Chapter XII: The Drunkard’s Death (2)

Now that we three were left to entertain ourselves with conversation, Mr. Mincin’s extreme friendliness became every moment more apparent; he was so amazingly friendly, indeed, that it was impossible to talk about anything in which he had not the chief concern. We happened to allude to some affairs in which our friend and we had been mutually engaged nearly fourteen years before, when Mr. Mincin was all at once reminded of a joke which our friend had made on that day four years, which he positively must insist upon telling—and which he did tell accordingly, with many pleasant recollections of what he said, and what Mrs. Capper said, and how he well remembered that they had been to the play with orders on the very night previous, and had seen Romeo and Juliet, and the pantomime, and how Mrs. Capper being faint had been led into the lobby, where she smiled, said it was nothing after all, and went back again, with many other interesting and absorbing particulars: after which the friendly young gentleman went on to assure us, that our friend had experienced a marvellously prophetic opinion of that same pantomime, which was of such an admirable kind, that two morning papers took the same view next day: to this our friend replied, with a little triumph, that in that instance he had some reason to think he had been correct, which gave the friendly young gentleman occasion to believe that our friend was always correct; and so we went on, until our friend, filling a bumper, said he must drink one glass to his dear friend Mincin, than whom he would say no man saved the lives of his acquaintances more, or had a more friendly heart. Finally, our friend having emptied his glass, said, ‘God bless you, Mincin,’—and Mr. Mincin and he shook hands across the table with much affection and earnestness.

But great as the friendly young gentleman is, in a limited scene like this, he plays the same part on a larger scale with increased _éclat_. Mr. Mincin is invited to an evening party with his dear friends the Martins, where he meets his dear friends the Cappers, and his dear friends the Watsons, and a hundred other dear friends too numerous to mention. He is as much at home with the Martins as with the Cappers; but how exquisitely he balances his attentions, and divides them among his dear friends! If he flirts with one of the Miss Watsons, he has one little Martin on the sofa pulling his hair, and the other little Martin on the carpet riding on his foot. He carries Mrs. Watson down to supper on one arm, and Miss Martin on the other, and takes wine so judiciously, and in such exact order, that it is impossible for the most punctilious old lady to consider herself neglected. If any young lady, being prevailed upon to sing, become nervous afterwards, Mr. Mincin leads her tenderly into the next room, and restores her with port wine, which she must take medicinally. If any gentleman be standing by the piano during the progress of the ballad, Mr. Mincin seizes him by the arm at one point of the melody, and softly beating time the while with his head, expresses in dumb show his intense perception of the delicacy of the passage. If anybody’s self-love is to be flattered, Mr. Mincin is at hand. If anybody’s overweening vanity is to be pampered, Mr. Mincin will surfeit it. What wonder that people of all stations and ages recognise Mr. Mincin’s friendliness; that he is universally allowed to be handsome as amiable; that mothers think him an oracle, daughters a dear, brothers a beau, and fathers a wonder! And who would not have the reputation of the very friendly young gentleman?

THE MILITARY YOUNG GENTLEMAN

We are rather at a loss to imagine how it has come to pass that military young gentlemen have obtained so much favour in the eyes of the young ladies of this kingdom. We cannot think so lightly of them as to suppose that the mere circumstance of a man’s wearing a red coat ensures him a ready passport to their regard; and even if this were the case, it would be no satisfactory explanation of the circumstance, because, although the analogy may in some degree hold good in the case of mail coachmen and guards, still general postmen wear red coats, and _they_ are not to our knowledge better received than other men; nor are firemen either, who wear (or used to wear) not only red coats, but very resplendent and massive badges besides—much larger than epaulettes. Neither do the twopenny post-office boys, if the result of our inquiries be correct, find any peculiar favour in woman’s eyes, although they wear very bright red jackets, and have the additional advantage of constantly appearing in public on horseback, which last circumstance may be naturally supposed to be greatly in their favour.

We have sometimes thought that this phenomenon may take its rise in the conventional behaviour of captains and colonels and other gentlemen in red coats on the stage, where they are invariably represented as fine swaggering fellows, talking of nothing but charming girls, their king and country, their honour, and their debts, and crowing over the inferior classes of the community, whom they occasionally treat with a little gentlemanly swindling, no less to the improvement and pleasure of the audience, than to the satisfaction and approval of the choice spirits who consort with them. But we will not devote these pages to our speculations upon the subject, inasmuch as our business at the present moment is not so much with the young ladies who are bewitched by her Majesty’s livery as with the young gentlemen whose heads are turned by it. For ‘heads’ we had written ‘brains;’ but upon consideration, we think the former the more appropriate word of the two.

These young gentlemen may be divided into two classes—young gentlemen who are actually in the army, and young gentlemen who, having an intense and enthusiastic admiration for all things appertaining to a military life, are compelled by adverse fortune or adverse relations to wear out their existence in some ignoble counting-house. We will take this latter description of military young gentlemen first.

The whole heart and soul of the military young gentleman are concentrated in his favourite topic. There is nothing that he is so learned upon as uniforms; he will tell you, without faltering for an instant, what the habiliments of any one regiment are turned up with, what regiment wear stripes down the outside and inside of the leg, and how many buttons the Tenth had on their coats; he knows to a fraction how many yards and odd inches of gold lace it takes to make an ensign in the Guards; is deeply read in the comparative merits of different bands, and the apparelling of trumpeters; and is very luminous indeed in descanting upon ‘crack regiments,’ and the ‘crack’ gentlemen who compose them, of whose mightiness and grandeur he is never tired of telling.

We were suggesting to a military young gentleman only the other day, after he had related to us several dazzling instances of the profusion of half-a-dozen honourable ensign somebodies or nobodies in the articles of kid gloves and polished boots, that possibly ‘cracked’ regiments would be an improvement upon ‘crack,’ as being a more expressive and appropriate designation, when he suddenly interrupted us by pulling out his watch, and observing that he must hurry off to the Park in a cab, or he would be too late to hear the band play. Not wishing to interfere with so important an engagement, and being in fact already slightly overwhelmed by the anecdotes of the honourable ensigns afore-mentioned, we made no attempt to detain the military young gentleman, but parted company with ready good-will.

Some three or four hours afterwards, we chanced to be walking down Whitehall, on the Admiralty side of the way, when, as we drew near to one of the little stone places in which a couple of horse soldiers mount guard in the daytime, we were attracted by the motionless appearance and eager gaze of a young gentleman, who was devouring both man and horse with his eyes, so eagerly, that he seemed deaf and blind to all that was passing around him. We were not much surprised at the discovery that it was our friend, the military young gentleman, but we _were_ a little astonished when we returned from a walk to South Lambeth to find him still there, looking on with the same intensity as before. As it was a very windy day, we felt bound to awaken the young gentleman from his reverie, when he inquired of us with great enthusiasm, whether ‘that was not a glorious spectacle,’ and proceeded to give us a detailed account of the weight of every article of the spectacle’s trappings, from the man’s gloves to the horse’s shoes.

We have made it a practice since, to take the Horse Guards in our daily walk, and we find it is the custom of military young gentlemen to plant themselves opposite the sentries, and contemplate them at leisure, in periods varying from fifteen minutes to fifty, and averaging twenty-five. We were much struck a day or two since, by the behaviour of a very promising young butcher who (evincing an interest in the service, which cannot be too strongly commanded or encouraged), after a prolonged inspection of the sentry, proceeded to handle his boots with great curiosity, and as much composure and indifference as if the man were wax-work.

But the really military young gentleman is waiting all this time, and at the very moment that an apology rises to our lips, he emerges from the barrack gate (he is quartered in a garrison town), and takes the way towards the high street. He wears his undress uniform, which somewhat mars the glory of his outward man; but still how great, how grand, he is! What a happy mixture of ease and ferocity in his gait and carriage, and how lightly he carries that dreadful sword under his arm, making no more ado about it than if it were a silk umbrella! The lion is sleeping: only think if an enemy were in sight, how soon he’d whip it out of the scabbard, and what a terrible fellow he would be!

But he walks on, thinking of nothing less than blood and slaughter; and now he comes in sight of three other military young gentlemen, arm-in-arm, who are bearing down towards him, clanking their iron heels on the pavement, and clashing their swords with a noise, which should cause all peaceful men to quail at heart. They stop to talk. See how the flaxen-haired young gentleman with the weak legs—he who has his pocket-handkerchief thrust into the breast of his coat-glares upon the fainthearted civilians who linger to look upon his glory; how the next young gentleman elevates his head in the air, and majestically places his arms a-kimbo, while the third stands with his legs very wide apart, and clasps his hands behind him. Well may we inquire—not in familiar jest, but in respectful earnest—if you call that nothing. Oh! if some encroaching foreign power—the Emperor of Russia, for instance, or any of those deep fellows, could only see those military young gentlemen as they move on together towards the billiard-room over the way, wouldn’t he tremble a little!

And then, at the Theatre at night, when the performances are by command of Colonel Fitz-Sordust and the officers of the garrison—what a splendid sight it is! How sternly the defenders of their country look round the house as if in mute assurance to the audience, that they may make themselves comfortable regarding any foreign invasion, for they (the military young gentlemen) are keeping a sharp look-out, and are ready for anything. And what a contrast between them, and that stage-box full of grey-headed officers with tokens of many battles about them, who have nothing at all in common with the military young gentlemen, and who—but for an old-fashioned kind of manly dignity in their looks and bearing—might be common hard-working soldiers for anything they take the pains to announce to the contrary!

Ah! here is a family just come in who recognise the flaxen-headed young gentleman; and the flaxen-headed young gentleman recognises them too, only he doesn’t care to show it just now. Very well done indeed! He talks louder to the little group of military young gentlemen who are standing by him, and coughs to induce some ladies in the next box but one to look round, in order that their faces may undergo the same ordeal of criticism to which they have subjected, in not a wholly inaudible tone, the majority of the female portion of the audience. Oh! a gentleman in the same box looks round as if he were disposed to resent this as an impertinence; and the flaxen-headed young gentleman sees his friends at once, and hurries away to them with the most charming cordiality.

Three young ladies, one young man, and the mamma of the party, receive the military young gentleman with great warmth and politeness, and in five minutes afterwards the military young gentleman, stimulated by the mamma, introduces the two other military young gentlemen with whom he was walking in the morning, who take their seats behind the young ladies and commence conversation; whereat the mamma bestows a triumphant bow upon a rival mamma, who has not succeeded in decoying any military young gentlemen, and prepares to consider her visitors from that moment three of the most elegant and superior young gentlemen in the whole world.

THE POLITICAL YOUNG GENTLEMAN

Once upon a time—_not_ in the days when pigs drank wine, but in a more recent period of our history—it was customary to banish politics when ladies were present. If this usage still prevailed, we should have had no chapter for political young gentlemen, for ladies would have neither known nor cared what kind of monster a political young gentleman was. But as this good custom in common with many others has ‘gone out,’ and left no word when it is likely to be home again; as political young ladies are by no means rare, and political young gentlemen the very reverse of scarce, we are bound in the strict discharge of our most responsible duty not to neglect this natural division of our subject.

If the political young gentleman be resident in a country town (and there _are_ political young gentlemen in country towns sometimes), he is wholly absorbed in his politics; as a pair of purple spectacles communicate the same uniform tint to all objects near and remote, so the political glasses, with which the young gentleman assists his mental vision, give to everything the hue and tinge of party feeling. The political young gentleman would as soon think of being struck with the beauty of a young lady in the opposite interest, as he would dream of marrying his sister to the opposite member.

If the political young gentleman be a Conservative, he has usually some vague ideas about Ireland and the Pope which he cannot very clearly explain, but which he knows are the right sort of thing, and not to be very easily got over by the other side. He has also some choice sentences regarding church and state, culled from the banners in use at the last election, with which he intersperses his conversation at intervals with surprising effect. But his great topic is the constitution, upon which he will declaim, by the hour together, with much heat and fury; not that he has any particular information on the subject, but because he knows that the constitution is somehow church and state, and church and state somehow the constitution, and that the fellows on the other side say it isn’t, which is quite a sufficient reason for him to say it is, and to stick to it.

Perhaps his greatest topic of all, though, is the people. If a fight takes place in a populous town, in which many noses are broken, and a few windows, the young gentleman throws down the newspaper with a triumphant air, and exclaims, ‘Here’s your precious people!’ If half-a-dozen boys run across the course at race time, when it ought to be kept clear, the young gentleman looks indignantly round, and begs you to observe the conduct of the people; if the gallery demand a hornpipe between the play and the afterpiece, the same young gentleman cries ‘No’ and ‘Shame’ till he is hoarse, and then inquires with a sneer what you think of popular moderation _now_; in short, the people form a never-failing theme for him; and when the attorney, on the side of his candidate, dwells upon it with great power of eloquence at election time, as he never fails to do, the young gentleman and his friends, and the body they head, cheer with great violence against _the other people_, with whom, of course, they have no possible connexion. In much the same manner the audience at a theatre never fail to be highly amused with any jokes at the expense of the public—always laughing heartily at some other public, and never at themselves.

If the political young gentleman be a Radical, he is usually a very profound person indeed, having great store of theoretical questions to put to you, with an infinite variety of possible cases and logical deductions therefrom. If he be of the utilitarian school, too, which is more than probable, he is particularly pleasant company, having many ingenious remarks to offer upon the voluntary principle and various cheerful disquisitions connected with the population of the country, the position of Great Britain in the scale of nations, and the balance of power. Then he is exceedingly well versed in all doctrines of political economy as laid down in the newspapers, and knows a great many parliamentary speeches by heart; nay, he has a small stock of aphorisms, none of them exceeding a couple of lines in length, which will settle the toughest question and leave you nothing to say. He gives all the young ladies to understand, that Miss Martineau is the greatest woman that ever lived; and when they praise the good looks of Mr. Hawkins the new member, says he’s very well for a representative, all things considered, but he wants a little calling to account, and he is more than half afraid it will be necessary to bring him down on his knees for that vote on the miscellaneous estimates. At this, the young ladies express much wonderment, and say surely a Member of Parliament is not to be brought upon his knees so easily; in reply to which the political young gentleman smiles sternly, and throws out dark hints regarding the speedy arrival of that day, when Members of Parliament will be paid salaries, and required to render weekly accounts of their proceedings, at which the young ladies utter many expressions of astonishment and incredulity, while their lady-mothers regard the prophecy as little else than blasphemous.

It is extremely improving and interesting to hear two political young gentlemen, of diverse opinions, discuss some great question across a dinner-table; such as, whether, if the public were admitted to Westminster Abbey for nothing, they would or would not convey small chisels and hammers in their pockets, and immediately set about chipping all the noses off the statues; or whether, if they once got into the Tower for a shilling, they would not insist upon trying the crown on their own heads, and loading and firing off all the small arms in the armoury, to the great discomposure of Whitechapel and the Minories. Upon these, and many other momentous questions which agitate the public mind in these desperate days, they will discourse with great vehemence and irritation for a considerable time together, both leaving off precisely where they began, and each thoroughly persuaded that he has got the better of the other.

In society, at assemblies, balls, and playhouses, these political young gentlemen are perpetually on the watch for a political allusion, or anything which can be tortured or construed into being one; when, thrusting themselves into the very smallest openings for their favourite discourse, they fall upon the unhappy company tooth and nail. They have recently had many favourable opportunities of opening in churches, but as there the clergyman has it all his own way, and must not be contradicted, whatever politics he preaches, they are fain to hold their tongues until they reach the outer door, though at the imminent risk of bursting in the effort.

As such discussions can please nobody but the talkative parties concerned, we hope they will henceforth take the hint and discontinue them, otherwise we now give them warning, that the ladies have our advice to discountenance such talkers altogether.

THE DOMESTIC YOUNG GENTLEMAN

Let us make a slight sketch of our amiable friend, Mr. Felix Nixon. We are strongly disposed to think, that if we put him in this place, he will answer our purpose without another word of comment.

Felix, then, is a young gentleman who lives at home with his mother, just within the twopenny-post office circle of three miles from St. Martin-le-Grand. He wears Indiarubber goloshes when the weather is at all damp, and always has a silk handkerchief neatly folded up in the right-hand pocket of his great-coat, to tie over his mouth when he goes home at night; moreover, being rather near-sighted, he carries spectacles for particular occasions, and has a weakish tremulous voice, of which he makes great use, for he talks as much as any old lady breathing.

The two chief subjects of Felix’s discourse, are himself and his mother, both of whom would appear to be very wonderful and interesting persons. As Felix and his mother are seldom apart in body, so Felix and his mother are scarcely ever separate in spirit. If you ask Felix how he finds himself to-day, he prefaces his reply with a long and minute bulletin of his mother’s state of health; and the good lady in her turn, edifies her acquaintance with a circumstantial and alarming account, how he sneezed four times and coughed once after being out in the rain the other night, but having his feet promptly put into hot water, and his head into a flannel-something, which we will not describe more particularly than by this delicate allusion, was happily brought round by the next morning, and enabled to go to business as usual.

Our friend is not a very adventurous or hot-headed person, but he has passed through many dangers, as his mother can testify: there is one great story in particular, concerning a hackney coachman who wanted to overcharge him one night for bringing them home from the play, upon which Felix gave the aforesaid coachman a look which his mother thought would have crushed him to the earth, but which did not crush him quite, for he continued to demand another sixpence, notwithstanding that Felix took out his pocket-book, and, with the aid of a flat candle, pointed out the fare in print, which the coachman obstinately disregarding, he shut the street-door with a slam which his mother shudders to think of; and then, roused to the most appalling pitch of passion by the coachman knocking a double knock to show that he was by no means convinced, he broke with uncontrollable force from his parent and the servant girl, and running into the street without his hat, actually shook his fist at the coachman, and came back again with a face as white, Mrs. Nixon says, looking about her for a simile, as white as that ceiling. She never will forget his fury that night, Never!

To this account Felix listens with a solemn face, occasionally looking at you to see how it affects you, and when his mother has made an end of it, adds that he looked at every coachman he met for three weeks afterwards, in hopes that he might see the scoundrel; whereupon Mrs. Nixon, with an exclamation of terror, requests to know what he would have done to him if he _had_ seen him, at which Felix smiling darkly and clenching his right fist, she exclaims, ‘Goodness gracious!’ with a distracted air, and insists upon extorting a promise that he never will on any account do anything so rash, which her dutiful son—it being something more than three years since the offence was committed—reluctantly concedes, and his mother, shaking her head prophetically, fears with a sigh that his spirit will lead him into something violent yet. The discourse then, by an easy transition, turns upon the spirit which glows within the bosom of Felix, upon which point Felix himself becomes eloquent, and relates a thrilling anecdote of the time when he used to sit up till two o’clock in the morning reading French, and how his mother used to say, ‘Felix, you will make yourself ill, I know you will;’ and how _he_ used to say, ‘Mother, I don’t care—I will do it;’ and how at last his mother privately procured a doctor to come and see him, who declared, the moment he felt his pulse, that if he had gone on reading one night more—only one night more—he must have put a blister on each temple, and another between his shoulders; and who, as it was, sat down upon the instant, and writing a prescription for a blue pill, said it must be taken immediately, or he wouldn’t answer for the consequences. The recital of these and many other moving perils of the like nature, constantly harrows up the feelings of Mr. Nixon’s friends.

Mrs. Nixon has a tolerably extensive circle of female acquaintance, being a good-humoured, talkative, bustling little body, and to the unmarried girls among them she is constantly vaunting the virtues of her son, hinting that she will be a very happy person who wins him, but that they must mind their P’s and Q’s, for he is very particular, and terribly severe upon young ladies. At this last caution the young ladies resident in the same row, who happen to be spending the evening there, put their pocket-handkerchiefs before their mouths, and are troubled with a short cough; just then Felix knocks at the door, and his mother drawing the tea-table nearer the fire, calls out to him as he takes off his boots in the back parlour that he needn’t mind coming in in his slippers, for there are only the two Miss Greys and Miss Thompson, and she is quite sure they will excuse _him_, and nodding to the two Miss Greys, she adds, in a whisper, that Julia Thompson is a great favourite with Felix, at which intelligence the short cough comes again, and Miss Thompson in particular is greatly troubled with it, till Felix coming in, very faint for want of his tea, changes the subject of discourse, and enables her to laugh out boldly and tell Amelia Grey not to be so foolish. Here they all three laugh, and Mrs. Nixon says they are giddy girls; in which stage of the proceedings, Felix, who has by this time refreshened himself with the grateful herb that ‘cheers but not inebriates,’ removes his cup from his countenance and says with a knowing smile, that all girls are; whereat his admiring mamma pats him on the back and tells him not to be sly, which calls forth a general laugh from the young ladies, and another smile from Felix, who, thinking he looks very sly indeed, is perfectly satisfied.

Tea being over, the young ladies resume their work, and Felix insists upon holding a skein of silk while Miss Thompson winds it on a card. This process having been performed to the satisfaction of all parties, he brings down his flute in compliance with a request from the youngest Miss Grey, and plays divers tunes out of a very small music-book till supper-time, when he is very facetious and talkative indeed. Finally, after half a tumblerful of warm sherry and water, he gallantly puts on his goloshes over his slippers, and telling Miss Thompson’s servant to run on first and get the door open, escorts that young lady to her house, five doors off: the Miss Greys who live in the next house but one stopping to peep with merry faces from their own door till he comes back again, when they call out ‘Very well, Mr. Felix,’ and trip into the passage with a laugh more musical than any flute that was ever played.

Felix is rather prim in his appearance, and perhaps a little priggish about his books and flute, and so forth, which have all their peculiar corners of peculiar shelves in his bedroom; indeed all his female acquaintance (and they are good judges) have long ago set him down as a thorough old bachelor. He is a favourite with them however, in a certain way, as an honest, inoffensive, kind-hearted creature; and as his peculiarities harm nobody, not even himself, we are induced to hope that many who are not personally acquainted with him will take our good word in his behalf, and be content to leave him to a long continuance of his harmless existence.

THE CENSORIOUS YOUNG GENTLEMAN

There is an amiable kind of young gentleman going about in society, upon whom, after much experience of him, and considerable turning over of the subject in our mind, we feel it our duty to affix the above appellation. Young ladies mildly call him a ‘sarcastic’ young gentleman, or a ‘severe’ young gentleman. We, who know better, beg to acquaint them with the fact, that he is merely a censorious young gentleman, and nothing else.

The censorious young gentleman has the reputation among his familiars of a remarkably clever person, which he maintains by receiving all intelligence and expressing all opinions with a dubious sneer, accompanied with a half smile, expressive of anything you please but good-humour. This sets people about thinking what on earth the censorious young gentleman means, and they speedily arrive at the conclusion that he means something very deep indeed; for they reason in this way—‘This young gentleman looks so very knowing that he must mean something, and as I am by no means a dull individual, what a very deep meaning he must have if I can’t find it out!’ It is extraordinary how soon a censorious young gentleman may make a reputation in his own small circle if he bear this in his mind, and regulate his proceedings accordingly.

As young ladies are generally—not curious, but laudably desirous to acquire information, the censorious young gentleman is much talked about among them, and many surmises are hazarded regarding him. ‘I wonder,’ exclaims the eldest Miss Greenwood, laying down her work to turn up the lamp, ‘I wonder whether Mr. Fairfax will ever be married.’ ‘Bless me, dear,’ cries Miss Marshall, ‘what ever made you think of him?’ ‘Really I hardly know,’ replies Miss Greenwood; ‘he is such a very mysterious person, that I often wonder about him.’ ‘Well, to tell you the truth,’ replies Miss Marshall, ‘and so do I.’ Here two other young ladies profess that they are constantly doing the like, and all present appear in the same condition except one young lady, who, not scrupling to state that she considers Mr. Fairfax ‘a horror,’ draws down all the opposition of the others, which having been expressed in a great many ejaculatory passages, such as ‘Well, did I ever!’—and ‘Lor, Emily, dear!’ ma takes up the subject, and gravely states, that she must say she does not think Mr. Fairfax by any means a horror, but rather takes him to be a young man of very great ability; ‘and I am quite sure,’ adds the worthy lady, ‘he always means a great deal more than he says.’

The door opens at this point of the disclosure, and who of all people alive walks into the room, but the very Mr. Fairfax, who has been the subject of conversation! ‘Well, it really is curious,’ cries ma, ‘we were at that very moment talking about you.’ ‘You did me great honour,’ replies Mr. Fairfax; ‘may I venture to ask what you were saying?’ ‘Why, if you must know,’ returns the eldest girl, ‘we were remarking what a very mysterious man you are.’ ‘Ay, ay!’ observes Mr. Fairfax, ‘Indeed!’ Now Mr. Fairfax says this ay, ay, and indeed, which are slight words enough in themselves, with so very unfathomable an air, and accompanies them with such a very equivocal smile, that ma and the young ladies are more than ever convinced that he means an immensity, and so tell him he is a very dangerous man, and seems to be always thinking ill of somebody, which is precisely the sort of character the censorious young gentleman is most desirous to establish; wherefore he says, ‘Oh, dear, no,’ in a tone, obviously intended to mean, ‘You have me there,’ and which gives them to understand that they have hit the right nail on the very centre of its head.

When the conversation ranges from the mystery overhanging the censorious young gentleman’s behaviour, to the general topics of the day, he sustains his character to admiration. He considers the new tragedy well enough for a new tragedy, but Lord bless us—well, no matter; he could say a great deal on that point, but he would rather not, lest he should be thought ill-natured, as he knows he would be. ‘But is not Mr. So-and-so’s performance truly charming?’ inquires a young lady. ‘Charming!’ replies the censorious young gentleman. ‘Oh, dear, yes, certainly; very charming—oh, very charming indeed.’ After this, he stirs the fire, smiling contemptuously all the while: and a modest young gentleman, who has been a silent listener, thinks what a great thing it must be, to have such a critical judgment. Of music, pictures, books, and poetry, the censorious young gentleman has an equally fine conception. As to men and women, he can tell all about them at a glance. ‘Now let us hear your opinion of young Mrs. Barker,’ says some great believer in the powers of Mr. Fairfax, ‘but don’t be too severe.’ ‘I never am severe,’ replies the censorious young gentleman. ‘Well, never mind that now. She is very lady-like, is she not?’ ‘Lady-like!’ repeats the censorious young gentleman (for he always repeats when he is at a loss for anything to say). ‘Did you observe her manner? Bless my heart and soul, Mrs. Thompson, did you observe her manner?—that’s all I ask.’ ‘I thought I had done so,’ rejoins the poor lady, much perplexed; ‘I did not observe it very closely perhaps.’ ‘Oh, not very closely,’ rejoins the censorious young gentleman, triumphantly. ‘Very good; then _I_ did. Let us talk no more about her.’ The censorious young gentleman purses up his lips, and nods his head sagely, as he says this; and it is forthwith whispered about, that Mr. Fairfax (who, though he is a little prejudiced, must be admitted to be a very excellent judge) has observed something exceedingly odd in Mrs. Barker’s manner.

THE FUNNY YOUNG GENTLEMAN

As one funny young gentleman will serve as a sample of all funny young Gentlemen we purpose merely to note down the conduct and behaviour of an individual specimen of this class, whom we happened to meet at an annual family Christmas party in the course of this very last Christmas that ever came.

We were all seated round a blazing fire which crackled pleasantly as the guests talked merrily and the urn steamed cheerily—for, being an old-fashioned party, there _was_ an urn, and a teapot besides—when there came a postman’s knock at the door, so violent and sudden, that it startled the whole circle, and actually caused two or three very interesting and most unaffected young ladies to scream aloud and to exhibit many afflicting symptoms of terror and distress, until they had been several times assured by their respective adorers, that they were in no danger. We were about to remark that it was surely beyond post-time, and must have been a runaway knock, when our host, who had hitherto been paralysed with wonder, sank into a chair in a perfect ecstasy of laughter, and offered to lay twenty pounds that it was that droll dog Griggins. He had no sooner said this, than the majority of the company and all the children of the house burst into a roar of laughter too, as if some inimitable joke flashed upon them simultaneously, and gave vent to various exclamations of—To be sure it must be Griggins, and How like him that was, and What spirits he was always in! with many other commendatory remarks of the like nature.

Not having the happiness to know Griggins, we became extremely desirous to see so pleasant a fellow, the more especially as a stout gentleman with a powdered head, who was sitting with his breeches buckles almost touching the hob, whispered us he was a wit of the first water, when the door opened, and Mr. Griggins being announced, presented himself, amidst another shout of laughter and a loud clapping of hands from the younger branches. This welcome he acknowledged by sundry contortions of countenance, imitative of the clown in one of the new pantomimes, which were so extremely successful, that one stout gentleman rolled upon an ottoman in a paroxysm of delight, protesting, with many gasps, that if somebody didn’t make that fellow Griggins leave off, he would be the death of him, he knew. At this the company only laughed more boisterously than before, and as we always like to accommodate our tone and spirit if possible to the humour of any society in which we find ourself, we laughed with the rest, and exclaimed, ‘Oh! capital, capital!’ as loud as any of them.

When he had quite exhausted all beholders, Mr. Griggins received the welcomes and congratulations of the circle, and went through the needful introductions with much ease and many puns. This ceremony over, he avowed his intention of sitting in somebody’s lap unless the young ladies made room for him on the sofa, which being done, after a great deal of tittering and pleasantry, he squeezed himself among them, and likened his condition to that of love among the roses. At this novel jest we all roared once more. ‘You should consider yourself highly honoured, sir,’ said we. ‘Sir,’ replied Mr. Griggins, ‘you do me proud.’ Here everybody laughed again; and the stout gentleman by the fire whispered in our ear that Griggins was making a dead set at us.

The tea-things having been removed, we all sat down to a round game, and here Mr. Griggins shone forth with peculiar brilliancy, abstracting other people’s fish, and looking over their hands in the most comical manner. He made one most excellent joke in snuffing a candle, which was neither more nor less than setting fire to the hair of a pale young gentleman who sat next him, and afterwards begging his pardon with considerable humour. As the young gentleman could not see the joke however, possibly in consequence of its being on the top of his own head, it did not go off quite as well as it might have done; indeed, the young gentleman was heard to murmur some general references to ‘impertinence,’ and a ‘rascal,’ and to state the number of his lodgings in an angry tone—a turn of the conversation which might have been productive of slaughterous consequences, if a young lady, betrothed to the young gentleman, had not used her immediate influence to bring about a reconciliation: emphatically declaring in an agitated whisper, intended for his peculiar edification but audible to the whole table, that if he went on in that way, she never would think of him otherwise than as a friend, though as that she must always regard him. At this terrible threat the young gentleman became calm, and the young lady, overcome by the revulsion of feeling, instantaneously fainted.

Mr. Griggins’s spirits were slightly depressed for a short period by this unlooked-for result of such a harmless pleasantry, but being promptly elevated by the attentions of the host and several glasses of wine, he soon recovered, and became even more vivacious than before, insomuch that the stout gentleman previously referred to, assured us that although he had known him since he was _that_ high (something smaller than a nutmeg-grater), he had never beheld him in such excellent cue.

When the round game and several games at blind man’s buff which followed it were all over, and we were going down to supper, the inexhaustible Mr. Griggins produced a small sprig of mistletoe from his waistcoat pocket, and commenced a general kissing of the assembled females, which occasioned great commotion and much excitement. We observed that several young gentlemen—including the young gentleman with the pale countenance—were greatly scandalised at this indecorous proceeding, and talked very big among themselves in corners; and we observed too, that several young ladies when remonstrated with by the aforesaid young gentlemen, called each other to witness how they had struggled, and protested vehemently that it was very rude, and that they were surprised at Mrs. Brown’s allowing it, and that they couldn’t bear it, and had no patience with such impertinence. But such is the gentle and forgiving nature of woman, that although we looked very narrowly for it, we could not detect the slightest harshness in the subsequent treatment of Mr. Griggins. Indeed, upon the whole, it struck us that among the ladies he seemed rather more popular than before!

To recount all the drollery of Mr. Griggins at supper, would fill such a tiny volume as this, [429] to the very bottom of the outside cover. How he drank out of other people’s glasses, and ate of other people’s bread, how he frightened into screaming convulsions a little boy who was sitting up to supper in a high chair, by sinking below the table and suddenly reappearing with a mask on; how the hostess was really surprised that anybody could find a pleasure in tormenting children, and how the host frowned at the hostess, and felt convinced that Mr. Griggins had done it with the very best intentions; how Mr. Griggins explained, and how everybody’s good-humour was restored but the child’s;—to tell these and a hundred other things ever so briefly, would occupy more of our room and our readers’ patience, than either they or we can conveniently spare. Therefore we change the subject, merely observing that we have offered no description of the funny young gentleman’s personal appearance, believing that almost every society has a Griggins of its own, and leaving all readers to supply the deficiency, according to the particular circumstances of their particular case.

THE THEATRICAL YOUNG GENTLEMAN

All gentlemen who love the drama—and there are few gentlemen who are not attached to the most intellectual and rational of all our amusements—do not come within this definition. As we have no mean relish for theatrical entertainments ourself, we are disinterestedly anxious that this should be perfectly understood.

The theatrical young gentleman has early and important information on all theatrical topics. ‘Well,’ says he, abruptly, when you meet him in the street, ‘here’s a pretty to-do. Flimkins has thrown up his part in the melodrama at the Surrey.’—‘And what’s to be done?’ you inquire with as much gravity as you can counterfeit. ‘Ah, that’s the point,’ replies the theatrical young gentleman, looking very serious; ‘Boozle declines it; positively declines it. From all I am told, I should say it was decidedly in Boozle’s line, and that he would be very likely to make a great hit in it; but he objects on the ground of Flimkins having been put up in the part first, and says no earthly power shall induce him to take the character. It’s a fine part, too—excellent business, I’m told. He has to kill six people in the course of the piece, and to fight over a bridge in red fire, which is as safe a card, you know, as can be. Don’t mention it; but I hear that the last scene, when he is first poisoned, and then stabbed, by Mrs. Flimkins as Vengedora, will be the greatest thing that has been done these many years.’ With this piece of news, and laying his finger on his lips as a caution for you not to excite the town with it, the theatrical young gentleman hurries away.

The theatrical young gentleman, from often frequenting the different theatrical establishments, has pet and familiar names for them all. Thus Covent-Garden is the garden, Drury-Lane the lane, the Victoria the vic, and the Olympic the pic. Actresses, too, are always designated by their surnames only, as Taylor, Nisbett, Faucit, Honey; that talented and lady-like girl Sheriff, that clever little creature Horton, and so on. In the same manner he prefixes Christian names when he mentions actors, as Charley Young, Jemmy Buckstone, Fred. Yates, Paul Bedford. When he is at a loss for a Christian name, the word ‘old’ applied indiscriminately answers quite as well: as old Charley Matthews at Vestris’s, old Harley, and old Braham. He has a great knowledge of the private proceedings of actresses, especially of their getting married, and can tell you in a breath half-a-dozen who have changed their names without avowing it. Whenever an alteration of this kind is made in the playbills, he will remind you that he let you into the secret six months ago.

The theatrical young gentleman has a great reverence for all that is connected with the stage department of the different theatres. He would, at any time, prefer going a street or two out of his way, to omitting to pass a stage-entrance, into which he always looks with a curious and searching eye. If he can only identify a popular actor in the street, he is in a perfect transport of delight; and no sooner meets him, than he hurries back, and walks a few paces in front of him, so that he can turn round from time to time, and have a good stare at his features. He looks upon a theatrical-fund dinner as one of the most enchanting festivities ever known; and thinks that to be a member of the Garrick Club, and see so many actors in their plain clothes, must be one of the highest gratifications the world can bestow.

The theatrical young gentleman is a constant half-price visitor at one or other of the theatres, and has an infinite relish for all pieces which display the fullest resources of the establishment. He likes to place implicit reliance upon the play-bills when he goes to see a show-piece, and works himself up to such a pitch of enthusiasm, as not only to believe (if the bills say so) that there are three hundred and seventy-five people on the stage at one time in the last scene, but is highly indignant with you, unless you believe it also. He considers that if the stage be opened from the foot-lights to the back wall, in any new play, the piece is a triumph of dramatic writing, and applauds accordingly. He has a great notion of trap-doors too; and thinks any character going down or coming up a trap (no matter whether he be an angel or a demon—they both do it occasionally) one of the most interesting feats in the whole range of scenic illusion.

Besides these acquirements, he has several veracious accounts to communicate of the private manners and customs of different actors, which, during the pauses of a quadrille, he usually communicates to his partner, or imparts to his neighbour at a supper table. Thus he is advised, that Mr. Liston always had a footman in gorgeous livery waiting at the side-scene with a brandy bottle and tumbler, to administer half a pint or so of spirit to him every time he came off, without which assistance he must infallibly have fainted. He knows for a fact, that, after an arduous part, Mr. George Bennett is put between two feather beds, to absorb the perspiration; and is credibly informed, that Mr. Baker has, for many years, submitted to a course of lukewarm toast-and-water, to qualify him to sustain his favourite characters. He looks upon Mr. Fitz Ball as the principal dramatic genius and poet of the day; but holds that there are great writers extant besides him,—in proof whereof he refers you to various dramas and melodramas recently produced, of which he takes in all the sixpenny and three-penny editions as fast as they appear.

The theatrical young gentleman is a great advocate for violence of emotion and redundancy of action. If a father has to curse a child upon the stage, he likes to see it done in the thorough-going style, with no mistake about it: to which end it is essential that the child should follow the father on her knees, and be knocked violently over on her face by the old gentleman as he goes into a small cottage, and shuts the door behind him. He likes to see a blessing invoked upon the young lady, when the old gentleman repents, with equal earnestness, and accompanied by the usual conventional forms, which consist of the old gentleman looking anxiously up into the clouds, as if to see whether it rains, and then spreading an imaginary tablecloth in the air over the young lady’s head—soft music playing all the while. Upon these, and other points of a similar kind, the theatrical young gentleman is a great critic indeed. He is likewise very acute in judging of natural expressions of the passions, and knows precisely the frown, wink, nod, or leer, which stands for any one of them, or the means by which it may be converted into any other: as jealousy, with a good stamp of the right foot, becomes anger; or wildness, with the hands clasped before the throat, instead of tearing the wig, is passionate love. If you venture to express a doubt of the accuracy of any of these portraitures, the theatrical young gentleman assures you, with a haughty smile, that it always has been done in that way, and he supposes they are not going to change it at this time of day to please you; to which, of course, you meekly reply that you suppose not.

There are innumerable disquisitions of this nature, in which the theatrical young gentleman is very profound, especially to ladies whom he is most in the habit of entertaining with them; but as we have no space to recapitulate them at greater length, we must rest content with calling the attention of the young ladies in general to the theatrical young gentlemen of their own acquaintance.

THE POETICAL YOUNG GENTLEMAN

Time was, and not very long ago either, when a singular epidemic raged among the young gentlemen, vast numbers of whom, under the influence of the malady, tore off their neckerchiefs, turned down their shirt collars, and exhibited themselves in the open streets with bare throats and dejected countenances, before the eyes of an astonished public. These were poetical young gentlemen. The custom was gradually found to be inconvenient, as involving the necessity of too much clean linen and too large washing bills, and these outward symptoms have consequently passed away; but we are disposed to think, notwithstanding, that the number of poetical young gentlemen is considerably on the increase.

We know a poetical young gentleman—a very poetical young gentleman. We do not mean to say that he is troubled with the gift of poesy in any remarkable degree, but his countenance is of a plaintive and melancholy cast, his manner is abstracted and bespeaks affliction of soul: he seldom has his hair cut, and often talks about being an outcast and wanting a kindred spirit; from which, as well as from many general observations in which he is wont to indulge, concerning mysterious impulses, and yearnings of the heart, and the supremacy of intellect gilding all earthly things with the glowing magic of immortal verse, it is clear to all his friends that he has been stricken poetical.

The favourite attitude of the poetical young gentleman is lounging on a sofa with his eyes fixed upon the ceiling, or sitting bolt upright in a high-backed chair, staring with very round eyes at the opposite wall. When he is in one of these positions, his mother, who is a worthy, affectionate old soul, will give you a nudge to bespeak your attention without disturbing the abstracted one, and whisper with a shake of the head, that John’s imagination is at some extraordinary work or other, you may take her word for it. Hereupon John looks more fiercely intent upon vacancy than before, and suddenly snatching a pencil from his pocket, puts down three words, and a cross on the back of a card, sighs deeply, paces once or twice across the room, inflicts a most unmerciful slap upon his head, and walks moodily up to his dormitory.