Chapter LXIV: Section VII: U.c. 793--A.d. 55

That so, obstructing those that quenched the fire,
He might at once destroy rebellious Rome.--_Lee_.

1. Nero, though but seventeen years old, began his reign with the general approbation of mankind. He appeared just, liberal, and humane. When a warrant for the execution of a criminal was brought to be signed, he would cry out with compassion, "Would to heaven that I had never learned to write!"

2. But as he increased in years, his native disposition began to show itself. The execution of his mother Agrippi'na was the first alarming instance he gave of his cruelty. After attempting to get her drowned at sea, he ordered her to be put to death in her palace; and coming to gaze upon the dead body, was heard to say, that he had never thought his mother so handsome a woman.

The manner of his attempt to drown her was extremely singular. He caused a vessel to be constructed that, by withdrawing some bolts, would separate in the open sea, and thus give her death the appearance of a shipwreck. Agrippi'na, naturally suspicious, at first refused to go on board; but, lulled into security by the artful blandishments of her son, she embarked. The attempt was made; but Agrippi'na was taken up by some fisher-boats, and conveyed to her own villa. The very great calmness of the sea prevented the possibility of its being considered as an accident. Agrippi'na, however, dissembled her suspicions, and informed the emperor of her wonderful escape. Three years after the death of his mother, he murdered his tutor Burrhus, and also his wife Octavia, a young princess of admirable virtue and beauty that he might marry the infamous Poppæ'a.

3. The mounds of virtue being thus broken down, Nero gave a loose to appetites that were not only sordid, but inhuman. There was a sort of odd contrast in his disposition: for while he practised cruelties sufficient to make the mind shudder with horror, he was fond of those amusing arts which soften and refine the heart. He was particularly addicted, even from childhood, to music, and not totally ignorant of poetry; chariot-driving was his favourite pursuit; and all these he frequently exhibited in public.

4. Happy had it been for mankind, had he confined himself to these; and contented with being contemptible, sought not to become formidable also. His cruelties exceeded all his other extravagancies. 5. A great part of the city of Rome was consumed by fire in his time, and to him most historians ascribe the conflagration. It is said that he stood upon a high tower, during the continuance of the flames, enjoying the sight, and singing, in a theatrical manner to his harp, verses upon the burning of Troy. Of the fourteen quarters into which Rome was divided, only four remained entire. None were permitted to lend assistance towards extinguishing the flames; and several persons were seen setting fire to the houses, alleging that they had orders for so doing. 6. However this be, the emperor used every art to throw the odium of so detestable an action from himself, and fix it upon the Christians, who were at that time gaining ground in Rome.

7. Nothing could be more dreadful than the persecution raised against them upon this false accusation. Some were covered with the skins of wild beasts, and, in that disguise, devoured by the dogs; some were crucified, and others burnt alive. "When the day was not sufficient for their tortures, the flames in which, they perished," says Ta'citus, "served to illuminate the night:" while Nero, dressed in the habit of a charioteer, regaled himself with a view of their tortures from his gardens, and entertained the people at one time with their sufferings, at another with the games of the circus. 8. In this persecution St. Paul was beheaded, and St. Peter crucified, with his head downwards; a mode of death he chose, as being more dishonourable than that of his divine master. Upon the ruins of the demolished city, Nero founded a palace, which he called his Golden House. It contained within its inclosure, artificial lakes, large wildernesses, spacious parks, gardens, orchards, vineyards, &c. &c. The entrance of the stately edifice was sufficiently lofty to admit a colossal statue of Nero, 120 feet high. The galleries, erected on three rows of tall pillars, were each a mile in length. The palace itself was tiled with gold (probably gilding), the walls covered with the same metal, and richly adorned with precious stones and mother-of-pearl: and the ceiling of one of the banqueting rooms represented the firmament beset with, stars, turning about incessantly night and day, and showering sweet waters on the guests.

9. A conspiracy formed against Nero, by Piso, a man of great power and integrity, which was prematurely discovered, opened a train of suspicions that destroyed many of the principal families in Rome. 10. The two most remarkable personages who fell on this occasion, were Sen'eca[24], the philosopher, and Lucan the poet, his nephew.

Epicha'ris, a woman of infamous character, who by some means was implicated in the conspiracy, deserves to be mentioned as an instance of female fortitude. She was condemned to the torture, but the united force of racks, stripes and fire, could not extort a word from her. The next day she was conducted in a chair to be tortured afresh, (for her limbs were so mangled and disjointed, that she could not stand,) she hung herself with her girdle to the top of the chair, voluntarily suspending the whole weight of her body to the noose: thus a woman once a slave, cheerfully endured the most exquisite torture, and even death, to save persons she scarcely knew, and from whom she had never received any favours.

Nero, either having real testimony, or else hating him for his virtues, sent a tribune to Sen'eca[24], informing him that he was suspected as an accomplice. The tribune found the philosopher at table with Pauli'na, his wife; and informing him of his business, Sen'eca replied without emotion, that his welfare depended upon no man; that he had never beenaccustomed to indulge the errors of the emperor, and would not do it now. 11. When this answer was brought to Nero, he demanded whether Sen'eca seemed afraid to die; the tribune replying that he did not appear in the least terrified; "Then go to him again," cried the emperor, "and give him my orders to die." Accordingly he sent a centurion to Sen'eca, signifying that it was the emperor's plea sure that he should die. Sen'eca seemed no way discomposed, but displayed the fortitude of conscious integrity. He endeavoured to console his wife, and exhorted her to a life of persevering virtue. 12. She seemed resolved, however, not to survive him, and pressed her request to die with him so earnestly, that Sen'eca, who had long looked upon death as a benefit, at last gave his consent; and the veins of both their arms were opened at the same time. 13. As Sen'eca was old, and much enfeebled by the austerities of his life, the blood flowed but slowly; so that he caused the veins of his legs and thighs to be opened also. His pains were long and violent, but they were not capable of repressing his fortitude or his eloquence. He dictated a discourse to two secretaries, which was read with great avidity after his death, but which has since perished in the lapse of time. 14. His agonies being now drawn out to a great length, he at last demanded poison from his physician; but this also failed of its effect, his body being already exhausted, and incapable of exciting its operation. He was from this carried into a warm bath, which only served to prolong his sufferings; at length, therefore, he was put in a stove, the vapour of which quickly dispatched him. 15. In the mean time his wife, Pauli'na, having fallen into a swoon with the loss of blood, had her arms bound up by her domestics, and by this means survived her husband for some years; but by her conduct during the rest of her life, she seemed never to forget her affection and his example.

16. The death of Lucan was not less remarkable. After he had lost a great quantity of blood from the veins of his arms, perceiving his hands and legs already dead, while the vital parts still continued warm and vigorous, he called to mind the description of his own poem of the Pharsa'lia, of a person dying in similar circumstances, and expired while he was repeating the passage.

[Sidenote: U.C. 817. A.D. 66.]

17. The death of C. Petro'nius, about this time, is too remarkable to be passed over in silence. This person, whom some historians suppose to be the author of the piece entitled T. Petro'nii Arbi'tri Saty'ricon, was an Epicu'rean, both in principle and practice. In a court like that of Nero, he was esteemed for his refinements in luxury, and became the emperor's tutor in this exquisite art. 18. Accused of being privy to Piso's conspiracy, he was committed to prison. Petro'nius, who could not endure the anxiety of suspense, resolved upon putting himself to death, by causing his veins to be opened. 19. In the mean time, he conversed with his friends, not upon maxims of philosophy, or grave subjects, but upon such topics as had amused his gayest revels. He listened while they recited the lightest poems; and by no action, no word, no circumstance, showed the perplexity of a dying person. 20. Shortly after him, Numi'cius Thermus, Bare'a Sora'nus, and Pe'tus Thra'sea, were put to death. The valiant Cor'bulo, who had gained Nero so many victories over the Parthians, followed next. Nor did the empress Poppæ'a herself escape. 21. At length human nature grew weary of bearing her persecutor; and the whole world seemed to rouse, as if by common consent, to rid the earth of a monster.

_Questions for Examination_.

1. What was Nero's conduct at the commencement of his reign?

2. Did this disposition continue?

3. What was there peculiar in his disposition?

4. Were these his greatest faults?

5. Of what heinous crime is he accused?

6. On whom was the odium of this barbarous action cast?

7. What was the consequence to these unhappy men?

8. What eminent persons suffered on this occasion?

9. Did not these cruelties give birth to conspiracies?

10. What persons of note suffered in consequence?

11. Did this defence save his life?

12. Were his exhortations effectual?

13. Relate the circumstances of Seneca's death?

14. Were not other means resorted to?

15. Did not Paulina survive him?

16. Describe the death of Lucan.

17. What other victim of Nero's cruelty deserves mention?

18. What brought him into danger?

19. How did he meet death?

20. Were not other illustrious persons sacrificed?

21. Were these cruelties committed with impunity?