Chapter III: Preface (2)

Save him! aid him! oh, Madonna!
Two are slain if he is slain;
Shield his life, and guard his honour,
Let me not entreat in vain.
Sullenly the brindled savage
Tears and tosses up the sand;
Horns that rend and hoofs that ravage,
How shall man your shock withstand?
On the shaggy neck and head lie
Frothy flakes, the eyeballs redly
Flash, the horns so sharp and deadly
Lower, short, and strong, and straight;
Fast, and furious, and fearless,
Now he charges;--virgin peerless,
Lifting lids, all dry and tearless,
At thy throne I supplicate.

Francesca.

Cool and calm, the perjured varlet
Stands on strongly-planted heel,
In his left a strip of scarlet,
In his right a streak of steel;
Ah! the monster topples over,
Till his haunches strike the plain!--
Low-born clown and lying lover,
Thou hast conquer'd once again.

Nina.

Sweet Madonna, maiden mother,
Thou hast saved him, and no other;
Now the tears I cannot smother,
Tears of joy my vision blind;
Where thou sittest I am gazing,
These glad, misty eyes upraising,
I have pray'd, and I am praising,
Bless thee! bless thee! virgin kind.

Francesca.

While the crowd still sways and surges,
Ere the applauding shouts have ceas'd,
See, the second bull emerges--
'Tis the famed Cordovan beast,--
By the picador ungoaded,
Scathless of the chulo's dart.
Slay him, and with guerdon loaded,
And with honours crown'd depart.
No vain brutish strife he wages,
Never uselessly he rages,
And his cunning, as he ages,
With his hatred seems to grow;
Though he stands amid the cheering,
Sluggish to the eye appearing,
Few will venture on the spearing
Of so resolute a foe.

Nina.

Courage, there is little danger,
Yonder dull-eyed craven seems
Fitter far for stall and manger
Than for scarf and blade that gleams;
Shorter, and of frame less massive,
Than his comrade lying low,
Tame, and cowardly, and passive,--
He will prove a feebler foe.
I have done with doubt and anguish,
Fears like dews in sunshine languish,
Courage, husband, we shall vanquish,
Thou art calm and so am I.
For the rush he has not waited,
On he strides with step elated,
And the steel with blood unsated,
Leaps to end the butchery.

Francesca.

Tyro! mark the brands of battle
On those shoulders dusk and dun,
Such as he is are the cattle
Skill'd tauridors gladly shun;
Warier than the Andalusian,
Swifter far, though not so large,
Think'st thou, to his own confusion,
He, like him, will blindly charge?
Inch by inch the brute advances,
Stealthy yet vindictive glances,
Horns as straight as levell'd lances,
Crouching withers, stooping haunches;--
Closer yet, until the tightening
Strains of rapt excitement height'ning
Grows oppressive. Ha! like lightning
On his enemy he launches.

Nina.

O'er the horn'd front drops the streamer,
In the nape the sharp steel hisses,
Glances, grazes,--Christ! Redeemer!
By a hair the spine he misses.

Francesca.

Hark! that shock like muffled thunder,
Booming from the Pyrenees!
Both are down--the man is under--
Now he struggles to his knees,
Now he sinks, his features leaden
Sharpen rigidly and deaden,
Sands beneath him soak and redden,
Skies above him spin and veer;
Through the doublet torn and riven,
Where the stunted horn was driven,
Wells the life-blood--We are even,
Daughter of the muleteer!

Fauconshawe

[A Ballad]

To fetch clear water out of the spring
The little maid Margaret ran;
From the stream to the castle's western wing
It was but a bowshot span;
On the sedgy brink where the osiers cling
Lay a dead man, pallid and wan.

The lady Mabel rose from her bed,
And walked in the castle hall,
Where the porch through the western turret led
She met with her handmaid small.
"What aileth thee, Margaret?" the lady said,
"Hast let thy pitcher fall?

"Say, what hast thou seen by the streamlet side--
A nymph or a water sprite--
That thou comest with eyes so wild and wide,
And with cheeks so ghostly white?"
"Nor nymph nor sprite," the maiden cried,
"But the corpse of a slaughtered knight."

The lady Mabel summon'd straight
To her presence Sir Hugh de Vere,
Of the guests who tarried within the gate
Of Fauconshawe most dear
Was he to that lady; betrothed in state
They had been since many a year.

"Little Margaret sayeth a dead man lies
By the western spring, Sir Hugh;
I can scarce believe that the maiden lies--
Yet scarce can believe her true."
And the knight replies, "Till we test her eyes
Let her words gain credence due."

Down the rocky path knight and lady led,
While guests and retainers bold
Followed in haste, for like wildfire spread
The news by the maiden told.
They found 'twas even as she had said--
The corpse had some while been cold.

How the spirit had pass'd in the moments last
There was little trace to reveal:
On the still calm face lay no imprint ghast,
Save the angel's solemn seal,
Yet the hands were clench'd in a death-grip fast,
And the sods stamp'd down by the heel.

Sir Hugh by the side of the dead man knelt,
Said, "Full well these features I know,
We have faced each other where blows were dealt,
And he was a stalwart foe;
I had rather have met him hilt to hilt
Than have found him lying low."

He turn'd the body up on its face,
And never a word was spoken,
While he ripp'd the doublet, and tore the lace,
And tugg'd--by the self-same token,--
And strain'd, till he wrench'd it out of its place,
The dagger-blade that was broken.

Then he turned the body over again,
And said, while he rose upright,
"May the brand of Cain, with its withering stain,
On the murderer's forehead light,
For he never was slain on the open plain,
Nor yet in the open fight."

Solemn and stern were the words he spoke,
And he look'd at his lady's men,
But his speech no answering echoes woke,
All were silent there and then,
Till a clear, cold voice the silence broke:--
Lady Mabel cried, "Amen."

His glance met hers, the twain stood hush'd,
With the dead between them there;
But the blood to her snowy temples rush'd
Till it tinged the roots of her hair,
Then paled, but a thin red streak still flush'd
In the midst of her forehead fair.

Four yeomen raised the corpse from the ground,
At a sign from Sir Hugh de Vere;
It was borne to the western turret round,
And laid on a knightly bier,
With never a sob nor a mourning sound,--
No friend to the dead was near.

Yet that night was neither revel nor dance
In the halls of Fauconshawe;
Men looked askance with a doubtful glance
At Sir Hugh, for they stood in awe
Of his prowess, but he, like one in a trance,
Regarded naught that he saw.

* * * * *

Night black and chill, wind gathering still,
With its wail in the turret tall,
And its headlong blast like a catapult cast
On the crest of the outer wall,
And its hail and rain on the crashing pane,
Till the glassy splinters fall.

A moody knight by the fitful light
Of the great hall fire below;
A corpse upstairs, and a woman at prayers,
Will they profit her, aye or no?
By'r lady fain, an' she comfort gain,
There is comfort for us also.

The guests were gone, save Sir Hugh alone,
And he watched the gleams that broke
On the pale hearth-stone, and flickered and shone
On the panels of polish'd oak;
He was 'ware of no presence except his own
Till the voice of young Margaret spoke:

"I've risen, Sir Hugh, at the mirk midnight,
I cannot sleep in my bed,
Now, unless my tale can be told aright,
I wot it were best unsaid;
It lies, the blood of yon northern knight,
On my lady's hand and head."

"Oh! the wild wind raves and rushes along,
But thy ravings seem more wild--
She never could do so foul a wrong--
Yet I blame thee not, my child,
For the fever'd dreams on thy rest that throng!"
He frown'd though his speech was mild.

"Let storm winds eddy, and scream, and hurl
Their wrath, they disturb me naught;
The daughter she of a high-born earl,
No secret of hers I've sought;
I am but the child of a peasant churl,
Yet look to the proofs I've brought;

"This dagger snapp'd so close to the hilt--
Dost remember thy token well?
Will it match with the broken blade that spilt
His life in the western dell?
Nay! read her handwriting an' thou wilt,
From her paramour's breast it fell."

The knight in silence the letter read,
Oh! the characters well he knew!
And his face might have match'd the face of the dead,
So ashen white was its hue!
Then he tore the parchment shred by shred,
And the strips in the flames he threw.

And he muttered, "Densely those shadows fall
In the copse where the alders thicken;
There she bade him come to her, once for all--
Now, I well may shudder and sicken;--
Gramercy! that hand so white and small,
How strongly it must have stricken."

* * * * *

At midnight hour, in the western tower,
Alone with the dead man there,
Lady Mabel kneels, nor heeds nor feels
The shock of the rushing air,
Though the gusts that pass through the riven glass
Have scattered her raven hair.

Across the floor, through the opening door,
Where standeth a stately knight,
The lamplight streams, and flickers, and gleams,
On his features stern and white--
'Tis Sir Hugh de Vere, and he cometh more near,
And the lady standeth upright.

"'Tis little," he said, "that I know or care
Of the guilt (if guilt there be)
That lies 'twixt thee and yon dead man there,
Nor matters it now to me;
I thought thee pure, thou art only fair,
And to-morrow I cross the sea.

"He perish'd! I ask not why or how?
I come to recall my troth;
Take back, my lady, thy broken vow,
Give back my allegiance oath;
Let the past be buried between us now
For ever--'tis best for both.

"Yet, Mabel, I could ask, dost thou dare
Lay hand on that corpse's heart,
And call on thy Maker, and boldly swear,
That thou hadst in his death no part?
I ask not, while threescore proofs I share
With one doubt--uncondemn'd thou art."

Oh! cold and bleak upon Mabel's cheek
Came the blast of the storm-wind keen,
And her tresses black, as the glossy back
Of the raven, glanced between
Her fingers slight, like the ivory white,
As she parted their sable sheen.

Yet with steady lip, and with fearless eye,
And with cheek like the flush of dawn,
Unflinchingly she spoke in reply--
"Go hence with the break of morn,
I will neither confess, nor yet deny,
I will return thee scorn for scorn."

The knight bow'd low as he turn'd to go;
He travell'd by land and sea,
But naught of his future fate I know,
And naught of his fair ladye;
My story is told as, long ago,
My story was told to me.

Rippling Water

The maiden sat by the river side
(The rippling water murmurs by),
And sadly into the clear blue tide
The salt tear fell from her clear blue eye.
"'Tis fixed for better, for worse," she cried,
"And to-morrow the bridegroom claims the bride.
Oh! wealth and power and rank and pride
Can surely peace and happiness buy.
I was merry, nathless, in my girlhood's hours,
'Mid the waving grass when the bright sun shone,
Shall I be as merry in Marmaduke's towers?"
(The rippling water murmurs on).

Stephen works for his daily bread
(The rippling water murmurs low).
Through the crazy thatch that covers his head
The rain-drops fall and the wind-gusts blow.
"I'll mend the old roof-tree," so he said,
"And repair the cottage when we are wed."
And my pulses throbb'd, and my cheek grew red,
When he kiss'd me--that was long ago.
Stephen and I, should we meet again,
Not as we've met in days that are gone,
Will my pulses throb with pleasure or pain?
(The rippling water murmurs on).

Old Giles, the gardener, strok'd my curls
(The rippling water murmurs past),
Quoth he, "In laces and silks and pearls
My child will see her reflection cast;
Now I trust in my heart that your lord will be
Kinder to you than he was to me,
When I lay in the gaol, and my children three,
With their sickly mother, kept bitter fast."
With Marmaduke now my will is law,
Marmaduke's will may be law anon;
Does the sheath of velvet cover the claw?
(The rippling water murmurs on).

Dame Martha patted me on the cheek
(The rippling water murmurs low),
Saying, "There are words that I fain would speak--
Perhaps they were best unspoken though;
I can't persuade you to change your mind,
And useless warnings are scarcely kind,
And I may be foolish as well as blind,
But take my blessing whether or no."
Dame Martha's wise, though her hair is white,
Her sense is good, though her sight is gone--
Can she really be gifted with second sight?
(The rippling water murmurs on).

Brian of Hawksmede came to our cot
(The rippling water murmurs by),
Scatter'd the sods of our garden plot,
Riding his roan horse recklessly;
Trinket and token and tress of hair,
He flung them down at the door-step there,
Said, "Elsie! ask your lord, if you dare,
Who gave him the blow as well as the lie."
That evening I mentioned Brian's name,
And Marmaduke's face grew white and wan,
Am I pledged to one of a spirit so tame?
(The rippling water murmurs on).

Brian is headstrong, rash, and vain
(The rippling water murmurs still),
Stephen is somewhat duller of brain,
Slower of speech, and milder of will;
Stephen must toil a living to gain,
Plough and harrow and gather the grain;
Brian has little enough to maintain
The station in life which he needs must fill;
Both are fearless and kind and frank,
But we can't win all gifts under the sun--
What have I won save riches and rank?
(The rippling water murmurs on).

Riches and rank, and what beside?
(The rippling water murmurs yet),
The mansion is stately, the manor is wide,
Their lord for a while may pamper and pet;
Liveried lackeys may jeer aside,
Though the peasant girl is their master's bride,
At her shyness, mingled with awkward pride,--
'Twere folly for trifles like these to fret;
But the love of one that I cannot love,
Will it last when the gloss of his toy is gone?
Is there naught beyond, below, or above?
(The rippling water murmurs on).

Cui Bono

Oh! wind that whistles o'er thorns and thistles,
Of this fruitful earth like a goblin elf;
Why should he labour to help his neighbour
Who feels too reckless to help himself?
The wail of the breeze in the bending trees
Is something between a laugh and a groan;
And the hollow roar of the surf on the shore
Is a dull, discordant monotone;
I wish I could guess what sense they express,
There's a meaning, doubtless, in every sound,
Yet no one can tell, and it may be as well--
Whom would it profit?--The world goes round!

On this earth so rough we know quite enough,
And, I sometimes fancy, a little too much;
The sage may be wiser than clown or than kaiser,
Is he more to be envied for being such?
Neither more nor less, in his idleness
The sage is doom'd to vexation sure;
The kaiser may rule, but the slippery stool,
That he calls his throne, is no sinecure;
And as for the clown, you may give him a crown,
Maybe he'll thank you, and maybe not,
And before you can wink he may spend it in drink--
To whom does it profit?--We ripe and rot!

Yet under the sun much work is done
By clown and kaiser, by serf and sage;
All sow and some reap, and few gather the heap
Of the garner'd grain of a by-gone age.
By sea or by soil man is bound to toil,
And the dreamer, waiting for time and tide,
For awhile may shirk his share of the work,
But he grows with his dream dissatisfied;
He may climb to the edge of the beetling ledge,
Where the loose crag topples and well-nigh reels
'Neath the lashing gale, but the tonic will fail--
What does it profit?--Wheels within wheels!

Aye! work we must, or with idlers rust,
And eat we must our bodies to nurse;
Some folk grow fatter--what does it matter?
I'm blest if I do--quite the reverse;
'Tis a weary round to which we are bound,
The same thing over and over again;
Much toil and trouble, and a glittering bubble,
That rises and bursts, is the best we gain;
And we murmur, and yet 'tis certain we get
What good we deserve--can we hope for more?--
They are roaring, those waves, in their echoing caves--
To whom do they profit?--Let them roar!

Bellona

Thou art moulded in marble impassive,
False goddess, fair statue of strife,
Yet standest on pedestal massive,
A symbol and token of life.
Thou art still, not with stillness of languor,
And calm, not with calm boding rest;
For thine is all wrath and all anger
That throbs far and near in the breast
Of man, by thy presence possess'd.

With the brow of a fallen archangel,
The lips of a beautiful fiend,
And locks that are snake-like to strangle,
And eyes from whose depths may be glean'd
The presence of passions, that tremble
Unbidden, yet shine as they may
Through features too proud to dissemble,
Too cold and too calm to betray
Their secrets to creatures of clay.

Thy breath stirreth faction and party,
Men rise, and no voice can avail
To stay them--rose-tinted Astarte
Herself at thy presence turns pale.
For deeper and richer the crimson
That gathers behind thee throws forth
A halo thy raiment and limbs on,
And leaves a red track in the path
That flows from thy wine-press of wrath.

For behind thee red rivulets trickle,
Men fall by thy hands swift and lithe,
As corn falleth down to the sickle,
As grass falleth down to the scythe,
Thine arm, strong and cruel, and shapely,
Lifts high the sharp, pitiless lance,
And rapine and ruin and rape lie
Around thee. The Furies advance,
And Ares awakes from his trance.

We, too, with our bodies thus weakly,
With hearts hard and dangerous, thus
We owe thee--the saints suffered meekly
Their wrongs--it is not so with us.
Some share of thy strength thou hast given
To mortals refusing in vain
Thine aid. We have suffered and striven
Till we have grown reckless of pain,
Though feeble of heart and of brain.

Fair spirit, alluring if wicked,
False deity, terribly real,
Our senses are trapp'd, our souls tricked
By thee and thy hollow ideal.
The soldier who falls in his harness,
And strikes his last stroke with slack hand,
On his dead face thy wrath and thy scorn is
Imprinted. Oh! seeks he a land
Where he shall escape thy command?

When the blood of thy victims lies red on
That stricken field, fiercest and last,
In the sunset that gilds Armageddon
With battle-drift still overcast--
When the smoke of thy hot conflagrations
O'ershadows the earth as with wings,
Where nations have fought against nations,
And kings have encounter'd with kings,
When cometh the end of all things--

Then those who have patiently waited,
And borne, unresisting, the pain
Of thy vengeance unglutted, unsated,
Shall they be rewarded again?
Then those who, enticed by thy laurels,
Or urged by thy promptings unblest,
Have striven and stricken in quarrels,
Shall they, too, find pardon and rest?
We know not, yet hope for the best.

The Song of the Surf

White steeds of ocean, that leap with a hollow and wearisome roar
On the bar of ironstone steep, not a fathom's length from the shore,
Is there never a seer nor sophist can interpret your wild refrain,
When speech the harshest and roughest is seldom studied in vain?
My ears are constantly smitten by that dreary monotone,
In a hieroglyphic 'tis written--'tis spoken in a tongue unknown;
Gathering, growing, and swelling, and surging, and shivering, say!
What is the tale you are telling? What is the drift of your lay?

You come, and your crests are hoary with the foam of your countless
years;
You break, with a rainbow of glory,
through the spray of your glittering tears.
Is your song a song of gladness? a paean of joyous might?
Or a wail of discordant sadness for the wrongs you never can right?
For the empty seat by the ingle? for children 'reft of their sire?
For the bride sitting sad, and single, and pale, by the flickering fire?
For your ravenous pools of suction? for your shattering billow swell?
For your ceaseless work of destruction? for your hunger insatiable?

Not far from this very place, on the sand and the shingle dry,
He lay, with his batter'd face upturned to the frowning sky.
When your waters wash'd and swill'd high over his drowning head,
When his nostrils and lungs were filled,
when his feet and hands were as lead,
When against the rock he was hurl'd, and suck'd again to the sea,
On the shores of another world, on the brink of eternity,
On the verge of annihilation, did it come to that swimmer strong,
The sudden interpretation of your mystical, weird-like song?

"Mortal! that which thou askest, ask not thou of the waves;
Fool! thou foolishly taskest us--we are only slaves;
Might, more mighty, impels us--we must our lot fulfil,
He who gathers and swells us curbs us, too, at His will.
Think'st thou the wave that shatters questioneth His decree?
Little to us it matters, and naught it matters to thee.
Not thus, murmuring idly, we from our duty would swerve,
Over the world spread widely ever we labour and serve."

Whisperings in Wattle-Boughs

Oh, gaily sings the bird! and the wattle-boughs are stirr'd
And rustled by the scented breath of spring;
Oh, the dreary wistful longing! Oh, the faces that are thronging!
Oh, the voices that are vaguely whispering!

Oh, tell me, father mine, ere the good ship cross'd the brine,
On the gangway one mute hand-grip we exchang'd;
Do you, past the grave, employ, for your stubborn, reckless boy,
Those petitions that in life were ne'er estranged?

Oh, tell me, sister dear, parting word and parting tear
Never pass'd between us;--let me bear the blame,
Are you living, girl, or dead? bitter tears since then I've shed
For the lips that lisp'd with mine a mother's name.

Oh, tell me, ancient friend, ever ready to defend,
In our boyhood, at the base of life's long hill,
Are you waking yet or sleeping? have you left this vale of weeping?
Or do you, like your comrade, linger still?

Oh, whisper, buried love, is there rest and peace above?--
There is little hope or comfort here below;
On your sweet face lies the mould, and your bed is straight and cold--
Near the harbour where the sea-tides ebb and flow.

* * * * *

All silent--they are dumb--and the breezes go and come
With an apathy that mocks at man's distress;
Laugh, scoffer, while you may! I could bow me down and pray
For an answer that might stay my bitterness.

Oh, harshly screams the bird! and the wattle-bloom is stirr'd;
There's a sullen, weird-like whisper in the bough:
"Aye, kneel, and pray, and weep, but HIS BELOVED SLEEP
CAN NEVER BE DISTURB'D BY SUCH AS THOU!!"

Confiteor

The shore-boat lies in the morning light,
By the good ship ready for sailing;
The skies are clear, and the dawn is bright,
Tho' the bar of the bay is fleck'd with white,
And the wind is fitfully wailing;
Near the tiller stands the priest, and the knight
Leans over the quarter-railing.

"There is time while the vessel tarries still,
There is time while her shrouds are slack,
There is time ere her sails to the west wind fill,
Ere her tall masts vanish from town and from hill,
Ere cleaves to her keel the track:
There is time for confession to those who will,
To those who may never come back."

"Sir priest, you can shrive these men of mine,
And, I pray you, shrive them fast,
And shrive those hardy sons of the brine,
Captain and mates of the EGLANTINE,
And sailors before the mast;
Then pledge me a cup of the Cyprus wine,
For I fain would bury the past."

"And hast thou naught to repent, my son?
Dost thou scorn confession and shrift?
Ere thy sands from the glass of time shall run
Is there naught undone that thou should'st have done,
Naught done that thou should'st have left?
The guiltiest soul may from guilt be won,
And the stoniest heart may be cleft."

"Have my ears been closed to the prayer of the poor,
Or deaf to the cry of distress?
Have I given little, and taken more?
Have I brought a curse to the widow's door?
Have I wrong'd the fatherless?
Have I steep'd my fingers in guiltless gore,
That I must perforce confess?"

"Have thy steps been guided by purity
Through the paths with wickedness rife?
Hast thou never smitten thine enemy?
Hast thou yielded naught to the lust of the eye,
And naught to the pride of life?
Hast thou pass'd all snares of pleasure by?
Hast thou shunn'd all wrath and strife?"

"Nay, certes! a sinful life I've led,
Yet I've suffered, and lived in hope;
I may suffer still, but my hope has fled,--
I've nothing now to hope or to dread,
And with fate I can fairly cope;
Were the waters closing over my head,
I should scarcely catch at a rope."

"Dost suffer? thy pain may be fraught with grace,
Since never by works alone
We are saved;--the penitent thief may trace
The wealth of love in the Saviour's face
To the Pharisee rarely shown;
And the Magdalene's arms may yet embrace
The foot of the jasper throne."

"Sir priest, a heavier doom I dree,
For I feel no quickening pain,
But a dull, dumb weight when I bow my knee,
And (not with the words of the Pharisee)
My hard eyes heavenward strain,
Where my dead darling prayeth for me!
Now, I wot, she prayeth in vain!

"Still I hear it over the battle's din,
And over the festive cheer,--
So she pray'd with clasp'd hands, white and thin,--
The prayer of a soul absolved from sin,
For a soul that is dark and drear,
For the light of repentance bursting in,
And the flood of the blinding tear.

"Say, priest! when the saint must vainly plead,
Oh! how shall the sinner fare?
I hold your comfort a broken reed;
Let the wither'd branch for itself take heed,
While the green shoots wait your care;
I've striven, though feebly, to grasp your creed,
And I've grappled my own despair."

"By the little within thee, good and brave,
Not wholly shattered, though shaken;
By the soul that crieth beyond the grave,
The love that He once in His mercy gave,
In His mercy since retaken,
I conjure thee, oh! sinner, pardon crave,
I implore thee, oh! sleeper, waken!"

"Go to! shall I lay my black soul bare
To a vain, self-righteous man?
In my sin, in my sorrow, you may not share,
And yet could I meet with one who must bear
The load of an equal ban,
With him I might strive to blend one prayer,
The wail of the Publican."

"My son, I, too, am a withered bough,
My place is to others given;
Thou hast sinn'd, thou sayest; I ask not how,
For I, too, have sinn'd, even as thou,
And I, too, have feebly striven,
And with thee I must bow, crying, 'Shrive us now!
Our Father which art in heaven!'"

Sunlight on the Sea

[The Philosophy of a Feast]

Make merry, comrades, eat and drink
(The sunlight flickers on the sea),
The garlands gleam, the glasses clink,
The grape juice mantles fair and free,
The lamps are trimm'd, although the light
Of day still lingers on the sky;
We sit between the day and night,
And push the wine flask merrily.
I see you feasting round me still,
All gay of heart and strong of limb;
Make merry, friends, your glasses fill,
The lights are growing dim.

I miss the voice of one I've heard
(The sunlight sinks upon the sea),
He sang as blythe as any bird,
And shook the rafters with his glee;
But times have changed with him, I wot,
By fickle fortune cross'd and flung;
Far stouter heart than mine he's got
If now he sings as then he sung.
Yet some must swim when others sink,
And some must sink when others swim;
Make merry, comrades, eat and drink,
The lights are growing dim.

I miss the face of one I've loved
(The sunlight settles on the sea)--
Long since to distant climes he roved,
He had his faults, and so have we;
His name was mentioned here this day,
And it was coupled with a sneer;
I heard, nor had I aught to say,
Though once I held his memory dear.
Who cares, 'mid wines and fruits and flowers,
Though death or danger compass him;
He had his faults, and we have ours,
The lights are growing dim.

I miss the form of one I know
(The sunlight wanes upon the sea)--
'Tis not so very long ago,
We drank his health with three-times-three,
And we were gay when he was here;
And he is gone, and we are gay.
Where has he gone? or far or near?
Good sooth, 'twere somewhat hard to say.
You glance aside, you doubtless think
My homily a foolish whim,
'Twill soon be ended, eat and drink,
The lights are growing dim.

The fruit is ripe, the wine is red
(The sunlight fades upon the sea);
To us the absent are the dead,
The dead to us must absent be.
We, too, the absent ranks must join;
And friends will censure and forget:
There's metal base in every coin;
Men vanish, leaving traces yet
Of evil and of good behind,
Since false notes taint the skylark's hymn,
And dross still lurks in gold refined--
The lights are growing dim.

We eat and drink or e'er we die
(The sunlight flushes on the sea).
Three hundred soldiers feasted high
An hour before Thermopylae;
Leonidas pour'd out the wine,
And shouted ere he drain'd the cup,
"Ho! comrades, let us gaily dine--
This night with Pluto we shall sup";
And if they leant upon a reed,
And if their reed was slight and slim,
There's something good in Spartan creed--
The lights are growing dim.

Make merry, comrades, eat and drink
(The sunlight flashes on the sea);
My spirit is rejoiced to think
That even as they were so are we;
For they, like us, were mortals vain,
The slaves to earthly passions wild,
Who slept with heaps of Persians slain
For winding-sheets around them piled.
The dead man's deeds are living still--
My Festive speech is somewhat grim--
Their good obliterates their ill--
The lights are growing dim.

We eat and drink, we come and go
(The sunlight dies upon the open sea).
I speak in riddles. Is it so?
My riddles need not mar your glee;
For I will neither bid you share
My thoughts, nor will I bid you shun,
Though I should see in yonder chair
Th' Egyptian's muffled skeleton.
One toast with me your glasses fill,
Aye, fill them level with the brim,
De mortuis, nisi bonum, nil!
The lights are growing dim.

Delilah

[From a Picture]

The sun has gone down, spreading wide on
The sky-line one ray of red fire;
Prepare the soft cushions of Sidon,
Make ready the rich loom of Tyre.
The day, with its toil and its sorrow,
Its shade, and its sunshine, at length
Has ended; dost fear for the morrow,
Strong man, in the pride of thy strength?

Like fire-flies, heavenward clinging,
They multiply, star upon star;
And the breeze a low murmur is bringing
From the tents of my people afar.
Nay, frown not, I am but a Pagan,
Yet little for these things I care;
'Tis the hymn to our deity Dagon
That comes with the pleasant night air.

It shall not disturb thee, nor can it;
See, closed are the curtains, the lights
Gleam down on the cloven pomegranate,
Whose thirst-slaking nectar invites;
The red wine of Hebron glows brightly
In yon goblet--the draught of a king;
And through the silk awning steals lightly
The sweet song my handmaidens sing.

Dost think that thy God, in His anger,
Will trifle with nature's great laws,
And slacken those sinews in languor
That battled so well in His cause?
Will He take back that strength He has given,
Because to the pleasures of youth
Thou yieldest? Nay, Godlike, in heaven,
He laughs at such follies, forsooth.

Oh! were I, for good or for evil,
As great and as gifted as thou,
Neither God should restrain me, nor devil,
To none like a slave would I bow.
If fate must indeed overtake thee,
And feebleness come to thy clay,
Pause not till thy strength shall forsake thee,
Enjoy it the more in thy day.

Oh, fork'd-tongue of adder, by her pent
In smooth lips!--oh, Sybarite blind!
Oh, woman allied to the serpent!
Oh, beauty with venom combined!
Oh, might overcoming the mighty!
Oh, glory departing! oh, shame!
Oh, altar of false Aphrodite,
What strength is consumed in thy flame!

Strong chest, where her drapery rustles,
Strong limbs by her black tresses hid!
Not alone by the might of your muscles
Yon lion was rent like a kid!
The valour from virtue that sunders,
Is 'reft of its nobler part;
And Lancelot's arm may work wonders,
But braver is Galahad's heart.

Sleep sound on that breast fair and ample;
Dull brain, and dim eyes, and deaf ears,
Feel not the cold touch on your temple,
Heed not the faint clash of the shears.
It comes!--with the gleam of the lamps on
The curtains--that voice--does it jar
On thy soul in the night-watch? Ho! Samson,
Upon thee the Philistines are.

From Lightning and Tempest

The spring-wind pass'd through the forest, and whispered low in the leaves,
And the cedar toss'd her head, and the oak stood firm in his pride;
The spring-wind pass'd through the town,
through the housetops, casements, and eaves,
And whisper'd low in the hearts of the men, and the men replied,
Singing--"Let us rejoice in the light
Of our glory, and beauty, and might;
Let us follow our own devices, and foster our own desires.
As firm as our oaks in our pride, as our cedars fair in our sight,
We stand like the trees of the forest
that brave the frosts and the fires."

The storm went forth to the forest, the plague went forth to the town,
And the men fell down to the plague, as the trees fell down to the gale;
And their bloom was a ghastly pallor, and their smile was a ghastly frown,
And the song of their hearts was changed to a wild, disconsolate wail,
Crying--"God! we have sinn'd, we have sinn'd,
We are bruis'd, we are shorn, we are thinn'd,
Our strength is turn'd to derision, our pride laid low in the dust,
Our cedars are cleft by Thy lightnings, our oaks are strew'd by Thy wind,
And we fall on our faces seeking Thine aid, though Thy wrath is just."

Wormwood and Nightshade

The troubles of life are many,
The pleasures of life are few;
When we sat in the sunlight, Annie,
I dreamt that the skies were blue--
When we sat in the sunlight, Annie,
I dreamt that the earth was green;
There is little colour, if any,
'Neath the sunlight now to be seen.

Then the rays of the sunset glinted
Through the blackwoods' emerald bough
On an emerald sward, rose-tinted,
And spangled, and gemm'd;--and now
The rays of the sunset redden
With a sullen and lurid frown,
From the skies that are dark and leaden,
To earth that is dusk and brown.

To right and to left extended
The uplands are blank and drear,
And their neutral tints are blended
With the dead leaves sombre and sere;
The cold grey mist from the still side
Of the lake creeps sluggish and sure,
Bare and bleak is the hill-side,
Barren and bleak the moor.

Bright hues and shapes intertwisted,
Fair forms and rich colours;--now
They have flown--if e'er they existed--
It matters not why or how.
It matters not where or when, dear,
They have flown, the blue and the green,
I thought on what might be then, dear,
Now I think on what might have been.

What might have been!--words of folly;
What might be!--speech for a fool;
With mistletoe round me, and holly,
Scarlet and green, at Yule.
With the elm in the place of the wattle,
And in lieu of the gum, the oak,
Years back I believed a little,
And as I believed I spoke.

Have I done with those childish fancies?
They suited the days gone by,
When I pulled the poppies and pansies,
When I hunted the butterfly,
With one who has long been sleeping,
A stranger to doubts and cares,
And to sowing that ends in reaping
Thistles, and thorns, and tares.

What might be!--the dreams were scatter'd,
As chaff is toss'd by the wind,
The faith has been rudely shattered
That listen'd with credence blind;
Things were to have been, and therefore
They were, and they are to be,
And will be;--we must prepare for
The doom we are bound to dree.

Ah, me! we believe in evil,
Where once we believed in good,
The world, the flesh, and the devil
Are easily understood;
The world, the flesh, and the devil
Their traces on earth are plain;
Must they always riot and revel
While footprints of man remain?

Talk about better and wiser,
Wiser and worse are one,
The sophist is the despiser
Of all things under the sun;
Is nothing real but confusion?
Is nothing certain but death?
Is nothing fair save illusion?
Is nothing good that has breath?

Some sprite, malignant and elfish,
Seems present whispering close,
"All motives of life are selfish,
All instincts of life are gross;
And the song that the poet fashions,
And the love-bird's musical strain,
Are jumbles of animal passions,
Refined by animal pain."

The restless throbbings and burnings
That hope unsatisfied brings,
The weary longings and yearnings
For the mystical better things,
Are the sands on which is reflected
The pitiless moving lake,
Where the wanderer falls dejected,
By a thirst he never can slake.

A child blows bubbles that glitter,
He snatches them, they disperse;
Yet childhood's folly is better,
And manhood's folly is worse;
Gilt baubles we grasp at blindly
Would turn in our hands to dross;
'Tis a fate less cruel than kindly
Denies the gain and the loss.

And as one who pursues a shadow,
As one who hunts in a dream,
As the child who crosses the meadow,
Enticed by the rainbow's gleam,
I--knowing the course was foolish,
And guessing the goal was pain,
Stupid, and stubborn, and mulish--
Followed and follow again.

The sun over Gideon halted,
Holding aloof the night,
When Joshua's arm was exalted,
Yet never retraced his flight;
Nor will he turn back, nor can he,
He chases the future fast;
The future is blank--oh, Annie!
I fain would recall the past.

There are others toiling and straining
'Neath burdens graver than mine--
They are weary, yet uncomplaining--
I know it, yet I repine;
I know it, how time will ravage,
How time will level, and yet
I long with a longing savage,
I regret with a fierce regret.

You are no false ideal,
Something is left of you,
Present, perceptible, real,
Palpable, tangible, true;
One shred of your broken necklace,
One tress of your pale, gold hair,
And a heart so utterly reckless,
That the worst it would gladly dare.

There is little pleasure, if any,
In waking the past anew;
My days and nights have been many;
Lost chances many I rue--
My days and nights have been many;
Now I pray that they be few,
When I think on the hill-side, Annie,
Where I dreamt that the skies were blue.

Ars Longa

[A Song of Pilgrimage]

Our hopes are wild imaginings,
Our schemes are airy castles,
Yet these, on earth, are lords and kings,
And we their slaves and vassals;
Your dream, forsooth, of buoyant youth,
Most ready to deceive is;
But age will own the bitter truth,
"Ars longa, vita brevis."

The hill of life with eager feet
We climbed in merry morning,
But on the downward track we meet
The shades of twilight warning;
The shadows gaunt they fall aslant,
And those who scaled Ben Nevis,
Against the mole-hills toil and pant,
"Ars longa, vita brevis."

The obstacles that barr'd our path
We seldom quail'd to dash on
In youth, for youth one motto hath,
"The will, the way must fashion."
Those words, I wot, blood thick and hot,
Too ready to believe is,
But thin and cold our blood hath got,
"Ars longa, vita brevis."

And "art is long", and "life is short",
And man is slow at learning;
And yet by divers dealings taught,
For divers follies yearning,
He owns at last, with grief downcast
(For man disposed to grieve is)--
One adage old stands true and fast,
"Ars longa, vita brevis."

We journey, manhood, youth, and age,
The matron, and the maiden,
Like pilgrims on a pilgrimage,
Loins girded, heavy laden:--
Each pilgrim strong, who joins our throng,
Most eager to achieve is,
Foredoom'd ere long to swell the song,
"Ars longa, vita brevis."

At morn, with staff and sandal-shoon,
We travel brisk and cheery,
But some have laid them down ere noon,
And all at eve are weary;
The noontide glows with no repose,
And bitter chill the eve is,
The grasshopper a burden grows,
"Ars longa, vita brevis."

The staff is snapp'd, the sandal fray'd,
The flint-stone galls and blisters,
Our brother's steps we cannot aid,
Ah me! nor aid our sister's:
The pit prepares its hidden snares,
The rock prepared to cleave is,
We cry, in falling unawares,
"Ars longa, vita brevis."

Oh! Wisdom, which we sought to win!
Oh! Strength, in which we trusted!
Oh! Glory, which we gloried in!
Oh! puppets we adjusted!
On barren land our seed is sand,
And torn the web we weave is,
The bruised reed hath pierced the hand,
"Ars longa, vita brevis."

We, too, "Job's comforters" have met,
With steps, like ours, unsteady,
They could not help themselves, and yet
To judge us they were ready;
Life's path is trod at last, and God
More ready to reprieve is,
They know who rest beneath the sod,
"Mors gratum, vita brevis."

The Last Leap

All is over! fleet career,
Dash of greyhound slipping thongs,
Flight of falcon, bound of deer,
Mad hoof-thunder in our rear,
Cold air rushing up our lungs,
Din of many tongues.

Once again, one struggle good,
One vain effort;--he must dwell
Near the shifted post, that stood
Where the splinters of the wood,
Lying in the torn tracks, tell
How he struck and fell.

Crest where cold drops beaded cling,
Small ear drooping, nostril full,
Glazing to a scarlet ring,
Flanks and haunches quivering,
Sinews stiff'ning, void and null,
Dumb eyes sorrowful.

Satin coat that seems to shine
Duller now, black braided tress,
That a softer hand than mine
Far away was wont to twine,
That in meadows far from this
Softer lips might kiss.

All is over! this is death,
And I stand to watch thee die,
Brave old horse! with 'bated breath
Hardly drawn through tight-clenched teeth,
Lip indented deep, but eye
Only dull and dry.

Musing on the husk and chaff
Gather'd where life's tares are sown,
Thus I speak, and force a laugh
That is half a sneer and half
An involuntary groan,
In a stifled tone--

"Rest, old friend! thy day, though rife
With its toil, hath ended soon;
We have had our share of strife,
Tumblers in the mask of life,
In the pantomime of noon
Clown and pantaloon.

"With the flash that ends thy pain
Respite and oblivion blest
Come to greet thee. I in vain
Fall: I rise to fall again:
Thou hast fallen to thy rest--
And thy fall is best!"

Quare Fatigasti

Two years ago I was thinking
On the changes that years bring forth;
Now I stand where I then stood drinking
The gust and the salt sea froth;
And the shuddering wave strikes, linking
With the waves subsiding and sinking,
And clots the coast herbage, shrinking,
With the hue of the white cere-cloth.

Is there aught worth losing or keeping?
The bitters or sweets men quaff?
The sowing or the doubtful reaping?
The harvest of grain or chaff?
Or squandering days or heaping,
Or waking seasons or sleeping,
The laughter that dries the weeping,
Or the weeping that drowns the laugh?

For joys wax dim and woes deaden,
We forget the sorrowful biers,
And the garlands glad that have fled in
The merciful march of years;
And the sunny skies, and the leaden,
And the faces that pale or redden,
And the smiles that lovers are wed in
Who are born and buried in tears.

And the myrtle bloom turns hoary,
And the blush of the rose decays,
And sodden with sweat and gory
Are the hard won laurels and bays;
We are neither joyous nor sorry
When time has ended our story,
And blotted out grief and glory,
And pain, and pleasure, and praise.

Weigh justly, throw good and bad in
The scales, will the balance veer
With the joys or the sorrows had in
The sum of a life's career?
In the end, spite of dreams that sadden
The sad or the sanguine madden,
There is nothing to grieve or gladden,
There is nothing to hope or fear.

"Thou hast gone astray," quoth the preacher,
"In the gall of thy bitterness,"
Thou hast taught me in vain, oh, teacher!
I neither blame thee nor bless;
If bitter is sure and sweet sure,
These vanish with form and feature--
Can the creature fathom the creature,
Whose Creator is fathomless?

Is this dry land sure? Is the sea sure?
Is there aught that shall long remain,
Pain, or peril, or pleasure,
Pleasure, or peril, or pain?
Shall we labour or take our leisure,
And who shall inherit treasure,
If the measure with which we measure
Is meted to us again?

I am slow in learning and swift in
Forgetting, and I have grown
So weary with long sand sifting;
T'wards the mist where the breakers moan
The rudderless bark is drifting,
Through the shoals and the quicksands shifting--
In the end shall the night-rack lifting,
Discover the shores unknown?

HIPPODROMANIA; OR, WHIFFS FROM THE PIPE

In Five Parts