Chapter IV: Part 4

The old man drew his hand across his brow, and ere he could reply the porter had disappeared. He sat down in one of the exceedingly easy leather chairs and gazed in bewilderment around the room. The fine pictures on the wall related exclusively to sporting subjects. A trim yacht, with its tall, slim masts and towering cloud of canvas at an apparently dangerous angle, seemed sailing directly at the spectator. Pugilists, naked to the waists, held their clinched fists in menacing attitudes. Race-horses, in states of activity and at rest, were interspersed here and there. In the centre of the room stood a pedestal of black marble, and upon it rested a huge silver vase encrusted with ornamentation. The old man did not know that this elaborate specimen of the silversmith's art was referred to as the "Cup." Some one had hung a placard on it, bearing, in crudely scrawled letters the words:--

"Fare thee well, and if for ever
Still for ever Fare thee well."

While the old man was wondering what all this meant, the curtain suddenly parted and there entered an elderly gentleman somewhat jauntily attired in evening dress with a rose at his buttonhole. Saunders instantly recognised him as the banker, and he felt a resentment at what he considered his foppish appearance, realising almost at the same moment the rustiness of his own clothes, an everyday suit, not too expensive even when new.

"How are you, Mr. Saunders?" cried the banker, cordially extending his hand. "I am very pleased indeed to meet you. We got your telegram, but thought it best not to give it to Dick. I took the liberty of opening it myself. You see we can't be too careful about these little details. I told the porter to look after you and let me know the moment you came. Of course you are very anxious about your boy."

"I am," said the old man firmly. "That's why I'm here."

"Certainly, certainly. So are we all, and I presume I'm the most anxious man of the lot. Now what you want to know is how he is getting along?"

"Yes; I want to know the truth."

"Well, unfortunately, the truth is about as gloomy as it can be. He's been going from bad to worse, and no man is more sorry than I am."

"Do you mean to tell me so?"

"Yes. There is no use deluding ourselves. Frankly, I have no hope for him. There is not one chance in ten thousand of his recovering his lost ground."

The old man caught his breath, and leaned on his cane for support. He realised now the hollowness of his previous anger. He had never for a moment believed the boy was going to the bad. Down underneath his crustiness was a deep love for his son and a strong faith in him. He had allowed his old habit of domineering to get the better of him, and now in searching after a phantom he had suddenly come upon a ghastly reality.

"Look here," said the banker, noticing his agitation, "have a drink of our Special Scotch with me. It is the best there is to be had for money. We always take off our hats when we speak of the Special in this club. Then we'll go and see how things are moving."

As he turned to order the liquor he noticed for the first time the placard on the cup.

"Now, who the dickens put that there?" he cried angrily. "There's no use in giving up before you're thrashed." Saying which, he took off the placard, tore it up, and threw it into the waste basket.

"Does Richard drink?" asked the old man huskily, remembering the eulogy on the Special.

"Bless you, no. Nor smoke either. No, nor gamble, which is more extraordinary. No, it's all right for old fellows like you and me to indulge in the Special--bless it--but a young man who needs to keep his nerves in order, has to live like a monk. I imagine it's a love affair. Of course, there's no use asking you: you would be the last one to know. When he came in to-night I saw he was worried over something. I asked him what it was, but he declared there was nothing wrong. Here's the liquor. You'll find that it reaches the spot."

The old man gulped down some of the celebrated "Special," then he said--

"Is it true that you induced my son to join this club?"

"Certainly. I heard what he could do from a man I had confidence in, and I said to myself, We must have young Saunders for a member."

"Then don't you think you are largely to blame?"

"Oh, if you like to put it that way; yes. Still I'm the chief loser. I lose ten thousand by him."

"Good God!" cried the stricken father.

The banker looked at the old man a little nervously, as if he feared his head was not exactly right. Then he said: "Of course you will be anxious to see how the thing ends. Come in with me, but be careful the boy doesn't catch sight of you. It might rattle him. I'll get you a place at the back, where you can see without being seen."

They rose, and the banker led the way on tiptoe between the curtains into a large room filled with silent men earnestly watching a player at a billiard table in the centre of the apartment. Temporary seats had been built around the walls, tier above tier, and every place was taken. Saunders noticed his son standing near the table in his shirt- sleeves, with his cue butt downward on the ground. His face was pale and his lips compressed as he watched his opponent's play like a man fascinated. Evidently his back was against the wall, and he was fighting a hopeless fight, but was grit to the last.

Old Saunders only faintly understood the situation, but his whole sympathy went out to his boy, and he felt an instinctive hatred of the confident opponent who was knocking the balls about with a reckless accuracy which was evidently bringing dismay to the hearts of at least half the onlookers.

All at once there was a burst of applause, and the player stood up straight with a laugh.

"By Jove!" cried the banker, "he's missed. Didn't put enough stick behind it. That comes of being too blamed sure. Shouldn't wonder but there is going to be a turn of luck. Perhaps you'll prove a mascot, Mr. Saunders."

He placed the old man on an elevated seat at the back. There was a buzz of talk as young Saunders stood there chalking his cue, apparently loth to begin.

Hammond mixed among the crowd, and spoke eagerly now to one, now to another. Old Saunders said to the man next him--

"What is it all about? Is this an important match?"

"Important! You bet it is. I suppose there's more money on this game than was ever put on a billiard match before. Why, Jule Hammond alone has ten thousand on Saunders."

The old man gave a quivering sigh of relief. He was beginning to understand. The ten thousand, then, was not the figures of a defalcation.

"Yes," continued the other, "it's the great match for the cup. There's been a series of games, and this is the culminating one. Prognor has won one, and Saunders one; now this game settles it. Prognor is the man of the High Fliers' Club. He's a good one. Saunders won the cup for this club last year, so they can't kick much if they lose it now. They've never had a man to touch Saunders in this club since it began. I doubt if there's another amateur like him in this country. He's a man to be proud of, although he seemed to go to pieces to-night. They'll all be down on him to-morrow if they lose their money, although he don't make anything one way or another. I believe it's the high betting that's made him so anxious and spoiled his play."

"Hush, hush!" was whispered around the room. Young Saunders had begun to play. Prognor stood by with a superior smile on his lips. He was certain to go out when his turn came again.

Saunders played very carefully, taking no risks, and his father watched him with absorbed, breathless interest. Though he knew nothing of the game he soon began to see how points were made. The boy never looked up from the green cloth and the balls. He stepped around the table to his different positions without hurry, and yet without undue tardiness. All eyes were fastened on his play, and there was not a sound in the large room but the ever-recurring click-click of the balls. The father marvelled at the almost magical command the player had over the ivory spheres. They came and went, rebounded and struck, seemingly because he willed this result or that. There was a dexterity of touch, and accurate measurement of force, a correct estimate of angles, a truth of the eye, and a muscular control that left the old man amazed that the combination of all these delicate niceties were concentrated in one person, and that person his own son.

At last two of the balls lay close together, and the young man, playing very deftly, appeared to be able to keep them in that position as if he might go on scoring indefinitely. He went on in this way for some time, when suddenly the silence was broken by Prognor crying out--

"I don't call that billiards. It's baby play."

Instantly there was an uproar. Saunders grounded his cue on the floor and stood calmly amidst the storm, his eyes fixed on the green cloth. There were shouts of "You were not interrupted," "That's for the umpire to decide," "Play your game, Saunders," "Don't be bluffed." The old man stood up with the rest, and his natural combativeness urged him to take part in the fray and call for fair play. The umpire rose and demanded order. When the tumult had subsided, he sat down. Some of the High Fliers, however, cried, "Decision! Decision!"

"There is nothing to decide," said the umpire, severely. "Go on with your play, Mr. Saunders."

Then young Saunders did a thing that took away the breath of his friends. He deliberately struck the balls with his cue ball and scattered them far and wide. A simultaneous sigh seemed to rise from the breasts of the True Blues.

"That is magnificent, but it is not war," said the man beside old Saunders. "He has no right to throw away a single chance when he is so far behind."

"Oh, he's not so far behind. Look at the score," put in a man on the right.

Saunders carefully nursed the balls up together once more, scored off them for a while, and again he struck them far apart. This he did three times. He apparently seemed bent on showing how completely he had the table under his control. Suddenly a great cheer broke out, and young Saunders rested as before without taking his eyes from the cloth.

"What does that mean?" cried the old man excitedly, with dry lips.

"Why, don't you see? He's tied the score. I imagine this is almost an unprecedented run. I believe he's got Prognor on toast, if you ask me."

Hammond came up with flushed face, and grasped the old man by the arm with a vigour that made him wince.

"Did you ever see anything grander than that?" he said, under cover of the momentary applause. "I'm willing to lose my ten thousand now without a murmur. You see, you are a mascot after all."

The old man was too much excited to speak, but he hoped the boy would take no more chances. Again came the click-click of the balls. The father was pleased to see that Dick played now with all the care and caution he had observed at first. The silence became intense, almost painful. Every man leaned forward and scarcely breathed.

All at once Prognor strode down to the billiard-table and stretched his hand across it. A cheer shook the ceiling. The cup would remain on its black marble pedestal. Saunders had won. He took the outstretched hand of his defeated opponent, and the building rang again.

Banker Hammond pushed his way through the congratulating crowd and smote the winner cordially on the shoulder.

"That was a great run, Dick, my boy. The old man was your mascot. Your luck changed the moment he came in. Your father had his eye on you all the time."

"What!" cried Dick, with a jump.

A flush came over his pale face as he caught his father's eye, although the old man's glance was kindly enough.

"I'm very proud of you, my son," said his father, when at last he reached him. "It takes skill and pluck and nerve to win a contest like that. I'm off now; I want to tell your mother about it."

"Wait a moment, father, and we'll walk home together," said Dick.

THE BROMLEY GIBBERTS STORY.

The room in which John Shorely edited the _Weekly Sponge_ was not luxuriously furnished, but it was comfortable. A few pictures decorated the walls, mostly black and white drawings by artists who were so unfortunate as to be compelled to work for the _Sponge_ on the cheap. Magazines and papers were littered all about, chiefly American in their origin, for Shorely had been brought up in the editorial school which teaches that it is cheaper to steal from a foreign publication than waste good money on original contributions. You clipped out the story; changed New York to London; Boston or Philadelphia to Manchester or Liverpool, and there you were.

Shorely's theory was that the public was a fool, and didn't know the difference. Some of the greatest journalistic successes in London proved the fact, he claimed, yet the _Sponge_ frequently bought stories from well-known authors, and bragged greatly about it.

Shorely's table was littered with manuscripts, but the attention of the great editor was not upon them. He sat in his wooden armchair, with his gaze on the fire and a frown on his brow. The _Sponge_ was not going well, and he feared he would have to adopt some of the many prize schemes that were such a help to pure literature elsewhere, or offer a thousand pounds insurance, tied up in such a way that it would look lavishly generous to the constant reader, and yet be impossible to collect if a disaster really occurred.

In the midst of his meditations a clerk entered and announced--"Mr. Bromley Gibberts."

"Tell him I'm busy just now--tell him I'm engaged," said the editor, while the perplexed frown deepened on his brow.

The clerk's conscience; however, was never burdened with that message, for Gibberts entered, with a long ulster coat flapping about his heels.

"That's all right," said Gibberts, waving his hand at the boy, who stood with open mouth, appalled at the intrusion. "You heard what Mr. Shorely said. He's engaged. Therefore let no one enter. Get out."

The boy departed, closing the door after him. Gibberts turned the key in the lock, and then sat down.

"There," he said; "now we can talk unmolested, Shorely. I should think you would be pestered to death by all manner of idiots who come in and interrupt you."

"I am," said the editor, shortly.

"Then take my plan, and lock your door. Communicate with the outer office through a speaking-tube. I see you are down-hearted, so I have come to cheer you up. I've brought you a story, my boy."

Shorely groaned.

"My dear Gibberts," he said, "we have now----"

"Oh yes, I know all about that. You have matter enough on hand to run the paper for the next fifteen years. If this is a comic story, you are buying only serious stuff. If this be tragic, humour is what you need. Of course, the up-and-down truth is that you are short of money, and can't pay my price. The _Sponge_ is failing--everybody knows that. Why can't you speak the truth, Shorely, to me, at least? If you practiced an hour a day, and took lessons--from me, for instance--you would be able in a month to speak several truthful sentences one after the other."

The editor laughed bitterly.

"You are complimentary," he said.

"I'm not. Try again, Shorely. Say I'm a boorish ass."

"Well, you are."

"There, you see how easy it is! Practice is everything. Now, about this story, will you----"

"I will not. As you are not an advertiser, I don't mind admitting to you that the paper is going down. You see it comes to the same thing. We haven't the money as you say, so what's the use of talking?"

Gibberts hitched his chair closer to the editor, and placed his hand on the other's knee. He went on earnestly--

"Now is the time to talk, Shorely. In a little while it will be too late. You will have thrown up the _Sponge_. Your great mistake is trying to ride two horses, each facing a different direction. It can't be done, my boy. Make up your mind whether you are going to be a thief or an honest man. That's the first step."

"What do you mean?"

"You know what I mean. Go in for a paper that will be entirely stolen property, or for one made up of purely original matter."

"We have a great deal of original matter in the _Sponge_."

"Yes, and that's what I object to. Have it all original, or have it all stolen. Be fish or fowl. At least one hundred men a week see a stolen article in the _Sponge_ which they have read elsewhere. They then believe it is all stolen, and you lose them. That isn't business, so I want to sell you one original tale, which will prove to be the most remarkable story written in England this year."

"Oh, they all are," said Shorely, wearily. "Every story sent to me is a most remarkable story, in the author's opinion."

"Look here, Shorely," cried Gibberts, angrily, "you mustn't talk to me like that. I'm no unknown author, a fact of which you are very well aware. I don't need to peddle my goods."

"Then why do you come here lecturing me?"

"For your own good, Shorely, my boy," said Gibberts, calming down as rapidly as he had flared up. He was a most uncertain man. "For your own good, and if you don't take this story, some one else will. It will make the fortune of the paper that secures it. Now, you read it while I wait. Here it is, typewritten, at one-and-three a thousand words, all to save your blessed eyesight."

Shorely took the manuscript and lit the gas, for it was getting dark. Gibberts sat down awhile, but soon began to pace the room, much to Shorely's manifest annoyance. Not content with this, he picked up the poker and noisily stirred the fire. "For Heaven's sake, sit down, Gibberts, and be quiet!" cried Shorely, at last.

Gibberts seized the poker as if it had been a weapon, and glared at the editor.

"I won't sit down, and I will make just as much noise as I want to," he roared. As he stood there defiantly, Shorely saw a gleam of insanity in his eyes.

"Oh, very well, then," said Shorely, continuing to read the story.

For a moment Gibberts stood grasping the poker by the middle, then he flung it with a clatter on the fender, and, sitting down, gazed moodily into the fire, without moving, until Shorely had turned the last page.

"Well," said Gibberts, rousing from his reverie, "what do you think of it?"

"It's a good story, Gibberts. All your stories are good," said the editor, carelessly.

Gibberts started to his feet, and swore.

"Do you mean to say," he thundered, "that you see nothing in that story different from any I or any one else ever wrote? Hang it, Shorely, you wouldn't know a good story if you met it coming up Fleet Street! Can't you see that story is written with a man's heart's blood?"

Shorely stretched out his legs and thrust his hands far down in his trousers' pockets.

"It may have been written as you say, although I thought you called my attention a moment ago to its type-written character."

"Don't be flippant, Shorely," said Gibberts, relapsing again into melancholy. "You don't like the story, then? You didn't see anything unusual in it--purpose, force, passion, life, death, nothing?"

"There is death enough at the end. My objection is that there is too much blood and thunder in it. Such a tragedy could never happen. No man could go to a country house and slaughter every one in it. It's absurd."

Gibberts sprang from his seat and began to pace the room excitedly. Suddenly he stopped before his friend, towering over him, his long ulster making him look taller than he really was.

"Did I ever tell you the tragedy of my life? How the property that would have kept me from want has----"

"Of course you have, Gibberts. Sit down. You've told it to everybody. To me several times."

"How my cousin cheated me out of----"

"Certainly. Out of land and the woman you loved."

"Oh! I told you that, did I?" said Gibberts, apparently abashed at the other's familiarity with the circumstances. He sat down, and rested his head in his hands. There was a long silence between the two, which was finally broken by Gibberts saying--

"So you don't care about the story?"

"Oh, I don't say that. I can see it is the story of your own life, with an imaginary and sanguinary ending."

"Oh, you saw that, did you?"

"Yes. How much do you want for it?"

"L50."

"What?"

"L50, I tell you. Are you deaf? And I want the money now."

"Bless your innocent heart, I can buy a longer story than that from the greatest author living for less than L50. Gibberts, you're crazy."

Gibberts looked up suddenly and inquiringly, as if that thought had never occurred to him before. He seemed rather taken with the idea. It would explain many things which had puzzled both himself and his friends. He meditated upon the matter for a few moments, but at last shook his head.

"No, Shorely," he said, with a sigh. "I'm not insane, though, goodness knows, I've had enough to drive me mad. I don't seem to have the luck of some people. I haven't the talent for going crazy. But to return to the story. You think L50 too much for it. It will make the fortune of the paper that publishes it. Let me see. I had it a moment ago, but the point has escaped my memory. What was it you objected to as unnatural?"

"The tragedy. There is too much wholesale murder at the end."

"Ah! now I have it! Now I recollect!"

Gibberts began energetically to pace the room again, smiting his hands together. His face was in a glow of excitement.

"Yes, I have it now. The tragedy. Granting a murder like that, one man a dead shot, killing all the people in a country house; imagine it actually taking place. Wouldn't all England ring with it?"

"Naturally."

"Of course it would. Now, you listen to me. I'm going to commit that so-called crime. One week after you publish the story, I'm going down to that country house, Channor Chase. It is my house, if there was justice and right in England, and I'm going to slaughter every one in it. I will leave a letter, saying the story in the _Sponge_ is the true story of what led to the tragedy. Your paper in a week will be the most-talked-of journal in England--in the world. It will leap instantaneously into a circulation such as no weekly on earth ever before attained. Look here, Shorely, that story is worth L50,000 rather than L50, and if you don't buy it at once, some one else will. Now, what do you say?"

"I say you are joking, or else, as I said just now, you are as mad as a hatter."

"Admitting I am mad, will you take the story?"

"No, but I'll prevent you committing the crime."

"How?"

"By giving you in charge. By informing on you."

"You can't do it. Until such a crime is committed, no one would believe it could be committed. You have no witnesses to our conversation here, and I will deny every assertion you make. My word, at present, is as good as yours. All you can do is to ruin your chance of fortune, which knocks at every man's door. When I came in, you were wondering what you could do to put the _Sponge_ on its feet. I saw it in your attitude. Now, what do you say?"

"I'll give you L25 for the story on its own merits, although it is a big price, and you need not commit the crime."

"Done! That is the sum I wanted, but I knew if I asked it, you would offer me L12 10_s_. Will you publish it within the month?"

"Yes."

"Very well. Write out the cheque. Don't cross it. I've no bank account."

When the cheque was handed to him, Gibberts thrust it into the ticket- pocket of his ulster, turned abruptly, and unlocked the door. "Good- bye," he said.

As he disappeared, Shorely noticed how long his ulster was, and how it flapped about his heels. The next time he saw the novelist was under circumstances that could never be effaced from his memory.

The _Sponge_ was a sixteen-page paper, with a blue cover, and the week Gibberts' story appeared, it occupied the first seven pages. As Shorely ran it over in the paper, it impressed him more than it had done in manuscript. A story always seems more convincing in type.

Shorely met several men at the Club, who spoke highly of the story, and at last he began to believe it was a good one himself. Johnson was particularly enthusiastic, and every one in the Club knew Johnson's opinion was infallible.

"How did _you_ come to get hold of it?" he said to Shorely, with unnecessary emphasis on the personal pronoun.

"Don't you think I know a good story when I see it?" asked the editor, indignantly.

"It isn't the general belief of the Club," replied Johnson, airily; "but then, all the members have sent you contributions, so perhaps that accounts for it. By the way, have you seen Gibberts lately?"

"No; why do you ask?"

"Well, it strikes me he is acting rather queerly. If you asked me, I don't think he is quite sane. He has something on his mind."

"He told me," said the new member, with some hesitation--"but really I don't think I'm justified in mentioning it, although he did not tell it in confidence--that he was the rightful heir to a property in----"

"Oh, we all know that story!" cried the Club, unanimously.

"I think it's the Club whiskey," said one of the oldest members. "I say, it's the worst in London."

"Verbal complaints not received. Write to the Committee," put in Johnson. "If Gibberts has a friend in the Club, which I doubt, that friend should look after him. I believe he will commit suicide yet."

These sayings troubled Shorely as he walked back to his office. He sat down to write a note, asking Gibberts to call. As he was writing, McCabe, the business manager of the _Sponge_, came in.

"What's the matter with the old sheet this week?" he asked.

"Matter? I don't understand you."

"Well, I have just sent an order to the printer to run off an extra ten thousand, and here comes a demand from Smith's for the whole lot. The extra ten thousand were to go to different newsagents all over the country who have sent repeat orders, so I have told the printer now to run off at least twenty-five thousand, and to keep the plates on the press. I never read the _Sponge_ myself, so I thought I would drop in and ask you what the attraction was. This rush is unnatural.

"Better read the paper and find out," said Shorely.

"I would, if there wasn't so much of your stuff in it," retorted McCabe.

Next day McCabe reported an almost bewildering increase in orders. He had a jubilant "we've-done-it-at-last" air that exasperated Shorely, who felt that he alone should have the credit. There had come no answer to the note he had sent Gibberts, so he went to the Club, in the hope of meeting him. He found Johnson, whom he asked if Gibberts were there.

"He's not been here to-day," said Johnson; "but I saw him yesterday, and what do you think he was doing? He was in a gun-shop in the Strand, buying cartridges for that villainous-looking seven-shooter of his. I asked him what he was going to do with a revolver in London, and he told me, shortly, that it was none of my business, which struck me as so accurate a summing-up of the situation, that I came away without making further remark. If you want any more stories by Gibberts, you should look after him."

Shorely found himself rapidly verging into a state of nervousness regarding Gibberts. He was actually beginning to believe the novelist meditated some wild action, which might involve others in a disagreeable complication. Shorely had no desire to be accessory either before or after the fact. He hurried back to the office, and there found Gibberts' belated reply to his note. He hastily tore it open, and the reading of it completely banished what little self-control he had left.

"Dear Shorely,--I know why you want to see me, but I have so many affairs to settle, that it is impossible for me to call upon you. However, have no fears; I shall stand to my bargain, without any goading from you. Only a few days have elapsed since the publication of the story, and I did not promise the tragedy before the week was out. I leave for Channor Chase this afternoon. You shall have your pound of flesh, and more.--Yours,

"BROMLEY GIBBERTS."

Shorely was somewhat pale about the lips when he had finished this scrawl. He flung on his coat, and rushed into the street. Calling a hansom, he said--

"Drive to Kidner's Inn as quickly as you can. No. 15."

Once there, he sprang up the steps two at a time, and knocked at Gibberts' door. The novelist allowed himself the luxury of a "man," and it was the "man" who answered Shorely's imperious knock.

"Where's Gibberts?"

"He's just gone, sir."

"Gone where?"

"To Euston Station, I believe, sir; and he took a hansom. He's going into the country for a week, sir, and I wasn't to forward his letters, so I haven't his address."

"Have you an 'ABC'?"

"Yes, sir; step inside, sir. Mr. Gibberts was just looking up trains in it, sir, before he left."

Shorely saw it was open at C, and, looking down the column to Channor, he found that a train left in about twenty minutes. Without a word, he dashed down the stairs again. The "man" did not seem astonished. Queer fish sometimes came to see his master.

"Can you get me to Euston Station in twenty minutes?"

The cabman shook his head, as he said--

"I'll do my best, sir, but we ought to have a good half-hour."

The driver did his best, and landed Shorely on the departure platform two minutes after the train had gone.

"When is the next train to Channor?" demanded Shorely of a porter.

"Just left, sir."

"The next train hasn't just left, you fool. Answer my question."

"Two hours and twenty minutes, sir," replied the porter, in a huff.

Shorely thought of engaging a special, but realised he hadn't money enough. Perhaps he could telegraph and warn the people of Channor Chase, but he did not know to whom to telegraph. Or, again, he thought he might have Gibberts arrested on some charge or other at Channor Station. That, he concluded, was the way out--dangerous, but feasible.

By this time, however, the porter had recovered his equanimity. Porters cannot afford to cherish resentment, and this particular porter saw half a crown in the air.

"Did you wish to reach Channor before the train that's just gone, sir?"

"Yes. Can it be done?"

"It might be done, sir," said the porter, hesitatingly, as if he were on the verge of divulging a State secret which would cost him his situation. He wanted the half-crown to become visible before he committed himself further.

"Here's half a sovereign, if you tell me how it can be done, short of hiring a special."

"Well, sir, you could take the express that leaves at the half-hour. It will carry you fifteen miles beyond Channor, to Buley Junction, then in seventeen minutes you can get a local back to Channor, which is due three minutes before the down train reaches there--if the local is in time," he added, when the gold piece was safe stowed in his pocket.

While waiting for the express, Shorely bought a copy of the _Sponge_, and once more he read Gibberts' story on the way down. The third reading appalled him. He was amazed he had not noticed before the deadly earnestness of its tone. We are apt to underrate or overrate the work of a man with whom we are personally familiar.

Now, for the first time, Shorely seemed to get the proper perspective. The reading left him in a state of nervous collapse. He tried to remember whether or not he had burned Gibberts' letter. If he had left it on his table, anything might happen. It was incriminating evidence.

The local was five minutes late at the Junction, and it crawled over the fifteen miles back to Channor in the most exasperating way, losing time with every mile. At Channor he found the London train had come and gone.

"Did a man in a long ulster get off, and----"

"For Channor Chase, sir?"

"Yes. Has he gone?"

"Oh yes, sir! The dog-cart from the Chase was here to meet him, sir."

"How far is it?"

"About five miles by road, if you mean the Chase, sir."

"Can I get a conveyance?"

"I don't think so, sir. They didn't know you were coming, I suppose, or they would have waited; but if you take the road down by the church, you can get there before the cart, sir. It isn't more than two miles from the church. You'll find the path a bit dirty, I'm afraid, sir, but not worse than the road. You can't miss the way, and you can send for your luggage."

It had been raining, and was still drizzling. A strange path is sometimes difficult to follow, even in broad daylight, but a wet, dark evening adds tremendously to the problem. Shorely was a city man, and quite unused to the eccentricities of country lanes and paths.

He first mistook the gleaming surface of a ditch for the footpath, and only found his mistake when he was up to his waist in water. The rain came on heavily again, and added to his troubles. After wandering through muddy fields for some time, he came to a cottage, where he succeeded in securing a guide to Channor Chase.

The time he had lost wandering in the fields would, Shorely thought, allow the dog-cart to arrive before him, and such he found to be the case. The man who answered Shorely's imperious summons to the door was surprised to find a wild-eyed, unkempt, bedraggled individual, who looked like a lunatic or a tramp.

"Has Mr. Bromley Gibberts arrived yet?" he asked, without preliminary talk.

"Yes, sir," answered the man.

"Is he in his room?"

"No, sir. He has just come down, after dressing, and is in the drawing- room.

"I must see him at once," gasped Shorely. "It is a matter of life and death. Take me to the drawing-room."

The man, in some bewilderment, led him to the door of the drawing-room, and Shorely heard the sound of laughter from within. Thus ever are comedy and tragedy mingled. The man threw the door open, and Shorely entered. The sight he beheld at first dazzled him, for the room was brilliantly lighted. He saw a number of people, ladies and gentlemen, all in evening dress, and all looking towards the door, with astonishment in their eyes. Several of them, he noticed, had copies of the _Sponge_ in their hands. Bromley Gibberts stood before the fire, and was very evidently interrupted in the middle of a narration.

"I assure you," he was saying, "that is the only way by which a story of the highest class can be sold to a London editor."

He stopped as he said this, and turned to look at the intruder. It was a moment or two before he recognised the dapper editor in the bedraggled individual who stood, abashed, at the door.

"By the gods!" he exclaimed, waving his hands. "Speak of the editor, and he appears. In the name of all that's wonderful, Shorely, how did you come here? Have your deeds at last found you out? Have they ducked you in a horse-pond? I have just been telling my friends here how I sold you that story, which is making the fortune of the _Sponge_. Come forward, and show yourself, Shorely, my boy."

"I would like a word with you," stammered Shorely.

"Then, have it here," said the novelist. "They all understand the circumstances. Come and tell them your side of the story."

"I warn you," said Shorely, pulling himself together, and addressing the company, "that this man contemplates a dreadful crime, and I have come here to prevent it."

Gibberts threw back his head, and laughed loudly.

"Search me," he cried. "I am entirely unarmed, and, as every one here knows, among my best friends."

"Goodness!" said one old lady. "You don't mean to say that Channor Chase is the scene of your story, and where the tragedy was to take place?"

"Of course it is," cried Gibberts, gleefully. "Didn't you recognise the local colour? I thought I described Channor Chase down to the ground, and did I not tell you you were all my victims? I always forget some important detail when telling a story. Don't go yet," he said, as Shorely turned away; "but tell your story, then we will have each man's narrative, after the style of Wilkie Collins."

But Shorely had had enough, and, in spite of pressing invitations to remain, he departed out into the night, cursing the eccentricities of literary men.

NOT ACCORDING TO THE CODE.

Even a stranger to the big town walking for the first time through London, sees on the sides of the houses many names with which he has long been familiar. His precognition has cost the firms those names represent much money in advertising. The stranger has had the names before him for years in newspapers and magazines, on the hoardings and boards by the railway side, paying little heed to them at the time; yet they have been indelibly impressed on his brain, and when he wishes soap or pills his lips almost automatically frame the words most familiar to them. Thus are the lavish sums spent in advertising justified, and thus are many excellent publications made possible.

When you come to ponder over the matter, it seems strange that there should ever be any real man behind the names so lavishly advertised; that there should be a genuine Smith or Jones whose justly celebrated medicines work such wonders, or whose soap will clean even a guilty conscience. Granting the actual existence of these persons and probing still further into the mystery, can any one imagine that the excellent Smith to whom thousands of former sufferers send entirely unsolicited testimonials, or the admirable Jones whom _prima donnas_ love because his soap preserves their dainty complexions--can any one credit the fact that Smith and Jones have passions like other men, have hatreds, likes and dislikes?

Such a condition of things, incredible as it may appear, exists in London. There are men in the metropolis, utterly unknown personally, whose names are more widely spread over the earth than the names of the greatest novelists, living or dead, and these men have feeling and form like unto ourselves.

There was the firm of Danby and Strong for instance. The name may mean nothing to any reader of these pages, but there was a time when it was well-known and widely advertised, not only in England but over the greater part of the world as well. They did a great business, as every firm that spends a fortune every year in advertising is bound to do. It was in the old paper-collar days. There actually was a time when the majority of men wore paper collars, and, when you come to think of it, the wonder is that the paper-collar trade ever fell away as it did, when you consider with what vile laundries London is and always has been cursed. Take the Danby and Strong collars for instance, advertised as being so similar to linen that only an expert could tell the difference. That was Strong's invention. Before he invented the Piccadilly collar so-called, paper collars had a brilliant glaze that would not have deceived the most recent arrival from the most remote shire in the country. Strong devised some method by which a slight linen film was put on the paper, adding strength to the collar and giving it the appearance of the genuine article. You bought a pasteboard box containing a dozen of these collars for something like the price you paid for the washing of half a dozen linen ones. The Danby and Strong Piccadilly collar jumped at once into great popularity, and the wonder is that the linen collar ever recovered from the blow dealt it by this ingenious invention.

Curiously enough, during the time the firm was struggling to establish itself, the two members of it were the best of friends, but when prosperity came to them, causes of difference arose, and their relations, as the papers say of warlike nations, became strained. Whether the fault lay with John Danby or with William Strong no one has ever been able to find out. They had mutual friends who claimed that each one of them was a good fellow, but those friends always added that Strong and Danby did not "hit it off."

Strong was a bitter man when aroused, and could generally be counted upon to use harsh language. Danby was quieter, but there was a sullen streak of stubbornness in him that did not tend to the making up of a quarrel. They had been past the speaking point for more than a year, when there came a crisis in their relations with each other, that ended in disaster to the business carried on under the title of Danby and Strong. Neither man would budge, and between them the business sunk to ruin. Where competition is fierce no firm can stand against it if there is internal dissension. Danby held his ground quietly but firmly, Strong raged and cursed, but was equally steadfast in not yielding a point. Each hated the other so bitterly that each was willing to lose his own share in a profitable business, if by doing so he could bring ruin on his partner.

We are all rather prone to be misled by appearances. As one walks down Piccadilly, or the Strand, or Fleet Street and meets numerous irreproachably dressed men with glossy tall hats and polished boots, with affable manners and a courteous way of deporting themselves toward their fellows, we are apt to fall into the fallacy of believing that these gentlemen are civilised. We fail to realise that if you probe in the right direction you will come upon possibilities of savagery that would draw forth the warmest commendation from a Pawnee Indian. There are reputable business men in London who would, if they dared, tie an enemy to a stake and roast him over a slow fire, and these men have succeeded so well, not only in deceiving their neighbours, but also themselves, that they would actually be offended if you told them so. If law were suspended in London for one day, during which time none of us would be held answerable for any deed then done, how many of us would be alive next morning? Most of us would go out to pot some favourite enemy, and would doubtless be potted ourselves before we got safely home again.

The law, however, is a great restrainer, and helps to keep the death- rate from reaching excessive proportions. One department of the law crushed out the remnant of the business of Messrs. Danby and Strong, leaving the firm bankrupt, while another department of the law prevented either of the partners taking the life of the other.

When Strong found himself penniless, he cursed, as was his habit, and wrote to a friend in Texas asking if he could get anything to do over there. He was tired of a country of law and order, he said, which was not as complimentary to Texas as it might have been. But his remark only goes to show what extraordinary ideas Englishmen have of foreign parts. The friend's answer was not very encouraging, but, nevertheless, Strong got himself out there somehow, and in course of time became a cowboy. He grew reasonably expert with his revolver and rode a mustang as well as could be expected, considering that he had never seen such an animal in London, even at the Zoo. The life of a cowboy on a Texas ranch leads to the forgetting of such things as linen shirts and paper collars.

Strong's hatred of Danby never ceased, but he began to think of him less often.

One day, when he least expected it, the subject was brought to his mind in a manner that startled him. He was in Galveston ordering supplies for the ranch, when in passing a shop which he would have called a draper's, but which was there designated as dealing in dry goods, he was amazed to see the name "Danby and Strong" in big letters at the bottom of a huge pile of small cardboard boxes that filled the whole window. At first the name merely struck him as familiar, and he came near asking himself "Where have I seen that before?" It was some moments before he realised that the Strong stood for the man gazing stupidly in at the plate-glass window. Then he noticed that the boxes were all guaranteed to contain the famous Piccadilly collar. He read in a dazed manner a large printed bill which stood beside the pile of boxes. These collars it seemed, were warranted to be the genuine Danby and Strong collar, and the public was warned against imitations. They were asserted to be London made and linen faced, and the gratifying information was added that once a person wore the D. and S. collar he never afterwards relapsed into wearing any inferior brand. The price of each box was fifteen cents, or two boxes for a quarter. Strong found himself making a mental calculation which resulted in turning this notation into English money.

As he stood there a new interest began to fill his mind. Was the firm being carried on under the old name by some one else, or did this lot of collars represent part of the old stock? He had had no news from home since he left, and the bitter thought occurred to him that perhaps Danby had got somebody with capital to aid him in resuscitating the business. He resolved to go inside and get some information.

"You seem to have a very large stock of those collars on hand," he said to the man who was evidently the proprietor.

"Yes," was the answer. "You see, we are the State agents for this make. We supply the country dealers."

"Oh, do you? Is the firm of Danby and Strong still in existence? I understood it had suspended."

"I guess not," said the man. "They supply us all right enough. Still, I really know nothing about the firm, except that they turn out a first- class article. We're not in any way responsible for Danby and Strong; we're merely agents for the State of Texas, you know," the man added, with sudden caution.

"I have nothing against the firm," said Strong. "I asked because I once knew some members of it, and was wondering how it was getting along."

"Well, in that case you ought to see the American representative. He was here this week ... that's why we make such a display in the window, it always pleases the agent ... he's now working up the State and will be back in Galveston before the month is out."

"What's his name? Do you remember?"

"Danby. George Danby, I think. Here's his card. No, John Danby is the name. I thought it was George. Most Englishmen are George, you know."

Strong looked at the card, but the lettering seemed to waver before his eyes. He made out, however, that Mr. John Danby had an address in New York, and that he was the American representative of the firm of Danby and Strong, London. Strong placed the card on the counter before him.

"I used to know Mr. Danby, and I would like to meet him. Where do you think I could find him?"

"Well, as I said before, you could see him right here in Galveston if you wait a month, but if you are in a hurry you might catch him at Broncho Junction on Thursday night."

"He is travelling by rail then?"

"No, he is not. He went by rail as far as Felixopolis. There he takes a horse, and goes across the prairies to Broncho Junction; a three days' journey. I told him he wouldn't do much business on that route, but he said he was going partly for his health, and partly to see the country. He expected to reach Broncho Thursday night." The dry goods merchant laughed as one who suddenly remembers a pleasant circumstance. "You're an Englishman, I take it."

Strong nodded.

"Well, I must say you folks have queer notions about this country. Danby, who was going for a three days' journey across the plains, bought himself two Colts revolvers, and a knife half as long as my arm. Now I've travelled all over this State, and never carried a gun, but I couldn't get Danby to believe his route was as safe as a church. Of course, now and then in Texas a cowboy shoots off his gun, but it's more often his mouth, and I don't believe there's more killing done in Texas than in any other bit of land the same size. But you can't get an Englishman to believe that. You folks are an awful law-abiding crowd. For my part I would sooner stand my chance with a revolver than a lawsuit any day." Then the good-natured Texan told the story of the pistol in Texas; of the general lack of demand for it, but the great necessity of having it handy when it was called for.

A man with murder in his heart should not hold a conversation like this, but William Strong was too full of one idea to think of prudence. Such a talk sets the hounds of justice on the right trail, with unpleasant results for the criminal.

On Thursday morning Strong set out on horse-back from Broncho Junction with his face towards Felixopolis. By noon he said to himself he ought to meet his former partner with nothing but the horizon around them. Besides the revolvers in his belt, Strong had a Winchester rifle in front of him. He did not know but he might have to shoot at long range, and it was always well to prepare for eventualities. Twelve o'clock came, but he met no one, and there was nothing in sight around the empty circle of the horizon. It was nearly two before he saw a moving dot ahead of him. Danby was evidently unused to riding and had come leisurely. Some time before they met, Strong recognised his former partner and he got his rifle ready.

"Throw up your hands!" he shouted, bringing his rifle butt to his shoulder.

Danby instantly raised his hands above his head. "I have no money on me," he cried, evidently not recognising his opponent. "You may search me if you like."

"Get down off your horse; don't lower your hands, or I fire."

Danby got down, as well as he could, with his hands above his head. Strong had thrown his right leg over to the left side of the horse, and, as his enemy got down, he also slid to the ground, keeping Danby covered with the rifle.

"I assure you I have only a few dollars with me, which you are quite welcome to," said Danby.