Chapter II: Writings About Sherwood Anderson (1)

Text size

Books, Parts of Books and Periodical Articles 74

Poems, Parodies, and Miscellaneous Items 104

Reviews 105

INDEX 118

“Gertrude Stein contended that Sherwood Anderson had a genius for using the sentence to convey a direct emotion, this was in the great american tradition, and that really except Sherwood there was no one in America who could write a clear and passionate sentence.”

—_The Autobiography of Alice B. Toklas._

From the Anderson Collection in the Newberry Library, Chicago.]

]

_Illustrations_

PORTRAIT OF SHERWOOD ANDERSON _Facing title-page_

MANUSCRIPT PAGE FROM _Winesburg, Ohio_ _Page 11_

BINDING OF _Windy McPherson’s Son_ _Facing Opposite_

_Winesburg, Ohio_ TITLE-PAGE, FIRST EDITION _Page 21_

_Preface_

Although an examination of Sherwood Anderson’s biography would reveal various careers—that of laborer, manager of a paint factory, advertising writer, short story writer, novelist, poet, essayist, and newspaper editor—it is as a writer of short stories that he has made his most significant contribution to American letters. His concentration on form rather than plot was a key factor in liberating the American short story from the confining techniques of writers in the genteel tradition who were in vogue when Anderson was writing his first novel, _Windy McPherson’s son_ (1916).

Anderson’s first important work, and possibly his finest, was _Winesburg, Ohio_ (1919), a collection of stories about the inhabitants of a small town who did not fit into the accepted pattern of community life. In these sketches his concern was with the failures rather than with the successful. Anderson told their tales with compassion and sympathy, and, through his characters’ maimed or suppressed emotions, he lent significance to neglected aspects of life in an era of respectability, easy success, and commercialism. His succeeding stories and novels evolved from this theme, which, with his experiment in form, enabled the American short story writers of the following decades to reach heights of subtlety and psychological penetration.

The principal repository of Anderson’s manuscripts is the Newberry Library in Chicago. Placed in the Library by the writer’s widow, Mrs. Eleanor Copenhaver Anderson, this collection, numbering some 16,690 items, contains his extensive correspondence with publishers, editors, artists, and notable writers of the twentieth century, among them Gertrude Stein, Ernest Hemingway, H. L. Mencken, Theodore Dreiser, and Thomas Wolfe (see item 753). In addition to Anderson’s numerous short stories and articles, the collection contains the manuscripts of many of his most important writings: _Winesburg, Ohio_, _Kit Brandon_, _Dark laughter_, _Many marriages_, and _A new testament_. His diaries for the period, 1936-1941, as well as scrapbooks of reviews and clippings, are also included. It is this collection of papers which Anderson’s future biographers and critics must consult and examine to fully assess his note-worthy influence on and contribution to American fiction.

Arrangement of the bibliography falls quite naturally into two main divisions: writings by Anderson, and writings about the man and his works. In the first section a chronological, descriptive listing of Anderson’s separately published works (together with citations for significant reprints and translations) is followed by an enumeration of books to which Anderson contributed and dramatizations of his writings. Then follows an alphabetical title listing of Anderson’s contributions to periodicals (Raymond Gozzi’s bibliography, item 593, was of value in compiling this section), a list of periodicals and newspapers which he edited, and a select list of his contributions to the _Smyth County News_. Writings about Anderson are listed alphabetically by author or other main entry in the second section, followed by a representative selection of reviews of Anderson’s works. We have endeavored to make our listings complete through 1959.

We are particularly grateful to Mrs. Eleanor Anderson for her interest and advice, and for allowing us to reproduce a page of the manuscript of _Winesburg, Ohio_ from the Newberry Library Collection. For permission to use his photograph portrait of Anderson as a frontispiece, we are indebted to Mr. Edward Steichen of the Museum of Modern Art. Mr. Ben C. Bowman of the Newberry Library was especially helpful in answering our numerous inquiries and in describing the contents of the Anderson Collection; without his generous assistance many bibliographical questions would have necessarily remained unanswered. Finally, we acknowledge the invaluable co-operation of librarians throughout the country in verifying citations and other points of information.

EUGENE P. SHEEHY
KENNETH A. LOHF

COLUMBIA UNIVERSITY LIBRARIES
NEW YORK CITY, SEPTEMBER 1960

_PART I_

_WORKS BY SHERWOOD ANDERSON_

_Individual Works_

_WINDY McPHERSON’S SON. 1916_

[1]-347p. 20½ × 13½ cm. Orange cloth stamped in gold on spine
and gold and green on cover. One page of advertisements appears
on the verso of p.347.

_On verso of title-page_ (p.[4]): Press of J. J. Little & Ives
Company, New York.

_Dedication_ (p.[5]): To the living men and women of my own
Middle Western home town this book is dedicated.

2. First English edition:

London, John Lane, 1916. 347p.

3. Reprints:

New York, B. W. Huebsch, 1922. 349p. Revised edition with a new
concluding chapter.

London, Jonathan Cape, 1923. 349p.

_MARCHING MEN. 1917_

314p. 19½ × 13 cm. Red cloth stamped in gold on cover and spine.

_On verso of title-page_ (p[4]): Press of J. J. Little & Ives
Company, New York.

_Dedication_ (p.[5]): To American workingmen.

5. Reprint:

New York, B. W. Huebsch, 1921. 264p.

6. Translation:

_V nogu!_ Leningrad, Mysl, 1927. 232p. Tr., Mark Volosov.
Foreword, V. Lavretski.

_MID-AMERICAN CHANTS. 1918_

82p. 21½ × 14 cm. Yellow cloth stamped in gold on cover and
spine; green panel on cover.

_On verso of title-page_ (p.[4]): Press of J. J. Little & Ives
Company, New York.

_Dedication_ (p.[5]): To Marion Margaret Anderson.

A Foreword by Anderson, dated February 1918, appears on p.7-8.

Contents: The cornfields; Chicago; Song of industrial America;
Song of Cedric the Silent; Song of the break of day; Song of
the beginning of courage; Revolt; A lullaby; Song of Theodore;
Manhattan; Spring song; Industrialism; Salvo; The planting;
Song of the middle world; The stranger; Song of the love of
women; Song of Stephen the Westerner; Song to the lost ones;
Forgotten song; American spring song; The beam; Song to new
song; Song for dark nights; The lover; Night whispers; Song
to the sap; Rhythms; Unborn; Night; A visit; Chant to dawn
in a factory town; Song of the mating time; Song for lonely
roads; Song long after; Song of the soul of Chicago; Song of
the drunken business man; Song to the laugh; Hosanna; War;
Mid-American prayer; We enter in; Dirge of war; Little song to
a Western statesman; Song of the bug; Assurance; Reminiscent
song; Evening song; Song of the singer.

8. Reprint:

New York, B. W. Huebsch, 1921. 82p.

_WINESBURG, OHIO. 1919_

[x] 303p. 19 × 13 cm. Orange cloth with white paper label
on spine and publishers’ device blind-stamped on cover. Top
edge stained orange yellow. Map of Winesburg, Ohio, by Harald
Toksvig appears on paste-down endpaper. In the first printing,
p.86, line 5, reads: “an intense silence seemed to lay over
everything.” Later printings changed “lay” to “lie.” On p.251,
line 3, the type in the word “the” is broken. For further
identification of the first and later printings, see item 713.

_Dedication_ (p.[v]): To the memory of my mother Emma Smith
Anderson.

Contents: The book of the grotesque; Hands; Paper pills;
Mother; The philosopher; Nobody knows; Godliness (Parts I and
II); Surrender (Part III); Terror (Part IV); A man of ideas;
Adventure; Respectability; The thinker; Tandy; The strength of
God; The teacher; Loneliness; An awakening; “Queer”; The untold
lie; Drink; Death; Sophistication; Departure.

10. First English edition:

London, Jonathan Cape, 1922. 303p.

Item 9]

11. Reprints:

New York, Modern Library [1919] xv, 303p. Introduction, Ernest
Boyd.

Girard, Kansas, Haldeman-Julius company [1925] 63p. (Little
Blue Book, no. 865) A selection entitled _Hands, and
other stories_. Contents: Hands; Paper pills; Mother; The
philosopher; Nobody knows; A man of ideas; Adventure.

Harmondsworth, England, Penguin Books, 1948. 224p.

New York, New American Library [1956] 159p. (Signet Books 1304)

New York, Viking Press [1958] 303p. (Compass Books Edition. C39)

12. Translations:

_An Tê Shên Hsüan Chi._ Taepei, Hsinlu Book Company, 1958. 147p.

_Mestečko v Ohiu._ Prague, SNKLHU, 1958. 212p. Tr. Eva
Kondrysová.

_Winesburg, Ohio. En amerikansk Provinsbys Menneskeskaebner._
Copenhagen, Funkis Förlag, 1934. 264p. Tr., Elias Bredsdorff.

_En by i Ohio._ Copenhagen. Reitzel, 1959. 144p. Tr., Henrik
Larsen.

_Pikkukaupunki._ Helsinki, Werner Söderström, 1955. 204p. Tr.,
Leena-Maija Reunanen.

_Winesburg-en-Ohio._ Paris, Gallimard, 1927. 253p. Tr.,
Marguerite Gay.

_Winesburg, Ohio._ Berlin and Frankfurt, Suhrkamp, 1958. 193p.
Tr., Hans Erich Nossack.

_Solitudine: Winesburg, Ohio._ Turin, Slavia, 1931. 304p. Tr.,
Ada Prospero.

_Piccola città nell’ Ohio._ Rome, Polin [194-] 221p. Tr.,
Orsola Nemi.

_Racconti dell’ Ohio._ Turin, Einaudi, 1950. 263p. Tr.,
Giuseppe Trevisani.

_Miasteczko Winesburg. Obrazki z zycia w stanie Ohio._ Warsaw,
Czytelnik, 1958. 280p. Tr., Jerzy Krzyszton.

_A secreta mentira._ Pôrto Alegre, Globo, 1950. xvi, 258p. Tr.,
James Amado and Moacir Werneck de Castro.

_A cidade dos estranhos._ Lisbon, Livros do Brasil, 1951. 232p.
Tr., James Amado and Moacir Werneck de Castro.

_O livro dos grotescos._ Rio de Janeiro, Revista Branca, 1952.
248p. Tr., Constantino Paleólogo.

_Uinsberg Okhaio._ Moscow, Gosudarstvennoye Izdatelstvo, 1924.
224p. Tr., S. D. Matveyev.

_Uainsburg, Ogaio._ Moscow and Leningrad, L. D. Frenkel, 1924.
248p. Tr., P. Okhrimenko. Foreword, M. Levidov.

_Uainsburg, Ogaio._ Moscow and Leningrad, Zemlya i Fabrika,
1925. 360p. Tr., P. Okhrimenko.

_Winesburgo, Ohio._ Madrid, Zeus, 1932. 263p. Tr., Armando Ros.
Preface, Ernest Boyd.

_Las novelas de lo grotesco._ Buenos Aires, S. Rueda [1942] iv,
303p. Tr., Armando Ros. Preface, Max Dickman.

_Winesburgo, Ohio. La novela de lo grotesco._ Madrid, Aguilar,
1949. Tr., Armando Ros. Preface Germán Gómez de la Mata.

_Den lilla staden._ Stockholm, C. E. Fritze, 1951. 297p. Tr.,
Olov Jonason.

_Varošica Vajnsberg u državi Ohajo_, Belgrade Novo Pokolenje,
1954. 307p. Tr., Slobodan A. Jovanović.

_POOR WHITE. 1920_

[vi] 371p. 19½ × 13 cm. Blue cloth stamped in yellow on spine
and publishers’ device blind-stamped on cover. Some copies top
edge stained blue.

_Dedication_ (p.[v]): To Tennessee Mitchell Anderson.

14. First English edition:

London, Jonathan Cape, 1921. 315p.

15. Reprint:

New York, Modern Library [1926] viii, 371p. With an
introduction by Anderson.

16. Translations:

_Arme blanke._ The Hague, H. P. Leopold, 1928. 284p. Tr., H. J.
Smeding.

_Der arme Weise._ Leipzig, Insel-Verlag, 1925. 299p. Tr., Karl
Lerbs.

_I istoria tou Hugh MacVay._ Athens, Atlantis, 1958. 240p. Tr.,
B. Kalantzi.

_A nagy ember._ Budapest, Révai, 1934. 279p. Tr., Lili
Doberhoff.

_Un povero bianco._ Verona, Mondadori, 1959. 305p. Tr.,
Luisella Quilico.

_Pobre blanco._ Barcelona, Gráfica Moderna, 1929. 258p. Tr.,
Julio Calvo Alfaro. Preface, Angel Flores.

_Mannen från västern._ Stockholm, Tiden, 1928. 340p. Tr., Stina
Dahlberg.

_THE TRIUMPH OF THE EGG. 1921_

[xii] 269p. 20½ × 14 cm. Dark green cloth lettered in yellow on
spine and cover; design blind-stamped on cover. First issue has
top edge stained yellow.

“Impressions in clay by Tennessee Mitchell” appears on eight
unnumbered leaves following p.[viii]

A poem, beginning “Tales are people who sit on the doorstep,”
appears on p.[i], the page preceding the half-title.

_Dedication_ (p.[vii]): To Robert and John Anderson.

Contents: The dumb man; I want to know why; Seeds; The other
woman; The egg; Unlighted lamps; Senility; The man in the
brown coat; Brothers; The door of the trap; The New Englander;
War; Motherhood; Out of nowhere into nothing; The man with the
trumpet.

18. First English edition:

London, Jonathan Cape, 1922. xi, 269p.

19. Reprint:

Tokyo, Kairyudo [1958?] 2 volumes: 147, 167p. Edited and
annotated by Kichinosuke Ohashi. (Kairyudo’s Mentor Library,
no. 10)

20. Translations:

_Un païen de l’Ohio._ Nouvelles tirées de _The triumph of the
egg_ et de _Horses and men_. Paris, Rieder, 1927. 218p. Tr.,
Marguerite Gay. Preface, Eugène Jolas.

_Das Ei triumphiert; Novellen._ Leipzig, Insel-Verlag, 1926.
263p. Tr., Karl Lerbs.

_Aus dem Nirgends ins Nichts._ Leipzig, Insel-Verlag [1927]
77p. Tr., Karl Lerbs. A translation of the story “Out of
nowhere into nothing.”

_I racconti son uomini._ Rome, Editrice Cultura Moderna [1945]
160p. Tr., Guglielmo Santangelo. A selected edition of five
stories.

_Onna ni natta otoka; Tamago._ Tokyo, Eihô-sha, 1956. 194p.
Tr., Rikuo Taniguchi and Yoshizô Miyazaki. A translation of the
story “The egg.”

_Torzhestvo yaitsa._ Moscow, Sovremennyie Problemy, 1925. 257p.
Tr., P. Okhrimenko.

_Yaitso._ Moscow, Biblioteka Zhurnala “Ogonyok”, 1926. 63p.
Tr., P. Okhrimenko. A translation of the story “The egg.”

_HORSES AND MEN. 1923_

[xiv] 347p. 19½ × 13 cm. Orange cloth with white paper label on
spine and publishers’ device blind-stamped on cover. Top edge
stained orange.

_Dedication_ (p.[v]): To Theodore Dreiser.

Contents: Foreword; Dreiser; I’m a fool; The triumph of a
modern; “Unused”; A Chicago Hamlet; The man who became a woman;
Milk bottles; The sad horn blowers; The man’s story; An Ohio
pagan.

22. First English edition:

London, Jonathan Cape, 1924. xiii, 347p.

23. Reprints:

London, Jonathan Cape, 1927. 221p. (Travellers’ Library)

New York, Peter Smith, 1933. 222p. (Travellers’ Library)

24. Translations:

_L’Homme qui devint femme._ Trois nouvelles tirées de _Horses
and men_. Paris, Émile-Paul, 1926. 190p. Tr., Bernard Fay and
Jean Rivière. Preface, Bernard Fay.

_Un païen de l’ Ohio._ Nouvelles tirées de _The Triumph of the
egg_ et de _Horses and men_. Paris, Rieder, 1927. 218p. Tr.,
Marguerite Gay. Preface, Eugène Jolas.

_L’Uomo che diventò donna._ Milan, Longanesi, 1949. 314p. Tr.,
G. Baldini.

_Onna ni natta otoko; Tamago._ Tokyo, Eihô-sha, 1956. 194p.
Tr., Rikuo Taniguchi and Yoshizô Miyazaki. A translation of the
story “The man who became a woman.”

_Koni i lyudi._ Leningrad and Moscow, Petrograd, 1926. 249p.
Tr., M. Volosov.

_Loshadi i lyudi._ Moscow and Leningrad, Gosudarstvennoye
Izdatelstvo, 1927. 250p. Tr., M. Kovalenskaya.

_MANY MARRIAGES. 1923_

25. SHERWOOD ANDERSON | [single line] | MANY MARRIAGES | [publishers’ device] | NEW YORK B. W. HUEBSCH, INC. MCMXXIII [title surrounded by a single line border]

[x] 264p. 19½ × 13 cm. Blue cloth stamped in orange on cover
and spine. Top edge stained orange.

_Dedication_ (p.[v]): To Paul Rosenfeld.

A Foreword and an Explanation by Anderson appear on
p.[vii-viii] and p.[ix], respectively.

26. Reprint:

New York, Grosset & Dunlap, 1929. 264p.

27. Translations:

_Mange Aegteskaber._ Copenhagen, Gyldendal, 1946. 218p. Tr.,
Ole Sarvig.

_Molti matrimoni; romanzo._ Milan, Mondadori, 1945. 267p. Tr.,
Luigi Giovanola. Reprinted: 1958.

_AN EXHIBITION OF PAINTINGS BY ALFRED H. MAURER. 1924_

Single folded leaf, [4]p. 14 × 9 cm.

Anderson’s essay on Alfred H. Maurer is untitled and appears on
p.[2-3]

Copy in the New York Public Library.

_A STORY TELLER’S STORY. 1924_

[vi] 442p. 21 × 14 cm. Brown cloth stamped in yellow on cover
and spine.

_Dedication_ (p.[v]): To Alfred Stieglitz.

30. First English edition:

London, Jonathan Cape, 1925. 442p.

31. Reprints:

Garden City, New York, Garden City Publishing Company [1928]
442p.

New York, Grove Press [1958] 442p. (Evergreen Books, E-109)

32. Translations:

_Un conteur se raconte._ In two volumes: I. _Mon père et moi_;
II. _Je suis un homme._ Paris, Editions Kra, 1928-1929. 209,
151p. Tr., Victor Llona. (Collection européenne)

_Der Erzähler erzählt sein Leben._ Leipzig, Insel-Verlag,
1927. 438p. Tr., Karl Lerbs.

_Storia di me e dei miei racconti._ Turin, Einaudi, 1947. xix,
338p. Tr., Fernanda Pivano.

_Istoriya rasskazchika._ Moscow, Gos. izd-vo khudozh. lit-ry,
1935. 318p. Tr., E. Romanova. Introduction, S. Dinamov.

_Rasskazy._ Leningrad, Gos. izd-vo khudozh. lit-ry, 1959. 506p.
Tr., D. M. Gorfinkel.

_Sherwood Anderson y yo._ Buenos Aires, Santiago Rueda, 1943.
385p. Tr., Luis Echávarri.

_DARK LAUGHTER. 1925_

319p. 19½ × 13½ cm. Black cloth stamped in yellow on cover
and spine. Decorated endpapers. Also 350 numbered and signed
copies, and 20 lettered and signed copies.

_Dedication_ (p.[5]): Dedicated to Jane W. Prall.

34. First English edition:

London, Jarrolds, 1926. 288p.

35. Reprints:

Leipzig, Tauchnitz, 1926. 263p. (Collection of British and
American Authors, vol. 4756)

New York, Grosset & Dunlap, 1927. 319p.

Cleveland, World Publishing Company, 1942. 319p.

36. Translations:

_Mørk latter._ Copenhagen, Gyldendal, 1945. 222p. Tr., Per
Lange.

_Riso nero._ Turin, Frassinelli, 1932. vi, 253p. Tr., Cesare
Pavese.

_Yoru no aibiki._ Tokyo, Kadokawa shoten, 1953. 309p. Tr.,
Yoshihide Iijima.

_Mørk latter._ Oslo, Jorgensensboktr., 1929. 267p. Tr., Hans
Heiberg.

_Mørk latter._ Oslo, Reistad. 1940. 221p. Tr., Hans Heiberg.

_La risa negra._ Madrid, Zeus, 1931. 244p. Tr., Augusto Centeno.

_La risa negra._ Buenos Aires, Futuro, 1944. 244p. Tr., Augusto
Centeno.

_Mörkt skratt._ Stockholm, Bonnier, 1928. 286p. Tr., Elsa af
Trolle. Preface, Anders Osterling.

_THE MODERN WRITER. 1925_

[iv] 44p. 21½ × 14 cm. Black paper over boards stamped in gold
on cover.

_Colophon_ (p.[45]): One thousand copies of this book have
been printed for The Lantern Press, San Francisco, (Gelber,
Lilienthal, Inc.) by Edwin & Robert Grabhorn. Nine hundred &
fifty copies are on B. R. Book Paper, numbered from 51 to 1000,
and fifty on Japan Vellum, numbered from 1 to 50.

_SHERWOOD ANDERSON’S NOTEBOOK. 1926_

230p. 21½ × 14½ cm. Blue decorated paper over boards; purple
cloth spine stamped in gold. Also 225 large paper copies
numbered and signed.

_Dedication_ (p.[7]): Dedicated to two friends, M. D. F. and
Emerson.

Contents: From Chicago; Four American impressions (Gertrude
Stein, Paul Rosenfeld, Ring Lardner, Sinclair Lewis); Notes out
of a man’s life (Notes 1-5); A note on realism; After seeing
George Bellows’ Mr. and Mrs. Wase; I’ll say we’ve done well; A
meeting South; Notes out of a man’s life (Notes 6-10); Notes on
standardization; Alfred Stieglitz; Notes out of a man’s life
(Notes 11-16); When the writer talks; Notes out of a man’s life
(Notes 17-22); An apology for crudity; King Coal; Notes out of
a man’s life (Notes 23-29).

_TAR: A MIDWEST CHILDHOOD. 1926_

xviii, 346p. 21½ × 14½ cm. Brown cloth stamped in gold and blue
on cover and spine. Also 350 large paper copies numbered and
signed.

_Dedication_ (p.[v]): To Elizabeth Anderson.

A Foreword by Anderson appears on p.ix-xviii.

40. First English edition:

London, Martin Secker, 1927. xviii, 346p.

41. Reprint:

New York, Boni and Liveright, 1931. xviii, 346p.

42. Translations:

_Tar._ Paris, Stock, Delamain et Boutelleau, 1931. 231p. Tr.,
Marguerite Gay and Paul Genty. Preface, René Lalou.

_Tar._ Budapest, Athenæum, 1934. 275p. Tr., Andor Gál.

_Tar._ Barcelona, José Janés, 1948. 295p. Tr., Mario G.
Alcántara.

_A NEW TESTAMENT. 1927_

118p. 18 × 11 cm. Blue cloth stamped in gold and red on cover
and spine. Also 265 large paper copies numbered and signed.

_Dedication_ (p.[7]): Dedicated to Horace Liveright.

Contents: A young man; One who looked up at the sky;
Testament—four songs; The man with the trumpet; Hunger; Death;
The healer; Man speaking to a woman; A dreamer; Man walking
alone; Testament of an old man; Half gods; Ambition; In a
workingman’s rooming house; A man standing by a bridge; The
red-throated black; Singing swamp negro; Thoughts of a man
passed in a lonely street at night; Cities; A youth speaking
slowly; One who sought knowledge; The minister of God; A
persistent lover; The visit in the morning—; The dumb man; A
poet; A man resting from labor; A stoic lover; A young Jew; The
story teller; A thinker; The man in the brown coat; One puzzled
concerning himself; The dreamer; A vagrant; Young man in a
room; Negro on the docks at Mobile, Ala.; Word factories; Man
lying on a couch; The ripper; One who would not grow old; The
New Englander; The builder; Young man filled with the feeling
of power; A dying poet; Brother; The lame one; Two glad men;
Answering voice of a second glad man; Chicago; Challenge of the
sea; Poet; At the well; An emotion; Der Tag; Another poet; A
man and two women standing by a wall facing the sea.

_ALICE AND THE LOST NOVEL. 1929_

[1]-[28]p. 20½ × 15 cm. Light blue paper over boards colored in
dark blue on covers. Pages uncut. Signed by the author on p.[2]

_Colophon_ (p.[2]): Five hundred and thirty numbered copies
of this story have been set in Monotype Eleven Point Plantin,
and printed by Robert MacLehose & Co. Ltd., at the University
Press, Glasgow; Nos. 1-500 only are for sale and Nos. 501-530
for presentation.

_HELLO TOWNS! 1929_

[1]-339p. 21½ × 14½ cm. Brown cloth stamped in orange on spine
and blind-stamped on cover. Top edge stained orange. In first
printing, page 35, line 30, “fingers” is misspelled.

_Dedication_ (p.[5]): To my friends, Mr. and Mrs. Burton Emmett.

_Frontispiece_: “Map of Smyth County, Virginia” by Tom Ewald.

46. Translation:

_Hello town!_ Munich, Langewiesche-Brandt, 1956. 121p. Tr.,
Maria von Schweinitz.

_NEARER THE GRASS ROOTS. 1929_

[iv] 35p. 23 × 15 cm. Decorated green paper over boards; black
cloth spine stamped in gold. Autographed by the author on the
half-title page.

_Colophon_: An edition of five hundred copies. Typography by
The Grabhorn Press. Wood-cuts by John Ira Gannon. Each copy
signed by the author.

_THE AMERICAN COUNTY FAIR. 1930_

[ii] 13p. 21 × 14 cm. Stiff green paper covers with label on
spine.

_On verso of title-page_ (p.[2]): 875 copies for Random House,
PJ [Paul Johnston], printed in the U. S. A. by the Southworth
Press.

One of six “Prose Quartos” issued by Random House; title of the
series from slip case containing the six pamphlets.

_PERHAPS WOMEN. 1931_

[1]-[144]p. 19½ × 14 cm. Blue cloth stamped in gold on cover
and spine. Top edge stained yellow.

_Frontispiece_: Woodcut by Julius J. Lankes.

_On verso of title-page_ (p.[4]): Copyright, 1931.

_Dedication_ (p.[5]): To Maurice Long.

An Introduction by Anderson, dated April 1931, appears on p.[7]

Contents: Machine song; Lift up thine eyes; Loom dance; It is
a woman’s age; Perhaps women; Night in a mill town; Ghosts;
Entering the mill at night; Perhaps women; Will America have to
turn to women?; Perhaps women; The cry in the night.

_BEYOND DESIRE. 1932_

[viii] 359p. Tan cloth stamped in red and black on cover and
spine. Red endpapers. Top edge stained red. Also limited signed
edition.

_On verso of title-page_ (p.[iv]): Manufactured ... at the Van
Rees Press.

_Dedication_ (p.[v]): To Elenore.

51. Translations:

_Hinsides alt Begaer._ Copenhagen, J. H. Schultz, 1937. 376p.
Tr., Ole Restrup.

_Po tu storonu zhelaniya._ Moscow and Leningrad, Gos. izd-vo
khudozh. lit-ry, 1933. 320p. Tr., P. Okhrimenko. Introduction,
S. Dinamov.

_Más allá del deseo._ Buenos Aires, Editorial Sud-americana
[1945] 458p. Tr., Manuel Barberá.

_DEATH IN THE WOODS. 1933_

[viii] 298p. 21 × 14½ cm. Orange cloth stamped in black and
gold on spine.

_On verso of title-page_ (p.[iv]): Copyright, 1933.
Manufactured ... at the Van Rees Press.

_Dedication_ (p.[v]): To my friend Ferdinand Schevill.

Contents: Death in the woods; The return; There she is—she
is taking her bath; The lost novel; The fight; Like a queen;
That sophistication; In a strange town; These mountaineers;
A sentimental journey; A jury case; Another wife; A meeting
South; The flood; Why they got married; Brother Death.

_NO SWANK. 1934_

[x] 130p. 19½ × 13 cm. Black cloth stamped in gold on spine.
One thousand unnumbered copies of which 50 were signed by the
author.

_On verso of title-page_ (p.[iv]): Printed and bound ... by The
Haddon Craftsmen, Inc.

_Dedication_ (p.[v]): To Laura Lou Copenhaver in appreciation.

Contents: Meeting Ring Lardner; Death on a winter day; The
Dreiser; Prize fighters and authors; Mr. J. J. Lankes and his
woodcuts; Two Irishmen; To George Borrow; A Stonewall Jackson
man; Lincoln Steffens talks of Russia; No swank; Visit to a
painter; Gertrude Stein; A man’s mind; Lawrence again; Margaret
Anderson: real—unreal; Paul; To Jasper Deeter: a letter.

_PUZZLED AMERICA. 1935_

xvi, 287p. 21 × 14½ cm. Blue cloth stamped in gold on spine and
cover. First printing has code letter _A_ on copyright page.

_Dedication_ (p.[v]): To Roger Sergel.

Contents: Introduction; At the mine mouth; The price of
aristocracy; People; Tough babes in the woods; Blue smoke;
“I want to work”; A union meeting; New tyrants of the land;
Elizabethton, Tennessee; “Please let me explain”; The
nationalist; They elected him; Revolt in South Dakota; Village
wassail; Night in a corn town; Olsonville; The return of the
princess.

_KIT BRANDON. 1936_

[x] 373p. 19½ × 13½ cm. Black cloth stamped in white on spine
and cover. Top edge stained blue. First printing has code
letter _A_ on copyright page.

_Dedication_ (p.[vii]): To Mary Pratt Emmett.

56. First English edition:

London, Hutchinson, 1937. 346p.

57. Reprint:

London, Hutchinson, 1938. 346p. (Cheap edition)

58. Translations:

_Kit Brandon._ Copenhagen, Hasselbalch, 1937. 366p. Tr., Arne
Stevns.

_Kit Brandon._ Amsterdam, Wereldbibliotheek, 1947. 312p. Tr.,
Waldie van Eck.

_Ritratto di Kit Brandon. Romanzo._ Milan, G. Feltrinelli,
1959. 381p. Tr., Marcella Bonsanti.

_PLAYS, WINESBURG AND OTHERS. 1937_

xxii, 242p. Brown cloth stamped in blue on spine.

Contents: An explanation; Note; Jasper Deeter: a dedication;
Winesburg, Ohio; The triumph of the egg; Mother; They married
later.

_A WRITER’S CONCEPTION OF REALISM. 1939_

20p. 15 × 8½ cm. Wrappers.

_HOME TOWN. 1940_

[iv] 145p. 26 × 17½ cm. Gray cloth stamped in green on cover
and spine.

_On verso of title-page_ (p.[iv]): Copyright 1940 by Sherwood
Anderson.

_SHERWOOD ANDERSON’S MEMOIRS. 1942_

62. Sherwood | Anderson’s | Memoirs | New York | HARCOURT, BRACE AND COMPANY [title surrounded by a single line border]

[x] 507p. 22 × 14½ cm. Black cloth stamped in gold on spine and
cover.

_On verso of title-page_ (p.[iv]): Copyright, 1942 by Eleanor
Anderson.

Contents: This book; Book I. What a man’s made of: The age; The
family; A small town street; Through the corn; Experiments;
Discovery of a father; New worlds; Ohio pagans; Horses,
bicycles and men; My sister Stella; Book II. American money:
Chicago; We share; Money! Money!; The capture of Caratura; I
court a rich girl; The golf ball; The Italian’s garden; The man
of ideas; Brother Earl; Book III. A robin’s egg renaissance:
The nest; Bayard Barton; In Jackson Park; We little children of
the arts; Margy Currie; Ben and Burton; All will be free; The
death of Mrs. Folger; A chance missed; The conquering male; The
finding; Book IV. The literary life: Waiting for Ben Huebsch; I
write too much of queer people; Be little; Old Mary, the dogs,
and Theda Bara; Certain Meetings South; New York, the ’20’s;
Dreiser’s party; Writing stories; Man with a book; Meeting
Horace Liveright; I build a house; Book V. Into the Thirties: A
dedication and an explanation; A man friend; Why I live where
I live; The death of Lawrence; I become a protester; Backstage
with a martyr; The feeders; The sound of the stream; Book VI.
Life, not death—: The other one; Work fast, man; I went with
Eleanor; Writers sweet and sour; Mexican night; Dinner in
Thessaly; After a conference; The dance is on; One by one; God
bless the Americas; The fortunate one.

63. Translation:

_Intimidad de un novelista; memorias de Sherwood Anderson._
Buenos Aires, Editorial Claridad [1947] 520p. Tr., Francisco
Madrid. (Coleccion de viajes, memorias y aventuras. vol. 2)

_THE SHERWOOD ANDERSON READER. 1947_

xxx, 850p. 21 × 14 cm. Light tan cloth stamped in red and green
on spine and cover. Top edge stained red.

Contents: Introduction; Nobody laughed; Blackfoot’s
masterpiece; Paper pills; Hands; Tandy; The untold lie;
Unlighted lamps; The New Englander; Chicago; Song of the soul
of Chicago; Chicago again; The egg; I want to know why; The
contract; The sad horn-blowers; The man with the trumpet; The
lame one; The dumb man; Brothers; One throat; When we care;
Song of Theodore; The book of the grotesque; Alfred Stieglitz;
Foreword from _Horses and men_; The man’s story; Milk-bottles;
A meeting South; The return; Meeting Ring Lardner; Brother
death; A part of earth; The yellow gown; A writer’s conception
of realism; We little children of the arts; The sound of the
stream; Morning roll-call; I’m a fool; A sentimental journey;
Justice; A dead dog; The death of Bill Graves; Daughters; An
Ohio pagan; The man with a scar; River journey; Smyth County
News (Editorials); Father Abraham; a Lincoln fragment; Machine
song; Loom dance; Mill girls; The TVA; Tough babes in the
woods; ‘Please let me explain’; Bud (As Kit saw him); Brown
bomber; Dedication of the Memoirs; Introduction to the Memoirs;
Discovery of a father; Girl by the stove; White spot; All
will be free; I build a house; The American small town; The
corn-planting; A walk in the moonlight; His chest of drawers;
Not sixteen; Tim and General Grant.

The following items included in this volume were previously
unpublished: Nobody laughed; A part of earth; Morning
roll-call; Daughters; Father Abraham: a Lincoln fragment; White
spot; Tim and General Grant.

65. Translations:

_Il meglio di Sherwood Anderson._ Milan, Longanesi, 1954.
1048p. Tr., Marcella Hannau.

_Ur ingenstans in i ingenting._ Stockholm, C. E. Fritze, 1952.
287p. Tr., Olov Jonason. Preface, Artur Lundkvist.

_THE PORTABLE SHERWOOD ANDERSON. 1949_

vi, 631p. 17 × 11 cm. Brown cloth stamped in dark brown.

Contents: Editor’s introduction; The chronology of Sherwood
Anderson’s life and books; A selected bibliography on Sherwood
Anderson. From _Winesburg, Ohio_: Hands; The philosopher;
Godliness; The strength of God; The teacher; Loneliness;
Departure. _Poor white._ Selected stories: The contract; The
egg; I’m a fool; The man who became a woman; A meeting South;
Death in the woods. Men and women: Four American impressions:
Gertrude Stein, Paul Rosenfeld, Ring Lardner, Sinclair Lewis;
Dreiser. Reportage and editorial: The American county fair; In
Washington. A selection of letters: To Alfred Stieglitz, John
Anderson, Burton Emmett, Ferdinand Schevill, Edmund Wilson,
Dorothy Dudley, Burton and Mary Emmett, Theodore Dreiser, John
L. Lewis, Henry Goddard Leach, Mary Blair, James Boyd, Paul
Appel, Maxwell Perkins, Ettie Stettheimer, Gilbert Wilson, and
Anita Loos.

67. Reprint:

New York, Viking Press [1956] vi, 631p. (Viking Paperbound
Portable, P42)

_LETTERS. 1953_

xxv, 479p. 22½ × 14½ cm. Black cloth stamped in gold on spine.

_On verso of title-page_ (p.[iv]): Copyright 1953, by Eleanor
Anderson.

_Essays and Stories_

69. City plowman. _In_ Frank, Waldo, and others, editors. _America and Alfred Stieglitz._ Garden City, N. Y., Doubleday, Doran, 1934. p.303-08.

70. Harry breaks through. _In_ Kreymborg, Alfred, and others, editors. _The new caravan._ New York, W. W. Norton, 1936. p.84-89.

71. I want to be counted. _In_ National Committee for the Defense of Political Prisoners. _Harlan miners speak._ New York, Harcourt, Brace [1932] p.298-312. (“An address delivered before a meeting held by the National Committee ... in New York City on December 6, 1931, to protest the legal and illegal terror in the Harlan, Kentucky, coal fields”)

72. Man and his imagination. _In_ Centeno, Augusto, editor. _The intent of the artist._ Princeton, Princeton University Press, 1941. p.39-79.

73. Ohio: I’ll say we’ve done well. _In_ Gruening, Ernest Henry, editor. _These United States; a symposium._ First series. New York, Boni and Liveright [1923] p.109-17.

74. There she is—she is taking her bath. _In_ Kreymborg, Alfred, and others, editors. _The second American caravan._ New York, Macaulay, 1928. p.100-11.

_Introductions and Forewords_

75. _Alfred Stieglitz presents 7 Americans; A catalogue of an exhibition at the Anderson Galleries, New York, March 9-28, 1925._ [New York, 1925] Introduction in form of a poem entitled “Seven alive,” p.3.

76. Crane, Stephen. _The works of Stephen Crane._ Volume XI: Midnight sketches and other impressions. New York, Alfred A. Knopf [1926] Introduction, dated September 1926, p.xi-xv.

77. Dreiser, Theodore. _Free and other stories._ New York, Modern Library [1918] Introduction, p.v-x.

78. Jolas, Eugène. _Cinema._ New York, Adelphi Company, 1926. Introduction, dated June 1, 1926, p.9-10.

79. McKee, Philip. _Big town._ New York, John Day [1931] Foreword, p.1-9.

80. Shaw, Lloyd. _Cowboy dances._ Caldwell, Idaho, Caxton Printers, 1939. Foreword, in the form of a letter written from Marion, Virginia, p.5. Revised edition, 1949.

81. Sklar, George and Albert Maltz. _Peace on earth._ New York and Los Angeles, Samuel French; London, Samuel French, Ltd., 1934. Foreword, p.v-vi.

82. Whitman, Walt. _Leaves of grass._ New York, Thomas Y. Crowell [1933] Introduction, entitled “Walt Whitman,” p.v-vii.

_Letters_

83. Desperate need. _Nation_ 135:506 November 23, 1932. Letter to the Editor concerning the Prisoners’ Relief Fund.

84. The herald angel sings. _New York Times_ December 10, 1933, section 10, p.4. Letter to the Drama Editor, dated December 4, 1933, regarding the Theatre Union’s production of “Peace on earth.”

85. Letter [to V. F. Calverton] _Modern Quarterly_ 2:81 Fall 1924. In reference to Calverton’s article on Anderson: see item 529.

86. Letters from Sherwood Anderson. In _Paul Rosenfeld, voyager in the arts_, edited by Jerome Mellquist and Lucie Wiese. New York, Creative Age, 1948. p.197-232.

87. The letters of Sherwood Anderson. _Atlantic Monthly_ 191:30-33 June 1953. Letters to Roy Jansen and George Freitag, edited by H. M. Jones.

88. Letters of Sherwood Anderson. _Berkeley_ no.1:1-4 [1947] Letters to Robert Morss Lovett and Ferdinand Schevill.

89. Letters of Sherwood Anderson. _Harper’s Bazaar_ 73:130, 201-03 February 1949. Letters to John Anderson and Theodore Dreiser.

90. [Letters to Gertrude Stein] In _The flowers of friendship; letters written to Gertrude Stein_, edited by Donald Gallup. New York, Alfred A. Knopf, 1953. Includes eleven letters from Anderson.

91. Letters to Van Wyck Brooks. _Story_ 19:42-62 September-October 1941.

_Dramatizations_

92. _Above suspicion._ In _The Free Company presents; a collection of plays about the meaning of America_. New York, The Free Company; New York, Dodd, Mead, 1941. p.269-301. Reprinted as a pamphlet by the Free Company in the same year.

93. _I’m a fool._ Dramatized by Christopher Sergel. Chicago, Dramatic Publishing Company [1942] 34p.

94. Mother. A one-act play. _In_ Wilde, Percival, editor. _Contemporary one-act plays from nine countries._ Boston, Little, Brown, 1936. p.43-58.

95. Textiles. A play for the radio. _In_ Kozlenko, William, editor. _Contemporary one-act plays._ New York, Charles Scribner’s Sons, 1938. p.1-22.

96. _The triumph of the egg._ A drama in one act; dramatized by Raymond O’Neil. Chicago, Dramatic Publishing Company [1932] 25p.

97. _Winesburg, Ohio. A drama in three acts._ Dramatized by Christopher Sergel. New York premiere, February 5, 1958. Unpublished.

_Contributions to Periodicals_

Reprintings in collections of Anderson’s work are indicated as follows:

_ALN_ _Alice and The Lost Novel_
_BD_ _Beyond Desire_
_DW_ _Death in the Woods_
_HM_ _Horses and Men_
_HT_ _Hello Towns_
_KB_ _Kit Brandon_
_LSA_ _Letters of Sherwood Anderson_
_MAC_ _Mid-American Chants_
_NGR_ _Nearer the Grass Roots_
_NS_ _No Swank_
_NT_ _New Testament_
_PA_ _Puzzled America_
_PSA_ _Portable Sherwood Anderson_
_PW_ _Perhaps Women_
_PWO_ _Plays, Winesburg and Others_
_SAM_ _Sherwood Anderson’s Memoirs_
_SAN_ _Sherwood Anderson’s Notebook_
_SAR_ _Sherwood Anderson Reader_
_SS_ _Story Teller’s Story_
_TE_ _Triumph of the Egg_
_WO_ _Winesburg, Ohio_

98. Aching breasts and snow-white hearts; being some fan letters of Ezra Bone of Elmore, Tennessee, to Gloria Swanson. _Vanity Fair_ 25:51, 108 January 1926.

99. Adventures in form and color. _Little Review_ 7:[64] January-March 1921.

100. Advertising a nation. _Agricultural Advertising_ 12:389 May 1905.

101. Alfred Stieglitz. _New Republic_ 32:215-17 October 25, 1922. _SAN_, _SAR_.

102. America on a cultural jag. _Saturday Review of Literature_ 4:364-65 December 3, 1927.

103. American spectator. _American Spectator_ 2,no.16:1 February 1934.

104. Another wife. _Scribner’s Magazine_ 80:587-94 December 1926. _DW._

105. An apology for crudity. _Dial_ 63:437-38 November 8, 1917. _SAN._

106. At Amsterdam. _New Masses_ 8:11 November 1932.

107. At the mine mouth. _Today_ 1:5, 19-21 December 30, 1933. _PA_ (with revisions).

108. An awakening. _Little Review_ 5:13-21 December 1918. _WO._

109. Backstage with a martyr. _Coronet_ 8:39-41 July 1940. _SAM._

110. Beauty. _Harper’s Bazaar_ 63:78-79, 118 January 1929. _ALN_ (entitled “Alice”), _DW_ (entitled “Like a queen”).

111. Betrayed. _Golden Book_ 1:743-44 May 1925. Concerns Nathaniel Wright Stephenson’s biography of Lincoln.

112. Blackfoot’s masterpiece. _Forum_ 55:679-83 June 1916. _SAR._

113. Blue smoke. _Today_ 1:6-7, 23 February 24, 1934. _PA._

114. Boardwalk fireworks. _Today_ 5:6-7, 19 November 9, 1935.

115. Broken. _Century_ 105:643-56 March 1923. _HM_ (entitled “A Chicago hamlet”).

116. Brothers. _Bookman_ (N.Y.) 53:110-15 April 1921. _TE_, _SAR_.

117. Brown boomer. _Signatures_ no.3:302-08 Winter 1937-1938. _SAR_ (with corrected title, “Brown bomber”).

118. Burt Emmett. _Colophon_ n.s.1,no.1:7-9 Summer 1935.

119. A business man’s reading. _Reader_ 2:503-04 October 1903.

120. Business types: the boyish man. _Agricultural Advertising_ 11:53 October 1904.

121. Business types: the discouraged man. _Agricultural Advertising_ 11:43-44 July 1904.

122. Business types: the good fellow. _Agricultural Advertising_ 11:36 January 1904.

123. Business types: the hot young ’un and the cold old ’un. _Agricultural Advertising_ 11:24-26 September 1904.

124. Business types: the liar—a vacation story. _Agricultural Advertising_ 11:27-29 June 1904.

125. Business types: the man of affairs. _Agricultural Advertising_ 11:36-38 March 1904.

126. Business types: silent men. _Agricultural Advertising_ 11:19 February 1904.

127. Business types: the solicitor. _Agricultural Advertising_ 11:21-24 August 1904.

128. Business types: the traveling man. _Agricultural Advertising_ 11:39-40 April 1904.

129. Business types: the undeveloped man. _Agricultural Advertising_ 11:31-32 May 1904.

130. Carl Sandburg. _Bookman_ (N.Y.) 54:360-61 December 1921.

131. Caught. _American Mercury_ 1:165-76 February 1924. _SS_ (entitled “Epilogue”).

132. Censorship. _Laughing Horse_ no.17:[5] February 1930.

133. Chicago—a feeling. _Vanity Fair_ 27:53, 118 October 1926.

134. City gangs enslave moonshine mountaineers. _Liberty_ 12:12-13 November 2, 1935.

135. Cityscapes. _American Spectator_ 2,no.16:2 February 1934.

136. Communications. _American Spectator_ 1,no.11:2 September 1933.

137. Confessions and letters: questionnaire. _Little Review_ 12:12-13 May 1929. Reprinted: _The Little Review Anthology_, p.354-55.

138. The contract. _Broom_ 1:148-53 December 1921. _SAR_, _PSA_.

139. The corn planting. _American Magazine_ 118:47, 149-50 November 1934; _Penguin Parade_ 1:115-22 November 1937. _SAR._

140. Cotton mill. _Scribner’s Magazine_ 88:1-11 July 1930.

141. Country town notes. _Vanity Fair_ 32:63, 112, 126 May 1929.

142. The country weekly. _Forum_ 85:208-13 April 1931.

143. County squires. _Vanity Fair_ 33:63, 128 October 1929.

144. A criminal’s Christmas. _Vanity Fair_ 27:89, 130 December 1926. _HT._

145. The cry in the night. _Vanity Fair_ 37:49-50, 80 September 1931.

146. The dance is on. _Rotarian_ 58:7 June 1941. _SAM._

147. Danville, Virginia. _New Republic_ 65:266-68 January 21, 1931. _SAM_ (as part of chapter “I become a protester”).

148. A dead dog. _Yale Review_ 20:554-67 Spring 1931. _SAR._

149. Death in the woods. _American Mercury_ 9:7-13 September 1926. _DW_, _PSA_. A French translation, “Mort dans les bois,” by Hélène Boussinesq appeared in _Europe_ 15:5-22 September 15, 1927.

150. Delegation. _New Yorker_ 9:36, 38 December 9, 1933.

151. Discovery of a father. _Reader’s Digest_ 35:21-25 November 1939. _SAM_, _SAR_.

152. Domestic and juvenile. _Vanity Fair_ 34:35-37 March 1930.

153. The door of the trap. _Dial_ 68:567-76 May 1920. _TE._

154. Dreiser. _Little Review_ 3:5 April 1916.

155. Educating an author. _Vanity Fair_ 28:47-48 May 1927.

156. Elizabethton, Tennessee. _Nation_ 128:526-27 May 1, 1929. _NGR_, _PA_.

157. An estimate of “Mr. and Mrs. Philip Wase”. _Vanity Fair_ 25:57, 94 November 1925. _SAN_ (entitled “After seeing George Bellows’ Mr. and Mrs. Wase”).

158. Explain! Explain! Again explain! _Today_ 1:3 December 2, 1933.

159. Factory town. _New Republic_ 62:143-44 March 26, 1930.

160. The far West. _Vanity Fair_ 27:39-40, 104 January 1927.

161. The farmer wears clothes. _Agricultural Advertising_ 9:6 February 1902.

162. Feud. _American Magazine_ 119:71, 112-14 February 1935.

163. The fight. _Vanity Fair_ 29:72, 106, 108 October 1927. _DW._

164. Five poems (A dreamer; Man walking alone; Half-gods; Ambition; A man standing by a bridge). _American Mercury_ 11:26-27 May 1927. _NT._

165. For what? _Yale Review_ 30:750-58 June 1941. _SAM_ (entitled “We little children of the arts”), _SAR_.

166. Four American impressions. _New Republic_ 32:171-73 October 11, 1922. Concerns Gertrude Stein, Ring Lardner, Paul Rosenfeld, and Sinclair Lewis. _SAN._ The section on Rosenfeld is reprinted in _Paul Rosenfeld, voyager in the arts_. New York, Creative Age press, 1948. p.233.

167. From Chicago. _Seven Arts_ 2:41-59 May 1917. (Part II is a reprint of “The novelist”.) _MAC_, _SAN_.

168. From little things. _This Week_ February 11, 1940, p.2. _HT._

169. The fussy man and the trimmer. _Agricultural Advertising_ 11:79-82 December 1904.

170. Gertrude Stein. _American Spectator_ 2,no.18:3 April 1934. _NS._

171. Gertrude Stein’s kitchen. _Wings_ (Literary Guild of America) 7,no.9:12-13, 26 September 1933.

172. A ghost story. _Vanity Fair_ 29:78, 142 December 1927.

173. Girl by the stove. _Decision_ 1:19-22 January 1941. _SAM_, _SAR_.

174. Give a child room to grow. _Parents’ Magazine_ 11:17 April 1936.

175. Give Rex Tugwell a chance. _Today_ 4:5, 21 June 8, 1935.

176. The good life at Hedgerow. _Esquire_ 6:51, 198A, 198B, 199 October 1936. _PWO_ (entitled “Jasper Deeter”).

177. A good one. _New Republic_ 85:259 January 8, 1936. A review of Evan Shipman’s _Free-for-all_.

178. A great factory. _Vanity Fair_ 27:51-52 November 1926.

179. Hands. _Masses_ 8:5, 7 March 1916. _WO_, _SAR_, _PSA_.

180. Hard-boiled. _Direction_ 1,no.4:8-9 April 1938.

181. Hello, big boy. _Vanity Fair_ 26:41-42, 88 July 1926. _HT_ (entitled “Hello towns”).

182. Hello Yank. _Saturday Review_ 132:172-74 August 6, 1921; _Living Age_ 311:173-75 October 15, 1921.

183. Here they come. _Esquire_ 13:80-81 March 1940.

184. His chest of drawers. _Household Magazine_ 39:4-5 August 1939. _SAR._

185. How I came to communism: symposium. _New Masses_ 8:8-9 September 1932.

186. I get so I can’t go on. _Story_ 3:55-62 December 1933.

187. I live a dozen lives. _American Magazine_ 128:58 October 1939.

188. I want to know why. _Smart Set_ 60:35-40 November 1919. _TE_, _SAR_. A Spanish translation, “Quisiera saber por que,” by Lenka Franulic appears in his _Antología del cuento norteamericano_. Santiago, Ercilla, 1943. p.109-19.

189. I want to work! _Today_ 1:10-11, 22 April 28, 1934.

190. I was a bad boy. _This Week_ May 18, 1941, p.12, 17. _SAM_ (with revisions).

191. I will not sell my papers. _Outlook_ 150:1286-87 December 5, 1928. _HT_ (revised and entitled “Will you sell your newspapers”).

192. I’m a fool. _Dial_ 72:119-29 February 1922; _London Mercury_ 6:19-27 May 1922 (entitled “I am a fool”). _HM_, _SAR_, _PSA_.

193. An impression of Mexico—its people. _Southern Literary Messenger_ 1:241-42 April 1939.

194. In a boxcar. _Vanity Fair_ 31:76, 114 October 1928.

195. In a strange town. _Scribner’s Magazine_ 87:20-25 January 1930. _DW._

196. Italian poet in America. _Decision_ 2:8-15 August 1941.

197. It’s a woman’s age. _Scribner’s Magazine_ 88:613-18 December 1930. _PW._

198. J. J. Lankes and his woodcuts. _Virginia Quarterly Review_ 7:18-27 January 1931. _NS._

199. Jug of moon. _Today_ 2:6-7, 23 September 15, 1934. _SAM._

200. A jury case. _American Mercury_ 12:431-34 December 1927. _DW._

201. Just walking. _Vanity Fair_ 30:76, 108 April 1928. _HT._

202. A landed proprietor. _Rotarian_ 58:8-10 March 1941.

203. Legacies of Ford Madox Ford. _Coronet_ 8:135-36 August 1940. _SAM._

204. Let’s go somewhere. _Outlook_ 151:247, 278, 280 February 13, 1929.

205. Let’s have more criminal syndicalism. _New Masses_ 7:3-6 February 1932.

206. Lift up thine eyes. _Nation_ 130:620-22 May 28, 1930. _PW._

207. Lindsay and Masters. _New Republic_ 85:194-95 December 25, 1935. A review of Edgar Lee Masters’ _Vachel Lindsay_.

208. The line-up. _American Spectator_ 2,no.20:1 June 1934.

209. Listen, Hollywood! _Photoplay_ 52:28-29 March 1938.

210. Listen, Mr. President. _Nation_ 135:191-93 August 31, 1932. _SAM._ An open letter to Herbert Hoover.

211. Little magazines. _Intermountain Review_ 2,no.2:1 Fall 1937.

212. Little people and big words. _Reader’s Digest_ 39:118-20 September 1941.

213. A living force in literature. _Brentano’s Book Chat_ June 1921, p.17-18. Concerns D. H. Lawrence.

214. Living in America. _Nation_ 120:657-58 June 10, 1925.

215. Look out, brown man! _Nation_ 131:579-80 November 26, 1930.

216. Loom dance. _New Republic_ 62:292-94 April 30, 1930. _PW_, _SAR_.

217. The lost novel. _Scribner’s Magazine_ 84:255-58 September 1928. _ALN_, _DW_.

218. Machine child-rearing. _New York Times_ November 8, 1931, section IX, p.2. Excerpt from speech during the Bertrand Russell-Sherwood Anderson debate on abolition of the family.

219. Machine song: automobile. _Household Magazine_ 30:3 October 1930. _PW_, _SAR_.

220. The magnificent idler. _Reader’s Digest_ 28:88-90 February 1936. Excerpt from _A Story Teller’s Story_.

221. Making it clear. _Agricultural Advertising_ 24:16 February 1913.

222. The man and the book. _Reader_ 3:71-73 December 1903.

223. The man at the filling station. _Vanity Fair_ 30:53, 88, 90 August 1928.

224. The man in the brown coat. _Little Review_ 7:18-21 January-March 1921. _TE_, _NT_.

225. A man’s mind. _New Republic_ 63:22-23 May 21, 1930. A review of D. H. Lawrence’s _Assorted Articles_. _NS._

226. A man’s song of life. _Virginia Quarterly Review_ 9:108-14 January 1933. _NS_ (entitled “Lawrence again”).

227. The man’s story. _Dial_ 75:247-64 September 1923. _HM_, _SAR_.

228. Many marriages. _Dial_ 73:361-82, 533-48, 623-44; 74:31-49, 165-82, 256-72 October 1922-March 1923.

229. Maury Maverick in San Antonio. _New Republic_ 102:398-400 March 25, 1940.

230. Meeting Ring Lardner. _New Yorker_ 9:36, 38 November 25, 1933. _NS_, _SAR_.

231. A meeting South. _Dial_ 78:269-79 April 1925. _SAN_, _DW_, _SAR_, _PSA_.

232. Mid-American prayer. _Seven Arts_ 2:190-92 June 1917.

233. Mid-American songs (Song of Stephen the Westerner; American spring song; A visit; Song of the drunken business man; Evening song; Song of industrial America). _Poetry_ 10:281-91 September 1917. _MAC._

234. Mill girls. _Scribner’s Magazine_ 91:8-12, 59-64 January 1932. _BD_, _SAR_.

235. Mr. Joe’s doctor. _American Magazine_ 118:81-82 August 1934.

236. A moonlight walk. _Red Book_ 70:43-45, 100-04 December 1937. _SAR._

237. Mother. _Seven Arts_ 1:452-61 March 1917. _WO._

238. Motor trip. _American Spectator_ 2,no.22:9 August 1934.

239. A mountain dance. _Vanity Fair_ 29:59, 110 November 1927. _HT._

240. A mountain marriage. _Fight Against War and Fascism_ 3:16-17, 25 October 1936. _KB._

241. My fire burns. _Survey_ 47:997-1000 March 25, 1922. _SAN_ (entitled “King coal”).

242. The nationalist. _American Spectator_ 2,no.14:1 December 1933; _Fortnightly Review_ 142:24-29 July 1934; _American Spectator Yearbook_. New York, Frederick A. Stokes, 1934. p.3-10. _PA._

243. Nearer the grass roots. _Outlook_ 148:3-4, 27 January 1928. _NGR._

244. A new chance for the men of the hills. _Today_ 1:10-11, 22-23 May 12, 1934. _PA_, _SAR_.

245. The New Englander. _Dial_ 70:143-58 February 1921. _TE_, _SAR_.

246. The new note. _Little Review_ 1:23 March 1914. Reprinted: _Little Review Anthology_, p.13-15.

247. New Orleans: a prose poem in the expressionist manner. _Vanity Fair_ 26:36, 97 August 1926.

248. New Orleans, _The double dealer_ and the modern movement in America. _Double Dealer_ 3:119-26 March 1922.

249. New paths for old. _Today_ 1:12-13, 32 April 7, 1934.

250. A new testament. _Double Dealer_ 3:64-67 February 1922. _NT_ (entitled “A thinker”).

251. A new testament (The visit in the morning; Negro on the docks; The ripper; Chicago; Hunger; Death). _Vanity Fair_ 28:75 April 1927. _NT._

252. A new testament: The builder. _Double Dealer_ 3:311 June 1922. _NT._

253. A new testament: A man speaks out of the new confusion. _Playboy_ 2,no.1:9-11 First quarter 1923.

254. A new testament: Testament one. _Little Review_ 6:3-6 October 1919.

255. A new testament: Testament two. _Little Review_ 6:19-21 November 1919. _NT_ (entitled “The dreamer”; with revisions).

256. A new testament: III. _Little Review_ 6:17-19 December 1919. _NT._ A portion reprinted under title “Man standing by a bridge,” see item 164; also _Literary Digest_ 93:34 May 21, 1927.

257. A new testament: IV-V _Little Review_ 6:15-17 January 1920. _NT_ (final section of “IV” entitled “In a workingman’s rooming house”; “V” entitled “Word factories”). “V” also appeared in _Vanity Fair_ under title “The word maker,” see item 282.

258. A new testament: VI-IX. _Little Review_ 6:12-16 March 1920. _NT._ “VI” also appeared under title “Ambition,” see item 164; “VII” appeared in _Vanity Fair_ 28:75 April 1927 under title “Chicago”; “VIII” entitled “Cities” in _NT_.

259. A new testament: X. _Little Review_ 6:58-60 April 1920.

260. A new testament: XI-XII. _Little Review_ 7:58-61 July-August 1920. _NT._ Part of “XI” also appeared under title “Man walking alone,” see item 164.

261. A new testament: No. 13. _Double Dealer_ 6:181-82 August-September 1924. _NT_ (entitled “A dreamer”). See also item 164.

262. New tyrants of the land. _Today_ 1:10-11, 20 May 26, 1934. _PA_ (with revisions).

263. New York. _Vanity Fair_ 28:33, 94 July 1927. _SAM._ A French translation by Marguerite Gay appears in _Bibliothèque Universelle et Revue de Genève_ January 1930, p.46-51.

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Sherwood AndersonChapter II: Writings About Sherwood Anderson (1)

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