once his trigger finger had been too quick. He had aimed too low. But he was sure that he had done for his man and he looked triumphantly toward the gallery gods whose hero he was. They had now risen to their feet. In answer to their congratulations he waved his left hand, palm out, in salutation. His gun-hand had dropped back to his trousers seam.