Pictorial Composition and the Critical Judgment of Pictures
by OpenStories
Original author: Henry Rankin Poore
"Pictorial Composition and the Critical Judgment of Pictures" by Henry Rankin Poore is a handbook on art theory written in the early 20th century. The book focuses on guiding students and art enthusiasts in understanding the principles of pictorial composition and developing a critical eye for assessing art. It explores the dynamics of balance, structure, and aesthetics within visual art, making it valuable for aspiring artists and lovers of art alike. The opening of the book sets the stage for a comprehensive examination of pictorial composition, discussing the need for a solid foundation in artistic principles for students and amateurs of art. Poore emphasizes that the text aims not at providing a superficial "how-to" guide but rather to cultivate a deeper understanding of the underlying rules of composition, which are essential for meaningful artistic creation. He introduces key concepts such as balance, unity, and visual flow while rejecting traditional reverence for historical masters, advocating instead for a more nuanced appreciation and analysis of various artworks.
Pictorial Composition and the Critical Judgment of Pictures, by Henry Rankin Poore. Republished by OpenStories from Project Gutenberg eBook #26638.
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- 24chapters
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24 Chapters
- 1.Preface304 words
- 2.Preface: To Tenth Edition229 words
- 3.Chapter XIX: The Living Principle626 words
- 4.Chapter I: Introductory506 words
- 5.Chapter II: The Scientific Sense in Pictures2,286 words
- 6.Chapter III: Balance7,343 words
- 7.Chapter IV: Evolving the Picture2,106 words
- 8.Chapter V: Entrance and Exit2,407 words
- 9.Chapter VI: The Circular Observation of Pictures4,218 words
- 10.Chapter VII: Angular Composition, the Line of Beauty and the Rectangle4,599 words
- 11.Chapter VIII: The Composition of One, Two, Three and More Units1,900 words
- 12.Chapter IX: Groups2,144 words
- 13.Chapter X: Light and Shade4,955 words
- 14.Chapter XI: The Place of Photography in Fine Art2,081 words
- 15.Chapter XII: Breadth Versus Detail4,981 words
- 16.Part III: The Critical Judgement of Pictures48 words
- 17.Chapter XIII: The Man in Art983 words
- 18.Chapter XIV: Specific Qualities and Faults2,542 words
- 19.Chapter XV: The Picture Sense1,608 words
- 20.Chapter XVI: Color, Harmony, Tone2,738 words
- 21.Chapter XVII: Envelopment and Color Perspective1,288 words
- 22.Chapter XVIII: The Bias of Judgment1,416 words
- 23.Chapter XIX: The Living Principle1,890 words
- 24.Appendix2,819 words