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Chapter IX: Eugénie De Guérin 177 (1)

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ILLUSTRATIONS

LADY MARY WORTLEY MONTAGU _Frontispiece_
After the painting by Sir Godfrey Kneller

ELIZABETH, LADY HOLLAND 24
After the painting by Fagan

JANE AUSTEN 46
After the water-color drawing by her sister in the possession
of W. Austen Leigh, Esq.

MADAME D’ARBLAY 68
After the painting by Edward Francis Burney in 1782.

MRS. PEPYS AS ST. KATHARINE 90
From an engraving by Hollyer after the painting by Hayls

MADAME DE SÉVIGNÉ 112
After the original pastel by Nanteuil

MADAME DU DEFFAND 134
From an engraving after the painting by Carmontelle

MADAME DE CHOISEUL 156
From a photogravure in _Le Duc et la Duchesse de Choiseul_,
by Gaston Maugras, after a portrait owned by the Comte de
Ludre

PORTRAITS OF WOMEN

I

LADY MARY WORTLEY MONTAGU

CHRONOLOGY

Lady Mary Pierrepont.
Born London, May 26, 1689.
Married Edward Wortley Montagu, August 16, 1712.
In Constantinople 1716-1718.
In Italy 1739-1761.
Husband died 1761.
Died London, August 21, 1762.

I

LADY MARY WORTLEY MONTAGU

Lady Mary Wortley Montagu (born Pierrepont) wrote poems, essays, and translations of some note in her own day, of none in ours. She also wrote letters which can never die, letters less charming, indeed, than Madame de Sévigné’s because the writer was less charming, but full of light for the first half of the eighteenth century and also for Lady Mary herself. I do not refer so much to the celebrated letters from Constantinople, because those were probably arranged and edited for literary purposes, but to the general correspondence, which throbs and vibrates and sparkles like a live thing.

The writer knew quite well what she was doing. Speaking of Madame de Sévigné’s productions she says: “Mine will be full as entertaining forty years hence.” And, perhaps with a touch of jealousy not wholly uncharacteristic, she depreciates her French predecessor, “who only gives us, in a lively manner and fashionable phrases, mean sentiments, vulgar prejudices, and endless repetitions. Sometimes the tittle-tattle of a fine lady, sometimes the tittle-tattle of an old nurse, always tittle-tattle.” Those who find the divine tittle-tattle of “Notre Dame des Rochers” not only among the liveliest, but among the most human and even the wisest, things in literature, will not be the less ready to appreciate Lady Mary, who has her own tittle-tattle as well as her own wisdom and liveliness. How easy she is, how ready, and how graceful. Her letters, she says, are “written with rapidity and sent without reading over.” This may be true and may not. At any rate, they have, at their best, the freshness of first thoughts, the careless brilliancy of a high-bred, keen-witted woman, talking in her own parlor, indifferent to effect, yet naturally elegant, in her speech, as in her dress and motion.

With what vivacity she touches everything and everybody about her, “a certain sprightly folly that (I thank God) I was born with” she calls it, but it is only folly in the sense of making dull things gay and sad things tolerable. See how she finds laughter in the imminence of sea peril. An ancient English lady “had bought a fine point head, which she was contriving to conceal from the custom-house officers.... When the wind grew high, and our little vessel cracked, she fell heartily to her prayers, and thought wholly of her soul. When it seemed to abate, she returned to the worldly care of her head-dress, and addressed herself to me: ‘Dear madam, will you take care of this point? If it should be lost!—Ah, Lord, we shall all be lost!—Lord have mercy on my soul!—Pray, madam, take care of this head-dress.’ This easy transition from her soul to her head-dress, and the alternate agonies that both gave her, made it hard to determine which she thought of greatest value.”

In the constant imminence of life’s world perils Lady Mary had still by her this resource of merriment, which some call flippancy, but which, by any name, is not without its comforts.

True, such a glib tongue or pen is a dangerous play-thing and liable to abuse. Lady Mary’s own daughter said that her mother was too apt to set down people of a meek and gentle character for fools. People of any character, perhaps, whenever the wayward fancy struck her. She darted her shafts right and left. They stung and they clung, for they were barbed, if not poisoned. Sometimes they made near friends as cold as strangers. Too often they turned indifferent strangers into enemies. Enemies, too many, Lady Mary had all her life, and they seized on her weak points and amplified or invented ugly things about her till those who admire her most find defence somewhat difficult.

Yet she did not gloat over evil. “’Tis always a mortification to me to observe there is no perfection in humanity.” Her unkindness was far more on her tongue than in her heart. “This I know, that revenge has so few joys for me, I shall never lose so much time as to undertake it.” She had the keenest sense of human sorrow and suffering: “I think nothing so terrible as objects of misery, except one had the God-like attribute of being able to redress them.” What she could do to redress them she did. In her efforts to introduce inoculation for smallpox she surely proved herself one of the greatest benefactors of humanity. In many smaller things, also, she was kindly and sympathetic. And what pleases me most is that she makes little mention of such deeds herself. One is left to divine them from curt, half-sarcastic remarks in other connections. Thus, during her long residence in Italy, it appears that she ministered to her neighbors both in body and soul. “I do what good I am able in the village round me, which is a very large one; and have had so much success, that I am thought a great physician, and should be esteemed a saint if I went to mass.” Later she had much ado to keep the people from erecting a statue to her. But she shrank from love in Italy which was sure to breed laughter in England.

Also, even in her bursts of ill-nature, she had a certain reserve, a certain control, a certain sobriety. Indeed, she compliments herself, in old age, on her freedom from petulance. “To say truth, I think myself an uncommon kind of creature, being an old woman without superstition, peevishness, or censoriousness.” This is, perhaps, more than we could say for her. But in youth and age both she loved moderation and shunned excess. When she was twenty-three, she wrote, “I would throw off all partiality and passion, and be calm in my opinion.” She threw them off too much, she was too calm, she was cold. Walpole called her letters too womanish, but Lady Craven thought they must have been written by a man. Most readers will agree with Lady Craven. Even her vivacity lacks warmth. And it is here that she most falls short of the golden sunshine of Madame de Sévigné. Lady Mary is not quite the woman, even in her malice. Through her wit, through her thought, through her comment on life, even through her human relations runs a strain of something that was masculine.

Nowhere is this more curious and amusing than in her love and marriage. She was beautiful, and knew it, though the smallpox, by depriving her of eyelashes, had given a certain staring boldness to her eyes. When she was over thirty, she “led up a ball” and “believed in her conscience she made one of the best figures there.” When she was old, for all her philosophy, she did not look in a glass for eleven years. “The last reflexion I saw there was so disagreeable, I resolved to spare myself such mortifications for the future.”

She fed her youthful fancy with the vast fictions then in fashion and the result was a romantic head and a cool heart. These appear alternately in her strange correspondence with her lover and future husband, Edward Wortley Montagu. When they first met, the gentleman admired her learning—at fourteen! And Latinity seems to have drawn them together quite as much as love. There was a sister, Miss Anne Wortley, and sisters are of great use on such occasions. Lady Mary wrote to her in language of extravagant regard, and Miss Wortley wrote back—at her brother’s dictation. Then it became obviously simpler for the lovers to write direct.

Obstacles arose. Mr. Wortley Montagu would make no settlement on his wife. Lady Mary’s father would not hear of a marriage without one, and hunted up another suitor, rich—and unacceptable. There was doubt, debate, delay—and then an elopement. Lady Mary eloping! What elements of comedy! And her letters make it so.

That she loved her lover as much as she could love is evident. “My protestations of friendship are not like other people’s, I never speak but what I mean, and when I say I love, ’tis for ever.” “I am willing to abandon all conversation but yours. If you please I will never see another man. In short, I will part with anything for you, but you. I will not have you a month to lose you for the rest of my life.” “I would die to be secure of your heart, though but for a moment.”

Yet this apparent passion is tempered with doubt and reversal. She cannot make him happy, nor he her. “I can esteem, I can be a friend, but I don’t know whether I can love.” “You would be soon tired with seeing every day the same thing.” No, it is all folly. Cancel it, break it up, throw it over. Begin again, a new life, a new world. She will write to him no more. “I resolve against all correspondence of the kind; my resolutions are seldom made, and never broken.”

This one is broken in a few days. Again she loves, again she hopes. Everything shall be right, so far as it lies with her. “If my opinion could sway, nothing should displease you. Nobody ever was so disinterested as I am.” And yet once more cold analysis twitches her sleeve, murmurs in her ear. “You are the first I ever had a correspondence with, and I thank God I have done with it for all my life.” “When I have no more to say to you, you will like me no longer.”

Then she blows the doubts away, makes her stolen marriage, gives all to love, and in the very doing of it, lets fall one word that shows the doubter more than ever (italics mine): “I foresee all that will happen on this occasion. I shall incense my family in the highest degree. The generality of the world will blame my conduct ...; yet, _’tis possible_, you may recompence everything to me.” How two little words will show a heart!

And afterwards? She fared pretty much as she expected. Love hardened into marriage with some, not unusual, hours of agony. “I cannot forbear any longer telling you, I think you use me very unkindly.” When he fails to write to her, she cries for two hours. Then all becomes domestic, and decorous, and as it should be; and her matured opinion of marriage agrees very well with the previsions of her youth. “Where are people matched? I suppose we shall all come right in Heaven; as in a country dance, the hands are strangely given and taken, while they are in motion, at last all meet their partners when the jig is done.”

Perhaps because she showed no great conjugal affection, there was plenty of gossip about affection less legitimate. Pope lavished rhetorical devotion on her. She laughed at it and, I fear, at him. In consequence he lampooned her with the savage spite of an eighteenth-century poet. She said unkind things about Sir Robert Walpole and Sir Robert’s son said unkind things about her, mentioned some lovers by name, and implied many others. Lady Mary’s careful editors have dealt with these slanders most painstakingly; and though in one case, that of an Italian adventure, they have overlooked a passage in Sir Horace Mann’s letters oddly confirmatory of Walpole, I think they have cleared their heroine with entire success.

After all, Lady Mary’s best defense against scandal is her own temperament and her own words. It is true, those who have lived a wild life are often the first to exclaim against it. But in this case the language bears every mark of being prompted by observation rather than experience. She says of the notorious Lady Vane: “I think there is no rational creature that would not prefer the life of the strictest Carmelite to the round of hurry and misfortune she has gone through.”

Lady Mary’s long sojourn in Italy towards the close of her life did much to increase suspicion in regard to her relations with her husband. Her greatest admirers have not been able to explain clearly why she wished to exile herself in such a fashion. But the tone in which, during the whole period, she writes both to Mr. Wortley Montagu and of him, is absolutely incompatible with any serious coldness between them. “My most fervent wishes are for your health and happiness.” And again: “I have never heard from her since, nor from any other person in England, which gives me the greatest uneasiness; but the most sensible part of it is in regard of your health, which is truly and sincerely the dearest concern I have in this world.”

Lady Mary had two children, and as a mother she is very much what she is as a wife, reasonable, prudent, devoted, but neither clinging nor adoring. She had, indeed, a happy art of expressing maternal tenderness, as of expressing everything, by which I do not imply that her feelings were not sincere, but simply that they were not very vital or very overwhelming. When she sets out on her travels, she is heartbroken over the perils and exposures for her son: “I have long learnt to hold myself at nothing; but when I think of the fatigue my poor infant must suffer, I have all a mother’s fondness in my eyes, and all her tender passions in my heart.” But her language about this same son, when grown to manhood, is somewhat astounding. He was a most extraordinary black sheep, wasted money, contracted debts, gambled, liked evil occupations and worse company, varied a multiplicity of wives with a multiplicity of religions, was once in jail, and never respectable. All this Lady Mary deplores, but she is not driven to despair by it; on the contrary, she analyzes his character to his father with singular cold soberness. “It is very disagreeable to me to converse with one from whom I do not expect to hear a word of truth, and, who, I am very sure, will repeat many things that never passed in our conversation.” Or, more generally, “I suppose you are now convinced I have never been mistaken in his character; which remains unchanged, and what is yet worse, I think is unchangeable. I never saw such a complication of folly and falsity as in his letter to Mr. G.”

Her daughter, Lady Bute, she was fond of. “Your happiness,” she writes to her, “was my first wish, and the pursuit of all my actions, divested of all self-interest.” Nevertheless, she lived contentedly without seeing her for twenty years.

That Lady Mary was a good manager domestically hardly admits of doubt; but I find no evidence that she loved peculiarly feminine occupations, though she does somewhere remark that she considers certain types of learned ladies “much inferior to the plain sense of a cook maid, who can make a good pudding and keep the kitchen in good order.” Among her numerous benefactions in Italy was the teaching of her neighbors how to make bread and butter.

It is said that her servants loved her, not unnaturally, if she carried out her own maxim: “The small proportion of authority that has fallen to my share (only over a few children and servants) has always been a burden, ... and I believe every one finds it so who acts from a maxim ... that whoever is under my power is under my protection.” She was a natural aristocrat, however, both socially and politically, and any leveling tendencies that she may have cherished in the ardor of youth, vanished entirely with years and experience. “Was it possible for me to elevate anybody from the station in which they were born, I now would not do it: perhaps it is a rebellion against that Providence that has placed them; all we ought to do is to endeavour to make them easy in the rank assigned them.” And elsewhere, in a much more elaborate passage, she expresses herself with a deliberate haughtiness of rank and privilege which has rarely been surpassed. In her youth, she says, silly prejudice taught her that she was to treat no one as an inferior. But she has learned better and come to see that such a notion made her “admit many familiar acquaintances, of which I have heartily repented every one, and the greatest examples I have known of honor and integrity have been among those of the highest birth and fortunes.” The English tendency to mingle classes and level distinctions will, she believes, have some day fatal consequences. How curious, in so keen a wit, the failure to foresee that just this English social elasticity would avert the terrible disaster which was to befall the neat gradations of French order and system!

Lady Mary was not only practical in her household, but in all the other common concerns of life. Few women have pushed their husbands on in the world with more vigorous energy than is shown in the letters she writes to Mr. Wortley Montagu, urging him to drop his diffidence and claim what he deserves. “No modest man ever did, or ever will, make his fortune.”

As regards money, also, she was eminently a woman of business—too eminently, say her enemies. One reason alleged for her quarrel with Pope is his well-meant advice which brought her large losses in South Sea speculation. However much one may like and admire her, it is impossible wholly to explain away Walpole’s picture of her sordid avarice, which cannot be omitted, though hideous. “Lady Mary Wortley is arrived; I have seen her; I think her avarice, her dirt, and her vivacity are all increased. Her dress, like her languages, is a _galimatias_ of several countries, the groundwork, rags; and the embroidery nastiness. She wears no cap, no handkerchief, no gown, no petticoat, no shoes. An old black-laced hood represents the first; the fur of a horseman’s coat, which replaces the third, serves for the second; a dimity petticoat is deputy, and officiates for the fourth; and slippers act the part of the last.”

It is easy to see here the brush of hatred deepening the colors; but hatred can hardly have invented the whole. Yet all the references to money matters in Lady Mary’s letters are sane and commendable. She hates poverty, and she hates extravagance as the road to poverty, and she cherishes thrift as the assurance of independence and comfort. That sort of lavish living which is certain to end in suffering for self and others she condemns bitterly. Will any one say she can condemn it too bitterly? “He lives upon rapine—I mean running in debt to poor people, who perhaps he will never be able to pay.” But I do not find that she cherishes money for itself. We should seek riches, she says, but why? “As the world is, and will be, ’tis a sort of duty to be rich, that it may be in one’s power to do good, riches being another word for power.” With which compare the remark of Gray, a man surely not liable to the charge of avarice: “It is a striking thing that one can’t only not live as one pleases, but where and with whom one pleases, without money. Swift somewhere says, that money is liberty; and I fear money is friendship, too, and society, and almost every external blessing. It is a great, though ill-natured, comfort, to see most of those who have it in plenty, without pleasure, without liberty, and without friends.”

Nevertheless, it must be admitted that in these questions of conduct Lady Mary does not err on the side of enthusiasm. In a long and curious passage she enlarges on the virtues of her favorite model—Atticus, the typical trimmer and opportunist, who lived in one of the greatest crises of the world, and weathered it safe and rich, who had many friends and served many and betrayed none, but did not think any cause good enough to die for.

As regards social life and general human relations, it is very much the same. Lady Mary had vast acquaintance. I do not find that she had many friends, either dear or intimate. Of Lady Oxford she does, indeed, always speak with deep affection. And she says of herself, no doubt truly: “I have a constancy in my nature that makes me always remember my old friends.” Also her love of a snapping exchange of wit made her appreciate conversation. “You know I have ever been of opinion that a chosen conversation composed of a few that one esteems is the greatest happiness of life.” Yet she was too full of resources to need people, too critical to love people, too little sympathetic to pity people. And in one of the lightning sentences of self-revelation she shows a temperament not perfectly endowed by heaven for friendship: “I manage my friends with such a strong yet with a gentle hand, that they are both willing to do whatever I have a mind to.”

But, if she did not love mankind, she found them endlessly amusing, a perpetual food for observation and curiosity. And the wandering life she led nourished this taste to the fullest degree. “It was a violent transition from your palace and company to be locked up all day with my chambermaid, and sleep at night in a hovel; but my whole life has been in the Pindaric style.” It is this love of diversity, this keen sense of the human in all its phases, which give zest to her Turkish letters and the record of wanderings and hardships which might not now be encountered in a journey to the Pole. But long wanderings and strange faces are not necessary for the naturalist of souls who can find the ugliest weeds and tenderest flowers at his own front door. Lady Mary was never tired of studying souls and thought highly of her own discernment in them. “I have seldom been mistaken in my first judgment of those I thought it worth while to consider.” This confidence I am sorry to find in her; for I have always believed it a good rule that those who asserted their sure judgment of men knew little about them. True insight is more modest. At any rate, mistaken or not, she found the varied spectacle of human action endlessly diverting and again and again recurs to the charm of it: “I endeavour upon this occasion to do as I have hitherto done in all the odd turns of my life; turn them, if I can, to my diversion.” “I own I enjoy vast delight in the folly of mankind; and, God be praised, that is an inexhaustible source of entertainment.”

Thus she could always amuse herself with men and women. At the same time, she could amuse herself without them and needed neither courtship nor cards nor gossip to keep her heart at ease. It is true that in youth she knew youth’s restlessness, and that haunting dread, chronic to some souls, which fills one day with anxiety as to what may fill the next. To Mrs. Hewet she writes: “Be so good as never to read a letter of mine but in one of those minutes when you are entirely alone, weary of everything, and _inquiète_ to think of what you shall do next. All people who live in the country must have some of those minutes.” But time soothes this and makes the present seem so insufficient that the poor shreds of life remaining can never quite eke it out. “I have now lived almost seven years in a stricter retirement than yours in the Isle of Bute, and can assure you, I have never had half an hour heavy on my hands, for want of something to do.”

Her country life did not, indeed, include much ecstasy over the natural world. She was born too early for Rousseau and it is doubtful whether high romance could ever have seriously appealed to her. She finds Venice a gay social centre. Of its poetry, its mystery, its moonlight, never a word. Perhaps these did not exist before Byron. On the Alps and their sublimity she has as delightful a phrase as the whole eighteenth century can furnish (italics mine): “The prodigious prospect of mountains covered with eternal snow, clouds hanging far below our feet, and the vast cascades tumbling down the rocks with a confused roaring, would have been _solemnly entertaining_ to me, if I had suffered less from the extreme cold that reigns here.” If that is not Salvator Rosa in little, what is? I know few things better, unless it be Ovid’s _Nile jocose_, gamesome Nile.

No. Lady Mary’s nature, like that of most of her contemporaries, was an artful invention of trim lawns, boxed walks, shady alleys with a statue at the end or a ruined temple on a turfy hill. Such gardens she liked well enough to stroll in; but the garden that charmed her most was the garden of her soul. “Whoever will cultivate their own mind, will find full employment. Every virtue does not only require great care in the planting, but as much daily solicitude in cherishing, as exotic fruits and flowers.... Add to this the search after knowledge (every branch of which is entertaining), and the longest life is too short for the pursuit of it.”

In that pursuit she never tired, from her early youth to her latest years. Indeed, among her contemporaries she had the reputation of a learning as masculine as some of her other tastes and habits. Here rumor probably exaggerated, as usual. She herself, in her many curious and interesting references to her education, disclaims anything of the sort. She was a bright, quick child, left to herself, with a passion for reading and many books accessible. She learned Latin, French, and Italian, and used them, but rather as a reader than as a scholar. Systematic intellectual training she could hardly have had or desired, merely that passionate delight in the things of the mind which is one of the greatest blessings that can be bestowed upon a human being. “If,” she says of her granddaughter, “she has the same inclination (I should say passion) for learning that I was born with, history, geography, and philosophy will furnish her materials to pass away cheerfully a longer life than is allotted to mortals.”

She had, however, little disposition to brag of her acquirements. On the contrary, it is singular with what insistence, bitterness almost, she urges that a woman should never, never allow herself to be thought wiser or more studious than her kind. Read, if you please; think, if you please; but keep it to yourself. Otherwise women will laugh at you and men avoid you. “I never studied anything in my life, and have always (at least from fifteen) thought the reputation of learning a misfortune to a woman.” And again, of her granddaughter, with a sharp tang that hints at many sad experiences, “The second caution to be given her is to conceal whatever learning she attains, with as much solicitude as she would hide crookedness or lameness; the parade of it can only serve to draw on her the envy, and consequently the most inveterate hatred, of all he and she fools, which will certainly be at least three parts in four of all her acquaintance.”

It is in this spirit that Lady Mary speaks very slightingly of her own poems and other writings; and indeed, they do not deserve much better. For us they are chiefly significant as emphasizing, in their coarseness and in some other peculiarities, that masculine strain which has been so apparent in many sides of her interesting personality.

As a critic she is more fruitful than as an author, and her remarks on contemporary writers have a singular vigor and independence. Johnson she recommends for the idle and ignorant. “Such gentle readers may be improved by a moral hint, which, though repeated over and over from generation to generation, they never heard in their lives.” Fielding and Smollett she adores—again the man’s taste, you see. On Clarissa she is charming. The man in her disapproves, derides. The woman weeps, “like any milkmaid of sixteen over the ballad of the Lady’s Fall.” But weeping, or laughing, or yawning, she reads, reads, reads. For she is a true lover of books. And she thus delightfully amplifies Montesquieu’s delightful eulogy, “_Je n’ai jamais eu de chagrin qu’une demi-heure de lecture ne pouvait dissiper_.” “I wish your daughters to resemble me in nothing but the love of reading, knowing, by experience, how far it is capable of softening the cruellest accidents of life; even the happiest cannot be passed over without many uneasy hours; and there is no remedy so easy as books, which, if they do not give cheerfulness, at least restore quiet to the most troubled mind. Those that fly to cards or company for relief, generally find they only exchange one misfortune for another.”

It must be by this time manifest that in the things of the spirit Lady Mary was as masculine and as stoical as in things of the flesh. In very early youth she translated Epictetus and he stood by her to the grave. Life has its vexations and many of them. People fret and torment, till even her equanimity sometimes gives way. “I am sick with vexation.” But, in general, she surmounts or forgets, now with an unpleasant, haughty fling of cynical scorn, “For my part, as it is my established opinion that this globe of ours is no better than a Holland cheese, and the walkers about in it mites, I possess my mind in patience, let what will happen; and should feel tolerably easy, though a great rat came and ate half of it up;” now, as in her very last years, with a gentler reminiscence of her heroic teacher: “In this world much must be suffered, and we ought all to follow the rule of Epictetus, ‘Bear and forbear.’”

As for nerves, vapors, melancholy, she has little experience of such feminine weakness, and no patience with it. “Mutability of sublunary things is the only melancholy reflection I have to make on my own account.” She seldom makes any other. “Strictly speaking, there is but one real evil—I mean acute pain; all other complaints are so considerably diminished by time, that it is plain the grief of it is owing to our passion, since the sensation of it vanishes when that is over.” If by chance any little wrinkle shows itself, sigh from some unknown despair, winter shadow of old age and failing strength and falling friends, let us smother it, strangle it, obliterate it, by a book, or a flower, or a smile. In these matters habit is everything.

And what was God in Lady Mary’s life? Apparently, little or nothing. As strangely little as in so many eighteenth century lives. There is no rebellion, no passionate debate of hope or doubt; simply, as it seems, very little thought given to the subject. Religion is a useful thing—for the million, oh, an excellent thing, under any garb, in Turkey, in Italy, in England. Respect it? Yes. Cherish it? Yes. Believe it? The question is—well, an impertinent one. And if it be said that there may have been a feeling that some things were too sacred to be spoken about, let anyone who can read Lady Mary’s letters through and retain that idea, cling to it for his comfort.

No, she lived like a gentlewoman, I had almost said like a gentleman, with a decent regard for the proprieties, a fundamental instinct of duty, a fair share of human charity, and an inexhaustible delight in the fleeting shows of time. And she died as she had lived. “Lady Mary Wortley, too, is departing,” says Horace Walpole. “She brought over a cancer in her breast, which she concealed till about six weeks ago. It burst and there are no hopes of her. She behaves with great fortitude, and says she has lived long enough.”

Altogether, not a winning figure, but a solid one, who, with many oddities, treads earth firmly, and makes life seem respectable, if not bewitching.

II

LADY HOLLAND

CHRONOLOGY

Elizabeth Vassall
Born March 25, 1771.
Married Sir Godfrey Webster 1786.
Traveled abroad 1791-1796.
Divorced July 4, 1797.
Married Lord Holland July 6, 1797.
Lord Holland died 1840.
Died 1845.

II

LADY HOLLAND

The brilliant salons which have made so conspicuous a figure in French social life have had few counterparts in England. English women have perhaps influenced politics and thought quite as powerfully as have their French sisters. But in England the work has been done through husbands or fathers or brothers, domestically, not in an open social circle where wit glitters and ideas clash.

One of the most notable exceptions to this rule was the Holland House society during the first half of the nineteenth century. Politically Holland House was a Whig centre; but its hospitable doors were open to all who talked or thought. Fox, Canning, Brougham, Grey, Melbourne, John Russell, unbent there and discussed great themes and little. Rogers mocked, Sydney Smith laughed, Moore sang, Macaulay unwound his memory, and Greville listened and recorded. Wordsworth dropped a thought there, Talleyrand a witticism. Irving brought over the America of the eighteenth century, Ticknor of the nineteenth.

“It is the house of all Europe,” says Greville. “All like it more or less; and whenever ... it shall come to an end, a vacuum will be made in society which nothing can supply. The world will suffer by the loss; and it may be said with truth that it will ‘eclipse the gaiety of nations.’” Macaulay adorned the theme with his ample rhetoric: “Former guests will recollect how many men who have guided the politics of Europe, who have moved great assemblies by reason and eloquence, who have put life into bronze or canvas, or who have left to posterity things so written that it shall not willingly let them die, were there mixed with all that was loveliest and gayest in the society of the most splendid of capitals. They will remember the peculiar character which belonged to that circle, in which every talent and accomplishment, every art and science, had its place.... They will remember, above all, the grace, and the kindness, far more admirable than grace, with which the princely hospitality of that ancient mansion was dispensed. They will remember the venerable and benignant countenance and the cordial voice of him who bade them welcome.... They will remember, too, that he whose name they hold in reverence was not less distinguished by the inflexible uprightness of his political conduct than by his loving disposition and his winning manners. They will remember that, in the last lines which he traced, he expressed his joy that he had done nothing unworthy of the friend of Fox and Grey; and they will have reason to feel similar joy, if, in looking back on many troubled years, they cannot accuse themselves of having done anything unworthy of men who were distinguished by the friendship of Lord Holland.”

You will observe that little is said here of the mistress of the house. As regards Lord Holland, it is instructive to turn from Macaulay’s swelling periods to the cool comment of Greville, who was neither a rhetorician nor a cynic: “I doubt, from all I see, whether anybody (except his own family, including Allen) had really a very warm affection for Lord Holland, and the reason probably is that he had none for anybody.”

There was a mistress of the house and Macaulay elsewhere has enough to say about her. It is quite astonishing, the unanimity with which her guests combine to slight her character and emphasize her defects. Macaulay asserts, in the passage quoted above, that “all that was loveliest and gayest” met at Holland House. This is quite false; for few women went there. Those who did had little good to say of their hostess. In the early years before she married Lord Holland, Miss Holroyd wrote of her: “If anybody ever offends you so grievously that you do not recollect any punishment bad enough for them, only wish them on a party of pleasure with Lady Webster!... Everything that was proposed she decidedly determined on a contrary scheme, and as regularly altered her mind in a few hours.” Long after, Fanny Kemble expresses herself quite as bitterly: “The impression she made upon me was so disagreeable that for a time it involved every member of that dinner party in a halo of undistinguishable dislike in my mind.”

When the women condemn, one expects the men to praise. In this case they do not. All alike, in milder or harsher terms, record her acts that crushed, her speeches that stung. The gentle Moore takes Irving to visit her. “Lady H. said, ‘What an uncouth hour to come at,’ which alarmed me a little, but she was very civil to him.” Rogers told Dyce that “when she wanted to get rid of a fop, she would beg his pardon and ask him to sit little further off, adding ‘there is something on your handkerchief I do not quite like.’” She observed to Rogers himself: “Your poetry is bad enough, so pray be sparing of your prose.” And to Lord Porchester: “I am sorry to hear you are going to publish a poem. Can’t you suppress it?”

Also they paid her back in kind, with a vim which, in gentlemen, as they all were, seems to imply immense provocation. “My lady ... asked me how I could write those vulgar verses the other day about Hunt,” writes Moore. “Asked her in turn, why she should take it for granted, if they were so vulgar, that it was I who wrote them.” Croker records: “Lady Holland was saying yesterday to her assembled coterie, ‘Why should not Lord Holland be Secretary for Foreign Affairs—why not as well as Lord Landsdowne for the Home Department?’ Little Lord John Russell is said to have replied, in his quiet way, ‘Why, they say, Ma’am, that you open all Lord Holland’s letters, and the Foreign Ministers might not like _that_.’” Rogers was talking of beautiful hair. “Why, Rogers, only a few years ago I had such a head of hair that I could hide myself in it, and I’ve lost it all.” Rogers merely answered, “What a pity!” “But with such a look and tone,” says Fanny Kemble, “that an exultant giggle ran round the table at her expense.” And the table was her own! To Ticknor she said “That she believed New England was originally colonized by convicts sent over from the mother country. Mr. Ticknor replied that he was not aware of it, but said he knew that some of the Vassall family—ancestors of Lady Holland—had settled early in Massachusetts.” Finally, there is the almost incredible incident so vividly narrated by Macaulay. “Lady Holland is in a most extraordinary state. She came to Rogers’s, with Allen, in so bad a humour that we were all forced to rally and make common cause against her. There was not a person at table to whom she was not rude; and none of us were inclined to submit. Rogers sneered; Sydney made merciless sport of her; Tom Moore looked excessively impertinent; Bobus put her down with simple, straightforward rudeness; and I treated her with what I meant to be the coldest civility. Allen flew into a rage with us all, and especially with Sydney, whose guffaws, as the Scotch say, were indeed tremendous.”

One and all, they felt that the lady wished to domineer, to rule over everything and everybody, and they did not like it. “Now, Macaulay,” she would say, “we have had enough of this. Give us something else.” At a crowded table, when a late guest came: “Luttrell, make room.” “It must be made,” murmured Luttrell; “for it does not exist.” “The centurion did not keep his soldiers in better order than she kept her guests,” Macaulay writes. “It is to one, ‘Go,’ and he goeth; and to another, ‘Do this,’ and it is done.” Some one asked Lord Dudley why he did not go to Holland House. He said that he did not choose to be tyrannized over while he was eating his dinner.

Her friends thought she wished to regulate their lives, especially to regulate them in the way that suited her comfort and convenience. What could be more remarkable than the scene Macaulay describes, when she implored, ordered him to refuse his high appointment in India? “I had a most extraordinary scene with Lady Holland. If she had been as young and as handsome as she was thirty years ago, she would have turned my head. She was quite hysterical about my going; paid me such compliments as I cannot repeat; cried; raved; called me dear dear Macaulay. ‘You are sacrificed to your family. I see it all. You are too good to them. They are always making a tool of you; last session about the slaves; and now sending you to India.’ I always do my best to keep my temper with Lady Holland for three reasons: because she is a woman; because she is very unhappy in her health, and in the circumstances of her position; and because she has a real kindness for me. But at last she said something about you. This was too much, and I was beginning to answer her in a voice trembling with anger, when she broke out again: ‘I beg your pardon. Pray forgive me, dear Macaulay. I was very impertinent. I know you will forgive me. Nobody has such a temper as you. I said so to Allen only this morning. I am sure you will bear with my weakness. I shall never see you again’; and she cried, and I cooled; for it would have been to very little purpose to be angry with her. I hear that it is not to me alone that she runs on in this way. She storms at the ministry for letting me go.”

And she was supposed to tyrannize over her household as well as over her guests. The Allen referred to above is a curious figure. Originally recommended to Lord Holland as a traveling physician, he entered the family and remained in it. He was an immense reader, a careful student, and supplied many a Holland House politician with the stuff of oratory. He had opinions of his own, was a violent enemy of all religion, and was gibingly known as “Lady Holland’s atheist.” He did not hesitate to contradict his patroness and some even assert that she was a little afraid of him. At any rate, he was deeply attached to her, remained with her after Lord Holland’s death, and suffered himself in practical matters to be ordered about like a domestic poodle. Moore records an interesting bit of mutual self-confession, when Allen, after years of intimate contact with the deepest thought and brightest wit in Europe, admitted that to keep up conversation during these evenings was “frequently a most heavy task and that if he had followed his own taste and wishes he would long since have given up that mode of life.” And Moore himself adds that the “Holland House sort of existence, though by far the best specimen of its kind going, would appear to me, for any continuance, the most wearisome of all forms of slavery.”

Even Lord Holland himself appeared to his observant visitors to be subject to a domination at times somewhat irksome. “A little after twelve my lady retired and intimated that he ought to do so too,” writes Moore; “but he begged hard for ten minutes more.” Greville says that when some revivalists called on Lord Holland, Lady Holland was with great difficulty persuaded to allow him to go and receive them. “At last she let him be wheeled in, but ordered Edgar and Harold, the two pages, to post themselves outside the door and rush in if they heard Lord Holland scream.” On the great occasion of Macaulay’s going to India, it is recorded that the good-natured husband was goaded into a disciplinary outburst: “Don’t talk such nonsense, my lady! What the devil! Can we tell a gentleman who has a claim upon us that he must lose his only chance for getting an independence in order that he may come and talk to you in an evening?”

I repeat, it is a most curious thing to observe this mob of illustrious and kindly gentlemen handing down to posterity such unanimous abuse of a lady, who, whatever her defects, had done them infinite courtesies. And she is dead and cannot defend herself.

She left a journal, however, which Lord Ilchester has lately edited. And few studies can be more delightful than to turn from the picture painted of her by her friends(?) to her intimate and faithful likeness of herself. The tart, even the boisterous, tongue is indeed not concealed, as when she told a political friend that “I regretted he had not lived in the Middle Ages and given his faith to orthodox points, as he would have made one of the firmest pillars of the church, instead of being a milk and water politician now.” But there are many other things besides tartness and boisterousness.

Unfortunately the Journal stops before the great days of Holland House began. What would we not give for the lady’s account of those conversations with Moore and Ticknor and Macaulay? What for portraits of them and of others such as she well knew how to draw? For her pen was no mean one. It could bite and sting, could emphasize lights and shadows quite as strongly as some of those that etched the figures at her table and the scenes in her drawing-room. You may meet such a type as the following any day in Italy; but only an artist could so render it. “The old Marchesa was also delightful, not to the eye, for she was hideous, nor to the ear, for she squalled, nor to the nose, for she was an Italian; yet, from her unbounded desire of pleasing, the _tout ensemble_ created more agreeable sensations than many more accomplished could have inspired.” Or match this with an English married couple: “The first thing she did was to live apart from him, and keep up a love correspondence with him; hence to the world they appeared enamoured of one another. She is a little mad, and parsimony is her chief turn. She is good-natured and a little clever. Trevor has no judgment and slender talents. His foibles are very harmless and his whole life has been insipidly good. His _ridicules_ are a love of dress coats, _volantes_, and always speaking French. _Au reste_, he is very like other people, only better.” And, as will appear from these two, her portraits, though satirical, are not all unkindly, or at least she sweetens the bitterest of them with a touch of human charity.

Just a few sketches she has of the great men who afterwards became so widely identified with her, enough to increase our ardent desire for more. Thus the following of Wordsworth, interesting in every word for both painter and painted, if somewhat astounding: “Sent an invitation to Wordsworth, one of the Lake poets, to come and dine, or visit us in the evening. He came. He is much superior to his writings, and his conversation is even beyond his abilities. I should almost fear he is disposed to apply his talents more towards making himself a _vigorous conversationist_ in the style of our friend Sharp, than to improve his style of composition.... He holds some opinions on picturesque subjects with which I completely differ, especially as to the effects produced by white houses on the sides of the hills; to my taste they produce a cheerful effect. He, on the contrary, would brown, or even black-work them; he maintained his opinion with a considerable degree of ingenuity.” With which compare the snub administered by Henry Taylor, when she sneered at Wordsworth’s poetry: “Let me beg you to believe, Lady Holland, that this has not been the sort of thing to say about Wordsworth’s poetry for the last ten years.”

But the Journal is far less interesting for its portraits of others than for that of the lady herself, who is seen there complete, and human, and not unlovely.

When she was young, she was beautiful. “I observed a portrait of Lady Holland, painted some thirty years ago,” says Macaulay. “I could have cried to see the change. She must have been a most beautiful woman.”

A mere child, she was married to a man she detested, who perhaps deserved it. “At fifteen, through caprice and folly, I was thrown into the power of one who was a pompous coxcomb, with youth, beauty, and a good disposition, all to be so squandered!” I imagine that Sir Godfrey Webster was a rough English squire of the Western type, fond of beef, beer, hunting, and rural politics, fond also of his wife, after his fashion, but believing that wives should bake, brew, and breed, and utterly intolerant of my lady’s freaks and fancies, of her social ambitions and her sentimental whims. To her he appeared a simple brute. When he “in a paroxysm threw the book I was reading at my head, after having first torn it out of my hands,” I can divine something of how he felt. So perhaps could she; but the incident gave her all the gratification of martyrdom.

“Ah, me!” she writes, “what can please or cheer one who has no hope of happiness in life? Solitude and amusement from external objects is all I hope for; home is the abyss of misery!” Condemned to the exile of a country house, I am sorry to say that she revenged herself by devising cruel tricks against her husband’s aunt, who, however, was most apt at paying back. Later her despair drove her nearly to suicide. “Oftentimes in the gloom of midnight I feel a desire to curtail my grief, and but for an unaccountable shudder that creeps over me, ere this the deed of rashness would be executed. I shall leave nothing behind that I can regret. My children are yet too young to attach me to existence, and Heaven knows I have no close, no tender ties besides. Oh, pardon the audacity of the thought.”

Then Lord Holland appeared and her whole life was altered. With such an early career and with a temper so erratic one would hardly expect that an irregular connection, even though legalized as soon as possible by divorce and marriage, would turn out well. It did. When she first meets her lover, he is “quite delightful.” A number of years later she recognizes that life with him has transformed her character. Every hour she continues “to wonder [sic] and admire the most wonderful union of benevolence, sense, and integrity in the character of the excellent being whose faith is pledged with mine. Either he has imparted some of his goodness to me, or the example of his excellence has drawn out the latent good I had—as certainly I am a better person and a more useful member of society than I was in my years of misery.”

Although she was still young and very beautiful, the ardent suit of other lovers makes no impression on her. She gets rid of them as best she can and consults her husband as to the most effective manner of doing so.

Formerly life was hateful and she longed to be rid of it. “In the bitterness of sorrow I prayed for death. Now I am a coward indeed; a spasm terrifies me, and every memento of the fragile tenure of my bliss strikes a panic through my frame. Oh! my beloved friend, how hast thou by becoming mine endeared the every day occurrences of life! I shrink from nothing but the dread of leaving or of losing thee.” In the lot of an acquaintance who has lost her husband she bewails the most terrible of future possibilities for herself. “How fortunate for her should she never awaken to her wretchedness, but die in the agonies of delirium. Oh! in mercy let such be my close if I am doomed to the—oh! I cannot with calmness suppose the case.”

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Portraits of womenChapter IX: Eugénie De Guérin 177 (1)

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