Chapter VIII: Part II: The Reading-Club (2)

Then banish it not, as a profitless thing;
Were it hung in a palace, it well might swing,
To tell in its mute, allegorical way
How the citizen volunteer won the day.
How he bravely, unflinchingly, grandly won,
And how, when the death-dealing work was done,
’Twas as easy his passion from war to wean
As his mouth from the lips of the old canteen.

By and by, when all hate for the rage with the Bars,
Is forgotten in love for the “Stripes and the Stars,”
When Columbia rules every thing solid and sole
From her one ship-canal to the ice at the pole,
When the Grand-Army men have obeyed the last call,
And the Mayflowers and violets bloom for us all,
Then, away in some garret, the cobwebs may screen
My battered, old, cloth-covered tin canteen.

AUNT SOPHRONIA TABOR AT THE OPERA.

“So this is the uproar? Well, isn’t this a monster big building? And that chantieleer! It’s got a thousand candles if it has one. It must have taken a sight of tallow to have run them all!”—“They are make-believe candles, aunt, with little jets of gas inside to give the effect of real ones.”—“I want to know! Well, I only wish that your uncle Peleg was here. You’re sure, Louisa, that this is a perfectly proper place?”—“Why, aunt, you don’t suppose that papa would consent to our attending the opera if it were other than a perfectly proper place, do you?”—“No, no, dear; I suppose not. But somehow you city folks look upon such things differently from what we do who live in the country. Dear suz! Louisa, do look way up there in the tiptop of the house! Did you ever see such a sight of people? Why, excursion-trains must have run from all over the State. Massy, child! There’s a woman forgot her bonnet! Do just nudge her, Louisa, and tell her of it. My Eliza Ann cut just such a caper as that one Sunday last summer,—got clean into the meeting-house, and half way down the middle aisle, before she discovered it, and the whole congregation a-giggling and a-tittering. Your cousin Woodman Harrison shook the whole pew; and I don’t know but what he’d ’a’ hawhawed right out in meeting if his father hadn’t ’a’ given him one of his looks. As ’twas, I was afeard he’d bust a blood-vessel. Just speak to that poor creature, Louisa. She’ll feel awfully cut up when she finds it out, and ’tis a Christian duty to tell her.”—“Why, aunt, don’t you know that she is in full dress, and left her bonnet at home intentionally? See how beautifully her hair is arranged. You don’t suppose she wanted to cover up all that elegance, do you?”—“Come bareheaded a-purpose! Well, I do declare! But, Louisa, where’s the horse-chestnut?”—“The horse-chestnut, aunt?”—“Yes, child; you said something or other about a horse-chestnut playing a voluntary or something of that sort.”—“Oh, the orchestra! Yes, I remember. Don’t you see those gentlemen in front of the stage?”—“Them men with the fiddles and the bass-viols?”—“Yes. Well, they compose the orchestra, and the orchestral part of this opera is particularly fine.”—“I want to know! Belong to the first families, I suppose. They are an uncommon good-looking set of men. Is Mrs. Patte a furrener?”—“Yes; she’s a mixture of Spanish and Italian. She was born in Madrid, but came to the United States when only five years of age, and remained here until she was nearly seventeen. There, aunt; there’s the bell, and the curtain will rise in a minute. Yes; see, there it goes.”—“Louisa!”—“Sh—! listen. I want you to hear Signor Monti. He is considered a very fine bass.”—“But, Louisa, oughtn’t we to stand up during prayer-time?”—“You forget, aunt, that this is only a play, and not a temple.”—“Dear suz! I only wish your uncle Peleg was here. Somehow it seems kinder unchristian to be play-acting worship.”—“Why, aunt, there’s no need of your feeling so conscience-stricken. Lots of church-people come to the opera. It isn’t like the theatre, you know. It’s more—more—er—well, I can’t just express it, aunt. But, anyway, people who discountenance the theatre, especially during Lent, approve of the opera.”—“But, Louisa, what is the matter? La sakes, child! let’s get out as spry as ever we can! The theatre is all on fire. Hurry, Louisa! Wish that your uncle Peleg”—“Sh—aunt; do sit down. It isn’t a fire. It’s only the people applauding because Patti is on the stage. Don’t you see her?”—“Sakes alive! Is that it? I thought we was all afire, or Wiggin’s flood had come. So that is Mrs. Patte. Well, I declare for it! she’s as spry as a cricket, and no mistake. Why, Louisa, how old is she? She looks scarcely out of her teens.”—“Oh, aunt, you must not be so practical, and ask such personal questions. Ladies don’t always want their ages known; but, between ourselves, she’s over forty.”—“Is it possible? There, they’re at it again. What is the matter now?”—“Why, Scalchi has appeared. Don’t you see?”—“What, that dapper little fellow a-bowing and a-scraping and a-smirking! Is that Mr. Scalchi?”—“That’s Madame Scalchi, aunt; and she’s taking the part of Arsaces, the commander of the Assyrian army, you know.”—“Louisa, are you sure that this is a perfectly proper place? I only wish Peleg was here, for then I shouldn’t feel so sort a-skerry like and guilty.”—“Now, aunt, we mustn’t speak another word till the opera is through, because we disturb the people.”—“I suppose we do; but, whenever any thing happens, you nudge me, and I’ll nudge you; or we can squeeze hands,—that’s the way Peleg and I do when we go to the lyceum. It’s sorter social, and everybody can hear just as well.” Soon outrang the glorious voice. “Bravo! bravo! bravo!” echoed from all parts of the house “Hooray!”—“Why, Aunt Tabor! sit down.”—“If Peleg were only here! Hip, hip”—“Aunt, in pity’s name keep still! Don’t get so excited.”—“Well, I never! The sweat’s just a-rolling off me, and I am as weak as a rag-baby. I wish I had my turkey-tail. This mite of a fan of yours don’t give wind enough to cool a mouse.”—“Now, aunt, do keep quiet. You’ll hear better, and won’t get so warm.”—“Well, dear, I suppose you are right. But didn’t that sound like an angel-choir?”—“’Twas certainly very fine. One thing is sure: you’ve heard Patti at her best.”—“I’m so glad I came; and if Peleg was only along! But, there, I hain’t going to speak again till the uproar is over.” And so the opera went on, when, suddenly: “Louisa Allen, what are them half-nude statutes a-standing up in the back there? Don’t they realize that the whole congregation can see them? and haven’t they any modesty?”—“Why, aunt, that’s the ballet.”—“The what?”—“The ballet, aunt. Look, look! there they come. Isn’t that the very poetry of”—“Louisa Sophronia Tabor Allen, just you pick up your regimentals, and follow me; and that quick, too.”—“But, auntie”—“You needn’t auntie me. Just get your duds together, and we’ll travel. Thank goodness your uncle Peleg Josiah Tabor is not here! Don’t let me see you give as much as a glance to where those graceless nudities are, or, big as you are, I’ll box your ears.”—“Why, aunt”—“Louisa, I only wish I had my thickest veil, for I am positively ashamed to be caught in this unchristian scrape. Come, and don’t raise your eyes. There, thank goodness, we’re in pure air at last!”—“Why, aunt, I thought you were enjoying the opera!”—“The uproar, Louisa? I have nothing to say agin the uproar. Them voices would grace a celestial choir. This I say with all reverence. But that side show! I wouldn’t have had my Eliza Ann, nor my Woodman Harrison, ’a’ witnessed what we’ve come near a-witnessing for a thousand-dollar bill. No, not for a ten-thousand bill. And I am so thankful that your uncle Peleg was not here! Somehow, Louisa, I feel as if I’d fallen like the blessed Lucifer out of the moon.”

NEVER TOO LATE.

There is a good and a bad in the wayside inns
On the highways of our lives,
And man can never be free from sins,
No matter how hard he strives;
Yet even when down destruction’s grade
Our thorny pathways trend,
In spite of a thousand errors made,
“It is never too late to mend.”

There are crosses heavy for men to bear,
And passions to conquer too;
There are joys and woes that each must share
Before the journey is through;
But men may be poor for honor’s sake,
And truth and right defend,
And hope will never this promise break,—
“It is never too late to mend.”

’Tis never too late for a noble deed;
For, blessed by the angels’ tears,
It plants in the breasts of men a seed
That will grow in after years;
And words of kindness, of hope, and cheer,
Will always comfort lend:
We must live for love, and banish fear,—
“It is never too late to mend.”

It is never too late to mend, my lad,
No matter what people say:
And no man’s nature is wholly bad,
Even if old and gray:
And in our journey toward the grave,
Until we reach the end,
There is time to change, and time to save,—
“It is never too late to mend.”
_Ernest McGaffey._

A FIGHT WITH A TROUT.

We had been hearing for weeks of a small lake in the heart of the forest, some ten miles from our camp, which was alive with trout,—unsophisticated, hungry trout: the inlet to it was described as stiff with them. In my imagination I saw them lying there in ranks and rows, each a foot long, three tiers deep, a solid mass. The lake had never been visited, except by stray sable hunters in the winter, and was known as Unknown Pond. I determined to explore it fully, expecting that it would prove to be a delusion, as such haunts of the trout usually are. Confiding my purpose to Luke, we secretly made our preparations, and stole away from the shanty one morning at daybreak. Each of us carried a boat, a pair of blankets, a sack of bread, pork, and maple sugar; while I had my case of rods, reel, and book of flies, and Luke had an axe and the kitchen utensils. We think nothing of loads of this kind in the woods.

* * * * *

A couple of hours before sundown we reached the lake. If I live, to my dying day I shall never forget its appearance.... But what chiefly attracted my attention, and amused me, was the boiling of the water, the bubbling and breaking, as if the lake were a vast kettle with fire underneath. A tyro would have been astonished at this common phenomenon; but sportsmen will at once understand me, when I say that the water _boiled_ with the breaking trout. I began casting, and had got out perhaps fifty feet of line, and gradually increased it to a hundred. It is not difficult to learn to cast, but it is difficult to learn not to jerk off the flies at every throw. Finally, in making a shorter cast, I saw a splash where the leader fell, and gave an excited jerk. The next instant I perceived the game, and did not need the unfeigned “dam” of Luke to convince me that I had snatched his felt hat from his head, and deposited it among the lilies. Discouraged by this, we whirled about, and paddled over to the inlet, where a little ripple was visible in the tinted light. Instantly, upon casting, there was a rush, a swirl. I struck, and “Got him, by—” Never mind what Luke said I got him by. “Out on a fly,” continued that irreverent guide; but I told him to back water, and make for the centre of the lake. The trout, as soon as he felt the prick of the hook, was off like a shot, and took out the whole of the line with a rapidity that made it smoke. “Give him the butt,” shouted Luke. It is the usual remark in such an emergency. I gave him the butt; and, recognizing the fact and my spirit, the trout sank to the bottom, and sulked. It is the most dangerous mood of the trout, for you cannot tell what he will do next. We reeled up a little, and waited five minutes for him to reflect. A tightening of the line enraged him, and he soon developed his tactics. Coming to the surface, he made straight for the boat faster than I could reel in, and evidently with hostile intentions.

“Look out for him!” cried Luke, as he came flying in the air. I evaded him by dropping flat in the bottom of the boat; and when I picked my traps up he was spinning across the lake as if he had a new idea, but the line was still fast. He did not run far. I gave him the butt again, a thing he seemed to hate, even as a gift. In a moment the evil-minded fish, lashing the water in his rage, was coming back again, making straight for the boat as before. Luke, who was used to these encounters, having read them in the writings of travellers he had accompanied, raised his paddle in self-defence. The trout left the water about ten feet from the boat, and came directly at me with fiery eyes, his speckled sides flashing like a meteor. I dodged as he whisked by with a vicious slap of his bifurcated tail, and nearly upset the boat. The line was, of course, slack: and the danger was, that he would entangle it about me, and carry away one leg. This was evidently his game: but I untangled it, and only lost a breast-button or two by the swift-moving string. The trout plunged into the water with a hissing sound, and went away again with all the line on the reel. More butt, more indignation on the part of the captive. The contest had now been going on for half an hour, and I was getting exhausted. We had been back and forth across the lake, and around and around the lake. What I feared was, that the trout would start up the inlet, and wreck us in the bushes. But he had a new fancy, and began the execution of a manœuvre which I had never read of. Instead of coming straight toward us, he took a large circle, swimming rapidly, and gradually contracting his orbit. I reeled in, and kept my eye on him. Round and round he went, narrowing the circle. I began to suspect the game, which was to twist my head off. When he had reduced the radius of his circle to about twenty-five feet, he struck a tremendous pace through the water. It would be false modesty in a sportsman to say that I was not equal to the occasion. Instead of turning around with him, as he expected, I stepped to the bow, braced myself, and let the boat swing. Round went the fish, and round we went like a top. I saw a line of Mount Marcys all around the horizon; the rosy tint of the west made a broad bank of pink along the sky above the tree-tops; the evening star was a perfect circle of light, a hoop of gold in the heavens. We whirled and reeled, and reeled and whirled. I was willing to give the malicious beast butt and line and all, if he would only go the other way for a change.

When I came to myself, Luke was gaffing the trout at the boat-side. After we had got him in and dressed him, he weighed three-quarters of a pound! Fish always lose by being “got in and dressed.” It is best to weigh them while they are in the water. The only really large one I ever caught, got away with my leader when I first struck him. He weighed ten pounds.

_Charles Dudley Warner._

AN ORDER FOR A PICTURE.

O good painter! tell me true,
Has your hand the cunning to draw
Shapes of things that you never saw?
Ay? Well, here is an order for you.

Woods and cornfields, a little brown,—
The picture must not be over-bright,—
Yet all in the golden and gracious light
Of a cloud, when the summer sun is down.

Alway and alway, night and morn,
Woods upon woods, with fields of corn
Lying between them, not quite sere,
And not in the full, thick, leafy bloom,
When the wind can hardly find breathing room
Under their tassels; cattle near,
Biting shorter the short green grass,
And a hedge of sumach and sassafras,
With bluebirds twittering all around,—
(Ah, good painter, you can’t paint sound!)—
These, and the house where I was born,
Low and little, and black and old,
With children, many as it can hold,
All at the windows, open wide,—
Heads and shoulders clear outside,
And fair young faces all a-blush:
Perhaps you may have seen, some day,
Roses crowding the selfsame way,
Out of a wilding wayside bush.

Listen closer. When you have done
With woods and cornfields and grazing herds,
A lady the loveliest ever the sun
Looked down upon, you must paint for me.
Oh, if I only could make you see
The clear blue eyes, the tender smile,
The sovereign sweetness, the gentle grace,
The woman’s soul, and the angel’s face
That are beaming on me all the while!—
I need not speak these foolish words:
Yet one word tells you all I would say,—
She is my mother: you will agree
That all the rest may be thrown away.

Two little urchins at her knee
You must paint, sir: one like me,—
The other with a clearer brow,
And the light of his adventurous eyes
Flashing with boldest enterprise:
At ten years old he went to sea,—
God knoweth if he be living now,—
He sailed in the good ship Commodore:
Nobody ever crossed her track
To bring us news, and she never came back.
Ah, ’tis twenty long years and more
Since that old ship went out of the bay
With my great-hearted brother on her deck;
I watched him till he shrank to a speck,
And his face was toward me all the way.
Bright his hair was, a golden brown,
The time we stood at our mother’s knee:
That beauteous head, if it did go down,
Carried sunshine into the sea!

Out in the fields one summer night
We were together, half afraid
Of the corn-leaves’ rustling, and of the shade
Of the high hills stretching so still and far,—
Loitering till after the low little light
Of the candle shone through the open door,
And over the haystack’s pointed top,
All of a tremble, and ready to drop,
The first half-hour, the great yellow star,
That we, with staring, ignorant eyes,
Had often and often watched to see
Propped and held in its place in the skies
By the fork of a tall red mulberry-tree,
Which close in the edge of our flax-field grew,—
Dead at the top,—just one branch full
Of leaves, notched round, and lined with wool,
From which it tenderly shook the dew
Over our heads, when we came to play
In its handbreadth of shadow, day after day:—
Afraid to go home, sir; for one of us bore
A nest full of speckled and thin-shelled eggs,—
The other, a bird, held fast by the legs,
Not so big as a straw of wheat:
The berries we gave her she wouldn’t eat,
But cried and cried, till we held her bill,
So slim and shining, to keep her still.

At last we stood at our mother’s knee.
Do you think, sir, if you try,
You can paint the look of a lie?
If you can, pray have the grace
To put it solely in the face
Of the urchin that is likest me:
I think ’twas solely mine, indeed:
But that’s no matter,—paint it so;
The eyes of our mother (take good heed)
Looking not on the nestful of eggs,
Nor the fluttering bird, held so fast by the legs,
But straight through our faces down to our lies,
And oh, with such injured, reproachful surprise!
I felt my heart bleed where that glance went, as though
A sharp blade struck through it.
You, sir, know,
That you on the canvas are to repeat
Things that are fairest, things most sweet,—
Woods and cornfields and mulberry-tree,—
The mother,—the lads, with their bird, at her knee:
But oh that look of reproachful woe!
High as the heavens your name I’ll shout,
If you paint me the picture, and leave that out.
_Alice Cary._

FORCIBLE ENTRY.

It happened out on South Hill, nine thousand miles from Maple Street. The man’s wife had taken up the carpet in the bath-room the day before, and put all the crooked tacks in a saucer, and put it on a chair. It is a marvellous thing why women will always save tacks that come out of the carpet; although it is a matter of record, that, out of the countless millions of tacks thus laid by, not one was ever used again, save in the soles of the bare masculine feet. They—the tacks, not the feet—are stowed away in saucers up on high shelves, in dark closets, and in all sorts of out-of-the-way places. And on these dusty perches they remain until the corroding hand of time, and dust, and spider-webs, and dead flies, and flakes of whitewash, and old bits of resin, and chunks of sealing-wax, and old steel pens, and similar accumulations, have filled the saucer to overflowing, when it is taken down and thrown away by the woman, who petulantly wonders who under the sun put all that trash in the saucer, and stuck it up there. And nine times out of ten she charges the crime on her husband. The tenth time she declares it was the hired girl. And always, before the saucer of crooked tacks is stowed away on the shelf, it is stuck around for three or four days on chairs and in corners of the room, spilling out occasional tacks on the carpet of every bedroom in the house, which fill the masculine soles with agony, and darken the air of the bedroom with inartistic but forcible profanity. Nothing is so painful as a crooked tack in the middle of one’s foot. A broken heart doesn’t hold half so much anguish, and a boil is a blessing in comparison.

This man who lives so far from Maple Street had a splendid bath; and when he had rubbed his skin into a glow with a crash-towel as rough as a pig’s back, he gathered his socks, and, backing up to the only chair in the room, sat down to put them on.

Every tack in that saucer saw him coming down.

Every last tack smiled in anticipation of the _dénoûment_, and stood on its head, and reached for him.

Every last solitary individual and collective tack fetched him, got him, and held to him.

He dropped his socks, and rose from that chair with an abruptness that knocked his head against the ceiling. He came down, and waltzed wildly round and round the room, shrieking and yelling, gyrating madly with his arms, while his eyes stuck out so far they hung down. He howled until the neighbors besieged the house, yet he wouldn’t let any of them in. At last his yells died away; but they could hear his breath hiss between his set teeth, while at short intervals would come a yell, supplemented by the remark, “There’s another out!” In about three-quarters of an hour the yells ceased entirely, the window was opened, and a shower of tacks fell over the assembled and wondering multitude; while a large saucer skimmed across the street, and smashed against the side of a house opposite.

Nobody knows what ails the man, for he will not tell any one a thing about it: but he takes his meals off the mantel-piece all the same; and, when he sits, he sits down on his hip, for all the world as though he wore a “tied-back.” But he doesn’t. It’s a tacked-back that ails him.

_J. M. Bailey._

WENDELL PHILLIPS.

The power to discern right amid all the wrappings of interest, and all the seductions of ambition, was singularly his. To choose the lowly; for their sake to abandon all favor, all power, all comfort, all ambition, all greatness,—that was his genius and glory. He confronted the spirit of the nation and of the age. I had almost said, he set himself against nature, as if he had been a decree of God overriding all these other insuperable obstacles. That was his function. Mr. Phillips was not called to be a universal orator, any more than he was a universal thinker. In literature and in history he was widely read; in person most elegant; in manners most accomplished; gentle as a babe; sweet as a new-blown rose; in voice, clear and silvery. He was not a man of tempests; he was not an orchestra of a hundred instruments; he was not an organ, mighty and complex. The nation slept, and God wanted a trumpet, sharp, far-sounding, narrow, and intense; and that was Mr. Phillips. The long roll is not particularly agreeable in music or in times of peace; but it is better than flutes or harps when men are in a great battle, or are on the point of it. His eloquence was penetrating and alarming. He did not flow as a mighty gulf-stream: he did not dash upon the continent as the ocean does; he was not a mighty rushing river. His eloquence was a flight of arrows, sentence after sentence, polished, and most of them burning. He shot them one after the other, and where they struck they slew; always elegant, always awful. I think scorn in him was as fine as I ever knew it in any human being. He had that sublime sanctuary in his pride that made him almost insensitive to what would by other men be considered obloquy. It was as if he said every day, in himself, “I am not what they are firing at. I am not there, and I am not that. It is not against me. I am infinitely superior to what they think me to be. They do not know me.” It was quiet and unpretentious, but it was there. Conscience and pride were the two concurrent elements of his nature.

He lived to see the slave emancipated, but not by moral means. He lived to see the sword cut the fetter. After this had taken place, he was too young to retire, though too old to gather laurels of literature, or to seek professional honors. The impulse of humanity was not at all abated. His soul still flowed on for the great under-masses of mankind; though, like the Nile, it split up into diverse mouths, and not all of them were navigable.

After a long and stormy life, his sun went down in glory. All the English-speaking people on the globe have written among the names that shall never die, the name of that scoffed, detested, mob-beaten Wendell Phillips. Boston, that persecuted and would have slain him, is now exceedingly busy in building his tomb, and rearing his statue. The men that would not defile their lips with his name are to-day thanking God that he lived.

He has taught a lesson that the young will do well to take heed to,—the lesson that the most splendid gifts and opportunities and ambitions may be best used for the dumb and the lowly. His whole life is a rebuke to the idea that we are to climb to greatness by climbing up on the backs of great men; that we are to gain strength by running with the currents of life; that we can from without add any thing to the great within that constitutes man. He poured out the precious ointment of his soul upon the feet of that diffusive Jesus who suffers here in his poor and despised ones. He has taught the young ambitions, too, that the way to glory is the way, oftentimes, of adhesion simply to principle: and that popularity and unpopularity are not things to be known or considered. Do right and rejoice. If to do right will bring you into trouble, rejoice that you are counted worthy to suffer with God and the providences of God in this world.

He belongs to the race of giants, not simply because he was in and of himself a great soul, but because he bathed in the providence of God, and came forth scarcely less than a god; because he gave himself to the work of God upon earth, and inherited thereby, or had reflected upon him, some of the majesty of his Master. When pygmies are all dead, the noble countenance of Wendell Phillips will still look forth, radiant as a rising sun,—a sun that will never set. He has become to us a lesson, his death an example, his whole history an encouragement to manhood,—to heroic manhood.

_Henry Ward Beecher._

AUNT PARSONS’S STORY.

I told Hezekiah—that’s my man. People mostly call him Deacon Parsons, but he never gets any deaconing from me. We were married—“Hezekiah and Amariah”—that’s going on forty years ago, and he’s jest Hezekiah to me, and nothin’ more.

Well, as I was saying, says I, “Hezekiah, we aren’t right. I am sure of it.” And he said, “Of course not. We are poor sinners, Amy; all poor sinners.” And I said, “Hezekiah, this ‘poor-sinner’ talk has gone on long enough. I suppose we are poor sinners, but I don’t see any use of being _mean_ sinners; and there’s one thing I think is real mean.”

It was jest after breakfast: and, as he felt poorly, he hedn’t gone to the shop yet; and so I had this little talk with him to sort o’ chirk him up. He knew what I was comin’ to, for we hed had the subject up before. It was our little church. He always said, “The poor people, and what should we ever do?” And I always said, “We never shall do nothin’ unless we try.” And so, when I brought the matter up in this way, he just began bitin’ his toothpick, and said, “What’s up now? Who’s mean? Amariah, we oughtn’t to speak evil one of another.” Hezekiah always says “poor sinners,” and doesn’t seem to mind it; but when I occasionally say “mean sinners,” he somehow gits oneasy. But I was started, and I meant to free my mind.

So I said, says I, “I was goin’ to confess our sins. Dan’l confessed for all his people, and I was confessin’ for all our little church.

“Truth is,” says I, “ours is allus called one of the ‘feeble churches,’ and I am tried about it. I’ve raised seven children, and at fourteen months old every boy and girl of ’em could run alone. And our church is fourteen years old,” says I; “and it can’t take a step yet without somebody to hold on by. The Board helps us; and General Jones, good man, he helps us,—helps too much, I think,—and so we live along; but we don’t seem to get strong. Our people draw their rations every year as the Indians do up at the agency, and it doesn’t seem sometimes as if they ever thought of doing any thing else.

“They take it so easy!” I said. “That’s what worries me. I don’t suppose we could pay all expenses; but we might act as if we wanted to, and as if we meant to do all we can.

“I read,” says I, “last week about the debt of the Board; and this week, as I understand,” says I, “our application is going in for another year, and no particular effort to do any better; and it frets me. I can’t sleep nights, and I can’t take comfort Sundays. I’ve got to feelin’ as if we were a kind of perpetual paupers. And that was what I meant when I said, ‘It is real mean!’ I suppose I said it a little sharp,” says I, “but I’d rather be sharp than flat any day; and if we don’t begin to stir ourselves, we shall be flat enough before long, and shall deserve to be. It grows on me. It has jest been ‘Board, Board, Board,’ for fourteen years, and I’m tired of it. I never did like boardin’,” says I; “and even if we were poor, I believe we might do something toward settin’ up housekeepin’ for ourselves.

“Well, there’s not many of us—about a hundred, I believe; and some of these is women-folks, and some is jest girls and boys. And we all have to work hard, and live close; but,” says I, “let us show a disposition, if nothing more. Hezekiah, if there’s any spirit left in us, let us show some sort of a disposition.”

And Hezekiah had his toothpick in his teeth, and looked down at his boots, and rubbed his chin, as he always does when he’s goin’ to say somethin’. “I think there’s some of us that shows a disposition.”

Of course I understood that hit, but I kep’ still. I kep’ right on with my argument; and I said, “Yes, and a pretty bad disposition it is. It’s a disposition to let ourselves be helped when we ought to be helping ourselves. It’s a disposition to lie still and let somebody carry us. And we are growing up cripples—only we don’t grow.

“’Kiah,” says I, “do you hear me?” Sometimes when I want to talk a little he jest shets his eyes, and begins to rock himself back and forth in the old arm-chair; and he was doin’ that now. So I said, “’Kiah, do you hear?” And he said, “Some!” and I went on. “I’ve got a proposition,” says I. And he sort o’ looked up, and said, “Hev you? Well, between a disposition and a proposition, I guess the proposition might be better.”

He’s awful sarcrostic, sometimes. But I wasn’t goin’ to get riled, nor thrown off the track; so I jest said, “Yes; do you and I git two shillin’s’ worth apiece, a week, out o’ that blessed little church of ourn, do you think?” says I. “Cos, if we do, I want to give two shillin’s a week to keep it goin’; and I thought maybe you could do as much.” So he said he guessed we could stand that; and I said, “That’s my proposition, and I mean to see if we can’t find somebody else that’ll do the same. It’ll show disposition, anyway.”

“Well, I suppose you’ll hev your own way,” says he: “you most always do.” And I said, “Isn’t it most allers a good way?” Then I brought out my subscription paper. I had it all ready. I didn’t jest know how to shape it, but I knew it was something about “the sums set opposite our names;” and so I drawed it up, and took my chances. “You must head it,” says I, “because you’re the oldest deacon; and I must go on next, because I am the deacon’s wife; and then I’ll see some of the rest of the folks.”

So ’Kiah sot down, and put on his specs, and took his pen, but did not write. “What’s the matter?” says I. And he said, “I’m sort o’ ’shamed to subscribe two shillin’s. I never signed so little as that for any thing. I used to give that to the circus when I was nothin’ but a boy, and I ought to do more than that to support the gospel. Two shillin’ a week! Why, it’s only a shillin’ a sermon, and all the prayer-meetin’s throwed in. I can’t go less than fifty cents, I am sure.” So down he went for fifty cents; and then I signed for a quarter, and then my sunbonnet went onto my head pretty lively; and says I, “Hezekiah, there’s some cold potato in the pantry, and you know where to find the salt; so, if I am not back by dinner-time, don’t be bashful, help yourself.” And I started.

I called on the Smith family first. I felt sure of them. And they were just happy. Mr. Smith signed, and so did Mrs. Smith; and Long John, he came in while we were talkin’, and put his name down; and then old Grandma Smith, she didn’t want to be left out; so there was four of ’em. I’ve allers found it a great thing in any good enterprise to enlist the Smith family. There’s a good many of ’em. Next, I called on the Joslyns, and next on the Chapins, and then on the Widdy Chadwick, and so I kept on.

I met a little trouble once or twice, but not much. There was Fussy Furber; and bein’ trustee, he thought I was out of my spear, he said; and he wanted it understood that such work belonged to the trustees. “To be sure,” says I: “I’m glad I’ve found it out. I wish the trustees had discovered that a leetle sooner.” Then there was sister Puffy that’s got the asthma. She thought we ought to be lookin’ after “the sperritooalities.” She said we must get down before the Lord. She didn’t think churches could be run on money. But I told her I guessed we should be jest as spiritual to look into our pocketbooks a little, and I said it was a shame to be ’tarnally beggin’ so of the Board.

She looked dredful solemn when I said that, and I almost felt as I’d been committin’ profane language. But I hope the Lord will forgive me if I took any thing in vain. I did not take my call in vain, I tell you. Mrs. Puffy is good, only she allus wanted to talk so pious; and she put down her two shillin’s, and then hove a sigh. Then I found the boys at the cooper-shop, and got seven names there at one lick; and when the list began to grow, people seemed ashamed to say no; and I kept gainin’ till I had jest an even hundred, and then I went home.

Well, it was pretty well towards candle-light when I got back, and I was that tired I didn’t know much of any thing. I’ve washed, and I’ve scrubbed, and I’ve baked, and I’ve cleaned house, and I’ve biled soap, and I’ve moved; and I ’low that a’most any one of that sort of thing is a little exhaustin’. But put your bakin’ and movin’ and bilin’ soap all together, and it won’t work out as much genuine tired soul and body as one day with a subscription paper to support the gospel. So when I sort o’ dropped into a chair, and Hezekiah said, “Well?” I was past speakin’; and I put my check apron up to my face as I hadn’t done since I was a young, foolish girl, and cried. I don’t know what I felt so bad about: I don’t know as I did feel bad. But I felt cry, and I cried. And ’Kiah, seein’ how it was, felt kind o’ sorry for me, and set some tea a-steepin’; and when I had had my drink with weepin’, I felt better. I handed him the subscription paper, and he looked it over as if he didn’t expect any thing; but soon he began saying, “I never! I never!” And I said, “Of course you didn’t: you never tried. How much is it?”—“Why, don’t you know?” says he. “No,” I said: “I ain’t quick in figures, and I hadn’t time to foot it up. I hope it will make us out this year three hundred dollars or so.”

“Amy,” says he, “you’re a prodigy—a prodigal, I may say—and you don’t know it. A hundred names at two shillin’ each gives us twenty-five dollars a Sunday. Some of ’em may fail, but most of ’em is good; and there is ten, eleven, thirteen, that sign fifty cents. That’ll make up what fails. That paper of yourn’ll give us thirteen hundred dollars a year!” I jumped up like I was shot. “Yes,” he says, “we sha’n’t need any thing this year from the Board. _This church_, for this year at any rate, is _self-supporting_.”

We both sot down and kep’ still a minute, when I said kind o’ softly, “Hezekiah,” says I, “isn’t it about time for prayers?” I was just chokin’; but, as he took down the Bible, he said, “I guess we’d had better sing somethin’.” I nodded like, and he just struck in. We often sing at prayers in the morning; but now it seemed like the Scripter that says, “He giveth songs in the night.” ’Kiah generally likes the solemn tunes, too; and we sing “Show pity, Lord,” a great deal; and this mornin’ we had sung “Hark! from the tombs a doleful sound,” ’cause ’Kiah was not feelin’ very well, and we wanted to chirk up a little.

So I just waited to see what metre he’d strike to-night; and would you believe it? I didn’t know that he knew any sech tune. But off he started on “Joy to the world, the Lord is come.” I tried to catch on; but he went off lickerty-switch, like a steam-engine, and I couldn’t keep up. I was partly laughin’ to see ’Kiah go it, and partly crying again, my heart was so full; so I doubled up some of the notes, and jumped over the others; and so we safely reached the end.

But, I tell you, Hezekiah prayed. He allers prays well; but this was a bran’ new prayer, exactly suited to the occasion. And when Sunday come, and the minister got up and told what had been done, and said, “It is all the work of one good woman, and done in one day,” I just got scared, and wanted to run. And when some of the folks shook hands with me after meetin’, and said, with tears in their eyes, how I’d saved the church; and all that, I came awful nigh gettin’ proud. But, as Hezekiah says, “we’re all poor sinners;” and so I choked it back. But I am glad I did it; and I don’t believe our church will ever go boarding any more.

_Presbyterian Journal._

THE SOLDIER’S DREAM.

It was the ninth of April—historic month and day!
The day of Lee’s surrender—a score of years away.
The sick-room veiled in midnight; no sound disturbed the air,
Except the sufferer’s breathing, reclining in his chair.

The savior of his country lay face to face with Death,
Whose lean and hungry fingers confined his choking breath:
A panoramic vision illumed his dreamy sight,—
The vision of a lifetime, from dawn to waning light.

A child of sunny summers, beside his mother’s knee,
A youth of earnest purpose, his half-shut eyelids see;
A grave and silent soldier, the pride of the parade,
He rides, as if a Cossack, ’gainst Montezuma’s blade;

A sturdy, sunburnt farmer, within his rustic home,
Beside his blazing hearthstone, who never cares to roam
Except where boon companions, with pipes and foaming beer,
Tell tales of wild adventure, sing songs of hearty cheer.

But hark! the bugle calleth! Its clarions wake the farms,—
“Your country is in danger! To arms, my sons, to arms!”
The streets are black with soldiers; their bristling bayonets gleam,
A hundred thousand marching, as flows a mountain stream.

The dreamer in his vision descries a battle-field;
He hears the cannon echo, he sees battalions yield;
He sees the blue-coats rally, he sees the gray-coats fall,
The ghastly dead and dying, the “stars and bars” their pall

Along the queen of rivers, against her trembling shore,
Volcanic flames are belching, and volleying thunders roar:
Hot shot and shell are crashing, while lurid smoke and flame
Are from a fortress leaping,—a fortress known to fame.

Again the picture changes! The Capitol is seen,
Where rolls the broad Potomac through the banks of ever green:
Not now fraternal kindness disports in festive garb,
But brother, armed ’gainst brother, spurs on his fiery barb.

Brigades and solid squadrons are marching out of camp;
He hears their stirring music, he hears their steady tramp:
The Wilderness the arena, a nation’s life the prize,
Their watchword, “On to Richmond!” He hears their battle-cries.

For days, for weeks together, repulsed, defeated, slain,
As sands restrain old ocean, their ranks roll back again,
Till rising higher, higher, with loud, exultant roar,
The foaming, raging billows sweep o’er the crumbling shore.

Now he sees a planter’s dwelling in Appomattox vale:
The earth is piled in breastworks, ’tis rent with iron hail;
What villages of canvas for men in blue or gray,
What lines of halting columns, in grave or grim array!

Within appear two chieftains, of heroes full a score,
The victors and the vanquished: thank God, the war is o’er!
“The olive-branch shall shield you, the sun of peace shall shine!
This flag,” so says the leader, “this ægis still is thine!”

No lion mien and bearing, no eagle’s eye of pride;
As modest as a schoolboy, the conqueror seeks to hide—,
Hide his speechless joy of triumph by generous act and word,—
He feeds the conquered army! The beggar seems the lord.

The reveille has sounded; ’twill never sound again!
For days, in martial splendor, three hundred thousand men.
From Vicksburg and from Shiloh, Antietam and the sea.
From Shenandoah’s Valley and Gettysburg’s green lea.—

Those cannoneers of Ruin, that hurricane of horse,
With Pestilence behind them, and Carnage in their course;
Those, those—when Pickett’s cohorts were charging wave on wave,—
That stood like granite ledges, the bravest of the brave;

With drums, with banners flying, with triumph in each eye,
The grand review are marching. He sees them passing by
As saw in dream. Napoleon, from that triumphal arch,
That night in phantom phalanx his splendid heroes march.

’Twas like a shield all gory, that sun of Austerlitz!
No bloody, ghostly phantom before our hero flits!
Ye idols of the people, who lead an army well,
Shall wield a nation’s sceptre, in capitols shall dwell!

Past ages grim and hoary their victors loved to crown:
The flaming sword of conquest still wins sublime renown.
All echo and re-echo the glories of the brave;
All, all, a grateful country! bedew the soldier’s grave.
_C. G. Fall._

OVER THE LEFT.

Their deposits were _left over night_ in the bank,—
In a bank without whisper of fault:
The amounts to their credit were placed on the books,
And were left over night in the vault.

_To their credit_, I say it, the bank was locked tight,
Guarding thus against fire and theft;
A patrol on the walk, and a new ’lectric light,
Throwing beams to the _right_ and the _left_.

* * * * *

Just here the cashier he _left over night_,
Taking all but the house and the soil;
And the _long_ and the _short_ of the story is this,—
He was _too long_ of stocks—_short_ of oil.

A receiver was called, and he looked o’er the wreck,
And _received_ those who called—thus bereft.
“_Have you nothing left over?_” they timidly ask:
He answers, “_Yes, over the left_.”
_W. C. Dornin._

THE SEMINOLE’S REPLY.

Blaze, with your serried columns!
I will not bend the knee!
The shackles ne’er again shall bind
The arm which now is free.
I’ve mailed it with the thunder,
When the tempest muttered low;
And where it falls, ye well may dread
The lightning of its blow!

I’ve scared ye in the city,
I’ve scalped ye on the plain;
Go, count your chosen, where they fell
Beneath my leaden rain!
I scorn your proffered treaty!
The pale-face I defy!
Revenge is stamped upon my spear,
And blood my battle-cry!

Some strike for hope of booty,
Some to defend their all—
I battle for the joy I have
To see the white man fall:
I love, among the wounded,
To hear his dying moan,
And catch, while chanting at his side,
The music of his groan.

Ye’ve trailed me through the forest,
Ye’ve tracked me o’er the stream;
And struggling through the everglade,
Your bristling bayonets gleam:
But I stand as should the warrior,
With his rifle and his spear;
The scalp of vengeance still is red,
And warns ye, “Come not here!”

I loathe ye in my bosom,
I scorn ye with mine eye;
And I’ll taunt ye with my latest breath,
And fight ye till I die!
I ne’er will ask ye quarter,
And I ne’er will be your slave;
But I’ll swim the sea of slaughter,
Till I sink beneath its wave.

THE DUTCHMAN’S SERENADE.

Vake up, my schveet! Vake up, my lofe!
Der moon dot can’t been seen abofe.
Vake oud your eyes, und dough it’s late,
I’ll make you oud a serenate.

Der shtreet dot’s kinder dampy vet,
Und dhere vas no goot blace to set;
My fiddle’s getting oud of dune,
So blease get vakey wery soon.

O my lofe! my lofely lofe!
Am you avake ub dhere abofe,
Feeling sad und nice to hear
Schneider’s fiddle schrabin near?

Vell, anyvay, obe loose your ear,
Und try to saw if you kin hear
From dem bedclose vat you’m among,
Der little song I’m going to sung:

* * * * *

O lady, vake! Get vake!
Und hear der tale I’ll tell;
Oh, you vot’s schleebin’ sound ub dhere,
I like you pooty vell!

Your plack eyes dhem don’t shine
Ven you’m ashleep—so vake!
(Yes, hurry up, und voke up quick,
For gootness cracious sake!)

My schveet imbatience, lofe,
I hobe you vill oxcuse:
I’m singing schveetly (dhere, py Jinks!
Dhere goes a shtring proke loose!)

O putiful, schveet maid!
Oh, vill she efer voke?
Der moon is mooning—(Jimminy! dhere
Anoder shtring vent proke!)

Oh, say, old schleeby head!
(Now I vas getting mad—
I’ll holler now, und I don’t care
Uf I vake up her dad!)

I say, you schleeby, vake!
Vake oud! Vake loose! Vake ub!
Fire! Murder! Police! Vatch!
Oh, cracious! do vake ub!

* * * * *

Dot girl she schleebed—dot rain it rained,
Und I looked shtoopid like a fool,
Vhen mit my fiddle I shneaked off
So vet und shlobby like a mool!

SCENE FROM “INGOMAR”

CHARACTERS.

INGOMAR. Leader of a band of Alemanni.
PARTHENIA. A Greek girl.

(_Parthenia clasps her hands before her face,
and stands sobbing in the foreground._)

_Ingomar._ (_Who has been standing on a rock looking at the
proceedings of his followers._)

No violence! Ho! how he runs! and now
He stops and cries again! Poor fearful fool!
It must be strange to fear: now, by my troth,
I should like to feel, for once, what ’tis to fear!
But the girl—(_Leaning forward._) Ha! do I see right? you weep.
[_To Parthenia._
Is that the happy temper that you boast?

_Par._ Oh, I shall never see him more!

_Ing._ What! have we
For a silly old man, got now a foolish
And timid weeping girl? I have had enough
Of tears.

_Par._ Enough, indeed, since you but mock them!
I will not—no, I’ll weep no more.

[_She quickly dries her eyes, and retires to the background._[1]

_Ing._ That’s good! come, that looks well;
She is a brave girl! she rules herself, and if
She keep her word, we have made a good exchange—
“I’ll weep no more!” Aha! I like the girl.
And if—Ho! whither goest thou?

[_To Parthenia, who is going off with two goblets._

_Par._ Where should I go? to yonder brook, to cleanse the cups.

_Ing._ No! stay and talk with me.

_Par._ I have duties to perform. [_Going._

_Ing._ Stay—I command you, slave!

_Par._ I am no slave! your hostage, but no slave.
I go to cleanse the cups. [_Exit_ L.

_Ing._ Ho! here’s a self-willed thing—here is a spirit!
[_Mimicking her._
“I will not, I am no slave! I have duties to perform!
Take me for hostage!” and she flung back her head
As though she brought with her a ton of gold!
“I’ll weep no more,”—Aha! an impudent thing.
She pleases me! I love to be opposed;
I love my horse when he rears, my dogs when they snarl,
The mountain torrent, and the sea, when it flings
Its foam up to the stars; such things as these
Fill me with life and joy. Tame indolence
Is living death! the battle of the strong
Alone is life!

[_During this speech Parthenia has returned with the cups
and a bundle of field flowers. She seats herself on a
piece of rock in front._

_Ing._ Ah! she is here again. (_He approaches her, and leans
over her on the rock._) What art thou making there?

_Par._ I? garlands.

_Ing._ Garlands?
(_Musing._) It seems to me as I before had seen her
In a dream! How! Ah, my brother!—he who died
A child—yes, that is it. My little Folko—She
has his dark-brown hair, his sparkling eye:
Even the voice seems known again to me;
I’ll not to sleep—I’ll talk to her. [_Returns to her._
These you call garlands,
And wherefore do you weave them?

_Par._ For these cups.

_Ing._ How?

_Par._ Is it not with you a custom? With us
At home, we love to intertwine with flowers
Our cups and goblets.

_Ing._ What use is such a plaything?