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Chapter VI: Act II: Library and Armoury. Convenient swords and loaded

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blunderbusses. _Lord Keeper Ashton_ appears. Quite right that there should be the Keeper present, in view of _Lucy_ subsequently going mad. Young _Henry Ashton_, the youth GORDON CRAIG, a lad of promise, and performance, has the entire stage to himself for full two minutes, to show what he can do with a speech descriptive of some pictures. Master alone with Keeper, suggests duel. Why arms in Library, unless duel? Fight about to commence according to Queensberry rules, when Master sees portrait. Whose? _Lucy's_? "No," says Master; "not to be taken in. I know LUCY'S picture; it was done by WARD." The Keeper explains that this is a portrait, not of the author of _The History of Two Parliaments_, and _Fleecing Gideon_, but of his daughter _Lucy_, which has never yet been seen in any exhibition or loan collection. "Oho," says Master, "then I won't fight a chap who has a daughter like that." Ha! Mad bull "heard without"--one of the "herd without,"--Master picks up blunderbuss, no blunder, makes a hit and saves a miss; i.e., _Lucy_. What shall he have who kills the bull with a bull 'it? Why, a tent at Cowshot, near Bisley.

_Next Scene_.--Wolf's Crag. Grand picture--thunder--music--Dr. MACKENZIE--Mr. MACINTOSH--"the two MACS"--doing excellent work in orchestra, and on stage--storm--Miss MARRIOTT admirable as old Witch--red light in fire-grate--blank verse by MERIVALE, and on we go to

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Punch, or the London Charivari, Volume 99, October 4, 1890Chapter VI: Act II: Library and Armoury. Convenient swords and loaded

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