Chapter V: Part 5

What does the cross signify? We are told that Christ died to save us, and various analogies, legal, sentimental, or chivalrous, are put forward to make that notion acceptable. I respect the sentiments of duty and devotion which this doctrine of legal redemption can inspire; they express readiness to do well, and in a certain moral sense, as Hamlet says, the readiness is all; yet it is a conception of religion borrowed from ancient lawyers and rhetoricians, a sort of celestial diplomacy. The cross can mean something else; it can symbolize poetically a general truth about existence and experience. This truth is the same which the Indians express more philosophically by saying that life is an illusion--an expression which is itself figurative and poetical. It is certainly not an illusion that I have now the experience of being alive and of finding myself surrounded, at least in appearance, by a tolerably tractable world, material and social. It is not an illusion that this experience is now filling me with mixed and trooping feelings. In calling existence an illusion, the Indian sages meant that it is fugitive and treacherous: the images and persons that diversify it are unsubstantial, and myself the most shifting and unsubstantial of all. The substance and fine mechanism which I do not doubt underlie this changing apparition are out of scale with my imagined units, and (beyond a certain point) out of sympathy with my interests. Life is an illusion if we trust it, but it is a truth if we do not trust it; and this discovery is perhaps better symbolized by the cross than by the Indian doctrine of illusion. I will not say that not to exist would not be better; existence may be condemned by the very respectable criterion of excellence or "reality" which demands in all things permanence and safety; but so long as we exist, however precariously or "unreally," I think it the part of wisdom to find a way of living well, rather than merely to deprecate living. The cross is certainly a most violent image, putting suffering and death before us with a rude emphasis; and I can understand the preference of many for the serene Buddha, lifting the finger of meditation and profound counsel, and freeing the soul by the sheer force of knowledge and of sweet reason. Nevertheless, I am not sorry to have been born a Christian: for the soul cannot be really freed except by ceasing to live; and it is whilst we still exist, not after we are dead to existence, that we need counsel It is therefore the crucified spirit, not the liberated spirit, that is our true master.

Certainly the spirit is crucified, first by being incarcerated in the flesh at all, and then again, after it has identified itself with the will of the flesh, by being compelled to renounce it. Yet both this painful incarnation and this painful redemption have something marvellously sweet about them. The world which torments us is truly beautiful; indeed, that is one of its ways of tormenting us; and we are not wrong in loving, but only in appropriating it. The surrender of this untenable claim to exist and to possess the beautiful, is in its turn beautiful and good. Christ loved the world, in an erotic sense in which Buddha did not love it: and the world has loved the cross as it can never love the Bo-tree. So that out of the very entanglements of the spirit come marvellous compensations to the spirit, which in its liberation leave it still human and friendly to all that it gives up. I do not at all accept the morality of the Indians in so far as it denies the values of illusion; the only evil in illusion is that it deceives; there is beauty in its being. True insight, true mercy, is tender and sensitive to the infinite pulsations of ignorance and passion: it is not deceived by the prattle of the child, but is not offended by it. The knowledge that existence can manifest but cannot retain the good reconciles us at once to living and to dying. That, I think, is the wisdom of the cross.

There is a folly of the cross also, when the knowledge or half-knowledge that life must be suffering, until it is cleared of the love of life, erects suffering into an end in itself, which is insane and monstrous. I suspect, however, that in asceticism as actually preached and practised there is less of this idolatry of suffering than the outsider imagines, who lying amid his cushions severely reproves those who indulge in a penance. There is an asceticism which may be loved for its simplicity, its clean poverty and cold water, hygienic like mountain air; but flagellations and blood and night-long wailings are not an end in themselves; no saint expects to carry them with him into heaven; at best they are a homoeopathic cure for the lusts of the flesh. Their purpose, if not their effect, is freedom and peace. I wish Protestants, who find their ascetic discipline in hard work, were equally clear about its object. From the worship of instrumentalities, whether penitential or worldly, the cross redeems us: in draining the cup of suffering it transcends suffering, and in being raised above the earth it lifts us out of it. My instinct is to go and stand under the cross, with the monks and the crusaders, far away from these Jews and Protestants who adore the world and who govern it.

There is a mystical folly also among the Indians, when they assign a positive bliss to pure Being; this, too, is substance-worship. Identity with substance is deemed blessed because beneath the vicissitudes of illusion, substance remains always solid, safe, and real. Certainly substance, if there is such a thing, must be safe, real, and solid; for we understand by substance whatever is constant in change. Hence the desire to escape from illusion and from suffering hails a return to the indistinction of substance as a positive salvation; remember that you are dust, return to the infinite from which you came, and nothing ominous can threaten you any more, the dust and the infinite are safe. But changeless substance, being unconscious, cannot be blissful; the attribution of divine bliss to it is an illusion of contrast, and, like so much philosophy, mere rhetoric turned into a revelation. What verbal mirage is this, to see happiness in fixity? Substance may be conceived logically, and then it means pure Being; or it may be conceived psychologically, and then it means absorption in the sense of pure Being; or it may be conceived physically as matter, a name for the constant quantities in things that are traceably transformed into one another. Pure Being and the contemplation of pure Being seem at first sight very different from matter; but they may be a dramatic impersonation of matter, viewed from the inside, and felt as blind intensity and solidified ignorance. No one calls matter blessed when viewed externally, although it is then that its best qualities, its fertility and order, come into view: yet half mankind have fallen to worshipping matter in envy of its internal condition, and to trying to fall back into it, because it is the negation (and yet the cause!) of all their troubles. The idea of an intense nothing hypnotizes them, it is the sovereign anaesthetic; and they forget that this intense nothing, by its fruitfulness in the realm of illusion, has generated all their desires, including this desperate desire to be nothing, which turns that nothingness, by a last illusion, into a good.

If to be saved were merely to cease, we should all be saved by a little waiting: and I say this advisedly, without forgetting that the Indians threaten us with reincarnation. It is a myth to which I have no objection, because only selfishness persuades me that if I am safe, all is well. What difference does it make in reality whether the suffering and ignominy of life fall to what I call myself or to what I call another man? The only trouble is that the moral redemption which is proposed to us as a means of safety instead of death, touches the individual only, just as death does. Christ and Buddha are called saviours of the world; I think it must be in irony, for the world is just as much in need of salvation as ever. Death and insight and salvation are personal. The world springs up unregenerate every morning in spite of all the Tabors and Calvaries of yesterday. What can save the world, without destroying it, is self-knowledge on the part of the world, not of course reflective self-knowledge (for the world is not an animal that can think) but such a regimen and such a philosophy established in society as shall recognize truly what the world is, and what happiness is possible in it. The force that has launched me into this dream of life does not care what turns my dream takes nor how long it troubles me. Nature denies at every moment, not indeed that I am troubled and dreaming, but that there are any natural units like my visions, or anything anomalous in what I hate, or final in what I love. Under these circumstances, what is the part of wisdom? To dream with one eye open; to be detached from the world without hostility to it; to welcome fugitive beauties and pity fugitive sufferings without forgetting for a moment how fugitive they are; and not to lay up treasures, except in heaven.

How charming is divine philosophy, when it is really divine, when it descends to earth from a higher sphere, and loves the things of earth without needing or collecting them I What the gay Aristippus said of his mistress: I possess, I am not possessed, every spirit should say of an experience that ruffles it like a breeze playing on the summer sea. A thousand ships sail over it in vain, and the worst of tempests is in a teapot. This once acknowledged and inwardly digested, life and happiness can honestly begin. Nature is innocently fond of puffing herself out, spreading her peacock feathers, and saying, What a fine bird am I! And so she is; to rave against this vanity would be to imitate it. On the contrary, the secret of a merry carnival is that Lent is at hand. Having virtually renounced our follies, we are for the first time able to enjoy them with a free heart in their ephemeral purity. When laughter is humble, when it is not based on self-esteem, it is wiser than tears. Conformity is wiser than hot denials, tolerance wiser than priggishness and puritanism. It is not what earnest people renounce that makes me pity them, it is what they work for. No possible reform will make existence adorable or fundamentally just. Modern England has worked too hard and cared too much; so much tension is hysterical and degrading; nothing is ever gained by it worth half what it spoils. Wealth is dismal and poverty cruel unless both are festive. There is no cure for birth and death save to enjoy the interval. The easier attitudes which seem more frivolous are at bottom infinitely more spiritual and profound than the tense attitudes; they are nearer to understanding and to renunciation; they are nearer to the cross. Perhaps if England had remained Catholic it might have remained merry; it might still dare, as Shakespeare dared, to be utterly tragic and also frankly and humbly gay. The world has been too much with it; Hebraic religion and German philosophy have confirmed it in a deliberate and agonized worldliness. They have sanctioned, in the hard-working and reforming part of the middle classes, an unqualified respect for prosperity and success; life is judged with all the blindness of life itself. There is no moral freedom. In so far as minds are absorbed in business or in science they all inevitably circle about the same objects, and take part in the same events, combining their thoughts and efforts in the same "worlds work." The world, therefore, invades and dominates them; they lose their independence and almost their distinction from one another. Their philosophy accordingly only exaggerates a little when it maintains that their individual souls are all manifestation of a single spirit, the Earth-spirit. They hardly have any souls they can call their own, that may be saved out of the world, or that may see and judge the world from above.

Death is the background of life much as empty space is that of the stars; it is a deeper thing always lying behind, like the black sky behind the blue. In the realm of existence death is indeed nothing; only a word for something negative and merely notional--the fact that each life has limits in time and is absent beyond them. But in the realm of truth, as things are eternally, life is a little luminous meteor in an infinite abyss of nothingness, a rocket fired on a dark night; and to see life, and to value it, from the point of view of death is to see and to value it truly. The foot of the cross--I dare not say the cross itself--is a good station from which to survey existence. In the greatest griefs there is a tragic calm; the fury of the will is exhausted, and our thoughts rise to another level; as the shrill delights and the black sorrows of childhood are impossible in old age. People sometimes make crosses of flowers or of gold; and I like to see the enamelled crucifix richly surrounded with scrolls, and encrusted with jewels; without a touch of this pagan instinct the religion of the cross would not be healthy nor just. In the skirts of Mount Calvary lies the garden of the resurrection: I do not refer to any melodramatic resurrection, such as is pictured in Jewish and Christian legend, but to one which actually followed quietly, sweetly, in the light of a purer day, in the cloister, in the home, in the regenerate mind. After renouncing the world, the soul may find the world more amiable, and may live in it with a smile and a mystic doubt and one foot in eternity. Vanity is innocent when recognized to be vain, and is no longer a disgrace to the spirit. The happiness of wisdom may at first seem autumnal, and the shadow of the cross the shadow of death; but it is healing slow; and presently, in the hollow where the cross was set, the scent of violets surprises us, and the crocuses peep out amongst the thorns. The dark background which death supplies brings out the tender colours of life in all their purity. Far be it from me to suggest that existence is the better because non-existence precedes and follows it; certainly, if man was immortal his experience could not include tradition, parentage, childhood, love, nor old age; nevertheless, from the point of view of both bodily and intellectual instincts immortality would be far better. But since, as a matter of fact, birth and death actually occur, and our brief career is surrounded by vacancy, it is far better to live in the light of the tragic fact, rather than to forget or deny it, and build everything on a fundamental lie. Death does not say to life that life is nothing, or does not exist, or is an illusion; that would be wild talk, and would show that the inspiration we had drawn from death was as little capable of doing justice to life, as life itself is when mindless, of discovering death, or learning anything from it. What the environing presence of death teaches is merely that life has such and such limits and such and such a course, whether it reflects on its course or not, whether it recognizes its limits or ignores them. Death can do nothing to our lives except to frame them in, to show them off with a broad margin of darkness and silence; so that to live in the shadow of death and of the cross is to spread a large nimbus of peace around our littleness.

25

_TIPPERARY_

What a strange pleasure there is sometimes in seeing what we expected, or hearing what we knew was a fact! The dream then seems really to hold together and truth to be positively true. The bells that announced the Armistice brought me no news; a week sooner or a week later they had to ring. Certainly if the purpose of the war had been conquest or victory, nobody had achieved it; but the purposes of things, and especially of wars, are imputed to them rhetorically, the impulses at work being too complicated and changeful to be easily surveyed; and in this case, for the French and the English, the moving impulse had been defence; they had been sustained through incredible trials by the awful necessity of not yielding. That strain had now been relaxed; and as the conduct of men is determined by present forces and not by future advantages, they could have no heart to fight on. It seemed enough to them that the wanton blow had been parried, that the bully had begged for mercy. It was amusing to hear him now. He said that further bloodshed this time would be horrible; his tender soul longed to get home safely, to call it quits, and to take a long breath and plan a new combination before the next bout. His collapse had been evident for days and months; yet these bells that confirmed the fact were pleasant to hear. Those mean little flags, hung out here and there by private initiative in the streets of Oxford, had almost put on a look of triumph; the very sunlight and brisk autumnal air seemed to have heard the tidings, and to invite the world to begin to live again at ease. Certainly many a sad figure and many a broken soul must slink henceforth on crutches, a mere survival; but they, too, will die off gradually. The grass soon grows over a grave.

So musing, I suddenly heard a once familiar strain, now long despised and out of favour, the old tune of _Tipperary_. In a coffee-house frequented at that hour some wounded officers from the hospital at Somerville were singing it, standing near the bar; they were breaking all rules, both of surgeons and of epicures, and were having champagne in the morning. And good reason they had for it. They were reprieved, they should never have to go back to the front, their friends--such as were left--would all come home alive. Instinctively the old grumbling, good-natured, sentimental song, which they used to sing when they first joined, came again into their minds. It had been indeed a long, long way to Tipperary. But they had trudged on and had come round full circle; they were in Tipperary at last.

I wonder what they think _Tipperary_ means--for this is a mystical song. Probably they are willing to leave it vague, as they do their notions of honour or happiness or heaven. Their soldiering is over; they remember, with a strange proud grief, their comrades who died to make this day possible, hardly believing that it ever would come; they are overjoyed, yet half ashamed, to be safe themselves; they forget their wounds; they see a green vista before them, a jolly, busy, sporting, loving life in the old familiar places. Everything will go on, they fancy, as if nothing had happened.

Good honest unguided creatures! They are hardly out of the fog of war when they are lost in the fog of peace. If experience could teach mankind anything, how different our morals and our politics would be, how clear, how tolerant, how steady I If we knew ourselves, our conduct at all times would be absolutely decided and consistent; and a pervasive sense of vanity and humour would disinfect all our passions, if we knew the world. As it is, we live experimentally, moodily, in the dark; each generation breaks its egg-shell with the same haste and assurance as the last, pecks at the same indigestible pebbles, dreams the same dreams, or others just as absurd, and if it hears anything of what former men have learned by experience, it corrects their maxims by its first impressions, and rushes down any untrodden path which it finds alluring, to die in its own way, or become wise too late and to no purpose. These young men are no rustics, they are no fools; and yet they have passed through the most terrible ordeal, they have seen the mad heart of this world riven and unmasked, they have had long vigils before battle, long nights tossing with pain, in which to meditate on the spectacle; and yet they have learned nothing. The young barbarians want to be again at play. If it were to be only cricket or boating, it would be innocent enough; but they are going to gamble away their lives and their country, taking their chances in the lottery of love and of business and of politics, with a sporting chance thrown in, perhaps, of heaven. They are going to shut out from view everything except their topmost instincts and easy habits, and to trust to luck. Yet the poor fellows think they are safe! They think that the war--perhaps the last of all wars--is over!

Only the dead are safe; only the dead have seen the end of war. Not that non-existence deserves to be called peace; it is only by an illusion of contrast and a pathetic fallacy that we are tempted to call it so. The church has a poetical and melancholy prayer, that the souls of the faithful departed may rest in peace. If in that sigh there lingers any fear that, when a tomb is disturbed, the unhappy ghost is doomed to walk more often abroad, the fear is mad; and if it merely expresses the hope that dead men's troubles are over, the wish is superfluous; but perhaps we may gloss the old superstition, and read into it the rational aspiration that all souls in other spheres, or in the world to come upon earth, might learn to live at peace with God and with things. That would be something worth praying for, but I am afraid it is asking too much. God--I mean the sum of all possible good--is immutable; to make our peace with him it is we, not he, that must change. We should need to discover, and to pursue singly, the happiness proper to our nature, including the accidents of race and sex and the very real advantages of growing old and of not living for ever; and we should need to respect without envying all other forms of the good. As to the world of existence, it is certainly fluid, and by judicious pressure we may coax some parts of it into greater conformity with our wills; yet it is so vast, and crawls through such ponderous, insidious revolutions, all so blind and so inimical to one another, that in order to live at peace with things we should need to acquire a marvellous plasticity, or a splendid indifference. We should have to make peace with the fact of war. It is the stupid obstinacy of our self-love that produces tragedy, and makes us angry with the world. Free life has the spirit of comedy. It rejoices in the seasonable beauty of each new thing, and laughs at its decay, covets no possessions, demands no agreement, and strives to sustain nothing in being except a gallant spirit of courage and truth, as each fresh adventure may renew it.

This gallant spirit of courage and truth, you young men had it in those early days when you first sang _Tipperary_; have you it still, I wonder, when you repeat the song? Some of you, no doubt. I have seen in some of you the smile that makes light of pain, the sturdy humility that accepts mutilation and faces disability without repining or shame; armless and legless men are still God's creatures, and even if you cannot see the sun you can bask in it, and there is joy on earth--perhaps the deepest and most primitive joy--even in that. But others of you, though you were driven to the war by contagious example, or by force, are natural cowards; you are perhaps superior persons, intellectual snobs, and are indignant at having been interrupted in your important studies and made to do useless work. You are disgusted at the stupidity of all the generals, and whatever the Government does is an outrage to your moral sense. You were made sick at the thought of the war before you went to it, and you are sicker of it now. You are pacifists, and you suspect that the Germans, who were not pacifists, were right after all. I notice you are not singing _Tipperary_ this morning; you are too angry to be glad, and you wish it to be understood that you can't endure such a vulgar air. You are willing, however, to sip your champagne with the rest; in hospital you seem to have come forward a little socially; but you find the wine too dry or too sweet, and you are making a wry face at it.

Ah, my delicate friends, if the soul of a philosopher may venture to address you, let me whisper this counsel in your ears: Reserve a part of your wrath; you have not seen the worst yet. You suppose that this war has been a criminal blunder and an exceptional horror; you imagine that before long reason will prevail, and all these inferior people that govern the world will be swept aside, and your own party will reform everything and remain always in office. You are mistaken. This war has given you your first glimpse of the ancient, fundamental, normal state of the world, your first taste of reality. It should teach you to dismiss all your philosophies of progress or of a governing reason as the babble of dreamers who walk through one world mentally beholding another. I don't mean that you or they are fools; heaven forbid. You have too much mind. It is easy to behave very much like other people and yet be possessed inwardly by a narcotic dream. I am sure the flowers--and you resemble flowers yourselves, though a bit wilted--if they speculate at all, construct idealisms which, like your own, express their inner sensibility and their experience of the weather, without much resemblance to the world at large. Their thoughts, like yours, are all positings and deductions and asseverations of what ought to be, whilst the calm truth is marching on unheeded outside. No great harm ensues, because the flowers are rooted in their places and adjusted to the prevailing climate. It doesn't matter what they think. You, too, in your lodgings in Chelsea, quite as in Lhassa or in Mount Athos, may live and die happy in your painted cells. It is the primitive and the ultimate office of the mind to supply such a sanctuary. But if you are ever driven again into the open, if the course of events should be so rapid, that you could catch the drift of it in your short life (since you despise tradition), then you must prepare for a ruder shock. There is eternal war in nature, a war in which every cause is ultimately lost and every nation destroyed. War is but resisted change; and change must needs be resisted so long as the organism it would destroy retains any vitality. Peace itself means discipline at home and invulnerability abroad--two forms of permanent virtual war; peace requires so vigorous an internal regimen that every germ of dissolution or infection shall be repelled before it reaches the public soul. This war has been a short one, and its ravages slight in comparison with what remains standing: a severe war is one in which the entire manhood of a nation is destroyed, its cities razed, and its women and children driven into slavery. In this instance the slaughter has been greater, perhaps, only because modern populations are so enormous; the disturbance has been acute only because the modern industrial system is so dangerously complex and unstable; and the expense seems prodigious because we were so extravagantly rich. Our society was a sleepy glutton who thought himself immortal and squealed inexpressibly, like a stuck pig, at the first prick of the sword. An ancient city would have thought this war, or one relatively as costly, only a normal incident; and certainly the Germans will not regard it otherwise.

Existence, being a perpetual generation, involves aspiration, and its aspiration envelops it in an atmosphere of light, the joy and the beauty of being, which is the living heaven; but for the same reason existence, in its texture, involves a perpetual and a living hell--the conflict and mutual hatred of its parts, each endeavouring to devour its neighbour's substance in the vain effort to live for ever. Now, the greater part of most men's souls dwells in this hell, and ends there. One of their chief torments is the desire to live without dying--continual death being a part of the only possible and happy life. We wish to exist materially, and yet resent the plastic stress, the very force of material being, which is daily creating and destroying us. Certainly war is hell, as you, my fair friends, are fond of repeating; but so is rebellion against war. To live well you must be victorious. It is with war as with the passion of love, which is a war of another kind: war at first against the beloved for favour and possession; war afterwards against the rest of the world for the beloved's sake. Often love, too, is a torment and shameful; but it has its laughing triumphs, and the attempt to eliminate it is a worse torture, and more degrading. When was a coward at peace? Homer, who was a poet of war, did not disguise its horrors nor its havoc, but he knew it was the shield of such happiness as is possible on earth. If Hector had not scoured the plain in his chariot, Paris could not have piped upon the slopes of Ida, nor sported with his sheep and his goddesses upon the green. The merchants of Crete or Phoenicia could not have drawn up their black keels upon the beach, if the high walls of Ilium had not cast their protecting shadow on their bales of merchandise, their bags of coin, and their noisy bargaining. When Hector was no more and the walls were a heap of dust, all the uses of peace vanished also: ruin and utter meanness came to inhabit that land, and still inhabit it. Nor is war, which makes peace possible, without occasions in which a free spirit, not too much attached to existence, may come into its own. Homer shows us how his heroes could gather even from battle a certain harvest of tenderness and nobility, and how above their heads, half seen through the clouds of dust and of pain, flew the winged chariots of the gods, and music mingled with their banquet.

Be sad if you will, there is always reason for sadness, since the good which the world brings forth is so fugitive and bought at so great a price; but be brave. If you think happiness worth enjoying, think it worth defending. Nothing you can lose By dying is half so precious as the readiness to die, which is man's charter of nobility; life would not be worth having without the freedom of soul and the friendship with nature which that readiness brings. The things we know and love on earth are, and should be, transitory; they are, as were the things celebrated by Homer, at best the song or oracle by which heaven is revealed in our time. We must pass with them into eternity, not in the end only but continually, as a phrase passes into its meaning; and since they are part of us and we of them, we should accompany them with a good grace: it would be desolation to survive. The eternal is always present, as the flux of time in one sense never is, since it is all either past or future; but this elusive existence in passing sets before the spirit essences in which spirit rests, and which can never vary; as a dramatic poet creates a character which many an actor afterwards on many a night may try to enact. Of course the flux of matter carries the poets away too; they become old-fashioned, and nobody wishes any longer to play their characters; but each age has its own gods. Time is like an enterprising manager always bent on staging some new and surprising production, without knowing very well what it will be. Our good mother Psyche, who is a convolution of this material flux, breeds us accordingly to mindlessness and anxiety, out of which it is hard for our youthful intellect to wean itself to peace, by escaping into the essential eternity of everything it sees and loves. So long as the world goes round we shall see Tipperary only, as it were, out of the window of our troop-train. Your heart and mine may remain there, but it's a long, long way that the world has to go.

26

SKYLARKS

There is a poet in every nice Englishman; there is a little fund of free vitality deep down in him which the exigencies of his life do not tap and which no art at his command can render articulate. He is able to draw upon it, and to drink in the refreshment and joy of inner freedom, only in silent or religious moments. He feels he is never so much himself as when he has shed for the time being all his ordinary preoccupations. That is why his religion is so thin or (as he might say) so pure: it has no relevance to any particular passions or events; a featureless background, distant and restful, like a pale clear sky. That is why he loves nature, and country life, and hates towns and vulgar people; those he likes he conceives emasculated, sentimentalized, and robed in white. The silent poet within him is only a lyric poet. When he returns from those draughts of rare and abstract happiness, he would find it hard to reconcile himself to the world, or to himself, did he not view both through a veil of convention and make-believe; he could not be honest about himself and retain his self-respect; he could not be clear about other people and remain kind. Yet to be kind to all, and true to his inner man, is his profound desire; because even if life, in its unvarnished truth, is a gross medley and a cruel business, it is redeemed for him, nevertheless, by the perfect beauty of soul that here and there may shine through it. Hamlet is the classic version of this imprisoned spirit; the skylark seems a symbol of what it would be in its freedom.

Poor larks! Is the proportion of dull matter in their bodies, I wonder, really less than in ours? Must they not find food and rear their young? Must they not in their measure work, watch, and tremble? Cold, hunger, and disease probably beset them more often and more bitterly than they do most of us. But we think of them selfishly, as of actors on the stage, only in the character they wear when they attract our attention. As we walk through the fields we stop to watch and to listen to them performing in the sky, and never think of their home troubles; which they, too, seem for the moment to have eluded; at least they have energy and time enough left over from those troubles for all this luxury of song. It is this glorious if temporary emancipation, this absolute defiant emphasis laid with so much sweetness on the inner life that the poet in every nice Englishman loves in the lark; it seems to reveal a brother-spirit more fortunate than oneself, almost a master and a guide.

Larks made even Shelley envious, although no man ever had less reason to envy them for their gift, either in its rapture or in its abstraction. Even the outer circumstances of Shelley's life were very favourable to inspiration and left him free to warble as much and as ardently as he chose; but perhaps he was somewhat deceived by the pathos of distance and fancied that in Nephelococcygia bad birds and wicked traditions were less tyrannous than in parliamentary England. He seems to have thought that human nature was not really made for puddings and port wine and hunting and elections, nor even for rollicking at universities and reading Greek, but only for innocent lyrical ecstasies and fiery convictions that nevertheless should somehow not render people covetous or jealous or cruelly disposed, nor constrain them to prevent any one from doing anything that any one might choose to do. Perhaps in truth the cloisters of Oxford and the streets of London are quite as propitious to the flights of which human nature is really capable as English fields are to the flights of larks; there is food in them for thought. But Shelley was impatient of human nature; he was horrified to find that society is a web of merciless ambitions and jealousies, mitigated by a quite subsidiary kindness; he forgot that human life is precarious and that its only weapon against circumstances, and against rival men, is intelligent action, intelligent war. The case is not otherwise with larks, on the fundamental earthly side of their existence; yet because their flight is bodily, because it is a festive outpouring of animal vitality, not of art or reflection, it suggests to us a total freedom of the inner man, a freedom which is impossible.

In the flight of larks, however, by a rare favour of fortune, all seems to be spontaneity, courage, and trust, even within this material sphere; nothing seems to be adjustment or observation. Their life in the air is a sort of intoxication of innocence and happiness in the blind pulses of existence. They are voices of the morning, young hearts seeking experience and not remembering it; when they seem to sob they are only catching their breath. They spring from the ground as impetuously as a rocket or the jet of a fountain, that bursts into a shower of sparks or of dew-drops; they circle as they rise, soaring through veil after veil of luminous air, or dropping from level to level. Their song is like the gurgling of little rills of water, perpetual through its delicate variations, and throbbing with a changed volume at every change in the breeze. Their rapture seems to us seraphic, not merely because it descends to us invisibly from a luminous height, straining our eyes and necks--in itself a cheap sublimity-v but rather because the lark sings so absolutely for the mad sake of singing. He is evidently making high holiday, spending his whole strength on something ultimate and utterly useless, a momentary entrancing pleasure which (being useless and ultimate) is very like an act of worship or of sacrifice. Sheer life in him has become pure. That is what we envy; that is what causes us, as we listen, to draw a deeper breath, and perhaps something like tears to come to our eyes. He seems so triumphantly to attain what all our labours end by missing, yet what alone would justify them: happiness, selflessness, a moment of life lived in the spirit. And we may be tempted to say to ourselves: Ah, if I could only forget, if I could cease to look before and after, if the pale cast of thought did not make a slave of me, as well as a coward!

Vital raptures such as the lark's are indeed not unknown even to man, and the suggestion of them powerfully allures the Englishman, being as he is a youth morally, still impelled to sport, still confident of carrying his whole self forward into some sort of heaven, whether in love, in politics, or in religion, without resigning to nature the things that are nature's nor hiding in God the things that are God's. Alas, a sad lesson awaits him, if he ever grows old enough to learn it. Vital raptures, unless long training or a miracle of adaptation has antecedently harmonized them with the whole orchestration of nature, necessarily come to a bad end. Dancing and singing and love and sport and religious enthusiasm are mighty ferments: happy he who vents them in their season. But if ever they are turned into duties, pumped up by force, or made the basis of anything serious, like morals or science, they become vicious. The wild breath of inspiration is gone which hurried them across the soul like a bright cloud. Inspiration, as we may read in Plato between the lines, inspiration is animal. It comes from the depths, from that hearth of Hestia, the Earth-Mother, which conservative pagans could not help venerating as divine. Only art and reason, however, are divine in a moral sense, not because they are less natural than inspiration (for the Earth-Mother with her seeds and vapours is the root of everything) but because they mount towards the ultimate heaven of order, beauty, intellectual light, and the achievement of eternal dignities. In that dimension of being even featherless bipeds can soar and sing with a good grace. But space is not their element; airmen, now that we have them, are only a new sort of sailor. They fly for the sake of danger and of high wages; it is a boyish art, with its romantic glamour soon tarnished, and only a material reward left for all its skill and hardships. The only sublimity possible to man is intellectual; when he would be sublime in any other dimension he is merely fatuous and bombastic. By intelligence, so far as he possesses it, a man sees things as they are, transcends his senses and his passions, uproots himself from his casual station in space and time, sees all things future as if they were past, and all things past as for ever present, at once condemns and forgives himself, renounces the world and loves it. Having this inner avenue open to divinity, he would be a fool to emulate the larks in their kind of ecstasy.

His wings are his intelligence; not that they bring ultimate success to his animal will, which must end in failure, but that they lift his failure itself into an atmosphere of laughter and light, where is his proper happiness. He cannot take his fine flight, like the lark, in the morning, in mad youth, in some irresponsible burst of vitality, because life is impatient to begin: that sort of thing is the fluttering of a caged bird, a rebellion against circumstance and against commonness which is a sign of spirit, but not spirit in its self-possession, not happiness nor a school of happiness. The thought which crowns life at its summit can accompany it throughout its course, and can reconcile us to its issue. Intelligence is Homeric in its pervasive light. It traces all the business of nature, eluding but not disturbing it, rendering it in fact more amiable than it is, and rescuing it from vanity.

Sense is like a lively child always at our elbow, saying, Look, look, what is that? Will is like an orator, indignantly demanding something different. History and fiction and religion are like poets, continually recomposing the facts into some tragic unity which is not in them. All these forms of mind are spiritual, and therefore materially superfluous and free; but their spirit is pious, it is attentive to its sources, and therefore seems to be care-laden and not so gloriously emancipated as the music of larks, or even of human musicians; yet thought is pure music in its essence, and only in its subject-matter retrospective and troubled about the facts. It must indeed be troubled about them, because in man spirit is not a mere truant, as it seems to be in the lark, but is a faithful chronicler of labour and wisdom. Man is hard-pressed; long truancies would be fatal to him. He is tempted to indulge in them--witness his languages and pyramids and mythologies; yet his margin of safety is comparatively narrow, and he cannot afford to spend such relatively prodigious amounts of energy in mere play as the lark does with a light heart and in the grand manner. There are words to man's music; he gives names to things; he tries to catch the rhythm of his own story, or to imagine it richer and more sublime than it is. His festivals are heavy with pathos; they mark the events on which his existence turns--harvests, funerals, redemptions, wooings, and wars. When he disregards all these tiresome things, he becomes a fop or a fanatic. There is no worthy transport for him except sane philosophy--a commentary, not a dream. His intelligence is most intense and triumphant when there is least waste in his life; for if hard thinking sometimes makes the head ache, it is because it comes hard, not because it is thinking; our fuddled brain grates and repeats itself in that it _can't_ think. But if your business is in order, it requires no further pains to understand it. Intelligence is the flower of war and the flower of love. Both, in the end, are comprehension. How miraculously in our happy moments we understand, how far we jump, what masses of facts we dominate at a glance! There is no labour then, no friction or groping, no anxious jostling against what we do not know, but only joy in this intricate outspread humorous world, intoxication as ethereal as the lark's, but more descriptive. If his song is raised above the world for a moment by its wantonness and idle rapture, ours is raised above it essentially by its scope. To look before and after is human; it would not be sincere nor manly in us not to take thought for the morrow and not to pine for what is not. We must start on that basis, with our human vitality (which is art) substituted for the vegetative prayerfulness of the lily, and our human scope (which is knowledge of the world) substituted for the outpourings of larks.

On this other plane we could easily be as happy as the larks, if we were as liberal. Men when they are civilized and at ease are liberal enough in their sports, and willing to _desipere in loco_, like kittens, but it is strange how barbarous and illiberal, at least in modern times, they have remained about thought. They wish to harness thought like a waterfall, or like the blind Samson, to work for them night and day, in the treadmill of their interests or of their orthodoxy. Fie upon their stupidity and upon their slavishness! They do not see that when nature, with much travail, brings something living to birth, inevitable thought is there already, and gratis, and cannot possibly be there before. The seething of the brain is indeed as pragmatic as the habit of singing and flying, which in its inception doubtless helped the larks to survive, as even the whiteness of the lily may have done through the ministry of insects which it attracted; but even material organs are bound to utility by a very loose tie. Nature does not shake off her baroque ornaments and her vices until they prove fatal, and she never thinks of the most obvious invention or pressing reform, until some complication brings her, she knows not how, to try the experiment. Nature, having no ulterior purpose, has no need of parsimony or haste or simplicity. Much less need she be niggardly of spirit, which lays no tax upon her, and consumes no energy, but laughs aloud, a marvel and a mystery to her, in her very heart. All animal functions, whether helpful or wasteful, have this fourth dimension in the realm of spirit--the joy, or the pain, or the beauty that may be found in them. Spirit loads with a lyric intensity the flying moment in which it lives. It actually paints the lily and casts a perfume on the violet; it turns into vivid presences a thousand forms which, until its flame lighted them up, were merged in the passive order and truth of things, like the charms of Lucy by the springs of Dove, before Wordsworth discovered them. The smile of nature is not ponderable; and the changing harmonies of nature, out of which spirit springs, are like the conjunctions or eclipses of planets, facts obvious enough to sense in their specious simplicity, yet materially only momentary positions of transit for wayfarers bound each on his own errand. The songs of larks are like shooting stars that drop downwards and vanish; human intelligence is a part of the steadier music of the spheres.

27

AT HEAVEN'S GATE

Skylarks, if they exist elsewhere, must be homesick for England. They need these kindly mists to hide and to sustain them. Their flexible throats would soon be parched, far from these vaporous meadows and hedgerows rich in berries and loam. How should they live in arid tablelands, or at merciless altitudes, where there is nothing but scorching heat or a freezing blizzard? What space could they find for solitude and freedom in the tangle of tropical forests, amongst the monkeys and parrots? What reserve, what tenderness, what inward springs of happiness could they treasure amid those gross harlot-like flowers? No, they are the hermits of this mild atmosphere, fled to its wilderness of gentle light. Well may they leave it to eagles to rush against the naked sun, as if its round eye challenged them to single combat: not theirs the stupid ferocity of passion against fact, anger against light, swiftness against poise, beak and talons against intangible fire. Larks may not be very clever, but they are not so foolish as to be proud, or to scream hoarsely against the nature of things. Having wings and voluble throats they play with them for pure pleasure; they are little artists and little gentlemen; they disdain to employ their faculties for their mere utility, or only in order to pounce down to the earth, whenever they spy a dainty morsel, or to return to sulk shivering on some solitary crag, their voracity but half appeased, like eagles dreaming of their next victim. Of course, even the most playful songster must eat, and skylarks no doubt keep an eye open for worms, and their nest calls them back to terrene affections; but they are as forgetful of earth as they can be, and insatiable craving does not stamp itself on their bent necks, as if they were vultures, nor strain their feathers of iron. No more are they inspired by sentimental pangs and love-sick like the nightingale; they do not hide in the labyrinthine shade of ilex or cypress, from there to wail in the melancholy moonlight, as it were a seductive serenade addressed to mortal lovers. No, the trilling of larks is not for mankind. Like English poets they sing to themselves of nature, inarticulately happy in a bath of light and freedom, sporting for the sake of sport, turning what doubts they may have into sweetness, not asking to see or to know anything ulterior. They must needs drink the dew amongst these English fields, peeping into the dark little hearts and flushed petals of these daisies, like the heart and cheeks of an English child, or into these buttercups, yellow like his Saxon hair. They could hardly have built their nests far from this maze of little streams, or from these narrow dykes and ditches, arched with the scented tracery of limes and willows. They needed this long, dull, chilly winter in which to gather their unsuspected fund of yearning and readiness for joy; so that when high summer comes at last they may mount with virgin confidence and ardour through these sunlit spaces, to pour their souls out at heaven's gate.