Chapter III: Old Provence (2)

It is a very picturesque and pretty place. Great mill-wheels, turning slowly and constantly, stand at intervals in the stream, whose grassy banks are now as green as in springtime. We walked along the Sorgues--which is quite as beautiful and worthy to be sung as the Clitumnus--to the end of the village to take the road to Vaucluse. Beside its banks stands the "Hôtel de Petrarque et Laure." Alas that names of the most romantic and impassioned lovers of all history should be desecrated to a sign-post to allure gormandizing tourists!

The bare mountain in whose heart lies the poet's solitude now rose before us at the foot of the lofty Mount Ventoux, whose summit of snows extended beyond. We left the river and walked over a barren plain across which the wind blew most drearily. The sky was rainy and dark, and completed the desolateness of the scene, which in nowise heightened our anticipations of the renowned glen. At length we rejoined the Sorgues and entered a little green valley running up into the mountain. The narrowness of the entrance entirely shut out the wind, and, except the rolling of the waters over their pebbly bed, all was still and lonely and beautiful. The sides of the dell were covered with olive trees, and a narrow strip of emerald meadow lay at the bottom.

It grew more hidden and sequestered as we approached the little village of Vaucluse. Here the mountain towers far above, and precipices of gray rock many hundred feet high hang over the narrowing glen. On a crag over the village are the remains of a castle; the slope below this, now rugged and stony, was once graced by the cottage and garden of Petrarch. All traces of them have long since vanished, but a simple column bearing the inscription. "A Petrarque" stands beside the Sorgues.

We ascended into the defile by a path among the rocks, overshadowed by olives and wild fig-trees, to the celebrated fountains of Vaucluse. The glen seems as if stuck into the mountain's depths by one blow of the enchanter's wand, and just at the end, where the rod might have rested in its downward sweep, is the fathomless well whose over-brimming fulness gives birth to the Sorgues. We climbed up over the mossy rocks and sat down in the grotto beside the dark, still pool. It was the most absolute solitude.

The rocks towered above and over us to the height of six hundred feet, and the gray walls of the wild glen below shut out all appearance of life. I leaned over the rock and drank of the blue crystal that grew gradually darker toward the center till it became a mirror and gave back a perfect reflection of the crags above it. There was no bubbling, no gushing up from its deep bosom, but the wealth of sparkling waters continually welled over as from a too-full goblet.

It was with actual sorrow that I turned away from the silent spot. I never visited a place to which the fancy clung more suddenly and fondly. There is something holy in its solitude, making one envy Petrarch the years of calm and unsullied enjoyment which blest him there. As some persons whom we pass as strangers strike a hidden chord in our spirits, compelling a silent sympathy with them, so some landscapes have a character of beauty which harmonizes thrillingly with the mood in which we look upon them, till we forget admiration in the glow of spontaneous attachment. They seem like abodes of the beautiful which the soul in its wanderings long ago visited and now recognizes and loves as the home of a forgotten dream. It was thus I felt by the fountains of Vaucluse; sadly and with weary steps I turned away, leaving its loneliness unbroken as before.

We returned over the plain in the wind, under the gloomy sky, passed L'Isle at dusk, and after walking an hour with a rain following close behind us stopt at an auberge in Le Thor, where we rested our tired frames and broke our long day's fasting. We were greeted in the morning with a dismal rain and wet roads as we began the march. After a time, however, it poured down in such torrents that we were obliged to take shelter in a remise by the roadside, where a good woman who addrest us in the unintelligible Provençal kindled up a blazing fire. On climbing a long hill when the storm had abated, we experienced a delightful surprise. Below us lay the broad valley of the Rhone, with its meadows looking fresh and spring-like after the rain. The clouds were breaking away; clear blue sky was visible over Avignon, and a belt of sunlight lay warmly along the mountains of Languedoc. Many villages with their tall picturesque towers dotted the landscape, and the groves of green olive enlivened the barrenness of winter.

The Pont du Gard--Aigues-Mortes-Nîmes

By Henry James

[Footnote: From "A Little Tour in France." By special arrangement with, and by permission of, the publishers, Houghton, Mifflin Co. Copyright, 1884.]

It was a pleasure to feel one's self in Provence again--the land where the silver-gray earth is impregnated with the light of the sky. To celebrate the event, as soon as I arrived at Nîmes I engaged a calèche to convey me to the Pont du Gard. The day was yet young, and it was perfectly fair; it appeared well, for a longish drive, to take advantage, without delay, of such security. After I had left the town I became more intimate with that Provençal charm which I had already enjoyed from the window of the train, and which glowed in the sweet sunshine and the white rocks, and lurked in the smoke-puffs of the little olives.

The olive-trees in Provence are half the landscape. They are neither so tall, so stout, nor so richly contorted as I have seen them beyond the Alps; but this mild colorless bloom seems the very texture of the country. The road from Nîmes, for a distance of fifteen miles, is superb; broad enough for an army, and as white and firm as a dinner-table. It stretches away over undulations which suggest a kind of harmony; and in the curves it makes through the wide, free country, where there is never a hedge or a wall, and the detail is always exquisite, there is something majestic, almost processional. You are very near (the Pont du Gard) before you see it; the ravine it spans suddenly opens and exhibits the picture. The scene at this point grows extremely beautiful. The ravine is the valley of the Garden, which the road from Nîmes has followed some time without taking account of it, but which, exactly at the right distance from the aqueduct, deepens and expands, and puts on those characteristics which are best suited to give it effect. The gorge becomes romantic, still, and solitary, and, with its white rocks and wild shrubbery, hangs over the clear, colored river, in whose slow course there is here and there a deeper pool. Over the valley, from side to side, and ever so high in the air, stretch the three tiers of the tremendous bridge. They are unspeakably imposing, and nothing could well be more Roman.

The hugeness, the solidity, the unexpectedness, the monumental rectitude of the whole thing leave you nothing to say--at the time--and make you stand gazing. You simply feel that it is noble and perfect, that it has the quality of greatness. A road, branching from the highway, descends to the level of the river and passes under one of the arches. This road has a wide margin of grass and loose stones, which slopes upward into the bank of the ravine. You may sit here as long as you please, staring up at the light, strong piers; the spot is extremely natural, tho two or three stone benches have been erected on it.

I remained there an hour and got a complete impression; the place was perfectly soundless, and for the time, at least, lonely; the splendid afternoon had begun to fade, and there was a fascination in the object I had come to see. It came to pass that at the same time I discovered in it a certain stupidity, a vague brutality. That element is rarely absent from great Roman work, which is wanting in the nice adaption of the means to the end. The means are always exaggerated; the end is so much more than attained. The Roman rigidity was apt to overshoot the mark, and I suppose a race which could do nothing small is as defective as a race that can do nothing great. Of this Roman rigidity the Pont du Gard is an admirable example.

It would be a great injustice, however, not to insist upon its beauty--a kind of manly beauty, that of an object constructed not to please but to serve, and impressive simply from the scale on which it carries out this intention. The number of arches in each tier is different; they are smaller and more numerous as they ascend. The preservation of the thing is extraordinary; nothing has crumbled or collapsed; every feature remains; and the huge blocks of stone, of a brownish-yellow (as if they had been baked by the Provençal sun for eighteen centuries), pile themselves, without mortar or cement, as evenly as the day they were laid together.

All this to carry the water of a couple of springs to a little provincial city! The conduit on the top has retained its shape and traces of the cement with which it was lined. When the vague twilight began to gather, the lonely valley seemed to fill itself with the shadow of the Roman name, as if the mighty empire were still as erect as the support of the aqueduct; and it was open to a solitary tourist, sitting there sentimental, to believe that no people has ever been, or will ever be, as great as that, measured, as we measure the greatness of an individual, by the push they gave to what they undertook. The Pont du Gard is one of the three or four deepest impressions they have left; it speaks of them in a manner with which they might have been satisfied....

On my way back to the little inn where I had left my vehicle, I passed the Pont du Gard, and took another look at it. Its great arches made windows for the evening sky, and the rocky ravine, with its dusky cedars and shining river, was lonelier than before. At the inn I swallowed, or tried to swallow, a glass of horrible wine with my coachman; after which, with my team, I drove back to Nîmes in the moonlight. It only added a more solitary whiteness to the constant sheen of the Provençal landscape.

* * * * *

The weather the next day was equally fair, so that it seemed an imprudence not to make sure of Aigues-Mortes. Nîmes itself could wait; at a pinch, I could attend to Nîmes in the rain. It was my belief that Aigues-Mortes was a little gem, and it is natural to desire that gems should have an opportunity to sparkle. This is an excursion of but a few hours, and there is a little friendly, familiar, dawdling train that will convey you, in time for a noonday breakfast, to the small dead town where the blest Saint Louis twice embarked for the crusades. You may get back to Nîmes for dinner; the run is of about an hour.

I found the little journey charming, and looked out of the carriage window, on my right, at the distant Cévennes, covered with tones of amber and blue, and, all around, at vineyards red with the touch of October. The grapes were gone, but the plants had a color of their own. Within a certain distance of Aigues-Mortes they give place to wide salt-marshes, traversed by two canals; and over this expanse the train rumbles slowly upon a narrow causeway, failing for some time, tho you know you are near the object of your curiosity, to bring you to sight of anything but the horizon. Suddenly it appears, the towered and embattled mass, lying so low that the crest of its defences seems to rise straight out of the ground; and it is not till the train stops, close before them that you are able to take the full measure of its walls.

Aigues-Mortes stands on the edge of a wide étang, or shallow inlet of the sea, the further side of which is divided by a narrow band of coast from the Gulf of Lyons. Next after Carcassonne, to which it forms an admirable pendant, it is the most perfect thing of the kind in France. It has a rival in the person of Avignon, but the ramparts of Avignon are much less effective. Like Carcassonne, it is completely surrounded with its old fortifications; and if they are far simpler in character (there is but one circle), they are quite as well preserved. The moat has been filled up, and the site of the town might be figured by a billiard-table without pockets. On this absolute level, covered with coarse grass, Aigues-Mortes presents quite the appearance of the walled town that a school-boy draws upon his slate, or that we see in the background of early Flemish pictures--a simple parallelogram, of a contour almost absurdly bare, broken at intervals by angular towers and square holes.

Such, literally speaking, is this delightful little city, which needs to be seen to tell its full story. It is extraordinarily pictorial, and if it is a very small sister of Carcassonne, it has at least the essential features of the family. Indeed, it is even more like an image and less like a reality than Carcassonne; for by position and prospect it seems even more detached from the life of the present day. It is true that Aigues-Mortes does a little business; it sees certain bags of salt piled into barges which stand in a canal beside it, and which carry their cargo into actual places. But nothing could well be more drowsy and desultory than this industry as I saw it practised, with the aid of two or three brown peasants and under the eye of a solitary douanier who strolled on the little quay beneath the western wall. "C'est bien plaisant, c'est bien paisible," said this worthy man, with whom I had some conversation; and pleasant and peaceful is the place indeed, tho the former of these epithets may suggest an element of gayety in which Aigues-Mortes is deficient.

The sand, the salt, the dull sea-view, surround it with a bright, quiet melancholy. There are fifteen towers and nine gates, five of which are on the southern side, overlooking the water. I walked all round the place three times (it doesn't take long), but lingered most under the southern wall, where the afternoon light slept in the dreamiest, sweetest way. I sat down on an old stone, and looked away to the desolate salt-marshes and still, shining surface of the étang; and, as I did so, reflected that this was a queer little out-of-the-world corner to have been chosen, in the great dominions of either monarch, for that pompous interview which took place, in 1538, between Francis I. and Charles V. It was also not easy to perceive how Louis IX., when in 1248 and 1270 he started for the Holy Land, set his army afloat in such very undeveloped channels.

An hour later I purchased in the town a little pamphlet by M. Marius Topin, who undertakes to explain this latter anomaly, and to show that there is water enough in the port, as we may call it by courtesy, to have sustained a fleet of crusaders. I was unable to trace the channel that he points out, but was glad to believe that, as he contends, the sea has not retreated from the town since the thirteenth century. It was comfortable to think that things are not so changed as that. M. Topin indicates that the other French ports of the Mediterranean were not then "disponibles," and that Aigues-Mortes was the most eligible spot for an embarkation.

Behind the straight walls and the quiet gates the little town has not crumbled, like the Cité of Carcassonne. It can hardly be said to be alive; but if it is dead it has been very neatly embalmed. The hand of the restorer rests on it constantly; but this artist has not, as at Carcassonne, had miracles to accomplish. The interior is very still and empty, with small stony, whitewashed streets, tenanted by a stray dog, a stray cat, a stray old woman. In the middle is a little place, with two or three cafés decorated by wide awnings--a little place of which the principal feature is a very bad bronze statue of Saint Louis by Pradier. It is almost as bad as the breakfast I had at the inn that bears the name of that pious monarch.

You may walk round the enceinte of Aigues-Mortes, both outside and in; but you may not, as at Carcassonne, make a portion of this circuit on the chemin de ronde, the little projecting footway attached to the inner face of the battlements. This footway, wide enough only for a single pedestrian, is in the best order, and near each of the gates a flight of steps leads up to it; but a locked gate, at the top of the steps, makes access impossible, or at least unlawful. Aigues-Mortes, however, has its citadel, an immense tower, larger than any of the others, a little detached, and standing at the northwest angle of the town. I called upon the casernier--the custodian of the walls--and in his absence I was conducted through this big Tour de Constance by his wife, a very mild, meek woman, yellow with the traces of fever and ague--a scourge which, as might be expected in a town whose name denotes "dead waters," enters freely at the nine gates.

The Tour de Constance is of extraordinary girth and solidity, divided into three superposed circular chambers, with very fine vaults, which are lighted by embrasures of prodigious depth, converging to windows little larger than loop-holes. The place served for years as a prison to many of the Protestants of the south whom the revocation of the Edict of Nantes had exposed to atrocious penalties, and the annals of these dreadful chambers during the first half of the last century were written in tears and blood. Some of the record cases of long confinement there make one marvel afresh at what man has inflicted and endured. In a country in which a policy of extermination was to be put into practise this horrible tower was an obvious resource. From the battlements at the top, which is surmounted by an old disused lighthouse, you see the little compact rectangular town, which looks hardly bigger than a garden-patch, mapped out beneath you, and follow the plain configuration of its defenses. You take possession of it, and you feel that you will remember it always.

* * * * *

In general Nîmes is poor; its only treasures are its Roman remains, which are of the first order. The new French fashions prevail in many of its streets; the old houses are paltry, and the good houses are new; while beside my hotel rose a big spick-and-span church, which had the oddest air of having been intended for Brooklyn or Cleveland....

What nobler ornament can there be than the Roman baths at the foot of Mont Cavalier, and the delightful old garden that surrounds them? All that quarter of Nîmes has every reason to be proud of itself; it has been revealed to the world at large by copious photography. A clear, abundant stream gushes from the foot of a high hill (covered with trees and laid out in paths), and is distributed into basins which sufficiently refer themselves to the period that gave them birth--the period that has left its stamp on that pompous Peyrou which we admired at Montpellier. Here are the same terraces and steps and balustrades, and a system of water-works less impressive, perhaps, but very ingenious and charming.

The whole place is a mixture of old Rome and of the French eighteenth century; for the remains of the antique baths are in a measure incorporated in the modern fountains. In a corner of this umbrageous precinct stands a small Roman ruin, which is known as a temple of Diana, but was more apparently a nymphaeum, and appears to have had a graceful connection with the adjacent baths. I learn from Murray that this little temple, of the period of Augustus, "was reduced to its present state of ruin in 1577;" the moment at which the towns-people, threatened with a siege by the troops of the crown, partly demolished it, lest it should serve as a cover to the enemy. The remains are very fragmentary, but they serve to show that the place was lovely. I spent half an hour in it on a perfect Sunday morning (it is enclosed by a high grille, carefully tended, and has a warden of its own), and with the help of my imagination tried to reconstruct a little the aspect of things in the Gallo-Roman days.

I do wrong, perhaps, to say that I tried; from a flight so deliberate I should have shrunk. But there was a certain contagion of antiquity in the air; and among the ruins of baths and temples, in the very spot where the aqueduct that crosses the Garden in the wondrous manner I had seen discharged itself, the picture of a splendid paganism seemed vaguely to glow. Roman baths--Roman baths; those words alone were a scene.

Everything was changed; I was strolling in a jardin français; the bosky slope of the Mont Cavalier (a very modest mountain), hanging over the place, is crowded with a shapeless tower, which is as likely to be of medieval as of antique origin; and yet, as I leaned on the parapet of one of the fountains, where a flight of curved steps (a hemicycle, as the French say) descended into a basin full of dark, cool recesses, where the slabs of the Roman foundations gleam through the clear green water--as in this attitude I surrendered myself to contemplation and reverie, it seemed to me that I touched for a moment the ancient world. Such moments are illuminating, and the light of this one mingles, in my memory, with the dusky greenness of the Jardin de la Fontaine.

The fountain proper--the source of all these distributed waters--is the prettiest thing in the world, a reduced copy of Vaucluse. It gushes up at the foot of the Mont Cavalier, at a point where that eminence rises with a certain cliff-like effect, and, like other springs in the same circumstances, appears to issue from the rock with a sort of quivering stillness. I trudge up the Mont Cavalier,--it is a matter of five minutes,--and having committed this cockneyism enhanced it presently by another. I ascended the stupid Tour Magne, the mysterious structure I mentioned a moment ago. The only feature of this dateless tube, except the inevitable collection of photographs to which you are introduced by the doorkeeper, is the view you enjoy from its summit. This view is, of course, remarkably fine but I am ashamed to say I have not the smallest recollection of it; for while I looked into the brilliant spaces of the air I seemed still to see only what I saw in the depths of the Roman baths--the image, disastrously confused and vague, of a vanished world. This world, however, has left at Nîmes a far more considerable memento than a few old stones covered with water-moss.

The Roman arena is the rival of those of Verona and of Arles; at a respectful distance it emulates the Colosseum. It is a small Colosseum, if I may be allowed the expression, and is in a much better preservation than the great circus at Rome. This is especially true of the external walls, with their arches, pillars, cornices. I must add that one should not speak of preservation, in regard to the arena at Nîmes, without speaking also of repair. After the great ruin ceased to be despoiled, it began to be protected, and most of its wounds have been drest with new material. These matters concern the archeologist; and I felt here, as I felt afterward at Arles, that one of the profane, in the presence of such a monument, can only admire and hold his tongue. The great impression, on the whole, is an impression of wonder that so much should have survived. What remains at Nîmes, after all dilapidation is estimated, is astounding.

I spent an hour in the Arènes on that same sweet Sunday morning, as I came back from the Roman baths, and saw that the corridors, the vaults, the staircases, the external casing, are still virtually there. Many of these parts are wanting in the Colosseum, whose sublimity of size, however, can afford to dispense with detail. The seats at Nîmes, like those at Verona, have been largely renewed; not that this mattered much, as I lounged on the cool surface of one of them, and admired the mighty concavity of the place and the elliptical sky-line, broken by uneven blocks and forming the rim of the monstrous cup--a cup that had been filled with horrors, and yet I made my reflections; I said to myself that tho a Roman arena is one of the most impressive of the works of man, it has a touch of that same stupidity which I ventured to discover in the Pont du Gard. It is brutal; it is monotonous; it is not at all exquisite.

The Arènes at Nîmes were arranged for a bull-fight--a form of recreation that, as I was informed, is much dans les habitudes Nîmoises and very common throughout Provence, where (still according to my information) it is the usual pastime of a Sunday afternoon. At Arles and Nîmes it has a characteristic setting, but in the villages the patrons of the game make a circle of carts and barrels, on which the spectators perch themselves. I was surprised at the prevalence, in mild Provence, of the Iberian vice, and hardly know whether it makes the custom more respectable that at Nîmes and Arles the thing is shabbily and imperfectly done. The bulls are rarely killed, and indeed often are bulls only in the Irish sense of the term--being domestic and motherly cows. Such an entertainment of course does not supply to the arena that element of the exquisite which I spoke of as wanting.

The exquisite at Nîmes is mainly represented by the famous Maison Carrée. The first impression you receive from this delicate little building, as you stand before it, is that you have already seen it many times. Photographs, engravings, models, medals, have placed it definitely in your eye, so that from the sentiment with which you regard it curiosity and surprise are almost completely, and perhaps deplorably absent. Admiration remains however--admiration of a familiar and even slightly patronizing kind. The Maison Carrée does not overwhelm you; you can conceive it. It is not one of the great sensations of antique art; but it is perfectly felicitous, and, in spite of having been put to all sorts of incongruous uses, marvelously preserved. Its slender columns, its delicate proportions, its charming compactness, seemed to bring one nearer to the century that built it than the great superpositions of arenas and bridges, and give it the interest that vibrates from one age to another when the note of taste is struck.

If anything were needed to make this little toy-temple a happy production, the service would be rendered by the second-rate boulevard that conducts to it, adorned with inferior cafés and tobacco-shops. Here, in a respectable recess, surrounded by vulgar habitations, and with the theater, of a classic pretension, opposite, stands the small "square house," so called because it is much longer than it is broad. I saw it first in the evening, in the vague moonlight, which made it look as if it were cast in bronze. Stendhal says, justly, that it has the shape of a playing-card, and he expresses his admiration for it by the singular wish that an "exact copy" of it should be erected in Paris. He even goes as far as to say that in the year 1880 this tribute will have been rendered to its charms; nothing would be more simple, to his mind, than to "have" in that city "le Panthéon de Rome, quelques temples de Grèce." Stendhal found it amusing to write in the character of a commis-voyageur, and sometimes it occurs to his reader that he really was one.

Arles and Les Baux

By Henry James

[Footnote: From "A Little Tour in France." By special arrangement with, and by permission of, the publishers, Houghton, Mifflin Co. Copyright, 1884.]

There are two shabby old inns at Arles, which compete closely for your custom. I mean by this that if you elect to go to the Hôtel du Forum, the Hôtel du Nord, which is placed exactly beside it (at a right angle), watches your arrival with ill-concealed disapproval; and if you take the chances of its neighbor, the Hôtel du Forum seems to glare at you invidiously from all its windows and doors. I forget which of these establishments I selected; whichever it was, I wished very much that it had been the other.

The two stand together on the Place des Hommes, a little public square of Arles, which somehow quite misses its effect. As a city, indeed, Arles quite misses its effect in every way; and if it is a charming place, as I think it is, I can hardly tell the reason why. The straight-nosed Arlésiennes account for it in some degree; and the remainder may be charged to the ruins of the arena and the theater. Beyond this, I remember with affection the ill-proportioned little Place des Hommes; not at all monumental, and given over to puddles and to shabby cafés. I recall with tenderness the tortuous and featureless streets, which looked like the streets of a village, and were paved with villainous little sharp stones, making all exercise penitential.

Consecrated by association is even a tiresome walk that I took the evening I arrived, with the purpose of obtaining a view of the Rhone. I had been to Arles before, years ago, and it seemed to me that I remembered finding on the banks of the stream some sort of picture. I think that on the evening of which I speak there was a watery moon, which it seemed to me would light up the past as well as the present. But I found no picture, and I scarcely found the Rhone at all. I lost my way, and there was not a creature in the streets to whom I could appeal. Nothing could be more provincial than the situation of Arles at ten o'clock at night. At last I arrived at a kind of embankment, where I could see the great mud-colored stream slipping along in the soundless darkness. It had come on to rain, I know not what had happened to the moon, and the whole place was anything but gay. It was not what I had looked for; what I had looked for was in the irrecoverable past. I groped my way back to the inn over the infernal cailloux, feeling like a discomfited Dogberry.

I remember now that this hotel was the one (whichever that may be) which has the fragment of a Gallo-Roman portico inserted into one of its angles. I had chosen it for the sake of this exceptional ornament. It was damp and dark, and the floors felt gritty to the feet; it was an establishment at which the dreadful "gras-double" might have appeared at the table d'hôte, as it had done at Narbonne. Nevertheless, I was glad to get back to it; and nevertheless, too--and this is the moral of my simple anecdote--my pointless little walk (I don't speak of the pavement) suffuses itself, as I look back upon it, with a romantic tone. And in relation to the inn, I suppose I had better mention that I am well aware of the inconsistency of a person who dislikes the modern caravansary, and yet grumbles when he finds a hotel of the superannuated sort, one ought to choose, it would seem, and make the best of either alternative. The two old taverns at Arles are quite unimproved; such as they must have been in the infancy of the modern world, when Stendhal passed that way, and the lumbering diligence deposited him in the Place des Hommes, such in every detail they are to-day. Vieilles auberges de France, one ought to enjoy their gritty floors and greasy windowpanes. Let it be put on record, therefore, that I have been, I won't say less comfortable, but at least less happy, at better inns.

To be really historic, I should have mentioned that before going to look for the Rhone I had spent part of the evening on the opposite side of the little place, and that I indulged in this recreation for two definite reasons. One of these was that I had an opportunity of conversing at a café with an attractive young Englishman, whom I had met in the afternoon at Tarascon, and more remotely, in other years, in London; the other was that there sat enthroned behind the counter a splendid mature Arlésienne, whom my companion and I agreed that it was a rare privilege to comtemplate.

There is no rule of good manners or morals which makes it improper, at a café to fix one's eyes upon the dame de comptoir; the lady is, in the nature of things, a part of your "consommation." We were therefore free to admire without restriction the handsomest person I had ever seen give change for a five-franc piece. She was a large quiet woman, who would never see forty again; of an intensely feminine type, yet wonderfully rich and robust, and full of a certain physical nobleness. Tho she was not really old, she was antique, and she was very grave, even a little sad. She had the dignity of a Roman empress, and she handled coppers as if they had been stamped with the head of Caesar.

I have seen washerwomen in the Trastevere who were perhaps as handsome as she; but even the head-dress of the Roman contadina contributes less to the dignity of the person born to wear it than the sweet and stately Arlesian cap, which sits at once aloft and on the back of the head; which is accompanied with a wide black bow covering a considerable part of the crown; and which, finally, accomodates itself indescribably well to the manner in which the tresses of the front are pushed behind the ears.

This admirable dispenser of lumps of sugar has distracted me a little; for I am still not sufficiently historical. Before going to the café I had dined, and before dining I had found time to go and look at the arena. Then it was that I discovered that Arles has no general physiognomy, and, except the delightful little church of Saint Trophimus, no architecture, and that the rugosities of its dirty lanes affect the feet like knife-blades. It was not then, on the other hand, that I saw the arena best. The second day of my stay at Arles I devoted to a pilgrimage to the strange old hill town of Les Baux, the medieval Pompeii, of which I shall give myself the pleasure of speaking.

The evening of that day, however (my friend and I returned in time for a late dinner), I wandered among the Roman remains of the place by the light of a magnificent moon, and gathered an impression which has lost little of its silvery glow. The moon of the evening before had been aqueous and erratic; but if on the present occasion it was guilty of any irregularity, the worst it did was only to linger beyond its time in the heavens, in order to let us look at things comfortably. The effect was admirable; it brought back the impression of the way, in Rome itself, on evenings like that, the moonshine rests upon broken shafts and slabs of antique pavement. As we sat in the theater, looking at the two lone columns that survive--part of the decoration of the back of the stage--and at the fragments of ruin around them, we might have been in the Roman forum.

The arena at Arles, with its great magnitude, is less complete than that at Nîmes; it has suffered even more the assaults of time and of the children of time, and it has been less repaired. The seats are almost wholly wanting; but the external walls, minus the topmost tier of arches, are massively, ruggedly complete; and the vaulted corridors seem as solid as the day they were built. The whole thing is superbly vast, and as monumental, for a place of light amusement--what is called in America a "variety-show"--as it entered only into the Roman mind to make such establishments. The podium is much higher than at Nîmes, and many of the great white slabs that faced it have been recovered and put into their places. The proconsular box has been more or less reconstructed, and the great converging passages of approach to it are still majestically distinct; so that, as I sat there in the moon-charm stillness, leaning my elbows on the battered parapet of the ring, it was not impossible to listen to the murmurs and shudders, the thick voice of the circus, that died away fifteen hundred years ago.

The theater has a voice as well, but it lingers on the ear of time with a different music. The Roman theater at Arles seemed to me one of the most charming and touching ruins I had ever beheld; I took a particular fancy to it. It is less than a skeleton--the arena may be called a skeleton; for it consists only of half a dozen bones. The traces of the row of columns which formed the scene--the permanent back-scene--remain; two marble pillars--I just mentioned them--are upright, with a fragment of their entablature. Before them is the vacant space which was filled by the stage, with the line of the proscenium distinct, marked by a deep groove, imprest upon slabs of stone, which looks as if the bottom of a high screen had been intended to fit into it. The semicircle formed by the seats--half a cup--rises opposite; some of the rows are distinctly marked. The floor, from the bottom of the stage, in the shape of an arc of which the chord is formed by the line of the orchestra, is covered by slabs of colored marble--red, yellow, and green--which, tho terribly battered and cracked to-day, give one an idea of the elegance of the interior.

Everything shows that it was on a great scale: the large sweep of its enclosing walls, the massive corridors that passed behind the auditorium, and of which we can still perfectly take the measure. The way in which every seat commanded the stage is a lesson to the architects of our epoch, as also the immense size of the place is a proof of extraordinary power of voice on the part of the Roman actors. It was after we had spent half an hour in the moonshine at the arena that we came on to this more ghostly and more exquisite ruin. The principal entrance was locked, but we effected an easy escalade, scaled a low parapet, and descended into the place behind the scenes.

It was as light as day, and the solitude was complete. The two slim columns, as we sat on the broken benches, stood there like a pair of silent actors. What I called touching, just now was the thought that here the human voice, the utterance of a great language, had been supreme. The air was full of intonations and cadences; not of the echo of smashing blows, of riven armor, of howling victims and roaring beasts. The spot is, in short, one of the sweetest legacies of the ancient world; and there seems no profanation in the fact that by day it is open to the good people of Arles, who use it to pass, by no means, in great numbers, from one part of the town to the other; treading the old marble floor, and brushing, if need be, the empty benches. This familiarity does not kill the place again; it makes it, on the contrary, live a little--makes the present and the past touch each other.

If I called Les Baux a city, it was not that I was stretching a point in favor of the small spot which to-day contains but a few dozen inhabitants. The history of the place is as extraodinary as its situation. It was not only a city, but a state; not only a state; but an empire; and on the crest of its little mountain called itself sovereign of a territory, or at least of scattered towns and counties, with which its present aspect is grotesquely out of relation. The lords of Les Baux, in a word, were great feudal proprietors; and there was a time during which the island of Sardinia, to say nothing of places nearer home, such as Arles and Marseilles, paid them homage.

The chronicle of this old Provençal house has been written, in a style somewhat unctuous and flowery, by M. Jules Canonge. I purchased the little book--a modest pamphlet--at the establishment of the good sisters, just beside the church, in one of the highest part of Les Baux. The sisters have a school for the hardy little Baussenques, whom I heard piping their lessons, while I waited in the cold parlor for one of the ladies to come and speak to me. Nothing could have been more perfect than the manner of this excellent woman when she arrived; yet her small religious house seemed a very out-of-the-way corner of the world. It was spotlessly neat, and the rooms looked as if they had lately been papered and painted; in this respect, at the medieval Pompeii, they were rather a discord. They were, at any rate, the newest, freshest thing at Les Baux.

I remember going round to the church, after I had left the good sisters, and to a little quiet terrace, which stands in front of it, ornamented with a few small trees and bordered with a wall, breast-high, over which you look down steep hillsides, off into the air and all about the neighboring country. I remember saying to myself that this little terrace was one of those felicitous nooks which the tourist of taste keeps in his mind as a picture. The church was small and brown and dark, with a certain rustic richness. All this however, is no general description of Les Baux.

I am unable to give any coherent account of the place, for the simple reason that it is a mere confusion of ruin. It has not been preserved in lava like Pompeii, and its streets and houses, its ramparts and castle, have become fragmentary, not through the sudden destruction, but through the gradual withdrawal, of a population. It is not an extinguished, but a deserted city; more deserted far than even Carcassonne and Aigues-Mortes, where I found so much entertainment in the grass-grown element.

It is of very small extent, and even in the days of its greatness, when its lords entitled themselves counts of Cephalonia and Neophantis, kings of Arles and Vienne, princes of Achaia, and emperors of Constantinople--even at this flourishing period, when, as M. Jules Canonge remarks, "they were able to depress the balance in which the fate of peoples and kings is weighed," the plucky little city contained at the most no more than thirty-six hundred souls. Yet its lords (who, however, as I have said, were able to present a long list of subject towns, most of them, tho a few are renowned, unknown to fame) were seneschals and captains-general of Piedmont and Lombardy, grand admirals of the kingdom of Naples, and its ladies were sought in marriage by half the first princes in Europe.

A considerable part of the little narrative of M. Canonge is taken up with the great alliances of the House of Baux, whose fortunes, matrimonial and other, he traces from the eleventh century down to the sixteenth. The empty shells of a considerable number of old houses, many of which must have been superb, the lines of certain steep little streets, the foundations of a castle, and ever so many splendid views, are all that remains to-day of these great titles.

To such a list I may add a dozen very polite and sympathetic people, who emerged from the interstices of the desultory little town to gaze at the two foreigners who had driven over from Arles, and whose horses were being baited at the modest inn. The resources of this establishment we did not venture otherwise to test, in spite of the seductive fact that the sign over the door was in the Provençal tongue. This little group included the baker, a rather melancholy young man, in high boots and a cloak, with whom and his companions we had a good deal of conversation.

The Baussenques of to-day struck me as a very mild and agreeable race, with a good deal of the natural amenity which, on occasions like this one, the traveler, who is waiting for his horses to be put in or his dinner to be prepared, observes in the charming people who lend themselves to conversation in the hilltowns of Tuscany. The spot where our entertainers at Les Baux congregated was naturally the most inhabited portion of the town; as I say, there were at least a dozen human figures within sight. Presently we wandered away from them, scaled the higher places, seated ourselves among the ruins of the castle, and looked down from the cliff overhanging that portion of the road which I have mentioned as approaching Les Baux from behind.

I was unable to trace the configuration of the castle as plainly as the writers who have described it in the guide-books, and I am ashamed to say that I did not even perceive the three great figures of stone (the three Marys, as they are called; the two Marys of Scripture, with Martha), which constitute one of the curiosities of the place, and of which M. Jules Canonge speaks with almost hyperbolical admiration. A brisk shower, lasting some ten minutes, led us to take refuge in a cavity, of mysterious origin, where the melancholy baker presently discovered us, having had the bonne pensée of coming up for us with an umbrella which certainly belonged, in former ages, to one of the Stéphanettes or Berangères commemorated by M. Canonge. His oven, I am afraid, was cold so long as our visit lasted.

When the rain was over we wandered down to the little disencumbered space before the inn, through a small labyrinth of obliterated things. They took the form of narrow, precipitous streets, bordered by empty houses, with gaping windows and absent doors, through which we had glimpses of sculptured chimney-pieces and fragments of stately arch and vault. Some of the houses are still inhabited; but most of them are open to the air and weather. Some of them have completely collapsed; others present to the street a front which enables one to judge of the physiognomy of Les Baux in the days of its importance. This importance had pretty well passed away in the early part of the sixteenth century, when the place ceased to be an independent principality, It became--by request of one of its lords, Bernardin des Baux, a great captain of his time--part of the appanage of the kings of France, by whom it was placed under the protection of Arles, which had formerly occupied with regard to it a different position. I know not whether the Arlesians neglected their trust; but the extinction of the sturdy little stronghold is too complete not to have begun long ago. Its memories are buried under its ponderous stones.

As ve drove away from it in the gloaming, my friend and I agreed that the two or three hours we had spent there were among the happiest impressions of a pair of tourists very curious in the picturesque. We almost forgot that we were bound to regret that the shortened day left us no time to drive five miles further, above a pass in the little mountains--it had beckoned to us in the morning, when we came in sight of it, almost irresistibly--to see the Roman arch and mausoleum of Saint Remy. To compass this larger excursion (including the visit to Les Baux) you must start from Arles very early in the morning; but I can imagine no more delightful day.