Chapter XII: Part 12

Megasthenes, Diodorus, Arrianus, and others (quoted by Lassen, 1, 649, n. 2), tell a curious legend by which Hercules as he parted from earth gave to his young daughter Pandaia the whole of Southern India for her portion, and that from her sprang the celebrated hero dynasty of the Pândava; Hercules found a beautiful female ornament called pearls on his travels, and he collected them all and endowed his daughter's kingdom with them.

5. It is impossible not to be struck by the similarity of construction between this tale and that of the Spanish colonial one I have given in "Patrañas" with the title of "Matanzas," thus bringing the sagas of the East and West Indies curiously together.

6. Lama, Buddhist priest: the tale-repeater again grafts a word of his own language on to the Indian tale.

7. Tîrtha, from tri, to cross a river. It denoted originally a ford; then, a bathing-place on the borders of sacred streams; later its use became extended to all manner of pilgrimage-places, but more frequently those situated at the water's edge. They were the hermitages of Brahmans who gave themselves to the contemplative life before the rise of Buddhism, while to many of them also were attached legends of having been the dwellings of the mysterious Rishi, similarly before the rise of Brahmanism. The fruits of the earth and beasts brought to them as offerings at these holy places, as also the mere visiting such spots, was taught to be among the most meritorious of acts. "From the poor can the sacrifice, O king, not be offered, for it needs to have great possessions, and to make great preparations. By kings and rich men can it be offered. But not by the mean and needy and possessing nothing. But hear, and I will tell thee what is the pious dealing which is equal in its fruits to the holy sacrifice, and can be carried out even by the poorest. This is the deepest secret of the Rishi. Visits paid to the tîrtha are more meritorious than even offerings" (made elsewhere). "He who has never fasted for three nights, has never visited a tîrtha, and never made offerings of gold and cows, he will live in poor estate" (at his next re-birth). "But so great advantage is not gained by the Agnishtoma or other most costly sacrifice as by visiting tîrthas." (Tirthagâtrâ, iii. 82, v. 4055 et seq.) In other places it is prescribed that visits paid to some one particular tîrtha are equal to an offering of one hundred cows; to another, a thousand. To visiting another, is attached the reward of being beautiful at the next rebirth; a visit to another, cleansed from the stain of murder, even the murder of a Brahman; that to the source of the Ganges, brings good luck to a whole generation. Whoso passes a month at that on the Kanshiki, where Vishvamitra attained the highest perfection, does equivalent to the offering of a horse-offering and obtains the same advantage (phala = fruit). Several spots on the Indus or Sindhu, reckon among the holiest of tîrthas pointing to the course of the immigration of the Aryan race into India. Uggana on its west bank is named as the dwelling-place of the earliest Rishis and the scene of acts of the gods. A visit to Gandharba at its source, or Sindhûttama the northern-most tîrtha on its banks, was equivalent to a horse-offering.

The Puranas are full of stories and legends concerning tîrthas noteworthy for the deeds of ancient kings and gods. They tell us of one on the Jumna, where Brahma himself offered sacrifice. At the Vârâha-tîrtha Vishnu had once appeared in the form of a wild boar. The Mahâ Bhârata and other epic poems speak of these visits being made by princes as a matter of constant occurrence, as well as of numbers of Brahmans making the occasion of their visits answer the purpose of an armed escort, to pay their devotions at the same time without incurring unnecessary danger by the way. The Manu also contains prescriptions concerning these visits. In consequence of the amount of travelling they entailed the tîrthânusartri or tîrtha-visitor was quoted as a geographical authority.

The Horse-sacrifice mentioned above was part of the early Vedic religion. In the songs of Dirghatamas, Rig-Veda i. 22, 6 and 7, it is described with great particularity. And instances are mentioned of horse-sacrifices being performed, in the Ramajana, i. 13, 34, and Mahâ Bhârata, xiv. 89 v. 2644. There is also a medal existing struck by a king of the Gupta dynasty, in the 3rd century of our era, commemorative of one at that date. There do not appear altogether to be many instances named however. The Zendavesta (quoted by Burnouf, Yacna, i. p. 444) mentions that it was common among the Turanian people, on the other hand, to sacrifices horses to propitiate victory.

TALE XV.

1. "Diamond kingdom." It is probably Magadha (now Behar) that is here thus designated (Jülg.); though it might stand for any part of Central India: "Diamonds were only found in India of all the kingdoms of antiquity" (Lassen, iii. 18), and (Lassen i. 240), "in India between 14° and 25°;" a wide range, but the fields are limited in extent and sparsely scattered. The old world only knew the diamond through the medium of India. In India itself they were the choicest ornaments of the kings and of the statues of the gods. They thus became stored up in great masses in royal and ecclesiastical treasuries; and became the highest standard of value. The vast quantities of diamonds made booty of during the Muhammedan invasion borders on the incredible. It was thus that they first found their way in any quantity to the West of Europe. Since the discovery of the diamond-fields of Brazil, they have been little sought for in India. In Sanskrit, they were called vag'ra, "lightning;" also abhêdja, "infrangible." It would appear, however, that the Muhammedans were not the first to despoil the Eastern treasuries, for Pliny (book ix.) tells us that Lollia, wife of Claudius, was wont to show herself, on all public occasions, literally covered from head to foot with jewels, which her father, Marcus Lollius, had taken from the kings of the East, and which were valued at forty million sesterces. He adds, however, this noteworthy instance of retribution of rapacity, that he ended by taking his own life to appease the Emperor's animosity, which he had thereby incurred.

Hiuen Thsang, the Chinese pilgrim who visited India about A.D. 640, particularly mentions that in Maláva and Magadha were chief seats of learned studies.

2. Abaraschika; magic word of no meaning. (Jülg.)

3. Astrologers. Colebrooke ("Miscellaneous Essays," ii. 440) is of opinion that astrology was a late introduction into India. Divination by the relative position of the planets seems to have been in part at least of foreign growth and comparatively recent introduction among the Hindus; (he explains this to refer to the Alexandrian Greeks). "The belief in the influence of the planets and stars upon human affairs is with them indeed remotely ancient, and was a natural consequence of their early creed making the sun and planets gods. But the notion that the tendency of that supposed influence and the manner in which it is to be exerted, may be foreseen by man, and the effect to be produced by it foretold through a knowledge of the position of the planets at a given moment, is no necessary result of that belief; for it takes from beings believed divine their free agency." See also Weber, "Geschichte der Indischen Astrologie," in his Indische Studien, ii. 236 et seq.

TALE XVI.

1. Tabun Minggan = "containing five thousand." (Jülg.) The tale-repeater again gives a name of his own language to a town which he places in India.

2. Cows and oxen were always held in high estimation by the ancient Indians. The same word that stood for "cow" expressed also "the earth," and both stand equally in the Vêda for symbols of fruitfulness and patient labouring for the benefit of others. The ox stands in the Manu for "uprightness" and "obedience to the laws." In the Ramajana (ii. 74, 12) Surabhi, the cow-divinity (see the curious accounts of her origin in Lassen, i. 792 and note), is represented as lamenting that over the whole world her children are made to labour from morning to night at the plough under the burning sun. Cows were frequently devoted to the gods and left to go whithersoever they would, even in the midst of towns, their lives being held sacred (Lassen, i. 298). Kühn (Jahrbuch f. w. K. 1844, p. 102) quotes two or three instances of sacrifices of cows but they were very rare; either as sacrifices to the gods or as rigagna ("sacrifices to the living") i. e. the offerings of hospitality to the living. The ox was reckoned peculiarly sacred to Shiva, and images were set up to him in the temples (see Lassen, i. 299). Butter was the most frequent object of sacrifice (ib. 298). The Manu (iii. 70) orders the Hôma or butter-sacrifice to be offered daily to the gods, and the custom still subsists (see Lassen, iii. 325). Other names for the cow were Gharmadhug = "giver of warm milk;" and Aghnjâ = "the not to be slain;" also Kâmadhênu or Kâmaduh = "the fulfiller of wishes," and (in the Mahâ Bhârata) Nandunî = "the making to rejoice" (Lassen, i. 721). See also the story of Sabala, the heavenly cow of the Ramajana, in note 8 to "Vikramâditja's Youth." Oxen were not only used for ploughing, but also for charioteering and riding, and were trained to great swiftness. Ælianus (De Nat Anim. xv. 24) mentions that kings and great men did not think it beneath them to strive together in the oxen-races, and that the oxen were better racers than the horses, for the latter needed the spur while the former did not. An ox and a horse, and two oxen with a horse between them were often harnessed together in a chariot. He also mentions that there was a great deal of betting both by those whose animals were engaged in the race and by the spectators. The Manu, however (d. p. c. ix. 221--225), forbids every kind of betting under severe penalties. Ælianus mentions further the Kâmara, the long-haired ox or yak, which the Indians received from Tibet.

3. The "Three Precious Treasures" or "jewels" of Buddhism are Adi-buddha, Dharma, and Sangha, which in later Buddhism became a sort of triad, called triratna, of supreme divinities; but, at the first, were only honoured according to the actual meaning of the words (Schmidt, Grundlehre der Buddhaismus, in Mem. de l'Ac. des Sciences de S. Petersbourg, i. 114), viz. Sangha, sacred assembly or synod; Dharma, laws (or more correctly perhaps, necessity, fate, Lassen, iii. 397), and Buddha, the expounder of the same. (Burnouf, Introd. à l'Hist. du Budd. i. 221.)

Consult Schott, Buddhaismus, pp. 39, 127, and C. F. Köppen, Die Religion des Buddha, i. 373, 550-553, and ii. 292-294.

4. See note 2, Tale IV.

5. Abbé Huc describes the huts of the Tibetian herdsmen as thus constructed with a hole in the roof for the smoke. The Mongolians live entirely in tents which, if more primitive, seem cleaner and altogether preferable.

TALE XVII.

1. Probably it was some version of this story that had travelled to Spain, which suggested to Yriarte the following one of his many fables directed against ignorant writers and bad critics.

1. 1.

Esta fabulilla, This fablette I know it
Salga bien ó mal, Is not erudite;
Me he occorrida ahora It occurr'd to my mind now
Por casualidad. By accident quite.

2. 2.

Cerca de unos prados Through a meadow whose verdure
Que hay en mi lugar, Fresh, seem'd to invite,
Passaba un borrico A donkey pass'd browsing
Por casualidad. By accident quite.

3. 3.

Una flauta en ellos A flute lay in the grass, which
Halló que un zagal, A swain over night
Se dexó olvidado Had left there forgotten
Por casualidad. By accident quite.

4. 4.

Acercóse á olerla, Approaching to smell it
El dicho animal This quadruped wight
Y dió un resoplido Just happen'd to bray then
Por casualidad. By accident quite.

5. 5.

En la flauta el ayre The air ent'ring the mouthpiece
Se hubo de colar Pass'd through as of right,
Y sonó la flauta And gave forth a cadence
Por casualidad. By accident quite.

6. 6.

"O!" dixó el borrico "Only hear my fine playing!"
"Que bien sé tocar! Cries Moke in delight,
Y diran que es mala "That dull folks vote my braying
La musica asnal." A nuisance, despite."

7. 7.

Sin reglas del arte It may happen some once, thus
Borriquitos hay Although they can't write,
Que una vez aciertan Human asses may hit off
Por casualidad! By accident quite!

2. The woman invents a name to frighten, and also as a trap for, her husband. "Sûrja, is Sanskrit, and Bagatur, Mongolian for a 'Hero.' Such combinations are not infrequent." (Jülg.)

"Shura means a Hero in Sanscrit, agreeing not only in sense with the Greek word , but also in derivation; thus revealing a primeval agreement in the estimation in which hero-nature was held. It is more properly written Sura, because it comes from Svar, heaven, and means literally 'heavenly.' It is used in that form as an appellation of the Sun. Heroes are so called, because when they fell in battle, Svarga, the heaven of deified kings, was given them for their dwelling-place. 'Indra shall give to those who fall in battle the world where all wishes are fulfilled, for their portion. Neither by sacrifices, nor offerings to the Brahmans, nor by contemplation, nor knowledge can mortals attain to Svarga as securely as do heroes falling in battle.' Mahâ Bhârata, xi. 2, v. 60." (Lassen, i. 69.)

3. "The women of Tibet are not indeed taught the use of the bow and the matchlock, but in riding they are as expert and fearless as the men, yet it is only on occasion that they mount a horse, such as when travelling; or when there chances to be no man about the place to look after a stray animal." (Abbé Huc's "Travels in China and Tibet," vol. i. ch. iii.)

4. A very similar story may be found in Barbazan's, "Fabliaux et Contes des Poètes Français des XI-XV Siècles," in 4 vols., Paris 1808, vol. iv. pp. 287-295. (Jülg.)

TALE XVIII.

1. Shanggasba is possibly a Tibetian word, bsang, grags, pa = "of good fame," but more probably it is compounded from the Mongolian sSang, "treasure." (Jülg.)

2. Garudâ: see note 2, Tale I. The allusion in this place is to an image of him over a shrine.

3. Silk was cultivated in India at a very early date, probably much earlier than any records that remain to us can show; there are twelve indigenous species of silkworm. That of China was not introduced into India before the year 419 of our era (Ritter, vol. vi. pt. 1, 698). The indigenous silkworms fed upon other trees besides the mulberry and notably on the ficus religiosa. The Greeks would seem to have learnt the use of silk from the Indians, or at least from the Persians. Nearchos is the first Greek writer in whom mention of it is found; he describes it as like the finest weft of cotton-stuff, and says it was made from fibre scraped from the bark of a tree; an error in which he was followed by other writers; others again wrote that the fibres were combed off the leaf of a tree; yet Pausanias had mentioned the worm as the intermediary of its production (C. Müller, Pref. to his Edition of Strabo, and notes). The Romans also carried on a considerable trade in silk with India, and Pliny, vi. 20, 2, mentions one kind of Indian silk texture that was so fine and light, you could see through it, "ut in publico matrona transluceat." Horace also alludes to the same, Sat. i. 2, 101. Pliny also complains of the luxury whereby this costly stuff was used, not only for dresses, but for coverings of cushions. [68] Vopiscus, in his life of the Emperor Aurelian, tells us that at that time a pound weight of silk was worth a pound weight of gold. In India itself the luxurious use of silk has restrictions put upon it in the Manu. It was also prescribed that when men devoted themselves to the hermit life in the jungle, they should lay aside their silken clothing; and we find Râma (Râmajana, ii. 37, 14) putting on a penitential habit over his silken robe. The Mâha Bhârata (ii. cap. 50) contains a passage in which among the objects brought in tribute to Judhishthira is kîtaga, or the "insect-product," a word used to designate both silk and cochineal.

4. A similar episode occurs in a tale collected in the neighbourhood of Schwaz in North Tirol which I have given under the name of "Prince Radpot" in "Household Stories from the Land of Hofer." The rest of the story recalls that called "The three Black Dogs" in the same collection, but there is much more grace and pathos about the Tirolean version.

TALE XIX.

1. See note 2, Tale XVII.

2. The fox plays a similar part in many an Eastern fable. The first book of the Pantscha Tantra Collection is entitled Mitrabheda, or the Art of Mischief-making. A lion-king who has two foxes for his ministers falls into great alarm one day, because he hears for the first time in his life the roaring of an ox, which some merchants had left behind them because it was lame and sick. The lion consults his two ministers in this strait, and the two while laughing at his fears determine to entertain them in order to enhance their own usefulness. First they visit the ox and make sure he is quite infirm and harmless, and then they go to the lion, and tell him it is the terrible Ox-king, the bearer of Shiva, and that Shiva has sent him down into that forest to devour all the animals in it small and great. The lion is not surprised to hear his fears confirmed and entreats his ministers to find him a way out of the difficulty. The foxes pretend to undertake the negotiation and then go back to the ox and tell him it is the command of the king that he quit the forest. The ox pleads his age and infirmities and desolate condition, and the foxes having made him believe in the value of their services as intermediaries bring him to the lion. Both parties are immensely grateful to the ministers for having as each thinks softened the heart of the other, but the foxes begin to see they have taken a false step in bringing the ox to the lion, as they become such fast friends, that there is danger of their companionship being no longer sought by their master. They determine, therefore, the ox must be killed; but how are they to kill so disproportioned a victim? They must make the lion do the execution himself. But how? they are such sworn friends. They find the lion alone and fill his mind with alarm, assure him the ox is plotting to kill him. They hardly gain credit, but the lion promises to be on his guard; while they are on the watch also for any accident which may give colour to their design. Meantime, they keep up each other's courage by the narration of fables showing how by perseverance in cunning any perfidy may be accomplished. At last it happens one day that a frightful storm comes on while the ox is out grazing. He comes galloping back to seek the cover of the forest, shaking his head and sides to get rid of the heavy raindrops, tearing up the ground with his heavy hoofs in his speed, and his tail stretched out wildly behind. "See!" say the foxes to the lion; "see if we were not right. Behold how he comes tramping along ready to devour thee; see how his eyes glisten with fury, see how he gnashes his teeth, see how he tears up the earth with his powerful hoofs!" The lion cannot remain unconvinced in presence of such evidence. "Now is your moment," cry the foxes; "be beforehand with him before he reaches you." Thus instigated the lion falls upon the ox. The ox surprised at this extraordinary reception, and already out of breath, is thrown upon the defensive, and in his efforts to save himself the lion sees the proof of his intention to attack. Accordingly he sets no bounds to his fury, and has soon torn him in pieces. The foxes get the benefit of a feast for many days on his flesh, besides being reinstated in the full empire over their master. In one of the fables, however, the tables are cleverly turned on Reynard by "the sagacity of the bearded goat." An old he-goat having remained behind on the mountains, one day, when the rest of the herd went home, found himself suddenly in presence of a lion. Remembering that a moment's hesitation would be his death, he assumed a bold countenance and walked straight up to the lion. The lion, astonished at this unwonted procedure, thinks it must be some very extraordinary beast; and instead of setting upon it, after his wont, speaks civilly to it, saying, "Thou of the long beard, whence art thou?" The goat answered, "I am a devout servant of Shiva to whom I have promised to make sacrifice of twenty-one tigers, twenty-five elephants, and ten lions; the tigers and the elephants have I already slain, and now I am seeking for ten lions to slay." The lion hearing this formidable declaration, without waiting for more, turned him and fled. As he ran he fell in with a fox, who asked him whither he ran so fast. The lion gives a ridiculous description of the goat, dictated by his terror; the fox recognizes that it is only a goat, and thinking to profit by the remains of his flesh perfidiously urges him to go back and slaughter him. He accordingly goes back with this intention, but the goat is equal to the occasion, and turning sharply upon the fox, exclaims, "Did I not send thee out to fetch me ten lions for the sacrifice? How then darest thou to appear before me having only snared me one?" The lion thinking his reproaches genuine, once more turns tail and makes good his escape. It has much similarity with the episode of the hare and the wolf in the next tale.

3. Svarga. See note 2, Tale XVII.

TALE XX.

1. Hiranjavatî, "the gold-coloured river," also called Svarnavati, "the yellow river," both names occurring only in Buddhist writers: one of the northern tributaries of the Ganges, into which it falls not far from Patna, and the chief river of Nepaul. Its name was properly Gandakavatî = "Rhinoceros-river," or simply Gan'da'kî, whence its modern name of the Goondook, as also that of Kondochates, into which it was transformed by the Greek geographers. In its upper course it often brings down ammonite petrifactions, which are believed to be incarnations or manifestations of Vishnu, hence it has a sacred character, and on its banks are numerous spots of pilgrimage.

2. Concerning such distributions of alms, see Koppen, i. 581 et seq.

3. The story affords no data on which to decide whether this cynical speech is supposed to be a serious utterance representing the actual motives on which the mendicant life was actually adopted under the teaching of Buddhism, affording a strong contrast from those which have prompted to it under Christianity, or whether it is intended as a satire on the Bhixu. (For Bhixu, see pp. 330, 332.)

4. I know not how the tufts of wool could have got caught off the sheeps' backs on to ant-heaps, unless it be that the marmots being as we have already seen (note 3, Tale IV.) called ants, the tale-repeater takes it for granted there are marmot-holes in Nepaul like those familiar to him in Mongolia, which Abbé Huc thus describes (vol. i. ch. ii.), "These animals construct over the opening of their little dens a sort of miniature dome composed of grass artistically twisted, designed as a shelter from wind and rain. These little heaps of dried grass are of the size and shape of mole-hills. Cold made us cruel, and we proceeded to level the house-domes of these poor little animals, which retreated into their holes below, as we approached. By means of this Vandalism we managed to collect a sackful of efficient fuel, and so warmed the water which was our only aliment that day."

5. "Though there is so much gold and silver there is great destitution in Tibet. At Lha-Ssa, for instance, the number of mendicants is enormous. They go from door to door soliciting a handful of tsamba (barley-meal), and enter any one's house without ceremony. The manner of asking alms is to hold out the closed hand with the thumb raised. We must add in commendation of the Tibetians that they are generally very kind and compassionate, rarely sending the mendicant away unassisted." (Abbé Huc, vol. ii. ch. v.)

6. Indian tales often remind one of the frequent web of a dream in which one imagines oneself starting in pursuit of a particular object, but another and another fancy intervenes and the first purpose becomes altogether lost sight of. This was particularly observable in the tale entitled "How the Schimnu-Khan was slain," in which, after many times intending it, Massang never goes back to thank his master at last. The present is a still more striking instance, in its consequence and repeated change of purport. In pursuing the mendicant's life, the search for the man's parents is forgotten; and the man and his wife are themselves lost sight of in the episode of the lamb.

7. Concerning the combination of the Moon and the hare, see Liebrecht, in Lazarus and Steinthal, Zeitschrift, vol. i. pt. 1. The Mongols see in the spots in the moon the figure of a hare, and imagine it was placed there in memory of Shâkjamuni having once transformed himself into a hare out of self-sacrifice, that he might serve a hungry wayfarer for a meal. (Bergman, Nomadische Streifereien unter den Kalmüken, in 1802-3, quoted by Jülg.)

8. See note 5, Tale III.

TALE XXI.

1. Compare this story with the "Wunderharfe" in the "Mährchensaal" of Kletke. (Jülg.) Its similarity with the story of King Midas will strike every reader.

2. Chara Kitad = Black China; the term designates the north of China.

3. Daibang (in Chinese, Tai-ping = peace and happiness), the usual Mongolian designation for the Chinese Emperor. (Jülg.)

4. See note 9, Tale IV.

TALE XXII.

1. Bagatur-Ssedkiltu, "of heroic capacity." (Jülg.) See Note 2, Tale XVII.

2. The Three Precious Treasures, see note 3, Tale XVI.

3. Pearls. Arrianus (Ind. viii. 8) quotes from Megasthenes, a legend in which the discovery of pearls is ascribed to Crishna. The passage further implies that the Greek name margar'ithc was received from an Indian name, which may be the case through the Dekhan dialect, though there is nothing like it in Sanskrit, unless it be traced from markarâ, a hollow vessel. The Sanskrit word for pearls is muktá, "dropt" or "set free," "dropt by the rain-clouds." (See Lassen, Indische Alterthumskunde, i. 244 n. 1. See also note 4, Tale XIV.) How the Preserver of mother-o'-pearl shells comes to live up a river, I know not, unless in his royal character he was supposed to have an outlying country-villa. However Megasthenes (quoted by Lassen, ii. 680, n. 2) tells us not only that there were many crocodiles and alligators in the Indus, but also that many fishes and molluscs came up the stream out of the sea as far as the confluence of the Akesines, and small ones as far as the mountains. Onesikritos mentions the same concerning other rivers.

4. The serpent-gods are spoken of sometimes as if they were supposed to wear a human form and as often as in their reptile form. In the present place in the text there is a strange confusion between the two ideas, the "son" whom the White Serpent king comes to seek evidently wore a reptile form, as when he was in the owl's mouth he resembled the Tamer's girdle, yet the king himself and his companion are said to be riding on horses; as it is also said they come out of the water it was probably a crocodile that the story-teller had in his mind's eye, and which might fancifully be conceived to be a serpent riding on horseback, as a centaur represents a man on horseback. The serpent-gods generally would seem to be more properly termed reptile-gods, as not only ophidians and saurians seem to belong to their empire, but batrachians also; in this very story the gold frog is reckoned the actual daughter of the White Serpent-king, probably even emydians also, though I do not recall an example. Water-snakes, however, are common in Asia, and there is also there a group of batrachians called cæliciæ, which are cylindrical in form, without feet and moving like serpents, and considered to form a link between that family and their own. I do not know if this in any way explains the symbolism whereby a creature that had any right to be reckoned a frog could be called the daughter of a serpent-king.

When the stories of encounters of heroes with huge malevolent serpents, or crocodiles, passed into the mythology of Europe, these were generally replaced by "dragons," or monsters, such as "Grendel" in our Anglo-Saxon "Lay of Beowulf." There are some, however, in which a bonâ fide serpent figures. In parts of Tirol, a white serpent is spoken of as a "serpent-queen" and as more dangerous than the others; various are the legends in which the release of a spell-bound princess depends on the deliverer suffering himself to be three times encircled, and the third time, kissed by a serpent; the trial frequently fails at the third attempt. Sir Lancelot, if I remember right, accomplished it in the end.

Every collection of mediæval legends contains stories of combats with dragons, the groundwork probably brought from the East, and the detail made to fit the hero of some local deliverance; the mythology of Tirol is particularly rich in this class, almost every valley has its own; at Wilten, near Innsbruck, the sting of a dragon is shown as of that killed by the Christian giant Haymon; the one I have given in "Zovanin senza paura," from the Italian Tirol (p. 348, "Household Stories from the Land of Hofer"), has this similarity with Tales II. and V., that it is actually the water supply of the infested district which is stopped by the dragon. There is this great difference, however, between the Eastern and later Western versions of serpent myths. The Indians having deified the serpent, their heroic tales have no further aim than that of propitiating him. On the other hand, it was not long before the religious influence under which the Christian myths were moulded had connected and by degrees identified the serpent-exterior, under the parable of which they set forth their local plague, with that under which the adversary of souls is named in the sacred story of the garden of Eden; and thus it became a necessity of the case that the Christian hero should destroy or at least vanquish it.

Though the Indian serpent-gods seem to have been generally feared and hated, we have instances--and that even in this little volume--of their harmlessness also and even beneficence. An innocuous and benevolent phase of dragon-character seems to have been adopted also in the early heathen mythology of Europe. Nork (Mythologie der Volkssagen) tells us the dragon was held sacred to Wodin, and its image was placed over houses, town-gates, and towers, as a talisman against evil influences; and I have met with a popular superstition lingering yet in Tirol that to meet a crested adder (the European representative, I believe, of the Cobra di capello, which is, as we have seen, the species specially worshipped in India) brings good luck. I have said I do not remember an instance in Indian mythology in which any member of the emydian family comes under the empire of the serpent-god; I should expect there are such instances, however, as the counterpart exists in Tirol, where there are stories of mysterious fascination exercised by sacred shrines upon the little land-tortoises and which have in consequence been regarded by the peasantry as representing wandering souls waiting for the completion of their purgatorial penance. See also concerning the serpent-gods, note 1 to Tale II.

5. Mirjalaktschi. Jülg says, "Fettmacher" (fat-maker) is the best equivalent he can give, but he is not convinced of its correctness, and then exposes what he understands by "Fettmacher" by two German expressions, one, meaning "pot-bellied," and the other not renderable in English to ears polite. It would seem more in accordance with the use of the name in the text to understand his own word Fettmacher, as "he giving abundance," "he making fat."

6. Gambudvîpa. I have already (page viii.) had occasion to explain this native name of India; otherwise spelt Dschambudvîpa and Jambudvîpa and Jambudîpa. But as I only there spoke of the actual species of the gambu-tree, one of the indigenous productions of India, I ought further to mention that the name is rather derived from a fabulous specimen of it, supposed to grow on the sacred mountain of Meru. Spence Hardy ("Legends and Theories of the Buddhists," p. 95) quotes the following description of it from one of the late commentaries of the Sutras: "From the root to the highest part is a thousand miles; the space covered by its outspreading branches is three thousand miles in circumference. The trunk is one hundred and fifty miles round, and five hundred miles in height from the root to the place where the branches begin to extend; the four great branches of it are each five hundred miles long, and from between these flow four great rivers. Where the fruit of the tree falls, small plants of gold arise which are washed into one of the rivers." Earlier descriptions are less exaggerated; details remaining in this one suggest that it has not been invented without aid from some lingering remnant of an early tradition of the Tree of Life and the four rivers of Paradise, "the gold of" one of which "is good."

The great continent of India being called an island is explained in a parable from the Jinâlankâra, given at p. 87 of the same work, likening the outer Sakwala ridge or boundary of the universe to the rim of a jar or vessel; the vessel filled with sauce representing the ocean and the continents, like masses of cooked rice floating in the same.

At p. 82, he quotes from the first-mentioned commentary a description of the mountain of Méru itself, illustrative of the habitual exaggeration of the Indian sacred writers. "Between Maha Méru and the Sakwala ridge are seven circles of rocks with seven seas between them. They are circular because of the shape of Maha Méru. The first or innermost, Yugandhara, is 210,000 miles broad; its inner circumference is 7,560,000 miles, and its outer, 8,220,000 miles; from Maha Méru to Yugandhara is 840,000 miles. Near Maha Méru, the depth of the sea is 840,000 miles, &c.," the seven circles being all described with analogous dimensions. Also p. 42, "Buddha knows how many atoms there are in Maha Méru, although it is a million miles in height."

TALE XXIII.

1. "The five colours," see note 5, Tale IV.

"The seven precious things," are variously stated. Sometimes they are gold, silver, lapis lazuli, crystal, red pearls, diamond and coral. Sometimes gold and silver are left out of the reckoning, and rubies and emeralds substituted. See Köppen, i. 540 et seq. The extravagant and incongruous description in the text is not artistic.

2. The month Pushja. Before the time of Vikramâditja astronomy was not studied in India as a science; the course of the heavenly bodies was observed, but only for the sake of determining the times and seasons of feasts and sacrifices. The moon was the chief subject of observation and of the more correct results of the same. Her path was divided into twenty-eight "houses" or "mansions" called naxatra. This division was invented by the Chinese, and India received it from them about 1100 B.C. The naxatravidjâ or the knowledge of the moon-mansions, is set down in one of the oldest Upanishad as a special kind of knowledge. In the oldest enumeration extant of the moon-mansions only twenty-seven are mentioned, and the first of them is called Krittikâ, and Abhigit, which is the 20th, according to the latest enumeration, is wanting; other lists have other discrepancies. It is worthy of notice that Kandramas, the earliest name by which the moon is invoked in the Vêda, is composed of kandra, "shining," and mas, "to measure," because the moon measured time, and the various names of the moon in all the so-called Indo-European languages are supposed to come from this last word. There were also four moon-divinities invoked, as Kuhû, Sinivali, Râkâ, and Anumati, in the Rig Vêda hymns; these are all feminine deities. Soma, the later moon-divinity, however, was masculine, and had twenty-seven of the fifty daughters of Daxa for his wives. Kandramas was also a male divinity. The worship of the four goddesses I have named was afterwards superseded by four (also feminine) deifications of the phases of the moon. There seems a little difficulty, however, about fitting their names to them. Pushja, with which we are more particularly concerned, would properly imply "waxing," but she presided nevertheless over the last quarter; Krita, meaning the "finished" course, over the new moon; the appellations of the others fit better. Drapura (derived from dva, two) designated the second quarter, and Khârvâ, "the beginning to wane," the full moon. In the list given by Amarasinha of the moon-mansions, Pushja is the name of the eighth, in the Mahâ Bhârata it stands for the sixth.

The month Pauscha answers to our December. (Lassen, iii. 819.)

3. We have many early proofs that India possessed an indigenous breed of hunting-dogs of noble and somewhat fierce character. They were much esteemed as hunting-dogs by the Persians, and formed an important article of commerce. Herodotus (i. 192) mentions their being imported into Babylon; whether the mighty hunter Nimrod had a high opinion of them, there is perhaps no means of ascertaining. Strabo (xv. i. § 31) says they were not afraid to hunt lions. In the Ramajana, (ii. 70, 21) Ashvapati gives Rama a present of "swift asses and dogs bred in the palace, large in stature, with the strength of tigers, and teeth meet to fight withal." Alexander found them sufficiently superior to his own to take with him a present of them offered him by Sopeithes. Aristobulos, Megasthenes, and Ælianus mention their qualities with admiration. Their strength and courage led to the erroneous tradition that they were suckled by tigers (see Pliny, viii. 65, I). Plutarch (De Soc. Anim. x. 4) quotes a passage from an earlier Greek writer, saying they were so noble, that though when they caught a hare they gladly sucked his blood, yet that if one lay down exhausted with the course, they would not kill it, but stood round it in a circle, wagging their tails to show their enjoyment was not in the blood, but in the victory.

The house-dog and herd-dog, however, was rather looked down upon; it and the ass were the only animals the Kandala or lowest caste were allowed to possess (Manu, x. 51), and it is still called Paria-dog (Bp Heber's "Journey," i. 490).

4. A functionary invented by the Mongolian tale-repeater. The idea evidently borrowed from his knowledge of the paramount authority of the Talé Lama of Tibet, leading him to suppose there must exist a corresponding dignity in India.

5. Barin Tschidaktschi Erdekctu, "The mighty one at taking distant aim." (Jülg.)

6. Gesser Khan, the great hero of Mongolian tales; called also "The mighty Destroyer of the root of the seven evils in the seven places of the earth." (Jülg.)

7. Tschin-tâmani, Sanskrit, "Thought-jewel," is a jewel possessing the magic power of producing whatever object the possessor of it sets his heart upon. (Böhtlingk and Roth, Sanskrit Dict.) See infra, note 2, to "The False Friend," and note 8 to "Vikramâditja's Youth."

8. Barss-Irbiss, "leopard-tiger." (Jülg.)

HISTORICAL NOTICE OF VIKRAMÂDITJA.

1. Professor Wilson.

2. Reinaud, Fragments relatifs à l'Inde.

3. See a most extraordinary instance of this noticed in note 11 of the Tale in this volume entitled "Vikramâditja makes the Silent Speak."

4. Thus Reinaud (Mémoire Géographique sur l'Inde, p. 80) speaks of a king of this name who governed Cashmere A.D. 517, as if he were the original Vikramâditja.

5. The honour of being the first to work this mine of information belongs to H. Todd; see his "Account of Indian Medals," in Trans. of As. Soc.

6. The art of coining at all was, in all probability, introduced by the Greeks.--Wilson, Ariana Antiqua, p. 403; also Prinsep, in Journ. of As. Soc. i. 394.

7. In the list of kings given by Lassen, iv. 969, 970, there are eight kings called Vikramâditja, either as a name or a surname, between A.D. 500 and 1000.

8. The kingdom of Malâva answers to the present province of Malwa, comprising the table-land enclosed between the Vindhja and Haravatî ranges. The amenity of its climate made it the favourite residence of the rulers of this part of India, and we find in it a number of former capitals of great empires. It lay near the commercial coast of Guzerat, and through it were highways from Northern India over the Vindhja range into the Dekhan. It is also well watered; its chief river, the Kharmanvati (now Kumbal), rises in the Vindhja mountains, and falls into the Jumna. At its confluence with the Siprâ, a little tributary, was situated Uggajini = "the Victorious," now called Uggeni, Ozene, and Oojein, and still the first meridian of Indian astronomers. It also bore the name of Avantî = "the Protecting," from the circumstance of its having given refuge to this Vikramâditja in his infancy.

9. This length of reign is actually ascribed to him in the Chronological Table out of the Kalijuga-Râgakaritra, given in Journ. of the As. Soc. p. 496.

10. This resolution was quite in conformity with the prevailing religious teaching. In the collection of laws and precepts called the Manû, many rules are laid down for this kind of life, and were followed to a prodigious extent both by solitaries and communities; e.g. "When the grihastha = 'father of the house,' finds wrinkles and grey hairs coming, and when children's children are begotten to him, then it is time for him to forsake inhabited places for the jungle." It is further prescribed that he should expose himself there to all kinds of perils, privations, and hardships. He is not to shrink from encounters with inimical tribes; he is to live on wild fruits, roots, and water. In summer he is to expose himself to the heat of fierce fires, and in the rainy season to the wet, without seeking shelter; in the coldest winter he is to go clothed in damp raiment. By these, and such means, he was to acquire indifference to all corporeal considerations, and reach after union with the Highest Being. Manû, v. 29; vii. 1-30; viii. 28; x. 5; xi. 48, 53; xvii. 5, 7, 24; xviii. 3-5, &c., &c. It is impossible not to be struck, in studying such passages as these, with a reflection of the inferiority which every other religious system, even in its sublimest aims, presents to Christianity. If, indeed, there were a first uniform limit appointed to the hand of death at the age of threescore years and ten, then it might be a clever rule to fix the appearance of wrinkles, grey hairs, and children's children as the period for beginning to contemplate what is to come after it; but, as the number of those who are summoned to actual acquaintance with that futurity before that age is pretty nearly as great as that of those who surpass it, the maxim carries on the face of it that it is dictated by a very fallible, however well-intentioned, guide. Christianity knows no such limit, but opens its perfect teaching to the contemplation of "babes;" while, practically, experience shows that those who are called early to a life of religion are far more numerous than those in advanced years.

11. Given in W. Taylor's Orient. Hist. MSS., i. 199.

12. "The Indians have no actual history written by themselves." (Lassen, Indische Alterthumskunde, i. 357, note 1.)

13. Klaproth, Würdigung der Asiatischen Geschichtschreiber.

14. Indien, p. 17.

15. Examen Critique, p. 347.

16. But only committed to memory. See supra, p. 333.

17. Burnouf, Introduction à l'Hist. du Buddh., vol i.

18. Concerning the late introduction of this idea, see supra, pp. 337-8.

19. Indische Alterthumskunde, i. 839.

20. Lassen, iii., p. 44.

21. Mommsen (History of Rome, book iv., ch. viii.), writing of Mithridates Eupator, who died within a few years of the date ascribed to Vikramâditja's birth, says, "Although our accounts regarding him are, in substance, traceable to written records of contemporaries, yet the legendary tradition, which is generated with lightning expedition in the East, early adorned the mighty king with many superhuman traits. These traits, however, belong to his character just as the crown of clouds belongs to the character of the highest mountain peaks; the outline of the figure appears in both cases, only more coloured and fantastic, not disturbed or essentially altered."

22. The legend from which the following is gathered has been given by Wilford, in a paper entitled "Vikramâditja and Salivâhâna, their respective eras."

23. See Lassen, Indische Alterthumskunde, ii. 49-56.

24. Wilson, in Mackenzie Collection, p. 343.

25. A vetâla is a kind of sprite, not always bad-natured, usually carrying on a kind of weird existence in burial-places. "They can possess themselves of the forms of those who die by the hand of justice, and assume them. By the power of magic men can make them obedient, and use them for all manner of difficult tasks above their own strength and sufficiency." Brockhaus' Report of the R. Saxon Scientific Soc. Philologico-historical Class, 1863, p. 181. "The Vetâlas were a late introduction among the gods of popular veneration." (Lassen, iv. 570.) "They came also to be regarded as incarnations of both Vishnu and Shiva." (Lassen, iv. 159.)

26. Two interesting instances of the way in which traditionary legends become attached to various persons as they float along the current of time, have been brought to my notice while preparing these sheets for the press. I cannot now recall where I picked up the story of "The Balladmaker and the Bootmaker," which I have given in "Patrañas," but I am sure it was told of a wandering minstrel, and as occurring on Spanish soil, as I have given it. I have since met it in "The Hundred Novels" of Sacchetti (written little after the time of Boccacio) as an episode in a no less celebrated life than that of Dante, thus: "... Going out and passing by Porta S. Piero (Florence), he (Dante) heard a blacksmith beating on his anvil, and singing 'Dante' just as one sings a common ballad; mutilating here, and mixing in verses of his own there; by which means Dante perceived that he sustained great injury. He said nothing, however, but went into the workshop, to where were laid ready many tools for use in the trade. Dante first took up the hammer and flung it into the road; took up the pincers and flung them into the road; took up the scales and flung them out into the road. When he had thus flung many tools into the road, the blacksmith turned round with a brutal air, crying out, 'Che diavol' fate voi? Are you mad?' But Dante said, 'And thou; what hast thou done?' 'I am busied about my craft,' said the blacksmith; 'and you are spoiling my gear, throwing it out into the road like that.' Said Dante, 'If you don't want me to spoil your things, don't you spoil mine.' Said the smith. 'What have I spoilt of yours?' Said Dante, 'You sing my book, and you say it not as I made it; poem-making is my trade, and you have spoilt it.' Then the blacksmith was full of fury, but he had nothing to say; so he went out and picked up his tools, and went on with his work, And the next time he felt inclined to sing, he sang Tristano and Lancellotte, and left Dante alone." "... Another day Dante was walking along, wearing the gorget and the bracciaiuola, according to the custom of the time, when he met a man driving an ass having a load of street sweepings, who, as he walked behind his ass, ever and anon sang Dante's book, and when he had sung a line or two, gave the donkey a hit, and cried 'Arrri!' Dante, coming up with him, gave him a blow on his shoulder with his armlet ('con la bracciaiuola gli diede una grande batacchiata,' literally 'bastonnade:' bracciaiuola stands for both the armour covering the arm, and for the tolerably formidable wooden instrument, fixed to the arm, with which pallone-players strike the ball), saying, as he did so, 'That "arrri" was never put in by me.' As soon as the ass-driver had got out of his way, he turned and made faces at Dante, saying, 'Take that!' But Dante, without suffering himself to be led into an altercation with such a man, replied, amid the applause of all, 'I would not give one of mine for a hundred of thine!'" (2.) It was lately mentioned to me that there is a narrow mountain-pass in the Lechthal, in Tirol, which is sometimes called Mangtritt (or St. Magnus' step), and sometimes Jusalte (Saltus Julii, the leap of Julius), because one tradition says Julius Cæsar leapt through it on horseback, and another that it opened to let St. Magnus pass through when escaping from a heathen horde.

27. Quoted by W. Taylor, in Journ. of As. Soc. vii. p. 391.

28. Quoted by Wilford, as above.

29. Quoted in Wilford's "Sacred Isles of the West."

30. Lassen.

31. Roth, Extrait du Vikrama-Charitram, p. 279.

32. Lassen, ii. p. 1154.

33. Lassen, ii. 1122-1129.

34. Abbé Huc narrates how enthusiastically the young Mongol toolholos, or bard, sang to him the Invocation of Timour, of which he gives the refrain as follows:--"We have burned the sweet-smelling wood at the feet of the divine Timour. Our foreheads bent to the earth, we have offered to him the green leaf of tea, and the milk of our herds. We are ready: the Mongols are on foot, O Timour!

"O Divine Timour, when will thy great soul revive?
Return! Return! We await thee, O Timour!"

35. See Note 11 to "Vikramâditja makes the Silent Speak."

THE BOY-KING.

1. Ardschi-Bordschi is a Mongolian corruption of King Bhoga. (Jülg.)

The name of Bhoga (also written Noe, Nauge, and Noza; the N having entered from a careless following of the Persian historian Abulfazl, n and b being only distinguished by a point in Persian writing; and the z through the Portuguese, who habitually rendered the Indian g thus) seems to have been almost as favourite an appellation as that of Vikramâditja itself, and pretty equally surrounded with confusion of fabulous incident.

The Bhoga were one of the mightiest dynasties of ancient India, and the name was given to the family on account of their unbounded prosperity; being derived from bhug = enjoyment. The most celebrated king of the race bore a name which in our own day has become associated with prosperous rule, Bhoga Bismarka, or Bhismarka, is celebrated in ancient Sagas for his resistless might in the field, and was also accounted the type of a prudent and far-sighted sovereign. Many glories are fabled of him which I have not space to narrate, and even he only reigned over a fourth part of the Bhoga.

The individual Bhoga, however, who is probably the subject of the present story, and the details of whose virtues and wisdom present particular analogies with the life of Vikramâditja is, comparatively speaking, modern, as he reigned from A.D. 1037 to 1093 according to some, or from 997 to 1053 according to others. He was likewise originally King of Maláva or Malwa, and fabulous conquests and extensions of dominion are likewise ascribed to him.

He was the greatest king of the Prâmâra dynasty, one of the four so-called Agnikula, or "from-the-god-Agni-descended," or "fire-born" tribes, and traced up his pedigree to a certain Paramâra, "The destroyer of adversaries," born at the prayer of the Hermit Rishi Vasichta on the lofty mountain of Arbuda (Arboo).