Chapter III: Savoy (2)

Just as it is convenient for purposes of classification to divide a man into body and soul, even when we believe the soul to be only a function of the body, so people talk of his intellectual side and his emotional side, his thinking quality and his feeling quality, though in fact and at the roots these qualities are not two but one, with temperament for the common substratum. During this period of his life the whole of Rousseau's true force went into his feelings, and at all times feeling predominated over reflection, with many drawbacks and some advantages of a very critical kind for subsequent generations of men. Nearly every one who came into contact with him in the way of testing his capacity for being instructed pronounced him hopeless. He had several excellent opportunities of learning Latin, especially at Turin in the house of Count Gouvon, and in the seminary at Annecy, and at Les Charmettes he did his best to teach himself, but without any better result than a very limited power of reading. In learning one rule he forgot the last; he could never master the most elementary laws of versification; he learnt and re-learnt twenty times the Eclogues of Virgil, but not a single word remained with him.[88] He was absolutely without verbal memory, and he pronounces himself wholly incapable of learning anything from masters. Madame de Warens tried to have him taught both dancing and fencing; he could never achieve a minuet, and after three months of instruction he was as clumsy and helpless with his foil as he had been on the first day. He resolved to become a master at the chessboard; he shut himself up in his room, and worked night and day over the books with indescribable efforts which covered many weeks. On proceeding to the café to manifest his powers, he found that all the moves and combinations had got mixed up in his head, he saw nothing but clouds on the board, and as often as he repeated the experiment he only found himself weaker than before. Even in music, for which he had a genuine passion and at which he worked hard, he never could acquire any facility at sight, and he was an inaccurate scorer, even when only copying the score of others.[89]

Two things nearly incompatible, he writes in an important passage, are united in me without my being able to think how; an extremely ardent temperament, lively and impetuous passions, along with ideas that are very slow in coming to birth, very embarrassed, and which never arise until after the event. "One would say that my heart and my intelligence do not belong to the same individual.... I feel all, and see nothing; I am carried away, but I am stupid.... This slowness of thinking, united with such vivacity of feeling, possesses me not only in conversation, but when I am alone and working. My ideas arrange themselves in my head with incredible difficulty; they circulate there in a dull way and ferment until they agitate me, fill me with heat, and give me palpitations; in the midst of this stir I see nothing clearly, I could not write a single word. Insensibly the violent emotion grows still, the chaos is disentangled, everything falls into its place, but very slowly and after long and confused agitation."[90]

So far from saying that his heart and intelligence belonged to two persons, we might have been quite sure, knowing his heart, that his intelligence must be exactly what he describes its process to have been. The slow-burning ecstasy in which he knew himself at his height and was most conscious of fulness of life, was incompatible with the rapid and deliberate generation of ideas. The same soft passivity, the same receptiveness, which made his emotions like the surface of a lake under sky and breeze, entered also into the working of his intellectual faculties. But it happens that in this region, in the attainment of knowledge, truth, and definite thoughts, even receptiveness implies a distinct and active energy, and hence the very quality of temperament which left him free and eager for sensuous impressions, seemed to muffle his intelligence in a certain opaque and resisting medium, of the indefinable kind that interposes between will and action in a dream. His rational part was fatally protected by a non-conducting envelope of sentiment; this intercepted clear ideas on their passage, and even cut off the direct and true impress of those objects and their relations, which are the material of clear ideas. He was no doubt right in his avowal that objects generally made less impression on him than the recollection of them; that he could see nothing of what was before his eyes, and had only his intelligence in cases where memories were concerned; and that of what was said or done in his presence, he felt and penetrated nothing.[91] In other words, this is to say that his material of thought was not fact but image. When he plunged into reflection, he did not deal with the objects of reflection at first hand and in themselves, but only with the reminiscences of objects, which he had never approached in a spirit of deliberate and systematic observation, and with those reminiscences, moreover, suffused and saturated by the impalpable but most potent essences of a fermenting imagination. Instead of urgently seeking truth with the patient energy, the wariness, and the conscience, with the sharpened instruments, the systematic apparatus, and the minute feelers and tentacles of the genuine thinker and solid reasoner, he only floated languidly on a summer tide of sensation, and captured premiss and conclusion in a succession of swoons. It would be a mistake to contend that no work can be done for the world by this method, or that truth only comes to those who chase her with logical forceps. But one should always try to discover how a teacher of men came by his ideas, whether by careful toil, or by the easy bequest of generous phantasy.

To give a zest to rural delight, and partly perhaps to satisfy the intellectual interest which must have been an instinct in one who became so consummate a master in the great and noble art of composition, Rousseau, during the time when he lived with Madame de Warens, tried as well as he knew how to acquire a little knowledge of what fruit the cultivation of the mind of man had hitherto brought forth. According to his own account, it was Voltaire's Letters on the English which first drew him seriously to study, and nothing which that illustrious man wrote at this time escaped him. His taste for Voltaire inspired him with the desire of writing with elegance, and of imitating "the fine and enchanting colour of Voltaire's style"[92]--an object in which he cannot be held to have in the least succeeded, though he achieved a superb style of his own. On his return from Turin Madame de Warens had begun in some small way to cultivate a taste for letters in him, though he had lost the enthusiasm of his childhood for reading. Saint Evremond, Puffendorff, the Henriade, and the Spectator happened to be in his room, and he turned over their pages. The Spectator, he says, pleased him greatly and did him much good.[93] Madame de Warens was what he calls protestant in literary taste, and would talk for ever of the great Bayle, while she thought more of Saint Evremond than she could ever persuade Rousseau to think. Two or three years later than this he began to use his own mind more freely, and opened his eyes for the first time to the greatest question that ever dawns upon any human intelligence that has the privilege of discerning it, the problem of a philosophy and a body of doctrine.

His way of answering it did not promise the best results. He read an introduction to the Sciences, then he took an Encyclopædia and tried to learn all things together, until he repented and resolved to study subjects apart. This he found a better plan for one to whom long application was so fatiguing, that he could not with any effect occupy himself for half an hour on any one matter, especially if following the ideas of another person.[94] He began his morning's work, after an hour or two of dispersive chat, with the Port-Royal Logic, Locke's Essay on the Human Understanding, Malebranche, Leibnitz, Descartes.[95] He found these authors in a condition of such perpetual contradiction among themselves, that he formed the chimerical design of reconciling them with one another. This was tedious, so he took up another method, on which he congratulated himself to the end of his life. It consisted in simply adopting and following the ideas of each author, without comparing them either with one another or with those of other writers, and above all without any criticism of his own. Let me begin, he said, by collecting a store of ideas, true or false, but at any rate clear, until my head is well enough stocked to enable me to compare and choose. At the end of some years passed "in never thinking exactly, except after other people, without reflecting so to speak, and almost without reasoning," he found himself in a state to think for himself. "In spite of beginning late to exercise my judicial faculty, I never found that it had lost its vigour, and when I came to publish my own ideas, I was hardly accused of being a servile disciple."[96]

To that fairly credible account of the matter, one can only say that this mutually exclusive way of learning the thoughts of others, and developing thoughts of your own, is for an adult probably the most mischievous, where it is not the most impotent, fashion in which intellectual exercise can well be taken. It is exactly the use of the judicial faculty, criticising, comparing, and defining, which is indispensable in order that a student should not only effectually assimilate the ideas of a writer, but even know what those ideas come to and how much they are worth. And so when he works at ideas of his own, a judicial faculty which has been kept studiously slumbering for some years, is not likely to revive in full strength without any preliminary training. Rousseau was a man of singular genius, and he set an extraordinary mark on Europe, but this mark would have been very different if he had ever mastered any one system of thought, or if he had ever fully grasped what systematic thinking means. Instead of this, his debt to the men whom he read was a debt of piecemeal, and his obligation an obligation for fragments; and this is perhaps the worst way of acquiring an intellectual lineage, for it leaves out the vital continuity of temper and method. It is a small thing to accept this or that of Locke's notions upon education or the origin of ideas, if you do not see the merit of his way of coming by his notions. In short, Rousseau has distinctions in abundance, but the distinction of knowing how to think, in the exact sense of that term, was hardly among them, and neither now nor at any other time did he go through any of that toilsome and vigorous intellectual preparation to which the ablest of his contemporaries, Diderot, Voltaire, D'Alembert, Turgot, Condorcet, Hume, all submitted themselves. His comfortable view was that "the sensible and interesting conversations of a woman of merit are more proper to form a young man than all the pedantical philosophy of books."[97]

Style, however, in which he ultimately became such a proficient, and which wrought such marvels as only style backed by passion can work, already engaged his serious attention. We have already seen how Voltaire implanted in him the first root idea, which so many of us never perceive at all, that there is such a quality of writing as style. He evidently took pains with the form of expression and thought about it, in obedience to some inborn harmonious predisposition which is the source of all veritable eloquence, though there is no strong trace now nor for many years to come of any irresistible inclination for literary composition. We find him, indeed, in 1736 showing consciousness of a slight skill in writing,[98] but he only thought of it as a possible recommendation for a secretaryship to some great person. He also appears to have practised verses, not for their own sake, for he always most justly thought his own verses mediocre, and they are even worse; but on the ground that verse-making is a rather good exercise for breaking one's self to elegant inversions, and learning a greater ease in prose.[99] At the age of one and twenty he composed a comedy, long afterwards damned as _Narcisse_. Such prelusions, however, were of small importance compared with the fact of his being surrounded by a moral atmosphere in which his whole mind was steeped. It is not in the study of Voltaire or another, but in the deep soft soil of constant mood and old habit that such a style as Rousseau's has its growth.

It was the custom to return to Chambéri for the winter, and the day of their departure from Les Charmettes was always a day blurred and tearful for Rousseau; he never left it without kissing the ground, the trees, the flowers; he had to be torn away from it as from a loved companion. At the first melting of the winter snows they left their dungeon in Chambéri, and they never missed the earliest song of the nightingale. Many a joyful day of summer peace remained vivid in Rousseau's memory, and made a mixed heaven and hell for him long years after in the stifling dingy Paris street, and the raw and cheerless air of a Derbyshire winter.[100] "We started early in the morning," he says, describing one of these simple excursions on the day of St. Lewis, who was the very unconscious patron saint of Madame de Warens, "together and alone; I proposed that we should go and ramble about the side of the valley opposite to our own, which we had not yet visited. We sent our provisions on before us, for we were to be out all day. We went from hill to hill and wood to wood, sometimes in the sun and often in the shade, resting from time to time and forgetting ourselves for whole hours; chatting about ourselves, our union, our dear lot, and offering unheard prayers that it might last. All seemed to conspire for the bliss of this day. Rain had fallen a short time before; there was no dust, and the little streams were full; a light fresh breeze stirred the leaves, the air was pure, the horizon without a cloud, and the same serenity reigned in our own hearts. Our dinner was cooked in a peasant's cottage, and we shared it with his family. These Savoyards are such good souls! After dinner we sought shade under some tall trees, where, while I collected dry sticks for making our coffee, Maman amused herself by botanising among the bushes, and the expedition ended in transports of tenderness and effusion."[101] This is one of such days as the soul turns back to when the misery that stalks after us all has seized it, and a man is left to the sting and smart of the memory of irrecoverable things.

He was resolved to bind himself to Madame de Warens with an inalterable fidelity for all the rest of his days; he would watch over her with all the dutiful and tender vigilance of a son, and she should be to him something dearer than mother or wife or sister. What actually befell was this. He was attacked by vapours, which he characterises as the disorder of the happy. One symptom of his disease was the conviction derived from the rash perusal of surgeon's treatises, that he was suffering from a polypus in the heart. On the not very chivalrous principle that if he did not spend Madame de Warens' money, he was only leaving it for adventurers and knaves, he proceeded to Montpellier to consult the physicians, and took the money for his expenses out of his benefactress's store, which was always slender because it was always open to any hand. While on the road, he fell into an intrigue with a travelling companion, whom critics have compared to the fair Philina of Wilhelm Meister. In due time, the Montpellier doctor being unable to discover a disease, declared that the patient had none. The scenery was dull and unattractive, and this would have counterbalanced the weightiest prudential reasons with him at any time. Rousseau debated whether he should keep tryst with his gay fellow-traveller, or return to Chambéri. Remorse and that intractable emptiness of pocket which is the iron key to many a deed of ingenuous-looking self-denial and Spartan virtue, directed him homewards. Here he had a surprise, and perhaps learnt a lesson. He found installed in the house a personage whom he describes as tall, fair, noisy, coxcombical, flat-faced, flat-souled. Another triple alliance seemed a thing odious in the eyes of a man whom his travelling diversions had made a Pharisee for the hour. He protested, but Madame de Warens was a woman of principle, and declined to let Rousseau, who had profited by the doctrine of indifference, now set up in his own favour the contrary doctrine of a narrow and churlish partiality. So a short, delicious, and never-forgotten episode came to an end: this pair who had known so much happiness together were happy together no more, and the air became peopled for Rousseau with wan spectres of dead joys and fast gathering cares.

The dates of the various events described in the fifth and sixth books of the Confessions are inextricable, and the order is evidently inverted more than once. The inversion of order is less serious than the contradictions between the dates of the Confessions and the more authentic and unmistakable dates of his letters. For instance, he describes a visit to Geneva as having been made shortly before Lautrec's temporary pacification of the civic troubles of that town; and that event took place in the spring of 1738. This would throw the Montpellier journey, which he says came after the visit to Geneva, into 1738, but the letters to Madame de Warens from Grenoble and Montpellier are dated in the autumn and winter of 1737.[102] Minor verifications attest the exactitude of the dates of the letters,[103] and we may therefore conclude that he returned from Montpellier, found his place taken and lost his old delight in Les Charmettes, in the early part of 1738. In the tenth of the Rêveries he speaks of having passed "a space of four or five years" in the bliss of Les Charmettes, and it is true that his connection with it in one way and another lasted from the middle of 1736 until about the middle of 1741. But as he left for Montpellier in the autumn of 1737, and found the obnoxious Vinzenried installed in 1738, the pure and characteristic felicity of Les Charmettes perhaps only lasted about a year or a year and a half. But a year may set a deep mark on a man, and give him imperishable taste of many things bitter and sweet.

FOOTNOTES:

[38] _Conf._, iii. 177.

[39] Lamartine in _Raphael_ defies "a reasonable man to recompose with any reality the character that Rousseau gives to his mistress, out of the contradictory elements which he associates in her nature. One of these elements excludes the other." It is worth while for any who care for this kind of study to compare Madame de Warens with the Marquise de Courcelles, whom Sainte-Beuve has well called the Manon Lescaut of the seventeenth century.

[40] Described by Rousseau in a memorandum for the biographer of M. de Bernex, printed in _Mélanges_, pp. 139-144.

[41] De Tavel, by name. Disorderly ideas as to the relations of the sexes began to appear in Switzerland along with the reformation of religion. In the sixteenth century a woman appeared at Geneva with the doctrine that it is as inhuman and as unjustifiable to refuse the gratification of this appetite in a man as to decline to give food and drink to the starving. Picot's _Hist. de Genève_, vol. ii.

[42] _Conf._, v. 341. Also ii. 83; and vi. 401.

[43] _Conf._, v. 345.

[44] _Conf._, ii. 83.

[45] _Ib._ ii. 82.

[46] _Ib._ iii. 179. See also 200.

[47] _Conf._, iii. 177, 178.

[48] _Conf._, iii. 183.

[49] M. d'Aubonne.

[50] _Conf._, iii 192.

[51] M. Gatier.

[52] M. Gaime.

[53] _Conf._, iii. 204.

[54] _Ib._ iii. 209, 210.

[55] _Conf._, iii. 217-222.

[56] _Conf._, iv. 227.

[57] _Ib._ iii. 224.

[58] One Venture de Villeneuve, who visited him years afterwards (1755) in Paris, when Rousseau found that the idol of old days was a crapulent debauchee. _Ib._ viii. 221.

[59] Mdlles. de Graffenried and Galley. _Conf._, iv. 231.

[60] _Ib._ iv. 254-256.

[61] _Conf._, iv. 253.

[62] While in the ambassador's house at Soleure, he was lodged in a room which had once belonged to his namesake, Jean Baptiste Rousseau (_b. 1670--d. 1741_), whom the older critics astonishingly insist on counting the first of French lyric poets. There was a third Rousseau, Pierre [_b. 1725--d. 1785_], who wrote plays and did other work now well forgotten. There are some lines imperfectly commemorative of the trio--

Trois auteurs que Rousseau l'on nomme, Connus de Paris jusqu'à Rome, Sont différens; voici par où; Rousseau de Paris fut grand homme; Rousseau de Genève est un fou; Rousseau de Toulouse un atome.

Jean Jacques refers to both his namesakes in his letter to Voltaire, Jan. 30, 1750. _Corr._, i. 145.

[63] The only object which ever surpassed his expectation was the great Roman structure near Nismes, the Pont du Gard. _Conf._, vi. 446.

[64] Rousseau gives 1732 as the probable date of his return to Chambéri, after his first visit to Paris [_Conf._, v. 305], and the only objection to this is his mention of the incident of the march of the French troops, which could not have happened until the winter of 1733, as having taken place "some months" after his arrival. Musset-Pathay accepts this as decisive, and fixes the return in the spring of 1733 [i. 12]. My own conjectural chronology is this: Returns from Turin towards the autumn of 1729; stays at Annecy until the spring of 1731; passes the winter of 1731-2 at Neuchâtel; first visits Paris in spring of 1732; returns to Savoy in the early summer of 1732. But a precise harmonising of the dates in the Confessions is impossible; Rousseau wrote them three and thirty years after our present point [in 1766 at Wootton], and never claimed to be exact in minuteness of date. Fortunately such matters in the present case are absolutely devoid of importance.

[65] _Conf._, iv. 279, 280.

[66] _Conf._, iv. 290, 291,

[67] _Conf._, iv. 281-283.

[68] _Conf._, v. 325.

[69] _Conf._, v. 360-364. _Corr._, i. 21-24.

[70] _Conf._, v. 349, 350.

[71] Apparently in the summer of 1736, though, the reference to the return of the French troops at the peace [_Ib._ v. 365] would place it in 1735.

[72] _Ib._ v. 356

[73] _Ib._

[74] _Conf._, v. 315, 316.

[75] _Ib._ iv. 276. _Nouv. Hél._, II. xiv. 381, etc.

[76] He refers to the ill-health of his youth, _Conf._, vii. 32, and describes an ominous head seizure while at Chambéri, _Ib._ vi. 396.

[77] Rousseau's description of Les Charmettes is at the end of the fifth book. The present proprietor keeps the house arranged as it used to be, and has gathered one or two memorials of its famous tenant, including his poor _clavecin_ and his watch. In an outside wall, Hérault de Sechelles, when Commissioner from the Convention in the department of Mont Blanc, inserted a little white stone with two most lapidary stanzas inscribed upon it, about _génie, solitude, fierté, gloire, vérité, envie_, and the like.

[78] _Rêveries_, x. 336 (1778).

[79] _Conf._, vi. 393.

[80] _Conf._, vi. 412.

[81] _Mém. de Mdme. d'Epinay_, i. 394. (M. Boiteau's edition: Charpentier. 1865.)

[82] _Conf._, vi. 399.

[83] _Ib._ vi. 424. Goethe made a similar experiment; see Mr. Lewes's _Life_, p. 126.

[84] Bernardin de Saint Pierre tells us this. _Oeuvres_ (Ed. 1818), xii. 70, etc.

[85] _Conf._, iv. 297. See also the description of the scenery of the Valais, in the _Nouv. Hél._, Pt. I. Let. xxiii.

[86] George Sand in _Mademoiselle la Quintinie_ (p. 27), a book containing some peculiarly subtle appreciations of the Savoy landscape.

[87] _Conf._, iv. 298.

[88] _Conf._, vi. 416, 422, etc.; iii. 164; iii. 203; v. 347; v. 383, 384. Also vii. 53.

[89] _Conf._, v. 313, 367; iv. 293; ix. 353. Also _Mém. de Mdme. d'Epinay_, ii. 151.

[90] _Ib._ iii. 192, 193.

[91] _Conf._, iv. 301; iii. 195.

[92] _Conf._, v. 372, 373. The mistaken date assigned to the correspondence between Voltaire and Frederick is one of many instances how little we can trust the Confessions for minute accuracy, though their substantial veracity is confirmed by all the collateral evidence that we have.

[93] _Ib._ iii. 188. For his debt in the way of education to Madame de Warens, see also _Ib._ vii. 46.

[94] _Conf._, vi. 409.

[95] _Ib._ vi. 413. He adds a suspicious-looking "_et cetera_."

[96] _Conf._, vi. 414

[97] _Conf._, iv. 295. See also v. 346.

[98] _Corr._, 1736, pp. 26, 27.

[99] _Conf._, iv. 271, where he says further that he never found enough attraction in French poetry to make him think of pursuing it.

[100] The first part of the Confessions was written in Wootton in Derbyshire, in the winter of 1766-1767.

[101] _Conf._, vi. 422.

[102] _Corr._, i. 43, 46, 62, etc.

[103] Musset-Pathay, i. 23, _n._