Shakespeare Study Programs; The Comedies
by OpenStories
Original author: Charlotte Porter
"Shakespeare Study Programs: The Comedies" by Charlotte Porter and Helen A. Clarke is a scholarly compilation of analyses and critiques of several of Shakespeare's comedies, likely written in the late 19th century. This work serves as a comprehensive guide for readers examining the intricacies of characters, themes, and theatrical elements in plays such as "The Comedie of Errors," "A Midsommer Nights Dreame," and "Much Ado About Nothing," among others. It aims to facilitate deeper understanding of Shakespeare's humor and social commentary through structured discussions and queries. The opening of the book provides an introductory note that sets the stage for the subsequent analyses, highlighting the original publication of the study programs in "Poet Lore," as well as their revisions and expansions. It discusses the historical context of the comedies, Shakespeare's methods of character development, and the narrative devices he employs, such as mistaken identities and the interplay between love and conflict. The beginning emphasizes the importance of these early performances in London and the unique adaptations Shakespeare made from classical sources, setting a foundation for the detailed explorations of individual plays that follow.
Shakespeare Study Programs; The Comedies, by Charlotte Porter. Republished by OpenStories from Project Gutenberg eBook #14699.
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34 Chapters
- 1.Front Matter1,065 words
- 2.Act I: The Arrival of Certain Strangers in Ephesus445 words
- 3.Act I: affect but a very few characters, but in Act II how many? A new263 words
- 4.Act III: Antipholus the Native Invites Friends to Dine with Him540 words
- 5.Act IV: Complications Grow279 words
- 6.Act V: Solutions Make All the Strangers Feel at Home1,524 words
- 7.Act III: The False Friend356 words
- 8.Act V: Valentine, Silvia and Julia Versus Protheus2,949 words
- 9.Act I: The Vow and Its First Antagonists427 words
- 10.Act II: THE EMBASSY versus THE VOW203 words
- 11.Act III: The Clown as a Letter-Carrier441 words
- 12.Act IV: Berowne Hears Some Sonnets and the King Receives a Letter274 words
- 13.Act V: Sport Is by Sport Overthrown1,729 words
- 14.Act I: Claudio Notes Hero with Favor and Is Noted with Disfavor287 words
- 15.Act II: The Prince Plots for True Noting and His Brother for False340 words
- 16.Act III: The Note-Ing Is Noted212 words
- 17.Act IV: Hero Is Repudiated and Befriended331 words
- 18.Act V: The Double Wedding738 words
- 19.Act I: The Crossed Lovers596 words
- 20.Act II: The Fairies' Quarrel563 words
- 21.Act III: Cross-Effects of Oberon's Spell316 words
- 22.Act IV: Harmonizing Effects of Oberon's Spell201 words
- 23.Act V: The Threefold Mask1,395 words
- 24.Act I: Shylock's "merrie Bond"407 words
- 25.Act III: Bassanio's Luck and Anthonio's Loss236 words
- 26.Act IV: The Luck Redeems the Loss173 words
- 27.Act V: The Rings2,204 words
- 28.Act III: is devoted chiefly to the presentation of the situation1,360 words
- 29.Act I: scene i. puts us in possession of what facts concerning the3,126 words
- 30.Act I: The Schemes of Prospero492 words
- 31.Act II: The Counterplot406 words
- 32.Act III: New Plots Against Prospero319 words
- 33.Act IV: The Confusion of the Plotters266 words
- 34.Act V: Prospero's Triumph3,386 words