Chapter IV: Part II: I (1)
1
To wash up is not an exciting operation. To wash up in August became for Noel a process which taxed her strength and enthusiasm. She combined it with other forms of instruction in the art of nursing, had very little leisure, and in the evenings at home would often fall asleep curled up in a large chintz-covered chair.
George and Gratian had long gone back to their respective hospitals, and she and her father had the house to themselves. She received many letters from Cyril which she carried about with her and read on her way to and from the hospital; and every other day she wrote to him. He was not yet in the firing line; his letters were descriptive of his men, his food, or the natives, or reminiscent of Kestrel; hers descriptive of washing up, or reminiscent of Kestrel. But in both there was always some little word of the longing within them.
It was towards the end of August when she had the letter which said that he had been moved up. From now on he would be in hourly danger! That evening after dinner she did not go to sleep in the chair, but sat under the open window, clenching her hands, and reading “Pride and Prejudice” without understanding a word. While she was so engaged her father came up and said:
“Captain Fort, Nollie. Will you give him some coffee? I'm afraid I must go out.”
When he had gone, Noel looked at her visitor drinking his coffee. He had been out there, too, and he was alive; with only a little limp. The visitor smiled and said:
“What were you thinking about when we came in?”
“Only the war.”
“Any news of him?”
Noel frowned, she hated to show her feelings.
“Yes! he's gone to the Front. Won't you have a cigarette?”
“Thanks. Will you?”
“I want one awfully. I think sitting still and waiting is more dreadful than anything in the world.”
“Except, knowing that others are waiting. When I was out there I used to worry horribly over my mother. She was ill at the time. The cruelest thing in war is the anxiety of people about each other—nothing touches that.”
The words exactly summed up Noel's hourly thought. He said nice things, this man with the long legs and the thin brown bumpy face!
“I wish I were a man,” she said, “I think women have much the worst time in the war. Is your mother old?” But of course she was old why he was old himself!
“She died last Christmas.”
“Oh! I'm so sorry!”
“You lost your mother when you were a babe, didn't you?”
“Yes. That's her portrait.” At the end of the room, hanging on a strip of black velvet was a pastel, very faint in colouring, as though faded, of a young woman, with an eager, sweet face, dark eyes, and bent a little forward, as if questioning her painter. Fort went up to it.
“It's not a bit like you. But she must have been a very sweet woman.”
“It's a sort of presence in the room. I wish I were like her!”
Fort turned. “No,” he said; “no. Better as you are. It would only have spoiled a complete thing.”
“She was good.”
“And aren't you?”
“Oh! no. I get a devil.”
“You! Why, you're out of a fairy-tale!”
“It comes from Daddy—only he doesn't know, because he's a perfect saint; but I know he's had a devil somewhere, or he couldn't be the saint he is.”
“H'm!” said Fort. “That's very deep: and I believe it's true—the saints did have devils.”
“Poor Daddy's devil has been dead ages. It's been starved out of him, I think.”
“Does your devil ever get away with you?”
Noel felt her cheeks growing red under his stare, and she turned to the window:
“Yes. It's a real devil.”
Vividly there had come before her the dark Abbey, and the moon balancing over the top of the crumbling wall, and the white owl flying across. And, speaking to the air, she said:
“It makes you do things that you want to do.”
She wondered if he would laugh—it sounded so silly. But he did not.
“And damn the consequences? I know. It's rather a jolly thing to have.”
Noel shook her head. “Here's Daddy coming back!”
Fort held out his hand.
“I won't stay. Good night; and don't worry too much, will you?”
He kept her hand rather a long time, and gave it a hard squeeze.
Don't worry! What advice! Ah! if she could see Cyril just for a minute!
2
In September, 1916, Saturday still came before Sunday, in spite of the war. For Edward Pierson this Saturday had been a strenuous day, and even now, at nearly midnight, he was still conning his just-completed sermon.
A patriot of patriots, he had often a passionate longing to resign his parish, and go like his curate for a chaplain at the Front. It seemed to him that people must think his life idle and sheltered and useless. Even in times of peace he had been sensitive enough to feel the cold draughty blasts which the Church encounters in a material age. He knew that nine people out of ten looked on him as something of a parasite, with no real work in the world. And since he was nothing if not conscientious, he always worked himself to the bone.
To-day he had risen at half-past six, and after his bath and exercises, had sat down to his sermon—for, even now, he wrote a new sermon once a month, though he had the fruits of twenty-six years to choose from. True, these new sermons were rather compiled than written, because, bereft of his curate, he had not time enough for fresh thought on old subjects. At eight he had breakfasted with Noel, before she went off to her hospital, whence she would return at eight in the evening. Nine to ten was his hour for seeing parishioners who had troubles, or wanted help or advice, and he had received three to-day who all wanted help, which he had given. From ten to eleven he had gone back to his sermon, and had spent from eleven to one at his church, attending to small matters, writing notices, fixing hymns, holding the daily half-hour Service instituted during wartime, to which but few ever came. He had hurried back to lunch, scamping it so that he might get to his piano for an hour of forgetfulness. At three he had christened a very noisy baby, and been detained by its parents who wished for information on a variety of topics. At half-past four he had snatched a cup of tea, reading the paper; and had spent from five to seven visiting two Parish Clubs, and those whose war-pension matters he had in hand, and filling up forms which would be kept in official places till such time as the system should be changed and a fresh set of forms issued. From seven to eight he was at home again, in case his flock wanted to see him; to-day four sheep had come, and gone away, he was afraid, but little the wiser. From half-past eight to half-past nine he had spent in choir practice, because the organist was on his holiday. Slowly in the cool of the evening he had walked home, and fallen asleep in his chair on getting in. At eleven he had woken with a start, and, hardening his heart, had gone back to his sermon. And now, at nearly midnight, it was still less than twenty minutes long. He lighted one of his rare cigarettes, and let thought wander. How beautiful those pale pink roses were in that old silver bowl-like a little strange poem, or a piece of Debussy music, or a Mathieu Maris picture-reminding him oddly of the word Leila. Was he wrong in letting Noel see so much of Leila? But then she was so improved—dear Leila!... The pink roses were just going to fall! And yet how beautiful!... It was quiet to-night; he felt very drowsy.... Did Nollie still think of that young man, or had it passed? She had never confided in him since! After the war, it would be nice to take her to Italy, to all the little towns. They would see the Assisi of St. Francis. The Little Flowers of St. Francis. The Little Flowers!... His hand dropped, the cigarette went out. He slept with his face in shadow. Slowly into the silence of his sleep little sinister sounds intruded. Short concussions, dragging him back out of that deep slumber. He started up. Noel was standing at the door, in a long coat. She said in her calm voice:
“Zeps, Daddy!”
“Yes, my dear. Where are the maids?”
An Irish voice answered from the hall: “Here, sir; trustin' in God; but 'tis better on the ground floor.”
He saw a huddle of three figures, queerly costumed, against the stairs.
“Yes, Yes, Bridgie; you're safe down here.” Then he noticed that Noel was gone. He followed her out into the Square, alive with faces faintly luminous in the darkness, and found her against the garden railings.
“You must come back in, Nollie.”
“Oh, no! Cyril has this every day.”
He stood beside her; not loth, for excitement had begun to stir his blood. They stayed there for some minutes, straining their eyes for sight of anything save the little zagged splashes of bursting shrapnel, while voices buzzed, and muttered: “Look! There! There! There it is!”
But the seers had eyes of greater faith than Pierson's, for he saw nothing: He took her arm at last, and led her in. In the hall she broke from him.
“Let's go up on the roof, Daddy!” and ran upstairs.
Again he followed, mounting by a ladder, through a trapdoor on to the roof.
“It's splendid up here!” she cried.
He could see her eyes blazing, and thought: 'How my child does love excitement—it's almost terrible!'
Over the wide, dark, star-strewn sky travelling searchlights, were lighting up the few little clouds; the domes and spires rose from among the spread-out roofs, all fine and ghostly. The guns had ceased firing, as though puzzled. One distant bang rumbled out.
“A bomb! Oh! If we could only get one of the Zeps!”
A furious outburst of firing followed, lasting perhaps a minute, then ceased as if by magic. They saw two searchlights converge and meet right overhead.
“It's above us!” murmured Noel.
Pierson put his arm round her waist. 'She feels no fear!' he thought. The search-lights switched apart; and suddenly, from far away, came a confusion of weird sounds.
“What is it? They're cheering. Oh! Daddy, look!” There in the heavens, towards the east, hung a dull red thing, lengthening as they gazed.
“They've got it. It's on fire! Hurrah!”
Through the dark firmament that fiery orange shape began canting downward; and the cheering swelled in a savage frenzy of sound. And Pierson's arm tightened on her waist.
“Thank God!” he muttered.
The bright oblong seemed to break and spread, tilted down below the level of the roofs; and suddenly the heavens flared, as if some huge jug of crimson light had been flung out on them. Something turned over in Pierson's heart; he flung up his hand to his eyes.
“The poor men in it!” he said. “How terrible!”
Noel's voice answered, hard and pitiless:
“They needn't have come. They're murderers!”
Yes, they were murderers—but how terrible! And he stood quivering, with his hands pressed to his face, till the cheering had died out into silence.
“Let's pray, Nollie!” he whispered. “O God, Who in Thy great mercy hath delivered us from peril, take into Thy keeping the souls of these our enemies, consumed by Thy wrath before our eyes; give us the power to pity them—men like ourselves.”
But even while he prayed he could see Noel's face flame-white in the darkness; and, as that glow in the sky faded out, he felt once more the thrill of triumph.
They went down to tell the maids, and for some time after sat up together, talking over what they had seen, eating biscuits and drinking milk, which they warmed on an etna. It was nearly two o'clock before they went to bed. Pierson fell asleep at once, and never turned till awakened at half-past six by his alarum. He had Holy Communion to administer at eight, and he hurried to get early to his church and see that nothing untoward had happened to it. There it stood in the sunlight; tall, grey, quiet, unharmed, with bell gently ringing.
3
And at that hour Cyril Morland, under the parapet of his trench, tightening his belt, was looking at his wrist-watch for the hundredth time, calculating exactly where he meant to put foot and hand for the going over: 'I absolutely mustn't let those chaps get in front of me,' he thought. So many yards before the first line of trenches, so many yards to the second line, and there stop. So his rehearsals had gone; it was the performance now! Another minute before the terrific racket of the drum-fire should become the curtain-fire, which would advance before them. He ran his eye down the trench. The man next him was licking his two first fingers, as if he might be going to bowl at cricket. Further down, a man was feeling his puttees. A voice said: “Wot price the orchestra nah!” He saw teeth gleam in faces burnt almost black. Then he looked up; the sky was blue beyond the brownish film of dust raised by the striking shells. Noel! Noel! Noel!... He dug his fingers deep into the left side of his tunic till he could feel the outline of her photograph between his dispatch-case and his heart. His heart fluttered just as it used when he was stretched out with hand touching the ground, before the start of the “hundred yards” at school. Out of the corner of his eye he caught the flash of a man's “briquet” lighting a cigarette. All right for those chaps, but not for him; he wanted all his breath—this rifle, and kit were handicap enough! Two days ago he had been reading in some paper how men felt just before an attack. And now he knew. He just felt nervous. If only the moment would come, and get itself over! For all the thought he gave to the enemy there might have been none—nothing but shells and bullets, with lives of their own. He heard the whistle; his foot was on the spot he had marked down; his hand where he had seen it; he called out: “Now, boys!” His head was over the top, his body over; he was conscious of someone falling, and two men neck and neck beside him. Not to try and run, not to break out of a walk; to go steady, and yet keep ahead! D—n these holes! A bullet tore through his sleeve, grazing his arm—a red-hot sensation, like the touch of an iron. A British shell from close over his head burst sixty yards ahead; he stumbled, fell flat, picked himself up. Three ahead of him now! He walked faster, and drew alongside. Two of them fell. 'What luck!' he thought; and gripping his rifle harder, pitched headlong into a declivity. Dead bodies lay there! The first German trench line, and nothing alive in it, nothing to clean up, nothing of it left! He stopped, getting his wind; watching the men panting and stumbling in. The roar of the guns was louder than ever again, barraging the second line. So far, good! And here was his captain!
“Ready, boys? On, then!”
This time he moved more slowly still, over terrible going, all holes and hummocks. Half consciously he took cover all he could. The air was alive with the whistle from machine-gun fire storming across zigzag fashion-alive it was with bullets, dust, and smoke. 'How shall I tell her?' he thought. There would be nothing to tell but just a sort of jagged brown sensation. He kept his eyes steadily before him, not wanting to seethe men falling, not wanting anything to divert him from getting there. He felt the faint fanning of the passing bullets. The second line must be close now. Why didn't that barrage lift? Was this new dodge of firing till the last second going to do them in? Another hundred yards and he would be bang into it. He flung himself flat and waited; looking at his wrist-watch he noted that his arm was soaked with blood. He thought: 'A wound! Now I shall go home. Thank God! Oh, Noel!' The passing bullets whirled above him; he could hear them even through the screech and thunder of the shell-fire. 'The beastly things!' he thought: A voice beside him gasped out:
“It's lifted, sir.”
He called: “Come on, boys!” and went forward, stooping. A bullet struck his rifle. The shock made him stagger and sent an electric shock spinning up his arm. 'Luck again!' he thought. 'Now for it! I haven't seen a German yet!' He leaped forward, spun round, flung up his arms, and fell on his back, shot through and through....
The position was consolidated, as they say, and in the darkness stretcher-bearers were out over the half-mile. Like will-o'-the-wisps, with their shaded lanterns, they moved, hour after hour, slowly quartering the black honeycomb which lay behind the new British line. Now and then in the light of some star-shell their figures were disclosed, bending and raising the forms of the wounded, or wielding pick and shovel.
“Officer.”
“Dead?”
“Sure.”
“Search.”
From the shaded lantern, lowered to just above the body, a yellowish glare fell on face and breast. The hands of the searcher moved in that little pool of light. The bearer who was taking notes bent down.
“Another boy,” he said. “That all he has?”
The searcher raised himself.
“Just those, and a photo.”
“Dispatch-case; pound loose; cigarette-case; wristwatch; photo. Let's see it.”
The searcher placed the photo in the pool of light. The tiny face of a girl stared up at them, unmoved, from its short hair.
“Noel,” said the searcher, reading.
“H'm! Take care of it. Stick it in his case. Come on!”
The pool of light dissolved, and darkness for ever covered Cyril Morland.
II
When those four took their seats in the Grand Circle at Queen's Hall the programme was already at the second number, which, in spite of all the efforts of patriotism, was of German origin—a Brandenburg concerto by Bach. More curious still, it was encored. Pierson did not applaud, he was too far gone in pleasure, and sat with a rapt smile on his face, oblivious of his surroundings. He remained thus removed from mortal joys and sorrows till the last applause had died away, and Leila's voice said in his ear:
“Isn't it a wonderful audience, Edward? Look at all that khaki. Who'd have thought those young men cared for music—good music—German music, too?”
Pierson looked down at the patient mass of standing figures in straw hats and military caps, with faces turned all one way, and sighed.
“I wish I could get an audience like that in my church.”
A smile crept out at the corner of Leila's lips. She was thinking: 'Ah! Your Church is out of date, my dear, and so are you! Your Church, with its smell of mould and incense, its stained-glass, and narrowed length and droning organ. Poor Edward, so out of the world!' But she only pressed his arm, and whispered:
“Look at Noel!”
The girl was talking to Jimmy Fort. Her cheeks were gushed, and she looked prettier than Pierson had seen her look for a long time now, ever since Kestrel, indeed. He heard Leila sigh.
“Does she get news of her boy? Do you remember that May Week, Edward? We were very young then; even you were young. That was such a pretty little letter you wrote me. I can see you still-wandering in your dress clothes along the river, among the 'holy' cows.”
But her eyes slid round again, watching her other neighbour and the girl. A violinist had begun to play the Cesar Franck Sonata. It was Pierson's favourite piece of music, bringing him, as it were, a view of heaven, of devotional blue air where devout stars were shining in a sunlit noon, above ecstatic trees and waters where ecstatic swans were swimming.
“Queer world, Mr. Pierson! Fancy those boys having to go back to barrack life after listening to that! What's your feeling? Are we moving back to the apes? Did we touch top note with that Sonata?”
Pierson turned and contemplated his questioner shrewdly.
“No, Captain Fort, I do not think we are moving back to the apes; if we ever came from them. Those boys have the souls of heroes!”
“I know that, sir, perhaps better than you do.”
“Ah! yes,” said Pierson humbly, “I forgot, of course.” But he still looked at his neighbour doubtfully. This Captain Fort, who was a friend of Leila's, and who had twice been to see them, puzzled him. He had a frank face, a frank voice, but queer opinions, or so it seemed to, Pierson—little bits of Moslemism, little bits of the backwoods, and the veldt; queer unexpected cynicisms, all sorts of side views on England had lodged in him, and he did not hide them. They came from him like bullets, in that frank voice, and drilled little holes in the listener. Those critical sayings flew so much more poignantly from one who had been through the same educational mill as himself, than if they had merely come from some rough diamond, some artist, some foreigner, even from a doctor like George. And they always made him uncomfortable, like the touch of a prickly leaf; they did not amuse him. Certainly Edward Pierson shrank from the rough touches of a knock-about philosophy. After all, it was but natural that he should.
He and Noel left after the first part of the concert, parting from the other two at the door. He slipped his hand through her arm; and, following out those thoughts of his in the concert-hall, asked:
“Do you like Captain Fort, Nollie?”
“Yes; he's a nice man.”
“He seems a nice man, certainly; he has a nice smile, but strange views, I'm afraid.”
“He thinks the Germans are not much worse than we are; he says that a good many of us are bullies too.”
“Yes, that is the sort of thing I mean.”
“But are we, Daddy?”
“Surely not.”
“A policeman I talked to once said the same. Captain Fort says that very few men can stand having power put into their hands without being spoiled. He told me some dreadful stories. He says we have no imagination, so that we often do things without seeing how brutal they are.”
“We're not perfect, Nollie; but on the whole I think we're a kind people.”
Noel was silent a moment, then said suddenly:
“Kind people often think others are kind too, when they really aren't. Captain Fort doesn't make that mistake.”
“I think he's a little cynical, and a little dangerous.”
“Are all people dangerous who don't think like others, Daddy?”
Pierson, incapable of mockery, was not incapable of seeing when he was being mocked. He looked at his daughter with a smile.
“Not quite so bad as that, Nollie; but Mr. Fort is certainly subversive. I think perhaps he has seen too many queer sides of life.”
“I like him the better for that.”
“Well, well,” Pierson answered absently. He had work to do in preparation for a Confirmation Class, and sought his study on getting in.
Noel went to the dining-room to drink her hot milk. The curtains were not drawn, and bright moonlight was coming in. Without lighting up, she set the etna going, and stood looking at the moon-full for the second time since she and Cyril had waited for it in the Abbey. And pressing her hands to her breast, she shivered. If only she could summon him from the moonlight out there; if only she were a witch-could see him, know where he was, what doing! For a fortnight now she had received no letter. Every day since he had left she had read the casualty lists, with the superstitious feeling that to do so would keep him out of them. She took up the Times. There was just enough light, and she read the roll of honour—till the moon shone in on her, lying on the floor, with the dropped journal....
But she was proud, and soon took grief to her room, as on that night after he left her, she had taken love. No sign betrayed to the house her disaster; the journal on the floor, and the smell of the burnt milk which had boiled over, revealed nothing. After all, she was but one of a thousand hearts which spent that moonlit night in agony. Each night, year in, year out, a thousand faces were buried in pillows to smother that first awful sense of desolation, and grope for the secret spirit-place where bereaved souls go, to receive some feeble touch of healing from knowledge of each other's trouble....
In the morning she got up from her sleepless bed, seemed to eat her breakfast, and went off to her hospital. There she washed up plates and dishes, with a stony face, dark under the eyes.
The news came to Pierson in a letter from Thirza, received at lunch-time. He read it with a dreadful aching. Poor, poor little Nollie! What an awful trouble for her! And he, too, went about his work with the nightmare thought that he had to break the news to her that evening. Never had he felt more lonely, more dreadfully in want of the mother of his children. She would have known how to soothe, how to comfort. On her heart the child could have sobbed away grief. And all that hour, from seven to eight, when he was usually in readiness to fulfil the functions of God's substitute to his parishioners, he spent in prayer of his own, for guidance how to inflict and heal this blow. When, at last, Noel came, he opened the door to her himself, and, putting back the hair from her forehead, said: “Come in here a moment, my darling!” Noel followed him into the study, and sat down. “I know already, Daddy.” Pierson was more dismayed by this stoicism than he would have been by any natural out burst. He stood, timidly stroking her hair, murmuring to her what he had said to Gratian, and to so many others in these days: “There is no death; look forward to seeing him again; God is merciful” And he marvelled at the calmness of that pale face—so young.
“You are very brave, my child!” he said.
“There's nothing else to be, is there?”
“Isn't there anything I can do for you, Nollie?”
“No, Daddy.”
“When did you see it?”
“Last night.” She had already known for twenty-four hours without telling him!
“Have you prayed, my darling?”
“No.”
“Try, Nollie!”
“No.”
“Ah, try!”
“It would be ridiculous, Daddy; you don't know.”
Grievously upset and bewildered, Pierson moved away from her, and said:
“You look dreadfully tired. Would you like a hot bath, and your dinner in bed?”
“I'd like some tea; that's all.” And she went out.
When he had seen that the tea had gone up to her, he too went out; and, moved by a longing for woman's help, took a cab to Leila's flat.
III
On leaving the concert Leila and Jimmy Fort had secured a taxi; a vehicle which, at night, in wartime, has certain advantages for those who desire to become better acquainted. Vibration, sufficient noise, darkness, are guaranteed; and all that is lacking for the furtherance of emotion is the scent of honeysuckle and roses, or even of the white flowering creeper which on the stoep at High Constantia had smelled so much sweeter than petrol.
When Leila found herself with Fort in that loneliness to which she had been looking forward, she was overcome by an access of nervous silence. She had been passing through a strange time for weeks past. Every night she examined her sensations without quite understanding them as yet. When a woman comes to her age, the world-force is liable to take possession, saying:
“You were young, you were beautiful, you still have beauty, you are not, cannot be, old. Cling to youth, cling to beauty; take all you can get, before your face gets lines and your hair grey; it is impossible that you have been loved for the last time.”
To see Jimmy Fort at the concert, talking to Noel, had brought this emotion to a head. She was not of a grudging nature, and could genuinely admire Noel, but the idea that Jimmy Fort might also admire disturbed her greatly. He must not; it was not fair; he was too old—besides, the girl had her boy; and she had taken care that he should know it. So, leaning towards him, while a bare-shouldered young lady sang, she had whispered:
“Penny?”
And he had whispered back:
“Tell you afterwards.”
That had comforted her. She would make him take her home. It was time she showed her heart.
And now, in the cab, resolved to make her feelings known, in sudden shyness she found it very difficult. Love, to which for quite three years she had been a stranger, was come to life within her. The knowledge was at once so sweet, and so disturbing, that she sat with face averted, unable to turn the precious minutes to account. They arrived at the flat without having done more than agree that the streets were dark, and the moon bright. She got out with a sense of bewilderment, and said rather desperately:
“You must come up and have a cigarette. It's quite early, still.”
He went up.
“Wait just a minute,” said Leila.
Sitting there with his drink and his cigarette, he stared at some sunflowers in a bowl—Famille Rose—and waited just ten; smiling a little, recalling the nose of the fairy princess, and the dainty way her lips shaped the words she spoke. If she had not had that lucky young devil of a soldier boy, one would have wanted to buckle her shoes, lay one's coat in the mud for her, or whatever they did in fairytales. One would have wanted—ah! what would one not have wanted! Hang that soldier boy! Leila said he was twenty-two. By George! how old it made a man feel who was rising forty, and tender on the off-fore! No fairy princesses for him! Then a whiff of perfume came to his nostrils; and, looking up, he saw Leila standing before him, in a long garment of dark silk, whence her white arms peeped out.
“Another penny? Do you remember these things, Jimmy? The Malay women used to wear them in Cape Town. You can't think what a relief it is to get out of my slave's dress. Oh! I'm so sick of nursing! Jimmy, I want to live again a little!”
The garment had taken fifteen years off her age, and a gardenia, just where the silk crossed on her breast, seemed no whiter than her skin. He wondered whimsically whether it had dropped to her out of the dark!
“Live?” he said. “Why! Don't you always?”
She raised her hands so that the dark silk fell, back from the whole length of those white arms.
“I haven't lived for two years. Oh, Jimmy! Help me to live a little! Life's so short, now.”
Her eyes disturbed him, strained and pathetic; the sight of her arms; the scent of the flower disturbed him; he felt his cheeks growing warm, and looked down.
She slipped suddenly forward on to her knees at his feet, took his hand, pressed it with both of hers, and murmured:
“Love me a little! What else is there? Oh! Jimmy, what else is there?”
And with the scent of the flower, crushed by their hands, stirring his senses, Fort thought: 'Ah, what else is there, in these forsaken days?'
To Jimmy Fort, who had a sense of humour, and was in some sort a philosopher, the haphazard way life settled things seldom failed to seem amusing. But when he walked away from Leila's he was pensive. She was a good sort, a pretty creature, a sportswoman, an enchantress; but—she was decidedly mature. And here he was—involved in helping her to “live”; involved almost alarmingly, for there had been no mistaking the fact that she had really fallen in love with him.
This was flattering and sweet. Times were sad, and pleasure scarce, but—! The roving instinct which had kept him, from his youth up, rolling about the world, shied instinctively at bonds, however pleasant, the strength and thickness of which he could not gauge; or, was it that perhaps for the first time in his life he had been peeping into fairyland of late, and this affair with Leila was by no means fairyland? He had another reason, more unconscious, for uneasiness. His heart, for all his wanderings, was soft, he had always found it difficult to hurt anyone, especially anyone who did him the honour to love him. A sort of presentiment weighed on him while he walked the moonlit streets at this most empty hour, when even the late taxis had ceased to run. Would she want him to marry her? Would it be his duty, if she did? And then he found himself thinking of the concert, and that girl's face, listening to the tales he was telling her. 'Deuced queer world,' he thought, 'the way things go! I wonder what she would think of us, if she knew—and that good padre! Phew!'
He made such very slow progress, for fear of giving way in his leg, and having to spend the night on a door-step, that he had plenty of time for rumination; but since it brought him no confidence whatever, he began at last to feel: 'Well; it might be a lot worse. Take the goods the gods send you and don't fuss!' And suddenly he remembered with extreme vividness that night on the stoep at High Constantia, and thought with dismay: 'I could have plunged in over head and ears then; and now—I can't! That's life all over! Poor Leila! Me miserum, too, perhaps—who knows!'
IV
When Leila opened her door to Edward Pierson, her eyes were smiling, and her lips were soft. She seemed to smile and be soft all over, and she took both his hands. Everything was a pleasure to her that day, even the sight of this sad face. She was in love and was loved again; had a present and a future once more, not only her own full past; and she must finish with Edward in half an hour, for Jimmy was coming. She sat down on the divan, took his hand in a sisterly way, and said:
“Tell me, Edward; I can see you're in trouble. What is it?”
“Noel. The boy she was fond of has been killed.”
She dropped his hand.
“Oh, no! Poor child! It's too cruel!” Tears started up in her grey eyes, and she touched them with a tiny handkerchief. “Poor, poor little Noel! Was she very fond of him?”
“A very sudden, short engagement; but I'm afraid she takes it desperately to heart. I don't know how to comfort her; only a woman could. I came to ask you: Do you think she ought to go on with her work? What do you think, Leila? I feel lost!”
Leila, gazing at him, thought: 'Lost? Yes, you look lost, my poor Edward!'
“I should let her go on,” she said: “it helps; it's the only thing that does help. I'll see if I can get them to let her come into the wards. She ought to be in touch with suffering and the men; that kitchen work will try her awfully just now: Was he very young?”
“Yes. They wanted to get married. I was opposed to it.”
Leila's lip curled ever so little. 'You would be!' she thought.
“I couldn't bear to think of Nollie giving herself hastily, like that; they had only known each other three weeks. It was very hard for me, Leila. And then suddenly he was sent to the front.”
Resentment welled up in Leila. The kill-Joys! As if life didn't kill joy fast enough! Her cousin's face at that moment was almost abhorrent to her, its gentle perplexed goodness darkened and warped by that monkish look. She turned away, glanced at the clock over the hearth, and thought: 'Yes, and he would stop Jimmy and me! He would say: “Oh, no! dear Leila—you mustn't love—it's sin!” How I hate that word!'
“I think the most dreadful thing in life,” she said abruptly, “is the way people suppress their natural instincts; what they suppress in themselves they make other people suppress too, if they can; and that's the cause of half the misery in this world.”
Then at the surprise on his face at this little outburst, whose cause he could not know, she added hastily: “I hope Noel will get over it quickly, and find someone else.”
“Yes. If they had been married—how much worse it would have been. Thank God, they weren't!”
“I don't know. They would have had an hour of bliss. Even an hour of bliss is worth something in these days.”
“To those who only believe in this 'life—perhaps.”
'Ten minutes more!' she thought: 'Oh, why doesn't he go?' But at that very moment he got up, and instantly her heart went out to him again.
“I'm so sorry, Edward. If I can help in any way—I'll try my best with Noel to-morrow; and do come to me whenever you feel inclined.”
She took his hand in hers; afraid that he would sit down again, she yet could not help a soft glance into his eyes, and a little rush of pitying warmth in the pressure of her hand.
Pierson smiled; the smile which always made her sorry for him.
“Good-bye, Leila; you're very good and kind to me. Good-bye.”
Her bosom swelled with relief and compassion; and—she let him out.
Running upstairs again she thought: 'I've just time. What shall I put on? Poor Edward, poor Noel! What colour does Jimmy like? Oh! Why didn't I keep him those ten years ago—what utter waste!' And, feverishly adorning herself, she came back to the window, and stood there in the dark to watch, while some jasmine which grew below sent up its scent to her. 'Would I marry him?' she thought, 'if he asked me? But he won't ask me—why should he now? Besides, I couldn't bear him to feel I wanted position or money from him. I only want love—love—love!' The silent repetition of that word gave her a wonderful sense of solidity and comfort. So long as she only wanted love, surely he would give it.
A tall figure turned down past the church, coming towards her. It was he! And suddenly she bethought herself. She went to the little black piano, sat down, and began to sing the song she had sung to him ten years ago: “If I could be the falling dew and fall on thee all day!” She did not even look round when he came in, but continued to croon out the words, conscious of him just behind her shoulder in the dark. But when she had finished, she got up and threw her arms round him, strained him to her, and burst into tears on his shoulder; thinking of Noel and that dead boy, thinking of the millions of other boys, thinking of her own happiness, thinking of those ten years wasted, of how short was life, and love; thinking—hardly knowing what she thought! And Jimmy Fort, very moved by this emotion which he only half understood, pressed her tightly in his arms, and kissed her wet cheeks and her neck, pale and warm in the darkness.
V 1
Noel went on with her work for a month, and then, one morning, fainted over a pile of dishes. The noise attracted attention, and Mrs. Lynch was summoned.
The sight of her lying there so deadly white taxed Leila's nerves severely. But the girl revived quickly, and a cab was sent for. Leila went with her, and told the driver to stop at Camelot Mansions. Why take her home in this state, why not save the jolting, and let her recover properly? They went upstairs arm in arm. Leila made her lie down on the divan, and put a hot-water bottle to her feet. Noel was still so passive and pale that even to speak to her seemed a cruelty. And, going to her little sideboard, Leila stealthily extracted a pint bottle of some champagne which Jimmy Fort had sent in, and took it with two glasses and a corkscrew into her bedroom. She drank a little herself, and came out bearing a glass to the girl. Noel shook her head, and her eyes seemed to say: “Do you really think I'm so easily mended?” But Leila had been through too much in her time to despise earthly remedies, and she held it to the girl's lips until she drank. It was excellent champagne, and, since Noel had never yet touched alcohol, had an instantaneous effect. Her eyes brightened; little red spots came up in her cheeks. And suddenly she rolled over and buried her face deep in a cushion. With her short hair, she looked so like a child lying there, that Leila knelt down, stroking her head, and saying: “There, there; my love! There, there!”
At last the girl raised herself; now that the pallid, masklike despair of the last month was broken, she seemed on fire, and her face had a wild look. She withdrew herself from Leila's touch, and, crossing her arms tightly across her chest, said:
“I can't bear it; I can't sleep. I want him back; I hate life—I hate the world. We hadn't done anything—only just loved each other. God likes punishing; just because we loved each other; we had only one day to love each other—only one day—only one!”
Leila could see the long white throat above those rigid arms straining and swallowing; it gave her a choky feeling to watch it. The voice, uncannily dainty for all the wildness of the words and face, went on:
“I won't—I don't want to live. If there's another life, I shall go to him. And if there isn't—it's just sleep.”
Leila put out her hand to ward of these wild wanderings. Like most women who live simply the life of their senses and emotions, she was orthodox; or rather never speculated on such things.
“Tell me about yourself and him,” she said.
Noel fastened her great eyes on her cousin. “We loved each other; and children are born, aren't they, after you've loved? But mine won't be!” From the look on her face rather than from her words, the full reality of her meaning came to Leila, vanished, came again. Nonsense! But—what an awful thing, if true! That which had always seemed to her such an exaggerated occurrence in the common walks of life—why! now, it was a tragedy! Instinctively she raised herself and put her arms round the girl.
“My poor dear!” she said; “you're fancying things!”
The colour had faded out of Noel's face, and, with her head thrown back and her eyelids half-closed, she looked like a scornful young ghost.
“If it is—I shan't live. I don't mean to—it's easy to die. I don't mean Daddy to know.”
“Oh! my dear, my dear!” was all Leila could stammer.
“Was it wrong, Leila?”
“Wrong? I don't know—wrong? If it really is so—it was—unfortunate. But surely, surely—you're mistaken?”
Noel shook her head. “I did it so that we should belong to each other. Nothing could have taken him from me.”
Leila caught at the girl's words.
“Then, my dear—he hasn't quite gone from you, you see?”
Noel's lips formed a “No” which was inaudible. “But Daddy!” she whispered.
Edward's face came before Leila so vividly that she could hardly see the girl for the tortured shape of it. Then the hedonist in her revolted against that ascetic vision. Her worldly judgment condemned and deplored this calamity, her instinct could not help applauding that hour of life and love, snatched out of the jaws of death. “Need he ever know?” she said.
“I could never lie to Daddy. But it doesn't matter. Why should one go on living, when life is rotten?”
Outside the sun was shining brightly, though it was late October. Leila got up from her knees. She stood at the window thinking hard.
“My dear,” she said at last, “you mustn't get morbid. Look at me! I've had two husbands, and—and—well, a pretty stormy up and down time of it; and I daresay I've got lots of trouble before me. But I'm not going to cave in. Nor must you. The Piersons have plenty of pluck; you mustn't be a traitor to your blood. That's the last thing. Your boy would have told you to stick it. These are your 'trenches,' and you're not going to be downed, are you?”
After she had spoken there was a long silence, before Noel said:
“Give me a cigarette, Leila.”
Leila produced the little flat case she carried.
“That's brave,” she said. “Nothing's incurable at your age. Only one thing's incurable—getting old.”
Noel laughed. “That's curable too, isn't it?”
“Not without surrender.”
Again there was a silence, while the blue fume from two cigarettes fast-smoked, rose towards the low ceiling. Then Noel got up from the divan, and went over to the piano. She was still in her hospital dress of lilac-coloured linen, and while she stood there touching the keys, playing a chord now, and then, Leila's heart felt hollow from compassion; she was so happy herself just now, and this child so very wretched!
“Play to me,” she said; “no—don't; I'll play to you.” And sitting down, she began to play and sing a little French song, whose first line ran: “Si on est jolie, jolie comme vous.” It was soft, gay, charming. If the girl cried, so much the better. But Noel did not cry. She seemed suddenly to have recovered all her self-possession. She spoke calmly, answered Leila's questions without emotion, and said she would go home. Leila went out with her, and walked some way in the direction of her home; distressed, but frankly at a loss. At the bottom of Portland Place Noel stopped and said: “I'm quite all right now, Leila; thank you awfully. I shall just go home and lie down. And I shall come to-morrow, the same as usual. Goodbye!” Leila could only grasp the girl's hand, and say: “My dear, that's splendid. There's many a slip—besides, it's war-time.”
With that saying, enigmatic even to herself, she watched the girl moving slowly away; and turned back herself towards her hospital, with a disturbed and compassionate heart.
2
But Noel did not go east; she walked down Regent Street. She had received a certain measure of comfort, been steadied by her experienced cousin's vitality, and the new thoughts suggested by those words: “He hasn't quite gone from you, has he?” “Besides, it's war-time.” Leila had spoken freely, too, and the physical ignorance in which the girl had been groping these last weeks was now removed. Like most proud natures, she did not naturally think much about the opinion of other people; besides, she knew nothing of the world, its feelings and judgments. Her nightmare was the thought of her father's horror and grief. She tried to lessen that nightmare by remembering his opposition to her marriage, and the resentment she had felt. He had never realised, never understood, how she and Cyril loved. Now, if she were really going to have a child, it would be Cyril's—Cyril's son—Cyril over again. The instinct stronger than reason, refinement, tradition, upbringing, which had pushed her on in such haste to make sure of union—the irrepressible pulse of life faced with annihilation—seemed to revive within her, and make her terrible secret almost precious. She had read about “War babies” in the papers, read with a dull curiosity; but now the atmosphere, as it were, of those writings was illumined for her. These babies were wrong, were a “problem,” and yet, behind all that, she seemed now to know that people were glad of them; they made up, they filled the gaps. Perhaps, when she had one, she would be proud, secretly proud, in spite of everyone, in spite of her father! They had tried to kill Cyril—God and everyone; but they hadn't been able, he was alive within her! A glow came into her face, walking among the busy shopping crowd, and people turned to look at her; she had that appearance of seeing no one, nothing, which is strange and attractive to those who have a moment to spare from contemplation of their own affairs. Fully two hours she wandered thus, before going in, and only lost that exalted feeling when, in her own little room, she had taken up his photograph, and was sitting on her bed gazing at it. She had a bad breakdown then. Locked in there, she lay on her bed, crying, dreadfully lonely, till she fell asleep exhausted, with the tear-stained photograph clutched in her twitching fingers. She woke with a start. It was dark, and someone was knocking on her door.
“Miss Noel!”
Childish perversity kept her silent. Why couldn't they leave her alone? They would leave her alone if they knew. Then she heard another kind of knocking, and her father's voice:
“Nollie! Nollie!”
She scrambled up, and opened. He looked scared, and her heart smote her.
“It's all right, Daddy; I was asleep.”
“My dear, I'm sorry, but dinner's ready.”
“I don't want any dinner; I think I'll go to bed.”
The frown between his brows deepened.
“You shouldn't lock your door, Nollie: I was quite frightened. I went round to the hospital to bring you home, and they told me about your fainting. I want you to see a doctor.”
Noel shook her head vigorously. “Oh, no! It's nothing!”
“Nothing? To faint like that? Come, my child. To please me.” He took her face in his hands. Noel shrank away.
“No, Daddy. I won't see a doctor. Extravagance in wartime! I won't. It's no good trying to make me. I'll come down if you like; I shall be all right to-morrow.”
With this Pierson had to be content; but, often that evening, she saw him looking at her anxiously. And when she went up, he came out of his study, followed to her room, and insisted on lighting her fire. Kissing her at the door, he said very quietly:
“I wish I could be a mother to you, my child!”
For a moment it flashed through Noel: 'He knows!' then, by the puzzled look on his face, she knew that he did not. If only he did know; what a weight it would be off her mind! But she answered quietly too; “Good night, Daddy dear!” kissed him, and shut the door.
She sat down before the little new fire, and spread her hands out to it; all was so cold and wintry in her heart. And the firelight flickered on her face, where shadows lay thick under her eyes, for all the roundness of her cheeks, and on her slim pale hands, and the supple grace of her young body. And out in the night, clouds raced over the moon, which had come full once more.
VI
1
Pierson went back to his study, and wrote to Gratian.
“If you can get leave for a few days, my dear, I want you at home. I am troubled about Nollie. Ever since that disaster happened to her she has been getting paler; and to-day she fainted. She won't see a doctor, but perhaps you could get her to see George. If you come up, he will surely be able to run up to us for a day or two. If not, you must take her down to him at the sea. I have just seen the news of your second cousin Charlie Pierson's death; he was killed in one of the last attacks on the Somme; he was nephew of my cousin Leila whom, as you know, Noel sees every day at her hospital. Bertram has the D. S. O. I have been less hard-pressed lately; Lauder has been home on leave and has taken some Services for me. And now the colder weather has come, I am feeling much fresher. Try your best to come. I am seriously concerned for our beloved child.
“Your affectionate father
“EDWARD PIERSON.”
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Saint's ProgressChapter IV: Part II: I (1)
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