Chapter VI: Introduction (5)

It was a brilliant summer evening when he came upon the hermit's cell again. The old man was sitting making his meditation before the door. Occupied with grief and care, as he had been during his absence, the bereaved son had forgotten all about the fig-trees; but, on looking around, he saw that something was changed, and soon had a clear demonstration of what the hermit had told him. One noble tree was laden with the ripe green and purple fruit; the soft, downy skins seeming ready to burst with the rich and luscious burden within, while the broad leaves spread out their hands and shaded them from the too great heat, and fanned them gently when the day was sultry.

The second tree was covered with luxuriant leaves as before, but not a single ripe fig was on it--there were a few young green beginnings, but too small and sickly to have a chance of ripening that season.

The third tree was in lamentable plight; its attenuated climbers clung by habit to the rock, but the sap and life and energy were gone, and it seemed only fit to be cut down.

"Well, father, I see you were right as to the figs," said the young man, candidly. "There is only one of them that is a good tree after all--but it is wonderful how well favoured they looked last year!"

"Learn, my son, the counsel of the aged and the words of the wise," replied the hermit; "for as it is with trees, even so it is with men. There are many who seem to you alike honest and worthy to be esteemed, while their inner life is as different as was the fruit-bearing principle of these trees."

"But, father, will not the good be known by their good deeds and maxims, and the bad by their evil lives and counsels?"

"Even so, my son, but the difficulty is to discern which are good and which evil. This is not so easy as you seem to think; for instance, you see two men both apparently pious and charitable, while the one who appears most so, very possibly only gives his money to the poor that he may stand well with the world, that the poor may look up to him, and say, 'There goes one who is like a king among us;' the other, whose liberality you noticed less, drops his hardly-spared coin noiselessly into the capillo [51], and sallies forth perhaps in dead of night to carry his alms to those who would blush to receive such assistance by day. One man appears to you calm and placid because he is of a phlegmatic nature, and has no effort to make in order to appear equable and ever patient; while another, whom you judge to be hasty and passionate, may be all the while struggling to conquer a hot and violent temperament which requires the courage of a hero to keep it within bounds."

"I see your moral, father," replied the young man; "and I have no doubt I often judge of men as I judged your fig-trees."

"That one," continued the hermit, pointing to the one whose fruit was even then affording a delicious meal to the birds, for the hermit called nothing his own, and the birds of heaven were welcome to share his stock, "that one was always a good and fruitful tree, and its praise is among its people, for you will find many a village about here which boasts a graft from the hermit's fig. The second one, which presented so fair a show, has something amiss which it hitherto has passed my skill to find out--though I have one remedy more to try, which may recover it. And the third had a worm at the root which destroyed its vital power."

The young man passed on his way next day, and, as he journeyed, the figs of which the good hermit had given him ample provision put him in mind of his parable, and set him musing on its application. These musings weaving themselves in with his anticipations of the condition of his affairs at home, he began to consider whether the three clerks, to whom he had entrusted his property, were in any way like the fig-trees, and whether Providence had not sent him this lesson to be his guide in his future conduct.

Possessed with this idea, he resolved to put them to the test. The sun and air of the mountains had dyed his skin; sorrow had marked his face with lines of care and tinged his hair with grey. By means of a false beard and a travelling merchant's dress he reckoned he could be safe from recognition, and as a stranger learn their respective worth from their own lips.

Equipped in his disguise he presented himself at his own house, and found all three in their place, with every evidence of diligent application. So he opened the terms of his pretended business to them, and found them all ready to negotiate with him, each in his degree--each conducted his matter with every token of due shrewdness and integrity.

It had been part of his plan to tell them the news of their master's death, and try them by watching the effect of this intelligence upon them, but when he saw all so well-ordered he judged there was no need for further trial, and so contented himself with resuming his own attire and returning in his own person to the house.

The clerks greeted him with a joyful welcome, and received the news of his father's death with becoming expressions of sorrow, and the young man congratulated himself on having such trusty stewards of his goods.

After he had been back a day or two, he requested them to prepare for him the account of what they had done since he left, so that he might know how his affairs stood, and once more assume the direction of them. The proposal received a ready assent, and a day was fixed for going into the matter. But when the appointed day came, what was his astonishment to find only Diego in his place? His accounts were ready and all in good order; he had administered faithfully the portion of property entrusted to him, and handed it back increased by the efforts of his prudence and skill.

From Gonzalo he found a letter informing him that he had had the misfortune to be unlucky in his speculations with his property, and had lost the whole of it, consequently he had no account to render. Losing patience at this attempt at deceit, the young man had him brought before him, and asked him how he dared tell him so, when he knew that only so many days before he had been negotiating with a merchant he knew, and he named the name he had assumed in his disguise. Gonzalo was not at all disconcerted: "Oh, that business was done with my own money; though I was unlucky with yours, fate would have it that I should be very successful with my own, and out of my own earnings I have created a capital which I have multiplied an hundredfold."

When the young man heard this unblushing statement, he was filled with indignation, and insisted on taking him before the judge. But it was all to no purpose, Gonzalo had managed his fraud so cleverly that it could not be proved against him; he had to be let go scotfree.

As for Jacinto, he never showed himself at all, nor left any explanation. He had remained up to the hour, trading with the benefit of his master's name and capital, but the moment there had been talk of giving up accounts he had gathered up all that was in his charge, and fled with it out of the country.

More grieved by the faithlessness of those he had trusted than by the loss of his gold, the young man shut himself into his chamber, to muse upon what had befallen him, and upon the uncertainty both of friendship and riches. When he reflected on the temptations which money had offered to Gonzalo and Jacinto, he was appalled at the thought of those which might be in store for him, if he continued in the pursuit of business. He thought of the peaceful hermit, whose warning parable had just received such a striking illustration. He thought of his placid content with the weather--such as God sends it--to warm him, and the fruits of the earth--such as God gives them--to nourish him. He thought of him far removed from contentions and greed of gain, and sharing his frugal meal with the stranger, the wayfarer, and the birds of heaven.

When he came down from his chamber, he called Diego to him, and commended him for his faithfulness and diligence. "And," said he, "I now give you full possession of all that you have so justly administered. For me, I have chosen a life free from care, where I shall have no use for money."

But when Diego heard it, he said, "Nay, but I will go with thee. To save my master's goods for his son was my work on earth; now that is fulfilled, no desire have I to continue amid its weariness and perils."

So they left the money to found an hospital where poor orphan children might be taken in and taught the way that is right. And they went into the Sierra, and built them huts and planted them fig-trees, and passed their time in holy meditation and in praising God.

TOO CLEVER BY HALF.

A blind beggar, who, like all other blind beggars, was led by a lazarillo [52], was once going his rounds, and directed his guide to take him past a house where he was in the habit of receiving help.

The good wife of the house gave him a fried sprat [53]. The lazarillo was a mischievous urchin, and on this occasion very hungry, so he ate the sprat himself, and told the blind man they had given him nothing. The blind beggar, however, who knew the smell of fried fish well enough, charged him with the theft, and gave him a good drubbing in punishment.

Presently, as they went along, the mischievous lazarillo led him through a troop of children, running about at their play: one of them, darting between the legs of the blind man, tripped him up. "You young rascal!" exclaimed the provoked beggar; "why didn't you take better care where you led me?"

"If you were so clever at smelling the sprat,
How came it you couldn't, too, smell out the brat?"

cried the lazarillo, running off to escape a second drubbing.

THE WIND'S STORY.

"I wish you would not be so fond of choosing this nasty old ruined house for our playground, Lolita!"

"Oh, don't you like it, Ana? I do so love to come here and listen to the tales the Wind tells me, as it moans through these crumbling walls!"

"The tales the Wind tells you, hermana [54] dear! what can you mean?"

"Oh, I forgot! you don't know the Wind's language; but I do, and I love to listen to it."

"Oh, Lolita dear, do tell me what the Wind tells you! What does it say about this ruined cottage?"

"Why, it told me such a strange story, Ana! It said to me, 'A long, long while ago, when I was one day dancing happily this way on a sunbeam, this old ruined cottage was then just built; all was then bright and new within and without; the cock strutted about the yard, keeping his fowls in order, and shouting, "Qui quirri qui!" the hens gathered their chickens under their wings, crying, "Cá, cá, cá, cá!" the cat sunned himself on the projecting roof, and frightened the birds from the cherry-tree that shaded it; and the dog ran about wagging his tail, and keeping them all in order, with one eye at least ever open for the rabbit that would poach in the lettuce-bed. On the sunny side of the house was a magnificent parral [55], where every evening might be seen Pepito and Dolores sitting together in newly-wedded bliss. Pepito would be sawing or nailing wood, which was to make a cradle, and Dolores, stitching away at little fine bits of clothes that looked as if they were meant for a fairy. They were so happy, that whenever I was sent that way I used to step aside and ask my sister the Breeze to sweep round that corner for me, because I am rough and she is gentle; and I used to love to watch how pleased they were with her refreshing visit, after the burning heat of the day.

"'But it happened one day that I had to go a long, long journey: some pirates were ravaging the sea, and I was to kick up a storm which would frighten them away from some poor and hardy sailors who were not strong enough to encounter them; and then I had to sweep round the north of Africa, to disperse an army of locusts that were preparing to ravage the land and destroy the work of the husbandman. So I passed through the parral as gently as I could, and kissed the young couple under it, and went lightly on my way.

"'It was some months before I was sent to Spain again, but the first chance I had I went as near as I could to this cottage; and as I came along, my attention was attracted by another cottage, which seemed to me something like it, so I looked in: there was only one cheery old man inside it, and he was making preparations for a journey. "Won't they be pleased to see me? How little they think I could come so soon!" he muttered, as he put his bundle together. I made the air clear and fresh for his journey, and passed along.

"'As I went over the mountains, I came upon a couple of muleteers directing a file of laden mules; they looked hot and wayworn, so I blew the dust off them, and cooled their feet, and the hoofs of their beasts. As I came near I recognized my friend Pepito, but he no longer looked so happy as of old; his expression was dark and anxious, and it grew gloomier as he listened to some sombre tale his companion was telling.

"'"Are you sure--certain sure?" he exclaimed.

"'"Mas cierto que el reloj, hombre [56]," replied the sinister companion, whom I now also recognized for a fellow of very bad reputation in Pepito's village, and who was said to have vowed vengeance on Dolores because she had married Pepito instead of him.

"'"And if I turn back to-night, I shall find him of whom you speak in my cottage?" continued Pepito, in an agonized tone.

"'"No doubt of it," returned the other.

"'Now I would not believe any ill of Dolores, so I tried what I could to divert their attention. I threw myself so violently against the face of the leading mule as to make her miss her way, and nearly step over the brink of the precipice which the path they were travelling bordered; but Pepito was a practised muleteer, and caught her head in time to prevent an accident. Then I blew his hat over the edge, but he was as good a mountaineer as muleteer, and readily climbed down the steep side after it. I could do no more.

"'Damp mists were gathering along the banks of the Guadalquivir: my mission was to disperse them before they became injurious to health. I might not tarry, so I passed on my way, sighing through the tall trees. But before the sun rose next morning, I contrived to reach Pepito's cottage. No one was stirring, but I easily made my way in through the open windows. There lay in the bed in calm and peaceful slumber, the old man whom I had seen making up his bundle in glad expectation of his visit proving a joyful surprise. The doors and casements rattled for fear, as they always will do when they see me coming, and I was vexed to find my curiosity had thus disturbed the old man's sleep. But there was something worse than my coming to rouse him. First there was a noise of footsteps under the window, then the barking of the watchful dog, then the sound of some one climbing up the wall, then groping his way through the window. The old man started in his bed, nerved with the consciousness that he was the guardian for the time of his son-in-law's property; he hastily disengaged his navaja [57] from his belt by the bedside, and stood up to grapple with the intruder, who, similarly armed, advanced straight into the room with an assurance which showed he was no stranger.

"'Then I perceived that Pepito, misled by his perfidious friend, had returned in the night-time, so as to prove the truth of the report given him. When he found himself confronted by a man's arm, he felt no longer any doubt, but closed upon him in rage and fury. I had no heart to stay and see the result of a fight between two armed and desperate men, but I set up my loudest and most desolate howl, and swept madly through the pueblo [58]. I made the branches of the trees crack, and the fittings of the houses clatter; wherever I saw a door or gate open, I set it banging to and fro, and by a supreme effort, I even moved the great church-bell so that it gave one or two deep tolls. Thus wakened, the people soon heard the cries and recriminations of the combatants, and ran out of their houses in numbers to track the sound.

"'It is part of my fate that I must ever be moving onward; I can never stand still and never go back, though I can make a grand sweep over a large tract of country, and so come round again to a place after a time. It was a long time, however, before I was able to work my way round after this, but one day I happened to overtake my sister the Breeze, and knowing the interest I had taken in the young couple under the parral, she immediately began telling me about them; I desired nothing more than to learn what had befallen them.

"'"Oh," she said, "I hope you will never have to go by there again, you couldn't bear it!"

"'I began to suspect what had happened that fatal night. "Then the neighbours were not in time to part the men after all?" I exclaimed.

"'"They were parted, but both died of their wounds next day."

"'"And Dolores?"

"'"Dolores was so horror-stricken at the dreadful sight, that she entirely lost her reason. Some good people have taken her quite away, far, far off, thinking she may get better in an entirely different scene. But all the time she was here, I used to stir gently through the room to fan her burning forehead when the air was sultry; and I often looked deep into her eyes when they stared so wildly, seeking for Pepito and her father, who she always thought were coming to see her, and I always saw there a look which told me she was not long for this world."

"'"God take her in His mercy!" I exclaimed. "And the parral and the cottage, what of them?"

"'"All left desolate. The hares and the foxes have the grapes to themselves. No one will go to live in the house. No one will even pass by it if they can any how avoid going that way; and I hope you will keep away from it too, brother, for the sight would make you sad indeed."

"'Our ways parted here; and I was not sorry, for my heart was too full for more talk. I need hardly say that on the first opportunity I went to see how the old place looked. And sad enough it seemed; sadder even than now, because the memory of Pepito and Dolores was fresher upon it.

"'I feel so sad whenever I am there, that I moan and sigh, and the simple people say it is Pepito and his father-in-law crying out against each other. Sometimes, wild with anger, I feel ready to crumble the whole place to atoms--and then I dash down beams and stones and branches of trees; and then, again, I fear to lose all the traces I have loved so well, and I blow sand and mould and seeds of creeping plants to bind the scattered portions together, and root them again to the spot.'

"That's a dreadfully sad story, Lolita; it has made me feel shyer than ever of this dreary place."

"The Wind's stories are always melancholy, Ana dear; though you don't know his language, you hear that his tone is always plaintive."

"Then I don't want any more of the Wind's stories. I'll tell you what I like. I like the sights I see in the Sunbeam."

"Oh, tell me what you see in the Sunbeam!"

"Then you must come out of this dreary place, and sit down with me on the sunny bank yonder, and I'll tell you what I have seen."

WHAT ANA SAW IN THE SUNBEAM.

"When I lie on the tomillar [59] and look through the sunbeams," said Ana, "I see all the little sprites getting ready the beautiful colours to paint the flowers and the insects, and the clouds, and others that dye the tree-leaves green and gild the old walls, and others that teach the insects to hum and the birds to sing, and little children to smile.

"Do you know, Lolita," pursued Ana, "when a little baby is put into the cradle for the first, very first time, if the Sunbeam plays upon it, the little sprites always look after that baby, and never forget it, but when it is grown up into a big man or woman they still continue their care. There was once such a little baby, Lolita, born in a poor little cottage; such a poor little cottage, Lolita, that there were no shutters to the windows of any kind, when it was ever so hot the sun all came in, and made the air suffocating, unless the poor mother could pin up an old dress; but it was not often she had one besides the one she had on. So it happened that when this little baby was born, Lolita, the sunbeams were streaming in, with the little sprites all basking in them, and the sprites kissed this little baby, and said, 'Dear little girl, we will never leave you; only be good, and so long as you are good we will see that you shall want for nothing at all.'

"A very little while after, Lolita, that little baby's father died, and you might have said the sprites had forgotten her; but it was not so. They kept their word exactly. She did not know her father had died. Her mother was there, and took care of her, and she was too little to know that other children had more pleasure, so she wanted nothing.

"She did not even know, Lolita, the labour her poor mother had to work for them both, and even when she sang her to sleep with her sad, ceaseless song,--

"En los brazos te tengo,
Y considero,
¡Qué será de ti, niño,
Si yo me muero [60]!"

she knew nothing of its meaning; her little face was pressed close and warm against her mother's breast, and a flower or a fruit, which the sprites had painted for her, was enough to complete her happiness.

"Before Pura--such was her name--was two years old, her mother died too. But the sprites had not forgotten her, Lolita: her mother had a sister, and when this sister came to the funeral, they had painted Pura's cheeks with such fresh, clear tints, and lit up her baby face with such a bright, sweet smile, that her aunt would not part from her, but took her home and brought her up as her own child, and was to her as a mother.

"The sprites played with her now just as before; and when she was asleep they used to dance on her bed, and say, 'Dear little girl, we will never leave you; only be good, and so long as you are good we will see that you shall want for nothing at all.'

"Meantime, Pura grew up to learn to be useful: she worked in the garden, and kept the house tidy, and fetched the water from the fountain, and did all that Tia [61] Trinidad wanted. She was very good and very obedient, and never wasted her time; her only amusement was lying on the thyme-bed in the sunshine, because then the sprites painted such pretty dreams for her.

"But Tia Trinidad was growing old, and after her there was no other aunt, nor any relation to look after Pura; and though she would not say it aloud to vex Pura, who was always bright and gay, she yet continually repeated in her own mind, just as the poor mother used to sing,--

"En los brazos te tengo,
Y considero,
¡Qué será de ti, niño,
Si yo me muero!"

"So things looked very bad again, Lolita; but the sprites had not forgotten Pura, as you shall see.

"Tia Trinidad earned her living by waiting on strangers at the little inn down in the village, and as few people came that way, she was often many days without earning a 'chavo [62]. One day, however, there came a great gentleman who had returned from the Indies with a great lot of money; he said he had roamed the world long enough, and seen enough of great cities; he meant now to settle himself in some quiet, remote village, and the only thing he wanted in this world was a nice, good, industrious wife, who would make his home smiling and happy.

"'Then I can fit you to a nicety!' broke in Tia Trinidad, who had been seized with a most diligent dusting fit all the time the traveller had been detailing his plans to the Cura [63] of the village, and had not missed a word.

"'Can you?' said the traveller, not at all displeased at her boldness.

"'That can I,' continued Tia Trinidad, earnestly; 'and there isn't a girl to match her in Madrid, and the Padre Cura will bear me out!'

"'What ... Pura, you mean ... I suppose?' said the Cura, somewhat embarrassed between his desire to speak the truth, and his fear of crushing the--as it seemed to him--exaggerated ideas of his poor parishioner. 'Yes, Pura is a good girl enough;' and he paused to think how much he could say in her favour; 'young, and--pretty, and--simple, and--lively, and--notable altogether, but----'

"'Well,' interrupted the traveller, hastily, 'out with your but! for you have named the very qualities which go to make up my ideal of a wife; speak, hombre [64]!'

"'Well, I mean--I mean, only that she is a little--a little--what shall I say?--a little homely for your wife----'

"'Homely, is it? Oh! if that's all, we sha'n't quarrel. I don't want any of your fine ladies who are only thinking of setting themselves off, and attend to nothing but their toilet! Come, good woman, ask your young friend to allow me to come and see her to-morrow.'

"Too overjoyed to answer, Tia Trinidad set off on the instant at full speed, and ran so fast you could not have told what her gown was made of as she passed. When she reached home, out of breath, she told her niece to adorn the house, and dress herself in her best, for she expected a visitor next morning.

"Pura--who, though now seventeen, still kept up her simple habit of doing whatever she was bid with alacrity--fulfilled the directions given her with great exactness and success, and never thought of asking who or what the visitor was, or what business brought him.

"When the traveller called next morning, and found the room so smiling, the sunbeams playing through the muslin blinds upon the snow-white curtains, the brightly-tinted flowers--which, by the way, the sprites had painted on purpose--so tastefully arranged, and Pura herself looking so neat, and with no thought of display in her head, he was delighted, and left with an air of satisfaction, which convinced Tia Trinidad that all was going on right. Only, as he was going away, he turned and asked Tia Trinidad if Pura could make lace; and Tia Trinidad, who deemed her niece such a pearl that there was nothing she could not do, without thinking, answered "Yes." Nevertheless, poor Pura had had too much labour with the garden and the house-work all her young life to have had leisure for indoor occupation. She could take a turn, indeed, at her aunt's spinning-wheel; but such an accomplishment as making lace she had never practised.

"'Why did you tell the gentleman I knew how to make lace, when I don't, aunt?' she exclaimed, for she could not bear an untruth about the least matter.

"'Well, I did not know what to say, all in the surprise,' replied the good aunt. 'It seemed as if I should give a false impression of your habits, which are so industrious, if I said you could not do any thing he expected of you.'

"'Then why didn't you say that I could spin, and scour, and dig?' answered Pura, ingenuously.

"'Dig, and scour, and spin, indeed! Fine recommendations for his purpose,' rejoined the aunt, mysteriously; and before Pura could ask what on earth this 'purpose' was, a messenger brought in three bobbins of fine black silk, for her to make into a piece of lace, as a proof of her skill.

"'Oh, aunt, what shall we do? What shall we do?' sobbed poor Pura, who could not endure to be thought a deceiver.

"'Don't worry, child,' returned the aunt, 'something or other will turn up. There's nothing so easy as making lace, after all, and three bobbins are gone like winking. You must get through it somehow, for your fate depends upon it.'

"Pura went to bed that night crying; and cried herself to sleep. But very early in the morning, very early indeed, Lolita, the sunbeams woke her--you see the sprites never lost sight of her. And three beautiful sprites--the three who had most care of her--came floating down the Sunbeam. Without saying a word, they took up the bobbins of silk, for they had brought every thing with them that was wanted for making lace, as if they had known all about it, and, rattling them about, en un dos por tres [65], they turned off a splendid mantilla, all made out with flowers, and birds, and every thing you can think of, and then threw it on the bed, and disappeared before Pura had time to recover from her surprise.

"When the stranger called next day, and saw this extraordinary proof of industry and skill, he could hardly believe his eyes, and went away more pleased than the day before.

"'Didn't I tell á su mercé [66] that she was a jewel?' whispered the old lady.

"'I begin to think you did not exaggerate,' answered the traveller.

"And then, turning to Pura, he asked her if she was as perfect in household duties as in accomplishments; whether, for instance, she understood cooking.

"'¡Pues no ha de saber cocer [67]!' interposed the aunt, without allowing Pura time to speak; for she knew the good girl would have answered the strict truth; and she thought as the sprites had got her out of one scrape, they might be trusted to get her out of another.

"In the evening, the messenger came again, this time followed by two other porters, each carrying baskets of provisions, which they set down, with the message that Pura was to make a famous olla podrida, and the gentleman would come in and dine off it the next day.

"Pura's tears fell fast on the beautiful market spoil, on which Tia Trinidad stood feasting her gaze. Never had such a provision of generous diet stood within sight of her hearth! But Pura only reflected on her incapacity to deal with such choice materials, and she knew there was no help to be got from her aunt, to whose cuisine even a piece of bacon was a rare delicacy.

"Pura went to bed that night as sad as the night before, for she kept saying to herself, 'Suppose the gentleman should think it is I who have been deceiving him!'

"But the sprites did not forget her, Lolita. Very early in the morning--very early!--they came in on the Sunbeam, as bright and as beautiful as before; and in a trice they had laid the fire in the stove and blown the charcoal into a fine red glow; then, while one took down the large ollas [68] from the shelf, and filled them with water at the well, one was busy plucking the fowls, and another washing and preparing the vegetables. The vegetables were soon put on in one olla with the bacon; and then the fowls, the ham, the sausages, the tripe, the pigs'-fry, the rolls of lean meat nicely larded and stuffed, all set to stew in another, and all seasoned with the greatest care and delicacy. The whole morning Pura watched the sprites. And though Tia Trinidad saw nothing but the Sunbeam playing about the kitchen, Pura saw them, as they carefully skimmed the pots, added to the liquor or the flavouring, made up or slackened the fire; then, an hour before dinner-time the contents of the two ollas were mingled with care, and once more set on to simmer, while with herbs, and bread-crumbs, and garlic, pimento, and parsley, certain albóndigas gruesas [69] were being made ready, and fried in sparkling oil to a fine golden hue, ready to drop into the olla the moment before serving up.

"The traveller came, faithful to his appointment, and the delicious odours of the olla met him directly he entered the garden-gate, overpowering the perfume of the carnations on the window-sills. Proudly Tia Trinidad bore in the lordly dish, for she knew that never in the palace was a more perfect stew served. The traveller dined with undisguised satisfaction; he confessed it was the ne plus ultra of cooking. Nothing was wanting, of nothing was there too much, every thing was in its due proportion and proved the handiwork of a true artist in cooking.

"'As you understand so well how to prepare this homely dish,' he said, at the close of many compliments, as he took leave, 'I am sure your delicate taste must be equally faultless at confections--I shall ask you to make me a turron [70] to-morrow.'

"Pura, struck dumb with perplexity, was vainly striving to frame some speech by means of which to explain how little part she had had in the performances he had been led to ascribe to her; but while she was yet thinking, her admirer had already plucked a carnation for her hair, and, raising his hand in affectionate farewell, had taken his departure.

"Tia Trinidad busied herself with putting by the remains of the abundant meal: there was meat enough to last her frugal needs a week, and more, and some to spare for a poor neighbour besides.

While she schemed and portioned, Pura, torn by conflicting thoughts, stood still, with the carnation in her hand, gazing after the form of the stranger as he disappeared among the trees, and wondering why she had not courage to run after him and explain all.

"She stood thus leaning against the window-pane, and still gazing, perplexed, hours afterwards, when the same messenger who had visited her on the two evenings before, again appeared, with a load of almonds and filberts, pine-kernels and walnuts, honey and eggs. Pura took the things from him with a heavy heart, for she was much too humble and simple to expect that the sprites could be so kind as to help her again; so she went to bed in as great distress as on the preceding nights. Nevertheless, early in the morning--very early, very soon after sunrise, that is as soon as the sun was up high enough for his beams to get in at her window--in came the three sprites, and, without saying a word, set to work, just as they had the day before; then began such a wonderful bruising, and pounding, and mixing, that Pura soon lost all fear of the work not being performed as perfectly as on the two former occasions. They had not yet half finished their mixing, when all of a sudden she noticed a soft buzzing sound, like the humming of bees, but all in beautiful melody; and then she saw the Sunbeam full of sprites of every hue like living flowers. They were the genii of the flowers, and they wore the very forms of the flowers, their bright petals making so many wings, and they came and poured each its own perfumed nectar into the confection, giving it a flavour such as no turron, of earth at least, ever possessed before.

"'We have done all these things for you,' said the sprites, when they had completed their handiwork; 'now, we want you to do one thing for us.'

"'Oh, whatever you like! only tell me any thing I can do!' answered Pura, with a ready grace.

"'Well, it is this. We know three poor girls, very poor and very sick; they are all terribly deformed cripples. They are so deformed and so ugly that they live in the hospital, and never get asked any where. It would be such a pleasure to them to come to your wedding-fête. They will be no ornament to it, I know; but still, will you let them come?'

"'Oh, yes; to be sure, poor things;' answered Pura, with grateful and charitable alacrity; 'that is, whenever I get married. But who would marry a poor penniless orphan-girl, who can do nothing? More likely I shall have to go to the hospital too, when aunt dies.'

"'Oh, no; you're going to be married very soon, to that traveller who has been here so often.'

"'What; to that kind, handsome gentleman!' cried Pura, in raptures. But a moment after, a cloud stole over her joyous countenance; and, hiding her face in her hands, she said, sadly, 'No; that can never be. I dread even to meet him again, because we have been deceiving him. Oh, it was very wrong; I would not have done it for the world if I had had time to speak. If he wants to marry me, it's because he thinks I'm so clever; and when he finds I can do nothing he will turn his back, and that is not the worst. When he finds he is deceived, and I can do nothing, oh, how he will despise me!' And she sobbed again.

"'No, it is not because you are clever,' answered the sprites; 'it is because you are good. If you have not learned more, it is because you had not the opportunity. You have always been industrious at doing what you did understand; and as to deceiving him, that has never been your will and intention. So cheer up! we will make it all right. Only don't forget to invite the three poor girls from the hospital to the feast.' And the sprites floated away on the sunbeam.

"'Be sure I shall not forget them, poor things!' cried Pura after them.

"The next day the stranger came again; and having tasted the exquisite turron, which seemed indeed to have been perfumed by no ordinary taste, he told Tia Trinidad he hoped she would let him marry her niece at once.

"There was nothing the old lady desired more; for she had inquired about him meantime, and found he was a worthy man, as well as abundantly supplied with this world's goods; so all was speedily arranged.

"To her surprise, when she came to announce her good fortune to her niece, and to arrange preliminaries with her, she found she was any thing but pleased, and only burst into tears.

"'Why, child! what ever is the matter with you?' she exclaimed. 'You don't mean you don't like him? I'm sure he has spoken kindly and fondly enough to you. And what is more, he has spoken kindly and fondly enough behind your back, too; which shows his esteem is genuine, and no mere flattery.'

"'That's it. That's just what makes me so wretched,' sobbed Pura.

"'What, wretched to think a good man loves you!'

"'No, aunt, no; but to think that he is so good and so kind, and we have been deceiving him. When he finds I can do none of the things he has fancied I am so clever at, what will he think of me? With what face can I meet him? Will he ever respect me again?' and she sobbed harder than ever.

"'Nonsense, child, don't take on like that,' responded the aunt. 'You've got through it all so far. Do as I bid you, and it will all come right in the end.'

"Pura, used to obey, and trusting in great measure also to the promises of the sunbeam-sprites, prepared to do her aunt's bidding, though with somewhat mixed feelings.

"When the wedding-day was fixed, and all preparations made, Pura did not forget to go out early into the tomillar, and ask the sprites of the sunbeam how she should find their protégées, the three cripples of the hospital. 'Leave that to us,' said the sprites. 'You have done your part in remembering them. We will take care they have the invitation; only give us the token by which they may be sure of being admitted.'

"'A red and white carnation will suffice,' answered Pura; and a cloud overshadowed the sunbeam.

"The wedding came, and the fêtes, and the cripples. A pitiable sight they were, indeed. They were still young; but their distorted forms only made their youth a motive for greater compassion. The back of one was curled over so that her chin touched her waist, and her arms were so short they were no longer than the fins of a fish. Those of the second were so swollen that each was the size of her whole body, and you could scarcely tell which was which; and on her forehead was a great swelling like the horn of a rhinoceros. The skin of the third was all shrivelled and seamed with scars, and her eyes were red all round, and stood out from her head worse than those of a lobster.

"'Pura!' exclaimed the bridegroom, as they made their approach, 'how on earth did these three scarecrows get in? they are almost enough to cast an evil eye on our happiness.'

"'Say not so, beloved,' replied Pura; 'they are three poor girls who might have been as happy as you and I, but that misfortune overtook them. Their life is sad enough, shall we not try to make them glad for once, on our own happy day?'

"'Sweet child, you are right, and I was hasty,' answered the bridegroom; 'but how did you come to know them?'

"'Some one who was very kind to me seemed to take an interest in them too, and asked me to invite them, that they might have one bright day at least.'

"'Then, if that is the case, they have my heartiest welcome; I had rather see them here than if they were the highest duchesses of the land.'

"And with that he sent the friend who attended to marshalling the guests, to put them in the best places, nearest to the bride and himself.

"Nevertheless, he could not get over his curiosity, to know why they were formed in such an extraordinary manner; and when the conversation began to get sufficiently general and familiar, he went up to the first, and after an exchange of ordinary compliments, and feeling his way by little and little, at last allowed himself to say in the politest tone,--

"'May I ask, dear friend, how it is your back comes to be so bent, and your arms so very short?'

"And while he waited in great perturbation, lest he should have offended or hurt the poor thing, she answered cheerfully enough,--

"'By all means, I am not at all ashamed of it. I used to be a famous hand at making lace, and my step-mother, finding she could make a lot of money out of my work, kept me at it so hard that from bending over it so much my back never came straight again; and my arms, from continually twisting the bobbins, got quite worn away and screwed like into the sockets, and never would come out any more.'

"'Indeed!' exclaimed the bridegroom, almost abruptly, for his alarm got the better of his courtesy; and with that he sprang to the side of his bride, and exacted from her a promise that she would never never make any lace from that day forward.

"Pura gave the promise willingly enough; and, his composure somewhat restored, her husband before long found his curiosity lead him to the side of the second 'scarecrow' guest, to ask her why her arms were so very thick, and why she had such a bump on her forehead.

"'Because,' she answered, in a tone which seemed to show she was pleased to have the opportunity of explaining the circumstance, 'because I used to be a rare hand at making almendrado [71] and turrones of every kind, and from continually pounding, pounding at the almonds and nuts, my arms grew as thick as you see; and as I often knocked my forehead with the big pestle we used, I got this ugly bump.'

"With greater trepidation than before, he darted, at hearing this, to Pura's side, and taking her hand in his, required her to promise him with the greatest solemnity that she would never touch any confectionary again.

"Encouraged by the good-natured reception his curiosity had met with in the two former cases, he soon found himself by the side of the third cripple, asking her why her eyes were so red and goggled, and her skin so scarred.

"'Because I was a famous cook,' was the answer. 'I was married very young, and my husband was very particular about his dinner. I never could be away from the cooking-stove, there was always something to be got ready; and that injured my eyes. And worse than that, one day I had a frying-pan in my hand, full of boiling oil, and I was just going to drop in the chops, when bang went a pane of glass. Some one had frightened the cat, and in he had bounded through the window, scattering the glass right and left. The noise gave me such a start, that I upset the frying-pan over the heated stove, the oil flared up in my face, and burnt me all over as you see me.'

"Without retaining sufficient self-command to say the few words of sympathy and consolation which would not have failed him at another time, he hasted back to Pura, and insisted that then and there she would promise him never to touch a frying-pan or an olla more.

"Then Pura understood why the sprites had bid her invite the cripples to her wedding; and she had her reward for her charity. And you see, Lolita, dear, how they kept their promise. So no wonder I am fond of looking into the sunbeam."

THE PEDRO JIMENEZ GRAPE.

There was a well-to-do vine-grower named Pedro Jimenez, who cultivated a small tract of land on which his fathers had lived for many generations before him, and had been known throughout the district for men of undoubted pundonor, by which word Spaniards express the most scrupulous nicety of honourable conduct. Blessed with all other worldly advantages, Pedro Jimenez had one great trial--he had no child to whom to transmit the name he had received from his predecessors, and himself borne so creditably. When he reflected on this, there was one thought in the background which used to distress him. There was living at a sufficient distance to be quite unknown to his neighbours, a poor relation of his wife, whom he assisted frequently in secret; but he had never let the knowledge of the humiliating circumstance transpire. Yet he knew that this poor hard-working man with difficulty kept his family above want; that the greatest delicacy in which they could ever indulge was the dish popularly called duelos y quebrantos (sorrows and troubles), a stew made up of the poorest odds and ends and leavings [72], in bitter mockery of the favourite Spanish olla podrida, which is a compound of the most succulent meats and vegetables.

Conscience would whisper in Pedro Jimenez's ear, "Here, in this poor fellow's son, is an heir whom you may adopt; take him from the present temptations to discontent and dishonesty with which privations ply him, and bring him up according to the traditional maxims of your house." But when he thought of the details of bringing the ragged lad to his respectable homestead, and the neighbours pointing to him as the relation of the wealthy Pedro Jimenez, his courage failed him, and he turned from the idea. So years passed by, and this thought remained the weak point of Pedro Jimenez's otherwise irreproachable character.

One evening, as he was strolling through his vineyard, admiring the beautiful clusters of grapes which were his riches for the coming year, he was disturbed by the mournful howling of a dog, proceeding from the road-side at no great distance. His kind heart prompted him immediately to follow up the sound, and he was not long before he came upon a saddening sight. On the ground lay the prostrate form of a delicate youth, foot-sore and travel-worn, and now brought to a state of unconsciousness through exhaustion; by his side there lay a large shaggy dog of pitiable aspect; his bones almost protruded through his skin, his eyes were glassy and wild, and he trembled in every limb. His melancholy howling grew fainter and fainter, and by the time Pedro Jimenez got up to the group, he saw he was past the reach of help; with one more distressful howl, he rolled on his back and expired, having spent his last breath in summoning aid to his young master!

Pedro Jimenez lost no time in raising the youth in his arms, and bearing him to his own comfortable home, where his wife's kindly care soon restored him to animation. Refreshed by her attentions, he was soon able to tell his tale; and what was the surprise of the good couple when they learnt that the poor child they had so charitably entertained, was no other than the son of their poor relation. Nevertheless his history was a sad one. His father and mother had both fallen victims to an epidemic disorder in their village; kind neighbours had taken in the younger children, a convent had provided for two older girls; and the eldest boy, having been used to labour all his life, had manfully resolved to be a charge to no stranger, but had set out to seek the advice and direction of the only relation he had to look up to, in finding work by which he could support himself, and lay by enough to portion his younger sisters. As the weary boy told his tale of domestic heroism, Pedro Jimenez's better nature stirred within him. He no longer stifled the dictates of conscience, no longer suffered himself to be governed by a false and foolish fear of human respect, but took his young kinsman by the hand, told him he was proud of his spirit, and that as Heaven had denied him direct heirs, he would henceforth make it depend entirely on his own good conduct to become the heir to his comfortable competence.

The orphan lad was overjoyed at the prospect. In his little world the name of Pedro Jimenez had all his life stood as the embodiment of all that was respectable, and desirable, and worthy of imitation. To be suddenly elevated to the position of aspiring to one day himself inheriting that honoured name, with all its contingent advantages, was greater happiness than he had ever dared to entertain in his wildest dreams.