Chapter II (3)

The Chief Factor's look was fastened on him with bewilderment; he was trying to remember something: his mind went feeling, he knew not why, for a certain day, a quarter of a century before, when he unpacked a box of books and papers from England. Most of them were still in the Fort. The association of this man with these things fretted him.

The Tall Master swung his bow upward, but at that instant there came a knock, and, in response to a call, Wind Driver and Wine Face entered. Wine Face was certainly a beautiful girl; and Lazenby might well have been pardoned for throwing in his fate with such a heathen, if he despaired of ever seeing England again. The Tall Master did not turn towards these. The Indians sat gracefully on a bearskin before the fire. The eyes of the girl were cast shyly upon the Man as he stood there unlike an ordinary man; in his face a fine hardness and the cold light of the North. He suddenly tipped his bow upward and brought it down with a most delicate crash upon the strings. Then softly, slowly, he passed into a weird fantasy. The Indians sat breathless. Upon them it acted more impressively than the others: besides, the player's eye was searching them now; he was playing into their very bodies. And they responded with some swift shocks of recognition crossing their faces. Suddenly the old Indian sprang up. He thrust his arms out, and made, as if unconsciously, some fantastic yet solemn motions. The player smiled in a far-off fashion, and presently ran the bow upon the strings in an exquisite cry; and then a beautiful avalanche of sound slid from a distance, growing nearer and nearer, till it swept through the room, and imbedded all in its sweetness.

At this the old Indian threw himself forward at the player's feet. "It is the song of the White Weaver, the maker of the world--the music from the Hills of the Mighty Men.... I knew it--I knew it--but never like that. ... It was lost to the world; the wild cry of the lofty stars...." His face was wet.

The girl too had risen. She came forward as if in a dream and reverently touched the arm of the musician, who paused now, and was looking at them from under his long eyelashes. She said whisperingly: "Are you a spirit? Do you come from the Hills of the Mighty Men?"

He answered gravely: "I am no spirit. But I have journeyed in the Hills of the Mighty Men and along their ancient hunting-grounds. This that I have played is the ancient music of the world--the music of Jubal and his comrades. It comes humming from the Poles; it rides laughing down the planets; it trembles through the snow; it gives joy to the bones of the wind.... And I am the voice of it," he added; and he drew up his loose unmanageable body till it looked enormous, firm, and dominant.

The girl's fingers ran softly over to his breast. "I will follow you," she said, "when you go again to the Happy Valleys."

Down from his brow there swept a faint hue of colour, and, for a breath, his eyes closed tenderly with hers. But he straightway gathered back his look again, his body shrank, not rudely, from her fingers, and he absently said: "I am old-in years the father of the world. It is a man's life gone since, at Genoa, she laid her fingers on my breast like that. ... These things can be no more... until the North hath its summer again; and I stand young--the Master--upon the summits of my renown."

The girl drew slowly back. Lazenby was muttering under his breath now; he was overwhelmed by this change in Wine Face. He had been impressed to awe by the Tall Master's music, but he was piqued, and determined not to give in easily. He said sneeringly that Maskelyne and Cooke in music had come to life, and suggested a snake-dance.

The Tall Master heard these things, and immediately he turned to Lazenby with an angry look on his face. His brows hung heavily over the dull fire of his eyes; his hair itself seemed like Medusa's, just quivering into savage life; the fingers spread out white and claw-like upon the strings as he curved his violin to his chin, whereof it became, as it were, a piece. The bow shot out and down upon the instrument with a great clangour. There eddied into a vast arena of sound the prodigious elements of war. Torture rose from those four immeasurable chords; destruction was afoot upon them; a dreadful dance of death supervened.

Through the Chief Factor's mind there flashed--though mechanically, and only to be remembered afterwards--the words of a schoolday poem. It shuttled in and out of the music:

"Wheel the wild dance,
While lightnings glance,
And thunders rattle loud;
And call the brave to bloody grave,
To sleep without a shroud."

The face of the player grew old and drawn. The skin was wrinkled, but shone, the hair spread white, the nose almost met the chin, the mouth was all malice. It was old age with vast power: conquest volleyed from the fingers.

Shon McGann whispered aves, aching with the sound; the Chief Factor shuddered to his feet; Lazenby winced and drew back to the wall, putting his hand before his face as though the sounds were striking him; the old Indian covered his head with his arms upon the floor. Wine Face knelt, her face all grey, her fingers lacing and interlacing with pain. Only Pierre sat with masterful stillness, his eyes never moving from the face of the player; his arms folded; his feet firmly wedded to the floor. The sound became strangely distressing. It shocked the flesh and angered the nerves. Upon Lazenby it acted singularly. He cowered from it, but presently, with a look of madness in his eyes, rushed forward, arms outstretched, as though to seize this intolerable minstrel. There was a sudden pause in the playing; then the room quaked with noise, buffeting Lazenby into stillness. The sounds changed instantly again, and music of an engaging sweetness and delight fell about them as in silver drops--an enchanting lyric of love. Its exquisite tenderness subdued Lazenby, who, but now, had a heart for slaughter. He dropped on his knees, threw his head into his arms, and sobbed hard. The Tall Master's fingers crept caressingly along one of those heavenly veins of sound, his bow poising softly over it. The farthest star seemed singing.

At dawn the next day the Golden Dogs were gathered for war before the Fort. Immediately after the sun rose, the foe were seen gliding darkly out of the horizon. From another direction came two travellers. These also saw the White Hands bearing upon the Fort, and hurried forward. They reached the gates of the Fort in good time, and were welcomed. One was a chief trader from a fort in the west. He was an old man, and had been many years in the service of the H. B. C.; and, like Lazenby, had spent his early days in London, a connoisseur in all its pleasures; the other was a voyageur. They had posted on quickly to bring news of this crusade of the White Hands.

The hostile Indians came steadily to within a few hundred yards of the Golden Dogs. Then they sent a brave to say that they had no quarrel with the people of the Fort; and that if the Golden Dogs came on they would battle with them alone; since the time had come for "one to be as both," as their Medicine Men had declared since the days of the Great Race. And this signified that one should destroy the other.

At this all the Golden Dogs ranged into line. The sun shone brightly, the long hedge of pine woods in the distance caught the colour of the sky, the flowers of the plains showed handsomely as a carpet of war. The bodies of the fighters glistened. You could see the rise and fall of their bare, strenuous chests. They stood as their forefathers in battle, almost naked, with crested head, gleaming axe, scalp-knife, and bows and arrows. At first there was the threatening rustle of preparation; then a great stillness came and stayed for a moment; after which, all at once, there sped through the air a big shout of battle, and the innumerable twang of flying arrows; and the opposing hosts ran upon each other.

Pierre and Shon McGann, watching from the Fort, cried out with excitement.

"Divils me darlin'!" called Shon, "are we gluin' our eyes to a chink in the wall, whin the tangle of battle goes on beyand? Bedad, I'll not stand it! Look at them twistin' the neck o' war! Open the gates, open the gates say I, and let us have play with our guns."

"Hush! 'Mon Dieu!'" interrupted Pierre. "Look! The Tall Master!"

None at the Fort had seen the Tall Master since the night before. Now he was covering the space between the walls and the battle, his hair streaming behind him.

When he came near to the vortex of fight he raised his violin to his chin, and instantly a piercingly sweet call penetrated the wild uproar. The Call filled it, drained through it, wrapped it, overcame it; so that it sank away at last like the outwash of an exhausted tide: the weft of battle stayed unfinished in the loom.

Then from the Indian lodges came the women and children. They drew near to the unearthly luxury of that Call, now lifting with an unbounded joy. Battleaxes fell to the ground; the warriors quieted even where they stood locked with their foes. The Tall Master now drew away from them, facing the north and west. That ineffable Call drew them after him with grave joy; and they brought their dead and wounded along. The women and children glided in among the men and followed also. Presently one girl ran away from the rest and came close into the great leader's footsteps.

At that instant, Lazenby, from the wall of the Fort, cried out madly, sprang down, opened the gates, and rushed towards the girl, crying: "Wine Face! Wine Face!"

She did not look behind. But he came close to her and caught her by the waist. "Come back! Come back! O my love, come back!" he urged; but she pushed him gently from her.

"Hush! Hush!" she said. "We are going to the Happy Valleys. Don't you hear him calling"?... And Lazenby fell back.

The Tall Master was now playing a wonderful thing, half dance, half carnival; but with that Call still beating through it. They were passing the Fort at an angle. All within issued forth to see. Suddenly the old trader who had come that morning started forward with a cry; then stood still. He caught the Factor's arm; but he seemed unable to speak yet; his face was troubled, his eyes were hard upon the player.

The procession passed the empty lodges, leaving the ground strewn with their weapons, and not one of their number stayed behind. They passed away towards the high hills of the north-west-beautiful austere barriers.

Still the trader gazed, and was pale, and trembled. They watched long. The throng of pilgrims grew a vague mass; no longer an army of individuals; and the music came floating back with distant charm. At last the old man found voice. "My God, it is--"

The Factor touched his arm, interrupting him, and drew a picture from his pocket--one but just now taken from that musty pile of books, received so many years before. He showed it to the old man.

"Yes, yes," said the other, "that is he.... And the world buried him forty years ago!"

Pierre, standing near, added with soft irony: "There are strange things in the world. He is the gamester of the world. 'Mais' a grand comrade also."

The music came waving back upon them delicately but the pilgrims were fading from view.

Soon the watchers were alone with the glowing day.

THE CRIMSON FLAG

Talk and think as one would, The Woman was striking to see; with marvellous flaxen hair and a joyous violet eye. She was all pulse and dash; but she was as much less beautiful than the manager's wife as Tom Liffey was as nothing beside the manager himself; and one would care little to name the two women in the same breath if the end had been different. When The Woman came to Little Goshen there were others of her class there, but they were of a commoner sort and degree. She was the queen of a lawless court, though she never, from first to last, spoke to one of those others who were her people; neither did she hold commerce with any of the ordinary miners, save Pretty Pierre, but he was more gambler than miner,--and he went, when the matter was all over, and told her some things that stripped her soul naked before her eyes. Pierre had a wonderful tongue. It was only the gentlemen-diggers--and there were many of them at Little Goshen--who called upon her when the lights were low; and then there was a good deal of muffled mirth in the white house among the pines. The rougher miners made no quarrel with this, for the gentlemen-diggers were popular enough, they were merely sarcastic and humorous, and said things which, coming to The Woman's ears, made her very merry; for she herself had an abundant wit, and had spent wild hours with clever men. She did not resent the playful insolence that sent a dozen miners to her house in the dead of night with a crimson flag, which they quietly screwed to her roof; and paint, with which they deftly put a wide stripe of scarlet round the cornice, and another round the basement. In the morning, when she saw what had been done, she would not have the paint removed nor the flag taken down; for, she said, the stripes looked very well, and the other would show that she was always at home.

Now, the notable thing was that Heldon, the manager, was in The Woman's house on the night this was done. Tom Liffey, the lumpish guide and trapper, saw him go in; and, days afterwards, he said to Pierre: "Divils me own, but this is a bad hour for Heldon's wife--she with a face like a princess and eyes like the fear o' God. Nivir a wan did I see like her, since I came out of Erin with a clatter of hoofs behoind me and a squall on the sea before. There's wimmin there wid cheeks like roses and buthermilk, and a touch that'd make y'r heart pound on y'r ribs; but none that's grander than Heldon's wife. To lave her for that other, standin' hip-high in her shame, is temptin' the fires of Heaven, that basted the sinners o' Sodom."

Pierre, pausing between the whiffs of a cigarette, said: "So? But you know more of catching foxes in winter, and climbing mountains in summer, and the grip of the arm of an Injin girl, than of these things. You are young, quite young in the world, Tom Liffey."

"Young I may be with a glint o' grey at me temples from a night o' trouble beyand in the hills; but I'm the man, an' the only man, that's climbed to the glacier-top--God's Playground, as they call it: and nivir a dirty trick have I done to Injin girl or any other; and be damned to you there!"

"Sometimes I think you are as foolish as Shon McGann," compassionately replied the half-breed.

"You have almighty virtue, and you did that brave trick of the glacier; but great men have fallen. You are not dead yet. Still, as you say, Heldon's wife is noble to see. She is grave and cold, and speaks little; but there is something in her which is not of the meek of the earth. Some women say nothing, and suffer and forgive, and take such as Heldon back to their bosoms; but there are others--I remember a woman--bien, it is no matter, it was long ago; but they two are as if born of one mother; and what comes of this will be mad play--mad play."

"Av coorse his wife may not get to know of it, and--"

"Not get to know it! 'Tsh, you are a child--"

"Faith, I'll say what I think, and that in y'r face! Maybe he'll tire of the handsome rip--for handsome she is, like a yellow lily growin' out o' mud--and go back to his lawful wife, that believes he's at the mines, when he's drinkin' and colloguin' wid a fly-away."

Pierre slowly wheeled till he had the Irishman straight in his eye. Then he said in a low, cutting tone: "I suppose your heart aches for the beautiful lady, eh?" Here he screwed his slight forefinger into Tom's breast; then he added sharply: "'Nom de Dieu,' but you make me angry! You talk too much. Such men get into trouble. And keep down the riot of that heart of yours, Tom Liffey, or you'll walk on the edge of knives one day. And now take an inch of whisky and ease the anxious soul. 'Voila!'" After a moment he added: "Women work these things out for themselves." Then the two left the hut, and amiably strolled together to the centre of the village, where they parted. It was as Pierre had said: the woman would work the thing out for herself. Later that evening Heldon's wife stood cloaked and veiled in the shadows of the pines, facing the house with The Crimson Flag. Her eyes shifted ever from the door to the flag, which was stirred by the light breeze. Once or twice she shivered as with cold, but she instantly stilled again, and watched. It was midnight. Here and there beyond in the village a light showed, and straggling voices floated faintly towards her. For a long time no sound came from the house. But at last she heard a laugh. At that she drew something from her pocket, and held it firmly in her hand. Once she turned and looked at another house far up on the hill, where lights were burning. It was Heldon's house--her home. A sharp sound as of anguish and anger escaped her; then she fastened her eyes on the door in front of her.

At that moment Tom Liffey was standing with his hands on his hips looking at Heldon's home on the hill; and he said some rumbling words, then strode on down the road, and suddenly paused near the wife. He did not see her. He faced the door at which she was looking, and shook his fist at it.

"A murrain on y'r sowl!" said he, "as there's plague in y'r body, and hell in the slide of y'r feet, like the trail of the red spider. And out o' that come ye, Heldon, for I know y're there. Out of that, ye beast! ... But how can ye go back--you that's rolled in that sewer--to the loveliest woman that ever trod the neck o' the world! Damned y' are in every joint o' y'r frame, and damned is y'r sowl, I say, for bringing sorrow to her; and I hate you as much for that, as I could worship her was she not your wife and a lady o' blood, God save her!"

Then shaking his fist once more, he swung away slowly down the road. During this the wife's teeth held together as though they were of a piece. She looked after Tom Liffey and smiled; but it was a dreadful smile.

"He worships me, that common man--worships me," she said. "This man who was my husband has shamed me, left me. Well--"

The door of the house opened; a man came out. His wife leaned a little forward, and something clicked ominously in her hand. But a voice came up the road towards them through the clear air--the voice of Tom Liffey. The husband paused to listen; the wife mechanically did the same. The husband remembered this afterwards: it was the key to, and the beginning of, a tragedy. These are the words the Irishman sang:

"She was a queen, she stood up there before me,
My blood went roarin' when she touched my hand;
She kissed me on the lips, and then she swore me
To die for her--and happy was the land."

A new and singular look came into her face. It trans formed her. "That," she said in a whisper to herself--"that! He knows the way."

As her husband turned towards his home, she turned also. He heard the rustle of garments, and he could just discern the cloaked figure in the shadows. He hurried on; the figure flitted ahead of him. A fear possessed him in spite of his will. He turned back. The figure stood still for a moment, then followed him. He braced himself, faced about, and walked towards it: it stopped and waited. He had not the courage. He went back again swiftly towards the house he had left. Again he looked behind him. The figure was standing, not far, in the pines. He wheeled suddenly towards the house, turned a key in the door, and entered.

Then the wife went to that which had been her home: Heldon did not go thither until the first flush of morning. Pierre, returning from an all-night sitting at cards, met him, and saw the careworn look on his face. The half-breed smiled. He knew that the event was doubling on the man. When Heldon reached his house, he went to his wife's room. It was locked. Then he walked down to his mines with a miserable shame and anger at his heart. He did not pass The Crimson Flag. He went by another way.

That evening, in the dusk, a woman knocked at Tom Liffey's door. He opened it.

"Are you alone"? she said. "I am alone, lady."

"I will come in," she added. "You will--come in"? he faltered.

She drew near him, and reached out and gently caught his hand.

"Ah!" he said, with a sound almost like a sob in its intensity, and the blood flushed to his hair.

He stepped aside, and she entered. In the light of the candle her eye burned into his, but her face wore a shining coldness. She leaned towards him.

"You said you could worship me," she whispered, "and you cursed him. Well--worship me--altogether--and that will curse him, as he has killed me."

"Dear lady!" he said, in an awed, overwhelmed murmur; and he fell back to the wall.

She came towards him. "Am I not beautiful"? she urged. She took his hand. His eye swam with hers. But his look was different from hers, though he could not know that. His was the madness of a man in a dream; hers was a painful thing. The Furies dwelt in her. She softly lifted his hand above his head, and whispered: "Swear." And she kissed him. Her lips were icy, though he did not think so. The blood tossed in his veins. He swore: but, doing so, he could not conceive all that would be required of him. He was hers, body and soul, and she had resolved on a grim thing.... In the darkness, they left the hut and passed into the woods, and slowly up through the hills.

Heldon returned to his home that night to find it empty. There were no servants. There was no wife. Her cat and dog lay dead upon the hearthrug. Her clothing was cut into strips. Her wedding-dress was a charred heap on the fireplace. Her jewellery lay molten with it. Her portrait had been torn from its frame.

An intolerable fear possessed him. Drops of sweat hung on his forehead and his hands. He fled towards the town. He bit his finger-nails till they bled as he passed the house in the pines. He lifted his arm as if the flappings of The Crimson Flag were blows in his face.

At last he passed Tom Liffey's hut. He saw Pierre, coming from it. The look on the gambler's face was one, of gloomy wonder. His fingers trembled as he lighted a cigarette, and that was an unusual thing. The form of Heldon edged within the light. Pierre dropped the match and said to him,--"You are looking for your wife?"

Heldon bowed his head. The other threw open the door of the hut. "Come in here," he said. They entered. Pierre pointed to a woman's hat on the table. "Do you know that"? he asked, huskily, for he was moved. But Heldon only nodded dazedly. Pierre continued: "I was to have met Tom Liffey here--to-night. He is not here. You hoped--I suppose--to see your wife in your--home. She is not there. He left a word on paper for me. I have torn it up. Writing is the enemy of man. But I know where he is gone. I know also where your wife has gone."

Heldon's face was of a hateful paleness.... They passed out into the night.

"Where are you going"? Heldon said.

"To God's Playground, if we can get there."

"To God's Playground? To the glacier-top? You are mad."

"No, but he and she were mad. Come on." Then he whispered something, and Heldon gave a great cry, and they plunged into the woods.

In the morning the people of Little Goshen, looking towards the glacier, saw a flag (they knew afterwards that it was crimson) flying on it. Near it were two human figures. A miner, looking through a field-glass, said that one figure was crouching by the flag-staff, and that it was a woman. The other figure near was a man. As the morning wore on, they saw upon a crag of ice below the sloping glacier two men looking upwards towards the flag. One of them seemed to shriek out, and threw up his hands, and made as if to rush forward; but the other drew him back.

Heldon knew what revenge and disgrace may be at their worst. In vain he tried to reach God's Playground. Only one man knew the way, and he was dead upon it--with Heldon's wife: two shameless suicides.... When he came down from the mountain the hair upon his face was white, though that upon his head remained black as it had always been. And those frozen figures stayed there like statues with that other crimson flag: until, one day, a great-bodied wind swept out of the north, and, in pity, carried them down a bottomless fissure.

But long before this happened, The Woman had fled from Little Goshen in the night, and her house was burned to the ground.

THE FLOOD

Wendling came to Fort Anne on the day that the Reverend Ezra Badgley and an unknown girl were buried. And that was a notable thing. The man had been found dead at his evening meal; the girl had died on the same day; and they were buried side by side. This caused much scandal, for the man was holy, and the girl, as many women said, was probably evil altogether. At the graves, when the minister's people saw what was being done, they piously protested; but the Factor, to whom Pierre had whispered a word, answered them gravely that the matter should go on: since none knew but the woman was as worthy of heaven as the man. Wendling chanced to stand beside Pretty Pierre.

"Who knows!" he said aloud, looking hard at the graves, "who knows!... She died before him, but the dead can strike."

Pierre did not answer immediately, for the Factor was calling the earth down on both coffins; but after a moment he added: "Yes, the dead can strike." And then the eyes of the two men caught and stayed, and they knew that they had things to say to each other in the world.

They became friends. And that, perhaps, was not greatly to Wendling's credit; for in the eyes of many Pierre was an outcast as an outlaw. Maybe some of the women disliked this friendship most; since Wendling was a handsome man, and Pierre was never known to seek them, good or bad; and they blamed him for the other's coldness, for his unconcerned yet respectful eye.

"There's Nelly Nolan would dance after him to the world's end," said Shon McGann to Pierre one day; "and the Widdy Jerome herself, wid her flamin' cheeks and the wild fun in her eye, croons like a babe at the breast as he slides out his cash on the bar; and over on Gansonby's Flat there's--"

"There's many a fool, 'voila,'" sharply interjected Pierre, as he pushed the needle through a button he was sewing on his coat.

"Bedad, there's a pair of fools here, anyway, I say; for the women might die without lift at waist or brush of lip, and neither of ye'd say, 'Here's to the joy of us, goddess, me own!'"

Pierre seemed to be intently watching the needlepoint as it pierced up the button-eye, and his reply was given with a slowness corresponding to the sedate passage of the needle. "Wendling, you think, cares nothing for women? Well, men who are like that cared once for one woman, and when that was over--But, pshaw! I will not talk. You are no thinker, Shon McGann. You blunder through the world. And you'll tremble as much to a woman's thumb in fifty years as now."

"By the holy smoke," said Shon, "though I tremble at that, maybe, I'll not tremble, as Wendling, at nothing at all." Here Pierre looked up sharply, then dropped his eyes on his work again. Shon lapsed suddenly into a moodiness.

"Yes," said Pierre, "as Wendling, at nothing at all? Well?"

"Well, this, Pierre, for you that's a thinker from me that's none. I was walking with him in Red Glen yesterday. Sudden he took to shiverin', and snatched me by the arm, and a mad look shot out of his handsome face. 'Hush!' says he. I listened. There was a sound like the hard rattle of a creek over stones, and then another sound behind that. 'Come quick,' says he, the sweat standin' thick on him; and he ran me up the bank--for it was at the beginnin' of the Glen where the sides were low--and there we stood pantin' and starin' flat at each other. 'What's that? and what's got its hand on ye? for y' are cold as death, an' pinched in the face, an' you've bruised my arm,' said I. And he looked round him slow and breathed hard, then drew his fingers through the sweat on his cheek. 'I'm not well, and I thought I heard--you heard it; what was it like?' said he; and he peered close at me. 'Like water,' said I; 'a little creek near, and a flood comin' far off.' 'Yes, just that,' said he; 'it's some trick of wind in the place, but it makes a man foolish, and an inch of brandy would be the right thing.' I didn't say no to that. And on we came, and brandy we had with a wish in the eye of Nelly Nolan that'd warm the heart of a tomb.... And there's a cud for your chewin', Pierre. Think that by the neck and the tail, and the divil absolve ye."

During this, Pierre had finished with the button. He had drawn on his coat and lifted his hat, and now lounged, trying the point of the needle with his forefinger. When Shon ended, he said with a sidelong glance: "But what did you think of all that, Shon?"

"Think! There it was! What's the use of thinkin'? There's many a trick in the world with wind or with spirit, as I've seen often enough in ould Ireland, and it's not to be guessed by me." Here his voice got a little lower and a trifle solemn. "For, Pierre," spoke he, "there's what's more than life or death, and sorra wan can we tell what it is; but we'll know some day whin--"

"When we've taken the leap at the Almighty Ditch," said Pierre, with a grave kind of lightness. "Yes, it is all strange. But even the Almighty Ditch is worth the doing: nearly everything is worth the doing; being young, growing old, fighting, loving--when youth is on--hating, eating, drinking, working, playing big games. All is worth it except two things."

"And what are they, bedad?"

"Thy neighbour's wife and murder. Those are horrible. They double on a man one time or another; always."

Here, as in curiosity, Pierre pierced his finger with the needle, and watched the blood form in a little globule. Looking at it meditatively and sardonically, he said: "There is only one end to these. Blood for blood is a great matter; and I used to wonder if it would not be terrible for a man to see his death coming on him drop by drop, like that." He let the spot of blood fall to the floor. "But now I know that there is a punishment worse than that... 'mon Dieu!' worse than that," he added.

Into Shon's face a strange look had suddenly come. "Yes, there's something worse than that, Pierre."

"So, 'bien?'"

Shon made the sacred gesture of his creed. "To be punished by the dead. And not see them--only hear them." And his eyes steadied firmly to the other's.

Pierre was about to reply, but there came the sound of footsteps through the open door, and presently Wendling entered slowly. He was pale and worn, and his eyes looked out with a searching anxiousness. But that did not render him less comely. He had always dressed in black and white, and this now added to the easy and yet severe refinement of his person. His birth and breeding had occurred in places unfrequented by such as Shon and Pierre; but plains and wild life level all; and men are friends according to their taste and will, and by no other law. Hence these with Wendling. He stretched out his hand to each without a word. The hand-shake was unusual; he had little demonstration ever. Shon looked up surprised, but responded. Pierre followed with a swift, inquiring look; then, in the succeeding pause, he offered cigarettes. Wendling took one; and all, silent, sat down. The sun streamed intemperately through the doorway, making a broad ribbon of light straight across the floor to Wendling's feet. After lighting his cigarette, he looked into the sunlight for a moment, still not speaking. Shon meanwhile had started his pipe, and now, as if he found the silence awkward,--"It's a day for God's country, this," he said: "to make man a Christian for little or much, though he play with the Divil betunewhiles." Without looking at them, Wendling said, in a low voice: "It was just such a day, down there in Quebec, when It happened. You could hear the swill of the river, the water licking the piers, and the saws in the Big Mill and the Little Mill as they marched through the timber, flashing their teeth like bayonets. It's a wonderful sound on a hot, clear day--that wild, keen singing of the saws, like the cry of a live thing fighting and conquering. Up from the fresh-cut lumber in the yards there came a smell like the juice of apples, and the sawdust, as you thrust your hand into it, was as cool and soft as the leaves of a clove-flower in the dew. On these days the town was always still. It looked sleeping, and you saw the heat quivering up from the wooden walls and the roofs of cedar shingles as though the houses were breathing."

Here he paused, still intent on the shaking sunshine. Then he turned to the others as if suddenly aware that he had been talking to them. Shon was about to speak, but Pierre threw a restraining glance, and, instead, they all looked through the doorway and beyond. In the settlement below they saw the effect that Wendling had described. The houses breathed. A grasshopper went clacking past, a dog at the door snapped up a fly; but there seemed no other life of day. Wendling nodded his head towards the distance. "It was quiet, like that. I stood and watched the mills and the yards, and listened to the saws, and looked at the great slide, and the logs on the river: and I said ever to myself that it was all mine--all. Then I turned to a big house on the hillock beyond the cedars, whose windows were open, with a cool dusk lying behind them. More than all else, I loved to think I owned that house and what was in it.... She was a beautiful woman. And she used to sit in a room facing the mill--though the house fronted another way--thinking of me, I did not doubt, and working at some delicate needle-stuff. There never had been a sharp word between us, save when I quarrelled bitterly with her brother, and he left the mill and went away. But she got over that mostly, though the lad's name was, never mentioned between us. That day I was so hungry for the sight of her that I got my field-glass--used to watch my vessels and rafts making across the bay--and trained it on the window where I knew she sat. I thought, it would amuse her, too, when I went back at night, if I told her what she had been doing. I laughed to myself at the thought of it as I adjusted the glass.... I looked.... There was no more laughing.... I saw her, and in front of her a man, with his back half on me. I could not recognise him, though at the instant I thought he was something familiar. I failed to get his face at all. Hers I found indistinctly. But I saw him catch her playfully by the chin! After a little they rose. He put his arm about her and kissed her, and he ran his fingers through her hair. She had such fine golden hair--so light, and it lifted to every breath. Something got into my brain. I know now it was the maggot which sent Othello mad. The world in that hour was malicious, awful....

"After a time--it seemed ages, she and everything had receded so far--I went... home. At the door I asked the servant who had been there. She hesitated, confused, and then said the young curate of the parish. I was very cool: for madness is a strange thing; you see everything with an intense aching clearness--that is the trouble.... She was more kind than common. I do not think I was unusual. I was playing a part well, my grandmother had Indian blood like yours, Pierre, and I was waiting. I was even nicely critical of her to myself. I balanced the mole on her neck against her general beauty; the curve of her instep, I decided, was a little too emphatic. I passed her backwards and forwards, weighing her at every point; but yet these two things were the only imperfections. I pronounced her an exceeding piece of art--and infamy. I was much interested to see how she could appear perfect in her soul. I encouraged her to talk. I saw with devilish irony that an angel spoke. And, to cap it all, she assumed the fascinating air of the mediator--for her brother; seeking a reconciliation between us. Her amazing art of person and mind so worked upon me that it became unendurable; it was so exquisite--and so shameless. I was sitting where the priest had sat that afternoon; and when she leaned towards me I caught her chin lightly and trailed my fingers through her hair as he had done: and that ended it, for I was cold, and my heart worked with horrible slowness. Just as a wave poises at its height before breaking upon the shore, it hung at every pulse-beat, and then seemed to fall over with a sickening thud. I arose, and acting still, spoke impatiently of her brother. Tears sprang to her eyes. Such divine dissimulation, I thought--too good for earth. She turned to leave the room, and I did not stay her. Yet we were together again that night.... I was only waiting."

The cigarette had dropped from his fingers to the floor, and lay there smoking. Shon's face was fixed with anxiety; Pierre's eyes played gravely with the sunshine. Wendling drew a heavy breath, and then went on.

"Again, next day, it was like this-the world draining the heat.... I watched from the Big Mill. I saw them again. He leaned over her chair and buried his face in her hair. The proof was absolute now.... I started away, going a roundabout, that I might not be seen. It took me some time. I was passing through a clump of cedar when I saw them making towards the trees skirting the river. Their backs were on me. Suddenly they diverted their steps--towards the great slide, shut off from water this last few months, and used as a quarry to deepen it. Some petrified things had been found in the rocks, but I did not think they were going to these. I saw them climb down the rocky steps; and presently they were lost to view. The gates of the slide could be opened by machinery from the Little Mill. A terrible, deliciously malignant thought came to me. I remember how the sunlight crept away from me and left me in the dark. I stole through that darkness to the Little Mill. I went to the machinery for opening the gates. Very gently I set it in motion, facing the slide as I did so. I could see it through the open sides of the mill. I smiled to think what the tiny creek, always creeping through a faint leak in the gates and falling with a granite rattle on the stones, would now become. I pushed the lever harder--harder. I saw the gates suddenly give, then fly open, and the river sprang roaring massively through them. I heard a shriek through the roar. I shuddered; and a horrible sickness came on me.... And as I turned from the machinery, I saw the young priest coming at me through a doorway!... It was not the priest and my wife that I had killed; but my wife and her brother...."

He threw his head back as though something clamped his throat. His voice roughened with misery. "The young priest buried them both, and people did not know the truth. They were even sorry for me. But I gave up the mills--all; and I became homeless... this."

Now he looked up at the two men, and said: "I have told you because you know something, and because there will, I think, be an end soon." He got up and reached out a trembling hand for a cigarette. Pierre gave him one. "Will you walk with me"? he asked.

Shon shook his head. "God forgive you," he replied, "I can't do it."

But Wendling and Pierre left the hut together. They walked for an hour, scarcely speaking, and not considering where they went. At last Pierre mechanically turned to go down into Red Glen. Wendling stopped short, then, with a sighing laugh, strode on. "Shoo has told you what happened here"? he said.

Pierre nodded.

"And you know what came once when you walked with me.... The dead can strike," he added. Pierre sought his eye. "The minister and the girl buried together that day," he said, "were--"

He stopped, for behind him he heard the sharp, cold trickle of water. Silent they walked on. It followed them. They could not get out of the Glen now until they had compassed its length--the walls were high. The sound grew. The men faced each other.

"Good-bye," said Wendling; and he reached out his hand swiftly. But Pierre heard a mighty flood groaning on them, and he blinded as he stretched his arm in response. He caught at Wendling's shoulder, but felt him lifted and carried away, while he himself stood still in a screeching wind and heard impalpable water rushing over him. In a minute it was gone; and he stood alone in Red Glen.

He gathered himself up and ran. Far down, where the Glen opened to the plain, he found Wendling. The hands were wrinkled; the face was cold; the body was wet: the man was drowned and dead.

IN PIPI VALLEY

"Divils me darlins, it's a memory I have of a time whin luck wasn't foldin' her arms round me, and not so far back aither, and I on the wallaby track hot-foot for the City o' Gold."

Shon McGann said this in the course of a discussion on the prosperity of Pipi Valley. Pretty Pierre remarked nonchalantly in reply,--"The wallaby track--eh--what is that, Shon?"

"It's a bit of a haythen y' are, Pierre. The wallaby track? That's the name in Australia for trampin' west through the plains of the Never-Never Country lookin' for the luck o' the world; as, bedad, it's meself that knows it, and no other, and not by book or tellin' either, but with the grip of thirst at me throat and a reef in me belt every hour to quiet the gnawin'." And Shon proceeded to light his pipe afresh.

"But the City o' Gold-was there much wealth for you there, Shon?"

Shon laughed, and said between the puffs of smoke, "Wealth for me, is it? Oh, mother o' Moses! wealth of work and the pride of livin' in the heart of us, and the grip of an honest hand betunewhiles; and what more do y' want, Pierre?"

The Frenchman's drooping eyelids closed a little more, and he replied, meditatively: "Money? No, that is not Shon McGann. The good fellowship of thirst?--yes, a little. The grip of the honest hand, quite, and the clinch of an honest waist? Well, 'peut-etre.'

"Of the waist which is not honest?--tsh! he is gay--and so!"

The Irishman took his pipe from his mouth, and held it poised before him. He looked inquiringly and a little frowningly at the other for a moment, as if doubtful whether to resent the sneer that accompanied the words just spoken; but at last he good-humouredly said: "Blood o' me bones, but it's much I fear the honest waist hasn't always been me portion--Heaven forgive me!"

"'Nom de pipe,' this Irishman!" replied Pierre. "He is gay; of good heart; he smiles, and the women are at his heels; he laughs, and they are on their knees--Such a fool he is!"

Still Shon McGann laughed.

"A fool I am, Pierre, or I'd be in ould Ireland at this minute, with a roof o' me own over me and the friends o' me youth round me, and brats on me knee, and the fear o' God in me heart."

"'Mais,' Shon," mockingly rejoined the Frenchman, "this is not Ireland, but there is much like that to be done here. There is a roof, and there is that woman at Ward's Mistake, and the brats--eh, by and by?"

Shon's face clouded. He hesitated, then replied sharply: "That woman, do y' say, Pierre, she that nursed me when the Honourable and meself were taken out o' Sandy Drift, more dead than livin'; she that brought me back to life as good as ever, barrin' this scar on me forehead and a stiffness at me elbow, and the Honourable as right as the sun, more luck to him! which he doesn't need at all, with the wind of fortune in his back and shiftin' neither to right nor left.--That woman! faith, y'd better not cut the words so sharp betune yer teeth, Pierre."

"But I will say more--a little--just the same. She nursed you--well, that is good; but it is good also, I think, you pay her for that, and stop the rest. Women are fools, or else they are worse. This one? She is worse. Yes; you will take my advice, Shon McGann." The Irishman came to his feet with a spring, and his words were angry.

"It doesn't come well from Pretty Pierre, the gambler, to be revilin' a woman; and I throw it in y'r face, though I've slept under the same blanket with ye, an' drunk out of the same cup on manny a tramp, that you lie dirty and black when ye spake ill--of my wife."

This conversation had occurred in a quiet corner of the bar-room of the Saints' Repose. The first few sentences had not been heard by the others present; but Shon's last speech, delivered in a ringing tone, drew the miners to their feet, in expectation of seeing shots exchanged at once. The code required satisfaction, immediate and decisive. Shon was not armed, and some one thrust a pistol towards him; but he did not take it. Pierre rose, and coming slowly to him, laid a slender finger on his chest, and said:

"So! I did not know that she was your wife. That is a surprise."

The miners nodded assent. He continued:

"Lucy Rives your wife! Hola, Shon McGann, that is such a joke."

"It's no joke, but God's truth, and the lie is with you, Pierre."

Murmurs of anticipation ran round the room; but the half-breed said: "There will be satisfaction altogether; but it is my whim to prove what I say first; then"--fondling his revolver--"then we shall settle. But, see: you will meet me here at ten o'clock to-night, and I will make it, I swear to you, so clear, that the woman is vile."

The Irishman suddenly clutched the gambler, shook him like a dog, and threw him against the farther wall. Pierre's pistol was levelled from the instant Shon moved; but he did not use it. He rose on one knee after the violent fall, and pointing it at the other's head, said coolly: "I could kill you, my friend, so easy! But it is not my whim. Till ten o'clock is not long to wait, and then, just here, one of us shall die. Is it not so?" The Irishman did not flinch before the pistol. He said with low fierceness, "At ten o'clock, or now, or any time, or at any place, y'll find me ready to break the back of the lies y've spoken, or be broken meself. Lucy Rives is my wife, and she's true and straight as the sun in the sky. I'll be here at ten o'clock, and as ye say, Pierre, one of us makes the long reckoning for this." And he opened the door and went out.

The half-breed moved to the bar, and, throwing down a handful of silver, said: "It is good we drink after so much heat. Come on, come on, comrades."

The miners responded to the invitation. Their sympathy was mostly with Shon McGann; their admiration was about equally divided; for Pretty Pierre had the quality of courage in as active a degree as the Irishman, and they knew that some extraordinary motive, promising greater excitement, was behind the Frenchman's refusal to send a bullet through Shon's head a moment before.

King Kinkley, the best shot in the Valley next to Pierre, had watched the unusual development of the incident with interest; and when his glass had been filled he said, thoughtfully: "This thing isn't according to Hoyle. There's never been any trouble just like it in the Valley before. What's that McGann said about the lady being his wife? If it's the case, where hev we been in the show? Where was we when the license was around? It isn't good citizenship, and I hev my doubts."

Another miner, known as the Presbyterian, added: "There's some skulduggery in it, I guess. The lady has had as much protection as if she was the sister of every citizen of the place, just as much as Lady Jane here (Lady Jane, the daughter of the proprietor of the Saints' Repose, administered drinks), and she's played this stacked hand on us, has gone one better on the sly."

"Pierre," said King Kinkley, "you're on the track of the secret, and appear to hev the advantage of the lady: blaze it--blaze it out."

Pierre rejoined, "I know something; but it is good we wait until ten o'clock. Then I will show you all the cards in the pack. Yes, so, 'bien sur.'"