Chapter VIII: Part II: Index of Titles

_General Literature_

ARMSTRONG, THOMAS, C.B. A Memoir. Reminiscences of Du Maurier and
Whistler. _Edited by L. M. Lamont._

ART OF BALLET, THE. _By Mark Perugini._

ART OF SILHOUETTE, THE. _By Desmond Coke._

AUSTRALASIAN WANDER-YEAR, AN. _By H. M. Vaughan._

BALLAD, THE. _By Frank Sidgwick._

BATTLE OF THE BOYNE, THE. _By D. C. Boulger._

BEHIND THE RANGES. _By F. G. Aflalo._

BIRDS IN THE CALENDAR. _By F. G. Aflalo._

BRIDGES: A CRITICAL STUDY. _By F. E. Brett Young._

BUTLER: A CRITICAL STUDY. _By Gilbert Cannan._

CAMILLE DESMOULINS. _By Violet Methley._

CARMINA VARIA. _By C. Kennett Burrow._

CARRIAGES AND COACHES: THEIR HISTORY AND THEIR EVOLUTION. _By Ralph
Straus._

CHRISTMAS CARD, A. _By Filson Young._

COMEDY. _By John Palmer._

CORONAL, A. A New Anthology. _By L. M. Lamont._

CRITICISM. _By P. P. Howe._

CUMBERLAND LETTERS, THE. _By Clementina Black._

D’EON DE BEAUMONT. _Translated by Alfred Rieu._

DRAMATIC PORTRAITS. _By P. P. Howe._

DRAMATIC WORKS OF GERHART HAUPTMANN. _6 vols._

DRAMATIC WORKS OF ST. JOHN HANKIN. _Introduction by John Drinkwater.
3 Vols._

EGYPTIAN ÆSTHETICS. _By René Francis._

EPIC, THE. _By Lascelles Abercrombie._

ESSAY, THE. _By Orlo Williams._

FEMININE INFLUENCE ON THE POETS. _By Edward Thomas._

FOUNTAINS IN THE SAND. _By Norman Douglas._

GISSING: A CRITICAL STUDY. _By Frank Swinnerton._

GRAHAME OF CLAVERHOUSE. _By Michael Barrington._

HARDY: A CRITICAL STUDY. _By Lascelles Abercrombie._

HIEROGLYPHICS. _By Arthur Machen._

HISTORY. _By R. H. Gretton._

HISTORY OF THE HARLEQUINADE, THE. _By Maurice Sand._

IBSEN: A CRITICAL STUDY. _By R. Ellis Roberts._

IRISH EXILES AT ST. GERMAINS, THE. _By D. C. Boulger._

JAMES: A CRITICAL STUDY. _By F. M. Hueffer._

KENSINGTON RHYMES. _By Compton Mackenzie._

LEADERS OF THE PEOPLE. _By Joseph Clayton._

LETTERS FROM GREECE. _By John Mavrogordato._

LINLEYS OF BATH, THE. _By Clementina Black._

LYRIC, THE. _By John Drinkwater._

MAETERLINCK: A CRITICAL STUDY. _By Una Taylor._

MAGIC. _By G. K. Chesterton._

MARY WOLLSTONECRAFT. _By G. R. Stirling Taylor._

MEREDITH: A CRITICAL STUDY. _By Orlo Williams._

MORRIS: A CRITICAL STUDY. _By John Drinkwater._

NEW LEAVES. _By Filson Young._

NOOKS AND CORNERS OF OLD ENGLAND. _By Allan Fea._

OLD CALABRIA. _By Norman Douglas._

OLD ENGLISH HOUSES. _By Allan Fea._

PARODY. _By Christopher Stone._

PATER: A CRITICAL STUDY. _By Edward Thomas._

PEACOCK: A CRITICAL STUDY. _By A. Martin Freeman._

PEER GYNT. _Translated by R. Ellis Roberts._

PEOPLE AND QUESTIONS. _By G. S. Street._

PERFUMES OF ARABY. _By Harold Jacob._

PERSONALITY IN LITERATURE. _By R. A. Scott-James._

POEMS. _By Compton Mackenzie._

PUNCTUATION. _By Filson Young._

REAL CAPTAIN CLEVELAND, THE. _By Allan Fea._

REGILDING THE CRESCENT. _By F. G. Aflalo._

REPERTORY THEATRE, THE. _By P. P. Howe._

ROBERT KETT AND THE NORFOLK RISING. _By Joseph Clayton._

ROSSETTI: A CRITICAL STUDY. _By John Drinkwater._

SATIRE. _By Gilbert Cannan._

SHAW: A CRITICAL STUDY. _By P. P. Howe._

SHORT STORY, THE. _By Barry Pain._

SOCIAL HISTORY OF SMOKING, THE. _By G. L. Apperson._

SOME ECCENTRICS AND A WOMAN. _By Lewis Melville._

SPECULATIVE DIALOGUES. _By Lascelles Abercrombie._

STEVENSON: A CRITICAL STUDY. _By Frank Swinnerton._

STUPOR MUNDI. _By Lionel Allshorn._

SWINBURNE: A CRITICAL STUDY. _By Edward Thomas._

SYNGE: A CRITICAL STUDY. _By P. P. Howe._

TENTH MUSE, THE. _By Edward Thomas._

THOSE UNITED STATES. _By Arnold Bennett._

THOMPSON. _By St. John Hankin and G. Calderon._

VIE DE BOHÈME. _By Orlo Williams._

WHITMAN: A CRITICAL STUDY. _By Basil de Sélincourt._

_Fiction_

ABOVE YOUR HEADS. _By Frederick Niven._

BANKRUPT, THE. _By Horace Horsnell._

BURNT HOUSE, THE. _By Christopher Stone._

CARNIVAL. _By Compton Mackenzie._

COMMON CHORD, THE. _By Phyllis Bottome._

DEAD MEN’S BELLS. _By Frederick Niven._

DEBIT ACCOUNT, THE. _By Oliver Onions._

DEEP SEA. _By F. Brett Young._

DUCHESS OF WREXE, THE. _By Hugh Walpole._

FOOL’S TRAGEDY, THE. _By A. Scott Craven._

FORTITUDE. _By Hugh Walpole._

GOLIGHTLYS, THE. _By Laurence North._

HANDS UP! _By Frederick Niven._

HOUSE OF SANDS, THE. _By L. M. Watt._

IMPATIENT GRISELDA. _By Laurence North._

IMPERFECT BRANCH, THE. _By Richard Lluellyn._

IN ACCORDANCE WITH THE EVIDENCE. _By Oliver Onions._

LOT BARROW. _By Viola Meynell._

MARRIAGE OF QUIXOTE, THE. _By Donald Armstrong._

MODERN LOVERS. _By Viola Meynell._

OLD MOLE. _By Gilbert Cannan._

ONE KIND AND ANOTHER. _By Barry Pain._

OUTWARD APPEARANCE, THE. _By Stanley V. Makower._

PASSIONATE ELOPEMENT, THE. _By Compton Mackenzie._

PORCELAIN LADY, THE. _By Frederick Niven._

QUESTING BEAST, THE. _By Ivy Low._

RECORD OF A SILENT LIFE, THE. _By Anna Preston._

ROUND THE CORNER. _By Gilbert Cannan._

SINISTER STREET. I. _By Compton Mackenzie._

SINISTER STREET. II. _By Compton Mackenzie._

STORY OF LOUIE, THE. _By Oliver Onions._

TELLING THE TRUTH. _By William Hewlett._

UNCLE’S ADVICE. _By William Hewlett._

UNDERGROWTH. _By F. & E. Brett Young._

UNDERMAN, THE. _By Joseph Clayton._

WHITE WEBS. _By Theo Douglas._

WIDDERSHINS. _By Oliver Onions._

WILDERNESS OF MONKEYS, A. _By Frederick Niven._

MARTIN SECKER’S
COMPLETE CATALOGUE OF
BOOKS PUBLISHED BY HIM AT
NUMBER FIVE JOHN STREET
ADELPHI LONDON
AUTUMN
MCMXIV

BALLANTYNE
PRESS
LONDON

FOOTNOTE:

[1] I am not unaware that some parts of this book were written by Mr. Osbourne, and that Mr. Osbourne claims responsibility for several of the passages to which the above may seem directly to refer.

TRANSCRIBER’S NOTES:

Italicized text is surrounded by underscores: _italics_.

Obvious typographical errors have been corrected.

Inconsistencies in hyphenation have been standardized.

Archaic or variant spelling has been retained.