Chapter XII

A few remarks about the sculptures of the original foot of the outer-wall we didn’t discover before 1886. In 1890 I proposed them to be uncovered and photographed, afterwards they were covered again in the ancient manner, and hidden from sight.

They have been hewed on a projecting wall-foot which goes tolerably deep beneath the heavy ogive, now resting as a socle again on the surrounding outer-terrace that has been afterwards built all round the 36-angled basis of the temple, but only on 24 of the 40 panels. The _two_ sides of each of the double fore-buildings of the four temple-fronts built towards the different zones of heaven, _haven’t_ been adorned with any sculpture, but the staircases divide the four middle fore-buildings into _two_ panels.

Each of the 24 hewed panels contains _six_ or _eight_ imageries one metre long by about 80 inches high. A system of flat frames might have separated the whole series from the mentioned ogive, so to say, a regular combination interrupted by the staircases only.

If the 160 scenes which form this combination are to represent a series of following events or legends we then must try to find the beginning (like on nearly all other hindu temples) to the south of the eastern staircase following it from there through the South, West and North till the starting-point in the East.

This _didn’t_ happen and could not have happened when they were photographed because the temporary uncovering began and was continued at more than one place at the same time without knowing how many sculptures there would be found. They have been marked on the clichés with capital letters for the different panels, and with figures for the scenes of each panel (from 1 till 6 or 1 till 8), but these numbers have been occasionally noticed in a just direction, and from time to time in a reversed successive number. On a few copies we don’t see any letter and number; they may have been cut off with the margin of papier.

Fortunately, the figures in lead pencil on the back-side could assist me, though they sometimes started from quite a wrong point.

The Dutch Government ordered 15 pair of photos to be taken from these clichés, and presented them to special musea or societies. _I_, the schemer of the plan, do not belong to the favoured. But the afterwards wrecked Archaeological Society did, notwithstanding I, her president, sent this plan to the Government for about 25 years ago[82].

Those who desire to examine these photos will find here the letters and figures in the _just_ successive number of the sculptures to begin with C 1 south of the eastern staircase.

C, 1, 2, 3, 4, 5 and 6;
B, 1, 2, 3, 4, 5, 6, 7 and 8;
A, 1, 2, 3, 4, 5 and 6;
U, 6, 5, 4, 3, 2 and 1;
T, 8, 7, 6, 5, 4, 3, 2 and 1;
S¹, 6, 5, 4, 3, 2 and 1;
S, 1, 2, 3, 4, 5 and 6;
R, 1, 2, 3, 4, 5, 6, 7 and 8;
Q, 1, 2, 3, 4, 5 and 6;
P, 6, 5, 4, 3, 2 and 1;
O, 8, 7, 6, 5, 4, 3, 2 and 1;
N¹, 6, 5, 4, 3, 2 and 1;
N, 1, 2, 3, 4, 5 and 6;
M, 1, 2, 3, 4, 5, 6, 7 and 8;
L, 1, 2, 3, 4, 5 and 6;
K, 6, 5, 4, 3, 2 and 1;
I, 8, 7, 6, 5, 4, 3, 2 and 1;
H¹, 6, 5, 4, 3, 2 and 1;
H, 1, 2, 3, 4, 5 and 6;
G, 1, 2, 3, 4, 5, 6, 7 and 8;
F, 1, 2, 3, 4, 5 and 6;
E, 6, 5, 4, 3, 2 and 1;
D, 8, 7, 6, 5, 4, 3, 2 and 1;
C¹, 6, 5, 4, 3, 2 and 1;

Six of these 160 sculptures are badly damaged whilst one of them is wholly lost. (R. 5). Seven have less suffered. Twenty representations remained partially unfinished (C 3 and 4, B 7, A 2, U 4, S 1, O 7, N 5, M 2, K 4 and 3, H¹ 2, H 1, G 4 and 8, F 2, 4 and 6, D 3 and C¹ 4). Partly _finished_ but for the rest not yet drawn in the rough are 3 scenes (H¹ 1, F¹, and D 4) whereas one (I 1) has been scarcely sketched.

On the flat frame above the series we see a few short indications engraved in ancient-javanese characters—dating, according to professor Kern, from about the year 800 of the Syaka-era,—roughly hewed and in a perfunctory manner, as if it were scratched in stone with a knife or a chisel, that is, above H 1, 2, 3 and 4 (twice); 5 (bis) and 6 (bis); F 1, 4, and 5; E 6 and 5; D 8, 6 (bis), 5 (bis), 4, 3 and 1 (bis)[83].

Some of these legends are no more or hardly to be read but the other ones read by Dr. J. Brandes don’t teach us any more than that which we may understand by closely examining the representations themselves, for instance, that the _sĕmbah_ of the persons seated around a tomb or sanctuary refers to a reverence to a _tyaitya_[84].

Some inscriptions may contain the name of the person to be hewed, and to assist the sculptor.

The unfinished and scarcely sketched sculptures prove us that they, such as on other _tyanḍis_ at _Parambanan_, have been hardly hewed here on the walls of the finished temples.

In these sculptures I could not have recognised any continuous series. Among many a domestic and some rural scenes I saw two or three fowlings with a pea-shooter or bow and arrow (M 5 and 3), and one fishing (I 6); one war-dance (C 5) and some other dancings on the occasion of which a wind-instrument provided with a bagpipe (S 2 and R. 17) was played on. Further there are offerings of food or flowers to Bodhisattvas or other venerable personalities, and once to the Dhyâni-Buddha Amitâbha, the Redeemer of this world (K 3), by six crowned men and to be distinguished by their glories (Bodhisattvas perhaps?)

On one sculpture (K 2) Amitâbha (?) has been four times represented as an ascetic in the wilderness. Sometimes there are hewed demons or _raksyasas_, most often attacking or killing other people (M 2, 3, 6, 7 and 8); _tyaityas_ are to be seen more than once (U 3, T 6, 4 and 3, K 4, G 6, F 6, E 6, D 8, 6 and 3, and C¹ 6). _Bodhi_-trees covered by _payongs_ and some _gandharvas_ under their shade, such as to be found more than once in the _Parambanan_ ruins and speaking of _Buddhism_ even there, have been hewed five times (K 6, G 4, F 3 (_bis_) E 4 and C¹ 6), and once with a _payong_ only (D 1). _Vishnu’s tyakra_ has been once represented on a lotus-cushion in the sky (C 2).

Concluding word.

In a small compass I suppose to have mentioned all that may be discussed about the _three_ buddhistic monuments speaking in this valley, on the two banks of the river _Prågå_, of a former high civilisation and of a very developed art.

Those who require, or desire, a better insight into the ancient Buddhism, and those who wish to know more about its sanctuaries to be found here in Java and elsewhere in India, are kindly referred to the works I consulted by the study of this subject, and to those I wrote myself and which have been for the greater part mentioned in or at the bottom of the text of this little book.

Granting Buddhism to have been lost in Java and elsewhere in India,—yet, it still exists, more or less degenerated, still counting more followers than any other religion ever counted, and its lucky freedom from bigotry, especially in the hînayânistic countries, and noble doctrine of love and self-command is raised above all suspicion[85].

_Jogjakartå_, October, November 1906, and 1911.

FOOTNOTES.

[1]See, among others, _H. Kern’s “Geschiedenis van het Boeddhisme”, II,
page 308_ and following ones, and Dr. _S. Lefman’s “Geschichte des
alten Indiëns_”, Berlin 1880, page 768 and following ones, and the
engravings on page 769 and the picture “_Der Açokafelsen van
Girnaroden Junàgadh im Jahre 1869_”, in the 3^d number of this work
opposite to page 257.

[2]See my illustrated work published in 1893 by “_het Koninklijk
Instituut voor de Taal-, Land- en Volkenkunde van N. I._” entitled:
“_Tyanḍi Parambanan na de ontgraving_” and therein the photo’s of
many deities represented as _Bodhisatthvas_, and my “_Boeddhistische
tempel- en klooster-bouwvallen in de Parambanan-vlakte_”. Surabaya
1907.

[3]In the Buddha pagodae I visited in _Ceylon_, at Colombo and its
environs, I saw badly hewn or coloured images of _Shiva_ and of
_Ganesja_. The monks called these images the representations of
_Buddha_.

[4]See the English translation of his “_Record of the Buddhist Religion
as practised in India and the Malay Archipelago_ (A. D. 671-695)” by
the Japanese scholar I Takakusu., provided with a preface of prof
Max Müller and published by the Clarendon press at Oxford in 1896.
Pages XXII, XXV, XXXIX and XLVIII of the “_General Introduction_.”

[5]In a temple at _Kandy_ in Ceylon is kept a tooth which, though of
animal origin, took the place of a former so-called _Buddha_-tooth
which has been destroyed by fire. This tooth, named _Dalada_, is
taken care of, and honoured too. And the holiest pagoda in this
island, the _Thuparama_, possesses one of Buddha’s clavicles,
according to the assertion of its believers certainly with as much
right as the Catholic Christians maintain the genuineness of many a
relic of Jesus and the apostles.

[6]Even the ashes of other saints, princes and noble men, of gurus or
teachers, of priests or monks, were occasionally put away in such
graves upon which arose the glorious mausolea the ruins of which we
still admire at this day.

[7]It won’t do maintaining that these dagobs should have been formed
after the lotus, the holy _padma_, and that its openings in the
transparent dagobs on the round terraces above the Båråbudur must
represent the empty seed-holes of the nursery of the ripe lotus. The
leaves of a lotus (_Nelumbium speciosum Willd_) fall off before
bending downward, and then the pericarp only remains on its stem
like a _urned_ cone or cupola whose flat, uprighted and afterwards,
by the sagging of the withering stem, downrighted base has been
stung by the seed-holes. _Not_ the bell-shaped sides, for they
remain closed. So these openings must have quite another sense than
the one derived from the natural form of the lotus-plant.

Only the _red_ lotus, the _Nelumbium speciosum_ referring to all
this, and recognisable by its peduncles and leaf stalks rising high
above the water, has been frequently represented on Hindu temples.
But not the _white_ lotus, the _Nymphae Lotus Linn._, the leaves and
flowers of which are floating on the surface of the water.

[8]Professor _Kern_ wrote to me that the alphabetical writing of the
inscriptions we see on some demi-relievoes on the outer-walls should
date from the year 800, or thereabouts, of the _Shaka_ era, thus our
_ninth_ century. And this rather corresponds to the age of the
Buddha temples in the plain of _Parambanan_. Does not a stone of one
of these _tyanḍis_ testify to this temple’s having been built in the
year 701 of the _shaka_ era, and dedicated to the service of _Târâ_
in honour of the prince’s _guru_ or teacher, who may have been
buried there? And in the year 415 the Chinese Buddhist, _Fa Hien_,
when in Java, came across many a brahmin Hindu. He didn’t speak
about Buddhists, but this circumstance alone does not prove his not
having met co-religionists, nor does it produce any evidence of
their non-existence in the interior of Java he didn’t visit
probably. _I Tsing_ see note says that the inhabitants of Java and
of the other islands of the Archipelago principally embraced
Hînayânism. “_Buddhism was ... chiefly the Hînayâna_” (page XLVII),
and “_the ten or more islands of the Southern Sea_ (_Sumatra_,
_Java_ _etc._) generally belong to the Hînayâna.” (page XXX). Such
happened in our _seventh century_.

[9]See his essay about _Aymonier_’s: “Le Cambodge”, I, written in the
“_Bulletin de l’Ecole française d’Extréme-Orient_”, II, page 83 note
4.

[10]_Attap_ means palm-fronds used for thatch by the Javanese
(_Chambers_).

The scaffolding has been removed since, and the stone roof was
rebuilt by the major engineer Van Erp. 1911.

[11]This _prabha_ has been also restored. 1911.

[12]The heavy colonnades of which will be sacrificed to the swelling
waters of the river Nile. But they are doomed to destruction because
this stream must vivify the rainless country.

[13]I, number 3, p. 249 and II, number 1, p. 20 and 30.

[14]“_Oudheidkundige Aanteekeningen_” IV, p. 59 and 60.

[15]This cone’s top has been removed again because of Mr. van Erp’s
having been unable to prove his reproduction of this cone with its
umbrellas to be incontestably true.

[16]This idea of mine about the graduation of the Båråbudur’s origin is
given as a questionable hypothesis. However great the consequences
were, we can not know until we have compared the alto-relievoes of
these and other Javanese Hindu-temples with the artless
wall-paintings I saw in the Ceylon pagodae.

[17]Buddha himself thought it useless to pray, but the Buddhists of
later times prayed however, but didn’t worship the images
themselves. The Chinese—very degenerated Buddhists—light their pipes
on the flames of the consecrated waxcandles burning on the altar,
and consider this no sacrilege.

[18]According to _Rhys Davids_’s work, _nirvâna_ means the state of
holiness which ripes man for death _without regeneration_, the
so-called _parinirvâna_. But the signification of nirvâna itself
differs in proportion to time and caste.

[19]This superstratum is about 2,5 yard high and 7 yards wide. The lower
terrace on the outside was about 3 yards wider, and 1 yard high.
These numbers are nearly just and sufficient enough to my purpose.

[20]At that time I could not have thought of a permanent uncovering,
because the preservation of the whole ruin would have required
retain-walls too expensive, and too much disfiguring the temple
itself. The architect van de Kamer thought it afterwards possible,
but expensive, to have the ruin restored again, and its original
foot permanently uncovered. Sunlight, heat and rain-water however,
would do much to its decay unless the ruin itself became wholly
covered. Otherwise the time-worn joints becoming more and more wide
would admit much more rain-water between the stones into the earth
of the hill under the ruin, and this earth would then be carried
away more rapidly than is the case now, and have the ruin spoilt and
decayed.

[21]Above the first discovered imageries of the foot we found
inscriptions in ancient Javanese characters scratched in stone. On
this ground the Society, presided by myself, proposed the Dutch
Government to have the whole temple’s foot uncovered (in the only
way possible) without endangering the foot itself, whilst the cost
was estimated at £ 768. The Government put up with it, and granted
the necessary sum for the budget of 1890.

[22]As well as so many angels painted by our artists don’t always
represent a Gabriel, a Raphael or a Michael.

[23]_Bulletin de l’école française d’Extrême Orient_, I, No: 1 page
21-22.

[24]Both this Nâga and Garuḍa are mythical beings who adopt different
shapes.

On the lower wall 4 × 26 = 104
on the second ” 4 × 26 = 104
on the third ” 4 × 22 = 88
on the fourth ” 4 × 18 = 72
and on the fifth ” 4 × 16 = 64
together 432

[26]The first effort to interpret this series we owe to the Austrian
draughtsman in Netherlands-Indian civil service F. C. Wilsen.

[27]We shall afterwards speak about these former lives or _jâtakas_. It
was Mr. Foucher who afterwards expounded many representations, and
after him, van Erp also explained another few ones.

[28]If we don’t count those on the front sides of the more than 400
small dagobs, we see there:

On the outer-wall, above 408
” ” ” ” below 160
on the front-wall of the first gallery 568
on the back-wall 240
on the second gallery in front 192
” ” ” ” behind 108
third gallery, in front 165
” ” behind 88
fourth gallery, in front 142
” ” behind 70
altogether 2141

[29]The relation of this fact with the apparent course of the sun to the
inhabitants of the northern hemisphere in which Farther India, and
Hindostan are situated, was, thus far, shown by nobody before me (in
1887). Still it is an important fact to those who believe the Buddha
a _sun-god_.

[30]Of North-India where Buddhism first arose.

[31]_Pratyeka-Buddhas_ are believers raised by their own consummating to
the dignity of a _Buddha_; they have, however, no right to teach or
redeem other people.

[32]One of these servants massages her like the Javanese still do
(_pidjĕt_); another fans her or chases away annoying flies and
gnats.

[33]I think it permitted to show the relation there is between this
representation, and the placing of the _five_ Dhyâni-Buddhas we see
on the highest (round) terraces, opposite to the _zenith_, and upon
the encircling walls opposite to the four zones of heaven.

[34]Dr. Leemans thought he saw in this crescent of the moon the tips of
a headkerchief. Had he seen the sculptures himself he would not have
been mistaken in such a way. Siddhârta wears a crown (_makuta_), and
this doesn’t match the headkerchief, neither does the Javanese
_kuluq_ or ceremonial cap. Such crescents of the moon are also
weared by Hâritî’s and Kuvera’s children on the two sculptures
before the entrance of _tyanḍi Mĕndut_, but without headkerchiefs.

Kern says that Buddha means both the awaking of the _sun_ and of the
_moon_ and that the two celestial bodies also refer to Buddha on the
other sculptures of the Båråbudur. Had the Dutch Government sent
Leemans to Java, before he wrote his work, he should not have taken
a _sénté_-leaf (_Alocasia macrorrhiza Schott_, an Aroïdee
consequently) for a banana-leaf (_Musa_ L.,) but he should then have
seen how even this leaf is still used by the Javanese as a
provisional umbrella, and he should have understood why in former
times it was carried as _ampilan_ after the saints and princes, just
as the cow’s hair fly-fan. (tjemara).

[35]Occasionally called Gopa. Some people say these are the names of two
women, and as the 45th sculpture (107 W. L.) represents him enjoying
his domestic happiness the schemer should then have thought of two
women. Ceylon writers know to tell us that 1000 men could not bend
this bow, and that the blow of its string was heard at a distance of
7000 miles. This bowshot which enabled him to gain his bride’s hand
has been also mentioned in other legends—it _was once_ awarded to
Râma in the _Ramâyâna_, and to _Arjuna_ in the _Mahâbhârata_. In
_Homeros’ Odyssea_ Penelope’s lovers vainly try to do the same with
_Odysseus’_ bow upon which all were convinced by his mastershot, and
killed.

[36]The evil spirit had no authority over the fifth part of the world,
the _zenith_.

[37]According to other people _muni_ means an anchoret or ascetic.

[38]Leemans calls him Arala Kalama.

[39]In Leeman’s work Rudra.

[40]The Javanese would now say _griyå råjå_, that is, _royal house_.

[41]Who these 5 apostles were in former lives another series of
sculptures on the front wall of this gallery will teach us.

[42]On one of the sculptures at Parambanan we see the death of king
Dasyaratha, Rama’s father, represented in almost the same manner.

[43]In “de Indische Gids” of 1887.

[44]The writings of the Mahâyânists have been written in _sanscrit_,
those of the Hînayânists generally in the _pâli_ language.

[45]Speyer and other sanscrit scholars write: _Jâtaka_ according to an
acknowledged manner of writing which replaces the Dutch _dj_ by the
_j_, the _j_, by the _y_, the _tj_ by _c_. Because I also write for
laymen who don’t know this writing I try to do my best to replace
these consonants by our own, and therefore write _tyakra_ and
_tyaitya_ instead of _cakra_ and _caitya_ what would seduce many a
one to say _kakra_ and _kaitya_. In English of course, we write _j_
instead of the Dutch _dj_.

[46]Engraving CXXXVIII and following ones.

[47]By the Dutch called: “the little man in the moon.” About such
another jâtaka, explained by Van Erp, look at the bottom of this
page.

[48]See above, the sculptures 73, 77, 78 and 117.

[49]This happens more amongst the _jâtakas_.

[50]Like anywhere we also see here the red _Nelumbium speciosum_ hewn as
a lotus plant with its leaves and flower rising above the water; but
not the white _Nymphaea Lotus_ the leaves and flowers of which are
driving on the surface of the water.

[51]The _eternal_ hell of the Christians as a punishment for _temporary_
sin the Buddhists don’t know.

[52]See W. L., 121, 123 and 125 of the upper series of the back-wall.

[53]In Mr. A. Tissandier’s work “_Cambodge et Java_” published by Mason
at Paris in 1896, we find opposite page 124 a good engraving of this
last sculpture (picture XXVIII); but the author, who even dares
maintain that this whole series has nothing to do with Buddhism,
says that it represents a young, richly diademed Hindu worshipping
the bull (the _nandi_) of Shiva! By so much ignorance Tissandier
blames his work, and ... himself. Striving we may err, but let us at
any case _strive_ after science within reach.

[54]I thought we should not think here of the mythical subterranean
serpents, but of a likewise called and fabulous tribe.

But Mr. Foucher didn’t agree with me. The _nâgas_, he said, are
generally hewn as serpents, but often as men with snaky hair.

[55]In the “Bijdragen van ’t Koninklijk Instituut” of 1907.

[56]Those who desire to know more about the deeper, mythical sense of
these _jâtakas_ are kindly referred to professor Speyer’s essay or
my “_Een karma-legende_” provided with 6 photo’s of the photographer
_A. Winter_, published by the firm H. van Ingen at Surabaya.

[57]See at the bottom of this page.

[58]The _Jâtakamâlâ_ V, 15, tells us that the clouds “weeped like
_water-jars turned about_.”

[59]See my above mentioned “_Karma legende_”.

[60]The difficulties we meet by placing the camera in the narrow space
there is between the front and back-walls of the galleries have not
yet been wholly obviated. Yet, it would be advisable to do what has
turned out to be possible before that the sculptures should be lost
for ever.

[61]In the _Ceylon_ pagoda at _Kelany_ I saw the Buddhists perform the
_sĕmbah_ in the very same manner as done by the Javanese, and
_Siam_’s king and queen when on the _Båråbudur_ and in _tyanḍi
Mĕndut_, and in the same manner I saw this mark of veneration hewn
on all the buddhistic imageries known to me. Perhaps, it was the
Buddhists who once introduced this _sĕmbah_ in Java.

[62]See my illustrated work “_In den Kĕdaton te Jogjåkartå_” published
in 1888 by _E. J. Brill_ at _Leyden_, picture II, and the IXth.
photo of my illustrated work “_De garĕbĕgs te Jogjåkartå_”
(published by the “_Royal Institute_” in 1895).

[63]At _Parambanan_ and _Pĕlahosan_ we already knew these deities to be
_Bodhisattvas_. (See my above mentioned works: “_Tyanḍi Parambanan
na de ontgraving_” and “_Boeddhistische tempel-en kloosterbouwvallen
in de Parambanan vlakte_”.)

Some time before the digging up of _Parambanan_ Mr. Groeneveldt
wrote to me: “The theory as if these sculptures should represent
known princes we must give up.”

Çiva was one of the lokiçvaras of the Buddha-pantheon, and we know
even other brahmin deities to have been admitted into this. Such is
also the case with the holy queens of Leemans’ work who are _Târâs_
or _Çaktis_ (wives or powers of deities).

[64]Till 1896 I also thought that these small Buddha images, we see in
the crown, characterised the wearers as _Bodhisattvas_, that is, the
Bodhisattvas of the _Dhyâni-Buddhas_ whose small images were hewn in
the crowns. The king of _Siam_ denied this. Because of his being a
buddhistic prince himself he also wore such small images in his
crown. Moreover, I never saw another image in these crowns, except
the one with the _two_ hands in his lap, which is to signify the
_mudrâ dhyâna_ or meditation, a posture the Mahâyânists gave to the
_fourth_ Dhyâni-Buddha, Amitâbha, the Redeemer of _this_ world. If
now these small images were to characterise _Dhyâni-Bodhisattvas_,
why, another Bodhisattva but Padmapâni the fourth, would have been
never hewn.

Should they refer to buddhistic _princes_ it then may be easily
imagined that they never referred to another Buddha but the one of
_this their_ world. On undeniable images these small ones therefore
only point to the buddhistic character the northern church
adjudicated to these deities.

[65]The crescent of the moon _Leemans_ ascribes to this sculpture we
don’t see anywhere, but is to be perceived on the preceding one,
105.

[66]On the _fourteenth_ sculpture on the front-wall of this gallery the
sun and moon have been sculptured with _seven_ stars (planets?).

[67]“Oudheidkundige aanteekeningen” IV, p. 55-58.

[68]“Oudheidkundige Aanteekeningen” I and II.

[69]Dr. _Vogel_ doesn’t come.

But I also do expect very much from the younger sanskritic scholar,
Dr. N. J. Krom, the appointed president of the “_Oudheidkundige
Kommissie_” whose acquaintance I’ve made to my great satisfaction.

_Later note_, October 3^th 1910.

[70]I don’t know how it must have been possible for von Saher to see
_linggas_ and _yonis_ in these buddhistic produce of art. Buddhism
doesn’t know any _lingga_- or _yoni_-worship. See his “_Versierende
kunsten in Ned: Oost-Indië_”, p. 15, 18, 21 and 64.

[71]When the sky is not overclouded we see from this point 9 volcanoes
with the exception of the _Sindårå_ and _Diyèng_ which hid
themselves behind the _Sumbing_-giant. This old volcano still rises
3336 Metres above sea-level, the _Mĕrbabu_ and _Sindårå_ (or
_Sĕndårå_) reach a height of 3145 Metres, the _Mĕrapi_ 2875 Metres,
the far, not always visible _Slamĕt_ 3472 Metres; the adjacent
neptunian _Mĕnoreh_ (or _Minoreh_) doesn’t reach more than 1000
Metres.

Never shall I forget the first night I partly spent on this full
moon lit spot, a death past under, and over me the immortal light.
This happened more than 37 years ago.

[72]The last mentioned estimation of name I got from a former _Magĕlang_
regent, now called _haji_ or _kaji Danu ning Rat_. The Javanese
generally wrote and write _buddå_, in Javanese characters: {Javanese
script}

[73]According to Kern the word _ûrnâ_ means a symbol of both the _sun_
and _lightning_.

[74]A young Dutchman, whom I met in 1898 in the Båråbudur’s
pasanggrahan, thought he saw a mutual difference in the posture of
the hands of these 72 dagob-Buddhas. This difference really exists,
but only in the manner in which the different sculptors interpreted
the _positively meant_ posture of the two hands.

This very same difference in the execution of one and the same task
is also to be seen on other Buddha images. Should it have another
meaning the thesis that these sculptures are to represent the
different five _Dhyâni-Buddhas_ would then be frustrated, because
there would be _much more than five_, indeed.

The man appealed to the official draughtsman accompanying him, an
absolutely unscientific fellow.

[75]The other objects were a little metal vase with cover—formerly
containing some ashes, perhaps—; some ancient javanese coins and
another small metal image. In the pits of other _tyanḍis_ in Java we
also found stone urns with ashes, and coins or other objects of
precious metal, and some coloured precious stones which were given
to the dead in their graves, and symbolically representing the
_sapta ratna_ or _seven treasures_. See my “_Boeddhistische tempel-
en klooster-bouwvallen in de Parambanan-vlakte_” and my “_Tjanḍi
Idjo_” in the “_Tijdschrift v. Ind. T., L. en V. K._” published in
1888.

[76]Out of the six Buddhas of the Båråbudur we don’t see any trace of a
sixth Buddha such as we found in a different form at _Nipâl_:
four-armed, in a mythical dress, crowned and provided with peculiar
attributes.

[77]See my “_Een Boeddhisten-koning op den Båråbudur_” appeared in “_het
Tijdschrift van Indische Taal-, Land- en Volkenkunde_” of 1896, and
the manuscript of the interpreting second part, not published by the
editors, but of which I afterwards sent a copy to professor _Kern_
and other learned men.

[78]On the twenty-seventh sculpture (W. L. 53).

[79]_I_ for me don’t know any analogue of these three groups though they
may exist elsewhere in the mainland, so that this explanation of
mine will be a questionable thesis only.

[80]See _Oldfield_’s “_Sketches from Nipal_” p. 90 and 157 and the
pictures opposite p. 219 and 260 of the second volume.

[81]See my apologetics mentioned in VI note 14 and my “_Oudheidkundige
Aanteekeningen_”, I.

[82]Notes of the “_Kon. Instituut_” (Royal Institute) from 1887, p. XCIV
and following ones.

[83]G 5 has been wrongly marked with 6, just as the following one has
been numbered G 6.

[84]Each _dagob_ is a _tyaitya_, but not each _tyaitya_ is a _dagob_.
This word is only given to the depositary of one or more than one
relic. See Kern’s “_Geschiedenis van het Boeddhisme in Indië_”, II
p. 139 and following ones.

In the same manner I saw _Ceylon_ Buddhists render due homage to the
_dagob_ at _Kelany_.

[85]I’m not a Buddhist myself though I highly esteem the undegenerate
Buddhism of the southern church.

ERRATA.

p. 15 line 3 from bottom: ground instead of groud.
p. 30 note 22 line 1 from top: as well instead of as weil.
p. 38 line 7 from bottom to be read: the knot of hair on his crest,
with the lotus-cushion and disc of the sun worshipped by
princes and inferior people, by priests etc.
p. 60 line 17 from top: but instead of bu.

Transcriber’s Notes

—Silently corrected a few typos, including listed errata.

—Retained publication information from the printed edition: this eBook
is public-domain in the country of publication.

—In the text versions only, text in italics is delimited by
_underscores_.