Chapter I: Front Matter
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OVERSHADOWED.
A Novel.
by
SUTTON E. GRIGGS
Author of "Imperium in Imperio."
Nashville, Tenn.: The Orion Publishing Co. 1901.
Copyrighted Sutton E. Griggs 1901.
DEDICATION.
To the Memory of
ALBERTA,
Who, in the absence of this her oldest
brother, crossed over the dark stream, smiling
as she went, this volume is most
affectionately dedicated by
_THE AUTHOR._
AUTHOR'S PREFACE.
The task assigned to the Negroes of the United States is unique in the history of mankind.
He whose grandfather was a savage and whose father was a slave has been bidden to participate in a highly complex civilization on terms of equality with the most cultured, aggressive and virile type of all times, the Anglo-Saxon.
The stupendous character of the task is apparent when it is called to mind that the civilization in which they are to work out their respective destinies is fitted to the nature of the Anglo-Saxon, because he evolved it; while, on the other hand, the nature of the Negro _must be fitted to the civilization_, thus necessitating the casting aside of all that he had evolved.
This attempt on the part of the infant child of modern civilization to keep pace with the hale and hearty parent thereof, has served to contribute its quota of tragedies to the countless myriads that have been enacted under the sun, since the Cosmic forces first broke forth out of night into light, and began their upward, sightless, or shall we rather say, full visioned tread in quest of the "music of the spheres" and the higher purposes of the GREAT BEYOND.
What part in the great final programme these Cosmic forces have assigned to the attempt of the Negro to journey by the side of the white man, none are yet able to say, the situation being still in process of unfoldment.
While we watch with becoming reverence and muse thereon, we catch up our lyre to sing to the memory of those slain in their name, if not by their order.
Very respectfully yours,
THE AUTHOR.
CONTENTS.
I. A Girl Perplexed
II. The Cause Revealed but not Removed
III. Other Actors
IV. A Lady who did not know that she was a Lady
V. What a Kiss Did
VI. Up to Date Aristocracy in a Negro Church
VII. Rev. Josiah Nerve, D. D. S.
VIII. He Narrowly Escapes
IX. The Pit is Dug
X. The Victims
XI. Murder
XII. The Visit of a Policeman
XIII. Backward, then Forward
XIV. As Least Expected
XV. An Awful Resolve
XVI. A Political Trick
XVII. Paving the Way
XVIII. John Wysong Confesses
XIX. Added Sorrows
XX. Speaker Lanier
XXI. The Hanging
XXII. Worse than Death
XXIII. Full of Joy
XXIV. Opposing the Wedding
XXV. Erma and an Assassin
XXVI. Name the Chapter After you Read It
XXVII. The Funeral
PROEM.
A farmer who is planting corn in a fertile field, halts beneath the shade of a huge oak to rest at noon.
Accidentally a grain of corn drops from his bag, finds lodgement in the soil, and in time begins to grow.
The grains that fell in the field will have their difficulties in reaching maturity.
There is the danger of too much water, of the drought, of the coming worms.
But the grain that came to life under the oak has its _peculiar_ struggles.
It must contend for sustenance with the roots of the oak.
It must wrestle with the shade of the oak.
The life of this isolated grain of corn is one continuous tragedy.
OVERSHADOWED is the story of this grain of corn, the Anglo-Saxon being the oak, and the Negro the plant struggling for existence.
To be true to life, the story must indeed be a sombre one.
So, OVERSHADOWED is a tragedy--a story of sorrow and suffering.
Yet the gloom is enlivened by the presence of a heroic figure, a beautiful, noble girl, who stands unabashed in the presence of every ill.
OVERSHADOWED does not point the way out of the dungeon which it describes, but it clearly indicates the task before the reformer when he comes.
If you have time and inclination for such a recital--the curtain rises and the play begins.
OVERSHADOWED.
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