Chapter II

Shortly after Van Twiller's departure the whole thing came out. Whether Livingstone found the secret too heavy a burden, or whether it transpired through some indiscretion on the part of Mrs. Vanrensselaer Vanzandt Van Twiller, I can not say; but one evening the entire story was in the possession of the club.

Van Twiller had actually been very deeply interested--not in an actress, for the legitimate drama was not her humble walk in life, but--in Mademoiselle Olympe Zabriski, whose really perilous feats on the trapeze had astonished New York the year before, though they had failed to attract Delaney and me the night we wandered into the up-town theatre on the trail of Van Twiller's mystery.

That a man like Van Twiller should he fascinated even for an instant by a common circus-girl seems incredible; but it is always the incredible thing that happens. Besides, Mademoiselle Olympe was not a common circus-girl; she was a most daring and startling gymnaste, with a beauty and a grace of movement that gave to her audacious performance almost an air of prudery. Watching her wondrous dexterity and pliant strength, both exercised without apparent effort, it seemed the most natural proceeding in the world that she should do those unpardonable things. She had a way of melting from one graceful posture into another like the dissolving figures thrown from a stereopticon. She was a lithe, radiant shape out of the Grecian mythology, now poised up there above the gaslights, and now gleaming through the air like a slender gilt arrow.

I am describing Mademoiselle Olympe as she appeared to Van Twiller on the first occasion when he strolled into the theatre where she was performing. To me she was a girl of eighteen or twenty years of age (maybe she was much older, for pearl powder and distance keep these people perpetually young), slightly but exquisitely built, with sinews of silver wire; rather pretty, perhaps, after a manner, but showing plainly the effects of the exhaustive draughts she was making on her physical vitality. Now, Van Twiller was an enthusiast on the subject of calisthenics. "If I had a daughter," Van Twiller used to say, "I wouldn't send her to a boarding school, or a nunnery; I'd send her to a gymnasium for the first five years. Our American women have no physique. They are lilies, pallid, pretty--and perishable. You marry an American woman, and what do you marry? A headache. Look at English girls. They are at least roses, and last the season through."

Walking home from the theatre that first night, it flitted through Van Twiller's mind that if he could give this girl's set of nerves and muscles to any one of the two hundred high-bred women he knew, he would marry her on the spot and worship her forever.

The following evening he went to see Mademoiselle Olympe again. "Olympe Zabriski," he soliloquized as he sauntered through the lobby--"what a queer name! Olympe is French and Zabriski is Polish. It is her _nom de guerre_, of course; her real name is probably Sarah Jones. What kind of creature can she be in private life, I wonder? I wonder if she wears that costume all the time, and if she springs to her meals from a horizontal bar. Of course she rocks the baby to sleep on the trapeze." And Van Twiller went on making comical domestic tableaux of Mademoiselle Zabriski, like the clever, satirical dog he was, until the curtain rose.

This was on a Friday. There was a matinee the next day, and he attended that, though he had secured a seat for the usual evening entertainment. Then it became a habit of Van Twiller's to drop into the theatre for half an hour or so every night, to assist at the interlude, in which she appeared. He cared only for her part of the programme, and timed his visits accordingly. It was a surprise to himself when he reflected, one morning, that he had not missed a single performance of Mademoiselle Olympe for nearly two weeks.

"This will never do," said Van Twiller. "Olympe"--he called her Olympe, as if she were an old acquaintance, and so she might have been considered by that time--"is a wonderful creature; but this will never do. Van, my boy, you must reform this altogether."

But half-past nine that night saw him in his accustomed orchestra chair, and so on for another week. A habit leads a man so gently in the beginning that he does not perceive he is led--with what silken threads and down what pleasant avenues it leads him! By and by the soft silk threads become iron chains, and the pleasant avenues Avernus!

Quite a new element had lately entered into Van Twiller's enjoyment of Mademoiselle Olympe's ingenious feats--a vaguely born apprehension that she might slip from that swinging bar; that one of the thin cords supporting it might snap, and let her go headlong from the dizzy height. Now and then, for a terrible instant, he would imagine her lying a glittering, palpitating heap at the foot-lights, with no color in her lips! Sometimes it seemed as if the girl were tempting this kind of fate. It was a hard, bitter life, and nothing but poverty and sordid misery at home could have driven her to it. What if she should end it all some night, by just unclasping that little hand? It looked so small and white from where Van Twiller sat!

This frightful idea fascinated while it chilled him, and helped to make it nearly impossible for him to keep away from the theatre. In the beginning his attendance had not interfered with his social duties or pleasures; but now he came to find it distasteful after dinner to do anything but read, or walk the streets aimlessly, until it was time to go to the play. When that was over, he was in no mood to go anywhere but to his rooms. So he dropped away by insensible degrees from his habitual haunts, was missed, and began to be talked about at the club. Catching some intimation of this, he ventured no more in the orchestra stalls, but shrouded himself behind the draperies of the private box in which Delaney and I thought we saw him on one occasion.

Now, I find it very perplexing to explain what Van Twiller was wholly unable to explain to himself. He was not in love with Mademoiselle Olympe. He had no wish to speak to her, or to hear her speak. Nothing could have been easier, and nothing further from his desire, than to know her personally. A Van Twiller personally acquainted with a strolling female acrobat! Good heavens! That was something possible only with the discovery of perpetual motion. Taken from her theatrical setting, from her lofty perch, so to say, on the trapeze-bar, Olympe Zabriski would have shocked every aristocratic fibre in Van Twiller's body. He was simply fascinated by her marvelous grace and _elan_, and the magnetic recklessness of the girl. It was very young in him and very weak, and no member of the Sorosis, or all the Sorosisters together, could have been more severe on Van Twiller than he was on himself. To be weak, and to know it, is something of a punishment for a proud man. Van Twiller took his punishment, and went to the theatre, regularly.

"When her engagement comes to an end," he meditated, "that will finish the business."

Mademoiselle Olympe's engagement finally did come to an end and she departed. But her engagement had been highly beneficial to the treasury-chest of the uptown theatre, and before Van Twiller could get over missing her she had returned from a short Western tour, and her immediate reappearance was underlined on the play-bills.

On a dead wall opposite the windows of Van Twiller's sleeping-room there appeared, as if by necromancy, an aggressive poster with MADEMOISELLE OLYMPE ZABRISKI on it in letters at least a foot high. This thing stared him in the face when he woke up one morning. It gave him a sensation as if she had called on him overnight and left her card.

From time to time through the day he regarded that poster with a sardonic eye. He had pitilessly resolved not to repeat the folly of the previous month. To say that this moral victory cost him nothing would be to deprive it of merit. It cost him many internal struggles. It is a fine thing to see a man seizing his temptation by the throat, and wrestling with it, and trampling it underfoot like St. Anthony. This was the spectacle Van Twiller was exhibiting to the angels.

The evening Mademoiselle Olympe was to make her reappearance, Van Twiller, having dined at the club, and feeling more like himself than he had felt for weeks, returned to his chamber, and, putting on dressing-gown and slippers, piled up the greater portion of his library about him, and fell to reading assiduously. There is nothing like a quiet evening at home with some slight intellectual occupation, after one's feathers have been stroked the wrong way.

When the lively French clock on the mantelpiece--a base of malachite surmounted by a flying bronze Mercury with its arms spread gracefully in the air, and not remotely suggestive of Mademoiselle Olympe in the act of executing her grand flight from the trapeze--when the clock, I repeat, struck nine, Van Twiller paid no attention to it. That was certainly a triumph. I am anxious to render Van Twiller all the justice I can, at this point of the narrative, inasmuch as when the half hour sounded musically, like a crystal ball dropping into a silver bowl, he rose from the chair automatically, thrust his feet into his walking-shoes, threw his overcoat across his arm, and strode out of the room.

To be weak and to scorn your weakness, and not to be able to conquer it, is, as has been said, a hard thing; and I suspect it was not with unalloyed satisfaction that Van Twiller found himself taking his seat in the back part of the private box night after night during the second engagement of Mademoiselle Olympe. It was so easy not to stay away!

In this second edition of Van Twiller's fatuity, his case was even worse than before. He not only thought of Olympe quite a number of times between breakfast and dinner, he not only attended the interlude regularly, but he began, in spite of himself, to occupy his leisure hours at night by dreaming of her. This was too much of a good thing, and Van Twiller regarded it so. Besides, the dream was always the same--a harrowing dream, a dream singularly adapted to shattering the nerves of a man like Van Twiller. He would imagine himself seated at the theatre (with all the members of Our Club in the parquette), watching Mademoiselle Olympe as usual, when suddenly that young lady would launch herself desperately from the trapeze, and come flying through the air like a firebrand hurled at his private box. Then the unfortunate man would wake up with cold drops standing on his forehead.

There is one redeeming feature in this infatuation of Van Twiller's which the sober moralist will love to look upon--the serene unconsciousness of the person who caused it. She went through her _role_ with admirable aplomb, drew her salary, it may be assumed, punctually, and appears from first to last to have been ignorant that there was a miserable slave wearing her chains nightly in the left-hand proscenium box.

That Van Twiller, haunting the theatre with the persistency of an ex-actor, conducted himself so discreetly as not to draw the fire of Mademoiselle Olympe's blue eyes shows that Van Twiller, however deeply under a spell, was not in love. I say this, though I think if Van Twiller had not been Van Twiller, if he had been a man of no family and no position and no money, if New York had been Paris and Thirty-fourth Street a street in the Latin Quarter--but it is useless to speculate on what might have happened. What did happen is sufficient.

It happened, then, in the second week of Queen Olympe's second unconscious reign, that an appalling Whisper floated up the Hudson, effected a landing at a point between Spuyten Duyvil Creek and Cold Spring, and sought out a stately mansion of Dutch architecture standing on the bank of the river. The Whisper straightway informed the lady dwelling in this mansion that all was not well with the last of the Van Twillers; that he was gradually estranging himself from his peers, and wasting his nights in a playhouse watching a misguided young woman turning unmaidenly somersaults on a piece of wood attached to two ropes.

Mrs. Vanrensselaer Vanzandt Van Twiller came down to town by the next train to look into this little matter.

She found the flower of the family taking an early breakfast at 11 A. M., in his cosey apartments on Thirty-fourth Street. With the least possible circumlocution she confronted him with what rumor had reported of his pursuits, and was pleased, but not too much pleased, when he gave her an exact account of his relations with Mademoiselle Zabriski, neither concealing nor qualifying anything. As a confession, it was unique, and might have been a great deal less entertaining. Two or three times in the course of the narrative, the matron had some difficulty in preserving the gravity of her countenance. After meditating a few minutes, she tapped Van Twiller softly on the arm with the tip of her parasol, and invited him to return with her the next day up the Hudson and make a brief visit at the home of his ancestors. He accepted the invitation with outward alacrity and inward disgust.

When this was settled, and the worthy lady had withdrawn, Van Twiller went directly to the establishment of Messrs. Ball, Black, and Company, and selected, with unerring taste, the finest diamond bracelet procurable. For his mother? Dear me, no! She had the family jewels.

I would not like to state the enormous sum Van Twiller paid for this bracelet. It was such a clasp of diamonds as would have hastened the pulsation of a patrician wrist. It was such a bracelet as Prince Camaralzaman might have sent to the Princess Badoura, and the Princess Badoura--might have been very glad to get.

In the fragrant Levant morocco case, where these happy jewels lived when they were at home, Van Twiller thoughtfully placed his card, on the back of which he had written a line begging Mademoiselle Olympe Zabriski to accept the accompanying trifle from one who had witnessed her graceful performances with interest and pleasure. This was not done inconsiderately. "Of course, I must inclose my card, as I would to any lady," Van Twiller had said to himself. "A Van Twiller can neither write an anonymous letter nor make an anonymous present." Blood entails its duties as well as its privileges.

The casket despatched to its destination, Van Twiller felt easier in his mind. He was under obligations to the girl for many an agreeable hour that might otherwise have passed heavily. He had paid the debt, and he had paid it _en prince_, as became a Van Twiller. He spent the rest of the day in looking at some pictures at Goupil's, and at the club, and in making a few purchases for his trip up the Hudson. A consciousness that this trip up the Hudson was a disorderly retreat came over him unpleasantly at intervals.

When he returned to his rooms late at night, he found a note lying on the writing-table. He started as his eyes caught the words "------ Theatre" stamped in carmine letters on one corner of the envelope. Van Twiller broke the seal with trembling fingers.

Now, this note some time afterward fell into the hands of Livingstone, who showed it to Stuyvesant, who showed it to Delaney, who showed it to me, and I copied it as a literary curiosity. The note ran as follows:

MR VAN TWILLER DEAR SIR--i am verry greatfull to you for that Bracelett. it come just in the nic of time for me. The Mademoiselle Zabriski dodg is about Plaid out. my beard is getting to much for me. i shall have to grow a mustash and take to some other line of busyness, i dont no what now, but will let you no. You wont feel bad if i sell that Bracelett. i have seen Abrahams Moss and he says he will do the square thing. Pleas accep my thanks for youre Beautifull and Unexpected present. Youre respectfull servent, CHARLES MONTMORENCI WALTERS.

The next day Van Twiller neither expressed nor felt any unwillingness to spend a few weeks with his mother at the old homestead.

And then he went abroad.

BROTHER SEBASTIAN'S FRIENDSHIP ------------------------------ BY HAROLD FREDERIC

_Harold Frederic (born at Utica, N. Y., August 19, 1856; died in 1898) was a novelist whose every book exceeded its predecessor in conception, general construction, and technique of detail. His death at the maturity of his powers was therefore a great loss to American literature. His posthumous novel, "The Market Place" indicates that Frederic, had he lived, might have outshone even Balzac in the fiction of business life. "Brother Sebastian's Friendship" is a clever short story of the days of his literary 'prenticeship. It was his introduction to the "Utica Observer," where he worked for several years._

BROTHER SEBASTIAN'S FRIENDSHIP BY HAROLD FREDERIC [Footnote: By permission of the "Utica Observer."]

I who tell this story am called Brother Sebastian. This name was given me more than forty years ago, while Louis Philippe was still king. My other name has been buried so long that I have nearly forgotten it. I think that my people are dead. At least I have heard nothing from them in many years. My reputation has always been that of a misanthrope--if not that, then of a dreamer. In the seminary I had no intimates. In the order, for I am a Brother of the Christian Schools, my associates are polite--nothing more. I seem to be outside their social circles, their plans, their enjoyments. True, I am an old man now. But in other years it was the same. All my life I have been in solitude.

To this there is a single exception--one star shining in the blackness. And my career has been so bleak that, although it ended in deeper sadness than I had known before, I look back to the epsiode with gratitude. The bank of clouds which shut out this sole light of my life quickened its brilliancy before they submerged it.

After the terrible siege of '71, when the last German was gone, and our houses had breasted the ordeal of the Commune, I was sent to the South. The Superior thought my cheeks were ominously hollow, and suspected threats of consumption in my cough. So I was to go to the Mediterranean, and try its milder air. I liked the change. Paris, with its gloss of noisy gayety and its substance of sceptical heartlessness, was repugnant to me. Perhaps it was because of this that Brother Sebastian had been mured up in the capital two-thirds of his life. If our surroundings are too congenial we neglect the work set before us. But no matter; to the coast I went.

My new home was a long-established house, spacious, venerable, and dreary. It was on the outskirts of an ancient town, which was of far more importance before our Lord was born than it has ever been since. We had little to do. There were nine brothers, a handful of resident orphans, and some threescore pupils. Ragged, stupid, big-eyed urchins they were, altogether different from the keen Paris boys. For that matter, every feature of my new home was odd. The heat of the summer was scorching in its intensity. The peasants were much more respectful to our cloth, and, as to appearance, looked like figures from Murillo's canvases. The foliage, the wine, the language, the manners of the people--everything was changed. This interested me, and my morbidness vanished. The Director was delighted with my improved condition. Poor man! he was positive that my cheeks had puffed out perceptibly after the first two months. So the winter came--a mild, wet, muggy winter, wholly unlike my favorite sharp season in the North.

We were killing time in the library one afternoon, the Director and a Swiss Brother sitting by the lamp reading, I standing at one of the tall, narrow windows, drumming on the panes and dreaming. The view was not an inspiring one. There was a long horizontal line of pale yellow sky and another of flat, black land, out of Avhich an occasional poplar raised itself solemnly. The great mass below the stripes was brown; above, gloomy gray. Close under the window two boys were playing in the garden of the house. I recall distinctly that they threw armfuls of wet fallen leaves at each other with a great shouting. While I stood thus, the Brother Servitor, Abonus, came in and whispered to the Director. He always whispered. It was not fraternal, but I did not like this Abonus.

"Send him up here," said the Director. Then I remembered that I had heard the roll of a carriage and the bell ring a few moments before. Abonus came in again. Behind him there was some one else, whose footsteps had the hesitating sound of a stranger's. Then I heard the Director's voice:

"You are from Algiers?"--"I am, Brother."

"Your name?"

"Edouard, Brother."

"Well, tell me more."

"I was under orders to be in Paris in January, Brother. As my health was poor, I received permission to come back to France this autumn. At Marseilles I was instructed to come here. So I am here. I have these papers from the Mother house, and from Etienne, Director, of Algiers."

Something in the voice seemed peculiar to me. I turned and examined the new-comer. He stood behind and to one side of the Director, who was laboriously deciphering some papers through his big horn spectacles. The light was not very bright, but there was enough to see a wonderfully handsome face, framed in dazzling black curls. Perhaps it looked the more beautiful because contrasted with the shaven gray poll and surly features of grim Abonus, But to me it was a dream of St. John the Evangel. The eyes of the face were lowered upon the Director, so I could only guess their brilliancy. The features were those of an extreme youth--round, soft, and delicate. The expression was one of utter fatigue, almost pain. It bore out the statement of ill-health.

The Director had finished his reading. He lifted his head now and surveyed the stranger in turn. Finally, stretching out his fat hand, he said:

"You are welcome, Brother Edouard. I see the letter says you have had no experience except with the youngest children. Brother Photius does that now. We will have you rest for a time. Then we will see about it. Meanwhile I will turn you over to the care of good Abonus, who will give you one of the north rooms."

So the two went out, Abonus shuffling his feet disagreeably. It was strange that he could do nothing to please me.

"Brother Sebastian," said the Director, as the door closed, "it is curious that they should have sent me a tenth man. Why, I lie awake now to invent pretences of work for those I have already. I will give up all show of teaching presently, and give out that I keep a hospital--a retreat for ailing brothers. Still, this Edouard is a pretty boy."

"Very."

"Etienne's letter says he is twenty and a Savoyard. He speaks like a Parisian."

"Very likely he is seminary bred," put in the Swiss.

"Whatever he is, I like his looks," said our Superior. This good man liked every one. His was the placid, easy Alsatian nature, prone to find goodness in all things--even crabbed Abonus. The Director, or, as he was known, Brother Elysee, was a stout, round little man, with a fine face and imperturbable good spirits. He was adored by all his subordinates. But I fancy he did not advance in favor at Paris very rapidly.

I liked Edouard from the first. The day after he came we were together much, and, when we parted after vespers, I was conscious of a vast respect for this new-comer. He was bright, ready spoken, and almost a man of the world. Compared with my dull career, his short life had been one of positive gayety. He had seen Frederic le Maitre at the Comedie Francaise. He had been at Court and spoken with the Prince Imperial. He was on terms of intimacy with Monsignori, and had been a protege of the sainted Darboy. It was a rare pleasure to hear him talk of these things.

Before this, the ceaseless shifting of brothers from one house to another had been indifferent to me. For the hundreds of strangers who came and went in the Paris house on Oudinot Street I cared absolutely nothing. I did not suffer their entrance nor their exit to excite me. This was so much the case that they called me a machine. But with Edouard this was different. I grew to love the boy from the first evening, when, as he left my room, I caught myself saying, "I shall be sorry when he goes." He seemed to be fond of me, too. For that matter most of the brothers petted him, Elysee especially. But I was flattered that he chose me as his particular friend. For the first time my heart had opened.

We were alone one evening after the holidays. It was cold without, but in my room it was warm and bright. The fire crackled merrily, and the candles gave out a mellow and pleasant light. The Director had gone up to Paris, and his mantle had fallen on me. Edouard sat with his feet stretched to the fender, his curly head buried in the great curved back of my invalid chair, the red fire-light reflected on his childish features. I took pleasure in looking at him. He looked at the coals and knit his brows as if in a puzzle. I often fancied that something weightier than the usual troubles of life weighed upon him. At last he spoke, just as I was about to question him:

"Are you afraid to die, Sebastian?"

Not knowing what else to say, I answered, "No, my child."

"I wonder if you enjoy life in community?"

This was still stranger. I could but reply that I had never known any other life; that I was fitted for nothing else.

"But still," persisted he, "would you not like to leave it--to have a career of your own before you die? Do you think this is what a man is created for--to give away his chance to live?"

"Edouard, you are interrogating your own conscience," I answered. "These are questions which you must have answered yourself, before you took your vows. When you answered them, you sealed them."

Perhaps I spoke too harshly, for he colored and drew up his feet. Such shapely little feet they were. I felt ashamed of my crustiness.

"But, Edouard," I added, "your vows are those of the novitiate. You are not yet twenty-eight. You have still the right to ask yourself these things. The world is very fair to men of your age. Do not dream that I was angry with you."

He sat gazing into the fire. His face wore a strange, far-away expression, as he reached forth his hand, in a groping way, and rested it on my knee, clutching the gown nervously. Then he spoke slowly, seeking for words, and keeping his eyes on the flames.

"You have been good to me, Brother Sebastian. Let me ask you: May I tell you something in confidence--something which shall never pass your lips? I mean it."

He had turned and poured those marvelous eyes into mine with irresistible magnetism. Of course I said, "Speak!" and I said it without the slightest hesitation.

"I am not a Christian Brother. I do not belong to your order. I have no claim upon the hospitality of this roof. I am an impostor!"

He ejected these astounding sentences with an energy almost fierce, gripping my knee meanwhile. Then, as suddenly, his grasp relaxed, and he fell to weeping bitterly.

I stared at him solemnly, in silence. My tongue seemed paralyzed. Confusing thoughts whirled in a maze unbidden through my head. I could say nothing. But a strange impulse prompted me to reach out and take his hot hand in mine. It was piteous to hear him sobbing, his head upon his raised arm, his whole frame quivering with emotion. I had never seen any one weep like that before. So I sat dumb, trying in vain to answer this bewildering self-accusation. At last there came out of the folds of the chair the words, faint and tear-choked:

"You have promised me secrecy, and you will keep your word; but you will hate me."

"Why, no, no, Edouard, not hate you," I answered, scarcely knowing what I said. I did not comprehend it at all. There was nothing more for me to say. Finally, when some power of thought returned, I asked:

"Of all things, my poor boy, why should you choose such a dreary life as this? What possible reason led you to enter the community? What attractions has it for you?"

Edouard turned again from the fire to me. His eyes sparkled. His teeth were tight set.

"Why? Why? I will tell you why, Brother Sebastian. Can you not understand how a poor hunted beast should rejoice to find shelter in such an out-of-the-way place, among such kind men, in the grave of this cloister life? I have not told you half enough. Do you not know in the outside world, in Toulon, or Marseilles, or that fine Paris of yours, there is a price on my head?--or no, not that, but enemies that are looking for me, searching everywhere, turning every little stone for the poor privilege of making me suffer? And do you know that these enemies wear shakos, and are called gens d'armes? Would you be pleased to learn that it is a prison I escape by coming here? _Now_, will you hate me?"

The boy had risen from his chair. He spoke hurriedly, almost hysterically, his eyes snapping at mine like coals, his curls disheveled, his fingers curved and stiffened like the talons of a hawk. I had never seen such intense earnestness in a human face. Passions like these had never penetrated the convent walls before.

While I sat dumb before him, Edouard left the room. I was conscious of his exit only in a vague way. For hours I sat in my chair beside the grate thinking, or trying to think. You can see readily that I was more than a little perplexed. In the absence of Elysee, I was director. The management of the house, its good fame, its discipline, all rested on my shoulders. And to be confronted by such an abyss as this! I could do absolutely nothing. The boy had tied my tongue by the pledge. Besides, had I been unsworn, I am sure the idea of exposure would never have come to me. It was late before I retired that night. And I recall with terrible distinctness the chaos of brain and faculty which ushered in a restless sleep almost as dawn was breaking.

I had fancied that Brother Edouard would find life intolerable in community after his revelation to me. He would be chary of meeting me before the brothers; would be constantly tortured by fear of detection. As I saw this prospect of the poor innocent--for it was absurd to think of him as anything else--dreading exposure at each step in his false life, shrinking from observation, biting his tongue at every word--I was greatly moved by pity. Judge my surprise, then, when I saw him the next morning join in the younger brothers' regular walk around the garden, joking and laughing as I had never seen before. On his right was thin, sickly Victor, rest his soul! and on the other pursy, thick-necked John, as merry a soul as Cork ever turned out. And how they laughed, even the frail consumptive! It was a pleasure to see his blue eyes brighten with enjoyment and his warm cheeks blush. Above John's queer, Irish chuckle, I heard Edouard's voice, with its dainty Parisian accent, retailing jokes and leading in the laughter. The tramp was stretched out longer than usual, so pleasant did they find it. At this development I was much amazed.

The same change was noticeable in all that Edouard did. Instead of the apathy with which he had discharged his nominal duties, his baby pupils (for Photius had gone to Peru) now became bewitched with him. He told them droll stories, incited their rivalry in study by instituting prizes for which they struggled monthly, and, in short, metamorphosed his department. The change spread to himself. His cheeks took on a ruddier hue, the sparkle of his black eyes mellowed into a calm and steady radiance. There was no trace of feverish elation which, in solitude, recoiled to the brink of despair. He sang to himself evenings in his dormitory, clearly and with joy. His step was as elastic as that of any schoolboy. I often thought upon this change, and meditated how beautiful an illustration of confession's blessings it furnished. Frequently we were alone, but he never referred again to that memorable evening, even by implication. At first I dreaded to have the door close upon us, feeling that he must perforce seek to take up the thread where he had broken it then. But he talked of other things, and so easily and naturally that I felt embarrassed. For weeks I could not shake off the feeling that, at our next talk, he would broach the subject. But he never did.

Elysee returned, bringing me kind words from the Mother house, and a half-jocular hint that Superior General Philippe had me much in his mind. No doubt there had been a time when the idea of becoming a Director would have stirred my pulses. Surely it was gone now. I asked for nothing but to stay beside Edouard, to watch him, and to be near to lend him a helping hand when his hour of trouble should come. From that ordeal, which I saw approaching clearly and certainly, I shrank with all my nerves on edge. As the object of my misery grew bright-eyed and strong, I felt myself declining in health. My face grew thin, and I could not eat. I saw before my eyes always this wretched boy singing upon the brow of the abyss. Sometimes I strove not to see his fall-- frightful and swift. His secret seemed to harass him no longer. To me it was heavier than lead.

The evening the Brother Director returned, we sat together in the reading-room, the entire community. Elysee had been speaking of the Mother house concerning which Brother Barnabas, an odd little Lorrainer who spoke better German than French, and who regarded Paris with the true provincial awe and veneration, exhibited much curiosity. We had a visitor, a gaunt, self-sufficient old Parisian, who had spent fourteen days in the Mazas prison during the Commune. I will call him Brother Albert, for his true name in religion is very well known.

"I heard a curious story in the Vaugirard house," said the Brother Director, refreshing himself with a pinch of snuff, "which made the more impression upon me that I once knew intimately one of the persons in it. Martin Delette was my schoolmate at Pfalsbourg in the old days. A fine, studious lad he was, too. He took orders and went to the north, where he lived for many years a quiet country cure. He had a niece, a charming girl who is not now more than twenty or one-and-twenty. She was an orphan, and lived with him, going to a convent to school and returning at vacations. She was not a bad girl, but a trifle wayward and easily led. She gave the Sisters much anxiety. Last spring she barely escaped compromising the house by an escapade with a young _miserable_ of the town, named Banin."

"I know your story," said Albert, with an air which hinted that this was a sufficient reason why the rest should not hear it. "Banin is in prison."

Elysee proceeded: "The girl was reprimanded. Next week she disappeared. To one of her companions she had confided a great desire to see Paris. So good Father Delette was summoned, and, after a talk with the Superioress, started post-haste for the capital. He found no signs either of poor Renee or of Banin, who had also disappeared. The Cure was nearly heart-broken. Each day, they told me, added a year to his appearance. He did not cease to importune the police chiefs and to haunt the public places for a glimpse of his niece's face. But the summer came, and no Renee. The Cure began to cough and grow weak. But one day in August the Director, good Prosper, called him down to the reception-room to see a visitor.

"'There is news for you,'" he whispered, pressing poor Martin's hand. In the room he found--"

"In the room he found--" broke in Albert, impertinently, but with a quiet tone of authority which cowed good Elysee, "a shabby man, looking like a poorly fed waiter. This person rose and said, 'I am a detective; do you know Banin--young man, tall, blond, squints, broken tooth upper jaw, hat back on his head, much talk, hails from Rheims?'

"'Ah,' said Delette, 'I have not seen him, but I know him too well.'

"The detective pointed with his thumb over his left shoulder. 'He is in jail. He is good for twenty years. I did it myself. My name is So-and-so. Good job. Procurator said you were interested--some woman in the case, parishioner of yours, eh?'

"'My niece,' gasped the Cure.

"'O ho! does you credit; pretty girl, curly head. good manners. Well, she's off. Good trick, too. She was the decoy. Banin stood in the shadow with club. She brought gentleman into alley, friend did work. That's Banin's story. Perhaps a lie. You have a brother in Algiers? Thought so. Girl went out there once? So I was told. Probably there now. African officers say not; but they're a sleepy lot. If I was a criminal I'd go to Algiers. Good hiding. The detective went. Delette stood where he was in silence. I went to him, and helped carry him upstairs. We put him in his bed. He died there."

Brother Albeit stopped. He had told the story, dialogue and all, like a machine. We did not doubt its correctness. The memory of Albert had passed into a proverb years before.

Brother Albert raised his eyes again, and added, as if he had not paused, "He was ashamed to hold his head up. He might well be."

A strange, excited voice rose from the other end of the room. I looked and saw that it was Edouard who spoke. He had half arisen from his chair and scowled at Albert, throwing out his words with the tremulous haste of a young man first addressing an audience:

"Why should he be ashamed? Was he not a good man? Was the blame of his bad niece's acts his? From the story, she was well used and had no excuse. It is he who is to be pitied, not blamed!"

The Brother Director smiled benignly at the young enthusiast. "Brother Edouard is right," he said. "Poor Martin was to be compassioned. None the less, my heart is touched for the girl. In Banin's trial it appeared that he maltreated her, and forced her to do what she did by blows. They were really married. Her neighbors gave Renee a name for gentleness and a good heart. Poor thing!"

"And she never was found?" asked Abonus, eagerly. He spoke very rarely. He looked now at me as he spoke, and there was a strange, ungodly glitter in his eyes which made me shudder involuntarily.

"Never," replied the Director, "although there is a reward, 5,000 francs, offered for her recovery. Miserable child, who can tell what depths of suffering she may be in this moment?"

"It would be remarkable if she should be found now, after all this time," said Abonus, sharply. His wicked, squinting old eyes were still fastened upon me. This time, as by a flash of eternal knowledge, I read their meaning, and felt the ground slipping from under me.

I shall never forget the night that followed. I made no pretence of going to bed. Edouard's little dormitory was in another part of the house. I went once to see him, but dared not knock, since Abonus was stirring about just across the hall, in his own den. I scratched on a piece of paper "Fly!" in the dark, and pushed it under the door. Then I returned to walk my chamber, chafing like a wild beast. Ah, that night, that night!

With the first cock crow in the village below, long before the bell, I left my room. I wanted air to breathe. I passed Abonus on the broad stairway. He strode up with unwonted vigor, bearing a heavy caldron of water as if it had been straw. His gown was tumbled and dusty; his greasy _rabat_ hung awry about his neck. I had it in my head to speak with him, but could not. So the early hours, with devotions which I went through in a dream, wore on in horrible suspense, and breakfast came.

We sat at the long table, five on a side, the Director--looking red-eyed and weary from the evening's unaccustomed dissipation--sitting at the head. Below us stood Brother Albert, reading from Tertullian in a dry, monotonous chant. I recall, as I write, how I found a certain comfort in those splendid, sonorous Latin sentences, though I was conscious of not comprehending a word. I dreaded the moment they should end. Edouard sat beside me. We had not exchanged a word during the morning. How could I speak? What should I say? I was in a nervous flutter, like unto those who watch the final pinioning of a criminal whose guillotine is awaiting him. I could not keep my eyes from the fair face beside me, with its delicately cut profile, made all the more cameo-like by its pallid whiteness. The lips were tightly compressed. I could see askant that the tiny nostrils were quivering with excitement. All else was impassive on Edouard's face. We two sat waiting for the axe to fall.

It is as distinct as a nightmare to me. Abonus came in with his great server laden with victuals. He stumbled as he approached. He too was excited. He drew near, and stood behind me. I seemed to feel his breath penetrate my skull; and yet I was forced to answer a whispered question of Brother John's with a smooth face. I saw Edouard suddenly reach for the milk glass in front of his plate, and hand it back to Abonus with the disdain of a duchess. He said, in a sharp, peremptory tone:

"Take it away and cleanse it. No one but a dirty monk would place such a glass on the table."

Albert ceased his reading. Abonus did not touch the glass. He shuffled hastily to the sideboard and deposited his burden. Then he came back with the same eager movement. He placed his fists on his hips, like a fish-woman, and hissed, in a voice choking with concentrated rage:

"No one but a woman would complain of it!"

The brothers stared at each other and the two speakers in mute surprise. But they saw nothing in the words beyond a personal wrangle--though even that was such a novelty as to arrest instant attention. I busied myself with my plate. The Director assumed his harshest tone, and asked the cause of the altercation. Abonus leaned over and whispered something in his ear. I remember next a room full of confusion, a babel of conflicting voices, and a whirling glimpse of uniforms. Then I fainted.

When I revived I was in my own room, stretched upon my pallet. I looked around in a dazed way and saw the Brother Director and a young gendarme by the closed door. Something black and irregular in the outline of the bed at my side attracted my eyes. I saw that it was Edouard's head buried in the drapery. As in a dream I laid my numb hand upon those crisp curls. I was an old man, she was a weak, wretched girl. She raised her face at my touch, and burned in my brain a vision of stricken agony, of horrible soul-pain, which we liken, for want of a better simile, to the anguish in the eyes of a dying doe. Her lips moved; she said something, I know not what. Then she went, and I was left alone with Elysee. His words--broken, stumbling words--I remember:

"She asked to see you, Sebastian, my friend. I could not refuse. Her papers were forged. She did come from Algiers, where her uncle is a Capuchin. I do not ask, I do not wish to know, how much you know of this. Before my Redeemer, I feel nothing but pity for the poor lamb. Lie still, my friend; try to sleep. We are both older men than we were yesterday."

There is little else to tell. Only twice have reflections of this episode in my old life reached me in the seclusion of a missionary post at the foot of the Andes. I learned a few weeks ago that the wretched Abonus had bought a sailor's cafe on the Toulon wharves with his five thousand francs. And I know also that the heart of the Marshal-President was touched by the sad story of Renee, and that she left the prison La Salpetriere to lay herself in penitence at the foot of Mother Church. This is the story of my friendship.

A GOOD-FOR-NOTHING -------------------- BY HJALMAR HJORTH BOYESEN

_Hjalmar Hjorth Boyescn (born at Frederiksvaern, Norway, September 23, 1848; died in 1895) was a university graduate who came to this country in 1869 to take a professorship of languages in a small Ohio college. Soon after he was called to Cornell, and in 1882 he became Professor of German in Columbia. His proficiency in the English language was phenomenal. His mastery of scholarly English in the essay form was to be expected, but his ready command of the delicately shaded style required of a literary novelist has not been equaled by any other naturalized American author. Hence in this series he has received citizenship among those to the manner born. The story selected by his son, as representative of his work in brief fiction, is a fine study of character, with a pathetic ending, whose poignancy is due to its fidelity to truth._

A GOOD-FOR-NOTHING BY HJALMAR HJORTH BOYESEN [Footnote: By permission of Charles Scribner's Sons. Copyright, 1876, by James R. Osgood & Co.]