Chapter V: Part 5
We strolled round--saw various other bedrooms, some worse, one really better. But this showed signs of being occupied. All the doors were open: the place was quite deserted, and open to the road. The one thing that seemed definite was honesty. It must be a very honest place, for every footed beast, man or animal, could walk in at random and nobody to take the slightest regard.
So we went downstairs. The only other apartment was the open public bar, which seemed like part of the road. A muleteer, leaving his mules at the corner of the Risveglio, was drinking at the counter.
* * * * *
This famous inn was at the end of the village. We strolled along the road between the houses, down-hill. A dreary hole! a cold, hopeless, lifeless, Saturday afternoon-weary village, rather sordid, with nothing to say for itself. No real shops at all. A weary-looking church, and a clutch of disconsolate houses. We walked right through the village. In the middle was a sort of open space where stood a great, grey motor-omnibus. And a bus-driver looking rather weary.
Where did the bus go?
It went to join the main railway.
When?
At half-past seven in the morning.
Only then?
Only then.
"Thank God we can get out, anyhow," said I.
We passed on, and emerged beyond the village, still on the descending great high-road that was mended with loose stones pitched on it. This wasn't good enough. Besides, we were out of the sun, and the place being at a considerable elevation, it was very cold. So we turned back, to climb quickly uphill into the sun.
* * * * *
We went up a little side-turning past a bunch of poor houses towards a steep little lane between banks. And before we knew where we were, we were in the thick of the public lavatory. In these villages, as I knew, there are no sanitary arrangements of any sort whatever. Every villager and villageress just betook himself at need to one of the side-roads. It is the immemorial Italian custom. Why bother about privacy? The most socially-constituted people on earth, they even like to relieve themselves in company.
We found ourselves in the full thick of one of these meeting-places. To get out at any price! So we scrambled up the steep earthen banks to a stubble field above. And by this time I was in a greater rage.
* * * * *
Evening was falling, the sun declining. Below us clustered the Sodom-apple of this vile village. Around were fair, tree-clad hills and dales, already bluish with the frost-shadows. The air bit cold and strong. In a very little time the sun would be down. We were at an elevation of about 2,500 feet above the sea.
No denying it was beautiful, with the oak-slopes and the wistfulness and the far-off feeling of loneliness and evening. But I was in too great a temper to admit it. We clambered frenziedly to get warm. And the sun immediately went right down, and the ice-heavy blue shadow fell over us all. The village began to send forth blue wood-smoke, and it seemed more than ever like the twilit West Country.
But thank you--we had to get back. And run the gauntlet of that stinking, stinking lane? Never. Towering with fury--quite unreasonable, but there you are--I marched the q-b down a declivity through a wood, over a ploughed field, along a cart-track, and so to the great high-road above the village and above the inn.
It was cold, and evening was falling into dusk. Down the high-road came wild half-ragged men on ponies, in all degrees of costume and not-costume: came four wide-eyed cows stepping down-hill round the corner, and three delicate, beautiful merino sheep which stared at us with their prominent, gold-curious eyes: came an ancient, ancient man with a stick: came a stout-chested peasant carrying a long wood-pole: came a straggle of alert and triumphant goats, long-horned, long-haired, jingling their bells. Everybody greeted us hesitatingly. And everything came to a halt at the Risveglio corner, while the men had a nip.
I attacked the spotty-breast again.
Could I have milk?
No. Perhaps in an hour there would be milk. Perhaps not.
Was there anything to eat?
No--at half past seven there would be something to eat.
Was there a fire?
No--the man hadn't made the fire.
Nothing to do but to go to that foul bedroom or walk the high-road. We turned up the high-road again. Animals stood about the road in the frost-heavy air, with heads sunk passively, waiting for the men to finish their drinks in the beastly bar--we walked slowly up the hill. In a field on the right a flock of merino sheep moved mistily, uneasily, climbing at the gaps in the broken road bank, and sounding their innumerable small fine bells with a frosty ripple of sound. A figure which in the dusk I had really thought was something inanimate broke into movement in the field. It was an old shepherd, very old, in very ragged dirty black-and-white, who had been standing like a stone there in the open field-end for heaven knows how long, utterly motionless, leaning on his stick. Now he broke into a dream-motion and hobbled after the wistful, feminine, inquisitive sheep. The red was fading from the far-off west. At the corner, climbing slowly and wearily, we almost ran into a grey and lonely bull, who came stepping down-hill in his measured fashion like some god. He swerved his head and went round us.
We reached a place which we couldn't make out: then saw it was a cork-shed. There were stacks and stacks of cork-bark in the dusk, like crumpled hides.
"Now I'm going back," said the q-b flatly, and she swung round. The last red was smouldering beyond the lost, thin-wooded hills of this interior. A fleece of blue, half-luminous smoke floated over the obscure village. The high-way wound down-hill at our feet, pale and blue.
And the q-b was angry with me for my fury.
"Why are you so indignant! Anyone would think your moral self had been outraged! Why take it morally? You petrify that man at the inn by the very way you speak to him, _such_ condemnation! Why don't you take it as it comes? It's all life."
But no, my rage is black, black, black. Why, heaven knows. But I think it was because Sorgono had seemed so fascinating to me, when I imagined it beforehand. Oh so fascinating! If I had expected nothing I should not have been so hit. Blessed is he that expecteth nothing, for he shall not be disappointed.
I cursed the degenerate aborigines, the dirty-breasted host who _dared_ to keep such an inn, the sordid villagers who had the baseness to squat their beastly human nastiness in this upland valley. All my praise of the long stocking-cap--you remember?--vanished from my mouth. I cursed them all, and the q-b for an interfering female....
* * * * *
In the bar a wretched candle was weeping light--uneasy, gloomy men were drinking their Saturday-evening-home-coming dram. Cattle lay down in the road, in the cold air as if hopeless.
Had the milk come?
No.
When would it come.
He didn't know.
Well, what were we to do? Was there no room? Was there nowhere where we could sit?
Yes, there was the _stanza_ now.
_Now!_ Taking the only weed of a candle, and leaving the drinkers in the dark, he led us down a dark and stumbly earthen passage, over loose stones and an odd plank, as it would seem underground, to the stanza: the room.
The stanza! It was pitch dark--But suddenly I saw a big fire of oak-root, a brilliant, flamy, rich fire, and my rage in that second disappeared.
The host, and the candle, forsook us at the door. The stanza would have been in complete darkness, save for that rushing bouquet of new flames in the chimney, like fresh flowers. By this firelight we saw the room. It was like a dungeon, absolutely empty, with an uneven, earthen floor, quite dry, and high bare walls, gloomy, with a handbreadth of window high up. There was no furniture at all, save a little wooden bench, a foot high, before the fire, and several home-made-looking rush mats rolled up and leaning against the walls. Furthermore a chair before the fire on which hung wet table-napkins. Apart from this, it was a high, dark, naked prison-dungeon.
But it was quite dry, it had an open chimney, and a gorgeous new fire rushing like a water-fall upwards among the craggy stubs of a pile of dry oak roots. I hastily put the chair and the wet corpse-cloths to one side. We sat on the low bench side by side in the dark, in front of this rippling rich fire, in front of the cavern of the open chimney, and we did not care any more about the dungeon and the darkness. Man can live without food, but he can't live without fire. It is an Italian proverb. We had found the fire, like new gold. And we sat in front of it, a little way back, side by side on the low form, our feet on the uneven earthen floor, and felt the flame-light rippling upwards over our faces, as if we were bathing in some gorgeous stream of fieriness. I forgave the dirty-breasted host everything and was as glad as if I had come into a kingdom.
So we sat alone for half an hour, smiling into the flames, bathing our faces in the glow. From time to time I was aware of steps in the tunnel-like passage outside, and of presences peering. But no one came. I was aware too of the faint steaming of the beastly table-napkins, the only other occupants of the room.
* * * * *
In dithers a candle, and an elderly, bearded man in gold-coloured corduroys, and an amazing object on a long, long spear. He put the candle on the mantel-ledge, and crouched at the side of the fire, arranging the oak-roots. He peered strangely and fixedly in the fire. And he held up the speared object before our faces.
It was a kid that he had come to roast. But it was a kid opened out, made quite flat, and speared like a flat fan on a long iron stalk. It was a really curious sight. And it must have taken some doing. The whole of the skinned kid was there, the head curled in against a shoulder, the stubby cut ears, the eyes, the teeth, the few hairs of the nostrils: and the feet curled curiously round, like an animal that puts its fore-paw over its ducked head: and the hind-legs twisted indescribably up: and all skewered flat-wise upon the long iron rod, so that it was a complete flat pattern. It reminded me intensely of those distorted, slim-limbed, dog-like animals which figure on the old Lombard ornaments, distorted and curiously infolded upon themselves. Celtic illuminations also have these distorted, involuted creatures.
The old man flourished the flat kid like a bannerette, whilst he arranged the fire. Then, in one side of the fire-place wall he poked the point of the rod. He himself crouched on the hearth-end, in the half-shadow at the other side of the fire-place, holding the further end of the long iron rod. The kid was thus extended before the fire, like a hand-screen. And he could spin it round at will.
But the hole in the masonry of the chimney-piece was not satisfactory. The point of the rod kept slipping, and the kid came down against the fire. He muttered and muttered to himself, and tried again. Then at length he reared up the kid-banner whilst he got large stones from a dark corner. He arranged these stones so that the iron point rested on them. He himself sat away on the opposite side of the fire-place, on the shadowy hearth-end, and with queer, spell-bound black eyes and completely immovable face, he watched the flames and the kid, and held the handle end of the rod.
We asked him if the kid was for the evening meal--and he said it was. It would be good! And he said yes, and looked with chagrin at the bit of ash on the meat, where it had slipped. It is a point of honour that it should never touch the ash. Did they do all their meat this way? He said they did. And wasn't it difficult to put the kid thus on the iron rod? He said it was not easy, and he eyed the joint closely, and felt one of the forelegs, and muttered that was not fixed properly.
He spoke with a very soft mutter, hard to catch, and sideways, never to us direct. But his manner was gentle, soft, muttering, reticent, sensitive. He asked us where we came from, and where we were going: always in his soft mutter. And what nation were we, were we French? Then he went on to say there was a war--but he thought it was finished. There was a war because the Austrians wanted to come into Italy again. But the French and the English came to help Italy. A lot of Sardinians had gone to it. But let us hope it is all finished. He thought it was--young men of Sorgono had been killed. He hoped it was finished.
Then he reached for the candle and peered at the kid. It was evident he was the born roaster. He held the candle and looked for a long time at the sizzling side of the meat, as if he would read portents. Then he held his spit to the fire again. And it was as if time immemorial were roasting itself another meal. I sat holding the candle.
* * * * *
A young woman appeared, hearing voices. Her head was swathed in a shawl, one side of which was brought across, right over the mouth, so that only her two eyes and her nose showed. The q-b thought she must have toothache--but she laughed and said no. As a matter of fact that is the way a head-dress is worn in Sardinia, even by both sexes. It is something like the folding of the Arab's burnoose. The point seems to be that the mouth and chin are thickly covered, also the ears and brow, leaving only the nose and eyes exposed. They say it keeps off the malaria. The men swathe shawls round their heads in the same way. It seems to me they want to keep their heads warm, dark and hidden: they feel secure inside.
She wore the workaday costume: a full, dark-brown skirt, the full white bodice, and a little waistcoat or corset. This little waistcoat in her case had become no more than a shaped belt, sending up graceful, stiffened points under the breasts, like long leaves standing up. It was pretty--but all dirty. She too was pretty, but with an impudent, not quite pleasant manner. She fiddled with the wet napkins, asked us various questions, and addressed herself rather jerkily to the old man, who answered hardly at all--Then she departed again. The women are self-conscious in a rather smirky way, bouncy.
When she was gone I asked the old man if she was his daughter. He said very brusquely, in his soft mutter, No. She came from a village some miles away. He did not belong to the inn. He was, as far as I understood, the postman. But I may have been mistaken about the word.
But he seemed laconic, unwilling to speak about the inn and its keepers. There seemed to be something queer. And again he asked where we were going. He told me there were now two motor-buses: a new one which ran over the mountains to Nuoro. Much better go to Nuoro than to Abbasanta. Nuoro was evidently the town towards which these villages looked, as a sort of capital.
* * * * *
The kid-roasting proceeded very slowly, the meat never being very near the fire. From time to time the roaster arranged the cavern of red-hot roots. Then he threw on more roots. It was very hot. And he turned the long spit, and still I held the candle.
Other people came strolling in, to look at us. But they hovered behind us in the dark, so I could not make out at all clearly. They strolled in the gloom of the dungeon-like room, and watched us. One came forward--a fat, fat young soldier in uniform. I made place for him on the bench--but he put out his hand and disclaimed the attention. Then he went away again.
The old man propped up the roast, and then he too disappeared for a time. The thin candle guttered, the fire was no longer flamy but red. The roaster reappeared with a new, shorter spear, thinner, and a great lump of raw hog-fat spitted on it. This he thrust into the red fire. It sizzled and smoked and spit fat, and I wondered. He told me he wanted it to catch fire. It refused. He groped in the hearth for the bits of twigs with which the fire had been started. These twig-stumps he stuck in the fat, like an orange stuck with cloves, then he held it in the fire again. Now at last it caught, and it was a flaming torch running downwards with a thin shower of flaming fat. And now he was satisfied. He held the fat-torch with its yellow flares over the browning kid, which he turned horizontal for the occasion. All over the roast fell the flaming drops, till the meat was all shiny and browny. He put it to the fire again, holding the diminishing fat, still burning bluish, over it all the time in the upper air.
* * * * *
While this was in process a man entered with a loud _Good evening_. We replied Good-evening--and evidently he caught a strange note. He came and bent down and peered under my hat-brim, then under the q-b's hat-brim, we still wore hats and overcoats, as did everybody. Then he stood up suddenly and touched his cap and said _Scusi_--excuse me. I said _Niente_, which one always says, and he addressed a few jovial words to the crouching roaster: who again would hardly answer him. The omnibus was arrived from Oristano, I made out--with few passengers.
This man brought with him a new breezy atmosphere, which the roaster did not like. However, I made place on the low bench, and the attention this time was accepted. Sitting down at the extreme end, he came into the light, and I saw a burly man in the prime of life, dressed in dark brown velvet, with a blond little moustache and twinkling blue eyes and a tipsy look. I thought he might be some local tradesman or farmer. He asked a few questions, in a boisterous familiar fashion, then went out again. He appeared with a small iron spit, a slim rod, in one hand, and in the other hand two joints of kid and a handful of sausages. He stuck his joints on his rod. But our roaster still held the interminable flat kid before the now red, flameless fire. The fat-torch was burnt out, the cinder pushed in the fire. A moment's spurt of flame, then red, intense redness again, and our kid before it like a big, dark hand.
"Eh," said the newcomer, whom I will call the girovago, "it's done. The kid's done. It's done."
The roaster slowly shook his head, but did not answer. He sat like time and eternity at the hearth-end, his face flame-flushed, his dark eyes still fire-abstract, still sacredly intent on the roast.
"Na-na-na!" said the girovago. "Let another body see the fire." And with his pieces of meat awkwardly skewered on his iron stick he tried to poke under the authorised kid and get at the fire. In his soft mutter, the old man bade him wait for the fire till the fire was ready for him. But the girovago poked impudently and good humouredly, and said testily that the authorised kid was done.
"Yes, surely it is done," said I, for it was already a quarter to eight.
The old roasting priest muttered, and took out his knife from his pocket. He pressed the blade slowly, slowly deep into the meat: as far as a knife will go in a piece of kid. He seemed to be feeling the meat inwardly. And he said it was not done. He shook his head, and remained there like time and eternity at the end of the rod.
The girovago said _Sangue di Dio_, but couldn't roast his meat! And he tried to poke his skewer near the coals. So doing his pieces fell off into the ashes, and the invisible onlookers behind raised a shout of laughter. However, he raked it out and wiped it with his hand and said No matter, nothing lost.
Then he turned to me and asked the usual whence and whither questions. These answered, he said wasn't I German. I said No, I was English. He looked at me many times, shrewdly, as if he wanted to make out something. Then he asked, where were we domiciled--and I said Sicily. And then, very pertinently, why had we come to Sardinia. I said for pleasure, and to see the island.
"Ah, per divertimento!" he repeated, half-musingly, not believing me in the least.
Various men had now come into the room, though they all remained indistinct in the background. The girovago talked and jested abroad in the company, and the half-visible men laughed in a rather hostile manner.
At last the old roaster decided the kid was done. He lifted it from the fire and scrutinised it thoroughly, holding the candle to it, as if it were some wonderful epistle from the flames. To be sure it looked marvellous, and smelled so good: brown, and crisp, and hot, and savoury, not burnt in any place whatever. It was eight o'clock.
"It's done! It's done! Go away with it! Go," said the girovago, pushing the old roaster with his hand. And at last the old man consented to depart, holding the kid like a banner.
"It looks so _good_!" cried the q-b. "And I am so hungry."
"Ha-ha! It makes one hungry to see good meat, Signora. Now it is my turn. Heh--Gino--" the girovago flourished his arm. And a handsome, unwashed man with a black moustache came forward rather sheepishly. He was dressed in soldier's clothes, neutral grey, and was a big, robust, handsome fellow with dark eyes and Mediterranean sheepishness. "Here, take it thou," said the girovago, pressing the long spit into his hand. "It is thy business, cook the supper, thou art the woman.--But I'll keep the sausages and do them."
The so-called woman sat at the end of the hearth, where the old roaster had sat, and with his brown, nervous hand piled the remaining coals together. The fire was no longer flamy: and it was sinking. The dark-browed man arranged it so that he could cook the meat. He held the spit negligently over the red mass. A joint fell off. The men laughed. "It's lost nothing," said the dark-browed man, as the girovago had said before, and he skewered it on again and thrust it to the fire. But meanwhile he was looking up from under his dark lashes at the girovago and at us.
The girovago talked continually. He turned to me, holding the handful of sausages.
"This makes the tasty bit," he said.
"Oh yes--good salsiccia," said I.
"You are eating the kid? You are eating at the inn?" he said. I replied that I was.
"No," he said. "You stay and eat with me. You eat with me. The sausage is good, the kid will soon be done, the fire is grateful."
I laughed, not quite understanding him. He was certainly a bit tipsy.
"Signora," he said, turning to the q-b. She did not like him, he was impudent, and she shut a deaf ear to him as far as she could. "Signora," he said, "do you understand me what I say?"
She replied that she did.
"Signora," he said, "I sell things to the women. I sell them things."
"What do you sell?" she asked in astonishment.
"Saints," he said.
"Saints!" she cried in more astonishment.
"Yes, saints," he said with tipsy gravity.
She turned in confusion to the company in the background. The fat soldier came forward, he was the chief of the carabinieri.
"Also combs and bits of soap and little mirrors," he explained sarcastically.
"Saints!" said the girovago once more. "And also _ragazzini_--also youngsters--Wherever I go there is a little one comes running calling Babbo! Babbo! Daddy! Daddy! Wherever I go--youngsters. And I'm the babbo."
All this was received with a kind of silent sneer from the invisible assembly in the background. The candle was burning low, the fire was sinking too. In vain the dark-browed man tried to build it up. The q-b became impatient for the food. She got up wrathfully and stumbled into the dark passage, exclaiming--"Don't we eat yet?"
"Eh--Patience! Patience, Signora. It takes time in this house," said the man in the background.
The dark-browed man looked up at the girovago and said:
"Are you going to cook the sausages with your fingers?"
He too was trying to be assertive and jesting, but he was the kind of person no one takes any notice of. The girovago rattled on in dialect, poking fun at us and at our being there in this inn. I did not quite follow.
"Signora!" said the girovago. "Do you understand Sardinian?"
"I understand Italian--and some Sardinian," she replied rather hotly. "And I know that you are trying to laugh at us--to make fun of us."
He laughed fatly and comfortably.
"Ah Signora," he said. "We have a language that you wouldn't understand--not one word. Nobody here would understand it but me and him--" he pointed to the black-browed one. "Everybody would want an interpreter--everybody."
But he did not say interpreter--he said _intreprete_, with the accent on the penultimate, as if it were some sort of priest.
"A what?" said I.
He repeated with tipsy unction, and I saw what he meant.
"Why?" said I. "Is it a dialect? What is your dialect?"
"My dialect," he said, "is Sassari. I come from Sassari. If I spoke my dialect they would understand something. But if I speak this language they would want an interpreter."
"What language is it then?"
He leaned up to me, laughing.
"It is the language we use when the women are buying things and we don't want them to know what we say: me and him--"
"Oh," said I. "I know. We have that language in England. It is called thieves Latin--_Latino dei furbi_."
The men at the back suddenly laughed, glad to turn the joke against the forward girovago. He looked down his nose at me. But seeing I was laughing without malice, he leaned to me and said softly, secretly:
"What is your affair then? What affair is it, yours?"
"How? What?" I exclaimed, not understanding.
"_Che genere di affari?_ What sort of business?"
"How--_affari_?" said I, still not grasping.
"What do you _sell_?" he said, flatly and rather spitefully. "What goods?"
"I don't sell anything," replied I, laughing to think he took us for some sort of strolling quacks or commercial travellers.
"Cloth--or something," he said cajolingly, slyly, as if to worm my secret out of me.
"But nothing at all. Nothing at all," said I. "We have come to Sardinia to see the peasant costumes--" I thought that might sound satisfactory.
"Ah, the costumes!" he said, evidently thinking I was a deep one. And he turned bandying words with his dark-browed mate, who was still poking the meat at the embers and crouching on the hearth. The room was almost quite dark. The mate answered him back, and tried to seem witty too. But the girovago was the commanding personality! rather too much so: too impudent for the q-b, though rather after my own secret heart. The mate was one of those handsome, passive, stupid men.
"Him!" said the girovago, turning suddenly to me and pointing at the mate. "He's my wife."
"Your wife!" said I.
"Yes. He's my wife, because we're always together."
There had become a sudden dead silence in the background. In spite of it the mate looked up under his black lashes and said, with a half smile:
"Don't talk, or I shall give thee a good _bacio_ to-night."
There was an instant's fatal pause, then the girovago continued:
"Tomorrow is festa of Sant 'Antonio at Tonara. Tomorrow we are going to Tonara. Where are you going?"
"To Abbasanta," said I.
"Ah Abbasanta! You should come to Tonara. At Tonara there is a brisk trade--and there are costumes. You should come to Tonara. Come with him and me to Tonara tomorrow, and we will do business together."
I laughed, but did not answer.
"Come," said he. "You will like Tonara! Ah, Tonara is a fine place. There is an inn: you can eat well, sleep well. I tell you, because to you ten francs don't matter. Isn't that so? Ten francs don't matter to you. Well, then come to Tonara. What? What do you say?"
I shook my head and laughed, but did not answer.
To tell the truth I should have liked to go to Tonara with him and his mate and do the brisk trade: if only I knew what trade it would be.
"You are sleeping upstairs?" he said to me.
I nodded.
"This is my bed," he said, taking one of the home-made rush mats from against the wall. I did not take him seriously at any point.
"Do they make those in Sorgono?" I said.
"Yes, in Sorgono--they are the beds, you see! And you roll up this end a bit--so! and that is the pillow."
He laid his cheek sideways.
"Not really," said I.
He came and sat down again next to me, and my attention wandered. The q-b was raging for her dinner. It must be quite half-past eight. The kid, the perfect kid would be cold and ruined. Both fire and candle were burning low. Someone had been out for a new candle, but there was evidently no means of replenishing the fire. The mate still crouched on the hearth, the dull red fire-glow on his handsome face, patiently trying to roast the kid and poking it against the embers. He had heavy, strong limbs in his khaki clothes, but his hand that held the spit was brown and tender and sensitive, a real Mediterranean hand. The girovago, blond, round-faced, mature and aggressive with all his liveliness, was more like a northerner. In the background were four or five other men, of whom I had distinguished none but a stout soldier, probably chief carabiniere.
* * * * *
Just as the q-b was working up to the rage I had at last calmed down from, appeared the shawl-swathed girl announcing "Pronto!"
"Pronto! Pronto!" said everybody.
"High time, too," said the q-b, springing from the low bench before the fire. "Where do we eat? Is there another room?"
"There is another room, Signora," said the carabiniere.
So we trooped out of the fire-warmed dungeon, leaving the girovago and his mate and two other men, muleteers from the road, behind us. I could see that it irked my girovago to be left behind. He was by far the strongest personality in the place, and he had the keenest intelligence. So he hated having to fall into the background, when he had been dragging all the lime-light on to himself all the evening. To me, too, he was something of a kindred soul that night. But there we are: fate, in the guise of that mysterious division between a respectable life and a scamp's life divided us. There was a gulf between me and him, between my way and his. He was a kindred spirit--but with a hopeless difference. There was something a bit sordid about him--and he knew it. That is why he was always tipsy. Yet I like the lone wolf souls best--better than the sheep. If only they didn't feel mongrel inside themselves. Presumably a scamp is bound to be mongrel. It is a pity the untamable, lone-wolf souls should always become pariahs, almost of choice: mere scamps.
Top and bottom of it is, I regretted my girovago, though I knew it was no good thinking of him. His way was _not_ my way. Yet I regretted him, I did.
* * * * *
We found ourselves in a dining room with a long white table and inverted soup-plates, tomb-cold, lighted by an acetylene flare. Three men had accompanied us: the carabiniere, a little dark youth with a small black moustache, in a soldier's short, wool-lined great-coat: and a young man who looked tired round his blue eyes, and who wore a dark-blue overcoat, quite smart. The be-shawled damsel came in with the inevitable bowl of minestrone, soup with cabbage and cauliflower and other things. We helped ourselves, and the fat carabiniere started the conversation with the usual questions--and where were we going tomorrow?
I asked about buses. Then the responsible-looking, tired-eyed youth told me he was the bus-driver. He had come from Oristano, on the main line, that day. It is a distance of some forty miles. Next morning he was going on over the mountains to Nuoro--about the same distance again. The youth with the little black moustache and the Greek, large eyes, was his mate, the conductor. This was their run, from Oristano to Nuoro--a course of ninety miles or more. And every day on, on, on. No wonder he looked nerve-tired. Yet he had that kind of dignity, the wistful seriousness and pride of a man in machine control: the only god-like ones today, those who pull the iron levers and are the gods in the machine.
They repeated what the old roaster said: much nicer for us to go to Nuoro than to Abbasanta. So to Nuoro we decided to go, leaving at half-past nine in the morning.
* * * * *
Every other night the driver and his mate spent in this benighted Risveglio inn. It must have been their bedroom we saw, clean and tidy. I said was the food always so late, was everything always as bad as today. Always--if not worse, they said, making light of it, with sarcastic humor against the Risveglio. You spent your whole life at the Risveglio sitting, waiting, and going block-cold: unless you were content to drink _aqua vitae_, like those in there. The driver jerked his head towards the dungeon.
"Who were those in there?" said I.
The one who did all the talking was a mercante, a mercante girovago, a wandering peddler. This was my girovago: a wandering peddler selling saints and youngsters! The other was his mate, who helped carry the pack. They went about together. Oh, my girovago was a known figure all over the country.--And where would they sleep? There, in the room where the fire was dying.
They would unroll the mats and lie with their feet to the hearth. For this they paid threepence, or at most fourpence. And they had the privilege of cooking their own food. The Risveglio supplied them with nothing but the fire, the roof, and the rush mat.--And, of course, the drink. Oh, we need have no sympathy with the girovago and his sort. _They_ lacked for nothing. They had everything they wanted: everything: and money in abundance. _They_ lived for the _aqua vitae_ they drank. That was all they wanted: their continual allowance of _aqua vitae_. And they got it. Ah, they were not cold. If the room became cold during the night: if they had no coverings at all: pah, they waited for morning, and as soon as it was light they drank a large glass of _aqua vitae_. That was their fire, their hearth and their home: drink. _Aqua vitae_, was hearth and home to them.
I was surprised at the contempt, tolerant and yet profound, with which these three men in the dining-room spoke of the others in the _stanza_. How contemptuous, almost bitter, the driver was against alcohol. It was evident he hated it. And though we all had our bottles of dead-cold dark wine, and though we all drank: still, the feeling of the three youths against actual intoxication was deep and hostile, with a certain burning _moral_ dislike that is more northern than Italian. And they curled their lip with real dislike of the girovago: his forwardness, his impudent aggressiveness.
* * * * *
As for the inn, yes, it was very bad. It had been quite good under the previous proprietors. But now--they shrugged their shoulders. The dirty-breast and the shawled girl were not the owners. They were merely conductors of the hotel: here a sarcastic curl of the lip. The owner was a man in the village--a young man. A week or two back, at Christmas time, there had been a roomful of men sitting drinking and roistering at this very table. When in had come the proprietor, mad-drunk, swinging a litre bottle round his head and yelling: "Out! Out! Out, all of you! Out every one of you! I am proprietor here. And when I want to clear my house I clear my house. Every man obeys--who doesn't obey has his brains knocked out with this bottle. Out, out, I say--Out, everyone!" And the men all cleared out. "But," said the bus-driver, "I told him that when I had paid for my bed I was going to sleep in it. I was not going to be turned out by him or anybody. And so he came down."
* * * * *
There was a little silence from everybody after this story. Evidently there was more to it, that we were not to be told. Especially the carabiniere was silent. He was a fat, not very brave fellow, though quite nice.
Ah, but--said the little dark bus-conductor, with his small-featured swarthy Greek face--you must not be angry with them. True the inn was very bad. Very bad--but you must pity them, for they are only ignorant. Poor things, they are _ignoranti_! Why be angry?
The other two men nodded their heads in agreement and repeated _ignoranti_. They are _ignoranti_. It is true. Why be angry?
And here the modern Italian spirit came out: the endless pity for the ignorant. It is only slackness. The pity makes the ignorant more ignorant, and makes the Risveglio daily more impossible. If somebody let a bottle buzz round the ears of the dirty-breast, and whipped the shawl from the head of the pert young madam and sent her flying down the tunnel with a flea in her ear, we might get some attention and they might find a little self-respect. But no: pity them, poor _ignoranti_, while they pull life down and devour it like vermin. Pity them! What they need is not pity but prods: they and all their myriad of likes.
* * * * *
The be-shawled appeared with a dish of kid. Needless to say, the _ignoranti_ had kept all the best portions for themselves. What arrived was five pieces of cold roast, one for each of us. Mine was a sort of large comb of ribs with a thin web of meat: perhaps an ounce. That was all we got, after watching the whole process. There was moreover a dish of strong boiled cauliflower, which one ate, with the coarse bread, out of sheer hunger. After this a bilious orange. Simply one is not _fed_ nowadays. In the good hotels and in the bad, one is given paltry portions of unnourishing food, and one goes unfed.
* * * * *
The bus-driver, the only one with an earnest soul, was talking of the Sardinians. Ah, the Sardinians! They were hopeless. Why--because they did not know how to strike. They, too, were _ignoranti_. But this form of ignorance he found more annoying. They simply did not know what a strike was. If you offered them one day ten francs a stint--he was speaking now of the miners of the Iglesias region.--No, no, no, they would not take it, they wanted twelve francs. Go to them the next day and offer them four francs for half a stint, and yes, yes, yes, they would take it. And there they were: ignorant: ignorant Sardinians. They absolutely did not know how to strike. He was quite sarcastically hot about it. The whole tone of these three young men was the tone of sceptical irony common to the young people of our day the world over. Only they had--or at least the driver had--some little fervour for his strikes and his socialism. But it was a pathetic fervour: a _pis-aller_ fervour.
* * * * *
We talked about the land. The war has practically gutted Sardinia of her cattle: so they said. And now the land is being deserted, the arable land is going back to fallow. Why? Why, says the driver, because the owners of the land won't spend any capital. They have got the capital locked up, and the land is dead. They find it cheaper to let all the arable go back to fallow, and raise a few head of cattle, rather than to pay high wages, grow corn, and get small returns.
Yes, and also, chimes in the carabiniere, the peasants don't want to work the land. They hate the land. They'll do anything to get off the land. They want regular wages, short hours, and devil take the rest. So they will go into France as navvies, by the hundred. They flock to Rome, they besiege the Labor bureaus, they will do the artificial Government navvy-work at a miserable five francs a day--a railway shunter having at least eighteen francs a day--anything, anything rather than work the land.
Yes, and what does the Government do! replies the bus-driver. They pull the roads to pieces in order to find work for the unemployed, remaking them, across the campagna. But in Sardinia, where roads and bridges are absolutely wanting, will they do anything? No!
There it is, however. The bus-driver, with dark shadows under his eyes, represents the intelligent portion of the conversation. The carabiniere is soft and will go any way, though always with some interest. The little Greek-looking conductor just does not care.
* * * * *
Enters another belated traveller, and takes a seat at the end of the table. The be-shawled brings him soup and a skinny bit of kid. He eyes this last with contempt, and fetches out of his bag a large hunk of roast pork, and bread, and black olives, thus proceeding to make a proper meal.
We being without cigarettes, the bus-driver and his companion press them on us: their beloved Macedonia cigarettes. The driver says they are _squisitissimi_--most, most exquisite--so exquisite that all foreigners want them. In truth I believe they are exported to Germany now. And they are quite good, when they really have tobacco in them. Usually they are hollow tubes of paper which just flare away under one's nose and are done.
We decide to have a round drink: they choose the precious _aqua vitae_: the white sort I think. At last it arrives--when the little dark-eyed one has fetched it. And it tastes rather like sweetened petroleum, with a dash of aniseed: filthy. Most Italian liquors are now sweet and filthy.
At length we rise to go to bed. We shall all meet in the morning. And this room is dead cold, with frost outside. Going out, we glance into the famous stanza. One figure alone lies stretched on the floor in the almost complete darkness. A few embers still glow. The other men no doubt are in the bar.
Ah, the filthy bedroom. The q-b ties up her head in a large, clean white kerchief, to avoid contact with the unsavory pillow. It is a cold, hard, flat bed, with two cold, hard, flat blankets. But we are very tired. Just as we are going to sleep, however, weird, high-pitched singing starts below, very uncanny--with a refrain that is a yelp-yelp-yelp! almost like a dog in angry pain. Weird, almost gruesome this singing goes on, first one voice and then another and then a tangle of voices. Again we are roused by the pounding of heavy feet on the corridor outside, which is as hollow and resonant as a drum. And then in the infernal crew-yard outside a cock crows. Throughout the night--yea, through all the black and frosty hours this demoniac bird screams its demon griefs.
* * * * *
However, it is morning. I gingerly wash a bit of myself in the broken basin, and dry that bit on a muslin veil which masquerades upon the chair as a towel. The q-b contents herself with a dry wipe. And we go downstairs in hopes of the last-night's milk.
There is no one to be seen. It is a cold, frost-strong, clear morning. There is no one in the bar. We stumble down the dark tunnel passage. The stanza is as if no man had ever set foot in it: very dark, the mats against the wall, the fire-place grey with a handful of long dead ash. Just like a dungeon. The dining-room has the same long table and eternal table-cloth--and our serviettes, still wet, lying where we shovelled them aside. So back again to the bar.
And this time a man is drinking _aqua vitae_, and the dirty-shirt is officiating. He has no hat on: and extraordinary, he has no brow at all: just flat, straight black hair slanting to his eyebrows, no forehead at all.
Is there coffee?
No, there is no coffee.
Why?
Because they can't get sugar.
Ho! laughs the peasant drinking _aqua vitae_. You make coffee with sugar!
Here, say I, they make it with nothing.--Is there milk?
No.
No milk at all?
No.
Why not?
Nobody brings it.
Yes, yes--there is milk if they like to get it, puts in the peasant. But they want you to drink _aqua vitae_.
I see myself drinking _aqua vitae_. My yesterday's rage towers up again suddenly, till it quite suffocates me. There is something in this unsavoury, black, wine-dabbled, thick, greasy young man that does for me.
"Why," say I, lapsing into the Italian rhetorical manner, "why do you keep an inn? Why do you write the word Ristorante so large, when you have nothing to offer people, and don't intend to have anything. Why do you have the impudence to take in travellers? What does it mean, that this is an inn? What, say, what does it mean? Say then--what does it mean? What does it mean, your Ristorante Risveglio, written so large?"
Getting all this out in one breath, my indignation now stifled me. Him of the shirt said nothing at all. The peasant laughed. I demanded the bill. It was twenty-five francs odd. I picked up every farthing of the change.
"Won't you leave any tip at all?" asks the q-b.
"Tip!" say I, speechless.
So we march upstairs and make tea to fill the thermos flask. Then, with sack over my shoulder, I make my way out of the Risveglio.
* * * * *
It is Sunday morning. The frozen village street is almost empty. We march down to the wider space where the bus stands: I hope they haven't the impudence to call it a Piazza.
"Is this the Nuoro bus?" I ask of a bunch of urchins.
And even they begin to jeer. But my sudden up-starting flare quenches them at once. One answers yes, and they edge away. I stow the sack and the kitchenino in the first-class part. The first-class is in front: we shall see better.
There are men standing about, with their hands in their pockets,--those who are not in costume. Some wear the black-and-white. All wear the stocking caps. And all have the wide shirt-breasts, white, their waistcoats being just like evening dress waistcoats. Imagine one of these soft white shirt fronts well slobbered, and you have mine host of the Risveglio. But these lounging, static, white-breasted men are snowily clean, this being Sunday morning. They smoke their pipes on the frosty air, and are none too friendly.
* * * * *
The bus starts at half-past nine. The campanile is clanging nine. Two or three girls go down the road in their Sunday costume of purplish brown. We go up the road, into the clear, ringing frosty air, to find the lane.
And again, from above, how beautiful it is in the sharp morning! The whole village lies in bluish shadow, the hills with their thin pale oak trees are in bluish shadow still, only in the distance the frost-glowing sun makes a wonderful, jewel-like radiance on the pleasant hills, wild and thinly-wooded, of this interior region. Real fresh wonder-beauty all around. And such humanity.
Returning to the village we find a little shop and get biscuits and cigarettes. And we find our friends the bus-men. They are shy this morning. They are ready for us when we are ready. So in we get, joyfully, to leave Sorgono.
One thing I say for it, it must be an honest place. For people leave their sacks about without a qualm.
* * * * *
Up we go, up the road. Only to stop, alas, at the Risveglio. The little conductor goes down the lane towards the station. The driver goes and has a little drink with a comrade. There is quite a crowd round the dreary entrances of the inn. And quite a little bunch of people to clamber up into the second class, behind us.
We wait and wait. Then in climbs an old peasant, in full black-and-white costume, smiling in the pleased, naive way of the old. After him climbs a fresh-faced young man with a suit-case.
"Na!" said the young man. "Now you are in the automobile."
And the old man gazes round with the wondering, vacant, naive smile.
"One is all right here, eh?" the young citizen persists, patronizing.
But the old man is too excited to answer. He gazes hither and thither. Then he suddenly remembers he had a parcel, and looks for it in fear. The bright-faced young man picks it from the floor and hands it him. Ah, it is all right.
I see the little conductor in his dashing, sheep-lined, short military overcoat striding briskly down the little lane with the post-bag. The driver climbs to his seat in front of me. He has a muffler round his neck and his hat pulled down to his ears. He pips at the horn, and our old peasant cranes forward to look how he does it.
And so, with a jerk and a spurt, we start uphill.
"Eh--what's that?" said the peasant, frightened.
"We're starting," explained the bright-faced young man.
"Starting! Didn't we start before?"
The bright face laughs pleasedly.
"No," he said. "Did you think we had been going ever since you got in?"
"Yes," says the old man, simply, "since the door was shut."
The young citizen looks at us for our joyful approval.
VI.
TO NUORO.
These automobiles in Italy are splendid. They take the steep, looping roads so easily, they seem to run so naturally. And this one was comfortable, too.
The roads of Italy always impress me. They run undaunted over the most precipitous regions, and with curious ease. In England almost any such road, among the mountains at least, would be labelled three times dangerous and would be famous throughout the land as an impossible climb. Here it is nothing. Up and down they go, swinging about with complete sang-froid. There seems to have been no effort in their construction. They are so good, naturally, that one hardly notices what splendid gestures they represent. Of course, the surface is now often intolerably bad. And they are most of them roads which, with ten years' neglect, will become ruins. For they are cut through overhanging rock and scooped out of the sides of hills. But I think it is marvellous how the Italians have penetrated all their inaccessible regions, of which they have so many, with great high-roads: and how along these high-roads the omnibuses now keep up a perfect communication. The precipitous and craggily-involved land is threaded through and through with roads. There seems to be a passion for high-roads and for constant communication. In this the Italians have a real Roman instinct, _now_. For the roads are new.
The railways too go piercing through rock for miles and miles, and nobody thinks anything of it. The coast railway of Calabria, down to Reggio, would make us stand on our heads if we had it in England. Here it is a matter of course. In the same way I always have a profound admiration for their driving--whether of a great omnibus or of a motor-car. It all seems so easy, as if the man were part of the car. There is none of that beastly grinding, uneasy feeling one has in the north. A car behaves like a smooth, live thing, sensibly.
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Sea and SardiniaChapter V: Part 5
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