Chapter III

Come, put your hand in mine,
True love, long sought and found at last,
And lead me deep into the Spring divine
That makes amends for all the wintry past.
For all the flowers and songs I feared to miss
Arrive with you;
And in the lingering pressure of your kiss
My dreams come true;
And in the promise of your generous eyes
I read the mystic sign
Of joy more perfect made
Because so long delayed,
And bliss enhanced by rapture of surprise.

Ah, think not early love alone is strong;
He loveth best whose heart has learned to wait:
Dear messenger of Spring that tarried long,
You're doubly dear because you come so late.

SPRING IN THE SOUTH

Now in the oak the sap of life is welling,
Tho' to the bough the rusty leafage clings;
Now on the elm the misty buds are swelling;
Every little pine-wood grows alive with wings;
Blue-jays are fluttering, yodeling and crying,
Meadow-larks sailing low above the faded grass,
Red-birds whistling clear, silent robins flying,--
Who has waked the birds up? What has come to pass?

Last year's cotton-plants, desolately bowing,
Tremble in the March-wind, ragged and forlorn,
Red are the hillsides of the early ploughing,
Gray are the lowlands, waiting for the corn.
Earth seems asleep, but she is only feigning;
Deep in her bosom thrills a sweet unrest;
Look where the jasmine lavishly is raining
Jove's golden shower into Danäe's breast!

Now on the plum-tree a snowy bloom is sifted,
Now on the peach-tree, the glory of the rose,
Far o'er the hills a tender haze is drifted,
Full to the brim the yellow river flows.
Dark cypress boughs with vivid jewels glisten,
Greener than emeralds shining in the sun.
Whence comes the magic? Listen, sweetheart, listen!
The mocking-bird is singing: Spring is begun.

Hark, in his song no tremor of misgiving!
All of his heart he pours into his lay,--
"Love, love, love, and pure delight of living:
Winter is forgotten: here's a happy day!"
Fair in your face I read the flowery presage,
Snowy on your brow and rosy on your mouth:
Sweet in your voice I hear the season's message,--
Love, love, love, and Spring in the South!

1904.

HOW SPRING COMES TO SHASTA JIM

I never seen no "red gods"; I dunno wot's a "lure";
But if it's sumpin' takin', then Spring has got it sure;
An' it doesn't need no Kiplins, ner yet no London Jacks,
To make up guff about it, w'ile settin' in their shacks.

It's sumpin' very simple 'at happens in the Spring,
But it changes all the lookin's of every blessed thing;
The buddin' woods look bigger, the mounting twice as high,
But the house looks kindo smaller, tho I couldn't tell ye why.

It's cur'ous wot a show-down the month of April makes,
Between the reely livin', an' the things 'at's only fakes!
Machines an' barns an' buildin's, they never give no sign;
But the livin' things look lively w'en Spring is on the line.

She doesn't come too suddin, ner she doesn't come too slow;
Her gaits is some cayprishus, an' the next ye never know,--
A single-foot o' sunshine, a buck o' snow er hail--
But don't be disapp'inted, fer Spring ain't goin' ter fail.

She's loopin' down the hillside,--the driffs is fadin' out.
She's runnin' down the river,--d'ye see them risin' trout?
She's loafin' down the canyon,--the squaw-bed's growin' blue,
An' the teeny Johnny-jump-ups is jest a-peekin' thru.

A thousan' miles o' pine-trees, with Douglas firs between,
Is waitin' fer her fingers to freshen up their green;
With little tips o' brightness the firs 'ill sparkle thick,
An' every yaller pine-tree, a giant candlestick!

The underbrush is risin' an' spreadin' all around,
Jest like a mist o' greenness 'at hangs above the ground;
A million manzanitas 'ill soon be full o' pink;
So saddle up, my sonny,--it's time to ride, I think!

We'll ford er swim the river, becos there ain't no bridge;
We'll foot the gulches careful, an' lope along the ridge;
We'll take the trail to Nowhere, an' travel till we tire,
An' camp beneath a pine-tree, an' sleep beside the fire.

We'll see the blue-quail chickens, an' hear 'em pipin' clear;
An' p'raps we'll sight a brown-bear, er else a bunch o' deer;
But nary a heathen goddess or god 'ill meet our eyes;
For why? There isn't any! They're jest a pack o' lies!

Oh, wot's the use o' "red gods," an' "Pan," an' all that stuff?
The natcheral facts o' Springtime is wonderful enuff!
An' if there's Someone made 'em' I guess He understood,
To be alive in Springtime would make a man feel good.

California, 1913.

THE FIRST BIRD O' SPRING

TO OLIVE WHEELER

Winter on Mount Shasta,
April down below;
Golden hours of glowing sun
Sudden showers of snow!
Under leafless thickets
Early wild-flowers cling;
But, oh, my dear, I'm fain to hear
The first bird o' Spring!

Alders are in tassel,
Maples are in bud;
Waters of the blue McCloud
Shout in joyful flood;
Through the giant pine-trees
Flutters many a wing;
But, oh, my dear, I long to hear
The first bird o' Spring!

Candle-light and fire-light
Mingle at "the Bend";
'Neath the roof of Bo-hai-pan
Light and shadow blend.
Sweeter than a wood-thrush
A maid begins to sing;
And, oh, my dear, I'm glad to hear
The first bird o' Spring!

The Bend, California, April 29, 1913.

A BUNCH OF TROUT-FLIES

FOR ARCHIE RUTLEDGE

Here's a half-a-dozen flies,
Just about the proper size
For the trout of Dickey's Run,--
Luck go with them every one!

Dainty little feathered beauties,
Listen now, and learn your duties:
Not to tangle in the box;
Not to catch on logs or rocks,
Boughs that wave or weeds that float,
Nor in the angler's "pants" or coat!
Not to lure the glutton frog
From his banquet in the bog;
Nor the lazy chub to fool,
Splashing idly round the pool;
Nor the sullen horned pout
From the mud to hustle out!

None of this vulgarian crew,
Dainty flies, is game for you.
Darting swiftly through the air
Guided by the angler's care,
Light upon the flowing stream
Like a winged fairy dream;
Float upon the water dancing,
Through the lights and shadows glancing,
Till the rippling current brings you,
And with quiet motion swings you,
Where a speckled beauty lies
Watching you with hungry eyes.

Here's your game and here's your prize!
Hover near him, lure him, tease him,
Do your very best to please him,
Dancing on the water foamy,
Like the frail and fair Salome,
Till the monarch yields at last,
Rises, and you have him fast!
Then remember well your duty,--
Do not lose, but land, your booty;
For the finest fish of all is
_Salvelinus Fontinalis_.

So, you plumed illusions, go,
Let my comrade Archie know
Every day he goes a-fishing
I'll be with him in well-wishing.
Most of all when lunch is laid
In the dappled orchard shade,
With Will, Corinne, and Dixie too,
Sitting as we used to do
Round the white cloth on the grass
While the lazy hours pass,
And the brook's contented tune
Lulls the sleepy afternoon,--
Then's the time my heart will be
With that pleasant company!

June 17, 1913.

A NOON-SONG

There are songs for the morning and songs for the night,
For sunrise and sunset, the stars and the moon;
But who will give praise to the fulness of light,
And sing us a song of the glory of noon?
Oh, the high noon, the clear noon,
The noon with golden crest;
When the blue sky burns, and the great sun turns
With his face to the way of the west!

How swiftly he rose in the dawn of his strength!
How slowly he crept as the morning wore by!
Ah, steep was the climbing that led him at length
To the height of his throne in the wide summer sky.
Oh, the long toil, the slow toil,
The toil that may not rest,
Till the sun looks down from his journey's crown,
To the wonderful way of the west!

Then a quietness falls over meadow and hill,
The wings of the wind in the forest are furled,
The river runs softly, the birds are all still,
The workers are resting all over the world.
Oh, the good hour, the kind hour,
The hour that calms the breast!
Little inn half-way on the road of the day,
Where it follows the turn to the west!

There's a plentiful feast in the maple-tree shade,
The lilt of a song to an old-fashioned tune,
The talk of a friend, or the kiss of a maid,
To sweeten the cup that we drink to the noon.
Oh, the deep noon, the full noon,
Of all the day the best!
When the blue sky burns, and the great sun turns
To his home by the way of the west!

1906.

TURN O' THE TIDE

The tide flows in to the harbour,--
The bold tide, the gold tide, the flood o' the sunlit sea,--
And the little ships riding at anchor,
Are swinging and slanting their prows to the ocean, panting
To lift their wings to the wide wild air,
And venture a voyage they know not where,--
To fly away and be free!

The tide runs out of the harbour,--
The low tide, the slow tide, the ebb o' the moonlit bay,--
And the little ships rocking at anchor,
Are rounding and turning their bows to the landward, yearning
To breathe the breath of the sun-warmed strand,
To rest in the lee of the high hill land,--
To hold their haven and stay!

My heart goes round with the vessels,--
My wild heart, my child heart, in love with the sea and the land,--
And the turn o' the tide passes through it,
In rising and falling with mystical currents, calling
At morn, to range where the far waves foam,
At night, to a harbour in love's true home,
With the hearts that understand!

Seal Harbour, August 12, 1911.

SIERRA MADRE

O mother mountains! billowing far to the snowlands,
Robed in aërial amethyst, silver, and blue,
Why do ye look so proudly down on the lowlands?
What have their groves and gardens to do with you?

Theirs is the languorous charm of the orange and myrtle,
Theirs are the fruitage and fragrance of Eden of old,--
Broad-boughed oaks in the meadows fair and fertile,
Dark-leaved orchards gleaming with globes of gold.

You, in your solitude standing, lofty and lonely,
Bear neither garden nor grove on your barren breasts;
Rough is the rock-loving growth of your canyons, and only
Storm-battered pines and fir-trees cling to your crests.

Why are ye throned so high, and arrayed in splendour
Richer than all the fields at your feet can claim?
What is your right, ye rugged peaks, to the tender
Queenly promise and pride of the mother-name?

Answered the mountains, dim in the distance dreaming:
"Ours are the forests that treasure the riches of rain;
Ours are the secret springs and the rivulets gleaming
Silverly down through the manifold bloom of the plain.

"Vain were the toiling of men in the dust of the dry land,
Vain were the ploughing and planting in waterless fields,
Save for the life-giving currents we send from the sky land,
Save for the fruit our embrace with the storm-cloud yields."

O mother mountains, Madre Sierra, I love you!
Rightly you reign o'er the vale that your bounty fills,--
Kissed by the sun, or with big, bright stars above you,--
I murmur your name and lift up mine eyes to the hills.

Pasadena, March, 1913.

SCHOOL

I put my heart to school
In the world where men grow wise:
"Go out," I said, "and learn the rule;
'Come back when you win a prize.'"

My heart came back again:
"Now where is the prize?" I cried.--
"The rule was false, and the prize was pain,
And the teacher's name was Pride."

I put my heart to school
In the woods where veeries sing
And brooks run clear and cool,
In the fields where wild flowers spring.

"And why do you stay so long
My heart, and where do you roam?"
The answer came with a laugh and a song,--
"I find this school is home."

April, 1901.

INDIAN SUMMER

A silken curtain veils the skies,
And half conceals from pensive eyes
The bronzing tokens of the fall;
A calmness broods upon the hills,
And summer's parting dream distils
A charm of silence over all.

The stacks of corn, in brown array,
Stand waiting through the tranquil day,
Like tattered wigwams on the plain;
The tribes that find a shelter there
Are phantom peoples, forms of air,
And ghosts of vanished joy and pain.

At evening when the crimson crest
Of sunset passes down the West,
I hear the whispering host returning;
On far-off fields, by elm and oak,
I see the lights, I smell the smoke,--
The Camp-fires of the Past are burning.

_Tertius and Henry van Dyke_.

November, 1903.

LIGHT BETWEEN THE TREES

Long, long, long the trail
Through the brooding forest-gloom,
Down the shadowy, lonely vale
Into silence, like a room
Where the light of life has fled,
And the jealous curtains close
Round the passionless repose
Of the silent dead.

Plod, plod, plod away,
Step by step in mouldering moss;
Thick branches bar the day
Over languid streams that cross
Softly, slowly, with a sound
Like a smothered weeping,
In their aimless creeping
Through enchanted ground.

"Yield, yield, yield thy quest,"
Whispers through the woodland deep:
"Come to me and be at rest;
I am slumber, I am sleep."
Then the weary feet would fail,
But the never-daunted will
Urges "Forward, forward still!
Press along the trail!"

Breast, breast, breast the slope
See, the path is growing steep.
Hark! a little song of hope
Where the stream begins to leap.
Though the forest, far and wide,
Still shuts out the bending blue,
We shall finally win through,
Cross the long divide.

On, on, on we tramp!
Will the journey never end?
Over yonder lies the camp;
Welcome waits us there, my friend,
Can we reach it ere the night?
Upward, upward, never fear!
Look, the summit must be near;
See the line of light!

Red, red, red the shine
Of the splendour in the west,
Glowing through the ranks of pine,
Clear along the mountain-crest!
Long, long, long the trail
Out of sorrow's lonely vale;
But at last the traveller sees
Light between the trees!

March, 1904.

THE FALL OF THE LEAVES

I

In warlike pomp, with banners flowing,
The regiments of autumn stood:
I saw their gold and scarlet glowing
From every hillside, every wood.

Above the sea the clouds were keeping
Their secret leaguer, gray and still;
They sent their misty vanguard creeping
With muffled step from hill to hill.

All day the sullen armies drifted
Athwart the sky with slanting rain;
At sunset for a space they lifted,
With dusk they settled down again.

II

At dark the winds began to blow
With mutterings distant, low;
From sea and sky they called their strength,
Till with an angry, broken roar,
Like billows on an unseen shore,
Their fury burst at length.

I heard through the night
The rush and the clamour;
The pulse of the fight
Like blows of Thor's hammer;
The pattering flight
Of the leaves, and the anguished
Moan of the forest vanquished.

At daybreak came a gusty song:
"Shout! the winds are strong.
The little people of the leaves are fled.
Shout! The Autumn is dead!"

III

The storm is ended! The impartial sun
Laughs down upon the battle lost and won,
And crowns the triumph of the cloudy host
In rolling lines retreating to the coast.

But we, fond lovers of the woodland shade,
And grateful friends of every fallen leaf,
Forget the glories of the cloud-parade,
And walk the ruined woods in quiet grief.

For ever so our thoughtful hearts repeat
On fields of triumph dirges of defeat;
And still we turn on gala-days to tread
Among the rustling memories of the dead.

1874.

THREE ALPINE SONNETS

I

THE GLACIER

At dawn in silence moves the mighty stream,
The silver-crested waves no murmur make;
But far away the avalanches wake
The rumbling echoes, dull as in a dream;
Their momentary thunders, dying, seem
To fall into the stillness, flake by flake,
And leave the hollow air with naught to break
The frozen spell of solitude supreme.

At noon unnumbered rills begin to spring
Beneath the burning sun, and all the walls
Of all the ocean-blue crevasses ring
With liquid lyrics of their waterfalls;
As if a poet's heart had felt the glow
Of sovereign love, and song began to flow.

Zermatt, 1872.

II

THE SNOW-FIELD

White Death had laid his pall upon the plain,
And crowned the mountain-peaks like monarchs
dead;
The vault of heaven was glaring overhead
With pitiless light that filled my eyes with pain;
And while I vainly longed, and looked in vain
For sign or trace of life, my spirit said,
"Shall any living thing that dares to tread
This royal lair of Death escape again?"

But even then I saw before my feet
A line of pointed footprints in the snow:
Some roving chamois, but an hour ago,
Had passed this way along his journey fleet,
And left a message from a friend unknown
To cheer my pilgrim-heart, no more alone.

Zermatt, 1872.