Renaissance literary theory and practice
by OpenStories
Original author: Charles Sears Baldwin
"Renaissance Literary Theory and Practice: Classicism in the Rhetoric and Poetic Of Italy, France, and England" by Charles Sears Baldwin is a scholarly publication written in the mid-20th century. This work serves as an academic exploration of the literary theories and practices that emerged during the Renaissance, particularly the revival of classical rhetoric and poetry across various European cultures. The book likely discusses the interplay between Renaissance literature and classic ideals, emphasizing the rich contributions of Italian, French, and English writers from the 1400s to the 1600s. The opening of this examination introduces Baldwin's focus on the Renaissance as a self-proclaimed "new day" in literary history, reconnecting with classical traditions after a perceived period of medieval decline. Baldwin articulates the cultural and intellectual shifts that characterized the era, noting prominently how the revival of ancient texts and the advent of printing galvanized a movement toward humanistic literature. He frames the discussion with a clear intention to outline the complexities of this literary revival, distinguishing between poetic forms and rhetorical structures while setting the stage for a detailed analysis of significant figures and texts from the period.
Renaissance literary theory and practice, by Charles Sears Baldwin. Republished by OpenStories from Project Gutenberg eBook #72647.
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24 Chapters
- 1.Introduction847 words
- 2.Chapter I: The Renaissance as a Literary Period3,315 words
- 3.Chapter II: Latin, Greek, and the Vernaculars5,386 words
- 4.Chapter III: Imitation of Prose Forms, Ciceronianism, Rhetorics6,555 words
- 5.Chapter IV: Imitation in Lyric and Pastoral6,235 words
- 6.Chapter V: Romance3,098 words
- 7.Book I: mentions the Cyclops, Circe, Thyestes, Medusa, the Centaurs,4,812 words
- 8.Canto XXXVIII: takes Ruggiero from her, to support his honor; “and2,940 words
- 9.Chapter VI: Drama1,772 words
- 10.Act III: Upon a Senecan monologue by Areus breaks Octavius to60 words
- 11.Act V: is an epilogue. The Nurse reports the death of Portia,146 words
- 12.Act I: of Cornélie is again a prelude consisting of a fine172 words
- 13.Act I: , for the first time more than a prelude, consists3,166 words
- 14.Chapter VII: Sixteenth-Century Poetics3,651 words
- 15.Book IV: analyzes style under the headings of the classical1,961 words
- 16.Part III: (Style), opening with the rhetorical tradition of1,347 words
- 17.Book III: , Ornament, is a long and elaborate classification of562 words
- 18.Section I: (Tragedy) classifies characterization by types58 words
- 19.Section II: (Epic) imposes the obligation of a single action72 words
- 20.Section III: (Comedy) is merely an adaptation of the headings842 words
- 21.Chapter VIII: Prose Narrative6,405 words
- 22.Book XII: The Milanese legates at Venice against the70 words
- 23.Book II: shows Florence in full republican career thwarted by2,116 words
- 24.Chapter IX: Essays7,950 words