Chapter II: Part 2

The father of May Seton was rich according to standards. He was not so wealthy as the Harrison family which owned the Mills, or as Julia Shane, Mrs. Tolliver’s Aunt Julia, a great and proud lady who lived in Shane’s Castle, a gloomy house, relic of a past day, which stood isolated now upon a low hill in the midst of the clamorous and ascendant Mills. There were some who said that Harvey Seton was richer than Julia Shane, but it was impossible to know. The Seton wealth was public property. The wealth of Julia Shane, except for the land which she owned, lay concealed in the vaults of banks in Paris, in New York, in Pittsburgh, in Chicago. No one could gage it; and from the old woman’s mode of living, it was impossible to make any estimate. There had been a day when Shane’s Castle was the great house of the Town, even of the state. Great people stopped there, politicians, artists, musicians, even a President or two. But for years now, ever since Lily went to live in Paris, the famous drawing-room, glittering with crystal and silver and glowing with tapestries and paintings, had been closed and muffled in cheese-cloth. In the big house, beneath the unceasing fall of soot from the furnaces, Julia Shane with her spinster daughter, Irene, lived in three rooms. It was this state of affairs which led people in the Town to believe that her fortune had decreased in some mysterious way. The old woman alone knew that she could have bought up Harvey Seton, tossed his corset factory into the midst of the Atlantic Ocean and never missed the money. She lived upon the income of her income. The Town, so far as she was concerned, no longer existed.

These things played an important part in the life of the Town. No one ever tired of discussing them. It was by these standards that citizens were judged; and there were no better standards in a town which had emerged less than a century before from a complete wilderness. There was nothing unusual in them, for it is the man of property after all whom most people, in their heart of hearts, honor most profoundly.

The success of Harvey Seton was, in itself, not especially interesting. It paralleled very closely the tale of any successful middle-western manufacturer. The interest lay in what he manufactured and in his character. He was born and brought up in what people call straitened circumstances. At twenty-one he entered a pharmaceutical school and upon being graduated, started life as a clerk in a pharmacy of the Town. For eight years he lived rigorously and saved his money. He was a Methodist and attended church regularly, despising card-playing and the theater as implements of the devil. In this there is nothing unusual. It is here that the bizarre makes its appearance.

There came a day when he learned that Samuel Barr, a brother of Julia Shane and of Mrs. Tolliver’s father, had invented a combination of gutta percha and steel which served as an admirable substitute for whalebone. Now Samuel Barr was always inventing something. He invented a cash-carrier, a patent rocker, and had even meddled with the idea of perpetual motion. He had invented a machine which he set up in a field on the farm of his brother-in-law, because he said the contrivance, once it was started, would not stop until it flew into pieces of its own velocity; therefore one must have an open space about it so that no one might be injured by the flying fragments. With his brother-in-law, Colonel John Shane, he waited behind a tree for the machine to fly to bits. It revolved a few times and presently came to an abrupt halt. No fragments flew through space. The machine was a failure.

It is standing there to-day, in the midst of a field now cultivated by Bohemian immigrants. It is too bulky to be moved. It remains, like a gigantic rock, in the midst of waving corn, the single monument to Samuel Barr’s inventive genius. The other things,--the cash-carrier, the patent rocker, the synthetic whalebone have survived. With a few variations they whiz coins through gigantic department stores in a hundred cities; they support the tired backs of a million exhausted housewives; and they enclose the swelling forms of even more millions of too plump women. But Samuel Barr made no money out of these things. Others made the money and stole the credit. It was the perpetual motion machine which was the apple of his eye, the great creative effort of his soul. No one wanted that, so no one stole it from him. It remained, the single possession of his trusting soul. The weather is eating it slowly away. Sometimes people stop along the road and walk into the field to regard the strange Gargantuan engine. “Sam Barr’s Perpetual Motion Machine” exists, the only monument to his name.

Samuel Barr is important to this tale because it was he who founded Harvey Seton’s fortune, and because it was his machine which stands as a superb symbol for the taint which ran through all his family. It was the taint of a family of great energy which had fantastic visions, which gambled high, staking everything to win or lose. It was a curious taint, rare and unhappy, but out of it there sometimes rose a sudden genius--an artist, an adventurer, a philosopher, an inventor. The taint was in all of them. His sister Julia risked her fortune a dozen times and, winning, increased it a dozen times. His niece Hattie Tolliver never ceased to plan great undertakings which would make her husband rich. She risked her fortune a dozen times and, losing, saw it vanish into a mass of debts. His great-niece Ellen Tolliver had it strongly, though few would have suspected it. She was subtle like old Julia Shane. She told her affairs to no one.

* * * * *

When Harvey Seton, twenty-nine, rather pallid and ambitious in a cold-blooded fashion, heard of Samuel Barr’s invention, he set about to gain possession of it. This he accomplished in time, by methods not entirely honest, at the cost of one hundred and fifty dollars. Then he secured a partner and the Eureka Reinforced Corset Factory came to raise its walls in the factory district under the windows of Shane’s Castle.

In justice to Harvey Seton, it must be said that he struggled for a time with his conscience. He was not a bad man. His fault lay in a too great desire for wealth; that is to say, wealth in the abstract, for its own sake alone, and not for what it could bring to him of this world’s pleasures. He had some pangs over his treatment of Samuel Barr, but they were as nothing to the pangs he endured from the nature of his enterprise.... A Methodist corset manufacturer might seem a contradiction in terms, a combination of two elements which are in no way soluble, the one in the other; but somehow, Harvey Seton--perhaps because he was really shrewd--managed to unite them. He continued to sing in the church choir; and, on the left hand, he manufactured corsets. He knew, no doubt, that some of the most devout of his Methodist sisters wore stays beneath their clothes. Perhaps if they had been forced to wear them on the outside, the corset business would have suffered. The world being what it is, Harvey Seton prospered. His corsets became known in remote lands for their durability and their restrictive values. Eureka Reinforced Corsets came to be worn by the great ladies of New York and London, by the housewives of the Middle West, by the demi-mondaines of Paris and Brussels, by professors’ fat wives in Germany. They were introduced at length even among the bisque ladies of Polynesia and the black ladies of brothels in Mozambique. In 1897 Harvey Seton opened a branch factory at St. Denis on the outskirts of Paris. It brought him nearer to his continental markets.

Meanwhile Harvey Seton’s life followed a narrow path to and from the corset factory, and presently he married one of the plumpest of Methodist sisters who presented him after a hesitation of three years with a daughter, May. Then followed an hiatus of ten years and there appeared a thin anemic little boy. These are the facts of Harvey Seton’s life. There was nothing more and nothing less. It was the thin sickly little boy, now grown precocious and somewhat spiteful, who brought the note through the pouring autumn rain to Ellen’s doorstep and thus played his tiny, anemic part in the drama of her life.

* * * * *

But May and Ellen were friends, or as near friends as it was possible for any one to be with such a girl as Ellen. May frankly adored her. She admired her straight, slim figure, so different from her own vague softness, and her handsome dark hair. She envied her ability to play the piano. What Ellen said or believed, to May was gospel. And in this there was nothing extraordinary. It was the worship of a weak, good-natured soul for a strong, self-willed one. May was pretty in a plump, blonde, pale fashion. She giggled a great deal and liked the companionship of the Town boys. Ellen did neither of these things. In fact she hated the boys with a kind of savage resentment, as if it were presumptuous of them even to fancy they might interest her. She permitted May to worship her, since there seemed nothing to be done about it; yet the adoration annoyed her at times so profoundly that she wanted to strike the blonde, silly girl, to really hurt her, to destroy her as she might destroy some pale, stupid worm. She hated her because May had those things which would have made her own way easy. But her pride kept her silent. She smiled at May in her cold, aloof fashion and permitted her to continue worship.

5

When Ellen arrived at the Setons’ on the night following the visit of Jimmy, she found that the family had not yet finished supper. They sat about the table, Seton _père_ at the head, thin, bloodless, bearded, looking like one of the more austere of the saints, rather than a corset manufacturer. Seton _mère_, fat, fleshy, good-natured, occupied a seat at the far end. Between them sat disposed little Jimmy, anemic and insignificant, May plump and pale, and last of all, a stranger.

“This,” said May Seton, giggling and indicating the young man at her left, “is Mr. Clarence Murdock. I’ve been wanting you to meet him, Ellen. I’m sure you’ll like each other. He’s from New York ... here to see Papa on business.”

The young man rose and bowed a little stiffly but with a flattering deference.

“May has told me so much about you ... I’m delighted to know you.”

“Sit down until we finish,” said May. “We’re just eating the last of our dessert.”

Now May’s introduction of Mr. Clarence Murdock was not altogether straightforward. From the phrases she chose, it could be gathered that it was the first time she had ever seen Mr. Murdock and that Ellen had never heard of him before. In this there was no truth for he had seen May many times. They even called each other by their Christian names. And May had given Ellen elaborately detailed descriptions of the young man, having gone even so far as to hint that there was more between them than mere friendship. But May could not resist doing things of this sort where a man was concerned. It was impossible for her to be honest. The mere shadow of a man upon the horizon goaded her into a display of dimples and coquetry. She bridled, grew arch and mysterious. She was taught by an aspiring mother that these things were a part of a game. Ellen might have replied, “Yes. I’ve heard a great deal concerning you, Mr. Murdock,” but she did not. She said, “I’m so glad to know you,” gave him a faint smile and a look which seemed not so much concerned with Mr. Murdock as with the dead fish and boiled lobsters in the ornamental print on the wall behind him. All the same she began quietly examining the points of the stranger.

He was not bad looking and he had nice manners. To be sure he might have been taller. He was not quite so tall as Ellen. He had nice brown hair sleekly brushed back from a high forehead, and he wore a starched collar of the high, ungainly sort which was the fashion in those days. His eyes were brown and gentle and near-sighted, his face well-shaped and his nose straight, though a trifle thin so that it gave his countenance a look of insignificance which one might expect in a perpetual clerk. He was not, Ellen decided, the sort of romantic figure which could sweep her off her feet. Still, he came from New York. That was something. He had lived in the world.

“My, what a rain we’ve been having,” observed Mrs. Seton. “I suppose it’s what you’d call the equinoctial storms.”

Yes, her spouse replied, it was just that. And he launched into a dissertation upon equinoctial storms, their origin, their effect, their endurance, their manifestations in various quarters of the globe,--in short all about them. Fifteen precious minutes passed beyond recall into eternity while Harvey Seton discussed equinoctial storms. No one else spoke, for it was the edict of this father that no one should interrupt him until he had exhausted his subject. He was indeed a King among Bores. And when he had finished, his wife, instead of going further with this topic or one of similar profundity, struck out in the exasperating fashion of women upon some new and trivial tangent.

“Herman Biggs is coming in, Ellen,” she observed brightly. “Right after supper.” And she beamed on Ellen with the air of a great benefactress. Her thoughts were not uttered, yet to one of Ellen’s shrewdness they were clear. The smile said, “Of course a poor girl like you could not aspire to a New Yorker like Mr. Murdock, but I am doing my best to see that you get a good husband. Herman Biggs is respectable and honest. He’ll make a good husband. We must look higher for May. She must have something like Mr. Murdock.”

And even as she spoke the doorbell rang and the anemic Jimmy sped away to open it as if on the doorstep outside stood not the freckled Herman Biggs but some wild adventure in the form of a romantic stranger.

* * * * *

It _was_ Herman Biggs. He came in as he had come in a thousand times before, and stood with his dripping hat in his hand, awkwardly, while he was introduced to Mr. Clarence Murdock. But he did not sit down. The lecture upon equinoctial storms had claimed the remainder of the time allotted to dessert. The little group rose and distributed itself through the house. Mr. Seton went into a room known as his den. Mrs. Seton went into the kitchen and the young people disappeared into the cavernous parlor, followed by Jimmy, still filled with the same expectancy of stupendous adventure, intent upon harassing the little party for the rest of the evening by the sort of guerilla warfare in which he excelled.

It was a gaunt house constructed in a bad period when houses broke out into cupolas, unusual bay windows and variations of the mansard roof. Outside it was painted a liverish brown; inside the effect was the same. In the parlor there was an enormous bronze chandelier with burners constructed in imitation of the lamps found during the excavation of Pompeii, an event which considerably agitated the world of the eighties. The walls were covered with deep red paper of a very complicated design of arabesques upon which was superimposed a second design in very elegant gold, even more complicated. Against this hung engravings of Dignity and Impudence, The Monarch of the Forest, and The Trial of Effie Deans. Pampas grass in vases ornamented with realistic pink porcelain roses, waved its dusty plumes above a bronze clock surmounted by a bronze chariot driver and horses which rushed headlong toward a collision with a porcelain rosebud. By the side of the clock stood a large conch shell bearing in gilt lettering the legend, “Souvenir of Los Angeles, Cal.”

“Shall we play hearts?” asked May, with appropriate glances, “or shall we just talk?... There’s no moon and the piazza is all wet.”

Ellen said nothing; she continued to regard Mr. Murdock with a curious, speculative air.

“Let’s play hearts,” said the anemic Jimmy, fidgeting and climbing over the sofa. “I kin play, Mr. Murdock,” he added proudly.

Upon the pride of the Seton family, Ellen turned a withering glance, charged with homicidal meaning. It said, “What are you doing here?... If you were my brother you’d be in bed where you belong.”

“Ellen wants to play hearts!... Ellen wants to play hearts!” sang out Jimmy, pulling awry the shade of the imitation bronze lamp.

Herman Biggs blushed and stammered that it made no difference to him. Mr. Murdock was gentle and polite. “Let’s talk,” he suggested mildly, “we might as well get acquainted.” As the oldest by nearly ten years and the most sophisticated by virtue of his residence in New York, he took the lead.

“I think so too,” replied Ellen and a curious flash of understanding passed between them, a glance which implied a mutual superiority founded upon something deep in Ellen’s nature and upon Mr. Murdock’s superior age and metropolitan bearing.

So they talked, rather stupid talk, punctuated by May’s giggles, the guffaws of Herman Biggs, and the pinches of the anemic Jimmy, who was never still. Now this pale pest swung himself from the curtains, now he climbed the back of a chair, now he sought the top of the oak piano, menacing lamps and vases and pictures. And after a while Ellen was induced to sit at the piano and play for the party. It was ragtime they wanted, so she played “I’m afraid to go home in the dark” and “Bon-bon Buddy” and other favorites which Mr. Murdock sang in a pleasant baritone voice. After that he gave imitations of various vaudeville artists singing these same ballads.

At length May and Herman Biggs retired, accompanied by Jimmy, to bring in the refreshments, and Ellen was left alone with the stranger.

“I suppose,” she began, “you find it dull here after New York.”

Mr. Murdock coughed. “No, it’s pleasant enough.... Mr. Seton has been very kind to me.... I’ll be here another week or two installing the electrical equipment.”

Ellen raised her head proudly. “I’m going to New York myself soon ... probably this winter.... I’m going to study music.”

Mr. Murdock was very ready. “Well, we must meet again there.... It’s a lonely place for a girl without family or friends.”

“But I don’t get homesick,” said Ellen, with the sophisticated air of an experienced traveler. “I certainly wouldn’t be homesick in New York.”

From that moment Mr. Murdock began to regard her with a deeper interest. Perhaps he saw that by her side May had no points to be compared with Ellen’s air of quiet assurance, her youthful dignity, her curiously apparent respect for herself as an individual. She sat in the plush rocker within the glow from the bronze lamp. At the moment she was not awkward at all; she was tall, graceful, dark, even a little imposing. The essence of her individuality rose triumphant above the plush rocker, the engravings that hung against the elaborate wall paper, above even the cheap dress which concealed her young slenderness. She stirred the imagination. Certainly her face was interesting.

“I didn’t know,” began Mr. Murdock, “that you were a professional musician.... I don’t suppose you like playing ragtime.... Maybe you’d play me something good ... something classical, really good, I mean like Nevin or MacDowell.”

And Mr. Murdock, growing communicative, went on to say that his sister played too. She lived in Ogdensburg, New York. He had come from Ogdensburg to make his fortune in the city. That was the reason, he said, that he understood how lonely a person could be.

“Of course, it’s different now,” he continued, “I have lots of friends.... Homer Bunce and Herbert Wyck.... But you’ll meet them when you come to New York.”

He was very pleasant, Mr. Murdock. And he was nice looking in a rather spiritless way. His eyes were kind and his hands nice. To Ellen hands were important features. Shrewd beyond her years, she saw people by their hands and their mouths. Mr. Murdock’s mouth was a trifle small and compressed, but otherwise all right. He might be a prig, but underneath the priggishness there lay a character nice enough.

“And now won’t you play for me?” he persisted, “something of Nevin or MacDowell?”

Ellen went to the piano and played a Venetian Sketch and To a Waterlily. She and Miss Ogilvie considered such music pap. From choice she would not have played it, but she understood at once that Mr. Murdock would like this music. Indeed he had asked for it. She knew he would like what the people in the Town liked. Mr. Murdock listened with his eyes closed and when she had finished he said, “My, that’s fine.... I like soft, sweet music.”

She was still playing when May and Herman returned bearing the hot chocolate and plates of cakes, followed closely by the simian Jimmy, his mouth stuffed to overflowing. Mr. Murdock still listened, lying back in his chair with closed eyes.

* * * * *

It was Mr. Murdock who outmaneuvered the _gauche_ Herman Biggs and escorted her home. They talked stiffly, walking very close to each other through the pouring rain beneath the Tolliver family umbrella.

On the steps of the porch, Ellen bade him good-night.

“We must meet again before I go away.”

“Certainly,” said Ellen; but in her heart she had resolved against it, for she considered Mr. Murdock slightly boring. It was possible, she could see now, for people to live in a city and still never leave their home towns.

It was like Mr. Seton, thought Ellen. Every two years he went to Europe to visit the Junoform Reinforced Corset branch factory at St. Denis near Paris, but he really never left the Town at all. He carried it with him.

If only she could go to Paris....

6

Mr. Murdock stayed a week longer than he had planned, and before he left he managed to see Ellen not once, but many times. Always May was present, giggling and admiring, though toward the end, under the prodding of a shrewd mother who saw a concealed menace in the situation, she betrayed a slight and refreshing coldness toward her friend. Before he left, Ellen called him Mr. Murdock no longer, but Clarence.

In the weeks that followed she received from him two post cards, one a colored picture of lower New York photographed from Brooklyn Bridge against the sunset and the other a view of the Reservoir at Forty-Second street which, he wrote, had been demolished a little while before. On them he recalled her promise to let him know when she came to New York. May, however, received a dozen post cards and a half-dozen letters, so his correspondence with Ellen must have signified nothing at all. Certainly it did not excite her deeply.

“Clarence writes me,” said May one day, “that you are going to New York. Why didn’t you tell me?... I should think you’d tell your best friend a thing like that.”

And Ellen slipped into a cloud of evasions. “I may have told him that,” she replied airily. “I don’t know how he could have found out.... It was a secret, I haven’t mentioned it to any-one.” And she made a number of vague excuses, which seemed neither logical nor founded upon fact. It was as if she considered May too stupid to understand such things or thought her too unimportant to consider at all.

“It’s funny,” said May, “that you’d tell such a thing to a stranger like Clarence....” For a moment the suspicions planted in her complacent mind by an aspiring mother stirred with life and raised their heads. But she succumbed again quickly to the domination of her companion and thrust an arm about Ellen’s waist.

“It’s only because I’m interested,” she said. “I know that you’re going to be great and famous some day.... We’re all going to be proud of you.”

At which Ellen sniffed, not without an air of scorn, as if she cared not a fig whether the Town was proud of her or not.

At home, however, May received another warning from her mother. “Mr. Murdock,” said the plump Mrs. Seton, “is not a young man to be passed up lightly.... There aren’t many like him.... He suits your father to a T, and he would fit in fine at the factory. Your father needs some one like that to help him out, until Jimmy is big enough to take hold.... Don’t trust Ellen too far.... She’s too quiet to be trusted.”

At which May only laughed. “Why, Ellen wouldn’t think of marrying him,” she said, “she won’t marry anybody in this town.... It isn’t likely she’ll ever marry ... at least for a long time. Besides, she doesn’t think he’s good enough.”

Mrs. Seton snorted angrily and put down the Ladies’ Home Journal. “Good enough for her ...! Who is she to be so choosey?... Why, the Tollivers can’t pay their bills.... They’re just out of bankruptcy.... Good enough for her ...! If she ever gets as fine and upstanding a young man as Mr. Murdock ... a man so industrious and hardworking and well-behaved, she can thank her stars....” For a moment Mrs. Seton paused to recover her breath, greatly dissipated by this indignant outburst. That Ellen should scorn Mr. Clarence Murdock was not a thing to be borne lightly. Then she continued, “And this talk about going to New York.... How’s she going to get to New York? Who’s to put up the money, I’d like to know? Old Julia Shane, I suppose.... It’s not likely the old woman would part with a cent even if she could.”

It was, in the Seton family, a cherished fiction that Julia Shane was stricken by an overwhelming poverty: it was a fiction that increased the confidence of a fortune founded upon reinforced corsets.

“Julia Shane!” continued the ambitious mother, “Julia Shane! What’s she got to be proud about?... With a daughter as fast and loose as Lily?... I suppose she’s proud of living in that filthy old house in the midst of the Flats.”

And so the ashes of the feud between the Setons and the Barr-Shane-Tolliver clan, lighted accidentally by the chance appearance of the guiltless and model Mr. Murdock, showed signs of flaming up again after a peace of twenty years.

7

The Christmas holidays arrived; the Tollivers sold the last of their horses, and went on showing brave and indifferent faces to the world. Ellen, going her secret way, awaited the arrival of her cousin Lily, still certain that Lily would have a solution. She no longer argued with her mother. Instead she took refuge in silence and if she spoke at all it was in a docile and pleasant fashion. She permitted herself to be petted and admired, so that Mrs. Tolliver in the eternal optimism of her nature believed that Ellen had forgotten or out-grown her restlessness, and was content.

But the girl spent hours at her piano, playing wildly, as if the sound of her music in some way eased the fierce restlessness of her spirit. At times she attacked a polonaise with such violence and fire that the spangled notes soared through the air and penetrated even the stillness of Gramp Tolliver’s solitary chamber. At such moments the old man paused in his reading, permitted his book to slip to the floor and sat in his rocking chair motionless, listening with his lean old head cocked a little on one side, a wild and dancing light in his eye. For hours at a time he listened thus, muttering occasionally to himself.

(That granddaughter of his had something which none of them suspected, something that was rare and precious in this world.) When the music at last died away, losing itself in the maze of walls which shut him into exile, it was his habit to sink back with a clucking sound and begin to rock, gently at first and then more and more savagely, until at last he became submerged by the stream of shrewd, malicious thoughts which swept through his old brain.

“She’s got something none of them understand.... And I’m the only one who knows it. But they’ll kill it in her. They’ll pull her down until she’s on the level with the rest of them. I know.... I know.... Haven’t I heard Liszt himself, in Paris in the heyday of his fame? And Rubinstein? They’ll destroy her if they can with all their little tricks and deceits.... Mean they are, meaner than dirt, trying to drag her down to the rest of them.... The girl doesn’t know it herself.... How good she is no one has ever told her.... She doesn’t know the power that’s in her. They’ll never let her free. They’ll clip her wings. They’ve clipped the wings of greater ones....”

And then with a cascade of wicked chuckles the old man settled back to his reading. “They’ve never clipped my wings. They can’t because I don’t live in their world. They can’t come close enough to catch me. They can’t fly high enough....”

And slowly the rocking decreased in violence until at last the chair became quite still and the skinny arm reached down to recover the heavy book. Belowstairs the last echoes of the turbulent music died away until the silence was broken only by the distant cries of children playing in the streets and the faint muttering of the old man....

“It’s best that she doesn’t know.... It wouldn’t help her ... only make her miserable ... only give them a chance to tear her to pieces, nerve by nerve....”

Again the persistent rocking until at last the room grew dark, and the old man rose in response to a loud knock on the door of the stairs, stirred himself and lighted an oil lamp so that he might find his way to the tray of food that Mrs. Tolliver thrust in at the door of his cell. There was no gas in this room beneath the roof; Gramp Tolliver had been an expense for too many years. It would have cost twenty dollars to fit his room with gas lights. And in ten years he had produced nothing save the scraps of paper covered with bird track handwriting that were stowed away in the pigeonholes of the desk.

* * * * *

In those days there came to Grandpa Tolliver, more by some obscure instinct than by any communication with those outside his cell, the certainty that his granddaughter’s behavior was a source of irritation to the people of the Town. True, he occasionally overheard from the kitchen below snatches of reproachful conversation which drifted upward by way of the ventilator ... strange remarks which appeared to come out of the blue, yet when pieced together they provided a coherent story. Reproaches of sulkiness, of silence, of secrecy, cast by a mother, who desired nothing so much as confidences, against a daughter who was incapable of anything but secrecy. They were an ill-matched pair. This the old man understood, with a sort of wicked satisfaction, because the things which in Ellen were incomprehensible to her mother were the things which had come down to the girl from himself. It was another mark in the long score between Grandpa Tolliver and his daughter-in-law; another, in which nature herself took a hand, in the long battle between two fiercely antagonistic temperaments.

He could not have known that the people in the Town likewise had reproaches for Ellen. He could not have known that they said it was her duty to begin giving music lessons in order to prop up the fortunes of a proud and bankrupt family. Yet in his unearthly way, he did know; and in some vague way he was pleased. Even in his isolation so impregnable, so defiant, his heart was warmed by the thought of an ally. The enemy was driving Ellen, a neutral, into his camp; and into his icy heart there came drop by drop a warm trickle of unaccustomed sympathy. Not that Gramp Tolliver planned active aid; that would have been too much to expect, for Gramp Tolliver had discovered half a century earlier the idiocy of mixing in the affairs of other people.

Instead he chuckled and read in triumph and vindication The Decline and Fall.

8

On the morning of the third day before Christmas, Clarence Murdock, bearing a neat handbag packed with those things which he would need during a journey of three weeks through the middle-western country, turned his back on the Babylon Arms and made his way toward the railway station and the transcontinental express. Behind him he left the two young men whom, in the fashion of bachelors who have migrated without root or connection from the provinces into a great city, he had picked up as companions somewhere amid the flotsam and jetsam of Manhattan life. They had come to him separately, each drawn perhaps in his own way by the smug neatness which marked the life and character of Clarence. Yet the two men were in no way alike. Their difference was manifested in the very reasons for their attachment to Clarence. The one, an adventurous boisterous soul, had fastened upon Clarence because Clarence had a talent for keeping things in order, a perfect genius indeed for pigeonholing the very emotions of his own life. Out of the mighty chaos which was the essence of the wholehearted Homer Bunce, there emerged a pathetic need for order and comfort; and this Clarence supplied to superb satisfaction. Even the books and pillows of their tiny apartment were kept in scrupulous order. Disorder made Clarence nervous.

Mr. Wyck, on the other hand, had found strength in Clarence, a thing which Bunce himself never even thought of finding in the orderly depths of Clarence’s soul. For Mr. Wyck’s family was old and Mr. Wyck himself lacked vitality. There was in the lower Manhattan in those days a street named for the Wycks, a street renamed long since, in the hasty fashion of a great city, for a Tammany politician. His family was so old (as age went in New York) that there remained only himself and two spinster aunts who lived at Yonkers. It was this antiquity of blood which the pale Mr. Wyck counted upon as the very rod and staff of his existence. At his first meeting with Clarence, at an annual outing on Staten Island of the employees of the Superba Electrical Company, Inc., Mr. Wyck had sensed in Clarence a certain un-American and shameful respect for an old family name, the strange yearning in a man with no tradition for a name which carried with it memories, even though they were very distant and virtually obsolete, of coaches and country estates. They _were_ distant, for seventy years had gone the way of eternity since there had been money in the Wyck family, and the descendant of the patroons, the last of the Wycks, now followed his fortune as a clerk in the accounting department of the Superba Electrical Company, Inc.

On the rock of this respect for tradition, Wyck had fastened his hope. At length, he discovered in Clarence a man who was impressed; and the self-respect of Mr. Wyck, for all the insignificance of his world, increased in direct proportion with the awe produced in Clarence Murdock by the awful sound of the name Wyck.

* * * * *

Thus the three had come together, living in a fashion contented enough, in a tiny apartment filled with beaded portières bought at a Seventh Avenue emporium and leather cushions decorated with pyrographic Indian heads by loving sisters and aunts. Yet a spirit of unrest hovered over the place, an uneasiness which none save Mr. Wyck discerned with any degree of clarity. He alone knew that the day would come when, one after the other with fatal precision, his two companions would find their present mode of life unendurable. In turn each was certain to choose, from among the hordes of girls that swarmed the streets of New York, a mate. Only the gods knew who these two women might be or where they were at that moment. There was only one certainty, and that Mr. Wyck, with the sensitiveness of an effeminate man of low vitality, admitted to himself. Clarence and Bunce would marry, Bunce no doubt for love because his animal spirits were high, Clarence perhaps because he would be trapped by the glamour of a tradition.

Oh, Mr. Wyck understood this. It troubled him in the moments when he was left in solitude. It disturbed his digestion of the greasy meals which he ate alone each day in some hole-in-the-wall restaurant far downtown near the offices of the Superba Electrical Company, Inc. It was impossible that he should ever marry. Women had never interested him; the very idea filled him with a faint disgust. He would not only be left alone in the world; he would no longer possess even Clarence who respected his name. He knew that any woman was stronger than himself.

* * * * *

The Babylon Arms raised its twelve stories in one of the Eighties just east of Riverside Drive. Among the brownstone fronts of the early part of this century its gaunt sides gave it an overpowering appearance of height, loneliness, even grandeur. In those days great apartments were rare in that part of New York, and the Babylon Arms stood as a solitary outpost of the army of apartment houses which since have ranged their extravagant bulks in a solid face along the North River and eastward to the Park. The Babylon Arms is still there, rather shabby and _démodé_, a belle of the early nineteen hundreds, out of fashion, overpainted, with electric bulbs fitted into gas brackets and the once somber red walls of its hallways painted over in grotesque imitation of the more ostentatious marble of its newer sisters. But its pride is gone. It stands jostled now and a little battered, like the bedizened women who came in from the streets to flit through its gloomy corridors. It is shabby genteel, like the two old ladies who live in the parlor bed-room of the first floor. It is jolly and good-natured, like the clerk and his family who climb the two flights of worn stairs above the point where the antiquated elevator rocks uncertainly to its final stop. It is comic, respectable, quaint, vulgar, tragic, common and happy ... all these things; and so after a fashion, in the way of old houses, it is like life itself.

But it was new and elegant in the early nineteen hundreds. The Babylon Arms! It was a name known throughout the growing Upper West Side! It was the first of the skyscraping apartment houses. And among the pioneer cliff dwellers were Clarence Murdock and two companions who shared among them the expenses of the apartment two floors above where the elevator jolted uncertainly to a final stop. It was not so expensive--living two floors above the elevator; and the name “Babylon Arms” looked impressive, even a little flamboyant, on one’s card. To Bunce the name signified opulence, a certain grandiose triumph of success; to Clarence it meant that people would say, “Ah, the Babylon Arms! He must have a good background to live there!” To Mr. Wyck, it meant simply that he was keeping up one of the traditions of his name; yet there were times too when he was a little ashamed of the Babylon Arms as an institution touched by vulgarity.

As Clarence on the third day before Christmas closed the door behind him on the bead portières and burnt leather cushions, he left Bunce singing lustily as he rubbed his great healthy body in the chilly air of the bathroom, and Mr. Wyck, still lying in bed, his thin, slightly yellow nose peeping above the blankets against the hour when it would be painfully necessary for him to rise. As the door closed, Bunce’s rendition of “I’m afraid to go home in the dark” was interrupted for an instant while he shouted after Clarence, “Look out now and don’t come home married to that fat, pretty Seton girl!”

At the shout Clarence hastened away, shocked a little by the vulgarity of Bunce. As for Mr. Wyck the words struck terror into his heart. He saw the breaking up of his home. He saw himself, a timid, frightened little man, lost once more among the obscenities of a cheap boarding house.

9

A number of things made necessary this trip of Clarence; there were the usual customers to be visited; the new equipment of the Junoform Corset Factory was in need of inspection, and finally there was an engagement to spend Christmas and several days of the holiday season as the guest of the Seton family; and this he looked upon with relief because life in hotels had come to weary him inexpressibly. He longed for a home, with a wife who would put by his slippers for him and sit by his fireside. The prospect of one dreary hotel after another burdened his soul; so the acceptance of Mr. Seton’s invitation had been even colored by a subdued enthusiasm.

It was, after all, ambition which had betrayed him into city life and the wretched, fly-by-night existence of a drummer. He was ambitious to be wealthy, to be admired, to be honored in a community.

There were times, but these were rare and isolated moments, when his ambitions rose for an instant beyond even these things, times when, in an ecstasy of intoxication, they soared dizzily among the pinnacles of hope far beyond the reach of one whose place in the structure of life was clearly somewhere in the foundations. It was then that he caught for an instant glimpses of a life in which he saw himself not only wealthy and respectable but distinguished and glamorous, one whose character captured the imagination, who gave himself and his life to the great world.

All this was perhaps not clearly thought out in his mind; yet he sensed its presence a little way beyond his reach as a small boy searches in the darkness of a jam closet for something which he knows is there but cannot see.

In these lurid, almost ecstatic moments, he saw his future wife not so much in the rôle of a domestic paragon, as a brilliant and beautiful creature, fit to walk through the avenues of the great world by the side of a clever and worldly man. To be sure, such things were never mentioned to fellow-drummers, yet they were there, shut up in his heart, quiet save for rare moments. His companions in the smoking car may have had their secrets too. It is impossible to say. If such secrets existed, they were too well hidden beneath their suspicions of each other.

* * * * *

It was in one of his placid, normal moods that he boarded the train for the west. He took off his brown overcoat with the half-belt at the back, his brown fedora hat, adjusted his eyeglasses, and settled himself in his chair. At the moment he permitted his thoughts to hover about the picture of May Seton, pale, blonde, good-natured and pretty in her plump way. There was nothing in the least carnal in these thoughts, for he was a young man who might have served as a model for those institutions which concern themselves with the morals of young men and preach the doctrine that complete purity of mind is possible by sheer perseverance alone. He was innocent of women. He had worked hard and had no time for them. Indeed the very thought of them in that way gave him a faintly squeamish feeling. He was one of those in whom desire follows in the wake of timid experience, who cannot in the beginning conceive passion otherwise than abstractly. So now he conceived May Seton more as an idea, a sort of stepping stone to comfort and warmth, than as a woman to be desired. That he might be a sensual man had never occurred to him.

As the train moved across the Jersey Flats he fell to considering his prospects as a son-in-law of Harvey Seton and the certainty of an interest in the Junoform Reinforced Corset Company, a thing already hinted at by his suppositions mother-in-law. He thought of the Town. He pictured, quite clearly and placidly, a small and pleasant house surrounded by shrubs and trees, a comfortable front porch. He even pictured Mrs. May Seton Murdock in a rocking chair, far more attractive than she was in the flesh, darning his socks. In fact, he saw his future bounded on four sides by Junoform Reinforced Corsets, by May Seton, by the Town and by hard work. It was this placid and uneventful path that his feet were to follow.

The car in which Clarence sat, like all cars bound from the East across the mountains into the fertile and prosperous Midlands, was crowded. He was not a man gifted with great curiosity and rarely indulged himself in speculation concerning his fellow travelers. Indeed, from his manner one soon understood that he observed very little about him. And now as the wheels clicked along the smooth track he settled himself to reading. He had brought with him against the monotonous agony of the trip a book by Richard Harding Davis and a copy of the _Saturday Evening Post_, and these absorbed his attention until the train had passed Philadelphia and turned northward a bit in the direction of Altoona. Presently his interest flagged and he fell to watching the scenery; but before long this too wearied him and he fell asleep. Slumber was a state which he welcomed, for there were long periods when his mind grew exhausted with turning over the same frayed thoughts. There were times when it might have been said that he existed in a state of suspended animation.

So between slumber and a bored wakefulness, the hours passed in a succession of dreary towns and monotonous winter-dead farms, punctuated by signs advertising patent medicines and cheap hotels. As the train swept through Johnstown, he was for a moment diverted by the sight of so much smoke and desolation, by the gigantic slag heaps and the flaming furnaces. The spectacle was not a new one. He must have seen it twenty times, by day when it was sordid, and by night when it became wild and fantastically magnificent. Yet it interested him as it always interested him, tugging at some part of his soul which failed to fit the neat pattern of his universal conformity.

“What a great country!” he reflected. “By George! It’s a privilege to be a citizen of a country so energetic and prosperous!”

A curious light came suddenly into his nice brown eyes, and for a time the corset factory and May Seton were forgotten in the face of a new emotion, so much more profound and stirring. Even the rawness, the barren crudity of the picture exalted him. For a moment his ambitions threatened to gain the upper hand--those wild unruly ambitions which sometimes bore him beyond the round of thoughts which wearied him.

“To own mills like these!” he thought. “To be a power in industry. To go to Europe every year. To have a great house and one of these new automobiles.”

And Johnstown disappeared behind the train, lost in a gigantic and all-enveloping cloud of smoke and soot through which the flames of the furnaces flashed dimly.

The monotonous mountains, seamed with black rivers flowing between crags of blue ice, succeeded the smutty town, and Clarence settled back in his chair. But he did not read. He sat staring out of the window, thinking, thinking, thinking. Perhaps he tried to nurse his sense of importance, to persuade himself that he possessed the stuff which went into the accomplishments of great ambitions.

The roaring train sped on and on, and presently he went into the smoking compartment where he fell into conversation with other traveling salesmen. They exchanged stories of a broad nature, until Clarence, by nature a nice young man, found the flavor growing too strong and returned to his seat.

Then it was for the first time that he noticed his fellow passengers. He did not notice all of them, or even two or three. He noticed only one, a woman who sat in the chair beside him reading a novel with a yellow paper back called “Chèri” by a person with the queer name of Colette.

He sat down and tried to read but, for some obscure reason, the figure of the woman kept getting between him and the story of the great open spaces. He found himself reading paragraphs which meant nothing to him. He read an entire page without knowing what had happened in the tale. Such a thing had never happened to him before.

The woman who kept thrusting herself between him and the story was dressed all in black, though she did not appear to be in mourning. Rather it seemed that she wore black because it became her. Across one shoulder was thrown a stole of black fox and from the brim of her small hat hung a froth of black lace which obscured her dark eyes and permitted her to regard her companions without receiving in return the force of their stares. From beneath the hat there escaped a bit of tawny hair, so dark that in some lights it appeared almost red. She appeared to take full advantage of the shield made by the lace, for from time to time she put down her yellow-backed novel and fell to observing the people about her ... a middle-aged woman with a little boy in a sailor suit, a fat man who lay back in his seat and snored quietly, a pair of college girls, one reading ponderously the essays of Emerson and the other absorbed (self-consciously) in the pages of Boccacio; another traveling salesman and a pair of old women returning from a funeral who vied with each other in a talking race.

“And then I said to her....” “She said, ‘Mabel, he’ll never be well again ... even if he didn’t die, he’ll never be well again’” ... and “What do you think of such behavior?... Unpardonable, I thought....” “I quite agree with you, unpardonable....” “Well, that’s what I told Mabel.”

Snatches of the old women’s talk, projected in voices pitched high enough to override the clamor of the train, were tossed about them like jagged fragments of glass.

The woman with the veil put down her book and, smiling quietly, listened to them. She turned away from Clarence a little so that he was able to shift his position and thus obtain a clearer view of her.

She was beautiful, and even to Clarence, unskilled in such fine distinctions, it was clear that she was a lady. This fact was conveyed beyond all doubt by the way she sat, poised with a neat and easy grace, in the way her slender hands clasping her book lay against the black of her dress, the way she carried her head and wore her fine clothes, even by the veil which somehow stood as a symbol of all that was gently bred in her character. There seemed between her and the others in the car an invisible veil which shielded her while she looked out upon them from a different world.

At her feet stood a smart black handbag, covered with bright labels. Clarence read them one after another in a kind of intoxication--Sorrento, Cannes, Dieppe, Hotel Ruhl, Hotel Royal Splendide, Hotel Ritz-Carlton. And, surely yet imperceptibly, just as an hour or two earlier the sight of the Johnstown furnaces had captivated his moderate imagination, the woman began to take possession of him. Somehow these two impressions became blended, and out of them there came to Clarence glimpses of a brilliant world which he never before penetrated, even in the wildest flights of ambition.

* * * * *