Chapter IV: Part 4

One poor jade now drew too much, the other drew too little, and one of the splinter bars broke; well, by all that is vexatious, that was a fine drive! The leather apron in front had a deep pond in its folds with an outlet into one's lap. Now one of the linch-pins came out; now the twisting of the rope harness became loose, and the cross-strap was tired of holding any longer. Glorious inn in Zäther, how I now long more for thee than thy far-famed dale. And the horses went slower, and the rain fell faster, and so--yes, so we were not yet in Zäther.

Patience, thou lank spider, that in the ante-chamber quietly dost spin thy web over the expectant's foot, spin my eyelids close in a sleep as still as the horse's pace! Patience? no, she was not with us in the carriage to Zäther. But to the inn, by the road side, close to the far-famed valley, I got at length, towards evening.

And everything was flowing in the yard, chaotically mingled; manure and farming implements, staves and straw. The poultry sat there washed to shadows, or at least like stuck-up hens' skins with feathers on, and even the ducks crept close up to the wet wall, sated with the wet. The stable-man was cross, the girl still more so; it was difficult to get them to bestir themselves: the steps were crooked, the floor sloping and but just washed, sand strewn thickly on it, and the air was damp and cold. But without, scarcely twenty paces from the inn, on the other side of the road, lay the celebrated valley, a garden made by nature herself, and whose charm consists of trees and bushes, wells and purling brooks.

It was a long hollow; I saw the tops of the trees looming up, and the rain drew its thick veil over it. The whole of that long evening did I sit and look upon it during that shower of showers. It was as if the Venern, the Vettern and a few more lakes ran through an immense sieve from the clouds. I had ordered something to eat and drink, but I got nothing. They ran up and they ran down; there was a hissing sound of roasting by the hearth; the girls chattered, the men drank "sup,"[R] strangers came, were shown into their rooms, and got both roast and boiled. Several hours had passed, when I made a forcible appeal to the girl, and she answered phlegmatically: "Why, Sir, you sit there and write without stopping, so you cannot have time to eat."

[Footnote R: Swedish, _sup_. Danish, _snaps_. German, _schnaps_. English, _drams_.]

It was a long evening, "but the evening passed!" It had become quite still in the inn; all the travellers, except myself, had again departed, certainly in order to find better quarters for the night at Hedemore or Brunbeck. I had seen, through the half-open door into the dirty tap-room, a couple of fellows playing with greasy cards; a huge dog lay under the table and glared with its large red eyes; the kitchen was deserted; the rooms too; the floor was wet, the storm rattled, the rain beat against the windows--"and now to bed! said I."

I slept an hour, perhaps two, and was awakened by a loud bawling from the high road. I started up: it was twilight, the night at that period is not darker--it was about one o'clock. I heard the door shaken roughly; a deep manly voice shouted aloud, and there was a hammering with a cudgel against the planks of the yard-gate. Was it an intoxicated or a mad man that was to be let in? The gate was now opened, but many words were not exchanged. I heard a woman scream at the top of her voice from terror. There was now a great bustling about; they ran across the yard in wooden shoes; the bellowing of cattle and the rough voices of men were mingled together. I sat on the edge of the bed. Out or in! what was to be done? I looked from the window; in the road there was nothing to be seen, and it still rained. All at once some one came up stairs with heavy footsteps: he opened the door of the room adjoining mine--now he stood still! I listened--a large iron bolt fastened my door. The stranger now walked across the floor, now he shook my door, and then kicked against it with a heavy foot, and whilst all this was passing, the rain beat against the windows, and the blast made them rattle.

"Are there any travellers here?" shouted a voice; "the house is on fire!"

I now dressed myself and hastened out of the room and down the stairs. There was no smoke to be seen, but when I reached the yard, I saw that the whole building--a long and extensive one of wood--was enveloped in flames and clouds of smoke. The fire had originated in the baking oven, which no one had looked to; a traveller, who accidently came past, saw it, called out and hammered at the door: and the women screamed, and the cattle bellowed, when the fire stuck its red tongue into them.

Now came the fire-engine and the flames were extinguished. By this time it was morning. I stood in the road, scarcely a hundred steps from the far-famed dale. "One may as well spring into it as walk into it!" and I sprang into it; and the rain poured down, and the water flowed--the whole dale was a well.

The trees turned their leaves the wrong side out, purely because of the pouring rain, and they said, as the rushes did the day before: "We drink with our heads, we drink with our feet, and we drink with the whole body, and yet stand on our legs, hurra! it rains, and it pours; we whistle and we sing; it is our own song--and it is quite new!"

Yes, that the rushes also sang yesterday--but it was the same, ever the same. I looked and looked, and all I know of the beauty of Zäther Dale is, that she had washed herself!

THE MIDSUMMER FESTIVAL IN LACKSAND.

* * * * *

Lacksand lay on the other side of the dal-elv which the road now led us over for the third or fourth time. The picturesque bell-tower of red painted beams, erected at a distance from the church, rose above the tall trees on the clayey declivity: old willows hung gracefully over the rapid stream. The floating bridge rocked under us--nay, it even sank a little, so that the water splashed under the horse's hoofs; but these bridges have such qualities! The iron chains that held it rattled, the planks creaked, the boards splashed, the water rose, and murmured and roared, and so we got over where the road slants upwards towards the town. Close opposite here the last year's May-pole still stood with withered flowers. How many hands that bound these flowers are now withered in the grave?

It is far prettier to go up on the sloping bank along the elv, than to follow the straight high-road into the town. The path conducts us, between pasture fields and leaf trees, up to the parsonage, where we passed the evening with the friendly family. The clergyman himself was but lately dead, and his relatives were all in mourning. There was something about the young daughter--I knew not myself what it was--but I was led to think of the delicate flax flower, too delicate for the short northern summer.

They spoke about the Midsummer festival the next day, and of the winter season here, when the swans, often more than thirty at a time, sit (motionless themselves) on the elv, and utter strange, mournful tones. They always come in pairs, they said, two and two, and thus they also fly away again. If one of them dies, its partner always remains a long time after all the others are gone; lingers, laments, and then flies away alone and solitary.

When I left the parsonage in the evening, the moon, in its first quarter, was up. The May-pole was raised; the little steamer, 'Prince Augustus,' with several small vessels in tow, came over the Siljan lake and into the elv; a musician sprang on shore, and began to play dances under the tall wreathed May-pole. And there was soon a merry circle around it--all so happy, as if the whole of life were but a delightful summer night.

Next morning was the Midsummer Festival. It was Sunday, the 24th of June, and a beautiful sunshiny day it was. The most picturesque sight at the festival is to see the people from the different parishes coming in crowds, in large boats over Siljan's lake, and landing on its shores. We drove out to the landing-place, Barkedale, and before we got out of the town, we met whole troops coming from there, as well as from the mountains.

Close by the town of Lacksand, there is a row of low wooden shops on both sides of the way, which only get their interior light through the doorway. They form a whole street, and serve as stables for the parishioners, but also--and it was particularly the case that morning--to go into and arrange their finery. Almost all the shops or sheds were filled with peasant women, who were anxiously busy about their dresses, careful to get them into the right folds, and in the mean time peeped continually out of the door to see who came past. The number of arriving church-goers increased; men, women, and children, old and young, even infants; for at the Midsummer festival no one stays at home to take care of them, and so of course they must come too--all must go to church.

What a dazzling army of colours! Fiery red and grass green aprons meet our gaze. The dress of the women is a black skirt, red bodice, and white sleeves: all of them had a psalm-book wrapped in the folded silk pocket-handkerchief. The little girls were entirely in yellow, and with red aprons; the very least were in Turkish-yellow clothes. The men were dressed in black coats, like our paletôts, embroidered with red woollen cord; a red band with a tassel hung down from the large black hat; with dark knee breeches, and blue stockings, with red leather gaiters--in short, there was a dazzling richness of colour, and that, too, on a bright sunny morning in the forest road.

This road led down a steep to the lake, which was smooth and blue. Twelve or fourteen long boats, in form like gondolas, were already drawn up on the flat strand, which here is covered with large stones. These stones served the persons who landed, as bridges; the boats were laid alongside them, and the people clambered up, and went and bore each other on land. There certainly were at least a thousand persons on the strand; and far out on the lake, one could see ten or twelve boats more coming, some with sixteen oars, others with twenty, nay, even with four-and-twenty, rowed by men and women, and every boat decked out with green branches. These, and the varied clothes, gave to the whole an appearance of something so festal, so fantastically rich, as one would hardly think the north possessed. The boats came nearer, all crammed full of living freight; but they came silently, without noise or talking, and rowed up to the declivity of the forest.

The boats were drawn up on the sand: it was a fine subject for a painter, particularly one point--the way up the slope, where the whole mass moved on between the trees and bushes. The most prominent figures there, were two ragged urchins, clothed entirely in bright yellow, each with a skin bundle on his shoulders. They were from Gagne, the poorest parish in Dalecarlia. There was also a lame man with his blind wife: I thought of the fable of my childhood, of the lame and the blind man: the lame man lent his eyes, and the blind his legs, and so they reached the town.

And we also reached the town and the church, and thither they all thronged: they said there were above five thousand persons assembled there. The church-service began at five o'clock. The pulpit and organ were ornamented with flowering lilacs; children sat with lilac-flowers and branches of birch; the little ones had each a piece of oat-cake, which they enjoyed. There was the sacrament for the young persons who had been confirmed; there was organ-playing and psalm-singing; but there was a terrible screaming of children, and the sound of heavy footsteps; the clumsy, iron-shod Dal shoes tramped loudly upon the stone floor. All the church pews, the gallery pews, and the centre aisle were quite filled with people. In the side aisle one saw various groups--playing children, and pious old folks: by the sacristy there sat a young mother giving suck to her child--she was a living image of the Madonna herself.

The first impression of the whole was striking, but only the first--there was too much that disturbed. The screaming of children, and the noise of persons walking were heard above the singing, and besides that, there was an insupportable smell of garlic: almost all the congregation had small bunches of garlic with them, of which they ate as they sat. I could not bear it, and went out into the churchyard: here--as it always is in nature--it was affecting, it was holy. The church door stood open; the tones of the organ, and the voices of the psalm-singers were wafted out here in the bright sunlight, by the open lake: the many who could not find a place in the church, stood outside, and sang with the congregation from the psalm-book: round about on the monuments, which are almost all of cast-iron, there sat mothers suckling their infants--the fountain of life flowed over death and the grave. A young peasant stood and read the inscription on a grave:

"Ach hur södt al hafve lefvet,
Ach hur skjöut al kunne döe!"[S]

[Footnote S: "How sweet to live--how beautiful to die!"]

Beautiful Christian, scriptural language, verses certainly taken from the psalm-book, were read on the graves; they were all read, for the service lasted several hours. This, however, can never be good for devotion.

The crowd at length streamed from the church; the fiery-red and grass-green aprons glittered; but the mass of human beings became thicker, and closer, and pressed forward. The white head-dresses, the white band over the forehead, and the white sleeves, were the prevailing colours--it looked like a long procession in Catholic countries. There was again life and motion on the road; the over-filled boats again rowed away; one waggon drove off after the other; but yet there were people left behind. Married and unmarried men stood in groups in the broad street of Lacksand, from the church up to the inn. I was staying there, and I must acknowledge that my Danish tongue sounded quite foreign to them all. I then tried the Swedish, and the girl at the inn assured me that she understood me better than she had understood the Frenchman, who the year before had spoken French to her.

As I sit in my room, my hostess's grand-daughter, a nice little child, comes in, and is pleased to see my parti-coloured carpet-bag, my Scotch plaid, and the red leather lining of the portmanteau. I directly cut out for her, from a sheet of white paper, a Turkish mosque, with minarets and open windows, and away she runs with it--so happy, so happy!

Shortly after, I heard much loud talking in the yard, and I had a presentiment that it was concerning what I had cut out; I therefore stepped softly out into the balcony, and saw the grandmother standing below, and with beaming face, holding my clipped-out paper at arm's length. A whole crowd of Dalecarlians, men and women, stood around, all in artistic ecstacy over my work; but the little girl--the sweet little child--screamed, and stretched out her hands after her lawful property, which she was not permitted to keep, as it was too fine.

I sneaked in again, yet, of course, highly flattered and cheered; but a moment after there was a knocking at my door: it was the grandmother, my hostess, who came with a whole plate full of spice-nuts.

"I bake the best in all Dalecarlia," said she; "but they are of the old fashion, from my grandmother's time. You cut out so well, Sir, should you not be able to cut me out some new fashions?"

And I sat the whole of Midsummer night, and clipped fashions for spice-nuts. Nutcrackers with knights' boots, windmills which were both mill and miller--but in slippers, and with the door in the stomach--and ballet-dancers that pointed with one leg towards the seven stars. Grandmother got them, but she turned the ballet-dancers up and down; the legs went too high for her; she thought that they had one leg and three arms.

"They will be new fashions," said she; "but they are difficult."

FAITH AND KNOWLEDGE.

* * * * *

Truth can never be at variance with truth, science can never militate against faith: we naturally speak of them both in their purity: they respond to and they strengthen man's most glorious thought: _immortality_. And yet you may say, "I was more peaceful, I was safer when, as a child, I closed my eyes on my mother's breast and slept without thought or care, wrapping myself up simply in faith." This prescience, this compound of understanding in everything, this entering of the one link into the other from eternity to eternity, tears away from me a support--my confidence in prayer; that which is, as it were, the wings wherewith to fly to my God! If it be loosened, then I fall powerless in the dust, without consolation or hope.

I bend my energies, it is true, towards attaining the great and glorious light of knowledge, but it appears to me that therein is human arrogance: it is, as one should say, "I will be as wise as God." "That you shall be!" said the serpent to our first parents when it would seduce them to eat of the tree of knowledge. Through my understanding I must acknowledge the truth of what the astronomer teaches and proves. I see the wonderful, eternal omniscience of God in the whole creation of the world--in the great and in the small, where the one attaches itself to the other, is joined with the other, in an endless harmonious entireness; and I tremble in my greatest need and sorrow. What can my prayer change, where everything is law, from eternity to eternity?

You tremble as you see the Almighty, who reveals Himself in all loving-kindness--that Creator, according to man's expression, whose understanding and heart are one--you tremble when you know that he has elected you to immortality.

I know it in the faith, in the holy, eternal words of the Bible. Knowledge lays itself like a stone over my grave, but my faith is that which breaks it.

Now, thus it is! The smallest flower preaches from its green stalk, in the name of knowledge--_immortality_. Hear it! the beautiful also bears proofs of immortality, and with the conviction of faith and knowledge, the immortal will not tremble in his greatest need; the wings of prayer will not droop: you will believe in the eternal laws of love, as you believe in the laws of sense.

When the child gathers flowers in the fields and brings us the whole handful, where one is erect and the other hangs the head, thrown as it were among one another, then it is that we see the beauty in every one by itself--that harmony in colour and in form, which pleases our eye so well. We arrange them instinctively, and every single beauty is blended together in one entire beauteous group. We do not look at the flower, but on the whole bouquet. The beauty of harmony is an instinct in us; it lies in our eyes and in our ears, those bridges between our soul and the creation around us--in all our senses there is such a divine, such an entire and perfect stream in our whole being, a striving after the harmonious, as it shows itself in all created things, even in the pulsations of the air, made visible in Chladni's figures.

In the Bible we find the expression: "God in spirit and in truth,"--and hence we most significantly find an expression for the admission of what we call a feeling of the beautiful; for what else is this revelation of God but spirit and truth? And just as our own soul shines out of the eye and the fine movement around the mouth, so does the created image shine forth from God in spirit and truth. There is harmonious beauty from the smallest leaf and flower to the large, swelling bouquet, from our earth itself to the numberless globes in the firmamental space--as far as the eye sees, as far as science ventures, all, small and great, is beauty and harmony.

But if we turn to mankind, for whom we have the highest, the holiest expression; "created in God's image," man, who is able to comprehend and admit in himself all God's creation, the harmony in the harmony then seems to be defective, for at our birth we are all equal! as creatures we have equally "no right to demand;" yet how differently God has granted us abilities! some few so immensely great, others so mean! At our birth God places us in our homes and positions; and to how many of us are allotted the hardest struggles! We are placed _there_, introduced _there_--how many may not say justly: "It were better for me that I had never been born!"

Human life, consequently--the highest here on the earth--does not come under the laws of harmonious beauty: it is inconceivable, it is an injustice, and thus cannot take place.

The defect of harmony in life lies in this:--that we only see a small part thereof, namely, existence here on the earth: there must be a life to come--an immortality.

That, the smallest flower preaches to us, as does all that is created in beauty and harmony.

If our existence ceased with death here, then the most perfect work of God was not perfect; God was not justice and love, as everything in nature and revelation affirms; and if we be referred to the whole of mankind, as that wherein harmony will reveal itself, then our whole actions and endeavours are but as the labours of the coral-insect: mankind becomes but a monument of greatness to the Creator: he would then only have raised His _glory_, not shown His greatest _love_. Loving-kindness is not self-love.

We are immortal! In this rich consciousness we are raised towards God, fundamentally sure, that whatever happens to us, is for our good. Our earthly eye is only able to reach to a certain boundary in space; our soul's eye also has but a limited scope; but beyond _that,_ the same laws of loving-kindness must reign, as here. The prescience of eternal omniscience cannot alarm us; we human beings can apprehend the notion thereof in ourselves. We know perfectly what development must take place in the different seasons of the year; the time for flowers and for fruits; what kinds will come forth and thrive; the time of maturity, when the storms must prevail, and when it is the rainy season. Thus must God, in an infinitely greater degree, have the same knowledge of the whole created globes of His universe, as of our earth and the human race here. He must know when that development, that flowering in the human race ordained by Himself, shall come to pass; when the powers of intellect, of full development, are to reign; and under these characters, come to a maturity of development, men will become mighty, driving wheels--every one be the eternal God's likeness indeed.

History shows us these things: joint enters into joint, in the world of spirits, as well as in the materially created world; the eye of wisdom--the all-seeing eye--encompasses the whole! And should we then not be able, in our heart's distress, to pray to this Father with confidence--to pray as the Saviour prayed: "If it be possible, let this cup pass from me; nevertheless, not as I will, but as Thou wilt."

These last words we do not forget! and our prayer will be granted, if it be for our good; or if it be not, then let us, as the child here, that in its trouble comes to its earthly Father, and does not get its wish fulfilled, but is refreshed by mild words, and the affectionate language of reason, so that the eye weeps, which thereby mitigates sorrow, and the child's pain is soothed. This, will prayer also grant us: the eye will be filled with tears, but the heart will be full of consolation! And who has penetrated so deeply into the ways of the soul, that he dare deny that prayer is the wings that bear thee to that sphere of inspiration whence God will extend to thee the olive-branch of help and grace?

By walking with open eyes in the path of knowledge, we see the glory of the Annunciation. The wisdom of generations is but a span on the high pillar of revelation, above which sits the Almighty; but this short span will grow through eternity, in faith and with faith. Knowledge is like a chemical test that pronounces the gold pure!

IN THE FOREST

* * * * *

We are a long way over the elv. We have left the corn-fields behind, and have just come into the forest, where we halt at that small inn, which is ornamented over the doors and windows with green branches for the Midsummer festival. The whole kitchen is hung round with branches of birch and the berries of the mountain-ash: the oat-cakes hang on long poles under the ceiling; the berries are suspended above the head of the old woman who is just scouring her brass kettle bright.

The tap-room, where the peasant sits and carouse, is just as finely hung round with green. Midsummer raises its leafy arbour everywhere, yet it is most flush in the forest--it extends for miles around. Our road goes for miles through that forest, without seeing a house, or the possibility of meeting travellers, driving, riding or walking. Come! The ostler puts fresh horses to the carriage; come with us into the large woody desert: we have a regular trodden way to travel, the air is clear, here is summer's warmth and the fragrance of birch and lime. It is an up and down hill road, always bending, and so, ever changing, but yet always forest scenery--the close, thick forest. We pass small lakes, which lie so still and deep, as if they concealed night and sleep under their dark, glassy surfaces.

We are now on a forest plain, where only charred stumps of trees are to be seen: this long tract is black, burnt, and deserted--not a bird flies over it. Tall, hanging birches now greet us again; a squirrel springs playfully across the road, and up into the tree; we cast our eye searchingly over the wood-grown mountain-side, which slopes so far, far forward; but not a trace of a house is to be seen: nowhere does that blueish smoke-cloud rise, that shows us, here are fellow-men.

The sun shines warm; the flies dance around the horses, settle on them, fly off again, and dance, as though it were to qualify themselves for resting and being still. They perhaps think: "Nothing is going on without us: there is no life while we are doing nothing." They think, as many persons think, and do not remember that Time's horses always fly onward with us!

How solitary it is here!--so delightfully solitary! one is so entirely alone with God and one's self. As the sunlight streams forth over the earth, and over the extensive solitary forests, so does God's spirit stream over and into mankind; ideas and thoughts unfold themselves--endless, inexhaustible, as he is--as the magnet which apportions its powers to the steel, and itself loses nothing thereby. As our journey through the forest-scenery here along the extended solitary road, so, travelling on the great high-road of thought, ideas pass through our head. Strange, rich caravans pass by from the works of poets, from the home of memory, strange and novel--for capricious fancy gives birth to them at the moment. There comes a procession of pious children with waving flags and joyous songs; there come dancing Moenades, the blood's wild Bacchantes. The sun pours down hot in the open forest: it is as if the Southern summer had laid itself up here to rest in Scandinavian forest-solitude, and sought itself out a glade where it might lie in the sun's hot beams and sleep: hence this stillness, as if it were night. Not a bird is heard to twitter, not a pine-tree moves: of what does the Southern summer dream here in the North, amongst pines and fragrant birches?

In the writings of the olden time, from the classic soil of the South, are _sagas_ of mighty fairies who, in the skins of swans, flew towards the North, to the Hyperborean's land, to the east of the north wind; up there, in the deep, still lakes, they bathed themselves, and acquired a renewed form. We are in the forest by these deep lakes; we see swans in flocks fly over us, and swim upon the rapid elv and on the still waters. The forests, we perceive, continue to extend further towards the west and the north, and are more dense as we proceed: the carriage-roads cease, and one can only pursue one's way along the outskirts by the solitary path, and on horseback.

The saga, from the time of the plague (A.D., 1350), here impresses itself on the mind, when the pestilence passed through the land, and transformed cultivated fields and towns--nay, whole parishes, into barren fields and wild forests. Deserted and forgotten, overgrown with moss, grass, and bushes, churches stood for years far in the forest; no one knew of their existence, until, in a later century, a huntsman lost himself here: his arrow rebounded from the green wall, the moss of which he loosened, and the church was found. The wood-cutter felled the trees for fuel; his axe struck against the overgrown wall, and it gave way to the blow; the fir-planks fell, and the church, from the time of the pestilence, was discovered; the sun again shone bright through the openings of the doors and windows, on the brass candelabra and the altar, where the communion-cup still stood. The cuckoo came, sat there, and sang: "Many, many years shalt thou live!"

Woodland solitude! what images dost thou not present to our thoughts! Woodland solitude! through thy vaulted halls people now pass in the summer-time with cattle and domestic utensils; children and old men go to the solitary pasture where echo dwells, where the national song springs forth with the wild mountain flower! Dost thou see the procession?--paint it if thou canst! The broad wooden cart laden high with chests and barrels, with jars and with crockery. The bright copper kettle and the tin dish shine in the sun. The old grandmother sits at the top of the load and holds her spinning-wheel, which completes the pyramid. The father drives the horse, the mother carries the youngest child on her back, sewed up in a skin, and the procession moves on step by step. The cattle are driven by the half-grown children: they have stuck a birch branch between one of the cows' horns, but she does not appear to be proud of her finery, she goes the same quiet pace as the others and lashes the saucy flies with her tail. If the night becomes cold on this solitary pasture, there is fuel enough here--the tree falls of itself from old age and lies and rots.

But take especial care of the fire fear the fire-spirit in the forest desert! He comes from the unextinguishable pile--he comes from the thunder-cloud, riding on the blue lightning's flame, which kindles the thick, dry moss of the earth: trees and bushes are kindled, the flames run from tree to tree--it is like a snow-storm of fire! the flame leaps to the tops of the trees--what a crackling and roaring, as if it were the ocean in its course! The birds fly upward in flocks, and fall down suffocated by the smoke; the animals flee, or, encircled by the fire, are consumed in it! Hear their cries and roars of agony! The howling of the wolf and the bear, dos't thou know it? A calm, rainy-day, and the forest-plains themselves, alone are able to confine the fiery sea, and the burnt forest stands charred, with black trunks and black stumps of trees, as we saw them here in the forest by the broad high-road. On this road we continue to travel, but it becomes worse and worse; it is, properly speaking, no road at all, but it is about to become one. Large stones lie half dug up, and we drive past them; large trees are cast down, and obstruct our way, and therefore we must descend from the carriage. The horses are taken out, and the peasants help to lift and push the carriage forward over ditches and opened paths.

The sun now ceases to shine; some few rain-drops fall, and now it is a steady rain. But how it causes the birch to shed its fragrance! At a distance there are huts erected, of loose trunks of trees and fresh green boughs, and in each there is a large fire burning. See where the blue smoke curls through the green leafy roof; peasants are within at work, hammering and forging; here they have their meals. They are now laying a mine in order to blast a rock, and the rain falls faster and faster, and the pine and birch emit a finer fragrance. It is delightful in the forest.

FAHLUN.

* * * * *

We made our way at length out of the forest, and saw a town before us enveloped in thick smoke, having a similar appearance to most of the English manufacturing towns, save that the smoke was greenish--it was the town Fahlun.

The road now went downwards between large banks, formed by the dross deposited here from the smelting furnaces, and which looks like burnt-out hardened lava. No sprout or shrub was to be seen, not a blade of grass peeped forth by the way-side, not a bird flew past, but a strong sulphurous smell, as from among the craters in Solfatara, filled the air. The copper roof of the church shone with corrosive green.

Long straight streets now appeared in view. It was as deathly still here as if sickness and disease had lain within these dark wooden houses, and frightened the inhabitants from coming abroad; yet sickness and disease come but to few here, for when the plague raged in Sweden, the rich and powerful of the land hastened to Fahlun, whose sulphureous air was the most healthy. An ochre-yellow water runs through the brook, between the houses; the smoke from the mines and smelting furnaces has imparted its tinge to them; it has even penetrated into the church, whose slender pillars are dark from the fumes of the copper. There chanced to come on a thunder-storm when we arrived, but its roaring and the lightning's flashes harmonized well with this town, which appears as if it were built on the edge of a crater.

We went to see the copper mine which gives the whole district the name of "Stora Kopparberget," (the great copper mountain). According to the legend, its riches were discovered by two goats which were fighting--they struck the ground with their horns and some copper ore adhered to them.

From the solitary red-ochre street we wandered over the great heaps of burnt-out dross and fragments of stone, accumulated to whole ramparts and hills. The fire shone from the smelting furnaces with green, yellow and red tongues of flame under a blue-green smoke; half-naked, black-smeared fellows threw out large glowing masses of fire, so that the sparks flew around and about:--one was reminded of Schiller's "Fridolin."

The thick sulphureous smoke poured forth from the heaps of cleansed ore, under which the fire was in full activity, and the wind drove it across the road which we must pass. In smoke, and impregnated with smoke, stood building after building: three buildings had been strangely thrown, as it were, by one another: earth and stone-heaps, as if they were unfinished works of defence, extended around. Scaffolding, and long wooden bridges, had been erected there; large wheels turned round; long and heavy iron chains were in continual motion.

We stood before an immense gulf, called "Stora Stöten," (the great mine). It had formerly three entrances, but they fell in and now there is but one. This immense sunken gulf now appears like a vast valley: the many openings below, to the shafts of the mine, look, from above, like the sand-martin's dark nest-holes in the declivities of the shore: there were a few wooden huts down there. Some strangers in miners' dresses, with their guide, each carrying a lighted fir-torch, appeared at the bottom, and disappeared again in one of the dark holes. From within the dark wooden houses, in which great water-wheels turned, issued some of the workmen. They came from the dizzying gulf--from narrow, deep wells: they stood in their wooden shoes two and two, on the edge of the tun which, attached to heavy chains, is hoisted up, singing and swinging the tun on all sides: they came up merry enough. Habit makes one daring.

They told us that, during the passage upwards, it often happened that one or another, from pure wantonness, stepped quite out of the tun, and sat himself between the loose stones on the projecting piece of rock, whilst they fired and blasted the rock below so that it shook again, and the stones about him thundered down. Should one expostulate with him on his fool-hardiness, he would answer with the usual witticism here: "I have never before killed myself."

One descends into some of the shafts by a sort of machinery, which looks as if they had placed two iron ladders against each other, each having a rocking movement, so that by treading on the ascending-step on the one side and then on the other, which goes upwards, one gradually ascends, and by going on the downward sinking-step one gets by degrees to the bottom. They said it was very easy, only one must step boldly, so that the foot should not come between and get crushed; and then one must remember that there is no railing or balustrade here, and directly outside these stairs there is the deep abyss into which one may fall headlong. The deepest shaft has a perpendicular depth of more than a hundred and ninety fathoms, but for this there is no danger, they say, only one must not be dizzy, nor get alarmed. One of the workmen, who had come up, descended with a lighted pine-branch as a torch: the flame illumined the dark rocky wall, and by degrees became only a faint streak of light which soon vanished.

We were told that a few days before, five or six schoolboys had unobserved stolen in here, and amused themselves by going from step to step on these machine-like rocking stairs, in pitchy darkness, but at last they knew not rightly which way to go, up or down, and had then begun to shout and scream lustily. They escaped luckily that bout.

By one of the large openings, called "Fat Mads," there are rich copper mines, but which have not yet been worked. A building stands above it: it was at the bottom of this that they found, in the year 1719, the corpse of a young miner. It appeared as if he had fallen down that very day, so unchanged did the body seem--but no one knew him. An old woman then stepped forward and burst into tears: the deceased was her bridegroom, who had disappeared forty nine years ago. She stood there old and wrinkled; he was young as when they had met for the last time nearly half a century before.[T]

[Footnote T: In another mine they found, in the year 1635, a corpse perfectly fresh, and almost with the appearance of one asleep; but his clothes, and the ancient copper coins found on him, bore witness that it was two hundred years since he had perished there.]

We went to "The Plant House," as it is called, where the vitriolated liquid is crystallized to sulphate of copper. It grew up long sticks placed upright in the boiling water, resembling long pieces of grass-green sugar. The steam was pungent, and the air in here penetrated our tongues--it was just as if one had a corroded spoon in one's mouth. It was really a luxury to come out again, even into the rarefied copper smoke, under the open sky.

Steaming, burnt-out, and herbless as the district is on this side of the town, it is just as refreshing, green, and fertile on the opposite side of Fahlun. Tall leafy trees grow close to the farthest houses. One is directly in the fresh pine and birch forests, thence to the lake and to the distant blueish mountain sides near Zäther.

The people here can tell you and show you memorials of Engelbrekt and his Dalecarlians' deeds, and of Gustavus Vasa's adventurous wanderings. But we will remain here in this smoke-enveloped town, with the silent street's dark houses. It was almost midnight when we went out and came to the market-place. There was a wedding in one of the houses, and a great crowd of persons stood outside, the women nearest the house, the men a little further back. According to an old Swedish custom, they called for the bride and bridegroom to come forward, and they did so--they durst not do otherwise. Peasant girls, with candles in their hands, stood on each side; it was a perfect tableau: the bride with downcast eyes, the bridegroom smiling, and the young bridesmaids each with a laughing face. And the people shouted: "Now turn yourselves a little! now the back! now the face! the bridegroom quite round, the bride a little nearer!" And the bridal pair turned and turned--nor was criticism wanting. In this instance, however, it was to their praise and honour, but that is not always the case. It may be a painful and terrible hour for a newly-wedded pair: if they do not please the public, or if they have something to say against the match, or the persons themselves, they are then soon made to know what is thought of them. There is perhaps also heard some rude jest or another, accompanied by the laughter of the crowd. We were told, that even in Stockholm the same custom was observed among the lower classes until a few years ago, so that a bridal pair, who, in order to avoid this exposure, wanted to drive off, were stopped by the crowd, the carriage-door was opened on each side, and the whole public marched through the carriage. They would see the bride and bridegroom--that was their right.

Here, in Fahlun, the exhibition was friendly; the bridal pair smiled, the bridesmaids also, and the assembled crowd laughed and shouted, hurra! In the rest of the market-place and the streets around, there was dead silence and solitude.

The roseate hue of eve still shone: it passed, changed into that of morn--it was the Midsummer time.

WHAT THE STRAWS SAID.

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On the lake there glided a boat, and the party within it sang Swedish and Danish songs; but by the shore, under that tall, hanging birch, sat four young girls--so pretty--so sylph-like! and they each plucked up from the grass four long straws, and bound these straws two and two together, at the top and the bottom.

"We shall now see if they will come together in a square," said the girls: "if it be so, then that which I think of will be fulfilled," and they bound them, and they thought.

No one got to know the secret thought, the heart's silent wish of the others. But yet a little bird sings about it.

The thoughts of one flew over sea and land, over the high mountains, where the mule finds its way in the mists, down to Mignon's beautiful land, where the old gods live in marble and painting. "Thither, thither! shall I ever get there?" That was the wish, that was the thought, and she opened her hand, looked at the bound straws, and they appeared only two and two bound together.

And where were the second one's thoughts? also in foreign lands, in the gunpowder's smoke, amongst the glitter of arms and cannons, with him, the friend of her childhood, fighting for imperial power, against the Hungarian people. Will he return joyful and unharmed--return to Sweden's peaceful, well-constituted, happy land? The straws showed no square: a tear dwelt in the girl's eye.

The third smiled: there was a sort of mischief in the smile. Will our aged bachelor and that old maiden-lady yonder, who now wander along so young, smile so young, and speak so youthfully to each other, not be a married couple before the cuckoo sings again next year? See--that is what I should like to know! and the smile played around the thinker's mouth, but she did not speak her thoughts. The straws were separated--consequently the bachelor and the old maid also. "It may, however, happen nevertheless," she certainly thought: it was apparent in the smile; it was obvious in the manner in which she threw the straws away.

"There is nothing I would know--nothing that I am curious to know!" said the fourth; but yet she bound the straws together; for within her also there was a wish alive; but no bird has sung about it; no one guesses it.

Rock thyself securely in the heart's lotus flower, thou shining humming-bird, thy' name shall not be pronounced: and besides the straws said as before--"without hope!"

"Now you! now you!" cried the young girls to a stranger, far from the neighbouring land, from the green isle, that Gylfe ploughed from Sweden. "What dear thing do you wish shall happen, or not happen!--tell us the wish!"--"If the oracle speaks well for me," said he, "then I will tell you the silent wish and prayer, with which I bind these knots on the grass straw; but if I have no better success than you have had, I will then be silent!" and he bound straw to straw, and as he bound, he repeated: "it signifies nothing!" He now opened his hand, his eyes shone brighter, his heart beat faster. The straws formed a square! "It will happen, it will happen!" cried the young girls. "What did you wish for?" "That Denmark may soon gain an honourable peace!"

"It will happen! it will happen!" said the young girls; "and when it happens, we will remember that the straws have told it before-hand."

"I will keep these four straws, bound in a prophetic wreath for victory and peace!" said the stranger; "and if the oracle speaks truth, then I will draw the whole picture for you, as we sit here under the hanging birch by the lake, and look on Zäther's blue mountains, each of us binding straw to straw."

A red mark was made in the almanack; it was the 6th of July, 1849. The same day a red page was written in Denmark's history. The Danish soldier made a red, victorious mark with his blood, at the battle of Fredericia.

THE POET'S SYMBOL.

* * * * *

If a man would seek for the symbol of the poet, he need not look farther than "The Arabian Nights' Tales." Scherezade who interprets the stories for the Sultan--Scherezade is the poet, and the Sultan is the public who is to be agreeably entertained, or else he will decapitate Scherezade.

Powerful Sultan! Poor Scherezade!

The Sultan-public sits in more than a thousand and one forms, and listens. Let us regard a few of these forms.

There sits a sallow, peevish, scholar; the tree of his life bears leaves impressed with long and learned words: diligence and perseverance crawl like snails on the hog's leather bark: the moths have got into the inside--and that is bad, very bad! Pardon the rich fulness of the song, the inconsiderate enthusiasm, the fresh young, intellect. Do not behead Scherezade! But he beheads her out of hand, _sans_ remorse.

There sits a dress-maker, a sempstress who has had some experience of the world. She comes from strange families, from a solitary chamber where she sat and gained a knowledge of mankind--she knows and loves the romantic. Pardon, Miss, if the story has not excitement enough for you, who have sat over the needle and the muslin, and having had so much of life's prose, gasp after romance.

"Behead her!" says the dress-maker.

There sits a figure in a dressing gown--this oriental dress of the North, for the lordly minion, the petty prince, the rich brewer's son, &c., &c., &c. It is not to be learned from the dressing gown, nor from that lordly look and the fine smile around the mouth, to what stem he belongs: his demands on Scherezade are just the same as the dress-maker's: he must be excited, he must be brought to shudder all down the vertebrae, through the very spine: he must be crammed with mysteries, such as those which Spriez knew how to connect and thicken.

Scherezade is beheaded!

Wise, enlightened Sultan! Thou comest in the form of a schoolboy; thou bearest the Romans and Greeks together in a satchel on thy back, as Atlas sustained the world. Do not cast an evil eye upon poor Scherezade; do not judge her before thou hast learned thy lesson, and art a child again,--do not behead Scherezade!

Young, full-dressed diplomatist, on whose breast we can count, by the badges of honour, how many courts thou hast visited with thy princely master, speak mildly of Scherezade's name! speak of her in French, that she may be ennobled above her mother tongue! translate but one strophe of her song, as badly as thou canst, but carry it into the brilliant saloon, and her sentence of death is annulled in the sweet, absolving _charmant_!

Mighty annihilator and elevator!--the newspapers' Zeus--thou weekly, monthly, and daily journals' Jupiter, shake not thy locks in anger! Cast not thy lightnings forth, if Scherezade sing otherwise than thou art accustomed to in thy family, or if she go without a _suite_ of thine own clique. Do not behead her!

We will see one figure more--the most dangerous of them all; he with the praise on his lips, like that of the stormy river's swell--the blind enthusiast. The water in which Scherezade dipped her fingers, is for him a fountain of Castalia; the throne he erects to her apotheosis becomes her scaffold.

This is the poet's symbol--paint it:

"THE SULTAN AND SCHEREZADE."

But why none of the worthier figures--the candid, the honest, and the beautiful? They come also, and on them Scherezade fixes her eye. Encouraged by them, she boldly raises her proud head aloft towards the stars, and sings of the harmony there above, and here beneath, in man's heart.

_That_ will not clearly show the symbol:

"THE SULTAN AND SCHEREZADE."

The sword of death hangs over her head whilst she relates--and the Sultan-figure bids us expect that it will fall. Scherezade is the victor: the poet is, like her, also a victor. He is rich, victorious--even in his poor chamber, in his most solitary hours. There, in that chamber, rose after rose shoots forth; bubble after bubble sparkles on the magic stream. The heavens shine with shooting stars, as if a new firmament were created, and the old rolled away. The world does not know it, for it is the poet's own creation, richer than the king's costly illuminations. He is happy, as Scherezade is; he is victorious, he is mighty. _Imagination_ adorns his walls with tapestry, such as no land's ruler owns; _feeling_ makes the beauteous chords sound to him from the human breast; _understanding_ raises him, through the magnificence of creation, up to God, without his forgetting that he stands fast on the firm earth. He is mighty, he is happy, as few are. We will not place him in the stocks of misconstruction, for pity and lamentation; we merely paint his symbol, dip into the colours on the world's least attractive side, and obtain it most comprehensibly from

"THE SULTAN AND SCHEREZADE."

See--that is it! Do not behead Scherezade!

THE DAL-ELV.

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