Chapter XI: One of Our Heroes
On the following morning, Cecil Chamberlayne was busy over his edition of Horace, "cramming" for his interview with Meredith Vyner, whose acquaintance he was the more anxious to cultivate, now he knew that he had three marriageable daughters.
Cecil has been introduced once or twice before, but I have not yet had an opportunity of sketching his portrait, so let me attempt it now.
He was a social favourite. He had considerable vivacity, which sometimes amounted to wit, and always passed for it. He drew well, composed well, sang well, dressed well, rode well, wrote charming verses and agreeable prose, played the piano and the guitar, and waltzed to perfection: in a word, was a _cavalier accompli_.
But with all these accomplishments there was no genius. He could do many things well, but nothing like a master. He painted better than an amateur, but not well enough for a professed artist.
Indeed, there was in him, both physically and morally, a sort of faltering greatness which arrested the attention of the observer. The head and bust were those of a large man, but the body and legs were small and neatly made. In his face there was the same contradiction: a boldness of outline, with a delicacy amounting to weakness in the details. His brow was broad and high, without being massive. His eyes were blue and gentle. His nose aquiline, and handsomely cut. The mouth would have been pretty had it not been too small. In appearance he was somewhat over neat--dapper.
At school, the boys called him "Fanny."
It is not often that the physical corresponds so well with the moral, as in Cecil Chamberlayne; but in him the accordance was perfect. You could not look at his white hand without at once divining, from its conical fingers, and the absence of strongly marked knuckles, that it belonged to one in whom the emotions predominated, and in whom the intellect tended naturally to art; it was, in truth, an artistic hand, the largeness of which showed a love of details, as the broad palm and small thumb showed an energetic sensuality and a wavering will.
Lively, good-natured, and accomplished, he was a great favourite with most people, and, indeed, the very attractiveness of his manners had been the obstacle to his advancement in life. His time and talents, instead of being devoted to any honourable or useful pursuit, were frittered away in the endless nothings which society demanded, and he had reached the age of seven and twenty, without fortune and without a profession. He flattered himself that he should be made consul somewhere, by one among his powerful friends, or that some sinecure would fall in his way; and on this hope he refrained from applying himself to the study of any profession, and only thought of sustaining his reputation as an amusing fellow. Meanwhile his small patrimony had dwindled down to the interest of four thousand pounds, which was preserved only because he could not touch the capital: a misfortune which he had frequently declaimed against, and to which he now owed the means of keeping a decent coat on his back.
He went to Vyner, listened to his remarks on Horace, sympathized with his hatred of editors, wondered at the beauty and rarity of his editions, expressed strong and lively interest in his commentary, and, in short, so ingratiated himself with the old pedant, that he was invited down to Wytton Hall, whither the family was about to go.
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Rose, Blanche, and Violet, Volume 1 (of 3)Chapter XI: One of Our Heroes
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