Chapter I: WATCHED you saunter down the sand

Serene and large, the golden weather
Flowed radiant round your peacock feather,
And glistered from your jewelled hand.
Your tawny hair, turned strand on strand
And bound with blue ribands together,
Streaked the rough tartan, green like heather,
That round your lissome shoulder spanned.
Your grace was quick my sense to seize:
The quaint looped hat, the twisted tresses,
The close-drawn scarf, and under these
The flowing, flapping draperies—
My thought an outline still caresses,
Enchanting, comic, Japanese!

CROLUIS

_To_ G. W.

THE beach was crowded. Pausing now and then,
He groped and fiddled doggedly along,
His worn face glaring on the thoughtless throng
The stony peevishness of sightless men.
He seemed scarce older than his clothes. Again,
Grotesquing thinly many an old sweet song,
So cracked his fiddle, his hand so frail and wrong,
You hardly could distinguish one in ten.
He stopped at last, and sat him on the sand,
And, grasping wearily his bread-winner,
Stared dim towards the blue immensity,
Then leaned his head upon his poor old hand.
He may have slept: he did not speak nor stir:
His gesture spoke a vast despondency.

ATTADALE WEST HIGHLANDS

_To_ A. J.

A BLACK and glassy float, opaque and still,
The loch, at furthest ebb supine in sleep,
Reversing, mirrored in its luminous deep
The calm grey skies; the solemn spurs of hill;
Heather, and corn, and wisps of loitering haze;
The wee white cots, black-hatted, plumed with smoke;
The braes beyond—and when the ripple awoke,
They wavered with the jarred and wavering glaze.
The air was hushed and dreamy. Evermore
A noise of running water whispered near.
A straggling crow called high and thin. A bird
Trilled from the birch-leaves. Round the shingled shore,
Yellow with weed, there wandered, vague and clear,
Strange vowels, mysterious gutturals, idly heard.

FROM A WINDOW IN PRINCES STREET

_To_ M. M. M‘B.

ABOVE the Crags that fade and gloom
Starts the bare knee of Arthur’s Seat;
Ridged high against the evening bloom,
The Old Town rises, street on street;
With lamps bejewelled, straight ahead,
Like rampired walls the houses lean,
All spired and domed and turreted,
Sheer to the valley’s darkling green;
Ranged in mysterious disarray,
The Castle, menacing and austere,
Looms through the lingering last of day;
And in the silver dusk you hear,
Reverberated from crag and scar,
Bold bugles blowing points of war.

IN THE DIALS

TO _Garryowen_ upon an organ ground
Two girls are jigging. Riotously they trip,
With eyes aflame, quick bosoms, hand on hip,
As in the tumult of a witches’ round.
Youngsters and youngsters round them prance and bound.
Two solemn babes twirl ponderously, and skip.
The artist’s teeth gleam from his bearded lip.
High from the kennel howls a tortured hound.
The music reels and hurtles, and the night
Is full of stinks and cries; a naphtha-light
Flares from a barrow; battered and obtused
With vices, wrinkles, life and work and rags,
Each with her inch of clay, two loitering hags
Look on dispassionate—critical—something ’mused.

THE GODS ARE DEAD

THE gods are dead? Perhaps they are! Who knows?
Living at least in Lemprière undeleted,
The wise, the fair, the awful, the jocose,
Are one and all, I like to think, retreated
In some still land of lilacs and the rose.

Once higeh they sat, and high o’er earthly shows
With sacrificial dance and song were greeted.
Once . . . long ago. But now, the story goes,
The gods are dead.

It must be true. The world, a world of prose,
Full-crammed with facts, in science swathed and sheeted,
Nods in a stertorous after-dinner doze!
Plangent and sad, in every wind that blows
Who will may hear the sorry words repeated:—
‘The Gods are Dead!’

_To_ F. W.

LET us be drunk, and for a while forget,
Forget, and, ceasing even from regret,
Live without reason and despite of rhyme,
As in a dream preposterous and sublime,
Where place and hour and means for once are met.

Where is the use of effort? Love and debt
And disappointment have us in a net.
Let us break out, and taste the morning prime . . .
Let us be drunk.

In vain our little hour we strut and fret,
And mouth our wretched parts as for a bet:
We cannot please the tragicaster Time.
To gain the crystal sphere, the silver dime,
Where Sympathy sits dimpling on us yet,
Let us be drunk!

WHEN YOU ARE OLD

WHEN you are old, and I am passed away—
Passed, and your face, your golden face, is gray—
I think, whate’er the end, this dream of mine,
Comforting you, a friendly star will shine
Down the dim slope where still you stumble and stray.

So may it be: that so dead Yesterday,
No sad-eyed ghost but generous and gay,
May serve you memories like almighty wine,
When you are old!

Dear Heart, it shall be so. Under the sway
Of death the past’s enormous disarray
Lies hushed and dark. Yet though there come no sign,
Live on well pleased: immortal and divine
Love shall still tend you, as God’s angels may,
When you are old.

BESIDE THE IDLE SUMMER SEA

BESIDE the idle summer sea
And in the vacant summer days,
Light Love came fluting down the ways,
Where you were loitering with me.

Who has not welcomed, even as we,
That jocund minstrel and his lays
Beside the idle summer sea
And in the vacant summer days?

We listened, we were fancy-free;
And lo! in terror and amaze
We stood alone—alone at gaze
With an implacable memory
Beside the idle summer sea.

I. M. R. G. C. B. 1878

THE ways of Death are soothing and serene,
And all the words of Death are grave and sweet.
From camp and church, the fireside and the street,
She beckons forth—and strife and song have been.

A summer night descending cool and green
And dark on daytime’s dust and stress and heat,
The ways of Death are soothing and serene,
And all the words of Death are grave and sweet.

O glad and sorrowful, with triumphant mien
And radiant faces look upon, and greet
This last of all your lovers, and to meet
Her kiss, the Comforter’s, your spirit lean . . .
The ways of Death are soothing and serene.

WE SHALL SURELY DIE

WE shall surely die:
Must we needs grow old?
Grow old and cold,
And we know not why?

O, the By-and-By,
And the tale that’s told!
We shall surely die:
Must we needs grow old?

Grow old and sigh,
Grudge and withhold,
Resent and scold? . . .
Not you and I?
We shall surely die!

WHAT IS TO COME

WHAT is to come we know not. But we know
That what has been was good—was good to show,
Better to hide, and best of all to bear.
We are the masters of the days that were:
We have lived, we have loved, we have suffered . . . even so.

Shall we not take the ebb who had the flow?
Life was our friend. Now, if it be our foe—
Dear, though it spoil and break us!—need we care
What is to come?

Let the great winds their worst and wildest blow,
Or the gold weather round us mellow slow:
We have fulfilled ourselves, and we can dare
And we can conquer, though we may not share
In the rich quiet of the afterglow
What is to come.

ECHOES

1872–1889

_Aquí está encerrada el alma del licenciado Pedro Garcías_.

GIL BLAS _AU LECTEUR_.

I TO MY MOTHER

CHIMING a dream by the way
With ocean’s rapture and roar,
I met a maiden to-day
Walking alone on the shore:
Walking in maiden wise,
Modest and kind and fair,
The freshness of spring in her eyes
And the fulness of spring in her hair.

Cloud-shadow and scudding sun-burst
Were swift on the floor of the sea,
And a mad wind was romping its worst,
But what was their magic to me?
Or the charm of the midsummer skies?
I only saw she was there,
A dream of the sea in her eyes
And the kiss of the sea in her hair.

I watched her vanish in space;
She came where I walked no more;
But something had passed of her grace
To the spell of the wave and the shore;
And now, as the glad stars rise,
She comes to me, rosy and rare,
The delight of the wind in her eyes
And the hand of the wind in her hair.

1872

II

LIFE is bitter. All the faces of the years,
Young and old, are grey with travail and with tears.
Must we only wake to toil, to tire, to weep?
In the sun, among the leaves, upon the flowers,
Slumber stills to dreamy death the heavy hours . . .
Let me sleep.

Riches won but mock the old, unable years;
Fame’s a pearl that hides beneath a sea of tears;
Love must wither, or must live alone and weep.
In the sunshine, through the leaves, across the flowers,
While we slumber, death approaches though the hours! . . .
Let me sleep.

1872

III

O, GATHER me the rose, the rose,
While yet in flower we find it,
For summer smiles, but summer goes,
And winter waits behind it!

For with the dream foregone, foregone,
The deed forborne for ever,
The worm, regret, will canker on,
And Time will turn him never.

So well it were to love, my love,
And cheat of any laughter
The fate beneath us and above,
The dark before and after.

The myrtle and the rose, the rose,
The sunshine and the swallow,
The dream that comes, the wish that goes,
The memories that follow!

1874

IV I. M. R. T. HAMILTON BRUCE (1846–1899)

OUT of the night that covers me,
Black as the Pit from pole to pole,
I thank whatever gods may be
For my unconquerable soul.

In the fell clutch of circumstance
I have not winced nor cried aloud.
Under the bludgeonings of chance
My head is bloody, but unbowed.

Beyond this place of wrath and tears
Looms but the Horror of the shade,
And yet the menace of the years
Finds, and shall find, me unafraid.

It matters not how strait the gate,
How charged with punishments the scroll,
I am the master of my fate:
I am the captain of my soul.

1875

V