Chapter V: THAT the Author’s Advice of taking the Figures in Course, be strictly (5)

_Vestigia ædificii Ionici_, XLVII. The Plan of an _Ionick_
Building.

_Elevatio geometrica XLVIII. Geometrical Upright of the
ædificii Ionici_, foregoing _Ionick_ Design.

_Deformatio elevationis XLIX. The Elevation of the _Ionick_
ædificii Ionici_, Design in Perspective.

_Architectura Ionica_, L. A Design of _Ionick_
Architecture.

_Ordo Corinthius_, LI. A _Corinthian_ Design in
Perspective.

_Delineatio columnæ spiralis LII. The Description of a
Ordinis Compositi_, wreath’d Column of the
_Composite_ Order.

_Ordines Architecturæ LIII. A. The Orders of Architecture
desumpti ex Palladio & taken from _Palladio_ and
Scamozzio_, _Scamozzi_.

_Modus triplex delineandi LIII. B. Three different ways of
columnas spirales_, delineating wreath’d Columns.

_Vestigia ædificii Ordinis LIV. The Plan of a Design of the
Corinthii_, _Corinthian_ Order.

_Elevatio ædificii Ordinis LV. The Geometrical Elevation
Corinthii_, of a _Corinthian_ Work.

_Deformatio vestigiorum LVI. The Perspective-Plans and
& elevationis ædificii Upright of the _Corinthian_
Corinthii_, Design foregoing.

_Adumbratio figuræ LVII. The rough Draught of the
sequentis_, following Figure.

_Ædificium Ordinis Corinthii LVIII. Part of an Octangular Work
octangulare_, of the _Corinthian_ Order.

_Vestigia Tabernaculi LIX. The Plans of an Octangular
octangularis_, Tabernacle.

_Tabernaculum octangulare_, LX. An Octangular Tabernacle in
Perspective.

_Modus erigendi machinas quæ LXI. The Manner of erecting
constant pluribus ordinibus Machines that consist of
telariorum_, several Ranges of Frames.

_De reticulandis telariis, LXII. Of making the Net-work on
quæ repræsentent ædificia Frames, for representing
solida_, the Architecture as solid.

_Vestigia ædificii quadrati_, LXIII. The Plan of a square Design.

_Ædificium quadratum_, LXIV. A square Design in Perspective.

_Vestigium ædificii rotundi LXV. The Plan of a Circular Work
opticè imminutum_, in Perspective.

_Projectio ædificii rotundi_, LXVI. A Circular Design in
Perspective.

_Vestigium geometricum, ac LXVII. The Geometrical Plan, and
prima præparatio ad figuram first Preparation to the
septuagesimamprimam_, Seventy-first Figure.

_Elevatio geometrica LXVIII. The Geometrical Elevation of
vestigii præcedentis, & the foregoing Plan, and
secunda præparatio ad second Preparation to the
figuram septuagesimamprimam_, Seventy-first Figure.

_Deformatio vestigii figuræ LXIX. The Plan of the Sixty-seventh
sexagesimæseptimæ, & Figure in Perspective, and
præparatio tertia ad figuram third Preparation to the
septuagesimamprimam_, Seventy-first Figure.

_Deformatio elevationis LXX. The Perspective of the
figuræ sexagesimæoctavæ, & Elevation of the Sixty-eighth
præparatio quarta ad figuram Figure, and fourth Preparation
septuagesimamprimam_, to the Seventy-first.

_Theatrum repræsentans LXXI. A Theater representing the
nuptias Canæ Galilææ, Marriage of _Cana_ in
constructum Romæ anno _Galilee_, erected in the
1685, in expositione Ven. Jesuits Church at _Rome_,
Sacramenti, in templo 1685, for the Solemnity of
Farnesiano Societatis Jesu_, exposing the Holy Sacrament.

_De theatris scenicis_, LXXII. Of Scenes for the Stage.

_Aliud vestigium theatri; LXXIII. Another Plan of a Theater,
ubi de modo inveniendi ejus with the Method of finding
punctum_, the Point of Sight therein.

_Sectio scenarum theatri_, LXXIV. The Section or Profile of
Scenes for Theaters.

_Elevatio scenarum coram LXXV. The Elevation of Scenes in
inspectarum; ubi docetur Front, and how the oblique
artificium, ut scenæ obliquæ Scenes are made to appear
appareant rectæ_, direct.

_Modus delineandi exemplar LXXVI. The Manner of delineating
scenarum_, the Designs of Scenes.

_Modus reticulandi & LXXVII. The Manner of making the
pingendi scenas theatri_, Net-work or Squares, and
painting the Scenes of
Theaters.

_De projectionibus LXXVIII. Of horizontal Projections.
horizontalibus_,

_Projectiones vestigii & LXXIX. The Plan and Elevation of
elevationis mutuli_, a Corbel in Perspective.

_Horizontalis projectio LXXX. The horizontal Projection
mutuli inumbrati_, of a shaded Corbel.

_Stylobatæ Corinthii LXXXI. _Corinthian_ Pedestals in
horizontaliter contracti_, an horizontal Perspective.

_Columna Corinthia LXXXII. A _Corinthian_ Column in
horizontaliter deformata_, horizontal Perspective.

_Capitella Corinthia LXXXIII. A _Corinthian_ Capital in
horizontaliter contracta_, horizontal Perspective.

_Coronix Corinthia_, LXXXIV. A _Corinthian_ Cornice.

_Coronix Corinthia LXXXV. A _Corinthian_ Cornice in
horizontaliter contracta_, horizontal Perspective.

_Horizontalis projectio LXXXVI. A Column in horizontal
columnæ_, Perspective.

_Præparatio necessaria ad LXXXVII. The Preparation necessary to
sequentem figuram, & ad the following Figure, and to
projectiones horizontales all other horizontal
in laquearibus vel Perspectives, whether on flat
testudinibus_, or vaulted Ceilings.

_Horizontalis projectio LXXXVIII. The horizontal Projection
balustiorum figuræ of the Balustrade of the
octogesimæseptimæ, cum Eighty-seventh Figure, view’d
brevi distantia_, at a small Distance.

_Horizontalis projectio LXXXIX. A horizontal Piece of
Architecturæ in laqueari Architecture in a square
quadrato_, Ceiling.

_Horizontalis projectio XC. A Cupola in horizontal
tholi_, Perspective.

_Tholus figuræ nonagesimæ, XCI. The Cupola of Fig. 90, with
cum luminibus & umbris_, its Lights and Shades.

_Tholus octangularis_, XCII. An Octangular Cupola.

_Vestigium templi XCIII. The Geometrical Plan of S.
Ludovisiani S. Ignatii _Ignatius_’s Church at _Rome_.
almæ urbis_,

_Orthographia templi XCIV. The Orthography of S.
Ludovisiani_, _Ignatius_’s Church.

_Aliæ præparationes ad XCV. Other Preparations to
figuras 98 & 99_, the 98th and 99th Figures.

_Aliæ præparationes ad XCVI. Other Preparations to
figuras 98 & 99_, the 98th and 99th Figures.

_Alia præparatio ad figuras XCVII. Another Preparation to the
98 & 99_, 98th and 99th Figures.

_Quadrans Architecturæ XCVIII. Fourth-part of the
horizontalis in fornice, Architectonical Design on the
cum luminibus & umbris_, Vault of S. _Ignatius_’s
Church, with its Lights and
Shades.

_Alter quadrans totius XCIX. Another Quarter of the
operis_, whole Design.

_Modus reticulationis C. The Method of drawing the
faciendæ in testudinibus_, Net-work on Vaults.

_FINIS._

SUBSCRIBERS.

A

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Transcriber’s Note

The following is a list of changes made to the original text to correct suspected printing errors:

Under the heading:

FIGURA QUARTA ~6~, ~7~, => ~6~, ~7~, ~O~
FIGURA OCTAVA. ex lilinea => ex linea
The Ninth Figure. yon must => you must
Figura Trigesimaprima. qudratâ => quadratâ
Figura Trigesimaquinta. denineationem => delineationem
The Seventy-second FIGURE. hundred an twenty => hundred and twenty
FIGURA OCTOGESIMA. qnam => quam
FIGURA Nonagesima. centrum => Centrum
Figura Nonagesimaprima. spospondit => spopondit
FIGURA SECUNDA. longitudidinem => longitudinem
FIGURA QUINTA. superoiri => superiori
INDEX. Doric => Dorick (twice, lines XL and XLV)
SUBSCRIBERS. Gr. D. of Tosoany => Gr. D. of Toscany
Respondetur objectioni... punctum aliqualem => punctum aliquam