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Chapter IV: Part 4

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Though so much has been done in the way of making the Churchyards available for public uses, comparatively little has been done with the Squares; and philosophers of the school erroneously called Cynical might account for this difference by the fact that, whereas the churchyards were generally in the hands of official trustees, such as Rectors, Churchwardens, Overseers, or Vestries, the principal squares of London are the private property of individual owners. Even the London Squares and Enclosures Act, just passed, illustrates the same principle. The preamble of the Act sets forth that in respect of every Square or Enclosure with which it deals the consent of the owner has been obtained. In each case, therefore, the owner has consented to legislation which will prevent himself or his successors from building on what are now open spaces, and, so far, each owner concerned has shown himself a patriotic citizen and a well-wisher to posterity. But, when we come to examine the schedule of properties to which the Act applies, it is interesting to compare the number belonging to private persons with the number belonging to public bodies. The Act applies to sixty-four properties; of these fifty-five belong to public bodies such as District Councils, Governors of Hospitals, and Ecclesiastical Commissioners, and nine to private persons, among whom it is pleasant to reckon one Liberal M.P., Sir John Dickson-Poynder, and, by way of balance, one Conservative peer, Lord Camden.

A further study of the Schedule reveals the instructive fact that, with two exceptions in the City of Westminster and one in the Borough of Kensington, none of the scheduled properties lie within areas which could by any stretch of terms be called wealthy, fashionable, or aristocratic. Public authorities in such districts as Camberwell and Lewisham--private owners in Islington and Woolwich--have willingly surrendered their rights for the benefit of the community; but none of the great ground landlords have followed suit. The owners of Belgrave Square and Grosvenor Square and Portman Square and Cavendish Square and Berkeley Square--_the_ Squares, _par excellence_, of fashionable London--have kept their seigniorial rights untouched. Pascal told us of some very human but very unregenerate children who said "This dog belongs to _me_," and "That place in the sun is _Mine_," and Pascal's comment was, "Behold, the beginning and the image of all usurpation upon earth!" Similarly, the human but unregenerate landowners of fashionable London say, as they survey their possessions, "This Square belongs to _me_," "That place in the shade is _Mine_," while the August sun beats down on the malodorous street, and tottering paupers peer wistfully at the benches under the plane trees, and street-boys flatten their noses against the iron railings and madly yearn for cricket-pitches so smooth and green.

Although these fashionable Squares are so sedulously guarded against the intrusion of outsiders, they are very little used by those who have the right of entrance. "Livery Servants and Dogs not admitted" is a legendary inscription which, in its substance, still operates. Here and there a nurse with a baby in her arms haunts the shade, or a parcel of older children play lawn-tennis or croquet to an accompaniment of chaff from envious street-boys. But, as a general rule, for twenty hours out of the twenty-four and for ten months out of the twelve the Squares are absolutely vacant; and one of the most reasonable reforms which I could conceive would be to convert them from private pleasure-grounds to public gardens, and to throw the cost of maintaining them in order and beauty on the London County Council.

As I said before, some Square-owners have, without waiting for legal compulsion, taken tentative steps towards this reform. The Trustees of Lincoln's Inn Fields, the largest and the shadiest of all London Squares, have made them over to the County Council, and, in the hot months of declining summer, the juvenile populations of Holborn and St. Giles play their breathless games where Babington was hanged and Russell beheaded. It was there that, on the 20th of July 1683, Sir Ralph Verney, riding out from London to his home in Buckinghamshire, "saw the scaffold making ready against Lord Russell's execution to-morrow--God help him, and save the country."

But if once we leave the utilities and amenities of the London Squares and begin to meddle with their antiquities, we shall soon overflow all reasonable limits. Bloomsbury Square still reeks (at least for those who know their "Barnaby Rudge") with the blood which was shed in the Gordon Riots. Grosvenor Square--the last district of London which clung to oil-lamps in hopeless resistance to the innovation of gas--embodies the more recent memory of the Cato Street Conspiracy. In Berkeley Square (from what is now Lord Rosebery's house) Sarah Child eloped, and annexed the name and the banking-house of Child to the Earldom of Jersey. In Portman Square Mrs. Montagu presided over her court of Bluestockings and feasted the chimney-sweeps on May-day. In Manchester Square, under the roof which now houses the Wallace Collection, the dazzling beauty of Isabella Lady Hertford stirred the fatuous passion of George IV. In Cavendish Square, under the portico of Harcourt House, lately demolished, Disraeli said good-bye for ever to his confederate Lord George Bentinck. In Hanover Square, Chantrey's stately statue of William Pitt has looked down on a century of aristocratic weddings, ascending and descending the steps of St. George's Church. Sir George Trevelyan, commenting on a Valentine written by Macaulay for Lady Mary Stanhope, a great-niece of Pitt's, declares that "the allusion to the statue in Hanover Square is one of the happiest touches that can be found in Macaulay's writings," and that is a sufficient justification for quoting it:--

"Prophetic rage my bosom swells;
I taste the cake, I hear the bells!
From Conduit Street the close array
Of chariots barricades the way
To where I see, with outstretched hand,
Majestic, thy great kinsman stand,
And half unbend his brow of pride,
As welcoming so fair a bride."

XVIII

SUNDAY IN LONDON

It is the middle of August, and there is nobody in London--except, of course, some four millions of people who do not count. There is nobody in London; and, most specially and noticeably, there is nobody in Church. Be it far from me to suggest that the Country Cousin and the Transatlantic Brother, who flood London in August and September, are persons of indevout habits. But they have their own methods and places of devotion (of which I may speak anon), and do not affect the Parish Churches, with which I am now concerned. I have excellent opportunities of judging; for, year in year out, in tropical heat or Arctic cold, my due feet never fail to walk the round of our Stuccovian churches, and I can testify that in August and September Vacancy and Depression reign unchallenged. Seats are empty. Galleries are locked. Collections sink to vanishing-point. The Vicar of St. Ursula's, Stucco Gardens, accompanied by his second wife, is sitting under a white umbrella at Dieppe, watching the aquatic gambols of his twofold family. The Senior Curate is climbing in the Alps. The Junior Curate, who stroked his College Boat last year and was ordained at Trinity, officiates in agonies of self-conscious shyness which would draw tears from a stone. A temporary organist elicits undreamt-of harmonies. The organ-blower is getting his health in the hopfields. The choirboys are let loose--

"On Brighton's shingly beach, on Margate's sand,
Their voice out-pipes the roaring of the sea."

The congregation represents the mere dregs and remnants of Stuccovia's social prime. Poor we have none, and our rich are fled to Scotland or Norway, Homburg or Marienbad. The seats are sparsely tenanted by "stern-faced men" (like those who arrested Eugene Aram), whom business keeps in London when their hearts are on the moors; over-burdened mothers, with herds of restless schoolboys at home for the holidays and craving for more ardent delights than Stucco Gardens yield; decayed spinsters of the type of Volumnia Dedlock, who, having exhausted the hospitable patience of their ever-diminishing band of friends, are forced to the horrid necessity of spending the autumn in London. The only cheerful face in the church belongs to the Pewopener, who, being impeded in the discharge of her function by arthritic rheumatism, is happiest when congregations are smallest and there are no week-day services to "molest her ancient solitary reign."

* * * * *

Evensong is over. The organist is struggling with an inconceivable tune from "The English Hymnal" (for at St. Ursula's we are nothing if not up to date). The Curate, sicklied o'er with that indescribable horror which in his boating days he would have described as "The Needle," is furtively reperusing his manuscript before mounting the pulpit, and does not detect my craven flight as I slip through the baize door and disappear. It is characteristic of St. Ursula's that, even when empty, it is fusty; but this need surprise no one, for the architect was strong on a "scientific system of ventilation," and that, as we all know, means very little ventilation and an overwhelming amount of system.

However, my courageous flight has delivered me from asphyxiation, and, before returning to my modest Sunday supper of Paysandu Ox-tongue and sardines, I think that I will reinflate my lungs by a stroll round Hyde Park. There is a lovely redness in the western sky over the Serpentine Bridge, but it is still broad daylight. The sere and yellow turf of the Park is covered by some of those four millions who do not count and do not go to church, but who, apparently, are fond of sermons. At the end of each hundred yards I come upon a preacher of some religious, social, or political gospel, and round each is gathered a crowd of listeners who follow his utterances with interested attention. When I think of St. Ursula's and the pavid Curate and my graceless flight, I protest that I am covered with shame as with a garment. But the wrong done in the church can be repaired in the Park. I have missed one sermon, but I will hear another. Unluckily, when these compunctious visitings seized me I was standing by a rostrum of heterodoxy. For all I know the preacher may have followers among my readers; so, as I would not for the world wound even the least orthodox susceptibilities, I forbear to indicate the theory which he enounced. As he spoke, I seemed to live a former life over again; for I had once before been present at an exactly similar preaching, in company, either bodily or spiritual, with my friend Mr. James Payn, and his comments on the scene revived themselves in my memory, even as the remote associations of Ellangowan reawoke in the consciousness of Harry Bertram when he returned from his wanderings, and gazed, bewildered, on his forgotten home. (Henceforward it is Payn that speaks.) The preacher of Heterodoxy was entirely without enthusiasm, nor did his oratory borrow any meretricious attractions from the Muse. It was a curious farrago of logic without reason and premisses without facts, and was certainly the least popular, though not the least numerously attended, of all the competing sermons in the Park. Suddenly the preacher gave expression to a statement more monstrous than common, on which an old lady in the crowd, who had heretofore been listening with great complacency, exclaimed in horror, "I'm sure _this_ ain't true Gospel," and immediately decamped. Up to that point, she had apparently been listening under the impression that the preacher belonged to her own blameless persuasion, and was in the blankest ignorance of all that he had been driving at.

But Sunday in London has religious attractions to offer besides those purveyed by St. Ursula's and Hyde Park. I said at the outset that the Country Cousin and the Transatlantic Brother have their own methods and places of devotion--their Mecca is St. Paul's Cathedral. One of the pleasantest ways of spending a Sunday evening in London is to join the pilgrim-throng. The great west doors of the Cathedral are flung wide open, as if to welcome the Archbishop of Canterbury or the Lord Mayor, and all at once we find ourselves, hushed and awestruck, in the illimitable perspective. Even the staunchest believer in Gothic as the only religious architecture may admit, with disloyalty to his faith, that every year St. Paul's becomes more like a place of Christian worship and less like a glorified Council-hall or an Imperial Senate-house. And it is seen at its best in twilight. The shadows temper the garish splendour of mosaic and gold and electricity, and enhance the dominant sense of vastness and grandeur. And prayer ascends on the wings of music and sweet boy-voices ring, and the distant altar, with its gleaming lights, focuses the meaning and purpose of the whole. And then the great "Communion of Hymns" unites us all, American and English, Londoner and countryman, as citizens of a city not built with hands, patriots of a country which is not marked on the terrestrial globe. Bernard of Cluny and William Cowper and John Keble all contribute of their best. "Brief life is here our portion" seems to utter the real heart's desire of a tired-looking mechanic who stands by my side. "Hark, my soul!" seems to communicate its own intensity to the very tone and look of the people who are singing it. "Sun of my soul" is an evening prayer which sounds just as natural and as fitting in the inmost heart of London's crowd and grind and pressure as in the sweet solitude of the Hursley fields. In the pulpit a pale preacher, himself half worn-out before his prime by ten years' battle in a slum, is extolling the Cross as the test and strength and glory of human life--

"While at his feet the human ocean lay,
And wave on wave rolled into space away."

A human stream indeed, of all sorts and conditions--old men and maidens, young men and children, rich and poor, English and foreigners, sightseers and citizens, dapper clerks and toil-stained citizens and red-coated soldiers--all interested, and all at ease, and all at home at what Bishop Lightfoot called "the centre of the world's concourse"--under the cross-crowned Dome of St. Paul's.

XIX

A SUBURBAN SUNDAY

"It seems to the writer of this history that the inhabitants of London are scarcely sufficiently sensible of the beauty of its environs.... With the exception of Constantinople, there is no city in the world that can for a moment enter into competition with it. For himself, though in his time something of a rambler, he is not ashamed in this respect to confess to a legitimate Cockney taste; and for his part he does not know where life can flow on more pleasantly than in sight of Kensington Gardens, viewing the silver Thames winding by the bowers of Rosebank, or inhaling from its terraces the refined air of graceful Richmond. In exactly ten minutes it is in the power of every man to free himself from all the tumult of the world and find himself in a sublime sylvan solitude superior to the Cedars of Lebanon and inferior only in extent to the chestnut forests of Anatolia."

The judicious critic will have little difficulty in assigning this vivid passage to the too-graphic pen of Lord Beaconsfield; but he will also recognize the fact that a description written in 1837 needs some modification when applied to 1906. The central solitude of London--Kensington Gardens--is still very much as it was. Just now, its dark foliage and dusky glades suggest all the romantic associations of Gustave Doré's forests, with a tall trooper of the Life Guards and a bashful nursery-maid, for a Red Cross Knight and an Enchanted Princess. If we go further afield and climb the uplands of Highgate and Hampstead, we look down upon a boundless and beautiful city dimly visible through a golden haze. But the difference between the environs of London now and the same environs when Lord Beaconsfield described them is that they are now united to the centre by an unbroken network of gaslit streets. The enormous increase in the population of London, which every year brings with it, fills up the gaps and spaces, and the metropolis is now a solid whole, with its circumference extending further and further every day into what a year ago was country. In other words, the suburbs are getting further off, and what are suburbs to-day will be town to-morrow; but still there are suburbs, and a Sunday spent in them is an interesting experience.

Yesterday the well-known stuffiness of St. Ursula's, combined with the kind hospitality of some suburban friends, drove me to spend my Sunday about ten miles from Stucco Square. It is a characteristic of people who live in suburbs to believe that their lot is cast in a primæval solitude, and that, though the Dome of St. Paul's is plainly visible from their back gardens, the traveller who ventures to approach them needs explicit and intricate directions about routes and trains and changes and stations. The station for my friend's place was called by a name intensely suggestive of rurality--not exactly "Rosebank," but Rosebank will serve. Readers of Archbishop Temple's Life will remember that a clergyman, excusing himself for living a long way from his church, urged that it was only three miles as the crow flies, thereby drawing down on himself the implacable reply, "But you ain't a crow." In the same way I found that, though Rosebank is only ten miles from Stucco Square "as the crow flies," a human being seeking to approach it must first make a considerable journey to a central terminus, must then embark in a train which a tortoise might outstrip, must change twice, and must burrow through a sulphurous tunnel; and must even then run a considerable risk of being carried through Rosebank Station, which all self-respecting trains seem to ignore.

Faced by these difficulties, I again took counsel with Lord Beaconsfield. "''Tis the gondola of London,' exclaimed Lothair, as he leapt into a hansom, which he had previously observed to be well-horsed." My Gondolier was ready with his terms--a very liberal payment, several hours' rest, his dinner and tea, and something extra for putting up his horse. Granted these preliminaries, he would "do the job on 'is 'ead." It would "be a little 'oliday to 'im." I in vain suggested that the opportunity of attending Divine Service twice at Rosebank Church might be regarded as part payment of his charge; he replied, with startling emphasis, that he didn't go into the country to go to church--not if he knew it; that, if I wanted him, I must take him on the terms proposed; and, further, that I mustn't mind starting early, for he wanted to get his horse down cool.

The Gondolier had his own way; and, while the sparrows were still twittering and the housemaids were taking in the milk and the Sunday paper, I was well on my road to Rosebank. This much I will concede to the curiosity of readers--that my road led me out of London in a south-easterly direction, by the Horseferry, where James II. dropped the Great Seal into the Thames, along the Old Kent Road, of which a modern minstrel sang; past Kennington Common, now a "Park," where the gallant Jacobites of '45 underwent the hideous doom of Treason, where the iron-shuttered windows still commemorate the Chartist rising of '48, and where Sackville Maine took his Sunday walk with Mrs. Sackville and old Mrs. Chuff. On past the "Hamlet of Dulwich," where Mr. Pickwick spent the last years of his honoured life, to Chislehurst, where Napoleon III. hid his exiled head, and North Cray, where the tragedy of Lord Londonderry's death is not yet forgotten, and Shooters' Hill, where Jerry Cruncher stopped the coach with the terrifying message of "Recalled to Life." Now, as readers are sometimes unduly literal, and as I would not willingly involve any one in an hour's fruitless puzzling over a map, let me say that this itinerary is rather general than particular, and that, although the Gondolier pursued an extremely devious course and murmured when I suggested straighter paths, we did not touch all the above-mentioned places in our morning's drive. But evermore we tended south-eastwards, and evermore the houses grew imperceptibly less dignified. Stone and stucco we had left behind us on the northern side of the river, and now it was a boundless contiguity of brick--yellow brick, rather grimy,--small houses with porticos, slips of dusty garden between the front door and the road, and here and there a row of wayside trees. But everywhere gas, and everywhere _omnibi_ (as the classical lady said,) and everywhere electric trams. Churches of every confession and every architecture lined the way, varied with Public-houses of many signs, Municipal Buildings of startling splendour (for Borough Councils have a flamboyant taste), and Swimming Baths and Public Libraries, and here and there a private Lunatic Asylum frowning behind suggestively solemn gates.

Now we are in a long and featureless street, with semi-detached houses on either hand, and a malodorous cab-stand and a four-faced clock. "Which way for Rosebank?" shouts the Gondolier. "The first to your left and then turn sharp to the right," bellows a responsive policeman. We follow the direction given, and suddenly we are there--not at Rosebank, but quite out of even Greater London. The street ends abruptly. Trams and trains and gas and shops are left behind, and all at once we are in the country. The road is lined with hedgerows, dusty indeed, but still alive. Elms of respectable dimensions look down upon big fields, with here and there an oak, and cows resting under it. At one turn of the road there is a recognizable odour of late-cut hay, and in the middle distance I distinctly perceive a turnip-field, out of which a covey of partridges might rise without surprising any one. We pull up and gaze around. Look where I will, I cannot see a house, nor even a cottage. Surely my friends have not played a practical joke on me and asked me to spend a day in an imaginary Paradise. The Gondolier looks at his perspiring horse, and mops his own brow, and gazes contemptuously on the landscape. "I should call this the world's end if I was arst," he says. "Blow'd if they've even got a Public 'Ouse." Suddenly the sound of a shrill bell bursts on the ear. The Gondolier, who is a humorist, says "Muffins."

I jump out of the gondola, and pursue the welcome tinkle round a sharp angle in the road. There I see, perched on the brow of a sandy knoll, a small tin building, which a belfry and a cross proclaim to be a church. Inside I discover the Oldest Inhabitant pulling the muffin-bell with cheerful assiduity. He is more than ready to talk, and his whole discourse is as countrified as if he lived a hundred miles from Charing Cross. "Yes, this is a main lonely place. There ain't many people lives about 'ere. Why, ten years ago it was all fields. Now there are some houses--not many. He lives in one himself. How far off? Well, a matter of a mile or so. He was born on the Squire's land; his father worked on the farm. Yes, he's lived here all his life. Remembers it before there was a Crystal Palace, and when there was no railways or nothing. He hasn't often been in the train, and has only been up to London two or three times. Who goes to the church? Well--not many, except the Squire's family and the school-children. Why was it built? Oh, the Squire wants to get some rich folks to live round about. He's ready to part with his land for building; and there's going to be a row of houses built just in front of the church. He reckons the people will be more likely to come now that there's a church for them to go to." And now the "ten-minutes" bell begins with livelier measure; the Oldest Inhabitant shows me to a seat; and, on the stroke of eleven, a shrill "Amen" is heard in the vestry, and there enters a modest procession of surpliced schoolboys and a clergyman in a green stole. His sons and daughters, the wife of the Oldest Inhabitant, and the sisters of the choristers, from the congregation, eked out by myself and my friends from Rosebank, who arrive a little flushed and complain that they have been waiting for me. The "service is fully choral," as they say in accounts of fashionable weddings; the clergyman preaches against the Education Bill, and a collection (of copper) is made to defray the expenses of a meeting at the Albert Hall. It is pleasant to see that, even in these secluded districts, the watch-dogs of the Church are on the alert.

XX

WINE AND WATER

The second and third words are added to the title in deference to the weather. One must be a hardened toper if, with the thermometer at 93 in the shade, one can find comfort in the thought of undiluted wine. Rather I would take pattern from Thackeray's friend the Bishop, with his "rounded episcopal apron." "He put water into his wine. Let us respect the moderation of the Established Church." But water is an after-thought, incidental and ephemeral. It was on wine that I was meditating when the mercury rushed up and put more temperate thoughts into my head, and it was Sir Victor Horsley who set me on thinking about wine. Sir Victor has been discoursing at Ontario about the mischiefs of Alcohol, and the perennial controversy has revived in all its accustomed vigour. Once every five years some leading light of the medical profession declares with much solemnity that Alcohol is a poison, that Wine is the foundation of death, and that Gingerbeer or Toast-and-Water or Zoedone or Kopps or some kindred potion is the true and the sole elixir of life. Sir Oracle always chooses August or September for the delivery of his dogma, and immediately there ensues a correspondence which suitably replaces "Ought Women to Propose?" "Do We Believe?" and "What is Wrong?" Enthusiastic teetotallers fill the columns of the press with letters which in their dimensions rival the Enormous Gooseberry and in their demands on our credulity exceed the Sea Serpent. To these reply the advocates of Alcohol, with statistical accounts of patriarchs who always breakfasted on half-and-half, and near and dear relations who were rescued from the jaws of death by a timely exhibition of gin and bitters. And so the game goes merrily on till October recalls us to common sense.

Thus far, the gem of this autumn's correspondence is, I think, the following instance contributed by an opponent of Sir Victor Horsley:--

"A British officer lay on his camp-bed in India suffering from cholera. His medical attendants had concluded that nothing more could be done for him, and that his seizure must end fatally. His friends visited him to shake his hand and to offer their sympathetic good-byes, including his dearest regimental chum, who, deciding to keep his emotion down by assuming a cheerful demeanour, remarked, 'Well, old chap, we all must go sometime and somehow. Is there anything you would like me to get you?' Hardly able to speak, the sufferer indicated, 'I'll take a drop of champagne with you, as a last friendly act, if I can get it down.' With difficulty he took a little, and still lives to tell the story."

Since the "affecting instance of Colonel Snobley" we have had nothing quite so rich as that--unless, indeed, it was the thrill of loyal rejoicing which ran round the nation when, just before Christmas 1871, it was announced that our present Sovereign, then in the throes of typhoid, had called for a glass of beer. Then, like true Britons, reared on malt and hops, we felt that all was well, and addressed ourselves to our Christmas turkey with the comfortable assurance that the Prince of Wales had turned the corner. Reared on malt and hops, I said; but many other ingredients went to the system on which some of us were reared. "That poor creature, small beer" at meal-time, was reinforced by a glass of port wine at eleven, by brandy and water if ever one looked squeamish, by mulled claret at bedtime in cold weather, by champagne on all occasions of domestic festivity, and by hot elderberry wine if one had a cold in the head. Poison? quotha. It was like Fontenelle's coffee, and, even though some of us have not yet turned eighty, at any rate we were not cut off untimely nor hurried into a drunkard's grave. And then think of the men whom the system produced! Thackeray (who knew what he was talking about) said that "our intellect ripens with good cheer and throws off surprising crops under the influence of that admirable liquid, claret." But all claret, according to Dr. Johnson, would be port if it could; and a catena of port wine-drinkers could contain some of the most famous names of the last century. Mr. Gladstone, to whom the other pleasures of the table meant nothing, was a stickler for port, a believer in it, a judge of it. The only feeble speech which, in my hearing, he ever made was made after dining at an otherwise hospitable house where wine was not suffered to appear. Lord Tennyson, until vanquished by Sir Andrew Clark, drank his bottle of port every day, and drank it undecanted, for, as he justly observed, a decanter holds only eight glasses, but a black bottle nine. Mr. Browning, if he could have his own way, drank port all through dinner as well as after it. Sir Moses Montefiore, who, as his kinsfolk said, got up to par--or, in other words, completed his hundred years,--had drunk a bottle of port every day since he came to man's estate. Dr. Charles Sumner, the last Prince-Bishop of Winchester, so comely and benign that he was called "The Beauty of Holiness," lent ecclesiastical sanction to the same tradition by not only drinking port himself but distributing it with gracious generosity to impoverished clergy. But, if I were to sing all the praises of port, I should have no room for other wines.

Sherry--but no. Just now it is a point of literary honour not to talk about sherry;[7] so, Dante-like, I do not reason about that particular wine, but gaze and pass on--only remarking, as I pass, that Mr. Ruskin's handsome patrimony was made out of sherry, and that this circumstance lent a peculiar zest to his utterances from the professorial chair at Oxford about the immorality of Capital and "the sweet poison of misusèd wine." An enthusiastic clergyman who wore the Blue Ribbon had been urging on Archbishop Benson his own strong convictions about the wickedness of wine-drinking. That courtly prelate listened with tranquil sympathy till the orator stopped for breath, and then observed, in suavest accents, "And yet I always think that good claret tastes very like a good creature of God." There are many who, in the depths of their conscience, agree with his Grace; and they would drink claret and nothing but claret if they could get it at dinner. Far distant are the days when Lord Alvanley said, "The little wine I drink I drink at dinner,--but the great deal of wine I drink I drink after dinner." Nowadays no one drinks any after dinner. The King killed after-dinner drinking when he introduced cigarettes. But, for some inexplicable reason, men who have good claret will not produce it at dinner. They wait till the air is poisoned and the palate deadened with tobacco, and then complain that nobody drinks claret. The late Lord Granville (who had spent so many years of his life in taking the chair at public dinners that his friends called him Pére La Chaise) once told me that, where you are not sure of your beverages, it was always safest to drink hock. So little was drunk in England that it was not worth while to adulterate it. Since those days the still wines of Mosel have flooded the country, and it is difficult to repress the conviction that the principal vineyards must belong to the Medical Faculty, so persistently and so universally do they prescribe those rather dispiriting vintages.

[7] A correspondence on Sherry had just been running in the daily press.

But, after all said and done, when we in the twentieth century say Wine, we mean champagne, even as our fathers meant port. And in champagne we have seen a silent but epoch-making revolution. I well remember the champagne of my youth; a liquid esteemed more precious than gold, and dribbled out into saucer-shaped glasses half-way through dinner on occasions of high ceremony. It was thick and sticky; in colour a sort of brick-dust red, and it scarcely bubbled, let alone foaming or sparkling.

"How sad, and bad, and mad it was,--
And oh! how it was sweet!"

Nowadays, we are told, more champagne is drunk in Russia than is grown in France. And the "foaming grape," which Tennyson glorified, is so copiously diluted that it ranks only immediately above small beer in the scale of alcoholic strength. Mr. Finching, the wine-merchant in "Little Dorrit," thought it "weak but palatable," and Lord St. Jerome in "Lothair" was esteemed by the young men a "patriot," "because he always gave his best champagne at his ball suppers." Such patriotism as that, at any rate, is not the refuge of a scoundrel.

_Wine and Water._ I return to my beginnings, and, as I ponder the innocuous theme, all sorts of apt citations come crowding on the Ear of Memory. Bards of every age and clime have sung the praises of wine, but songs in praise of water are more difficult to find. Once on a time, when a Maid of Honour had performed a rather mild air on the piano, Queen Victoria asked her what it was called. "A German Drinking-Song, ma'am." "Drinking-Song! One couldn't drink a cup of tea to it." A kindred feebleness seems to have beset all the poets who have tried to hymn the praises of water; nor was it overcome till some quite recent singer, who had not forgotten his Pindar, thus improved on the immortal _Ariston men hudor_:--

"Pure water is the best of gifts
That man to man can bring;
But what am I, that I should have
The best of anything?

"Let Princes revel at the Pump,
Let Peers enjoy their tea;[8]
But whisky, beer, or even wine
Is good enough for me."

[8] Some commentators read--"Peers with the pond make free."

XXI

DINNER

"We may live without poetry, music, and art;
We may live without conscience and live without heart;
We may live without friends; we may live without books;
But civilized man cannot live without Cooks.

"He may live without lore--what is knowledge but grieving?
He may live without hope--what is hope but deceiving?
He may live without love--what is passion but pining?
But where is the man that can live without dining?"

The poet who wrote those feeling lines acted up to what he professed, and would, I think, have been interested in our present subject; for he it was who, in the mellow glory of his literary and social fame, said: "It is many years since I felt hungry; but, thank goodness, I am still greedy." In my youth there used to be a story of a High Sheriff who, having sworn to keep the jury in a trial for felony locked up without food or drink till they had agreed upon their verdict, was told that one of them was faint and had asked for a glass of water. The High Sheriff went to the Judge and requested his directions. The Judge, after due reflection, ruled as follows: "You have sworn not to give the jury food or drink till they have agreed upon their verdict. A glass of water certainly is not food; and, for my own part, I shouldn't call it drink. Yes; you can give the man a glass of water."

In a like spirit, I suppose that most of us would regard wine as being, if not of the essence, at least an inseparable accident, of Dinner; but the subject of wine has been so freely handled in a previous chapter that, though it is by no means exhausted, we will to-day treat it only incidentally, and as it presents itself in connexion with the majestic theme of Dinner.

The great Lord Holland, famed in Memoirs, was greater in nothing than in his quality of host; and, like all the truly great, he manifested all his noblest attributes on the humblest occasions. Thus, he was once entertaining a schoolboy, who had come to spend a whole holiday at Holland House, and, in the openness of his heart, he told the urchin that he might have what he liked for dinner. "Young in years, but in sage counsels old," as the divine Milton says, the Westminster boy demanded, not sausages and strawberry cream, but a roast duck with green peas, and an apricot tart. The delighted host brushed away a tear of sensibility, and said, "My boy, if in all the important questions of your life you decide as wisely as you have decided now, you will be a great and a good man." The prophecy was verified, and surely the incident deserved to be embalmed in verse; but, somehow, the poets always seem to have fought shy of Dinner. Byron, as might be expected, comes nearest to the proper inspiration when he writes of

"A roast and a ragout,
And fish, and soup, by some side dishes back'd."

But even this is tepid. Owen Meredith, in the poem from which I have already quoted, gives some portion of a menu in metre. Sydney Smith, as we all know, wrote a recipe for a salad in heroic couplets. Prior, I think, describes a City Feast, bringing in "swan and bustard" to rhyme with "tart and custard." The late Mr. Mortimer Collins is believed to have been the only writer who ever put "cutlet" into a verse. When Rogers wrote "the rich relics of a well-spent hour" he was not--though he ought to have been--thinking of dinner. Shakespeare and Spenser, and Milton and Wordsworth, and Shelley and Tennyson deal only with fragments and fringes of the great subject. They mention a joint or a dish, a vintage or a draught, but do not harmonize and co-ordinate even such slight knowledge of gastronomy as they may be supposed to have possessed. In fact, the subject was too great for them, and they wisely left it to the more adequate medium of prose. Among the prose-poets who have had the true feeling for Dinner, Thackeray stands supreme. When he describes it facetiously, as in "The Little Dinner at Timmins's" or "A Dinner in the City," he is good; but he is far, far better when he treats a serious theme seriously, as in "Memorials of Gormandizing" and "Greenwich Whitebait."

I assign the first place to Thackeray because his eulogy is more finished, more careful, more delicate; but Sir Walter had a fine, free style, a certain broadness of effect, in describing a dinner which places him high in the list. Those venison pasties and spatchcocked eels and butts of Rhenish wine and stoups of old Canary which figure so largely in the historical novels still make my mouth water. The dinner which Rob Roy gave Bailie Nicol Jarvie, though of necessity cold, was well conceived; and, barring the solan goose, I should have deeply enjoyed the banquet at which the Antiquary entertained Sir Arthur Wardour. The imaginary feast which Caleb Balderstone prepared for the Lord Keeper was so good that it deserved to be real. Dickens, the supreme exponent of High Tea, knew very little about Dinner, though I remember a good meal of the _bourgeois_ type at the house of the Patriarch in "Little Dorrit." Lord Lytton dismissed even a bad dinner all too curtly when he said that "the soup was cold, the ice was hot, and everything in the house was sour except the vinegar." James Payn left in his one unsuccessful book, "Meliboeus in London," the best account, because the simplest, of a Fish-dinner at Greenwich; in that special department he is run close by Lord Beaconsfield in "Tancred"; but it is no disgrace to be equalled or even surpassed by the greatest man who ever described a dinner. With Lord Beaconsfield gastronomy was an instinct; it breathes in every page of his Letters to his Sister. He found a roast swan "very white and good." He dined out "to meet some truffles--very agreeable company." At Sir Robert Peel's he reported "the second course really remarkable," and noted the startling fact that Sir Robert "boldly attacked his turbot with his knife." It was he, I believe, who said of a rival Chancellor of the Exchequer that his soup was made from "deferred stock." 'Twere long to trace the same generous enthusiasm for Dinner through all Lord Beaconsfield's Novels. He knew the Kitchen of the Past as well as of the Present. Lady Annabel's Bill of Fare in "Venetia" is a monument of culinary scholarship. Is there anything in fiction more moving than the agony of the _chef_ at Lord Montacute's coming of age? "It was only by the most desperate personal exertions that I rescued the _soufflés_. It was an affair of the Bridge of Arcola." And, if it be objected that all these scenes belong to a rather remote past, let us take this vignette of the fashionable solicitor in "Lothair," Mr. Putney Giles, as he sits down to dinner after a day of exciting work: "It is a pleasent thing to see an opulent and prosperous man of business, sanguine and full of health and a little overworked, at that royal meal, Dinner. How he enjoys his soup! And how curious in his fish! How critical in his _entrée_, and how nice in his Welsh mutton! His exhausted brain rallies under the glass of dry sherry, and he realizes all his dreams with the aid of claret that has the true flavour of the violet." "Doctors," said Thackeray, who knew and loved them, "notoriously dine well. When my excellent friend Sangrado takes a bumper, and saying, with a shrug and a twinkle of his eye, _Video meliora proboque, Deteriora sequor_, tosses off the wine, I always ask the butler for a glass of that bottle." That tradition of medical gastronomy dates from a remote period of our history. "Culina," by far the richest Cookery-book ever composed, was edited and given to the world in 1810 by a doctor--"A. Hunter, M.D., F.R.S." Dr. William Kitchener died in 1827, but not before his "Cook's Oracle" and "Peptic Precepts" had secured him an undying fame. In our own days, Sir Henry Thompson's "Octaves" were the most famous dinners in London, both as regards food and wine; and his "Food and Feeding" is the best guide-book to greediness I know. But here I feel that I am descending into details. "Dear Bob, I have seen the mahoganies of many men." But to-day I am treating of Dinner rather than of dinners--of the abstract Idea which has its real existence in a higher sphere,--not of the concrete forms in which it is embodied on this earth. Perhaps further on I may have a word to say about "Dinners."

XXII

DINNERS

_Sero sed serio._ It is the motto of the House of Cecil; and the late Lord Salisbury, long detained by business at the Foreign Office and at length sitting down to his well-earned dinner, used to translate it--"Unpunctual, but hungry." Such a formula may suitably introduce the subject of our present meditations; and, although that subject is not temporary or ephemeral, but rather belongs to all time, still at this moment it is specially opportune. Sir James Crichton-Browne has been frightening us to death with dark tales of physical degeneration, and he has been heartless enough to do so just when we are reeling under the effects of Sir Victor Horsley's attack on Alcohol. Burke, in opposing a tax on gin, pleaded that "mankind have in every age called in some material assistance to their moral consolation." These modern men of science tell us that we must by no means call in gin or any of its more genteel kinsfolk in the great family of Alcohol. Water hardly seems to meet the case--besides, it has typhoid germs in it. Tea and coffee are "nerve-stimulants," and must therefore be avoided by a neurotic generation. Physical degeneracy, then, must be staved off with food; food, in a sound philosophy of life, means Dinner; and Dinner, the ideal or abstraction, reveals itself to man in the concrete form of Dinners.

Having thus formulated my theme, I part company, here and now, with poets and romancists and all that dreamy crew, and betake myself, like Mr. Gradgrind, to facts. In loftier phrase, I pursue the historic method, and narrate, with the accuracy of Freeman, though, alas! without the brilliancy of Froude, some of the actual dinners on which mankind has lived. Creasy wrote of the "Fifteen Decisive Battles of the World"--the Fifteen Decisive Dinners of the World would be a far more interesting theme; but the generous catalogue unrolls its scroll, and "fifteen" would have to be multiplied by ten or a hundred before the tale was told. A friend of mine had a pious habit of pasting into an album the _Menu_ of every dinner at which he had enjoyed himself. Studying the album retrospectively, he used to put an asterisk against the most memorable of these records. There were three asterisks against the _Menu_ of a dinner given by Lord Lyons at the British Embassy at Paris. "_Quails and Roman Punch_," said my friend with tears in his voice. "You can't get beyond that." This evidently had been one of the Fifteen Decisive Dinners of his gastronomic world. Did not the poet Young exclaim, in one of his most pietistic "Night Thoughts,"

"The undevout Gastronomer is mad"?

Or, has an unintended "G" crept into the line?

I treasure among my relics the "Bill of Fare" (for in those days we talked English) of a Tavern Dinner for seven persons, triumphantly eaten in 1751. Including vegetables and dessert, and excluding beverages, it comprises thirty-eight items; and the total cost was £81, 11s. 6d. (without counting the Waiter). Twenty years later than the date of this heroic feast Dr. Johnson, who certainly could do most things which required the use of a pen, vaunted in his overweening pride that he could write a cookery-book, and not only this, but "a better book of cookery than has ever yet been written; it should be a book on philosophical principles." The philosophical principles must have been those of the Stoic school if they could induce his readers or his guests to endure patiently such a dinner as he gave poor Bozzy on Easter-day, 1773--"a very good soup, a boiled leg of lamb and spinach, a veal pie, and a rice pudding." One is glad to know that the soup was good; for, as Sir Henry Thompson said in "Food and Feeding," "the _rationale_ of the initial soup has been often discussed," and the best opinion is that the function of the soup is to fortify the digestion against what is to come. A man who is to dine on boiled lamb, veal pie, and rice pudding needs all the fortifying he can get. With some of us it would indeed be a "decisive" dinner--the last which we should consume on this planet.

True enjoyment, as well as true virtue, lies in the Golden Mean; and, as we round the corner where the eighteenth century meets the nineteenth, we begin to encounter a system of dining less profligately elaborate than the Tavern Dinner of 1751, and yet less poisonously crude than Dr. Johnson's Easter Dinner of 1773. The first Earl of Dudley (who died in 1833) disdained kickshaws, and, with manly simplicity, demanded only "a good soup, a small turbot, a neck of venison, ducklings with green peas (or chicken with asparagus), and an apricot tart." Even more meagre was the repast which Macaulay deemed sufficient for his own wants and those of a friend: "Ellis came to dinner at seven. I gave him a lobster curry, woodcock, and maccaroni." From such frugality, bordering on asceticism, it is a relief to turn to the more bounteous hospitality of Sir Robert Peel, of whose dinner the youthful Disraeli wrote: "It was curiously sumptuous; every delicacy of the season, and the second course, of dried salmon, olives, caviare, woodcock pie, _foiegras_, and every combination of cured herring, &c., was really remarkable." Yes, indeed! "on dine remarquablement chez vous."

After all, the social life of the capital naturally takes its tone and manner from the august centre round which it moves. If the Court dines well, so do those who frequent it. The legs of mutton and apple dumplings which satisfied the simple taste of George III. read now like a horrid dream. Perhaps, as the digestion and the brain are so closely connected, they helped to drive him mad. His sons ate more reasonably; and, in a later generation, gastronomic science in high places was quickened by the thoughtful intelligence of Prince Albert directing the practical skill of Francatelli and Moret. Here is a brief abstract or epitome of Queen Victoria's dinner on the 21st of September 1841. It begins modestly with two soups; it goes on, more daringly, to four kinds of fish; four also are the joints, followed (not, as now, preceded) by eight _entrées_. Then come chickens and partridges; vegetables, savouries, and sweets to the number of fifteen: and, lest any one should still suffer from the pangs of unsatiated desire, there were thoughtfully placed on the sideboard Roast Beef, Roast Mutton, Haunch of Venison, Hashed Venison, and _Riz au consommé_. But those were famous days. Fifty-four years had sped their course, and Her Majesty's Christmas Dinner in the year 1895 shows a lamentable shrinkage. Three soups indeed there were, but only one fish, and that a Fried Sole, which can be produced by kitchens less than Royal. To this succeeded a beggarly array of four _entrées_, three joints, and two sorts of game; but the _Menu_ recovers itself a little in seven sweet dishes; while the sideboard displayed the "Boar's Head, Baron of Beef, and Woodcock Pie," which supplied the thrifty Journalist with appropriate copy at every Christmas of Her Majesty's long reign.

When Lord Derby and Mr. Disraeli had succeeded in "dishing the Whigs" by establishing Household Suffrage, they and their colleagues went with a light heart and a good conscience to dine at the Ship Hotel, Greenwich, on the 14th of August 1867. That was, in some senses, a "decisive" dinner, for it sealed the destruction of the old Conservatism and inaugurated the reign of Tory Democracy. The triumphant Ministers had turtle soup, eleven kinds of fish, two _entrées_, a haunch of venison, poultry, ham, grouse, leverets, five sweet dishes, and two kinds of ice. Eliminating the meat, this is very much the same sort of dinner as that at which Cardinal Wiseman was entertained by his co-religionists when he assumed the Archbishopric of Westminster, and I remember that his Life, by Mr. Wilfred Ward, records the dismay with which his "maigre" fare inspired more ascetic temperaments. "He kept the table of a Roman Cardinal, and surprised some Puseyite guests by four courses of fish in Lent." There is something very touching in the exculpatory language of his friend and disciple Father Faber--"The dear Cardinal had a Lobster-salad side to his character."

Ever since the days of Burns, the "chiel amang ye takin' notes" has been an unpopular character, and not without reason, as the following extract shows. Mr. John Evelyn Denison (afterwards Lord Eversley) was Speaker of the House of Commons in 1865, and on the eve of the opening of the Session he dined, according to custom, with Lord Palmerston, then Prime Minister and Leader of the House. Lord Palmerston was in his eighty-first year and gouty. Political issues of the gravest importance hung on his life. The Speaker, like a _rusé_ old politician as he was, kept a cold grey eye on Palmerston's performance at dinner, regarding it, rightly, as an index to his state of health; and this was what he reported about his host's capacities: "His dinner consisted of turtle soup, fish, patties, fricandeau, a third _entrée_, a slice of roast mutton, a second slice, a slice of hard-looking ham. In the second course, pheasant, pudding, jelly. At dessert, dressed oranges and half a large pear. He drank seltzer water only, but late in the dinner one glass of sweet champagne, and, I think, a glass of sherry at dessert." This was one of the "decisive" dinners, for Palmerston died in the following October. The only wonder is that he lived so long. The dinner which killed the Duke of Wellington was a cold pie and a salad.

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Seeing and HearingChapter IV: Part 4

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