Chapter VIII: Part 8
JAMES D. JOHNSON, born Oct. 1st, 1860, at Lexington, Mississippi,
was a slave of Judge Drennon. He now lives with his daughter at
4527 Baltimore St., Dallas, Texas. His memory is poor and his
conversation is vague and wandering. His daughter says, "He ain't
at himself these days." James attended Tuckaloo University, near
Jackson, Mississippi, and uses very little dialect.
"My first clear recollection is about a day when I was five years old. I was playing in the sand by the side of the house in Lexington with some other children and some Yankee soldiers came by. They came on horseback and they drew rein by the side of the house and I ran under the house and hid. My mother called to me to come out and told me they were Federal soldiers and I could tell it by their blue uniforms. One of the soldiers reached into his haversack and pulled out a uniform and gave it to me. 'Have your mammy make a suit out of it,' he said. Another soldier gave me a uniform and my mother was a seamstress in the home of the Drennons and she made me two suits out of those uniforms.
"Judge Drennon had married the daughter of Colonel Terry and he had given my parents to his daughter when she married the judge. My father and mother both came from Virginia. Colonel Terry had bought them at separate times from a slave trader who brought them from Virginia to Mississippi. They had a likeness for each other when they learned both came from Virginia. Both of them had white fathers, were light complected and had been brought up in the big house.
"When they told the Colonel they wished to marry he only said, 'Julia, do you take William,' and 'William, do you take Julia?' Then they were man and wife. He gave them the name of Johnson, which was the family name of my father's mother and the name of his father.
"When my parents lived with Judge Drennon they had a house in the yard quarters. The Drennon home was the most beautiful house I ever have seen. It was a big, brick mansion with tall, white pillars reaching up to the second story. The yards and grounds were so beautiful the white folks used to come from long ways off to see them.
"After the surrendering we lived with the Drennons four or five years. They paid my parents for their work and I had an easy time of it. I was youngest of eight children and there was ten years or more between me and the next older child. My mother wanted to make something special out of me.
"I went to three different schools down in the woods before I was nine. White people would come and put up schools for the colored children but the white people in Mississippi said they were not good people and would criticize them. Sometimes the schools would get busted up. We studied out of the Blue Back speller and an arithmetic and a dictionary. I could spell and give the meaning of most nigh every word in that dictionary.
"When I was thirteen they held an examination at Lexington for colored children to see who'd get a scholarship at Tuckaloo University, eight miles from Jackson. I was greatly surprised when I won from my county and I went but didn't finish there. Then I went a little while to a small university near Lexington, called Allcorn University. I loved to go to school and was considered bookish. But my people died and I had to earn a living for myself and I couldn't find any way to use so much what I learned out of books, as far as making money was concerned. So I came to Texas, doing any kind of labor work I could find. Finally I married and went to farming 35 or 40 years and raised five children.
"I'm the only one left now of my brothers and sisters and it won't be long until I'm gone, too, but I don't mind that. We lived a long time. Some of it was hard and some of it was good. I tried all the time to live according to my lights and that is as far as I know how to do. I don't feel resentful of anything, anymore.
"When there is sun, I just sit in the sun."
420132
MARY JOHNSON does not know her age but is evidently very old.
Paralytic strokes have affected mind and body. Her speech, though
impaired, is a swift flow of words, often profane. A bitter
attitude toward everything is apparent. Mary is homeless and owes
the necessities of life to the kindness of a middle aged Negress
who takes care of several old women in her home in Pear Orchard, in
Beaumont, Texas.
"Now, wait, white folks, I got to scratch my head so's I kin 'member. I's been paralyze so I can't git my tongue to speak good. It git all twist up.
"I don't know how old I is. My daddy he have my age in the big Bible but he done move 'round so much it git lost long ago. He used to 'long to them Guinea men. Them was real small men and they sho' walk fast. He wasn't so tall as my mommer and he name John Allen and he a pore man, all bone. He sold out from the old country, that Mississippi. My mama name Sarah and she come from Choctaw country, 'round in Georgia. I have grandma Rebecca, a reg'lar old Indian woman and she have two long black braid longer'n her waist and she allus wore a big bonnet with splits in it. You know de Indian people totes they chillens on they back and my mommer have me wrop up in a blanket and strop on her back.
"I's the firstborn chile and my mommer have two gal chillen, me and Hannah, and she have seven boy. Where I's born was old wild country and old Virginny run down thataway. Everything was plenty good to eat and I seed strawberries what would push you to git 'em in your mouth.
"Clost to where I's born they's a place where they brung the Africy people to tame 'em and they have big pens where they puts 'em after they takes 'em outta they gun ships. They sho' was wild and they have hair all over jus' like a dog and big hammer rings in they noses. They didn't wore no clothes and sometime they git 'way and run to them swamps in Floridy and git all wild and hairy 'gain. They brung preachers to help tame 'em, but didn't 'low no preacher in them pens by hisself, 'cause they say them preacher won't come back, 'cause some them wild Africy people done kill 'em and eat 'em. They done worship them snake bit as a rake handle, 'cause they ain't knowed no better. When they gits 'em all tame they sells 'em for field hands, but they allus wild and iffen anybody come they duck and hide down.
"My old missy she name Florence Walker and she reg'lar tough. I helps nuss her chile, Mary, and Mary make her mommer be good to me. Us wore li'l brass toe shoes and I call mine gold toe shoes. Them shoes hard 'nough to knock a mule out. After young missy and me git growed us run off to dances and old missy beat us behind good. She say us jes' chillen yet and keep us in short, short dress and we pull out the stitchin' in them hems so us dresses drags and she sho' wore us out for that.
"Did us love to dance? Jesus help me! Them country niggers swing me so hard us land in the corner with a wham.
"My brudder Robert he a pow'ful big boy and he wasn't 'lowed to have no pants till he 21 year old, but that didn't 'scourage him from courtin' the gals. I try tease him 'bout go see the gals with dat split shirt. That not all, that boy nuss he mommer breast till he 21 year old. He have to have that nussin' real reg'lar. But one time he pesterin' mommer and she tryin' milk the cow and the cow git nervous and kick over the bucket and mommer fall off the stool and she so mad she wean him right there and then.
"Old massa he never clean hisself up or dress up. He look like a vagrant thing and he and missy mean, too. My pore daddy he back allus done cut up from the whip and bit by the dogs. Sometime when a woman big they make a hollow out place for her stomach and make her lay down 'cross that hole and whip her behind. They sho' tear that thing up.
"Us chillen git to play and us sing
"'Old possum in the holler log
Sing high de loo,
Fatter than a old green frog,
Sing high de loo,
Whar possum?
"That church they have a 'markable thing. They a deep tranch what cut all 'round the bottom and clay steps what lead all the way to the top the mountain and when the niggers git to shoutin' that church jes' a-rollin' and rockin'. One the songs I 'member was
"'Shoo the devil out the corner,
Shoo, members, shoo,
Shoo the devil out the corner,
Shoo, members, shoo.'
"Us li'l gals allus wore cottanade dresses ev'ry day. Them what us call nine-stitch dresses. Mammy make fasten-back dresses and fasten-back drawers and knit sweaters and socks for the mens. She git sheep wool what near ruint by cockle burrs and make us chillen set by the hour and pick out them burrs.
"Us houses like chicken coops but us sho' happy in that li'l cabin house. Nothin' to worry 'bout. Mammy cook them grits, that yaller hominy. She make 'ash cat', cornbread wrop in cabbage leaf and put ashes 'round it.
"The old plantation 'bout on the line 'tween Virginny and Mis'sippi and us live near the Madstone. That a big stone, all smooth and when a dog bite you you go run 'round the Madstone and wash yourself in the hot springs and the bites don't hurt you.
"I seed lots of sojers and my daddy fit with the Yankees and they have a big fight close there and have a while lots of dead bodies layin' 'round like so many logs and they jus' stack 'em up and sot fire to 'em. You seed 'em burnin' night and day. They lay down and shoot and then jump up and stick 'em and sometimes they drunk the blood outten where they stick 'em, 'cause they can't git no water.
"After freedom us go in ox team to New Orleans and daddy he raise cotton and sell it and mommer sell eggs. My daddy a workin' man and he help build the big custom house in New Orleans and help pull the rope to pull the boats up the canal from the river. That Canal Street now. He put he name on top that custom house and it there to this day. You can go there and see it. He help build the hosp'tal, too.
"One time us live close to the bay and that gran' and us take a stove and cotch catfish and perch and cook 'em on the bank and us go meet oyster boats and daddy git 'em by the tub.
"I git marry in Baton Rouge when I sixteen and my husban' he name Arras Shaw and he lots older'n me and I couldn't keep him. He in Port Arthur now. My husban' and I sawmill 20 year in Grayburg, here in Texas, and then us sep'rate. I been in Beaumont 16 year and I's rice farm cook in the camp on the Fannett Road. They tells me I got uncles in Africy. I goes to Sanctified church and that all I can do now.
420050
MARY ELLEN JOHNSON, owner of a little restaurant at 1301 Marilla
St., Dallas, Texas, is 77 years old. She was born in slavery to the
Murth family, about ten miles from San Marcos, Texas. She neither
reads nor writes but talks with little dialect.
"I don't know so fur back as befo' I was born, 'cept what my mammy told me, and she allus said little black chillen wasn't sposed to ask so many questions. Her name was Missouri Ellison, 'cause she belonged to Miss Micelder Ellison and then when she married with Mr. Murth, her daddy said my mammy was her 'heritance.
"My first mem'ries are us playin' in the backyard with Miss Fannie and Miss Martha and Mr. Sammie. They was the little Murth chillen. We used to make playhouses out there and sweep the ground clean down to the level with brush brooms and dec'rate it all up with little broken glasses and crockery.
"In them days we lived in a little, old log cabin in the backyard and there was just one room, but it was snug and we had a plenty of livin'. My mammy had a nice cotton bed and she weren't no field nigger, but my pappy were.
"Miss Micelder had a fine farm and raised most everything we ate and the food nowadays ain't like what it was then. Miss Micelder had a wood frame house with a big kitchen and they were cookin' goin' on all the time. They cooked on a wood stove with iron pots and skillets, and the roastin' ears and chicken fried right out of your own yard is tastier than what you git now. Grated 'tater puddin' was my dish.
"When I am seven years old I hear talk 'bout a war and the separation but I don't pay much 'tention. It seem far away and I don't bother my kinky head 'bout it. But then they tells eme [typo: me] the war is over and I'm goin' to be raised free and that I don't 'long to anybody but Gawd and my pappy and mammy, but it don't make me feel nothin', 'cause I ain't never know I ain't free.
"After the war we removed to a house on a hill where they is five houses, little log houses all in a row. We had good times, but we had to work in the cotton and corn and wheat in the daylight time, but when the dusk come we used to sing and dance and play into the moonlight.
"But one man called Milton, he's past his yearling boy days and he didn't like to see us spend our time in sin, so he'd preach to us from the Gospel, but I had the hardest time to get 'ligion of anybody I knowed. Fin'ly I got sick when I were fifteen and was in my bed and somethin' happened. Lawd, it was the most 'lievable thing ever happened to me. I was layin' there when sin formed a heavy, white veil just like a blanket over my bed and it just eased down over me till it was mashing the breath out of me. I crys out to the Lawd to save me and, sho' 'nough, He hear the cry of a pore mis'able sinner. I ran to my mammy and pappy a-shoutin'.
"The next year I marries and went on 'nother farm right near by and starts havin' chillen. I has ten and think I done rightly my part, 'cause I lived right by the word and taught my chillen the same. I'm lookin' to the promise to live in Glory after my days here is done.
420115
PAULINE JOHNSON and FELICE BOUDREAUX, sisters, were once slaves on
the plantation of Dermat Martine, near Opelousas, Louisiana. As
their owners were French, they are more inclined to use a Creole
patois than English.
"Us was both slaves on de old plantation close to Opelousas," Pauline began. As the elder of the two sisters she carried most of the conversation, although often referring to Felice before making positive statements.
"I was 12 year old when freedom come and Felice was 'bout six. Us belonged to Massa Dermat Martine and the missy's name Mimi. They raise us both in the house and they love us so they spoil us. I never will forget that. The little white chillen was younger than me, 'bout Felice's age. They sho' had pretty li'l curly black hair.
"Us didn't have hard time. Never even knowed hard time. That old massa, he what you call a good man.
"Us daddy was Renee and he work in the field. The old massa give him a mud and log house and a plot of ground for he own. The rain sho' never get in that log house, it so tight. The furniture was homemake, but my daddy make it good and stout.
"Us daddy he work de ground he own on Sunday and sold the things to buy us shoes to put on us feet and clothes. The white folks didn't give us clothes but they let him have all the money he made in his own plot to get them.
"Us mama name Marguerite and she a field hand, too, so us chillen growed up in the white folks house mostly. 'Fore Felice get big enough to leave I stay in the big house and take care of her.
"One day us papa fall sick in the bed, just 'fore freedom, and he kep' callin' for the priest. Old massa call the priest and just 'fore us papa die the priest marry him and my mama. 'fore dat they just married by the massa's word.
"Felice and me, us have two brothers what was born and die in slavery, and one sister still livin' in Bolivar now. Us three uncles, Bruno and Pophrey and Zaphrey, they goes to the war. Them three dies too young. The Yankees stole them and make them boys fight for them.
"I never done much work but wash the dishes. They wasn't poor people and they uses good dishes. The missy real particular 'bout us shinin' them dishes nice, and the silver spoons and knives, too.
"Them white people was good Christian people and they christen us both in the old brick Catholic church in Opelousas. They done torn it down now. Missy give me pretty dress to get christen in. My godmother, she Mileen Nesaseau, but I call her 'Miran'. My godfather called 'Paran.'
"On Sunday mornin' us fix our dress and hair and go up to the missy's looking-glass to see if us pretty enough go to church. Us goes to Mass every Sunday mornin' and church holiday, and when the cullud folks sick massa send for the priest same's for the white folks.
"We wears them things on the strings round the neck for the good of the heart. They's nutmeg.
"The plantation was a big, grand place and they have lots of orange trees. The slaves pick them oranges and pack then down on the barrel with la mosse (Spanish moss) to keep them. They was plenty pecans and figs, too.
"In slavery time most everybody round Opelousas talk Creole. That make the words hard to come sometime. Us both talk that better way than English.
"Durin' the war, it were a sight. Every mornin' Capt. Jenerette Bank and he men go a hoss-back drillin' in the pasture and then have drill on foot. A white lady take all us chillen to the drill ground every mornin'. Us take the lunch food in the basket and stay till they done drill out.
"I can sing for you the song they used to sing:
"O, de Yankee come to put de nigger free,
Says I, says I, pas bonne;
In eighteen-sixty-three,
De Yankee get out they gun and say,
Hurrah! Let's put on the ball.
"When war over none the slaves wants leave the plantation. My mama and us chillen stays on till old massa and missy dies, and then goes live on the old Repridim place for a time.
"Both us get marry in that Catholic church in Opelousas. As for me, it most too long ago to talk about. His name Alfred Johnson and he dead 12 years. Our youngest boy, John, go to the World War. Two my nephews die in that war and one nephew can't walk now from that war.
"Felice marry Joseph Boudreaux and when he die she come here to stay with me. There's more hard time now than in the old day for us, but I hope things get better.
420103
SPENCE JOHNSON was born free, a member of the Choctaw Nation, in
the Indian Territory, in the 1850's. He does not know his exact
age. He and his mother were stolen and sold at auction in
Shreveport to Riley Surratt, who lived near Shreveport, on the
Texas-Louisiana line. He has lived in Waco since 1874.
"De nigger stealers done stole me and my mammy out'n de Choctaw Nation, up in de Indian Territory, when I was 'bout three years old. Brudder Knox, Sis Hannah, and my mammy and her two step-chillun was down on de river washin'. De nigger stealers driv up in a big carriage and mammy jus' thought nothin', 'cause the road was near dere and people goin' on de road stopped to water de horses and res' awhile in de shade. By'n by, a man coaxes de two bigges' chillun to de carriage and give dem some kind-a candy. Other chillun sees dis and goes, too. Two other men was walkin' 'round smokin' and gettin' closer to mammy all de time. When he kin, de man in de carriage got de two big step-chillun in with him and me and sis' clumb in too, to see how come. Den de man holler, 'Git de ole one and let's git from here.' With dat de two big men grab mammy and she fought and screeched and bit and cry, but dey hit her on de head with something and drug her in, and throwed her on de floor. De big chilluns begin to fight for mammy, but one of de men hit 'em hard and off dey driv, with de horses under whip.
"Dis was near a place called Boggy Depot. Dey went down de Red Ribber, 'cross de ribber and on down in Louisian to Shreveport. Down in Louisan us was put on what dey call de 'block' and sol' to de highes' bidder. My mammy and her three chillun brung $3,000 flat. De step chillun was sol' to somebody else, but us was bought by Marse Riley Surratt. He was de daddy of Jedge Marshall Surratt, him who got to be jedge here in Waco.
"Marse Riley Surratt had a big plantation; don't know how many acres, but dere was a factory and gins and big houses and lots of nigger quarters. De house was right on de Tex-Louisan line. Mammy cooked for 'em. When Marse Riley bought her, she couldn' speak nothin' but de Choctaw words. I was a baby when us lef' de Choctaw country. My sister looked like a full blood Choctaw Indian and she could pass for a real full blood Indian. Mammy's folks was all Choctaw Indians. Her sisters was Polly Hogan, and Sookey Hogan and she had a brudder, Nolan Tubby. Dey was all known in de Territory in de ole days.
"Near as Marse Riley's books can come to it, I mus' of been bo'n 'round 1859, up in de Territory.
"Us run de hay press to bale cotton on de plantation and took cotton by ox wagons to Shreveport. Seven or eight wagons in a train, with three or four yoke of steers to each wagon. Us made 'lasses and cloth and shoes and lots of things. Old Marse Riley had a nigger who could make shoes and if he had to go to court in Carthage, he'd leave nigger make shoes for him.
"De quarters was a quarter mile long, all strung out on de creek bank. Our cabin was nex' de big house. De white folks give big balls and had supper goin' all night. Us had lots to eat and dey let us have dances and suppers, too. We never go anywhere. Mammy always cry and 'fraid of bein' stole again.
"Dere was a white man live close to us, but over in Louisan. He had raised him a great big black man what brung fancy price on de block. De black man sho' love dat white man. Dis white man would sell ole John--dat's de black man's name--on de block to some man from Georgia or other place fur off. Den, after 'while de white man would steal ole John back and bring him home and feed him good, den sell him again. After he had sol' ole John some lot of times, he coaxed ole John off in de swamp one day and ole John foun' dead sev'ral days later. De white folks said dat de owner kilt him, 'cause 'a dead nigger won't tell no tales.'
"Durin' de Freedom War, I seed soldiers all over de road. Dey was breakin' hosses what dey stole. Us skeered and didn' let soldiers see us if we could he'p it. Mammy and I stayed on with Marse Riley after Freedom and till I was 'bout sixteen. Den Marse Riley died and I come to Waco in a wagon with Jedge Surratt's brother, Marse Taylor Surratt. I come to Waco de same year dat Dr. Lovelace did, and he says that was 1874. I married and us had six chillun.
"I can't read or write, 'cause I only went to school one day. De white folks tried to larn me, but I's too thickheaded.
420244
HARRIET JONES, 93, was born a slave of Martin Fullbright, who owned
a large plantation in North Carolina. When he died his daughter,
Ellen, became Harriet's owner, and was so kind to Harriet that she
looks back on slave years as the happiest time in her life.
"My daddy and mammy was Henry and Zilphy Guest and Marse Martin Fullbright brung dem from North Carolina to Red River County, in Texas, long 'fore freedom, and settled near Clarksville. I was one of dere eight chillen and borned in 1844 and am 93 years old. My folks stayed with Marse Martin and he daughter, Miss Ellen, till dey went to de reward where dey dies no more.
"De plantation raise corn and oats and wheat and cotton and hawgs and cattle and hosses, and de neares' place to ship to market am at Jefferson, Texas, ninety miles from Clarksville, den up river to Shreveport and den to Memphis or New Orleans. Dey send cotton by wagon train to Jefferson but mostly by boat up de bayou.
"When Marse Martin die he 'vide us slaves to he folks and I falls to he daughter, Miss Ellen. Iffen ever dere was a angel on dis earth she was it. I hopes wherever it is, her spirit am in glory.
"When Miss Ellen marry Marse Johnnie Watson, she have me fix her up. She have de white satin dress and pink sash and tight waist and hoop skirt, so she have to go through de door sideways. De long curls I made hang down her shoulders and a bunch of pink roses in de hand. She look like a angel.
"All de fine folks in Clarksville at dat weddin' and dey dances in de big room after de weddin' supper. It was de grand time but it make me cry, 'cause Miss Ellen done growed up. When she was a li'l gal she wore de sweetes' li'l dresses and panties with de lace ruffles what hung down below her skirt, and de jacket button in de back and shoes from soft leather de shoeman tan jus' for her. When she li'l bigger she wear de tucked petticoats, two, three at a time to take place of hoops, but she still wear de white panties with lace ruffles what hang below de skirt 'bout a foot. Where dey gone now? I ain't seed any for sich a long time!
"When de white ladies go to church in dem hoop skirts, dey has to pull dem up in da back to set down. After freedom dey wears de dresses long with de train and has to hold up de train when dey goes in de church, lessen dey has de li'l nigger to go 'long and hold it up for dem.
"All us house women larned to knit de socks and head mufflers, and many is de time I has went to town and traded socks for groceries. I cooked, too, and helped 'fore old Marse died. For everyday cookin' we has corn pone and potlicker and bacon meat and mustard and turnip greens, and good, old sorghum 'lasses. On Sunday we has chicken or turkey or roast pig and pies and cakes and hot, salt-risin' bread.
"When folks visit dem days dey do it right and stays several days, maybe a week or two. When de quality folks comes for dinner, Missie show me how to wait on table. I has to come in when she ring de bell, and hold de waiter for food jus' right. For de breakfas' we has coffee and hot waffles what my mammy make.
"Dere was a old song we used to sing 'bout de hoecake, when we cookin' dem:
"'If you wants to bake a hoecake,
To bake it good and done,
Slap it on a nigger's heel,
And hold it to de sun.
"'My mammy baked a hoecake,
As big as Alabama,
She throwed it 'gainst a nigger's head,
It ring jus' like a hammer.
"'De way you bake a hoecake,
De old Virginny way,
Wrap it round a nigger's stomach,
And hold it dere all day.'
"Dat de life we lives with old and young marse and missie, for dey de quality folks of old Texas.
"'Bout time for de field hands to go to work, it gittin' mighty hot down here, so dey go by daylight when it cooler. Old Marse have a horn and 'long 'bout four o'clock it 'gin to blow, and you turn over and try take 'nother nap, den it goes arguin', b l o w, how loud dat old horn do blow, but de sweet smell de air and de early breeze blowin' through de trees, and de sun peepin' over de meadow, make you glad to git up in de early mornin'.
"'It's a cool and frosty mornin'
And de niggers goes to work,
With hoes upon dey shoulders,
Without a bit of shirt.'
"'When dey hears de horn blow for dinner it am de race, and dey sings:
"'I goes up on de meatskins,
I comes down on de pone--
I hits de corn pone fifty licks,
And makes dat butter moan.'
"De timber am near de river and de bayou and when dey not workin' de hosses or no other work, we rides down and goes huntin' with de boys, for wild turkeys and prairie chickens, but dey like bes' to hunt for coons and possums.
"'Possum up de gum stump,
Raccoon in de hollow--
Git him down and twist him out,
And I'll give you a dollar.'
"Come Christmas, Miss Ellen say, 'Harriet, have de Christmas Tree carry in and de holly and evergreens.' Den she puts de candles on de tree and hangs de stockin's up for de white chillen and de black chillen. Nex' mornin', everybody up 'fore day and somethin' for us all, and for de men a keg of cider or wine on de back porch, so dey all have a li'l Christmas spirit.
"De nex' thing am de dinner, serve in de big dinin' room, and dat dinner! De onlies' time what I ever has sich a good dinner am when I gits married and when Miss Ellen marries Mr. Johnnie. After de white folks eats, dey watches de servants have dey dinner.
"Den dey has guitars and banjoes and fiddles and plays old Christmas tunes, den dat night marse and missie brung de chillen to de quarters, to see de niggers have dey dance. 'Fore de dance dey has Christmas supper, on de long table out in de yard in front de cabins, and have wild turkey or chicken and plenty good things to eat. When dey all through eatin', dey has a li'l fire front de main cabins where de dancin' gwine be. Dey moves everything out de cabin 'cept a few chairs. Next come de fiddler and banjo-er and when dey starts, de caller call, 'Heads lead off,' and de first couple gits in middle de floor, and all de couples follow till de cabin full. Next he calls, 'Sashay to de right, and do-si-do.' Round to de right dey go, den he calls, 'Swing you partners, and dey swing dem round twice, and so it go till daylight come, den he sing dis song:
"'Its gittin' mighty late when de Guinea hen squall,
And you better dance now if you gwine dance a-tall--
If you don't watch out, you'll sing 'nother tune,
For de sun rise and cotch you, if you don't go soon,
For de stars gittin' paler and de old gray coon
Is sittin' in de grapevine a-watchin' de moon.'
"Den de dance break up with de Virginny Reel, and it de end a happy Christmas day. De old marse lets dem frolic all night and have nex' day to git over it, 'cause its Christmas.
"'Fore freedom de soldiers pass by our house and stop ask mammy to cook dem something to eat, and when de Yankees stop us chillen hides. Once two men stays two, three weeks lookin' round, pretends dey gwine buy land. But when de white folks gits 'spicious, dey leaves right sudden, and it turn out dey's Yankee spies.
"I marries Bill Jones de year after freedom. It a bright, moonlight night and all de white folks and niggers come and de preacher stand under de big elm tree, and I come in with two li'l pickininnies for flower gals and holdin' my train. I has on one Miss Ellen's dresses and red stockin's and a pair brand new shoes and a wide brim hat. De preacher say, 'Bill, does you take dis woman to be you lawful wife?' and Bill say he will. Den he say, 'Harriet, will you take dis nigger to be you lawful boss and do jes' what he say?' Den we signs de book and de preacher say, 'I quotes from de scripture:
"'Dark and stormy may come de weather,
I jines dis man and woman together.
Let none but Him what make de thunder,
Put dis man and woman asunder.'
"Den we goes out in de backyard, where de table sot for supper, a long table made with two planks and de peg legs. Miss Ellen puts on de white tablecloth and some red berries, 'cause it am November and dey is ripe. Den she puts on some red candles, and we has barbecue pig and roast sweet 'taters and dumplin's and pies and cake. Dey all eats dis grand supper till dey full and mammy give me de luck charm for de bride. It am a rabbit toe, and she say:
"'Here, take dis li'l gift,
And place it near you heart;
It keep away dat li'l riff
What causes folks to part.
"'It only jes' a rabbit toe,
But plenty luck it brings,
Its worth a million dimes or more,
More'n all de weddin' rings.'
"Den we goes to Marse Watson's saddleshop to dance and dances all night, and de bride and groom, dat's us, leads de grand march.
"De Yankees never burned de house or nothin', so Young Marse and Missie jes' kep' right on livin' in de old home after freedom, like old Marse done 'fore freedom. He pay de families by de day for work and let dem work land on de halves and furnish dem teams and grub and dey does de work.
"But bye'n-bye times slow commence to change, and first one and 'nother de old folks goes on to de Great Beyon', one by one dey goes, till all I has left am my great grandchild what I lives with now. My sister was livin' at Greenville six years ago. She was a hundred and four years old den. I don't know if she's livin' now or not. How does we live dat long? Way back yonder 'fore I's born was a blessin' handed down from my great, great, grandfather. It de blessin' of long life, and come with a blessin' of good health from livin' de clean, hones' life. When nighttime come, we goes to bed and to sleep, and dat's our blessin'.
420057
LEWIS JONES, 86, was born a slave to Fred Tate, who owned a large
plantation on the Colorado River in Fayette Co., Texas. Lewis'
father was born a slave to H. Jones and was sold to Fred Tate, who
used him as a breeder to build up his slave stock. Lewis took his
father's name after Emancipation, and worked for twenty-three years
in a cotton gin at La Grange. He came to Fort Worth in 1896 and
worked for Armour & Co. until 1931. Lewis lives at 3304 Loving
Ave., Fort Worth, Texas.
"My birth am in de year 1851 on de plantation of Massa Fred Tate, what am on de Colorado River. Yes, suh, dat am in de state of Texas. My mammy am owned by Massa Tate and so am my pappy and all my brudders and sisters. How many brudders and sisters? Lawd A-mighty! I'll tell you 'cause you asks and dis nigger gives de facts as 'tis. Let's see, I can't 'lect de number. My pappy have 12 chillen by my mammy and 12 by anudder nigger name Mary. You keep de count. Den dere am Liza, him have 10 by her, and dere am Mandy, him have 8 by her, and dere am Betty, him have six by her. Now, let me 'lect some more. I can't bring de names to mind, but dere am two or three other what have jus' one or two chillen by my pappy. Dat am right. Close to 50 chillen, 'cause my mammy done told me. It's disaway, my pappy am de breedin' nigger.
"You sees, when I meets a nigger on dat plantation, I's most sho' it am a brudder or sister, so I don't try keep track of 'em.
"Massa Tate didn't give rations to each family like lots of massas, but him have de cookhouse and de cooks, and all de rations cooked by dem and all us niggers sat down to de long tables. Dere am plenty, plenty. I sho' wishes I could have some good rations like dat now. Man, some of dat ham would go fine. Dat was 'Ham, what am.'
"We'uns raise all de food right dere on de place. Hawgs? We'uns have three, four hundred and massa raise de corn and feed dem and cure de meat. We'uns have de cornmeal and de wheat flour and all de milk and butter we wants, 'cause massa have 'bout 30 cows. And dere am de good old 'lasses, too.
"Massa feed powerful good and he am not onreas'ble. He don't whup much and am sho' reas'ble 'bout de pass, and he 'low de parties and have de church on de place. Old Tom am de preacherman and de musician and him play de fiddle and banjo. Sometime dey have jig contest, dat when dey puts de glass of water on de head and see who can jig de hardes' without spillin' de water. Den dere am joyment in de singin'. Preacher Tom set all us niggers in de circle and sing old songs. I jus' can't sing for you, 'cause I's lost my teeth and my voice am raspin', but I'll word some, sich as
"'In de new Jerusalem,
In de year of Jubilee.'
"I done forgit de words. Den did you ever hear dis one:
"'Oh, do, what Sam done, do dat again,
He went to de hambone, bit off de end.'
"When Old Tom am preacherman, him talks from he heartfelt. Den sometime a white preacherman come and he am de Baptist and baptize we'uns.
"Massa have de fine coach and de seat for de driver am up high in front and I's de coachman and he dresses me nice and de hosses am fine, white team. Dere I's sat up high, all dress good, holdin' a tight line 'cause de team am full of spirit and fast. We'uns goes lickity split and it am a purty sight. Man, 'twarnt anyone bigger dan dis nigger.
"I has de bad luck jus' one time with dat team and it am disaway: massa have jus' change de power for de gin from hoss to steam and dey am ginnin' cotton and I's with dat team 'side de house and de hosses am a-prancin' and waitin' for missy to come out. Massa am in de coach. Den, de fool niggers blows de whistle of dat steam engine and de hosses never heered sich befo' and dey starts to run. Dey have de bit in de teeths and I's lucky dat road am purty straight. I thinks of massa bein' inside de coach and wants to save him. I says to myself, 'Dem hosses skeert and I don't want to skeer 'em no more.' I jus' hold de lines steady and keep sayin', 'Steady, boys, whoa boys.' Fin'ly dey begins to slow down and den stops and massa gits out and de hosses am puffin' hard and all foam. He turns to me and say, 'Boy, you's made a wonnerful drive, like a vet'ran.' Now, does dat make me feel fine! It sho' do.
"When surrender come I's been drivin' 'bout a year and it's 'bout 11 o'clock in de mornin', 'cause massa have me ring de bell and all de niggers runs quick to de house and massa say dey am free niggers. It am time for layin' de crops by and he say if dey do dat he pay 'em. Some stays and some goes off, but mammy and pappy and me stays. Dey never left dat plantation, and I stays 'bout 8 years. I guess it dat coachman job what helt me.
"When I quits I goes to work for Ed Mattson in La Grange and I works in dat cotton gin 18 years. Fin'ly I comes here to Fort Worth. Dat am 1896. I works for Armours 20 years but dey let me off six years ago, 'cause I's too old. Since den I works at any little old job, for to make my livin'.
"Sho', I's been married and it to Jane Owen in La Grange, and we'uns have three chillen and dey all dead. She died in 1931.
"It am hard for dis nigger to git by and sometime I don't know for sho' dat I's gwine git anudder meal, but it allus come some way. Yes, suh, dey allus come some way. Some of de time dey is far apart, but dey comes. De Lawd see to dat, I guess.
420148
LIZA JONES, 81, was born a slave of Charley Bryant, near Liberty,
Texas. She lives in Beaumont, and her little homestead is reached
by a devious path through a cemetery and across a ravine on a plank
foot-bridge. Liza sat in a backless chair, smoking a pipe, and her
elderly son lay on a blanket nearby. Both were resting after a hot
day's work in the field. Within the open door could be seen Henry
Jones, Liza's husband for sixty years, a tall, gaunt Negro who is
helpless. Blind, deaf and almost speechless, he could tell nothing
of slavery days, although he was grown when the war ended.
"When de Yankees come to see iffen dey had done turn us a-loose, I am a nine year old nigger gal. That make me about 81 now. Dey promenade up to de gate and de drum say a-dr-um-m-m-m-m, and de man in de blue uniform he git down to open de gate. Old massa he see dem comin' and he runned in de house and grab up de gun. When he come hustlin' down off de gallery, my daddy come runnin'. He seed old massa too mad to know what he a-doin', so quicker dan a chicken could fly he grab dat gun and wrastle it outten old massa's hands. Den he push old massa in de smokehouse and lock de door. He ain't do dat to be mean, but he want to keep old massa outten trouble. Old massa know dat, but he beat on de door and yell, but it ain't git open till dem Yankees done gone.
"I wisht old massa been a-livin' now, I'd git a piece of bread and meat when I want it. Old man Charley Bryant, he de massa, and Felide Bryant de missus. Dey both have a good age when freedom come.
"My daddy he George Price and he boss nigger on de place. Dey all come from Louisiana, somewhere round New Orleans and all dem li'l extra places.
"Liz'beth she my mama and dey's jus' two us chillen, me and my brudder, John. He lives in Beaumont.
"'Bout all de work I did was 'tend to de rooms and sweep. Nobody ever 'low us to see nobody 'bused. I never seed or heared of nobody gittin' cut to pieces with a whip like some. Course, chillen wasn't 'lowed to go everywhere and see everything like dey does now. Dey jump in every corner now.
"Miss Flora and Miss Molly am de only ones of my white folks what am alive now and dey done say dey take me to San Antonio with dem. Course, I couldn't go now and leave Henry, noway. De old Bryant place am in de lawsuit. Dey say de brudder, Mister Benny, he done sharped it 'way from de others befo' he die, but I 'lieve the gals will win dat lawsuit.
"My daddy am de gold pilot on de old place. Dat mean anything he done was right and proper. Way after freedom, when my daddy die in Beaumont, Cade Bryant and Mister Benny both want to see him befo' he buried. Dey ride in and say, 'Better not you bury him befo' us see him. Dat's us young George.' Dey allus call daddy dat, but he old den.
"My mama was de spring back cook and turkey baker. Dey call her dat, she so neat, and cook so nice. I's de expert cook, too. She larnt me.
"Us chillen used to sing
"'Don't steal,
Don't steal my sugar.
Don't steal,
Don't steal my candy.
I's comin' round de mountain.'
"Dey sho' have better church in dem days dan now. Us git happy and shout. Dey too many blind taggers now. Now dey say dey got de key and dey ain't got nothin'. Us used to sing like dis:
"'Adam's fallen race,
Good Lawd, hang down my head and cry.
Help me to trust him,
Help me to trust him,
Help me to trust him,
Gift of Gawd.
"'Help me to trust him,
Help me to trust him,
Help me to trust him,
Eternal Life.
"'Had not been for Adam's race,
I wouldn't been sinnin' today,
Help me to trust him,
Gift of Gawd.'
"Dey 'nother hymn like dis:
"'Heavenly land,
Heavenly land,
I's gwineter beg Gawd,
For dat Heavenly land.
"'Some come cripplin',
Some come lame,
Some come walkin',
In Jesus' name.'
"You know I saw you-all last night in my sleep? I ain't never seed you befo' today, but I seed you last night. Dey's two of you, a man and a woman, and you come crost dat bridge and up here, askin' me iffen I trust in de Lawd. And here you is today.
"Dey had nice parties in slavery time and right afterwards. Dey have candy pullin' and corn shuckin's and de like. Old Massa Day and Massa Bryant, dey used to put dey niggers together and have de prize dances. Massa Day allus lose, 'cause us allus beat he niggers at dancin'. Lawd, when I clean myself up, I sho' could teach dem how to buy a cake-walk in dem days. I could cut de pigeon wing, jes' pull my heels up and clack dem together. Den us do de back step and de banquet, too.
"Us allus have de white tarleton Swiss dress for dances and Sunday. Dem purty good clothes, too and dey make at home. Us knowed how to sew and one de old man's gals, she try teach me readin' and writin'. I didn't have no sense, though, and I cry to go out and play.
"When freedom come old massa he done broke down and cry, so my daddy stay with him. He stay a good many year, till both us chillen was growed. Us have de li'l log house on de place all dat time. Dey 'nother old cullud man what stay, name George Whitehouse. He have de li'l house, too. He stay till he die.
"Dey was tryin' to make a go of it after de war, 'cause times was hard. De white boys, dey go out in de field and work den, and work hard, 'cause dey don't have de slaves no more. I used to see de purty, young white ladies, all dress up, comin' to de front door. I slips out and tell de white boys, and dey workin' in de field, half-naked and dirty, and dey sneak in de back door and clean up to spark dem gals.
"I been marry to dat Henry in dere sixty year, and he was a slave in Little Rock, in Arkansas, for Anderson Jones. Henry knowed de bad, tejous part of de war and he must be 'bout 96 year old. Now he am in pain all de time. Can't see, can't hear and can't talk. Us never has had de squabble. At de weddin' de white folks brung cakes and every li'l thing. I had a white tarleton dress with de white tarleton wig. Dat de hat part what go over de head and drape on de shoulder. Dat de sign you ain't never done no wrong sin and gwinter keep bein' good.
"After us marry I move off de old place, but nothin' must do but I got to keep de house for Mister Benny. I's cleanin' up one time and finds a milk churn of money. I say, 'Mr. Benny, what for you ain't put dat money in de bank?' He say he will. De next time I cleanin' up I finds a pillow sack full of money. I says, 'Mr. Benny, I's gwineter quit. I ain't gwineter be 'sponsible for dis money.' He's sick den and I put de money under he pillow and git ready to go. He say, 'You better stay, or I send Andrew, de sheriff, after you.' I goes and cooks dinner and when I gits back dey has four doctors with Mr. Benny. He wife say to me, 'Liza, you got de sight. Am Benny gwineter git well?' I goes and looks and I knowed he gwine way from dere. I knowed he was gone den. Dey leant on me a heap after dat.
"It some years after dat I leaves dem and Henry and me gits married and us make de livin' farmin'. Us allus stays right round hereabouts and gits dis li'l house. Now my son and me, us work de field and gits 'nough to git through on.
420089
LIZZIE JONES, an 86 year old ex-slave of the R.H. Hargrove family,
was born in 1861, in Harrison County, Texas. She stayed with her
owner until four years after the close of the Civil War. She now
lives with Talmadge Buchanan, a grandson, two miles east of
Karnack, on the Lee road.
"I was bo'n on the ole Henry Hargrove place. My ole missus was named Elizabeth and mammy called me Lizzie for her. But the Hargroves called me 'Wink' since I was a chile, 'cause I was so black and shiny. Massa Hargrove had four girls and four boys and I helped tend them till I was big enough to cook and keep house. I wagged ole Marse Dr. Hargrove, dat lives in Marshall, round when he was a baby.
"I allus lived in de house with the white folks and ate at their table when they was through, and slep' on the floor. We never had no school or church in slavery time. The niggers couldn' even add. None of us knowed how ole we was, but Massa set our ages down in a big book.
"I 'member playin' peep-squirrel and marbles and keepin' house when I was a chile. Massa 'lowed the boys and girls to cou't but they couldn' marry 'fore they was 20 years ole, and they couldn' marry off the plantation. Slaves warn't married by no Good Book or the law, neither. They'd jes' take up with each other and go up to the Big House and ask massa to let them marry. If they was ole enough, he'd say to the boy, 'Take her and go on home.'
Comments
Log in to leave a comment.
Slave Narratives: A Folk History of Slavery in the United States from Interviews with Former Slaves, Volume XVI, Texas Narratives, Part 2Chapter VIII: Part 8
0%37 min left in chapter