Chapter II: Part 2
The Taj Mahal was built by that inspired friend of architecture, Shah Jahan, as the tomb of the best beloved of his wives, Arjmand Banu, called Mumtaz-i-Mahal or Pride of the Palace. There she lies, and there lies her husband. I wonder how many of the travellers who stand entranced before this mausoleum, in sunshine and at dusk or under the moon, and who have not troubled about its history, realise that Giotto's Tower in Florence is three centuries older, and St. Peter's in Rome antedates it by a little, and St. Paul's Cathedral in London is only twenty or thirty years younger. Yet so it is. In India one falls naturally into the way of thinking of everything that is not of our own time as being of immense age, if not prehistoric.
Opinions differ as to the respective beauties of Agra Fort and Delhi Fort, but in so far as the enclosures themselves are considered I give my vote unhesitatingly to Delhi. Yet when one thinks also of what can be seen from the ramparts, then the palm goes instantly to Agra, for its view of the Taj Mahal. It is tragic, walking here, to think of the last days of Shah Jahan, who brought into being both the marble palace and the wonderful Moti-Masjid or marble mosque. For in 1658 his son, Aurungzebe, deposed him and for the rest of his life he was imprisoned in these walls.
His grandfather, Akbar, the other great Agra builder, was made of sterner stuff. All Shah Jahan's creations--the Taj, the marble mosque, the palaces both here and at Delhi, even the great Jama Masjid at Delhi,--have a certain sensuous quality. They are not exactly decadent, but they suggest sweetness rather than strength. The Empire had been won, and Shah Jahan could indulge in luxury and ease. But Akbar had had to fight, and he remained to the end a man of action, and we see his character reflected in his stronghold Fatehpur-Sikri, which one visits from Agra and never forgets. If I were asked to say which place in India most fascinated me and touched the imagination I think I should name this dead city.
Akbar, the son of Babar, is my hero among the Moguls, and this was Akbar's chosen home, until scarcity of water forced him to abandon it for Agra. Akbar, the noblest of the great line of Moguls whose splendour ended in 1707 with the death of Aurungzebe, came to the throne in 1556, only eight years before Shakespeare was born, and died in 1605, and it is interesting to realise how recent were his times, the whole suggestion of Fatehpur-Sikri being one of very remote antiquity. Yet when it was being built so modern a masterpiece as _Hamlet_ was being written and played. Those interested in the Great Moguls ought really to visit Fatehpur-Sikri before Delhi or Agra, because Akbar was the grandfather of Shah Jahan. But there can be no such chronological wanderings in India. Have we not already seen Humayun's Tomb, outside Delhi?--and Humayun was Akbar's father.
They say the leopard and the jackal keep The courts where Akbar gloried.... --this adaptation of FitzGerald's lines ran through my mind as we passed from room to room and tower to tower of Fatehpur-Sikri. There is nothing to compare with it, except perhaps Pompeii. And in that comparison one realises how impossible it is at a hazard to date an Indian ruin, for, as I have said, Fatehpur-Sikri is from the days of Elizabeth, while Pompeii was destroyed in the first century, and yet Pompeii in many ways seems less ancient.
The walls of Fatehpur-Sikri are seven miles round and the city rises to the summits of two steep hills. It was on the higher one that Akbar set his palace. Civilisation has run a railway through the lower levels; the old high road still climbs the hill under the incredibly lofty walls of the palace. The royal enclosure is divided into all the usual courtyards and apartments, but they are on a grander scale. Also the architecture is more mixed. Here is the swimming bath; here are the cool, dark rooms for the ladies of the harem in the hottest days, with odd corners where Akbar is said to have played hide-and-seek with them; here is the hall where Akbar, who kept an open mind on religion, listened to, and disputed with, dialecticians of varying creeds--himself seated in the middle, and the doctrinaires in four pulpits around him; here is the Mint; here is the house of the Turkish queen, with its elaborate carvings and decorations; here is the girls' school, with a courtyard laid out for human chess, the pieces being slave-girls; here is a noble mosque; here is the vast court where the great father of his people administered justice, or what approximated to it, and received homage. Here are the spreading stables and riding school; here is even the tomb of a favourite elephant.
And here is the marble tomb of the Saint, the Shaikh Salim, whose holiness brought it about that the Emperor became at last the father of a son--none other than Jahangir. The shrine is visited even to this day by childless wives, who tie shreds of their clothing to the lattice-work of a marble window as an earnest of their maternal worthiness. It is visited also by the devout for various purposes, among others by those whose horses are sick and who nail votive horseshoes to the great gate. According to tradition the mother of Jahangir was a Christian named Miriam, and her house and garden may be seen, the house having the traces of a fresco which by those who greatly wish it can be believed to represent the Annunciation. Tradition, however, is probably wrong, and the princess was from Jaipur and a true Mussulwoman.
From every height--and particularly from the Panch Mahal's roof--one sees immense prospects and realises what a landmark the stronghold of Fatehpur-Sikri must have been to the dwellers in the plains; but no view is the equal of that which bursts on the astonished eyes at the great north gateway, where all Rajputana is at one's feet. I do not pretend to any exhaustive knowledge of the gates of the world, but I cannot believe that there can be others set as this Gate of Victory is in the walls of a palace, at the head of myriad steps, on the very top of a commanding rock and opening on to thousands of square miles of country. Having seen the amazing landscape one descends the steps to the road, and looking up is astonished and exalted by seeing the gate from below. Nothing so grand has ever come into my ken. The Taj Mahal is unforgettingly beautiful; but this glorious gate in the sky has more at once to exercise and stimulate the imagination and reward the vision.
On the gate are the words: "Isa (Jesus), on whom be peace, said: 'The world is a bridge; pass over it, but build no house on it. The world endures but an hour; spend it in devotion.'"
Having seen Fatehpur-Sikri, where Akbar lived and did more than build a house, it is a natural course to return to Agra by way of Sikandra, where he was buried. Sikandra is like the Taj Mahal and Humayun's Tomb in general disposition--the mausoleum itself being in the centre of a garden. But it is informed by a more sombre spirit. The burial-place of the mighty Emperor is in the very heart of the building, gained by a sloping passage lit by an attendant with a torch. Here was Akbar laid, while high above, on the topmost stage of the mausoleum, in the full light, is his cenotoph of marble, with the ninety-nine names of Allah inscribed upon it. Near the cenotaph is a marble pillar on which once was set the Koh-i-noor diamond, chief of Akbar's treasures. To-day it is part of the English regalia.
LUCKNOW
The Ridge at Delhi is a sufficiently moving reminder of the Indian Mutiny; but it is at Lucknow that the most poignant phases are re-enacted. At Delhi may be seen, preserved for ever, the famous buildings which the British succeeded in keeping--Hindu Rao's house, and the Observatory, and Flagstaff Tower, the holding of which gave them victory; while in the walls of the Kashmir Gate our cannon balls are still visibly imbedded. There is also the statue of John Nicholson in the Kudsia Garden, and in the little Museum of the Fort are countless souvenirs.
But Lucknow was the centre of the tragedy, and the Residency is preserved as a sacred spot. Not even the recent Great War left in its track any more poignant souvenirs of fortitude and disaster than the little burial ground here, around the ruins of the church, where those who fell in the Mutiny and those who fought or suffered in the Mutiny are lying. Long ago as it was--1857--there are still a few vacant lots destined to be filled. Chief of the tombstones that bear the honoured names is that of the heroic defender who kept upon the topmost roof the banner of England flying. It has the simple and touching inscription: "Here lies Henry Lawrence, who tried to do his duty. May the Lord have mercy on his soul!"
In the Residency every step of the siege and relief can be followed. I was there first on a serene evening after rain; and but for some tropical trees it might have been an English scene. All that was lacking was a thrush or blackbird's note; but the grass was as soft and green as at home and the air as sweet. I shall long retain the memory of the contrast between the incidents which give this enclosure its unique place in history and the perfect calm brooding over all. And whenever any one calls my attention to a Bougainvillaea I shall say, "Ah! But you should see the Bougainvillaea in the Residency garden at Lucknow."
Everywhere that I went in India I found this noble lavish shrub in full flower, but never wearing such a purple as at Lucknow. The next best was in the Fort at Delhi. It was not till I reached Calcutta that I caught any glimpse of the famous scarlet goldmore tree in leaf; but I saw enough to realise how splendid must be the effect of an avenue of them. Bombay, however, was rich in hedges of poinsettia, and they serve as an introduction to the goldmore's glory.
Before leaving the Residency I should like to quote a passage from the little brochure on the defence of Lucknow which Sir Harcourt Butler, the Governor of the United Provinces, with characteristic thoughtfulness has prepared for the use of his guests. "The visitor to the Residency," he wrote, thinking evidently of a similar evening to that on which we visited it, "who muses on the past and the future, may note that upon the spot where the enemy's assault was hottest twin hospitals for Europeans and Indians have been erected by Oudh's premier Taluqdar, the Maharaja of Balrampur; and as the sun sets over the great city, lingering awhile on the trim lawns and battered walls which link the present with the past, a strong hope may come to him, like a distant call to prayer, that old wounds may soon be healed, and old causes of disunion may disappear, and that Englishmen and Indians, knit together by loyalty to their beloved Sovereign, may be as brothers before the altar of the Empire, bearing the Empire's burden, and sharing its inestimable privileges, and, it may be, adding something not yet seen or dreamt of to its world-wide and weather-beaten fame."
I left Lucknow with regret, and would advise any European with time to spare, and the desire to be at once civilised and warm, to think seriously of spending a winter there instead of in the illusory sunshine of the Riviera, or the comparative barbarity of Algiers. The journey is longer, but the charm of the place would repay.
A TIGER
To have the opportunity of hunting a tiger--on an elephant too--which by a stroke of luck fell to me, is to experience the un-English character of India at its fullest. Almost everything else could be reproduced elsewhere--the palaces, the bazaars, the caravans, the mosques and temples with their worshippers--but not the jungle, the Himalayas, the vast swamps through which our elephants waded up to the Plimsoll, the almost too painful ecstasies of the pursuit of an eater of man.
The master of the chase, who has many tigers to his name, was Sir Harcourt Butler, whose hospitality is famous, so large and warm is it, and so minute, and it was because he was not satisfied that the ordinary diversions of the "Lucknow Week" were sufficient for his guests, that he impulsively arranged a day's swamp-deer shooting on the borders of Nepaul. The time was short, or of elephants there would have been seventy or more; as it was, we were apologised to (there were only about six of us) for the poverty of the supply, a mere five and twenty being obtainable. But to these eyes, which had never seen more than six elephants at once, and those in the captivity either of a zoo or a circus, a row of five and twenty was astounding. They were waiting for us on the plain, at a spot distant some score of miles by car, through improvised roads, from the station, whither an all-night railway journey had borne us. The name of the station, if I ever knew it, I have forgotten: there was no room in my heated brain for such trifles; but I have forgotten nothing else.
It was after an hour and a half's drive in the cool and spicy early morning air--between the fluttering rags on canes which told the drivers how to steer--that we came suddenly in sight of some distant tents and beside them an immense long dark inexplicable mass which through the haze seemed now and then to move. As we drew nearer, this mass was discerned to be a row of elephants assembled in line ready to salute the Governor. The effect was more impressive and more Eastern than anything I had seen. Grotesque too--for some had painted faces and gilded toes, and not a few surveyed me with an expression in which the comic spirit was too noticeable. Six or seven had howdahs, the rest blankets: those with howdahs being for the party and its leader, Bam Bahadur, a noted shikaree; and the others to carry provisions and bring back the spoil. On the neck of each sat an impassive mahout.
To one to whom the pen is mightier than the gun and whose half a century's bag contains only a few rabbits, a hedgehog and a moorhen, it is no inconsiderable ordeal to be handed a repeating rifle and some dozens of cartridges and be told that that is your elephant--the big one there, with the red ochre on its forehead. To be on an elephant in the jungle without the responsibilities of a lethal weapon would be sufficient thrill for one day: but to be expected also to deal out death was too much. In the company of others, however, one can do anything; and I gradually ascended to the top, not, as the accomplished hunters did, by placing a foot on the trunk and being swung heavenwards, but painfully, on a ladder; by my side being a very keen Indian youth, the son of a minor chieftain, who spoke English perfectly and was to instruct me in Nimrod's lore.
And so the procession started, and for a while discomfort set acutely in, for the movement of a howdah is short and jerky, and it takes some time both to adjust oneself to it and to lose the feeling that the elephant sooner or later--and probably sooner--must trip and fall. But the glory of the morning, the urgency of our progress, the novelty and sublimity of the means of transport, the strangeness of the scene, and my companion's speculations on the day's promise, overcame any personal want of ease and I forgot myself in the universal. Our destination was a series of marshes some six miles away, where the gonds--or swamp-deer--were usually found, and we were divided up, some elephants, of which mine was one, taking the left wing, with instructions on reaching a certain spot to wait there for the deer who would move off in that direction; others taking the right wing; and others beating up the middle.
We began with a trial of nervous stamina--for a river far down in its bed below us almost immediately occurred, and this had to be crossed. I abandoned all hope as the elephant descended the bank almost, as it seemed, perpendicularly, and plunged into the water with an enormous splash. But after he had squeeged through, extricating himself with a gigantic wrench, the ground was level for a long while, and there was time to look around and recollect one's fatalism. Far ahead in a blue mist were the Himalayas. All about were unending fields, with here and there white cattle grazing. Cranes stretched their necks above the grass; now and then a herd of blackbuck (which were below our hunting ambitions) scampered away; the sky was full of wild-duck and other water-fowl.
Of the hunting of the gond I should have something to say had not a diversion occurred which relegated that lively and elusive creature to an obscure place in the background. We had finished the beat, and most of us had emerged from the swamp to higher ground where an open space, or maidan, corresponding to a drive in an English preserve, but on the grand scale, divided it from the jungle--all our thoughts being set upon lunch--when suddenly across this open space passed a blur of yellow and black only a few yards from the nearest elephant. It was so unexpected and so quick that even the trained eyes of my companion were uncertain. "Did you see?" he asked me in a voice of hushed and wondering awe. "Could that have been a tiger?" I could not say, but I understood his excitement. For the tiger is the king of Indian carnivorae, the most desired of all game. Hunters date their lives by them: such and such a thing happened not on the anniversary of their wedding day; not when their boy went to Balliol; not when they received the K.C.I.E.; but in the year that they shot this or that man-eater.
That a tiger had really chanced upon us we soon ascertained. Also that it had been hit by the rifle on the first elephant and had disappeared into the jungle, which consisted hereabouts of a grass some twenty feet high, bleached by the sun.
A Council of War followed, and we were led by Bam Bahadur on a rounding-up manoeuvre. According to his judgment the tiger would remain just inside the cover, and our duty was therefore to make a wide detour and then advance in as solid a semicircle as possible upon him and force him again into the open, where the hunter who had inflicted the first wound was to remain stationed. Accordingly all the rest of us entered the jungle in single file, our elephants treading down the grass with their great irresistible feet or wrenching it away with their invincible trunks. It was now that the shikaree was feeling the elephant shortage. Had there been seventy-five instead of only twenty-five, he said, all would be well: he could then form a cordon such as no tiger might break through. For lack of these others, when the time came to turn and advance upon our prey he caused fires to be lighted here and there where the gaps were widest, so that we forged onwards not only to the accompaniment of the shrill cries of the mahouts and the noise of plunging and overwhelming elephants, but to the fierce roar and crackle of burning stalks.
And thus, after an hour in this bewildering tangle, with the universe filled with sound and strangeness, and the scent of wood smoke mingling with the heat of the air, and the lust of the chase in our veins, we drew to the spot where the animal was guessed to be hiding, and knew that the guess was true by the demeanour of the elephants. Real danger had suddenly entered into the adventure; and they showed it. A wounded tiger at bay can do desperate things, and some of the elephants now refused to budge forward any more, or complied only with terrified screams. Some of the unarmed mahouts were also reluctant, and shouted their fears. But the shikaree was inexorable. There the tiger was, and we must drive it out.
Closer and closer we drew, until every elephant's flank was pressing against its neighbour, the outside ones being each at the edge of the open space; in the middle of which was the twenty-fifth with its vigilant rider standing tense with his rifle to his shoulder. The noise was now deafening. Every one was uttering something, either to scare the tiger or to encourage the elephants or his neighbour or possibly himself; while now and then from the depths of the grass ahead of us came an outraged growl, with more than a suggestion of contempt in it for such unsportsmanship as could array twenty-five elephants, half a hundred men and a dozen rifles against one inoffensive wild beast.
And then suddenly the grass waved, there was a rustle and rush and a snarl of furious rage, and once again a blur of yellow and black crossed the open space. Six or more reports rang out, and to my dying day I shall remember, with mixed feelings, that one of these reports was the result of pressure on a trigger applied by a finger belonging to me. That the tiger was hit again--by other bullets than mine--was certain, but instead of falling it disappeared into the jungle on the other side of the maidan, and again we were destined to employ enclosing tactics. It was now intensely hot, but nobody minded; and we were an hour and a half late for lunch, but nobody minded: the chase was all! The phrase "out for blood" had taken on its literal primitive meaning.
The second rounding-up was less simple than the first, because the tiger had more choice of hiding places; but again our shikaree displayed his wonderful intuition, and in about an hour we had ringed the creature in. That this was to be the end was evident from the electrical purposefulness which animated the old hands. The experienced shots were carefully disposed, and my own peace of mind was not increased by the warning "If the tiger leaps on your elephant, don't shoot"--the point being that novices can be very wild with their rifles under such conditions. As the question "What shall I do instead?" was lost in the tumult, the latter stages of this momentous drama were seen by these eyes less steadily and less whole than I could have wished. But I saw the tiger spring, growling, at an elephant removed some four yards from mine, and I saw it driven back by a shot from one of the native hunters. And then when, after another period of anxious expectancy, it emerged again from the undergrowth, and sprang towards our host, I saw him put two bullets into it almost instantaneously; and the beautiful obstinate creature fell, never to rise again.
THE SACRED CITY
The devout Hindu knows in Benares the height of ecstasy: but, if I am typical, the European experiences there both discomfort and inquietude. Nowhere else in India did I feel so foreign, so alien. To be of cool Christian traditions and an Occidental, an inquisitive sightseer among these fervent pilgrims intent upon their pious duties and rapt in exaltation and unthinking inflexible belief, was in itself disconcerting, almost to the point of shame; while the pilgrims were so remarkably of a different world, a different era, that one felt lost.
This, however, is not all. India is never too sanitary, except where the English are in their own strongholds, but Benares--at any rate the parts which the tourist must visit--is least scrupulous in such matters. The canonization of the cow must needs carry a penalty with it, and Benares might be described as a sanctified byre without any labouring Hercules in prospect. Godliness it may have, but cleanliness is very distant. The streets, too, seem to be narrower and more congested than those in any other city; so that it is often embarrassingly difficult to treat the approaching ruminants with the respect due to them. Fortunately they are seldom anything but mild and unaggressive. Part perplexed, part inquisitive, and part contemptuous, they are met everywhere, while in one of the temples in which the unbeliever may (to his great contentment) do no more than stand at the entrance, they are frankly worshipped. In another temple monkeys are revered too, careering about the walls and courtyards and being fed by the curious and the devout.
Holiness is not only the peculiar characteristic of Benares: it is also its staple industry. In the streets there is a shrine at every few feet, while the shops where little lingams are for sale must be numbered by hundreds.
The chief glory of Benares is, however, the Ganges, on one side of which is the teeming sweltering city with its palaces and temples heaped high for two or three miles, and bathers swarming at the river's edge; while the other bank is flat and bare. A watering-place front on the ocean's shore does not end more suddenly and completely. There is nothing that I have seen with which to compare the north bank of the Ganges, with the morning sun on its many-coloured façades and towers, but Venice. As one is rowed slowly down the river it is of Venice that one instinctively thinks. As in Venice, the palaces are of various colours, pink and red and yellow and blue, and the sun has crumbled their façades in the same way. But there is this difference--that over the Benares roofs the monkeys scamper.
Gradually Venice is forgotten as the novel interest of the scene captures one's whole attention. At each of the ghauts (a landing place or steps) variegated masses of pilgrims--no matter how early the hour, and to see them rightly one ought to start quite by six--are making their ablutions and deriving holiness from the yellow tide. You saw them yesterday trudging wearily through the streets, the sacred city at last reached; and here they are in their thousands, brown and glistening. They are of every age: quite old white-bearded men and withered women, meticulously serious in their ritual, and then boys and girls deriving also a little fun from their immersion. Here and there the bathing ghaut is diversified by a burning ghaut, and one may catch a glimpse of the extremities of the corpse twisting among the faggots. Here and there is a boat or raft in which a priest is seated under his umbrella, fishing for souls as men in punts on the Thames fish for roach. And over all is the pitiless sun, hot even now, before breakfast, but soon to be unbearable.
I was not sorry when the voyage ended and we returned to the Maharajah's Guest House for a little repose and refreshment, before visiting the early Buddhist stronghold at Sarnath, the "Deer Park," where the Master first preached his doctrine and whither his five attendants sought a haven after they had forsaken him. Drifting about its ruins and contemplating the glorious capital of the famous Asoka column--all that has been preserved--I found myself murmuring the couplet,--
With a friendly Buddhist priest I seek respite from
the strife
And manifold anomalies which go to make up life--
but the odds are that even the early Buddhists were not immune.
CALCUTTA
Calcutta and Bombay are strangely different--so different that they can only be contrasted. Bombay, first and foremost, has the sea, and I can think of nothing more lovely than the sunsets that one watches from the lawn of the Yacht Club or from the promenade on Warder Road. Calcutta has no sea--nothing but a very difficult tidal river. Calcutta, again, has no Malabar Hill. But then Bombay has no open space to compare with the Maidan; and for all its crowded bazaars it has no street so diversified and interesting as Harrison Road. It has no Chinatown. Its climate is enervating where that of Calcutta, if not bracing--and no one could call it that--at any rate does not extract every particle of vigour from the European system.
But the special glory of Calcutta is the Maidan, that vast green space which, unlike so many parks, spreads itself at the city's feet. One does not have to seek it: there it is, with room for every one and a race-course and a cricket-ground to boot. And if there is no magic in the evening prospect such as the sea and its ships under the flaming or mysterious enveiling sky can offer to the eye at Bombay, there is a quality of golden richness in the twilight over Calcutta, as seen across the Maidan, through its trees, that is unique. I rejoiced in it daily. This twilight is very brief, but it is exquisite.
It is easier in Calcutta to be suddenly transported to England than in any other Indian city that I visited. There are, it is true, more statues of Lord Curzon than we are accustomed to; but many of the homes are quite English, save for the multitude of servants; Government House, serene and spacious and patrician, is a replica of Kedlestone Hall in Derbyshire: the business buildings within and without are structurally English, and the familiar Scotch accent sounds everywhere; but the illusion is most complete in St. John's Church, that very charming, cool, white and comfortable sanctuary, in the manner of Wren, and in St. Andrew's too. Secluded here, the world shut off, one might as well be in some urban conventicle at home on a sunny August day, as in the glamorous East. St. John's particularly I shall remember: its light, its distinction, its surrounding verdancy.
ROSE AYLMER
Ah, what avails the sceptred race,
Ah, what the form divine!
What every virtue, every grace!
Rose Aylmer, all were thine!
Rose Aylmer, whom these wakeful eyes
May weep, but never see,
A night of memories and sighs
I consecrate to thee.
One curious task which I set myself in Calcutta was to find Rose Aylmer's grave, for it was there that, in 1800, the mortal part of the lady whom Landor immortalised was buried. But I tried in vain. I walked for hours amid the sombre pyramidal tombs beneath which the Calcutta English used to be laid, among them, in 1815, Thackeray's father, but I found no trace of her whom I sought. I have seen many famous cemeteries, all depressing, from Kensal Green to Genoa, from Rock Creek to Montmartre, but none can approach in its forlorn melancholy the tract of stained and crumbling sarcophagi packed so close as almost to touch each other, in the burial ground off Rawdon Street and Park Street. Let no one establish a monument of cement over me. Any material rather than that!
JOB AND JOE
If I did not find Rose Aylmer's tomb, I found, in St. John's pleasant God's Acre, the comely mausoleum of Job Charnock, and this delighted me, because for how long has been ringing in my ears that line--
"The tall pale widow is mine, Joe, the little brown
girl's for you."
which I met with so many years ago in "The Light That Failed," where the Nilghai sings it to his own music! He got it, he said, from a tombstone, in a distant land; and the tombstone is now incorporated with Job Charnock's, the distant land being India; but the verses I have had to collect elsewhere. I found them in Calcutta, in my host's library.
Joe was Joseph, or Josiah, Townsend, a pilot of the Ganges, and tradition has it that he and Job Charnock, who, as an officer of the East India Company, founded Calcutta in 1690, saved a pretty young Hindu widow from ascending her husband's funeral pyre and committing suttee. Tradition states further that Job Charnock and his bride "lived lovingly for many years and had several children," until in due time she was buried in the mausoleum at St. John's, where her husband sacrificed a cock on each anniversary of her death ever after. The story has been examined and found to be improbable, but Charnock was a bold fellow who might easily have started many legends; and the poem remains, and if there is a livelier, I should like to know of it. I have been at the agreeable pains of reconstructing the verses as they were probably written, so that there are two more than the Nilghai sang. The whole is a very curious haunting ballad, leaving us with the desire to know much more of the lives of both men--Job Charnock the frontiersman, and Joseph Townsend, "skilful and industrious, a kind father and a useful friend," who could navigate not only the Ganges but the shifting Hooghli. Rarely can so much mixed autobiography and romance have been packed into six stanzas--and here too the adventurous East and West meet:--
I've shipped my cable, messmates, I'm dropping down
with the tide;
I have my sailing orders while ye at anchor ride,
And never, on fair June morning, have I put out to sea
With clearer conscience, or better hope, or heart more light and free.
An Ashburnham! A Fairfax! Hark how the corslets ring!
Why are the blacksmiths out to-day, beating those men at the spring?
Ho, Willie, Hob and Cuddie!--bring out your boats amain,
There's a great red pool to swim them o'er, yonder in Deadman's Lane.
Nay, do not cry, sweet Katie--only a month afloat
And then the ring and the parson, at Fairlight Church, my doat.
The flower-strewn path--the Press Gang! No, I shall never see
Her little grave where the daisies wave in the breeze on Fairlight Lee.
"Shoulder to shoulder, Joe, my boy, into the crowd like a wedge!
Out with the hangers, messmates, but do not strike with the edge!"
Cries Charnock, "Scatter the faggots! Double that Brahmin in two!
The tall pale widow is mine, Joe, the little brown girl for you."
Young Joe (you're nearing sixty), why is your hide so dark?
Katie had fair soft blue eyes--who blackened yours? Why, hark!
The morning gun! Ho, steady! The arquebuses to me;
I've sounded the Dutch High Admiral's heart as my lead doth sound the
sea.
Sounding, sounding the Ganges--floating down with the tide,
Moor me close by Charnock, next to my nut-brown bride.
My blessing to Katie at Fairlight--Howell, my thanks to you--
Steady!--We steer for Heaven through scud drifts cold and blue.
EXIT
I arrived in Bombay on the last day of 1919 and embarked at Calcutta for Japan on the evening of February 17th, seven weeks later. But to embark at Calcutta is not to leave it, for we merely dropped down the river a short distance that night, and for the next day and a half we were in the Hooghli, sounding all the way. It is a difficult river to emerge from; nor do I recommend any one else to travel, as I did, on a boat with a forward deck cargo of two or three hundred goats on the starboard side and half as many monkeys on the port, with a small elephant tethered between and a cage of leopards adjacent. These, the property of an American dealer in wild animals, were intended for sale in the States; all but one of the leopards, which, being lame, he had decided to kill, to provide a "robe" for his wife. Nothing could be more different than the careless aimless activities of the monkeys I had seen among the trees between Agra and Delhi and scampering over the parapets of Benares, all thieves and libertines with a charter, and the restriction of these poor cowering mannikins, overcrowded in their cages, with an abysmal sorrow in their eyes. Many died on the voyage, and I think the Indian Government should look into the question of their export very narrowly.
JAPAN
INTRODUCTORY
I ought not to write about Japan at all, for I was there but three short weeks, and rain or snow fell almost all the time, and I sailed for America on the very day that the cherry blossom festivities began. But--well, there is only one Fujiyama, and it is surpassingly beautiful and satisfying--the perfect mountain--and I should feel contemptible if I did not add my eulogy of it--my gratitude--to all the others.
Since, then, I am to say something of Fuji, let the way be paved.
THE LITTLE LAND
One is immediately struck, on landing at Kobe--and continually after--by the littleness of Japan. The little flimsy houses, the little flimsy shops, the small men, the toylike women, the tiny children, as numerous and like unto each other as the pebbles on the shore--these are everywhere. But although small of stature the Japanese men are often very powerfully built and many of them suggest great strength. They are taking to games, too. While I was in the country baseball was a craze, and boys were practising pitching and catching everywhere, even in the streets of the cities.
Littleness--with which is associated the most delicate detail and elaborate finish--is the mark also of modern Japanese art. In the curiosity shops whatever was massive or largely simple was Chinese. Even the royal palaces at Kyoto are small, the rooms, exquisite as they are, with perfect joinery and ancient paintings, being seldom more than a few feet square, with very low ceilings. I went over two of these palaces, falling into the hands, at each, of English-speaking officials whose ciceronage was touched with a kind of rapture. At the Nijo, especially, was my guide an enthusiast, becoming lyrical over the famous cartoons of the "Wet Heron" and the "Sleeping Sparrows."
In India I had grown accustomed to removing my shoes at the threshold of mosques. There it was out of deference to Allah, but in Japan the concession is demanded solely in the interests of floor polish, and you take your shoes off not only in palaces and houses but in some of the shops. It gave one an odd burglarious feeling to be creeping noiselessly from room to room of the Nijo; but there was nothing to steal. The place was empty, save for decoration.
There is a certain amplitude in some of the larger Kyoto temples, with their long galleries and massive gateways, but these only serve to accentuate the littleness elsewhere. In the principal Kyoto temple I had for guide a minute Japanese with the ecstatic passion for trifles that seems to mark his race. A picture representing the miracle of the "Fly-away Sparrows," as he called them, was the treasure on which he concentrated, and next to that he drew my attention to the boards of the gangway uniting two buildings, which, as one stepped on them, emitted a sound that the Japanese believe to resemble the song of Philomela. To me it brought no such memory, and the fact that this effect, common in Japan, is technically known as "a nightingale squeak," perhaps supports my insensitiveness.
If old Japan is to be found anywhere it is in Kyoto--in spite of its huge factory chimneys. In Tokio, complete European dress is common in the streets, but in Kyoto it is the exception. Tokio also wears boots, but Kyoto is noisy with pattens night and day. Not only are there countless shops in Kyoto given up to porcelain, carvings, screens, bronzes, old armour, and so forth, but no matter how trumpery the normal stock in trade of the other shops, a number of them have a little glass case--a shop within a shop, as it were--in which a few rare and ancient articles of beauty are kept. A great deal of Japan is expressed in this pretty custom.
THE RICE FIELDS
My first experience of Japanese scenery of any wildness was gained while shooting the rapids of the Katsuragava, an exciting voyage among boulders in a shallow and often very turbulent stream in a steep and craggy valley a few miles from Kyoto. Previous to this expedition I had seen, from the train, only the trim rice fields,--each a tiny parallelogram with its irrigation channels as a boundary, so carefully tended that there is not a weed in the whole country. Japan is cut up into these absurd little squares, of which twenty and more would go into an ordinary English field. Often the terminal posts are painted a bright red; often a little row of family tombs is there too. The watermill is a common object of the country. But birds are few and animals one sees never. Indeed in all my three weeks I saw no four-footed animals, except a dead rat, two pigs and one cat. I am excluding of course beasts of draught--horses and bullocks--which are everywhere. Not a cow, not a sheep, not a dog! but that there are cattle is proved by the proverbial excellence of Kobe steaks, which I tested and can swear to. In all my three weeks, both in cities and the country, I saw only one crying child. Of children there were millions, mostly boys, but only one was unhappy.
SURFACE MATERIALISM
In spite of Kyoto's eight hundred temples I could not get any but a materialistic concept of its inhabitants; and elsewhere this impression was emphasised. A stranger cannot, of course, know; he can but record his feelings, without claiming any authority for them. But I am sure I was never in a country where I perceived fewer indications of any spiritual life. Every one is busy; every one seems to be happy or at any rate not discontented; every one chatters and laughs and is, one feels, a fatalist. Sufficient unto the day! After all, it is the women of a nation that chiefly keep burning the sacred flame and pass it on; but in Japan, I understand, the women are far too busy in pleasing the men to have time for such duties; Japan is run by men for men. It is an unwritten law that a woman must never be anything but gay in her lord's presence, must never for a moment claim the privilege of peevishness.
As an instance of the Japanese woman's indifference to fate and readiness to oblige, I may say that we had on our ship two or three hundred girls in charge of a duenna or so, who were bound for Honolulu to be married to Japanese settlers there, to whom their photographs had been forwarded. These girls are known as "Picture Brides." At Honolulu their new proprietors awaited them, and I suppose identified and appropriated them, although to the European eye one face differed no whit from another.
The Japanese have the practical qualities that consort with materialism. They are quick to supply creature comforts; their hotels are well-managed; their cooks are excellent; their sign-posts are numerous and, I believe, very circumstantial; at the railway stations are lists of the show places in the neighbourhood; the telephone is general. But there are strange failings. The roads, for example, are often very bad, although so many motor-cars exist. Even in Tokio the puddles and mud are abominable. There is no fixed rule to force rickshaw men to carry bells. There is no rule of the road at all, so that the driver of a vehicle must be doubly alert, having to make up his mind not only as to what he is going to do himself, but also what the approaching driver is probably going to do. From time to time, I believe, a rule of the road has been tried, but it has always broken down.
The rickshaw bells are the more important, because the Japanese are not observant. They may see Fuji and stand for hours worshipping a spray of cherry blossom, but they do not see what is coming. Normally they look down.
The rickshaw is comfortable and speedy; but to be drawn about by a fellow-creature is a humiliating experience and I never ceased to feel too conspicuous and ashamed. I discovered also how easy it is to lose one's temper with these men. I used to sit and wonder if there had ever been a runaway, and I never hired a rickshaw without thinking of Mr. Anstey's story of the talking horse.
FIRST GLIMPSE OF FUJI
I left Kyoto for Yokohama on Wednesday night, March 17, 1920, at eleven, and Thursday, March 18, 1920, thus remains with me as a red-letter day, for it was then, at about half-past seven in the morning, that, lifting the blind of my sleeping compartment, I saw--almost within reach, as it seemed, dazzlingly white under its snow against a clear blue sky, with the sun flooding it with glory--Fujiyama. I was to see it again several times--for I went to Myanoshita for that purpose--but never again so startlingly and wonderfully as this.
When I am asked to name in a word the most beautiful thing I saw on my travels I mention Fujiyama instantly. There is nothing else to challenge it. Perhaps had I seen Everest from Darjeeling I might have a different story to tell; but I missed it. The Taj? Yes, the Taj is a divine work of man; but it has not the serene lofty isolation of this sublime mountain, rising from the plain alone and immense with almost perfect symmetry.
I was not to see Fujiyama again for a week or so, but in the meanwhile I saw the Daibutsu, the giant figure of Buddha, at Kamakura, in all its bland placidity. These were the only big things I found in Japan.
TWO FUNERALS
Yokohama is industrial and dirty everywhere but on the drive beside the harbour, and on the Bluff, where the rich foreigners live. I visited one house on this pleasant eminence and there was nothing in it to suggest that it was in Japan any more than in, say, Cheltenham. The form was English, the furniture was English, the pictures and books were English; photographs of school and college cricket elevens gave it the final home touch. Only in the garden were there exotic indications. The English certainly have the knack of carrying their atmosphere with them. I had noticed that often in India; but this Yokohama villa was the completest exemplification.
Wandering about the city I came one morning on a funeral procession that ought to have pleased Henry Ward Beecher, who, on the only occasion on which I heard him, when he was very old and I was very young, urged upon his hearers the importance of bright colours and flowers instead of the ordinary habiliments and accoutrements of woe. For when a soul is on its way to paradise, he said, we should be glad. The Yokohama cortege was headed by men bearing banners; then came girls all in white, riding in rickshaws; then the gaudy hearse; then priests in rickshaws; and finally the relations and friends. The effect conveyed was not one of melancholy; but even if every one had been in black, impressiveness would have been wanting, for no one can look dignified in a rickshaw.
Compared, however, with a funeral which I saw in Hong-Kong, the Yokohama ceremony was solemnity in essence. The Hong-Kong obsequies were those of a tobacco-magnate's wife and the widower had determined to spare no expense on their thoroughness. He had even offered, but without success, to compensate the tramway company for a suspension of the service, the result of his failure being that every few minutes the procession was held up to permit the cars to go by; which meant that instead of taking only two hours to pass any given point, it took three. The estimated cost of the funeral was one hundred thousand dollars and all Hong-Kong was there to see.
To Chinese eyes it doubtless had a sombre religious character, but to us it was merely a diverting spectacle of incredible prolongation. We were not wholly to blame in missing its sanctity, for the participants, who were more like mummers than mourners, had all been hired and were enjoying the day off. For the most part they merely wore their fancy dress and walked and talked or played instruments, but now and then there was a dragon and a champion boxing it and these certainly earned their money. At intervals came bearers with trays on which were comforts for the next world or symbolical devices, while, to infinity both in front and behind, banners and streamers and lanterns danced and jogged above all. A miracle-show of the middle ages can have been not unlike it.
THE LITTLE GEISHA
I left Japan, as I have said, just before the cherry-blossom festivities began, but I was able to see a number of the dances--which never change but are passed with exactitude, step for step, gesture for gesture and expression for expression, from one geisha to another--as performed by a child who was being educated for the profession. Although so young she knew accurately upwards of sixty dances, and the pick of these she executed for a few spectators, in a little fragile paper-walled house outside Yokohama, while her adoring aunt played the wistful repetitive accompaniments.
The little creature--a mere watch-chain ornament--had a typical Japanese face, half mask, half mischief, and a tiny high voice which now and then broke into the dance. But dances, strictly speaking, they are not. They are really posturing and the manoeuvres of a fan. To me they are strangely fascinating, and, with the music, almost more so than our Western ballets. But there is a difference between the ballet and the geisha dances, and it is so wide that there is no true comparison; for whereas the ballet stimulates and excites, these Japanese movements hypnotise and lull.
MANNERS
The public manners of the Japanese are not good. In all my solitary walks about Myanoshita I met with no single peasant who passed the time of day, and in the streets of Tokio English people were being jostled and stared at and treated without respect. It was a moment when Americans were unpopular, and the theory was broached that for fear of missing the chance to be rude to an American the Japanese became rude to all outlanders indiscriminately. One indeed gathered the impression that, except in Kyoto, which is a backwater, foreigners are no longer wanted. "Japan for the Japanese" would seem to be the motto: one day, not far distant, to be amended to "The World for Japan." I shall never forget the humiliation I suffered in a stockbroker's office in Tokio, into which, seeing the words "English spoken" over the door, I had ventured in the hope of being directed to an address I was seeking. Not a word of English did any one know, but the whole staff left its typewriters and desks to come and laugh. I was always willing to remove the gravity of Japanese children by my grotesque Occidentalism, but I have a very real objection to being a butt for the ridicule of grown-ups. Such an incident could not have occurred, I believe, anywhere else. But it is not only the foreigners to whom the Japanese are rude: they do nothing for their fellows either. The want of chivalry in trains and trams was conspicuous.
The ceremonial manners of the Japanese can, however, be more precise and formal than any I ever witnessed. A wedding reception chanced to be in progress in my Tokio hotel one afternoon, and through the open door I had glimpses of Japanese gentlemen in frock coats bowing to Japanese ladies and making perfect right angles as they did so. So elaborate indeed were the courtesies that to Western eyes they bordered dangerously on burlesque.
The destination that I was seeking when I entered the stockbroker's office was a certain book-store, and when I eventually found it I was asked a question by a Japanese youth that still perplexes me. It was in the English section, the principal volumes in which, as imported to supply Japanese demands, were American, and all bore either upon success in engineering and other professions and crafts, or on the rapid acquirement of wealth. "How to double your income in a week"; "How to get rich quickly"; "How to succeed in business"; and so forth; all preaching, in fact, the new gospel which is doing Japan no good. There were also, however, a certain number of novels, and one of the customers, a boy who looked as though he were still at school, noting my English appearance, brought a translation of Maupassant to me and asked me what "soul" meant--"A Woman's Soul" being the new title. Now I defy any one with no Japanese to make it clear to a Japanese boy with very little English what a woman's soul is.
THE PLAY
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Roving East and Roving WestChapter II: Part 2
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