Chapter X: Part II: In the Flood (1)

Three months after the survey of the Espiritu Santo Rancho, I was again in the valley of the Sacramento. But a general and terrible visitation had erased the memory of that event as completely as I supposed it had obliterated the boundary monuments I had planted. The great flood of 1861-62 was at its height when, obeying some indefinite yearning, I took my carpetbag and embarked for the inundated valley.

There was nothing to be seen from the bright cabin windows of the GOLDEN CITY but night deepening over the water. The only sound was the pattering rain, and that had grown monotonous for the past two weeks, and did not disturb the national gravity of my countrymen as they silently sat around the cabin stove. Some on errands of relief to friends and relatives wore anxious faces, and conversed soberly on the one absorbing topic. Others, like myself, attracted by curiosity listened eagerly to newer details. But with that human disposition to seize upon any circumstance that might give chance event the exaggerated importance of instinct, I was half-conscious of something more than curiosity as an impelling motive.

The dripping of rain, the low gurgle of water, and a leaden sky greeted us the next morning as we lay beside the half-submerged levee of Sacramento. Here, however, the novelty of boats to convey us to the hotels was an appeal that was irresistible. I resigned myself to a dripping rubber-cased mariner called “Joe,” and, wrapping myself in a shining cloak of the like material, about as suggestive of warmth as court plaster might have been, took my seat in the stern sheets of his boat. It was no slight inward struggle to part from the steamer that to most of the passengers was the only visible connecting link between us and the dry and habitable earth, but we pulled away and entered the city, stemming a rapid current as we shot the levee.

We glided up the long level of K Street--once a cheerful, busy thoroughfare, now distressing in its silent desolation. The turbid water which seemed to meet the horizon edge before us flowed at right angles in sluggish rivers through the streets. Nature had revenged herself on the local taste by disarraying the regular rectangles by huddling houses on street corners, where they presented abrupt gables to the current, or by capsizing them in compact ruin. Crafts of all kinds were gliding in and out of low-arched doorways. The water was over the top of the fences surrounding well-kept gardens, in the first stories of hotels and private dwellings, trailing its slime on velvet carpets as well as roughly boarded floors. And a silence quite as suggestive as the visible desolation was in the voiceless streets that no longer echoed to carriage wheel or footfall. The low ripple of water, the occasional splash of oars, or the warning cry of boatmen were the few signs of life and habitation.

With such scenes before my eyes and such sounds in my ears, as I lie lazily in the boat, is mingled the song of my gondolier who sings to the music of his oars. It is not quite as romantic as his brother of the Lido might improvise, but my Yankee “Giuseppe” has the advantage of earnestness and energy, and gives a graphic description of the terrors of the past week and of noble deeds of self-sacrifice and devotion, occasionally pointing out a balcony from which some California Bianca or Laura had been snatched, half-clothed and famished. Giuseppe is otherwise peculiar, and refuses the proffered fare, for--am I not a citizen of San Francisco, which was first to respond to the suffering cry of Sacramento? and is not he, Giuseppe, a member of the Howard Society? No! Giuseppe is poor, but cannot take my money. Still, if I must spend it, there is the Howard Society, and the women and children without food and clothes at the Agricultural Hall.

I thank the generous gondolier, and we go to the Hall--a dismal, bleak place, ghastly with the memories of last year's opulence and plenty, and here Giuseppe's fare is swelled by the stranger's mite. But here Giuseppe tells me of the “Relief Boat” which leaves for the flooded district in the interior, and here, profiting by the lesson he has taught me, I make the resolve to turn my curiosity to the account of others, and am accepted of those who go forth to succor and help the afflicted. Giuseppe takes charge of my carpetbag, and does not part from me until I stand on the slippery deck of “Relief Boat No. 3.”

An hour later I am in the pilothouse, looking down upon what was once the channel of a peaceful river. But its banks are only defined by tossing tufts of willow washed by the long swell that breaks over a vast inland sea. Stretches of “tule” land fertilized by its once regular channel and dotted by flourishing ranchos are now cleanly erased. The cultivated profile of the old landscape had faded. Dotted lines in symmetrical perspective mark orchards that are buried and chilled in the turbid flood. The roofs of a few farmhouses are visible, and here and there the smoke curling from chimneys of half-submerged tenements shows an undaunted life within. Cattle and sheep are gathered on Indian mounds waiting the fate of their companions whose carcasses drift by us, or swing in eddies with the wrecks of barns and outhouses. Wagons are stranded everywhere where the tide could carry them. As I wipe the moistened glass, I see nothing but water, pattering on the deck from the lowering clouds, dashing against the window, dripping from the willows, hissing by the wheels, everywhere washing, coiling, sapping, hurrying in rapids, or swelling at last into deeper and vaster lakes, awful in their suggestive quiet and concealment.

As day fades into night the monotony of this strange prospect grows oppressive. I seek the engine room, and in the company of some of the few half-drowned sufferers we have already picked up from temporary rafts, I forget the general aspect of desolation in their individual misery. Later we meet the San Francisco packet, and transfer a number of our passengers. From them we learn how inward-bound vessels report to have struck the well-defined channel of the Sacramento, fifty miles beyond the bar. There is a voluntary contribution taken among the generous travelers for the use of our afflicted, and we part company with a hearty “Godspeed” on either side. But our signal lights are not far distant before a familiar sound comes back to us--an indomitable Yankee cheer--which scatters the gloom.

Our course is altered, and we are steaming over the obliterated banks far in the interior. Once or twice black objects loom up near us--the wrecks of houses floating by. There is a slight rift in the sky toward the north, and a few bearing stars to guide us over the waste. As we penetrate into shallower water, it is deemed advisable to divide our party into smaller boats, and diverge over the submerged prairie. I borrow a peacoat of one of the crew, and in that practical disguise am doubtfully permitted to pass into one of the boats. We give way northerly. It is quite dark yet, although the rift of cloud has widened.

It must have been about three o'clock, and we were lying upon our oars in an eddy formed by a clump of cottonwood, and the light of the steamer is a solitary, bright star in the distance, when the silence is broken by the “bow oar”:

“Light ahead.”

All eyes are turned in that direction. In a few seconds a twinkling light appears, shines steadily, and again disappears as if by the shifting position of some black object apparently drifting close upon us.

“Stern, all; a steamer!”

“Hold hard there! Steamer be damned!” is the reply of the coxswain. “It's a house, and a big one too.”

It is a big one, looming in the starlight like a huge fragment of the darkness. The light comes from a single candle, which shines through a window as the great shape swings by. Some recollection is drifting back to me with it as I listen with beating heart.

“There's someone in it, by heavens! Give way, boys--lay her alongside. Handsomely, now! The door's fastened; try the window; no! here's another!”

In another moment we are trampling in the water which washes the floor to the depth of several inches. It is a large room, at the farther end of which an old man is sitting wrapped in a blanket, holding a candle in one hand, and apparently absorbed in the book he holds with the other. I spring toward him with an exclamation:

“Joseph Tryan!”

He does not move. We gather closer to him, and I lay my hand gently on his shoulder, and say:

“Look up, old man, look up! Your wife and children, where are they? The boys--George! Are they here? are they safe?”

He raises his head slowly, and turns his eyes to mine, and we involuntarily recoil before his look. It is a calm and quiet glance, free from fear, anger, or pain; but it somehow sends the blood curdling through our veins. He bowed his head over his book again, taking no further notice of us. The men look at me compassionately, and hold their peace. I make one more effort:

“Joseph Tryan, don't you know me? the surveyor who surveyed your ranch--the Espiritu Santo? Look up, old man!”

He shuddered and wrapped himself closer in his blanket. Presently he repeated to himself “The surveyor who surveyed your ranch--Espiritu Santo” over and over again, as though it were a lesson he was trying to fix in his memory.

I was turning sadly to the boatmen when he suddenly caught me fearfully by the hand and said:

“Hush!”

We were silent.

“Listen!” He puts his arm around my neck and whispers in my ear, “I'm a MOVING OFF!”

“Moving off?”

“Hush! Don't speak so loud. Moving off. Ah! wot's that? Don't you hear?--there! listen!”

We listen, and hear the water gurgle and click beneath the floor.

“It's them wot he sent!--Old Altascar sent. They've been here all night. I heard 'em first in the creek, when they came to tell the old man to move farther off. They came nearer and nearer. They whispered under the door, and I saw their eyes on the step--their cruel, hard eyes. Ah, why don't they quit?”

I tell the men to search the room and see if they can find any further traces of the family, while Tryan resumes his old attitude. It is so much like the figure I remember on the breezy night that a superstitious feeling is fast overcoming me. When they have returned, I tell them briefly what I know of him, and the old man murmurs again:

“Why don't they quit, then? They have the stock--all gone--gone, gone for the hides and hoofs,” and he groans bitterly.

“There are other boats below us. The shanty cannot have drifted far, and perhaps the family are safe by this time,” says the coxswain, hopefully.

We lift the old man up, for he is quite helpless, and carry him to the boat. He is still grasping the Bible in his right hand, though its strengthening grace is blank to his vacant eye, and he cowers in the stern as we pull slowly to the steamer while a pale gleam in the sky shows the coming day.

I was weary with excitement, and when we reached the steamer, and I had seen Joseph Tryan comfortably bestowed, I wrapped myself in a blanket near the boiler and presently fell asleep. But even then the figure of the old man often started before me, and a sense of uneasiness about George made a strong undercurrent to my drifting dreams. I was awakened at about eight o'clock in the morning by the engineer, who told me one of the old man's sons had been picked up and was now on board.

“Is it George Tryan?” I ask quickly.

“Don't know; but he's a sweet one, whoever he is,” adds the engineer, with a smile at some luscious remembrance. “You'll find him for'ard.”

I hurry to the bow of the boat, and find, not George, but the irrepressible Wise, sitting on a coil of rope, a little dirtier and rather more dilapidated than I can remember having seen him.

He is examining, with apparent admiration, some rough, dry clothes that have been put out for his disposal. I cannot help thinking that circumstances have somewhat exalted his usual cheerfulness. He puts me at my ease by at once addressing me:

“These are high old times, ain't they? I say, what do you reckon's become o' them thar bound'ry moniments you stuck? Ah!”

The pause which succeeds this outburst is the effect of a spasm of admiration at a pair of high boots, which, by great exertion, he has at last pulled on his feet.

“So you've picked up the ole man in the shanty, clean crazy? He must have been soft to have stuck there instead o' leavin' with the old woman. Didn't know me from Adam; took me for George!”

At this affecting instance of paternal forgetfulness, Wise was evidently divided between amusement and chagrin. I took advantage of the contending emotions to ask about George.

“Don't know whar he is! If he'd tended stock instead of running about the prairie, packin' off wimmin and children, he might have saved suthin. He lost every hoof and hide, I'll bet a cooky! Say you,” to a passing boatman, “when are you goin' to give us some grub? I'm hungry 'nough to skin and eat a hoss. Reckon I'll turn butcher when things is dried up, and save hides, horns, and taller.”

I could not but admire this indomitable energy, which under softer climatic influences might have borne such goodly fruit.

“Have you any idea what you'll do, Wise?” I ask.

“Thar ain't much to do now,” says the practical young man. “I'll have to lay over a spell, I reckon, till things comes straight. The land ain't worth much now, and won't be, I dessay, for some time. Wonder whar the ole man'll drive stakes next.”

“I meant as to your father and George, Wise.”

“Oh, the old man and I'll go on to 'Miles's,' whar Tom packed the old woman and babies last week. George'll turn up somewhar atween this and Altascar's ef he ain't thar now.”

I ask how the Altascars have suffered.

“Well, I reckon he ain't lost much in stock. I shouldn't wonder if George helped him drive 'em up the foothills. And his casa's built too high. Oh, thar ain't any water thar, you bet. Ah,” says Wise, with reflective admiration, “those greasers ain't the darned fools people thinks 'em. I'll bet thar ain't one swamped out in all 'er Californy.” But the appearance of “grub” cut this rhapsody short.

“I shall keep on a little farther,” I say, “and try to find George.”

Wise stared a moment at this eccentricity until a new light dawned upon him.

“I don't think you'll save much. What's the percentage--workin' on shares, eh!”

I answer that I am only curious, which I feel lessens his opinion of me, and with a sadder feeling than his assurance of George's safety might warrant, I walked away.

From others whom we picked up from time to time we heard of George's self-sacrificing devotion, with the praises of the many he had helped and rescued. But I did not feel disposed to return until I had seen him, and soon prepared myself to take a boat to the lower VALDA of the foothills, and visit Altascar. I soon perfected my arrangements, bade farewell to Wise, and took a last look at the old man, who was sitting by the furnace fires quite passive and composed. Then our boat head swung round, pulled by sturdy and willing hands.

It was again raining, and a disagreeable wind had risen. Our course lay nearly west, and we soon knew by the strong current that we were in the creek of the Espiritu Santo. From time to time the wrecks of barns were seen, and we passed many half-submerged willows hung with farming implements.

We emerge at last into a broad silent sea. It is the “LLANO DE ESPIRITU SANTO.” As the wind whistles by me, piling the shallower fresh water into mimic waves, I go back, in fancy, to the long ride of October over that boundless plain, and recall the sharp outlines of the distant hills, which are now lost in the lowering clouds. The men are rowing silently, and I find my mind, released from its tension, growing benumbed and depressed as then. The water, too, is getting more shallow as we leave the banks of the creek, and with my hand dipped listlessly over the thwarts, I detect the tops of chimisal, which shows the tide to have somewhat fallen. There is a black mound, bearing to the north of the line of alder, making an adverse current, which, as we sweep to the right to avoid, I recognize. We pull close alongside and I call to the men to stop.

There was a stake driven near its summit with the initials, “L. E. S. I.” Tied halfway down was a curiously worked riata. It was George's. It had been cut with some sharp instrument, and the loose gravelly soil of the mound was deeply dented with horses' hoofs. The stake was covered with horsehairs. It was a record, but no clue.

The wind had grown more violent as we still fought our way forward, resting and rowing by turns, and oftener “poling” the shallower surface, but the old VALDA, or bench, is still distant. My recollection of the old survey enables me to guess the relative position of the meanderings of the creek, and an occasional simple professional experiment to determine the distance gives my crew the fullest faith in my ability. Night overtakes us in our impeded progress. Our condition looks more dangerous than it really is, but I urge the men, many of whom are still new in this mode of navigation, to greater exertion by assurance of perfect safety and speedy relief ahead. We go on in this way until about eight o'clock, and ground by the willows. We have a muddy walk for a few hundred yards before we strike a dry trail, and simultaneously the white walls of Altascar's appear like a snowbank before us. Lights are moving in the courtyard; but otherwise the old tomblike repose characterizes the building.

One of the peons recognized me as I entered the court, and Altascar met me on the corridor.

I was too weak to do more than beg his hospitality for the men who had dragged wearily with me. He looked at my hand, which still unconsciously held the broken riata. I began, wearily, to tell him about George and my fears, but with a gentler courtesy than was even his wont, he gravely laid his hand on my shoulder.

“POCO A POCO, senor--not now. You are tired, you have hunger, you have cold. Necessary it is you should have peace.”

He took us into a small room and poured out some French cognac, which he gave to the men that had accompanied me. They drank and threw themselves before the fire in the larger room. The repose of the building was intensified that night, and I even fancied that the footsteps on the corridor were lighter and softer. The old Spaniard's habitual gravity was deeper; we might have been shut out from the world as well as the whistling storm, behind those ancient walls with their time-worn inheritor.

Before I could repeat my inquiry he retired. In a few minutes two smoking dishes of CHUPA with coffee were placed before us, and my men ate ravenously. I drank the coffee, but my excitement and weariness kept down the instincts of hunger.

I was sitting sadly by the fire when he reentered.

“You have eat?”

I said, “Yes,” to please him.

“BUENO, eat when you can--food and appetite are not always.”

He said this with that Sancho-like simplicity with which most of his countrymen utter a proverb, as though it were an experience rather than a legend, and, taking the riata from the floor, held it almost tenderly before him.

“It was made by me, senor.”

“I kept it as a clue to him, Don Altascar,” I said. “If I could find him--”

“He is here.”

“Here! and”--but I could not say “well!” I understood the gravity of the old man's face, the hushed footfalls, the tomblike repose of the building, in an electric flash of consciousness; I held the clue to the broken riata at last. Altascar took my hand, and we crossed the corridor to a somber apartment. A few tall candles were burning in sconces before the window.

In an alcove there was a deep bed with its counterpane, pillows, and sheets heavily edged with lace, in all that splendid luxury which the humblest of these strange people lavish upon this single item of their household. I stepped beside it and saw George lying, as I had seen him once before, peacefully at rest. But a greater sacrifice than that he had known was here, and his generous heart was stilled forever.

“He was honest and brave,” said the old man, and turned away. There was another figure in the room; a heavy shawl drawn over her graceful outline, and her long black hair hiding the hands that buried her downcast face. I did not seem to notice her, and, retiring presently, left the loving and loved together.

When we were again beside the crackling fire, in the shifting shadows of the great chamber, Altascar told me how he had that morning met the horse of George Tryan swimming on the prairie; how that, farther on, he found him lying, quite cold and dead, with no marks or bruises on his person; that he had probably become exhausted in fording the creek, and that he had as probably reached the mound only to die for want of that help he had so freely given to others; that, as a last act, he had freed his horse. These incidents were corroborated by many who collected in the great chamber that evening--women and children--most of them succored through the devoted energies of him who lay cold and lifeless above.

He was buried in the Indian mound--the single spot of strange perennial greenness which the poor aborigines had raised above the dusty plain. A little slab of sandstone with the initials “G. T.” is his monument, and one of the bearings of the initial corner of the new survey of the “Espiritu Santo Rancho.”

AN EPISODE OF FIDDLETOWN

In 1858 Fiddletown considered her a very pretty woman. She had a quantity of light chestnut hair, a good figure, a dazzling complexion, and a certain languid grace which passed easily for gentle-womanliness. She always dressed becomingly, and in what Fiddletown accepted as the latest fashion. She had only two blemishes: one of her velvety eyes, when examined closely, had a slight cast; and her left cheek bore a small scar left by a single drop of vitriol--happily the only drop of an entire phial--thrown upon her by one of her own jealous sex, that reached the pretty face it was intended to mar. But when the observer had studied the eyes sufficiently to notice this defect, he was generally incapacitated for criticism; and even the scar on her cheek was thought by some to add piquancy to her smile. The youthful editor of THE FIDDLETOWN AVALANCHE had said privately that it was “an exaggerated dimple.” Colonel Starbottle was instantly “reminded of the beautifying patches of the days of Queen Anne, but more particularly, sir, of the blankest beautiful women that, blank you, you ever laid your two blank eyes upon--a Creole woman, sir, in New Orleans. And this woman had a scar--a line extending, blank me, from her eye to her blank chin. And this woman, sir, thrilled you, sir; maddened you, sir; absolutely sent your blank soul to perdition with her blank fascination! And one day I said to her, 'Celeste, how in blank did you come by that beautiful scar, blank you?' And she said to me, 'Star, there isn't another white man that I'd confide in but you; but I made that scar myself, purposely, I did, blank me.' These were her very words, sir, and perhaps you think it a blank lie, sir; but I'll put up any blank sum you can name and prove it, blank me.”

Indeed, most of the male population of Fiddletown were or had been in love with her. Of this number, about one-half believed that their love was returned, with the exception, possibly, of her own husband. He alone had been known to express skepticism.

The name of the gentleman who enjoyed this infelicitous distinction was Tretherick. He had been divorced from an excellent wife to marry this Fiddletown enchantress. She, also, had been divorced; but it was hinted that some previous experiences of hers in that legal formality had made it perhaps less novel, and probably less sacrificial. I would not have it inferred from this that she was deficient in sentiment, or devoid of its highest moral expression. Her intimate friend had written (on the occasion of her second divorce), “The cold world does not understand Clara yet”; and Colonel Starbottle had remarked blankly that with the exception of a single woman in Opelousas Parish, La., she had more soul than the whole caboodle of them put together. Few indeed could read those lines entitled “Infelissimus,” commencing “Why waves no cypress o'er this brow?” originally published in the AVALANCHE, over the signature of “The Lady Clare,” without feeling the tear of sensibility tremble on his eyelids, or the glow of virtuous indignation mantle his cheek, at the low brutality and pitiable jocularity of THE DUTCH FLAT INTELLIGENCER, which the next week had suggested the exotic character of the cypress, and its entire absence from Fiddletown, as a reasonable answer to the query.

Indeed, it was this tendency to elaborate her feelings in a metrical manner, and deliver them to the cold world through the medium of the newspapers, that first attracted the attention of Tretherick. Several poems descriptive of the effects of California scenery upon a too-sensitive soul, and of the vague yearnings for the infinite which an enforced study of the heartlessness of California society produced in the poetic breast, impressed Mr. Tretherick, who was then driving a six-mule freight wagon between Knight's Ferry and Stockton, to seek out the unknown poetess. Mr. Tretherick was himself dimly conscious of a certain hidden sentiment in his own nature; and it is possible that some reflections on the vanity of his pursuit--he supplied several mining camps with whisky and tobacco--in conjunction with the dreariness of the dusty plain on which he habitually drove, may have touched some chord in sympathy with this sensitive woman. Howbeit, after a brief courtship--as brief as was consistent with some previous legal formalities--they were married; and Mr. Tretherick brought his blushing bride to Fiddletown, or “Fideletown,” as Mrs. Tretherick preferred to call it in her poems.

The union was not a felicitous one. It was not long before Mr. Tretherick discovered that the sentiment he had fostered while freighting between Stockton and Knight's Ferry was different from that which his wife had evolved from the contemplation of California scenery and her own soul. Being a man of imperfect logic, this caused him to beat her; and she, being equally faulty in deduction, was impelled to a certain degree of unfaithfulness on the same premise. Then Mr. Tretherick began to drink, and Mrs. Tretherick to contribute regularly to the columns of the AVALANCHE. It was at this time that Colonel Starbottle discovered a similarity in Mrs. Tretherick's verse to the genius of Sappho, and pointed it out to the citizens of Fiddletown in a two-columned criticism, signed “A. S.,” also published in the AVALANCHE, and supported by extensive quotation. As the AVALANCHE did not possess a font of Greek type, the editor was obliged to reproduce the Leucadian numbers in the ordinary Roman letter, to the intense disgust of Colonel Starbottle, and the vast delight of Fiddletown, who saw fit to accept the text as an excellent imitation of Choctaw--a language with which the colonel, as a whilom resident of the Indian Territories, was supposed to be familiar. Indeed, the next week's INTELLIGENCER contained some vile doggerel supposed to be an answer to Mrs. Tretherick's poem, ostensibly written by the wife of a Digger Indian chief, accompanied by a glowing eulogium signed “A. S. S.”

The result of this jocularity was briefly given in a later copy of the AVALANCHE. “An unfortunate rencounter took place on Monday last, between the Hon. Jackson Flash of THE DUTCH FLAT INTELLIGENCER and the well-known Col. Starbottle of this place, in front of the Eureka Saloon. Two shots were fired by the parties without injury to either, although it is said that a passing Chinaman received fifteen buckshot in the calves of his legs from the colonel's double-barreled shotgun, which were not intended for him. John will learn to keep out of the way of Melican man's firearms hereafter. The cause of the affray is not known, although it is hinted that there is a lady in the case. The rumor that points to a well-known and beautiful poetess whose lucubrations have often graced our columns seems to gain credence from those that are posted.”

Meanwhile the passiveness displayed by Tretherick under these trying circumstances was fully appreciated in the gulches. “The old man's head is level,” said one long-booted philosopher. “Ef the colonel kills Flash, Mrs. Tretherick is avenged: if Flash drops the colonel, Tretherick is all right. Either way, he's got a sure thing.” During this delicate condition of affairs, Mrs. Tretherick one day left her husband's home and took refuge at the Fiddletown Hotel, with only the clothes she had on her back. Here she staid for several weeks, during which period it is only justice to say that she bore herself with the strictest propriety.

It was a clear morning in early spring that Mrs. Tretherick, unattended, left the hotel, and walked down the narrow street toward the fringe of dark pines which indicated the extreme limits of Fiddletown. The few loungers at that early hour were preoccupied with the departure of the Wingdown coach at the other extremity of the street; and Mrs. Tretherick reached the suburbs of the settlement without discomposing observation. Here she took a cross street or road, running at right angles with the main thoroughfare of Fiddletown and passing through a belt of woodland. It was evidently the exclusive and aristocratic avenue of the town. The dwellings were few, ambitious, and uninterrupted by shops. And here she was joined by Colonel Starbottle.

The gallant colonel, notwithstanding that he bore the swelling port which usually distinguished him, that his coat was tightly buttoned and his boots tightly fitting, and that his cane, hooked over his arm, swung jauntily, was not entirely at his ease. Mrs. Tretherick, however, vouchsafed him a gracious smile and a glance of her dangerous eyes; and the colonel, with an embarrassed cough and a slight strut, took his place at her side.

“The coast is clear,” said the colonel, “and Tretherick is over at Dutch Flat on a spree. There is no one in the house but a Chinaman; and you need fear no trouble from him. I,” he continued, with a slight inflation of the chest that imperiled the security of his button, “I will see that you are protected in the removal of your property.”

“I'm sure it's very kind of you, and so disinterested!” simpered the lady as they walked along. “It's so pleasant to meet someone who has soul--someone to sympathize with in a community so hardened and heartless as this.” And Mrs. Tretherick cast down her eyes, but not until they wrought their perfect and accepted work upon her companion.

“Yes, certainly, of course,” said the colonel, glancing nervously up and down the street--“yes, certainly.” Perceiving, however, that there was no one in sight or hearing, he proceeded at once to inform Mrs. Tretherick that the great trouble of his life, in fact, had been the possession of too much soul. That many women--as a gentleman she would excuse him, of course, from mentioning names--but many beautiful women had often sought his society, but being deficient, madam, absolutely deficient, in this quality, he could not reciprocate. But when two natures thoroughly in sympathy, despising alike the sordid trammels of a low and vulgar community and the conventional restraints of a hypocritical society--when two souls in perfect accord met and mingled in poetical union, then--but here the colonel's speech, which had been remarkable for a certain whisky-and-watery fluency, grew husky, almost inaudible, and decidedly incoherent. Possibly Mrs. Tretherick may have heard something like it before, and was enabled to fill the hiatus. Nevertheless, the cheek that was on the side of the colonel was quite virginal and bashfully conscious until they reached their destination.

It was a pretty little cottage, quite fresh and warm with paint, very pleasantly relieved against a platoon of pines, some of whose foremost files had been displaced to give freedom to the fenced enclosure in which it sat. In the vivid sunlight and perfect silence, it had a new, uninhabited look, as if the carpenters and painters had just left it. At the farther end of the lot, a Chinaman was stolidly digging; but there was no other sign of occupancy. “The coast,” as the colonel had said, was indeed “clear.” Mrs. Tretherick paused at the gate. The colonel would have entered with her, but was stopped by a gesture. “Come for me in a couple of hours, and I shall have everything packed,” she said, as she smiled, and extended her hand. The colonel seized and pressed it with great fervor. Perhaps the pressure was slightly returned; for the gallant colonel was impelled to inflate his chest, and trip away as smartly as his stubby-toed, high-heeled boots would permit. When he had gone, Mrs. Tretherick opened the door, listened a moment in the deserted hall, and then ran quickly upstairs to what had been her bedroom.

Everything there was unchanged as on the night she left it. On the dressing-table stood her bandbox, as she remembered to have left it when she took out her bonnet. On the mantle lay the other glove she had forgotten in her flight. The two lower drawers of the bureau were half-open (she had forgotten to shut them); and on its marble top lay her shawl pin and a soiled cuff. What other recollections came upon her I know not; but she suddenly grew quite white, shivered, and listened with a beating heart, and her hand upon the door. Then she stepped to the mirror, and half-fearfully, half-curiously, parted with her fingers the braids of her blond hair above her little pink ear, until she came upon an ugly, half-healed scar. She gazed at this, moving her pretty head up and down to get a better light upon it, until the slight cast in her velvety eyes became very strongly marked indeed. Then she turned away with a light, reckless, foolish laugh, and ran to the closet where hung her precious dresses. These she inspected nervously, and missing suddenly a favorite black silk from its accustomed peg, for a moment, thought she should have fainted. But discovering it the next instant lying upon a trunk where she had thrown it, a feeling of thankfulness to a superior Being who protects the friendless for the first time sincerely thrilled her. Then, albeit she was hurried for time, she could not resist trying the effect of a certain lavender neck ribbon upon the dress she was then wearing, before the mirror. And then suddenly she became aware of a child's voice close beside her, and she stopped. And then the child's voice repeated, “Is it Mamma?”

Mrs. Tretherick faced quickly about. Standing in the doorway was a little girl of six or seven. Her dress had been originally fine, but was torn and dirty; and her hair, which was a very violent red, was tumbled seriocomically about her forehead. For all this, she was a picturesque little thing, even through whose childish timidity there was a certain self-sustained air which is apt to come upon children who are left much to themselves. She was holding under her arm a rag doll, apparently of her own workmanship, and nearly as large as herself--a doll with a cylindrical head, and features roughly indicated with charcoal. A long shawl, evidently belonging to a grown person, dropped from her shoulders and swept the floor.

The spectacle did not excite Mrs. Tretherick's delight. Perhaps she had but a small sense of humor. Certainly, when the child, still standing in the doorway, again asked, “Is it Mamma?” she answered sharply, “No, it isn't,” and turned a severe look upon the intruder.

The child retreated a step, and then, gaining courage with the distance, said in deliciously imperfect speech:

“Dow 'way then! why don't you dow away?”

But Mrs. Tretherick was eying the shawl. Suddenly she whipped it off the child's shoulders, and said angrily:

“How dared you take my things, you bad child?”

“Is it yours? Then you are my mamma; ain't you? You are Mamma!” she continued gleefully; and before Mrs. Tretherick could avoid her, she had dropped her doll, and, catching the woman's skirts with both hands, was dancing up and down before her.

“What's your name, child?” said Mrs. Tretherick coldly, removing the small and not very white hands from her garments.

“Tarry.”

“Tarry?”

“Yeth. Tarry. Tarowline.”

“Caroline?”

“Yeth. Tarowline Tretherick.”

“Whose child ARE you?” demanded Mrs. Tretherick still more coldly, to keep down a rising fear.

“Why, yours,” said the little creature with a laugh. “I'm your little durl. You're my mamma, my new mamma. Don't you know my ol' mamma's dorn away, never to turn back any more? I don't live wid my ol' mamma now. I live wid you and Papa.”

“How long have you been here?” asked Mrs. Tretherick snappishly.

“I fink it's free days,” said Carry reflectively.

“You think! Don't you know?” sneered Mrs. Tretherick. “Then, where did you come from?”

Carry's lip began to work under this sharp cross-examination. With a great effort and a small gulp, she got the better of it, and answered:

“Papa, Papa fetched me--from Miss Simmons--from Sacramento, last week.”

“Last week! You said three days just now,” returned Mrs. Tretherick with severe deliberation.

“I mean a monf,” said Carry, now utterly adrift in sheer helplessness and confusion.

“Do you know what you are talking about?” demanded Mrs. Tretherick shrilly, restraining an impulse to shake the little figure before her and precipitate the truth by specific gravity.

But the flaming red head here suddenly disappeared in the folds of Mrs. Tretherick's dress, as if it were trying to extinguish itself forever.

“There now--stop that sniffling,” said Mrs. Tretherick, extricating her dress from the moist embraces of the child and feeling exceedingly uncomfortable. “Wipe your face now, and run away, and don't bother. Stop,” she continued, as Carry moved away. “Where's your papa?”

“He's dorn away too. He's sick. He's been dorn”--she hesitated--“two, free, days.”

“Who takes care of you, child?” said Mrs. Tretherick, eying her curiously.

“John, the Chinaman. I tresses myselth. John tooks and makes the beds.”

“Well, now, run away and behave yourself, and don't bother me any more,” said Mrs. Tretherick, remembering the object of her visit. “Stop--where are you going?” she added as the child began to ascend the stairs, dragging the long doll after her by one helpless leg.

“Doin' upstairs to play and be dood, and no bother Mamma.”

“I ain't your mamma,” shouted Mrs. Tretherick, and then she swiftly re-entered her bedroom and slammed the door.

Once inside, she drew forth a large trunk from the closet and set to work with querulous and fretful haste to pack her wardrobe. She tore her best dress in taking it from the hook on which it hung: she scratched her soft hands twice with an ambushed pin. All the while, she kept up an indignant commentary on the events of the past few moments. She said to herself she saw it all. Tretherick had sent for this child of his first wife--this child of whose existence he had never seemed to care--just to insult her, to fill her place. Doubtless the first wife herself would follow soon, or perhaps there would be a third. Red hair, not auburn, but RED--of course the child, this Caroline, looked like its mother, and, if so, she was anything but pretty. Or the whole thing had been prepared: this red-haired child, the image of its mother, had been kept at a convenient distance at Sacramento, ready to be sent for when needed. She remembered his occasional visits there on--business, as he said. Perhaps the mother already was there; but no, she had gone East. Nevertheless, Mrs. Tretherick, in her then state of mind, preferred to dwell upon the fact that she might be there. She was dimly conscious, also, of a certain satisfaction in exaggerating her feelings. Surely no woman had ever been so shamefully abused. In fancy, she sketched a picture of herself sitting alone and deserted, at sunset, among the fallen columns of a ruined temple, in a melancholy yet graceful attitude, while her husband drove rapidly away in a luxurious coach-and-four, with a red-haired woman at his side. Sitting upon the trunk she had just packed, she partly composed a lugubrious poem describing her sufferings as, wandering alone and poorly clad, she came upon her husband and “another” flaunting in silks and diamonds. She pictured herself dying of consumption, brought on by sorrow--a beautiful wreck, yet still fascinating, gazed upon adoringly by the editor of the AVALANCHE and Colonel Starbottle. And where was Colonel Starbottle all this while? Why didn't he come? He, at least, understood her. He--she laughed the reckless, light laugh of a few moments before; and then her face suddenly grew grave, as it had not a few moments before.

What was that little red-haired imp doing all this time? Why was she so quiet? She opened the door noiselessly, and listened. She fancied that she heard, above the multitudinous small noises and creakings and warpings of the vacant house, a smaller voice singing on the floor above. This, as she remembered, was only an open attic that had been used as a storeroom. With a half-guilty consciousness, she crept softly upstairs and, pushing the door partly open, looked within.

Athwart the long, low-studded attic, a slant sunbeam from a single small window lay, filled with dancing motes, and only half illuminating the barren, dreary apartment. In the ray of this sunbeam she saw the child's glowing hair, as if crowned by a red aureole, as she sat upon the floor with her exaggerated doll between her knees. She appeared to be talking to it; and it was not long before Mrs. Tretherick observed that she was rehearsing the interview of a half-hour before. She catechized the doll severely, cross-examining it in regard to the duration of its stay there, and generally on the measure of time. The imitation of Mrs. Tretherick's manner was exceedingly successful, and the conversation almost a literal reproduction, with a single exception. After she had informed the doll that she was not her mother, at the close of the interview she added pathetically, “that if she was dood, very dood, she might be her mamma, and love her very much.”

I have already hinted that Mrs. Tretherick was deficient in a sense of humor. Perhaps it was for this reason that this whole scene affected her most unpleasantly; and the conclusion sent the blood tingling to her cheek. There was something, too, inconceivably lonely in the situation. The unfurnished vacant room, the half-lights, the monstrous doll, whose very size seemed to give a pathetic significance to its speechlessness, the smallness of the one animate, self-centered figure--all these touched more or less deeply the half-poetic sensibilities of the woman. She could not help utilizing the impression as she stood there, and thought what a fine poem might be constructed from this material if the room were a little darker, the child lonelier--say, sitting beside a dead mother's bier, and the wind wailing in the turrets. And then she suddenly heard footsteps at the door below, and recognized the tread of the colonel's cane.

She flew swiftly down the stairs, and encountered the colonel in the hall. Here she poured into his astonished ear a voluble and exaggerated statement of her discovery, and indignant recital of her wrongs. “Don't tell me the whole thing wasn't arranged beforehand; for I know it was!” she almost screamed. “And think,” she added, “of the heartlessness of the wretch, leaving his own child alone here in that way.”

“It's a blank shame!” stammered the colonel, without the least idea of what he was talking about. In fact, utterly unable as he was to comprehend a reason for the woman's excitement, with his estimate of her character, I fear he showed it more plainly than he intended. He stammered, expanded his chest, looked stern, gallant, tender, but all unintelligently. Mrs. Tretherick, for an instant, experienced a sickening doubt of the existence of natures in perfect affinity.

“It's of no use,” said Mrs. Tretherick with sudden vehemence, in answer to some inaudible remark of the colonel's, and withdrawing her hand from the fervent grasp of that ardent and sympathetic man. “It's of no use: my mind is made up. You can send for my trunk as soon as you like; but I shall stay here, and confront that man with the proof of his vileness. I will put him face to face with his infamy.”

I do not know whether Colonel Starbottle thoroughly appreciated the convincing proof of Tretherick's unfaithfulness and malignity afforded by the damning evidence of the existence of Tretherick's own child in his own house. He was dimly aware, however, of some unforeseen obstacle to the perfect expression of the infinite longing of his own sentimental nature. But, before he could say anything, Carry appeared on the landing above them, looking timidly, and yet half-critically, at the pair.

“That's her,” said Mrs. Tretherick excitedly. In her deepest emotions, in either verse or prose, she rose above a consideration of grammatical construction.

“Ah!” said the colonel, with a sudden assumption of parental affection and jocularity that was glaringly unreal and affected. “Ah! pretty little girl, pretty little girl! How do you do? How are you? You find yourself pretty well, do you, pretty little girl?” The colonel's impulse also was to expand his chest and swing his cane, until it occurred to him that this action might be ineffective with a child of six or seven. Carry, however, took no immediate notice of this advance, but further discomposed the chivalrous colonel by running quickly to Mrs. Tretherick and hiding herself, as if for protection, in the folds of her gown. Nevertheless, the colonel was not vanquished. Falling back into an attitude of respectful admiration, he pointed out a marvelous resemblance to the “Madonna and Child.” Mrs. Tretherick simpered, but did not dislodge Carry as before. There was an awkward pause for a moment; and then Mrs. Tretherick, motioning significantly to the child, said in a whisper: “Go now. Don't come here again, but meet me tonight at the hotel.” She extended her hand: the colonel bent over it gallantly and, raising his hat, the next moment was gone.

“Do you think,” said Mrs. Tretherick with an embarrassed voice and a prodigious blush, looking down, and addressing the fiery curls just visible in the folds of her dress--“do you think you will be 'dood' if I let you stay in here and sit with me?”

“And let me tall you Mamma?” queried Carry, looking up.

“And let you call me Mamma!” assented Mrs. Tretherick with an embarrassed laugh.

“Yeth,” said Carry promptly.

They entered the bedroom together. Carry's eye instantly caught sight of the trunk.

“Are you dowin' away adain, Mamma?” she said with a quick nervous look, and a clutch at the woman's dress.

“No-o,” said Mrs. Tretherick, looking out of the window.

“Only playing your dowin' away,” suggested Carry with a laugh. “Let me play too.”

Mrs. Tretherick assented. Carry flew into the next room, and presently reappeared dragging a small trunk, into which she gravely proceeded to pack her clothes. Mrs. Tretherick noticed that they were not many. A question or two regarding them brought out some further replies from the child; and before many minutes had elapsed, Mrs. Tretherick was in possession of all her earlier history. But, to do this, Mrs. Tretherick had been obliged to take Carry upon her lap, pending the most confidential disclosures. They sat thus a long time after Mrs. Tretherick had apparently ceased to be interested in Carry's disclosures; and when lost in thought, she allowed the child to rattle on unheeded, and ran her fingers through the scarlet curls.

“You don't hold me right, Mamma,” said Carry at last, after one or two uneasy shiftings of position.

“How should I hold you?” asked Mrs. Tretherick with a half-amused, half-embarrassed laugh.

“Dis way,” said Carry, curling up into position, with one arm around Mrs. Tretherick's neck and her cheek resting on her bosom--“dis way--dere.” After a little preparatory nestling, not unlike some small animal, she closed her eyes, and went to sleep.

For a few moments the woman sat silent, scarcely daring to breathe in that artificial attitude. And then, whether from some occult sympathy in the touch, or God best knows what, a sudden fancy began to thrill her. She began by remembering an old pain that she had forgotten, an old horror that she had resolutely put away all these years. She recalled days of sickness and distrust--days of an overshadowing fear--days of preparation for something that was to be prevented, that WAS prevented, with mortal agony and fear. She thought of a life that might have been--she dared not say HAD been--and wondered. It was six years ago; if it had lived, it would have been as old as Carry. The arms which were folded loosely around the sleeping child began to tremble, and tighten their clasp. And then the deep potential impulse came, and with a half-sob, half-sigh, she threw her arms out and drew the body of the sleeping child down, down, into her breast, down again and again as if she would hide it in the grave dug there years before. And the gust that shook her passed, and then, ah me! the rain.

A drop or two fell upon the curls of Carry, and she moved uneasily in her sleep. But the woman soothed her again--it was SO easy to do it now--and they sat there quiet and undisturbed, so quiet that they might have seemed incorporate of the lonely silent house, the slowly declining sunbeams, and the general air of desertion and abandonment, yet a desertion that had in it nothing of age, decay, or despair.

Colonel Starbottle waited at the Fiddletown Hotel all that night in vain. And the next morning, when Mr. Tretherick returned to his husks, he found the house vacant and untenanted, except by motes and sunbeams.