Some Forerunners of Italian Opera
by OpenStories
Original author: W. J. Henderson
"Some Forerunners of Italian Opera" by W. J. Henderson is a historical account written in the early 20th century. The book delves into the evolution of the lyric drama in Italy leading up to the development of opera, specifically examining the artistic influences and historical context that preceded its birth. It focuses on notable works, such as Poliziano's "Orfeo," and the various performing traditions that shaped this genre. The opening of the work sets the stage for an exploration of the early forms of drama within the Christian church, tracing their origins from liturgical ceremonies to more elaborate performances. Henderson emphasizes the interplay of secular and sacred traditions, detailing how these influences emerged and transformed into the lyric drama of the Renaissance. He outlines the transition from religiously grounded performances to secular narratives, culminating in the folk traditions and artistic pressures that invigorated the creation of landmark compositions like "Orfeo," thus laying the groundwork for what would become Italian opera.
Some Forerunners of Italian Opera, by W. J. Henderson. Republished by OpenStories from Project Gutenberg eBook #19958.
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- 16chapters
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16 Chapters
- 1.Preface385 words
- 2.Chapter I: The Early Liturgical Drama2,739 words
- 3.Chapter II: The Sacre Rappresentazioni1,985 words
- 4.Chapter III: Birthplace of the Secular Drama2,598 words
- 5.Chapter IV: The Artistic Impulse2,227 words
- 6.Chapter V: Poliziano's "Favola Di Orfeo"2,591 words
- 7.Chapter VI: The Performance of "Orfeo"1,924 words
- 8.Chapter VII: Character of the Music2,458 words
- 9.Chapter VIII: The Solos of the "Orfeo"2,575 words
- 10.Chapter IX: The Orchestra of the "Orfeo"1,656 words
- 11.Chapter X: From Frottola Drama to Madrigal1,848 words
- 12.Chapter XI: The Predominance of the Spectacular2,430 words
- 13.Chapter XII: Influence of the Taste for Comedy1,623 words
- 14.Chapter XIII: Vecchi and the Matured Madrigal Drama1,769 words
- 15.Chapter XIV: The Spectacular Element in Music1,556 words
- 16.Chapter XV: The Medium for Individual Utterance3,813 words