Chapter VII: Part 7

SITZLER, J., _Bibliography on Sappho_ in Bursian (Kroll) _Jahresbericht über die Fortschritte der klassischen Altertumswissenschaft_. CXXXIII, 1907, pp. 104 ff., pp. 176 ff., CLXXVIII, 1919, pp. 46 ff.

SMITH, J. S. EASBY, _Songs of Sappho_. Washington, D. C., 1891.

SMYTH, H. W., _Greek Melic Poets_. London, 1900.

STACPOOLE, H. D. V., _Sappho, a new rendering_. London 1920.

STANLEY, ALBERT A., _Greek Themes in Modern Musical Settings_. (Includes, pp. 1-68, Music to Percy Mackaye’s _Sappho and Phaon_). _University of Michigan Humanistic Studies_, XV, 1923.

STEBBING, W., _Greek and Latin Anthology thought into English Verse_. Part III, _Greek Epigrams and Sappho_. Adaptations and Expansions of Sappho. None of the new fragments included. London, 1923.

STEINER, B., _Sappho_. Jena, 1907.

STORER, EDWARD, _Sappho_ (_Poets Translation Series_). London, 1916.

TUCKER, T. G., _Sappho_. Melbourne, Australia, 1914.

TUTIN, J. R., _Sappho, The Queen of Song_. London and Boston, 1914.

VIVIEN, RENÉE [pseudonym of an American lady, Pauline Tam, 1877-1909, who lived in Paris], _Sappho, traduction nouvelle avec le texte grec_. Paris, 1903. Reprinted in the anonymous _Sappho et huit poetesses grecques. Texte et reduction_. Paris, 1909.

WAGNER, R., _Übersetzung der grösseren Bruchstücke Sapphos im Versmass des Originals nebst erläuternden Bemerkungen_. 1916.

WALTHER, W., _Sappho aus dem Griechischen übersetzt_. Leipzig, 1914.

WAY, A. S., _Sappho and The Vigil of Venus_. London, 1920.

WAY, A. S., _Sappho_. London, 1923.

WHARTON, H. T., _Sappho, memoir, text, selected renderings_ and a literal translation (with a collection also of poetic translations and paraphrases by various authors). First edition, London, 1885. Second edition, London and Chicago, 1887. Third edition, London, 1895. Fourth edition, 1898, and fifth edition, London, 1907. First edition without the revisions of later editions reprinted by Brentano, New York, in 1920, with metrical paraphrases of Sappho by Anne Bunner.

WILAMOWITZ-MÖLLENDORFF, ULRICH VON, _Textgeschichte der griechischen Lyriker_. Berlin, 1901.

WILAMOWITZ-MÖLLENDORFF und SCHUBART, _Berliner Klassikertexte_, Heft V. Berlin, 1907.

WILAMOWITZ-MÖLLENDORFF, ULRICH VON, _Sappho und Simonides_ (with translations). Berlin, 1913.

WILAMOWITZ-MÖLLENDORFF, ULRICH VON, _Griechische Verskunst_. Berlin, 1921.

WRIGHT, F. A., _Feminism in Greek Literature from Homer to Aristotle_. New York, 1923.

KEY TO ILLUSTRATIONS

PLATE

2. PITTACUS, LORD OF LESBUS. See text page 22.

3. MYTILENE. See text page 23.

4. THE STORY OF PHAON. See text page 40.

5. THE BEAUTIFUL PHAON. See text page 40.

6. THE LEUCADIAN PROMONTORY. See text page 40.

7. ROMAN FRESCO. See text page 42.

8. A PAPYRUS OF THE THIRD CENTURY A.D. See text page 46.

9. A CYLIX BY SOTADES. See text page 93.

10. A GREEK COIN FROM MYTILENE. See text page 101.

11. IMPERIAL COINS. See text page 101.

12. A GREEK VASE. See text page 103.

13. A BLACK-FIGURED CALPIS. See text page 104.

14. LOST LUCANIAN (?) VASE. See text page 104.

15. GREEK ARYBALLUS. See text page 105.

16. A FIFTH CENTURY GREEK HYDRIA. See text page 106.

17. PHAON ABOUT TO FERRY APHRODITE ACROSS THE SEA. See text page 108.

18. A POMPEIAN FRESCO. See text page 108.

19. AN ANCIENT BUST PROBABLY OF SAPPHO. See text page 111.

20. THE OXFORD BUST, PROBABLY OF SAPPHO. See text page 112.

21. BUST PROBABLY OF SAPPHO. See text page 112.

22. STATUE OF SAPPHO. See text page 114.

23. A STATUE OF SAPPHO. See text page 115.

24. RAPHAEL’S PARNASSUS. See text page 117.

One of the seven wise men of Greece, in whose reign Sappho was perhaps banished to Sicily. The bust was found in Asia Minor in a Roman villa (100 A.D.). Formerly in Baltimore in the collection of David M. Robinson, now in the Museum of Budapest. Cf. _The Annual of the Budapest Museum_, II, 1919-1920, p. 3. For other replicas cf. Lippold, _Griechische Porträt-Statuen_, p. 72]

Looking across the severing sea to Asia Minor]

From a fifth century hydria in Florence by the Meidias painter himself. Phaon, tired of the ladies’ love-making, is seated in the middle below with the inscription “Phaon” over his head. Aphrodite is above in a chariot drawn by Pothos and Himeros. Reproduced from Milani, _Monumenti Scelti del R. Museo Archeologico di Firenze_, pl. III]

On a Greek vase in Palermo. Reproduced from Furtwängler-Reichhold, _Griechische Vasenmalerei_, pl. 59]

From an old engraving reproduced by Miss Patrick, _Sappho and the Island of Lesbos_, p. 96]

In an underground building found in Rome near the Porta Maggiore, showing to the left Apollo with lyre on the cliff, and to the right Sappho about to step off the rock into the sea, where a Triton waits with outspread garment. Behind Sappho higher up on the rock a winged Eros]

With part of the text of a poem by Sappho. Reproduced from _Oxyrhynchus Papyri_, XV, 1922, No. 1787, fragment 1, pl. II]

In the British Museum, representing a girl on tiptoe plucking the apple on the topmost bough. Reproduced from _White Athenian Vases in the British Museum_, pl. XVII]

Showing probably Sappho’s head on one side and lyre on other. Enlarged twice the original size. Reproduced from Miss Patrick, _Sappho and the Island of Lesbos_, p. 73]

In the British Museum, representing Sappho. Reproduced from Miss Patrick, _op. cit._, p. 81]

In Munich, representing Alcaeus and Sappho. Reproduced from Furtwängler-Reichhold, _op. cit._, pl. 64]

Formerly in the Dzialinsky collection at Paris, now in Cracow, in the style of the Nicoxenus painter, with the earliest (about 500 B.C.) inscribed representation of Sappho]

Formerly in the Middleton collection. Sappho seated before a winged Eros who is bringing her a wreath. Reproduced from _Museo Italiano_, II, 1888, pl. III, 2]

In the style of the Meidias painter, in the Jatta collection at Ruvo, representing Thamyris giving a musical recital in the presence of Apollo, Aphrodite, and the Muses, among whom Sappho is included. Reproduced from _Römische Mitteilungen_, III, 1888, pl. IX]

From Vari near Athens, showing Sappho seated and reading from a papyrus. According to Beazley the style is related to that of the Hector painter, though not by him. Reproduced from _Jahreshefte_, VIII, 1905, p. 40, Fig. 9]

On a Greek vase in Bologna. Reproduced from Pellegrini, _Catalogo dei Vasi Greci dipinti delle Necropoli Felsinee_, Fig. 77]

Supposed to represent Sappho and Alcaeus. Reproduced from Herrmann-Bruckmann, _Denkmaeler der Malerei des Altertums_, pl. 28]

In the Villa Albani, Rome. Reproduced from Arndt-Brunn-Bruckmann, _Griechische und Römische Porträts_, pls. 147-148]

Reproduced from _Journal of Hellenic Studies_, XXXVIII, 1918, pl. III]

In the Borghese Palace, Rome. Photographed in the summer of 1922]

By Magni]

By Pradier]

In the Vatican. Sappho is leaning on the left side of the doorway]

Our Debt to Greece and Rome

AUTHORS AND TITLES

1. HOMER. John A. Scott, _Northwestern University_.

2. SAPPHO. David M. Robinson, _The Johns Hopkins University_.

3A. EURIPIDES. F. L. Lucas, _King’s College, Cambridge_.

3B. AESCHYLUS AND SOPHOCLES. J. T. Sheppard, _King’s College, Cambridge_.

4. ARISTOPHANES. Louis E. Lord, _Oberlin College_.

5. DEMOSTHENES. Charles D. Adams, _Dartmouth College_.

6. ARISTOTLE’S POETICS. Lane Cooper, _Cornell University_.

7. GREEK HISTORIANS. Alfred E. Zimmern, _University of Wales_.

8. LUCIAN. Francis G. Allinson, _Brown University_.

9. PLAUTUS AND TERENCE. Charles Knapp, _Barnard College, Columbia University_.

10A. CICERO. John C. Rolfe, _University of Pennsylvania_.

10B. CICERO AS PHILOSOPHER. Nelson G. McCrea, _Columbia University_.

11. CATULLUS. Karl P. Harrington, _Wesleyan University_.

12. LUCRETIUS AND EPICUREANISM. George Depue Hadzsits, _University of Pennsylvania_.

13. OVID. Edward K. Rand, _Harvard University_.

14. HORACE. Grant Showerman, _University of Wisconsin_.

15. VIRGIL. John William Mackail, _Balliol College, Oxford_.

16. SENECA. Richard Mott Gummere, _The William Penn Charter School_.

17. ROMAN HISTORIANS. G. Ferrero, _Florence_.

18. MARTIAL. Paul Nixon, _Bowdoin College_.

19. PLATONISM. Alfred Edward Taylor, _University of Edinburgh_.

20. ARISTOTELIANISM. John L. Stocks, _University of Manchester, Manchester_.

21. STOICISM. Robert Mark Wenley, _University of Michigan_.

22. LANGUAGE AND PHILOLOGY. Roland G. Kent, _University of Pennsylvania_.

23. RHETORIC AND LITERARY CRITICISM. (Greek) W. Rhys Roberts, _Leeds University_.

24. GREEK RELIGION. Walter W. Hyde, _University of Pennsylvania_.

25. ROMAN RELIGION. Gordon J. Laing, _University of Chicago_.

26. MYTHOLOGIES. Jane Ellen Harrison, _Newnham College, Cambridge._

27. THEORIES REGARDING THE IMMORTALITY OF THE SOUL. Clifford H. Moore, _Harvard University_.

28. STAGE ANTIQUITIES. James T. Allen, _University of California_.

29. GREEK POLITICS. Ernest Barker, _King’s College, University of London_.

30. ROMAN POLITICS. Frank Frost Abbott, _Princeton University_.

31. ROMAN LAW. Roscoe Pound, _Harvard Law School_.

32. ECONOMICS AND SOCIETY. M. T. Rostovtzeff, _Yale University_.

33. WARFARE BY LAND AND SEA. E. S. McCartney, _University of Michigan_.

34. THE GREEK FATHERS. Roy J. Deferrari, _The Catholic University of America_.

35. BIOLOGY AND MEDICINE. Henry Osborn Taylor, _New York_.

36. MATHEMATICS. David Eugene Smith, Teachers College, _Columbia University_.

37. LOVE OF NATURE. H. R. Fairclough, _Leland Stanford Junior University_.

38. ASTRONOMY AND ASTROLOGY. Franz Cumont, _Brussels_.

39. THE FINE ARTS. Arthur Fairbanks, _Museum of Fine Arts, Boston_.

40. ARCHITECTURE. Alfred M. Brooks, _Swarthmore College_.

41. ENGINEERING. Alexander P. Gest, _Philadelphia_.

42. GREEK PRIVATE LIFE, ITS SURVIVALS. Charles Burton Gulick, _Harvard University_.

43. ROMAN PRIVATE LIFE, ITS SURVIVALS. Walton B. McDaniel, _University of Pennsylvania_.

44. FOLK LORE.

45. GREEK AND ROMAN EDUCATION.

46. CHRISTIAN LATIN WRITERS. Andrew F. West, _Princeton University_.

47. ROMAN POETRY AND ITS INFLUENCE UPON EUROPEAN CULTURE. Paul Shorey, _University of Chicago_.

48. PSYCHOLOGY.

49. MUSIC. Théodore Reinach, _Paris_.

50. ANCIENT AND MODERN ROME. Rodolfo Lanciani, _Rome_.

End of Project Gutenberg's Sappho and her influence, by David Moore Robinson