Chapter M: Goursey (6)

_Homme Obstiné, l'_, xlix.

_Homme Pécheur, l'_, xlix, lxxii.

Hone, William, his _Ancient Mysteries_, xxi, xxxviii.

_Horestes_, by John Pikerynge, xlix, lii, lxxxvii, 204.

Host, the miracle of the, xxxix.

_Hot Anger Soon Cold_, by Porter (with Chettle and Ben Jonson), 522, 523.

Hox Tuesday play, the, mentioned, xxxvii, xli.

Hrosvitha, mentioned, xvii.

'Huanebango' in _O. W. T._, and Gabriel Harvey, 343, 345, 359, 383.

Humanists, their drama, etc., lxxiii, lxxvi, lxxxii, 98.

Humours, the comedy of, anticipations of, lii, liv, lxiii, lxxxvi, 532, _et passim_.

Hunt, Joseph, published Porter's _2 A. W. A._, 534.

Hunter, Joseph, his _Chorus Vatum Anglicanorum_ (in the British Museum), 518.

_Hunting of Cupid, The_, by Peele, 415.

_Hyckescorner_, a moral interlude, lx, lxxi, lxxiv; referred to, 133.

IDEAL, the, in comedy, xv, xxi, xxx, xxxi, xxxviii, lviii, lxi, lxii, lxix, lxxviii, lxxxii, lxxxv, lxxxvii, xcii; in Udall's, 99; in Greene's, 390, 392, 394, 419, 428, 429; in Shakespeare's, 637–643, 647, 648, 651, 654–661.

Induction, the use of, in _Old Wives' Tale_, 343; in plays by Greene, Shakespeare, Nashe, Jonson, Beaumont and Fletcher; Schwab's thesis on, 343–344.

Ingeland, Thomas, his interlude of _The Disobedient Child_, lxxv.

Innocent III, against acting, xix.

Interludes: _Interludium de Clerico et Puella_, xvii, xxxvii, lxvi; interludes in churches, xx; moral, xl; relation of miracle, moral, and interlude, lv; various kinds of interlude, lvi; causes of improvement in, lvii; farce and romantic interlude, lxiv; school and controversial, lxxii; Italian models, lxxxviii; See also under _John Heywood_.

Intrigue and passion, plot of, xcii.

_Iphigenia_, a children's play, 268.

JACKE JUGELER, play of, xlix, li, lxxii, lxxviii, lxxix, 103, 107.

_Jack the Giant-Killer_, the story of, in connection with _Old Wives' Tale_, 345.

_Jack Wilton_, by Nashe, 266.

_Jacob and Esau, The Historie of_, a play, lxxiv, lxxvii, lxxx, lxxxii.

Jacobs, J., _English Fairy Tales_, 345, 359, 362.

_James IV, The Scottish Historie of_, by Greene, lxxxiii, 389, 392, 404, 415, 418, 420, 427.

Jeffes, Anthony, and Humphrey, actors in the Admiral's company in Porter's time, 524.

Jew, the, in early comedy, xc (_Jew of Malta_, etc.).

_Jobe, A History of_, attributed to Greene, 418.

_Johan Johan, Tyb, etc., A mery play betwene_, assigned to John Heywood, an edition with critical essay and notes, by Mr. A. W. Pollard, 1–19, 59–87; Other mention, xvii, lxix, lxxxi, 533.

_Johan, Kyng_, by Bishop Bale, xlix, lxxii, lxxv–lxxvii.

_John, King of England, The Troublesome Raigne of_, attributed to Greene, 418.

Jonson, Ben, liii, lxxiii, lxxv, lxxxviii; his _New Inn_ referred to, 109; and Lyly, 274, 275; his use of the induction, 343; and Henry Porter, 515, 522, 533; on the purpose of comedy, 637, 645; in _Troilus and Cressida_, 638, 657, 658.

Joseph and Mary Plays, the, of York, Wakefield, and Coventry, chivalrous and romantic quality of, xxix.

Juby, Ed., the actor, and Greene, 401.

_Judicium_, the Wakefield play of _The_, xxvii, xxix, xlvi, xlviii, lxxxi.

_Judith_, by Macropedius, lxx.

Jusserand, M. J. J., on Heywood's interludes, lxvi.

KILLING OF THE CHILDREN OF ISRAEL, the Digby play of the, xxiii, xxx.

_Kind Hart's Dreams_, by Chettle, 419, 422.

Kirchmayer (Naogeorgos), his _Pammachius_, lxv, lxx.

Kirkman, Francis, his catalogue of plays; Peele, 336; Greene, 419; Porter, 518.

Kittredge, Professor G. L., on _Sir Clyomon_, 336; on a phrase in _Alexander and Campaspe_, 303.

Klein, Professor G. L., his _Geschichte d. englischen Dramas_, xviii, xxi, xxxvi, lii, lxviii, lxx.

_Knack to Know a Knave, A_, 'the comedie last writ' (?), compared with _Friar Bacon_, and with the _Looking-Glasse_, 418, 424, 425 and note, 427, 429, 457, 499; mentioned, xlviii, xc.

_Knight of the Burning Pestle, The_, by Beaumont and Fletcher, 342, 343.

Koch, _Englische Studien_, note in, 190.

Kyd, Thomas, lxxxviii; and Lyly, 273; and Greene, 410.

LACUNA, the metrical use of in dramatic blank verse, 510.

Lämmerhirt, G. P., _Untersuchungen, u. s. w._, concerning Peele, 341, 348.

Langbaine, G., his _Account of the English Dramatick Poets_, 518.

Langland, xix; his _Piers Plowman_, xl, 108, 109, 191, etc.

Latimer, Bishop, his _Sermons_ (on exorcising the devil), 192, 193.

Latin,--tropes, xiii; saints' plays, xiv–xvi; cultivation of Plautus and Terence in the Middle Ages and their impress on elegiac comedy, xvii; history of the later comedy, lxv, lxvii.

Leach, A. F., _Some English Plays and Players_ (in the _Furnivall Miscellany_), xix.

_Lear, King_, Shakespeare's, 418, 639, 660.

Lee, Mr. Sidney, his _Life of Shakespeare_, 406, 408.

Leicester, the Earl of, his relation to _Endimion_, 267; to _Alexander and Campaspe_, 269; his players, 399.

_Legenda Aurea_, by Jacobus Voragine, xliv; see also under _Caxton_.

Legends, xviii, lxxxviii.

Leland, John, his relations with Udall, 89–92; his _Collectanea_, 89, etc.

Leo X, and Heywood, 11.

Life-Index, the, instance of in _O. W. T._, 365.

_Like wil to Like, quod the Devel to the Colier_, by Ulpian Fulwel, xlvii, xlviii, li, lii, lxxxiv, lxxxvi, 108, 110, 342, 499.

_Lillie's Light_, 266.

Liturgical drama, the, xiii, xx.

Locher's translation of the _Narrenschiff_, lx.

Lock, Henry, his _Ecclesiastes_, 266.

Lodge, Thomas, and Lyly, 266; and Peele, 337; and Greene; the _Looking-Glasse_, and their respective contributions to it, 405–407; Lodge's _Civil Wars_, 405, 407, 409, 415, 418, 420–422; and Porter, 517; and Shakespeare, 645.

_Longer thou Livest, etc._, by W. Wager, lxxxvi.

_Look About You_, published by Ferbrand, 534.

_Looking-Glasse for London and England, A_, by Greene and Lodge, 338, 352, 404; the parts written by Lodge, 405; characteristics of his verse, 407, 414, 415, 422, 425.

Lorenz, A.O.F., on the _Miles Gloriosus and his Parasite_, 190.

_Loseley Mss., The_, edited by A. J. Kempe, 90, 93, 94.

_Love, The Play of_, by John Heywood, xlix, liii, lxvii, lxix, 8–12.

_Love's Labour's Lost_, Shakespeare's, xli, 275, 427, 644, 648, 649, 650, 654.

_Love's Metamorphosis_, by Lyly, 266, 268.

_Love Prevented_, by Porter, 521, 527.

Löwen, his _Prinz Pickelhering_, xlv.

_Ludi Sanctiores_, mentioned by Fitzstephen, xv.

_Ludi Beatæ Christinæ_, xxxviii.

_Ludus Coventriæ (seu Ludus Corporis Christi)_, the N-Town plays, commonly assigned to Coventry, which see.

_Ludus de S. Katharina_, by Geoffrey, xiv, xvi.

_Ludus ludentem Luderum ludens_, lxxi.

_Ludus super Iconia S. Nicolai_, by Hilarius, xiv, xvi.

_Lusty Juventus_, by R. Wever, xlvii, li, lxxii, lxxvi.

Lydgate, John, lii.

Lyly, John, Critical Essay on his life and place in English comedy, by Professor Baker, 263–276; life of Lyly, 265; place of _Euphues_ in English literature, 266; Lyly's plays, subdivision of them, 267; date and sources of _Alexander and Campaspe_, 268; literary estimate of _A. and C._, 269; Lyly's development as a dramatist, 272; place in English Comedy, 273; previous editions of _A. and C._, and the present text, 275; Professor Baker's edition of _A. and C._, 277–333; Other mention, lxxxvii, xc, 348, 517, 646.

Lyndsay, Sir David, his _Thrie Estatis_, lxxv.

Lyric, the, in the plays of Lyly, 274; of Greene, 391.

MACBETH, Shakespeare's, 658.

Machiavelli, N., his _Discourses_, 200.

Macropedius, his _Asotus_ and other plays, lxx; his _Rebelles_, lxxiv.

_Mactacio Abel_, the Wakefield play of, xxviii.

_Magdalene, The Life of the_, in Caxton's _Golden Legend_, xxx.

_Magnyfycence_, a moral play by Skelton, lviii, 168.

_Maid's Metamorphosis, The_, not by Lyly, 266.

Malone, Edmund, li, 430, 516, 518, 534.

_Mamillia_, by Greene, 397.

_Mankynd_, a moral play, xlvii, l, li, lvi, lviii, lix, lx, lxxi, lxxiv, lxxvi, lxxvii.

Manly, Professor J. M., his _Specimens of the Pre-Shakespearean Drama_, xiii, xliii, 104, 204, 239, 276, 283; and in notes to _Roister_, _Gammer Gurton_, and _Campaspe_.

Manners, of contemporary life as an element in drama, xvi, xvii, xx, xxi, xxviii, xxix, xxxv, xxxvi, xxxix, xli, xlvi, xlix–liv, lviii–lxii, lxiii, lxv, lxvii–lxix, lxxii, lxxviii _et seq._, xci; in Heywood, 4, 11; in Udall, 99, 103; in Stevenson, 202–204; in Lyly, 271, 275; in Peele, 341–344, 347; in Greene, 391–394, 428–430; in Porter, 528, 530–533; in Shakespeare, 639, 641–644, 648–661, _passim_.

_Manuale ... ad usum insignis Ecclesiæ Eboracensis_, 192.

_Marie Magdalene, The Life and Repentaunce of_, by Lewis Wager, xxxi, lxxxvi. Edited by Professor F. I. Carpenter (Univ. Chicago Press).

Marlowe, Christopher, lviii, xc; and Peele, 337, 339; and Greene, 388, 389, 403–405, 414, 423; and Porter, 523; and Shakespeare, 652.

Marprelate Controversy, the, Lyly's part in, 265.

_Marriage of Witte and Science, The_, see under _Wit Plays_.

Marston, John, and Henry Porter, 520.

_Martin Marprelate_, the _Epistle_ and _Epitome_ assign _G. G. N._ to Bridges, 200.

_Martine Marsixtus_, by R. W., and Greene, 401, 404.

_Martin's Month's Minde_ (Nashe ?), cited, 353.

Marvels, or miracles of the saints, xiv, xv, xvi, xviii, xx, xxx, xxxvii–xlvi, lxii, lxix, lxxxvi.

_Mary Magdalene_, the Digby play of, and the importance of the character in romantic comedy, xxx, xxxi, xxxvii, xlviii, l, li, lviii.

Mary, the Virgin, her importance as a romantic character, xxix, xxx.

Maskell, _Monumenta Ritualia_, 144, 192.

Masques, xl, lxxxix; by Udall, 93, 94; by Lyly, 267, 272; by Shakespeare, 650, 651, 660, 661.

_Measure for Measure_, Shakespeare's, 657.

Medwall, H., his _Goodly Interlude of Nature_, lx.

_Menaphon_, by Greene; his letter prefixed; and Nashe's _Preface_, 337, 389, 411, 412, 423, 424.

_Merchant of Venice, The_, Shakespeare's, xc, 305, 534, 583, 651, 652.

Meredith, Mr. George, on woman in comedy, lxi; on the comic spirit, 637.

Meres, Francis, his _Palladis Tamia_, on Peele, 337; on Greene and Nashe, 422; on Porter, 517, 528.

Merlin, similarities to the character of, in _Old Wives' Tale_, 345, 356.

_Merrie conceited Jests of George Peele_, 337.

_Merry Wives of Windsor, The_, Shakespeare's, 533, 645, 652, 654.

Meyer, E., _Geschichte d. hamburgischen Schul-und-Unterrichtswesens im Mittelalter_, xxi.

Middleton, Thomas, his _Game of Chess_, 275; his _Trick to Catch the Old One_, cited, 359.

_Midsummer Night's Dream, A_, Shakespeare's, 275, 389, 415, 427, 533, 534, 648, 651.

'Miles Gloriosus,' the, of Plautus, in English literature, lxxiv, 98, 189, 190.

Milton, John, his _Comus_ compared with the _Old Wives' Tale_, 347.

Miracle plays, Biblical and legendary, xiv–xvi, xviii–xx; the cycles in their relation to English comedy, xxi–xxxi; historical order of comic passages in the cycles, sequence of æsthetic values, xxiv _et seq._; dramatic value of, xxxi–xxxvii; relation to the stage, and the theory of the English miracles, xxxii, xxxiv; national note in, xxxvi; how they fall short of artistic comedy, xxxvii; nature of legendary, xxxviii; relation to moral and interlude, lv.

Mirth plays, lxxi, lxxii.

_Misogonus_, by Thomas Richardes(?), lxxviii, lxxxi–lxxxiii, 191.

_Missa Gulæ_, in Halliwell and Wright's _Reliquiæ Antiquiæ_, 191.

_Mock Requiem_, the, in _Roister Doister_, sources, etc., 191–192.

_Monachopornomachia_, lxxi.

Mone, F. J., _Shauspiele des Mittelalters_, 190.

Monox, Will, and Greene, 423.

Montemayor, Jorge de, his pastoral of _Diana Enamorada_ and _Two Gentlemen of Verona_, 650.

Moral, the, or moral play, not properly called morality, lv, note 61; collective, of the fourteenth century, xxxiv; nature of the moral, xlix; the vice in, xlvi, xlviii–liv; relation of moral, miracle, and interlude, liv–lvii; the older morals in their relation to comedy, lvii–lxii; their dramatic contribution, lxii–lxiv; school interlude and controversial moral, lxix–lxxvii; French moralities, lxxii; fusion plays, lxxvii, lxxviii; moral interlude, lxxx; survival of rudimentary, decadent, functionless, lxxxv, lxxxvi; variations of, and moral tragedies, lxxxvi; pleasant and stately, lxxxviii; other mention, 4, 5, 99, 103, 267, 407.

_Morando,_ Greene's, 397.

More, Sir Thomas, lxi, lxxvii; and Heywood, 5, 89.

Morley, Professor Henry, his _English Writers_, lii.

Morris-dance, xl.

_Mortificacio, The_, York play of, xxv.

Morton, Cardinal, 5.

_Mother Bombie_, by Lyly, 266, 268, 272, 273, 338.

_Mourning Garment, The_, by Greene, 398, 406, 412, 416.

Movement, the, in comedy, compared with that of tragedy, lxiii.

_Mucedorus_, by Lodge (?), 420, 499.

_Much Ado about Nothing_, Shakespeare's, 646, 654.

Mummings, xl.

Munday, Anthony, his _Two Italian Gentlemen_, lxxxviii; and Lyly, 266; and Porter, 518, 524.

_Mundus et Infans_, lviii.

_Mydas_, by Lyly, 265, 267, 268, 272.

_Myroure of oure Ladye_, definition of 'Tytyvyllus,' 190.

Mysteries, Dodsley's imported name for miracles, xxii; _Corpus_ of French, xxxiv.

Myth, classical, as material for plays, lxxxiv, lxxxvii, lxxxviii, lxxxix, xcvi, 268, 657, 658, 660.

NAOGEORGOS (Kirchmayer), his _Pammachius_, lxx.

_Narcissus_, a play, 268.

_Narrenschiff_, Locher's translation, lx.

Nash's History of Worcestershire, 65.

Nashe, Thomas, on Gascoigne, lxxxv; his _Jack Wilton_, 266; his _Four Letters Confuted_, 351; on Peele in his letter prefixed to Greene's _Menaphon_, 337; on Kyd, 410; on Greene in _Have with You to Saffron Walden_, 337, 419; on the Harveys in _Strange Newes_, 423; also, 373; that he was "young Juvenal," 422; his relations with Greene proved by reference to Meres, Chettle, Dekker, his own _Strange Newes, Anatomie of Absurditie, Astrological Prognostication, Summer's Last Will_, 217, 422–424; his _Christe's Teares_, 424; his relations with the 'Groatsworth' group of poets, 403, 424; with Porter (?), 515, 517.

Nativity, plays of the, xxii, xxxiv.

_Nature, The Goodly Interlude of_, by Medwall, xlviii, l, lvi, lix–lx, lxxi, lxxvi.

_Never too Late_, by Greene, 397, 398, 410.

_New English Dictionary, The_, by Dr. Murray, Mr. Bradley _et al._, frequent references in notes to plays here presented.

_Newcastle Plays_, the sensational in _The_, xxiii, xxix.

_Newe Custome_, a controversial moral, lxxxvi.

_Nice Wanton_, the interlude of, lxxii, lxxiv.

Nicholas, his _Proceedings and Ordinances of the Privy Council_, 91.

Nichols, John, _The Progresses and Public Processions of Queen Elizabeth_, 93.

Nicholson, Dr. Brinsley, on _Old Wives' Tale_, 360, 370.

Nietzsche, F., his _Geburt d. Tragödie_, and _Fröhliche Wissenschaft_, 338.

_Nigromansir, The_, by Skelton, xlvii, xlix, li, lviii, lix.

_Noah_, the York Play of, xxv, lxxxi; the Wakefield play of, xxvii, xxviii.

North, Sir Thomas, his translation of Plutarch's _Lives_, 285, 290, 291, 292 _et seq._

_Notes and Queries_, xliii.

_Novelle_, adaptation of them to drama, ix, lvii.

_N-town, The_, or so-called Coventry or Hegge Plays, xxiii, xxiv, xxix, xxxiv, xxxvii, xlviii, l, lviii.

OFFICIUM LUSORUM, 191.

_Old Wives' Tale, The_, by George Peele, edited with critical essay and notes by Professor Gummere, 333–382; also Appendix on Sources of Characters, and the Harvesters' Song, by the same, 382–384; Other mention, 409, 427.

_Orlando Furioso_, The, by Ariosto, 346; used by Peele in _O. W. T._, 383; by Greene, 409.

_Orlando Furioso, The Historie of_, by Greene, 342, 383, 389, 408–411, 414, 415, 417, 418.

Osborn, in _Teufelslitteratur_, names of the Devil, 190.

Ovid, Lyly's indebtedness to, 272, 281, 298, etc.

'Owleglasse,' mentioned in _Two Angry Women_, 613.

PALAMON AND ARCITE, by Richard Edwardes, lxxxiv.

_Palladis Tamia_, 528, and see under _Meres_.

Palsgrave, John, his edition of the _Acolastus_, lxx, lxxii, lxxxii; _Lesclarcissement de la Langue Francoyse_, 109, 194, and frequently in notes to _Roister_.

_Pammachius_, by Naogeorgos, translated by Bale, lxx, lxxv.

_Pamphilus_, the comedy of, xvii.

'Pancaste,' the real name of 'Campaspe,' 329.

Parasite, the domestic, xvii, lxxxii; in ancient and modern comedy, 100, 101.

_Pardoner, The, and the Frere_, interlude assigned to Heywood, lxvii, lxix, lxxxi, 10, 15.

_Pardonneur_, etc., _Farce nouvelle d'un_, 15.

Paris, Matthew of, his _Lives of the Abbots of St. Albans_, xiv.

Parker, Archbishop, on Still, 201.

_Parker Society Publications_, on exorcism, 193.

Parodies, religious, xiv–xx; of church services, 191, 192.

Parsones, Thomas, and Porter, 516.

_Passion_, mystery play by A. Greban, xxxvi.

Pastoral scenes and masques, 272, 391.

_Paternoster Play, The_, xxxiv, l.

'Pathelin,' lxvi.

_Patient Grissel_, 191.

_Paul, St., The Conversion of_, in the Digby collection, xxx, xxxvii.

Peele, George, and Lyly, lxxxvii, xc, 275; Critical Essay on, with edition of his _Old Wives' Tale_, by Professor Gummere, 333–384; Peele's life, 335; plays assigned to him, 335; his place in the development of English drama, 336; the _O. W. T._ an innovation, 341; the background of folk lore in _O. W. T._, 345; literary estimate of, 346; sources, title, text of, 347, 382; the Harvesters' song in, 383; his _Hunting of Cupid_, 423.

Peile, Dr., and _Gammer Gurtons Nedle_, 198.

Pembroke, the Earl of, his players, and Porter, 520.

Penner, E., his _Metrische Untersuchungen zu Peele_, 348.

Percy, Dr., on _Hyckescorner_, lx.

_Pericles_, probably Shakespeare's, 191, 659, 660.

_Pernet qui va au vin, tresbonne et fort ioyeuse, Farse nouuelle de_, lxv, lxvi, 12, 15.

_Perymedes_, by Greene, 403, 406, 409.

Petit de Julleville, _La Comédie en France au moven âge_, xxi, lxvi.

Petrarch, his _Philologia_, lxvii.

Pettie, George, his _Petite Pallace of Pettie His Pleasure_, 267.

Philip II, and _Mydas_, 268.

Phillips, Edward, his _Theatrum Poetarum_ on _Faire Emm_, 418.

_Philogenia_, an Italian play, lxix.

Piccolomini, his _Crisis_, lxvii.

'Pickelhering,' xlv.

_Piers Plowman_, xl, 108, 109, 191, etc.

Pikerynge, John, his _Interlude of Vice concerning Horestes_, lxxv, lxxxiii, lxxxvii.

Pilkington, _Exposition upon Aggeus_, 191.

_Pinner of Wakefield, The_, see _George-a-Greene_.

_Planetomachia_, by Greene, 397, 398.

Plautus, xvi, lxv, lxvii, lxviii, lxxii, lxxix, lxxxii, lxxxvi; Udall and, 99; Lyly and, 268; Shakespeare and, 650; also frequent references in notes to _Roister Doister_.

_Play of Love, The_, see _John Heywood_.

_Play of the Sacrament, The_, xxxix.

_Play of the Wether_, see _John Heywood_.

Play within the play, the, in Peele, etc., 343; in Greene, 426.

Players, see under _Acting_.

Pliny, Lyly's indebtedness to, 267, 269; his _History of World_, 279; also frequently in notes to _Campaspe_.

Plutarch on _Education_, and on _Exile_ used by Lyly, 267; also his _Life of Alexander_, 269, 283; and elsewhere in the notes to Lyly's _Alexander and Campaspe_.

_Poliscene_, an Italian play, lxix.

Politics, in Lyly's allegories, 275.

Pollard, Mr. A. W., his edition of the _Towneley Plays_, xxiii, xxvi; on the Towneley (Wakefield) master, xxviii; his _English Miracle Plays_, xlix, li, lxvi; _A Critical Essay on John Heywood_, with editions of his _Play of the Wether_ and _Johan_, 1–86.

_Polyhymnia_, by Peele, 336.

Polytypic plays, lvii, lxxii, lxxvii–lxxxv.

Popular festival plays, xxxix–xlvi.

Porter, Henry, the dramatist, lxxxviii; Critical Essay on his life and dramatic work, with an edition of his _Two Angry Women_, by Professor Gayley, 513–633; facts of Porter's life, 515; early notices, 517; conjectural identity, 518; dramatic career, 520; his associates, 522–524; date of his extant play, 525; its dramatic qualities and construction, 528; portrayal of character, 530; place in the history of comedy, 533; previous editions and the present text, 535.

Porter, Henry, the musical composer, 518.

Porter, Walter, 518.

Prayer, the, at the end of early plays, 184; and see close of other comedies in this volume.

Preston, Thomas, his _Cambises, King of Percia_, lxxxvi.

_Pride of Life, The_, a moral, liii, lvi, lviii.

'Priest of the Sun, The,' in Greene and Lodge's _Looking-Glasse_, 406.

_Processus Crucis_, story about a, by Bebel, xxxvi.

Prodigal Son Plays, lxxii–lxxiv, lxxx, lxxxii, lxxxiii.

Prose, in Medwall's _Nature_, lx; in the _Supposes_, lxxxv; in plays of Lyly, 271, 274; of Greene, 417.

_Prouerbes in the Englishe Tonge, Dialogue Conteyneng the Number of the Effectuall_, 3.

Publishers: of Heywood's plays, 5, 8, 10, 13, 16, 17, 63; of _Roister Doister_, 97, 104; of _Gammer Gurton_, 197; of Lyly's plays, 276; of Peele's _Old Wives' Tale_, 348; of Greene's plays, 403, 404, 405, 408, 411, 415, 418, 420, 430; of Porter's _2 A. W. A._, 534, 535.

Puttenham, George, his _Arte of English Poesie_, lxxxiii.

'Pyrgopolinices' in Plautus, 102.

QUADRIO, F. S., _Della Storia e della Ragione d'ogni Poesia_, xviii, lxvii.

Queen's players (Elizabeth's, 1583–1592), Greene's relations with the, 408, 409, 411, 413, 417, 418.

_Querolus_, a Latin play, xvii.

_Quintus Fabius_, a play, 268.

_Quip for an Upstart Courtier, A_, by Greene, 371, 398, 423.

RADCLIFFE, Ralph, his _Griselde_ and other plays, lxxi.

_Ram Alley_, by Barry, 352.

Rankins, William, a writer for Henslowe in Porter's time; author of _Mulmutius Dunwallow_; joint author of plays with Hathaway, 524.

_Rare Triumphs of Love and Fortune, The_, an early romantic comedy, lxxxviii; the induction in, 343; 'Lentulo' in, 430.

Rastell, John, reputed author of _A New Interlude and Mery of the Nature of the Four Elements_, lxi, lxxi; publisher and perhaps author of _Calisto and Melibœa_, lxviii; relations with John Heywood, 5, 8.

Rastell, William, printer of four of Heywood's plays, 5, 6, 8, 10, 86.

Ray, J., _English Proverbs_, 108, etc., 194, 569, 595.

R. B. (Richard Bower?), Mr. Fleay's conjecture concerning, 336.

Realism in comedy: in Bodel's _St. Nicholas_, xvi; in late Latin comedies, xviii; in religious parodies, xx; in the miracle cycles, xxiv–xxx, xxxv–xxxvi; in the later 'marvels,' xxxix; in popular festival plays, xli–xlvi; of the miracle Devil, xlvi _et seq._; of the Vice, xlix _et seq._; in the older moral plays, lviii–lxii, lxiii; in the French and English farce, etc., lxiv–lxvi; in school plays, continental and English, lxix–lxxvii; in fusion plays, lxxvii _et seq._; in survivals of the moral, lxxxvi; in the _Rare Triumphs_ and in Wilson's 'Stately Morals,' lxxxviii–xc; comedy realistic or satirical, xci; In Heywood, 4 _et seq._; in Udall, 99, 103; in Stevenson, 202–204; in Lyly, 275; in Peele, 342–344; in Greene, 388, 391–394, 419, 428–430; in Porter, 528–533; in Shakespeare, 644, 645, 648, 653 _et seq_.

_Rebelles_, by Macropedius, lxx, lxxiv.

_Red Ettin, The_, a fairy tale referred to in comment on _O. W. T._, 345, 362.

Redford's _Wit and Science_, lxix, lxxii.

Reed, Isaac, his edition of Baker's _Dictionary of the Stage_, on _Gammer Gurton_, 201.

_Regularis Concordia Monachorum_, xiii.

Reinhardstoettner, Karl von, on Plautus, 117, 190.

_Reliquiæ Antiquæ_, by Halliwell and Wright, xxxvi, 191.

Renaissance, the, effect upon drama, lxiv; upon Greene, 390.

_Repentance of Robert Greene, The_, 398, 418.

_Respublica_, a controversial moral, xlix, lxxii, lxxiv, lxxvi, lxxvii.

_Resurrection, The_, miracle plays of, xiv, xix, xxii.

_Returne from Pernassus, The_, on rivalry of Jonson and Shakespeare, 638.

Reuter, Kilian, his Latin play of _St. Dorothea_, lxx.

_Revels at Court, Accounts of the_, 270; Udall and the Revels, 93.

Rhetorical pause, the, methods of representing it in dramatic blank verse, 510–511.

Ribbeck, Otto, his _Alazon_, 189.

Richardes, Thomas, perhaps author of _Misogonus_, lxxxi.

Ritson's _Songs_, 191.

Ritter, O., on Greene's _Frier Bacon_, 413, 426.

_Rituale Romanum_, the, and Udall's parody of, 192.

Ritwyse, John, author of a satiric interlude, lxxi.

Robert of Gloucester, Robert of Brunne, their use of the _septenarius_, 189.

_Robin et Marion_, by Adam de la Halle, xli.

Robin Hood plays, xxxviii, xl; ref., 418; _The Lytell Geste_ of, 130.

_Roister Doister_, by Udall, lix, lxxii, lxxvii, lxxviii, lxxix, lxxx, lxxxii, xcii. Edition with Critical Essay on the life of the author, the text, date, plot, characters of the play, with notes and appendix on various matters, by Professor Flügel, 87–194; other mention, 202, 203, 204, 338.

Rojas, Fernando de (and Cota), their _Calisto and Melibœa_, lxviii.

Rolls Series, xix.

Romantic, the, in saints' plays, xiv–xvi; in Latin interludes and elegiac comedy, xvii, xviii; in miracle cycles, xxiv, xxix–xxx; in various later 'marvels,' xxxvii, xxxviii; in the older moral plays, lviii–lix; foreign influence and native romance, lxv, lxvii–lxix; in the wit plays, lxxiii; in the plays of prodigals, lxxiv–lxxv; in fusion plays, lxxvii _et seq._; especially in _Damon_ and _The Supposes_, lxxxiv–lxxxv; the movement toward romantic comedy, lxxxvii; nature, subjects, and kinds of romantic comedy, lxxxvii, lxxxviii, xci; in Heywood, lxix, 6; in Lyly, 271–275; in Peele, 338, 341–347; in Greene, 390, 427; in Greene and Shakespeare, 643, 645, 647 _et seq._

_Romeo and Juliet_, Shakespeare's, 533, 590, 603, 652.

_Rosalynde, Euphues' Golden Legacie_, by Thomas Lodge, 645.

Rose Theatre, the, and Greene, 408, 411; and Porter, 519, 520, 521.

Ross, Mr. C. H., on the authorship of _Gammer Gurton_, 202.

Rowley, Samuel, intimacy of Henry Porter with, 524.

Royal entries, their dramatic significance, xl.

_Royal Exchange_, by Greene, 398.

Rutebeuf, his play of _Theophilus_, xvi.

R. W., his _Martine Marsixtus_, 424.

Rye's _East Anglian Glossary_, 211.

SACRAMENT plays, xxxvii, xxxix.

Saints' plays, the early, their nature and relation to comedy, xiv–xxi; the later, their contribution to drama, xxvii; a list of, and their connection with romantic plays, xxxviii; secularized as in _St. George_, xli–xlv; mentioned, lxii, lxxxiv, lxxxviii; The Play or Pageant of _St. Anne_, xv; _St. Botulf,_ xv, xxxviii; _St. Christian_, _St. Christina_, _Sts. Crispin and Crispinian_, xxxviii; _St. Dorothea_, lxviii; _St. Edward_ and _St. Fabyan_, xxxviii; _St. George_, xv, xxxviii, xli; _St. Katharine_, xiv, xv, xxxviii; _St. Laurence_, xxxviii; _St. Mary Magdalene_, xxx, xxxvii, lxxxvi; _St. Nicholas_, xv, xvi; _St. Olave_, xxxviii; _St. Paul_, xxx, xxxvii, l; _St. Sebastian_, xxxviii; _St. Susanna,_ xv, xxxviii.

St. Andrew's Day, note to mention in _O. W. T._, 358.

St. Augustine, against the _mimi_, etc., xix.

St. Dyryk, perhaps Theodoric, 69.

_St. James the More, Life of_, xliv.

St. Jerome, his attitude toward Plautus and Terence, xvii; and legendary miracles, xxxviii.

St. John's, Beverley, Resurrection play at, xiii, xx.

St. Luke's Day, mentioned in _O. W. T._, 358.

St. Modwena, mentioned in _Johan_, 82.

St. Sithe (?), 213.

Satire, mediæval in drama, xvii; in religious parodies, xx; in the miracles, xxiv, xxviii–xxix, xxxvi; the Devil not primarily satirical, xlvi, xlviii; the Vice in satirical literature, li–liv; in the interlude, lvi, lxv, lxx, lxxvi, lxxvii, lxxxiii, lxxxvi, xci; in Heywood, 4 _et seq._; See also articles on Udall, Lyly (265, 267), Peele, Greene, Shakespeare.

Scene, the, beside a scene, 424.

Schelling, Professor F. E., his _English Chronicle Plays_, lxxvi; his edition of _Tom Tyler_, lxxxi.

Schick, Professor, his edition of Kyd's _Spanish Tragedy_, 410; on _Faire Emm_, 411.

Schipper, Professor, his _Neuenglische Metrik,_ applied to Greene's verses, 508–509.

School plays, xiv, lxv, lxix–lxxv; English for Latin, 90, 98, 197–198, 267, 270.

Schwab, _Das Schauspiel im Schauspiel_, 343.

_Scillaes Metamorphosis_, by Lodge, 406.

_Scipio Africanus_, the play of, 268.

Scott, Sir Walter, account of Shetland Sword Dance in _The Pirate_, xliii, xlv; on "Brotherhood in Arms," 366.

_Second and Third Blast of Retrait from Plaies and Theaters_, Henry Denham's, on 'strange' comedies, 342.

_Second Trial, The_, the York play of, xxv.

Secular plays, the early, and their contribution to comedy, xx–xxi, xxxvii–xlvi; see also _Morals_, _Farce_, _Interludes_, and _Romantic Comedy_.

_Secunda Pastorum_, the Second Shepherds' Pageant of the Wakefield cycle, xxvii, xxviii, xxxii, lxix, 3, 202, 533.

_Selimus, The First Part of the Tragical Raigne of_, not by Greene, 418, 420, 482, 483.

_Senarius, The_, in Greene, 509; and the _Septenarius_ in Udall, 189.

Seneca, lxxxv, 275.

_Sequentia falsi Evangelii Secundum Marcam_, in Du Méril, 191.

Seven Deadly Sins, the, xxx, xxxi, xlix, l, lii, liv.

Shakespeare, William, the Fool in his plays, lii, lxxxiii; incidental mention, lxxxv, 191 _et passim_; relation to Lyly's work, 271, 275, 287, 322; to Peele's, 336, 343, 345; to Greene's, 387–389, 393–394, 401–402, 415; resemblances to, in Porter, 517; _Shakepeare as a Comic Dramatist_, a monograph by Professor Dowden, 635–661; the essentials of Shakespearian comedy, 637; tragedy compared with comedy, 639; comedy, the characters in, and their relation to incident, etc., 640–660; punishment and rewards in Shakespeare's comedy, 641–642; compared with Jonson's comedy, 641; complication and resolution, love, laughter, satire, 642–643; intrigue and treatment of materials, 644; euphuism, 646; his development as a comic dramatist, 648 _et seq._; transformation plays, 648; _Love's Labour's Lost_, 649; _The Comedy of Errors_, 650; _The Two Gentlemen of Verona_, 650; _A Midsummer Night's Dream_, 651; _The Merchant of Venice_, 652; _The Taming of the Shrew_, 653; the Falstaff plays, _The Merry Wives of Windsor_, _King Henry V_, 653–654; _Much Ado about Nothing_, 654; _Twelfth Night_, 655; _All's Well that Ends Well_, 656; _Measure for Measure_, 657; _Troilus and Cressida_, 657; his relation to Chapman, Dekker, Marston, Jonson, Southampton, 656–657; the period of tragedy, 657–658; _Pericles_, _Cymbeline_, _The Winter's Tale_, _The Tempest_, _The Two Noble Kinsmen_, 659–661.

Shaw, Robert, a player acquaintance of Henry Porter, 516, 524.

_Shearmen and Taylors' Pageant_, the Coventry Guild play of the, xxiii.

_Shepherd's Plays, The_, of York, xxv; of Wakefield, xxvii, xxviii, lxxxi; and see _Secunda Pastorum_.

Sherwood, Thomas, his _Anglais et François Dictionaire_, added to Cotgrave, 118, 194, etc.

_Shipwrights' Play, The_, of Newcastle, xlviii, lix.

_Short Discourse of my Life, A_, by Greene, 397.

Shows, dumb, lxxxix.

'Shrew' plays, lxxxi.

Shrewsbury, religious play at, xiii.

Sidney, Sir Philip, 337; his _Arcadia_, 389.

Simpson, R., his _School of Shakespeare_, 404, 422.

Singer, John, one of the Admiral's men in Porter's time.

_Sir Armadace_, the "Thankful Dead" in, and _O. W. T._, 345

_Sir Clyomon and Sir Clamydes_, lxxxviii, 335, 341, 342.

_Sir John Oldcastell_, by A. Munday and others, 523.

_Six Hundred Epigrams_, by John Heywood, 3.

Skeat, Professor W. W., xiii, 110, 190, 374.

Skelton, John, contribution to Fool-literature, lii; his _Magnyfycence_, lviii, 189; his _Nigromansir_, xlviii, l, lviii; his _Phyllyp Sparowe_, 192.

Slater, Martin, an associate of Henry Porter, 521.

Smeken, his _Sacrament Play_, xxxix.

Smith, Miss Lucy Toulmin, her edition of the _York Plays_, xxiii, xxvi.

Smith, Toulmin, his _English Gilds_, xxxviii.

_Solyman and Perseda_, perhaps by Kyd, the source of Peel's 'Erestus' in _O. W. T._, 383.

_Sonnets_, the, of Shakespeare, 656, 658.

_Sotties_, the French, lxv–lxvi.

Southampton, the Earl of, 646.

_South English Legendary, The_, xliv.

_Spanish Masquerado, The_, by Greene, 398, 409.

_Spanish Tragedy, The_, by Thomas Kyd, 410, 427.

_Spencers, The_, or _Despencers_, a tragedy by Porter and Chettle, 516, 523.

Spenser, Edmund, Lyly compared with, 274; Harvey's characterization of, 340; his _Tears of the Muses_, 405; other mention, 421, 426.

Spenser, Gabriel, the actor, 524.

_Spider and the Flie, The_, by Heywood, 3.

Stansby, William, printer of Lyly's plays for Blount, 269, 276.

Stanyhurst, Richard, his hexameters and Harvey's ridiculed in _O.W.T._, 373.

_Staple of News, The_, by Ben Jonson, xlv.

Steevens, George, his letter on _Comus_, 348.

Stevenson, William, the author, according to Mr. Henry Bradley, of _Gammer Gurtons Nedle_; Critical Essay on his life and the play assigned to him, with an edition of _G.G.N._, notes and an appendix, by Mr. Bradley, 205–259. Other mention, lix, lxxx, lxxxii.

Still, Dr. John, not the author of _Gammer Gurtons Nedle_, 199–202.

Storojenko, Professor, his _Life of Greene_ (in Dr. Grosart's edition of Greene), 397, 406, 415.

Stow, John, his _Survey_, xxxviii; on mummings, xl.

Strange, Lord, his players (1589-1593), and Greene's _Orlando_, 408; and _Frier Bacon_, 411.

_Studentes_, see Stymmelius.

Stymmelius, the author of the play of _Studentes_, lxx, lxxiv, lxxxii.

_Summer's Last Will and Testament_, by Thomas Nashe, 384, 424.

_Supposes, The_, by George Gascoigne, lxxviii, lxxxii, lxxxv, lxxxvii, lxxxviii.

_Suppositi, I_, by Ariosto, adapted by Gascoigne, lxviii.

_Susanna_, a play by Macropedius, lxx; see also _St. Susanna_.

Sussex, the Earl of, his players (1591-1594), and _Friar Bacon_, 411; and _George-a-Greene_, 413.

Swoboda, Dr., his _John Heywood als Dramatiker_, 12.

_Sword Plays_, xliii, xlv.

Symonds, J.A., his _Predecessors of Shakespeare_, lxviii, 339, 346, 422.

TALENTS, THE, the Wakefield play of, called _Processus Talentorum_, xxviii.

_Tamburlaine the Great_, by Marlowe, and Greene's _Alphonsus_, 403; and the _Looking-Glass_, 406; and _Orlando_, 410; and _George-a-Greene_, 418.

_Taming of a Shrew, The_, example of a play within a play, 343.

_Taming of the Shrew, The_, Shakespeare's, lxxxv, 415, 652.

_Tempest, The_, Shakespeare's, lxxxix, 644, 659, 660.

Ten Brink, Professor B., on the priority of legend to Scripture in English comedy, xiii–xiv; on the dramatic value of the miracle plays, xxxii; on the characteristics of tragedy and comedy, lxii.

Terence, indebtedness of modern comedy to, xvi, xvii, lxvii, lxviii; the 'Christian Terence,' lxxii, lxxxii; Udall's _Flowers from Terence_, 89, 98, 101, 102; notes to _Roister Doister_, 288.

Tertullian, against acting, xix.

Thankful Dead, the, a popular _motif_, 345, 365.

_That Will Be Shall Be_, a play, 521, 526.

_Theophilus_, by Rutebeuf, xvi.

_Thersytes, A Newe Interlude called_, lix, lxxi, lxxii, lxxviii; the authorship of, and date, 12–14, 108, 112, 191 _et passim_.

_Three Heads of the Well, The_, a fairy tale referred to in _O.W.T._, 345, 359, 372.

_Three Ladies of London, The_, by R.W., probably Robert Wilson, lxxxviii, xc, xci.

_Three Lordes and Three Ladies of London, The_, by the R.W. of the _Three Ladies_, lxxxviii, xc, xci.

_Thrie Estatis, A Satire of the_, by Lyndsay, xlix.

Thümmel, Julius, on the _Miles Gloriosus_ in Shakespeare, 190.

_Tyde Taryeth no Man, The_, by George Wapull, lxxxvi.

_Timon of Athens_, Shakespeare's, 659.

Tindale, on the use of the holy candle, 192; also cited, 142, 154.

'Titiville,' in _Roister Doister_, 190; 'Titivillus' in _Mankynd_, xlvii, xlviii.

_Titus Andronicus_, 418.

_Tityrus and Gallathea_, by Lyly, 265.

_Tobias_, the Play of, mentioned, xxxiv.

_Tom Tyler and his Wife_, the play of, (edited by Professor Schelling), lxxxi; Kirkman's edition, 336; mentioned, 530, 533.

Topsell's _History of Four-footed Beastes_, 280, 281.

Towne, Thomas, an actor in the Admiral's company in Porter's time, 524.

_Towneley Plays, The_, edited by A.W. Pollard and George England, xxiii, xxiv, etc. See _Wakefield_.

Tragedy, compared with comedy, xxi, xxii, lxii, 639.

Train's _Geschichte d. Juden in Regensburg_, xxxi.

Transition, of plays from miracle and moral to comedy, lvii, lxii, lxiv, lxix.

Travesties of religious services, xx, xxi.

_Trial before Herod, The_, in the York plays, xxv.

_Triall of Treasure, The_, lxxxvi, 121, 123.

Trimeter, in Roman comedy, 189.

_Troilus and Cressida_, Shakespeare's, a satire on Ben Jonson, 638, 657, 658.

_Tullie's Love_, by Greene, 410; similarity to _Friar Bacon_, 414.

Turberville, on Richard Edwardes, lxxxiv; Turberville's _Venerie_, reference to 440.

'Tutivillus' in the Wakefield _Judicium_, xxix, xlvi, xlviii.

Tusser, Thomas, his _500 Pointes_, and Udall, 90.

_Twelfth Night_, Shakespeare's, 352, 646, 655, 656.

_Two Angry Women of Abington, The Pleasant Historie of the_, by Henry Porter, edited with critical essay and notes by C.M. Gayley, 513–633; _The Second Parte of the Two Angrey Women_, 516, 522, 524, 525.

_Two Gentlemen of Verona, The_, Shakespeare's, 648, 650.

_Two Italian Gentlemen_, or _Fidele and Fortunio_, by Anthony Munday, lxxxviii.

_Two Mery Wemen of Abenton, The_, by Porter, 516, 523, 535.

_Two Noble Kinsmen, The_, by Shakespeare and Fletcher, 660.

UDALL, Nicholas, mention of his _Roister Doister_, lix _et passim_; his _Flowers from Terence_, lxxi, 89; text of his _Roisier Doister_, edited with critical essay, notes, and appendix, by Professor Flügel, 87–194; life of Udall, 89; date of the play, 95; date of the early edition, 97; place of _R.D._ in English literature, 98; the plot and characters, 100; the present text and earlier reprints, 104; his _Apophthegms_, 142, etc.; Appendix, 188–194; the metre of _R.D._, 189; the figure of the _Miles Gloriosus_ in English literature, 189; 'Titiville,' 190; 'Mumblecrust' and the maids, 191; the mock requiem and other parodies, 191; Roister as 'Vagrant,' 192; the prayer and 'song' at the end, 193; works quoted in the notes, 194.

Ugolino, his _Philogenia_, lxvii.

Ulrici, H., on Greene, 408.

Usury statutes of Henry VIII and Edward VI, 96.

VALENTINE AND ORSON, 418, 426.

Vanbrugh, Sir John, his character of 'Hoyden,' 531.

Vergerio, his _Paulus_, lxvii.

Versification, alleged irregularities in the, of _Friar Bacon_, a study by C. M. Gayley, 503–513.

'Vice,' the rôle of the, in early plays, xlvi, xlviii–liv; lxxiii, lxxvi, lxxxii, lxxxiii, lxxxvi, lxxxix; in Heywood, li and 10, etc. ('Mery Reporte'); Udall, 100; in Stevenson, 203; in Peele, 342; in Greene, 393, 430.

_Viel Testament, le Mistère du_, xxxiv.

Vitalis of Blois, his dramatic poems, xvii.

Voragine, Jacobus de, his _Legenda Aurea_, xxx, xliv.

WADINGTON, William of, his _Manuel des Pechiez_, xix.

Wager, Lewis, his _Life and Repentaunce of Marie Magdalene_, xxxi, lxxxvi.

Wager, William, his _The Longer thou Livest_, etc., lxxxvi, 533.

Wagner, Professor W., on _Friar Bacon_, 440, 446, 459, 510.

_Wakefield Plays, The_ (ordinarily called, from the family owning the MS., the Towneley), xxiii, xxiv; indebtedness to the York cycle, xxv–xxvi.

Wakefield, the Playwright of, xxv–xxix; his peculiar stanza, xxv–xxvi; his improvements upon the second and third York schools of dramatic composition and his original productions, xxvii–xxix.

Wapull, Geo., _The Tyde Taryeth no Man_, lxxxvi.

Ward, Dr. A. W., his _History of English Dramatic Literature_, xviii, xix, xlix, lxviii, lxxvi, lxxxviii, xc, 89, 101, 102, 103, 346, 397, 403, 405, 417, 419, 421, 422, 426, 430 _et passim_; his _Old English Drama_, 353, 363, 413; his edition of _Friar Bacon_ (in _O.E.D._), 415, 426, 430, 439, 441, 442, _et passim_ in the notes to _Friar Bacon_.

Wardrobe Accounts of Richard II, xl.

Warner, Mr. G. F., his _Catalogue of the MSS. and Muniments of Alleyn's College of God's Gift at Dulwich_, exposing some of Collier's 'emendations,' 515.

Warton, Dr. Joseph, _Biographical Memoir of the late_, on _Comus_ and the _Old Wives' Tale_, 348.

Warton, Thomas, his _History of English Poetry_, xxi, xxiii, xl, xli, xlii, 90, 346; his _Milton's Poems_, etc., on the names in _Comus_, 383.

Watson, Thomas, his _Passionate Centurie of Love_, 265.

Wedego, Bishop, against religious plays, xxxvi.

Weever, John, his verses _Ad Henricum Porter_, not intended for the dramatist, 519.

_Well of the World's End, The_, a fairy tale, see note to _O.W.T._, 345, 359.

West, Richard, his _Court of Conscience_, 517.

_Westward Hoe_, by Dekker _et al._, a song in, 352.

_Wether, The Play of the_, by John Heywood, edited with critical essay and notes by Mr. A. W. Pollard, 3–59; Other mention, xlix, li, lxvii.

Wever, R., his _Lusty Juventus_, xlvii, li, lxxii, lxxvi.

"What Thing is Love?" a song in Peele's _Hunting of Cupid_, and in the play of _Doctor Doddipoll_, 336; paralleled in Greene's _Mourning Garment_ and _James IV_, 415–416.

Wheatley, H. B., his book on John Payne Collier, 515.

'White Bear of England's Wood, The,' a character referred to in _O. W. T._, 345, 356–357.

White, Edward, publisher of Greene's _Friar Bacon_, 411; copyright owned by William White, 430.

Whitgift, Bishop, Injunctions at York, etc., 193.

_Wife of Usher's Well, The_, referred to, notes to _O. W. T._, 363.

'Wilful Wanton,' a character in George Wapull's _Tyde Taryeth no Man_, 531.

William of Blois, his _Alda_, xvii.

'Will Summer,' Henry VIII's jester impersonated in Nashe's _Summer's Last Will_, etc., lii, lxxxii, lxxxix, 344.

Wilson, Dr. John, Professor of Music at Oxford, 518, 519.

Wilson, Robert, the author of _Three Ladies of London_, and of _Three Lordes and Three Ladies_, lxxxviii–xc; probably also of _A Knack to Know a Knave_, xc, xci, 425; colleague of Chettle in the non-extant _Second Part of Black Battman_, 522; his _Sir John Oldcastell_ mentioned, 523.

Wilson, Thomas, his _Arte of Logique or Rule of Reason_, the "ambiguous letter" in, 93, 95, 97.

_Wily Beguiled_, cited, 24, assigned to Peele, 336.

_Winchester Tropers_, the, xiii.

_Winter's Tale, The_, Shakespeare's, 644, 659, 660.

Wireker, Nigel, his _Brunellus (Speculum Stultorum)_, alluded to, xviii, lii.

_Wisdom that is Christ_, the moral of, in Furnivall's _Digby Plays_, xlviii, l, li, liii, lv, lvi, lviii.

_Wisdome of Doctor Doddipoll, The_, assigned to Peele, 336.

_Wit and Folly_, the dialogue of, by John Heywood, 8.

Wit plays: _Wyt and Science_, by John Redford, lxix, lxxii, lxxiii, lxxxviii, 426; _The Contract of a Marrige between Wit and Wisdome_, liii, lxxi, lxxiii, lxxvii, lxxxi; _The Marriage of Witte and Science_, a revision of Redford's play, conjectured by Mr. Fleay to be the same as _Wit and Will_, lxxiii, lxxiv, lxxvii.

Wolsey, Cardinal, perhaps referred to in _Play of the Wether_, 52.

_Woman Hard to Please_, a lost play, 521, 526.

Woman, in comedy, Meredith on, lxi.

_Woman in the Moone, The_, by Lyly, 266, 268, 272.

Woodberry, Professor G. E., monograph on _Greene's Place in Comedy_, 387–394.

Wood, Anthony à, on Udall, 89; on the Porters, 518, 519.

Woodes, Nathaniel, author of _The Conflict of Conscience_, lxxxvi.

_World and the Child, The_, or _Mundus et Infans_, a moral, l, lviii.

Worthies, the Nine, and _Love's Labour's Lost_, xl, 650.

Wright, Thomas, his _Early Mysteries, etc., of the 12th and 13th Centuries_, xviii; (and J. O. Halliwell-Phillipps), _Reliquiæ Antiquæ_, xix; reprint of the _Interludium de Clerico et Puella_ mentioned, xvii, lxvi.

Wycliff, his attitude toward miracles, xix.

YORK PLAYS, The, date and composition, xxiii; periods of, comedy in the second and third, xxiv–xxv; relation of Wakefield plays to, xxv–xxvii; the romantic and melodramatic in, xxix.

'Young Juvenall.' not Lodge but Nashe, 337.

_Youthe, Ballad of_, by Robert Greene, 397.

_Youth, The Interlude of_, lxi, lxxi, lxxiv.

Youth, school plays of, lxxii, lxxiv.

Yvers, Jacques, his _Printemps d'Iver_, 411.

Printed in the United States of America.

Transcriber's Note.

Variable spelling and hyphenation have been retained. Minor punctuation inconsistencies have been silently repaired. Footnotes were sequentially numbered and placed at the end of each section. On pages xlii and 434 footnote references are missing in the original. Misnumbered footnotes in pp. xlvii, lxxvi, 124 were corrected.

Corrections.

The first line indicates the original, the second the correction.

p. 194:

COTGRAVE. A French and English Dictionary, ed. 1650 (with the addition
of Dictionaire Anglais & François, by Robert Sherwood.

COTGRAVE. A French and English Dictionary, ed. 1650 (with the addition
of Dictionaire Anglais & François, by Robert Sherwood).

p. 420:

2. _The Firt Part of the Tragicall Raigne of Selimus_ (Creede, 1594)
2. _The First Part of the Tragicall Raigne of Selimus_ (Creede, 1594)

p. 521:

we should not he justified in assuming
we should not be justified in assuming

p. 650:

But Shakepeare's imagination
But Shakespeare's imagination

p. 679:

in the miracle cyles,
in the miracle cycles,

p. 686:

colleague of Chettle in the non-extant _Second Part of Black Bateman_,
522;
colleague of Chettle in the non-extant _Second Part of Black Battman_,
522;

Errata.

The first line indicates the original, the second how it should read:

p. 663:

in churchyards, xii;
in churchyards, xiii;

p. 665:

Carpenter, Professor F. I., his edition of Wager's _Marie Magdalene_
(University of Chicago Press), xciv.

Carpenter, Professor F. I., his edition of Wager's _Marie Magdalene_
(University of Chicago Press), xxxi.

p. 667:

Congreve, William, the character of 'Prue' in his _Love for Love_, 536
Congreve, William, the character of 'Prue' in his _Love for Love_, 531

Council of Treves, The, xi.
Council of Treves, The, xix.

_Latin_, _Woman_, _Prose_, _Plot_,
There is no entry marked _Plot_ in the index.

p. 670:

Gayley, Professor C. M., Preface to this volume, iii;
Gayley, Professor C. M., Preface to this volume, v;

p. 671:

Other mention of H., xvii, xlix, lvi, lix, lxi, lxvl–xviii,
Other mention of H., xvii, xlix, lvi, lix, lxi, xviii–lxxxii,

p. 676:

Myth, classical, as material for plays, lxxxiv, lxxxvii, lxxxviii,
lxxxix, xcvi
Number xcvi is not a valid page number.

p. 677:

Appendix on Sources of Characters, and the Harvesters' Song, by the
same, 382–384

Appendix on Sources of Characters, and the Harvesters' Song, by the
same, 383–384

p. 679:

of Heywood's plays, 5, 8, 10, 13, 16, 17, 63;
of Heywood's plays, 5, 8, 10, 13, 16, 17, 61;

p. 683:

notes to _Roister Doister_, 288.
notes to _Roister Doister_, 98.

p. 684:

Appendix, 188–194;
Appendix, 187–194;

p. 686:

Yvers, Jacques, his _Printemps d'Iver_, 411.
Yvers, Jacques, his _Printemps d'Iver_, 412.

End of Project Gutenberg's Representative English Comedies, by Various