Principles of literary criticism
by OpenStories
Original author: I. A. Richards
"Principles of Literary Criticism" by I. A. Richards is a scholarly work on literary criticism written in the early 20th century. The book dissects various critical theories, positing that a comprehensive understanding of literature must be rooted in psychological principles and theories of value. Richards aims to clarify how we evaluate art, noting the importance of communication in all forms of artistic expression. The opening of the work serves as both an introduction and a commentary on the current state of critique in the arts. It points out the chaotic landscape of existing literary theories, where despite the accessibility of artistic experiences, there remains a lack of coherent understanding surrounding the value of these experiences. Richards critiques past and contemporary critics, suggesting that while they have made notable observations, they often fail to answer the fundamental question of what makes an artistic experience valuable. Instead of providing mere conjectures, he argues for a systematic exploration through psychology, aiming for a critical framework that can properly organize and evaluate artistic ventures.
Principles of literary criticism, by I. A. Richards. Republished by OpenStories from Project Gutenberg eBook #73827.
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43 Chapters
- 1.Preface1,104 words
- 2.Chapter I: The Chaos of Critical Theories1,533 words
- 3.Chapter II: The Phantom Æsthetic State2,145 words
- 4.Chapter III: The Language of Criticism1,775 words
- 5.Chapter IV: Communication and the Artist2,385 words
- 6.Chapter V: The Critics’ Concern with Value1,153 words
- 7.Chapter VI: Value as an Ultimate Idea1,706 words
- 8.Chapter VII: A Psychological Theory of Value4,074 words
- 9.Chapter VIII: Art and Morals1,278 words
- 10.Chapter IX: Actual and Possible Misapprehensions2,201 words
- 11.Chapter X: Poetry for Poetry’s Sake2,831 words
- 12.Chapter XI: A Sketch for a Psychology3,093 words
- 13.Chapter XII: Pleasure1,742 words
- 14.Chapter XIII: Emotion and the Cœnesthesia1,434 words
- 15.Chapter XIV: Memory1,041 words
- 16.Chapter XV: Attitudes1,116 words
- 17.Chapter XXXII: , p. 249.)726 words
- 18.Chapter XVI: The Analysis of a Poem5,436 words
- 19.Chapter XVII: Rhythm and Metre2,164 words
- 20.Chapter XIII: we saw an analogous situation arising in the case365 words
- 21.Chapter XVIII: ), so in poetry. What can be done by sound should1,011 words
- 22.Chapter XVIII: On Looking at a Picture939 words
- 23.Chapter XVI: ). The eye, as is well known, is peculiar among our3,255 words
- 24.Chapter XIX: Sculpture and the Construction of Form1,971 words
- 25.Chapter XX: The Impasse of Musical Theory1,907 words
- 26.Chapter XXI: A Theory of Communication1,393 words
- 27.Chapter XXII: The Availability of the Poet’s Experience1,586 words
- 28.Chapter XXIII: Tolstoy’s Infection Theory1,028 words
- 29.Chapter XXIV: The Normality of the Artist2,802 words
- 30.Chapter XXV: Badness in Poetry2,024 words
- 31.Chapter XXVI: Judgment and Divergent Readings939 words
- 32.Chapter XXVII: Levels of Response and the Width of Appeal1,089 words
- 33.Chapter XXVIII: The Allusiveness of Modern Poetry1,309 words
- 34.Chapter XXIX: Permanence as a Criterion748 words
- 35.Chapter XXX: The Definition of a Poem1,543 words
- 36.Chapter XXXI: Art, Play, and Civilisation2,980 words
- 37.Chapter XXXII: The Imagination3,968 words
- 38.Chapter XXXIII: Truth and Revelation Theories1,821 words
- 39.Chapter XXXIV: The Two Uses of Language3,323 words
- 40.Chapter XXXV: Poetry and Beliefs4,784 words
- 41.Chapter X: , especially the final paragraph. If a belief in Retributive159 words
- 42.Appendix: A. On Value357 words
- 43.Appendix: B1,887 words