Chapter V: Introduction (5)

And so at last, when one evening Mason came with a bigger _kava_-root than usual, and took his bowl from Finau’s hands, and stayed after the others had gone, she, feeling bitter anger in her heart towards the man, but a greater bitterness towards the relations who drove her from their door, would resist no more. Mason wasted no time over courtship. He crawled over to where she sat, and roughly threw his arm round her in the presence of them all. She pushed him away with a gesture of disgust.

“Finau,” he said, in a voice broken with vinous emotion, “it is well that we should live together. You will come to my _abi_ to-morrow?”

Finau sat with her face hidden in her hands, but Ana, the matchmaker, answered for her.

“Yes. I will bring her before mid-day, so that she may prepare dinner.”

* * * * * * *

The steamer is in again from New Zealand. After the miscellaneous crowd of natives from the southern islands have disembarked, and sniffed and wept over their friends of Vavau, there is a flutter of excitement among the onlookers.

“_Dies kann doch nicht Franz Kraft sein, Pots Tausend! was für ein eleganter Herr!_” cries Karl Müller; for lo! Franz Kraft, the dishevelled, the disreputable, shaved, transfigured, and glorified in a black coat and billycock hat, silver-mounted walking-stick in hand, is there. And more than this, Franz Kraft is leading a lady over the gangway, for all the world as if he were handing her out of a tram-car at the Thiergarten-gate His old boon companions whisper together in derisive curiosity as Franz, affecting not to see them, paces the wharf with dignity, his companion on his arm. She, poor thing, makes a curious figure against the palm-trees and white sand--for black satin, white cotton stockings, and German hats do not go well with palm-trees.

She was looking timidly and wonderingly at the mean iron-roofed houses that line the beach, for the cunning Franz had crammed her flaxen head with pictures of South Sea splendour, in which Neiafu appeared as a city, and Franz himself as a benevolent planter of great possessions. Of her future home Franz had been reticent, but she had formed a mental picture of a mansion she had seen in a printseller’s window in the _Unter den Linden_, all colonnades, and cool palms, and haunted by numbers of dusky servants. The city must be farther inland, she thought, as they passed up the beach. They were opposite a tumble-down wooden house, larger than the rest. It might be, she thought, a small _wirthhaus_, where they drank beer in the back garden. She timidly asked Franz. “It’s the king’s house,” he answered roughly. Surely he must be joking, for he had told her so much about the king’s palace, and the soldiers, and the rest of it. Yes; certainly Franz must be joking, for her great strong Franz could make jokes sometimes.

A few steps more, and Franz stopped--stopped at the meanest hovel of them all,--a rickety wooden cottage, with iron roof, perched above the sea, without even a tree to give shade or a fence to hide its ugly squalor from the road. Telling her to wait, he went to the next cottage and returned with a key. She was speechless with astonishment and a vague fear. The door swung back, and he beckoned her to follow. Within was a damp, ill-smelling, little shop, with dirty stained counter, and shelves tenanted only by a few rusty tins of meat. Beyond this a small unceiled room, furnished with a bare deal-table, and dirty like the shop; and beyond this again a room containing a canvas stretcher, overhung by a rotting mosquito-screen. That was all, and the all was pervaded by the sickening rancid smell of _copra_, and unspeakably dirty. The windows showed a large iron shed in which _copra_, the currency of the country, was stored. This was the home he had brought her to! And away there in Berlin her father, the stationer, was still boasting of the brilliant marriage she had made.

It took two days for Franz to appear in his usual oily shirt-sleeves at the counter, and he did not respond to the inquiries about his wife. Thenceforth she became a person of mystery, for she was not seen at all for two months; and when she did leave the house, there were lines about the meaningless mouth, and the blue eyes were dull and red. Franz now ventured on his first social entertainment. The guests were bidden, and Franz, in a clean shirt, received them in the sitting-room,--nine in all, including the two ladies of the place. There was an awkward pause, for Frau Kraft had not appeared. Then Franz went into the bedroom to bring their hostess. There was a whispered altercation, then silence, then a burst of sobbing--and before he returned his guests had all fled. Not even the faithful Müller stayed to break the square black bottle that was to have been the gist of the entertainment. Scandal was now satisfied, for it was evident that Franz did not get on with his wife, and was not above striking her.

But the _copra_ season had begun, and Kraft, if he would live, must buy _copra_ like the rest. Early one morning he started with his wife for Halaufuli, where Fisher, a friendly rival, had a station. Fisher’s house adjoined John Mason’s modest establishment. The Krafts were given the only bedroom in the house--a long low room, in which a platform filling up the end and covered with a pile of mats and a mosquito-screen formed the bed.

When Mason, the man who could not beat his wife, steered an oblique course towards his door, stumbled in, and, being a little less drunk than usual, succeeded in finding his walking-stick, he was at that stage of inebriation when the punishment of somebody for something seems to a man a solemn and sacred duty. Unluckily poor Finau had heard him coming, and ran to his rescue. He fell upon her savagely. Her shrieks broke through the wooden walls, and interwove themselves with Kraft’s dreams. Suddenly he hears his own name, and starts from his sleep to listen to a voice he knows crying in an agony of need. It is Finau calling to him, and without thinking where he is, he springs up to go to her rescue. A blow or two directed by the dim light of the kerosene lamp disposes effectually of Mason, and Franz, furious with anger, yet not knowing what to do, creeps back to his room. His wife is still asleep, as he can hear by her regular breathing; but Finau has followed him, and whimpering she creeps into the room, and leans sobbing against the wall. What could he do--this man who has so injured her? She had loved him and suffered for him. Was he to cast her out when she came to him in her need? And what harm was there in protecting her? He whispers to her not to be afraid and to stop crying, but she only sinks to the ground and sobs the louder. When he speaks again she creeps towards him, as if in bodily fear of the man who has been left outside the door. Franz looks at the screen: his wife still sleeps. And so he speaks to her in a low voice, and strokes her bowed head, and she, in the abandonment of her wretchedness, puts her arm round him. And as he murmurs comforting words to her in her own tongue, he chances to look towards the bed where the dim light is burning, and as he looks there is a movement, a hand from within lifts up the screen, and eyes with a life’s tragedy written in them look out at him.

IN THE OLD WHALING DAYS.