Chapter M (1)

M’Cumber, Daniel McDowell, Rutherford McFarlane, Widow McGee, Fletcher McGee, Ollie M’Grew, Jennie M’Grew, Mickey McGuire, Jack McNeely, Mary McNeely, Paul McNeely, Washington Malloy, Father Marsh, Zilpha Marshal, The Town Marshall, Herbert Mason, Serepta Matheny, Faith Matlock, Davis Matlock, Lucinda Melveny, Abel Merritt, Mrs. Merritt, Tom Metcalf, Willie Meyers, Doctor Meyers, Mrs. Micure, Hamlet Miles, J. Milton Miller, Julia Miner, Georgine Sand Moir, Alfred

N

Newcomer, Professor Night-Watch, Andy The Nutter, Isa

O

Osborne, Mabel Otis, John Hancock

P

Pantier, Benjamin Pantier, Mrs. Benjamin Pantier, Reuben Peet, Rev. Abner Pennington, Willie Penniwit, the Artist Petit, the Poet Phipps, Henry Poague, Peleg Pollard, Edmund Potter, Cooney Puckett, Lydia Purkapile, Mrs. Purkapile, Roscoe Putt, Hod

R

Reece, Mrs. George Rhodes, Ralph Rhodes, Thomas Richter, Gustav Robbins, Hortense Roberts, Rosie Ross, Thomas, Jr. Russian Sonia Rutledge, Anne

S

Sayre, Johnnie Scates, Hiram Schirding, Albert Schmidt, Felix Schrœder The Fisherman Scott, Julian Sersmith the Dentist Sewall, Harlan Sharp, Percival Shaw, “Ace” Shelley, Percy Bysshe Shope, Tennessee Claflin Sibley, Amos Sibley, Mrs. Siever, Conrad Simmons, Walter Sissman, Dillard Slack, Margaret Fuller Smith, Louise Soldiers, Many Somers, Jonathan Swift Somers, Judge Sparks, Emily Spears, Lois Spooniad, The Standard, W. Lloyd Garrison Stewart, Lillian Stoddard, Judson

T

Tanner, Robert Fulton Taylor, Deacon Theodore, The Poet Thornton, English Throckmorton, Alexander Todd, Eugenia Tompkins, Josiah Trainor, the Druggist Trevelyan, Thomas Trimble, George Tripp, Henry Tubbs, Hildrup Turner, Francis Tutt, Oaks

U

Unknown, The

W

Wasson, John Wasson, Rebecca Webster, Charles Weirauch, Adam Weldy, “Butch” Wertman, Elsa Whedon, Editor Whitney, Harmon Wiley, Rev. Lemuel Will, Arlo William and Emily Williams, Dora Williams, Mrs. Wilmans, Harry Witt, Zenas

Y

Yee Bow

Z

Zoll, Perry

The Hill

_Where are Elmer, Herman, Bert, Tom and Charley, The weak of will, the strong of arm, the clown, the boozer, the fighter? All, all are sleeping on the hill.

One passed in a fever, One was burned in a mine, One was killed in a brawl, One died in a jail, One fell from a bridge toiling for children and wife— All, all are sleeping, sleeping, sleeping on the hill.

Where are Ella, Kate, Mag, Lizzie and Edith, The tender heart, the simple soul, the loud, the proud, the happy one?— All, all are sleeping on the hill.

One died in shameful child-birth, One of a thwarted love, One at the hands of a brute in a brothel, One of a broken pride, in the search for heart’s desire; One after life in far-away London and Paris Was brought to her little space by Ella and Kate and Mag— All, all are sleeping, sleeping, sleeping on the hill.

Where are Uncle Isaac and Aunt Emily, And old Towny Kincaid and Sevigne Houghton, And Major Walker who had talked With venerable men of the revolution?— All, all are sleeping on the hill.

They brought them dead sons from the war, And daughters whom life had crushed, And their children fatherless, crying— All, all are sleeping, sleeping, sleeping on the hill.

Where is Old Fiddler Jones Who played with life all his ninety years, Braving the sleet with bared breast, Drinking, rioting, thinking neither of wife nor kin, Nor gold, nor love, nor heaven? Lo! he babbles of the fish-frys of long ago, Of the horse-races of long ago at Clary’s Grove, Of what Abe Lincoln said One time at Springfield._

Hod Putt

Here I lie close to the grave Of Old Bill Piersol, Who grew rich trading with the Indians, and who Afterwards took the Bankrupt Law And emerged from it richer than ever Myself grown tired of toil and poverty And beholding how Old Bill and others grew in wealth Robbed a traveler one Night near Proctor’s Grove, Killing him unwittingly while doing so, For which I was tried and hanged. That was my way of going into bankruptcy. Now we who took the bankrupt law in our respective ways Sleep peacefully side by side.

Ollie McGee

Have you seen walking through the village A man with downcast eyes and haggard face? That is my husband who, by secret cruelty Never to be told, robbed me of my youth and my beauty; Till at last, wrinkled and with yellow teeth, And with broken pride and shameful humility, I sank into the grave. But what think you gnaws at my husband’s heart? The face of what I was, the face of what he made me! These are driving him to the place where I lie. In death, therefore, I am avenged.

Fletcher McGee

She took my strength by minutes, She took my life by hours, She drained me like a fevered moon That saps the spinning world. The days went by like shadows, The minutes wheeled like stars. She took the pity from my heart, And made it into smiles. She was a hunk of sculptor’s clay, My secret thoughts were fingers: They flew behind her pensive brow And lined it deep with pain. They set the lips, and sagged the cheeks, And drooped the eye with sorrow. My soul had entered in the clay, Fighting like seven devils. It was not mine, it was not hers; She held it, but its struggles Modeled a face she hated, And a face I feared to see. I beat the windows, shook the bolts. I hid me in a corner And then she died and haunted me, And hunted me for life.

Robert Fulton Tanner

If a man could bite the giant hand That catches and destroys him, As I was bitten by a rat While demonstrating my patent trap, In my hardware store that day. But a man can never avenge himself On the monstrous ogre Life. You enter the room—that’s being born; And then you must live—work out your soul, Aha! the bait that you crave is in view: A woman with money you want to marry, Prestige, place, or power in the world. But there’s work to do and things to conquer— Oh, yes! the wires that screen the bait. At last you get in—but you hear a step: The ogre, Life, comes into the room, (He was waiting and heard the clang of the spring) To watch you nibble the wondrous cheese, And stare with his burning eyes at you, And scowl and laugh, and mock and curse you, Running up and down in the trap, Until your misery bores him.

Cassius Hueffer

They have chiseled on my stone the words: “His life was gentle, and the elements so mixed in him That nature might stand up and say to all the world, This was a man.” Those who knew me smile As they read this empty rhetoric. My epitaph should have been: “Life was not gentle to him, And the elements so mixed in him That he made warfare on life In the which he was slain.” While I lived I could not cope with slanderous tongues, Now that I am dead I must submit to an epitaph Graven by a fool!

Serepta Mason

My life’s blossom might have bloomed on all sides Save for a bitter wind which stunted my petals On the side of me which you in the village could see. From the dust I lift a voice of protest: My flowering side you never saw! Ye living ones, ye are fools indeed Who do not know the ways of the wind And the unseen forces That govern the processes of life.

Amanda Barker

Henry got me with child, Knowing that I could not bring forth life Without losing my own. In my youth therefore I entered the portals of dust. Traveler, it is believed in the village where I lived That Henry loved me with a husband’s love But I proclaim from the dust That he slew me to gratify his hatred.

Constance Hately

You praise my self-sacrifice, Spoon River, In rearing Irene and Mary, Orphans of my older sister! And you censure Irene and Mary For their contempt for me! But praise not my self-sacrifice. And censure not their contempt; I reared them, I cared for them, true enough!— But I poisoned my benefactions With constant reminders of their dependence.

Chase Henry

In life I was the town drunkard; When I died the priest denied me burial In holy ground. The which redounded to my good fortune. For the Protestants bought this lot, And buried my body here, Close to the grave of the banker Nicholas, And of his wife Priscilla. Take note, ye prudent and pious souls, Of the cross—currents in life Which bring honor to the dead, who lived in shame

Harry Carey Goodhue

You never marveled, dullards of Spoon River, When Chase Henry voted against the saloons To revenge himself for being shut off. But none of you was keen enough To follow my steps, or trace me home As Chase’s spiritual brother. Do you remember when I fought The bank and the courthouse ring, For pocketing the interest on public funds? And when I fought our leading citizens For making the poor the pack-horses of the taxes? And when I fought the water works For stealing streets and raising rates? And when I fought the business men Who fought me in these fights? Then do you remember: That staggering up from the wreck of defeat, And the wreck of a ruined career, I slipped from my cloak my last ideal, Hidden from all eyes until then, Like the cherished jawbone of an ass, And smote the bank and the water works, And the business men with prohibition, And made Spoon River pay the cost Of the fights that I had lost.

Judge Somers

How does it happen, tell me, That I who was most erudite of lawyers, Who knew Blackstone and Coke Almost by heart, who made the greatest speech The court-house ever heard, and wrote A brief that won the praise of Justice Breese How does it happen, tell me, That I lie here unmarked, forgotten, While Chase Henry, the town drunkard, Has a marble block, topped by an urn Wherein Nature, in a mood ironical, Has sown a flowering weed?

Kinsey Keene

Your attention, Thomas Rhodes, president of the bank; Coolbaugh Whedon, editor of the Argus; Rev. Peet, pastor of the leading church; A. D. Blood, several times Mayor of Spoon River; And finally all of you, members of the Social Purity Club— Your attention to Cambronne’s dying words, Standing with the heroic remnant Of Napoleon’s guard on Mount Saint Jean At the battle field of Waterloo, When Maitland, the Englishman, called to them: “Surrender, brave Frenchmen!”— There at close of day with the battle hopelessly lost, And hordes of men no longer the army Of the great Napoleon Streamed from the field like ragged strips Of thunder clouds in the storm. Well, what Cambronne said to Maitland Ere the English fire made smooth the brow of the hill Against the sinking light of day Say I to you, and all of you, And to you, O world. And I charge you to carve it Upon my stone.

Benjamin Pantier

Together in this grave lie Benjamin Pantier, attorney at law, And Nig, his dog, constant companion, solace and friend. Down the gray road, friends, children, men and women, Passing one by one out of life, left me till I was alone With Nig for partner, bed-fellow; comrade in drink. In the morning of life I knew aspiration and saw glory, The she, who survives me, snared my soul With a snare which bled me to death, Till I, once strong of will, lay broken, indifferent, Living with Nig in a room back of a dingy office. Under my Jaw-bone is snuggled the bony nose of Nig Our story is lost in silence. Go by, mad world!

Mrs. Benjamin Pantier

I know that he told that I snared his soul With a snare which bled him to death. And all the men loved him, And most of the women pitied him. But suppose you are really a lady, and have delicate tastes, And loathe the smell of whiskey and onions, And the rhythm of Wordsworth’s “Ode” runs in your ears, While he goes about from morning till night Repeating bits of that common thing; “Oh, why should the spirit of mortal be proud?” And then, suppose; You are a woman well endowed, And the only man with whom the law and morality Permit you to have the marital relation Is the very man that fills you with disgust Every time you think of it while you think of it Every time you see him? That’s why I drove him away from home To live with his dog in a dingy room Back of his office.

Reuben Pantier

Well, Emily Sparks, your prayers were not wasted, Your love was not all in vain. I owe whatever I was in life To your hope that would not give me up, To your love that saw me still as good. Dear Emily Sparks, let me tell you the story. I pass the effect of my father and mother; The milliner’s daughter made me trouble And out I went in the world, Where I passed through every peril known Of wine and women and joy of life. One night, in a room in the Rue de Rivoli, I was drinking wine with a black-eyed cocotte, And the tears swam into my eyes. She though they were amorous tears and smiled For thought of her conquest over me. But my soul was three thousand miles away, In the days when you taught me in Spoon River. And just because you no more could love me, Nor pray for me, nor write me letters, The eternal silence of you spoke instead. And the Black-eyed cocotte took the tears for hers, As well as the deceiving kisses I gave her. Somehow, from that hour, I had a new vision Dear Emily Sparks!

Emily Sparks

Where is my boy, my boy In what far part of the world? The boy I loved best of all in the school?— I, the teacher, the old maid, the virgin heart, Who made them all my children. Did I know my boy aright, Thinking of him as a spirit aflame, Active, ever aspiring? Oh, boy, boy, for whom I prayed and prayed In many a watchful hour at night, Do you remember the letter I wrote you Of the beautiful love of Christ? And whether you ever took it or not, My, boy, wherever you are, Work for your soul’s sake, That all the clay of you, all of the dross of you, May yield to the fire of you, Till the fire is nothing but light!… Nothing but light!

Trainor, the Druggist

Only the chemist can tell, and not always the chemist, What will result from compounding Fluids or solids. And who can tell How men and women will interact On each other, or what children will result? There were Benjamin Pantier and his wife, Good in themselves, but evil toward each other; He oxygen, she hydrogen, Their son, a devastating fire. I Trainor, the druggist, a miser of chemicals, Killed while making an experiment, Lived unwedded.

Daisy Fraser

Did you ever hear of Editor Whedon Giving to the public treasury any of the money he received For supporting candidates for office? Or for writing up the canning factory To get people to invest? Or for suppressing the facts about the bank, When it was rotten and ready to break? Did you ever hear of the Circuit Judge Helping anyone except the “Q” railroad, Or the bankers? Or did Rev. Peet or Rev. Sibley Give any part of their salary, earned by keeping still, Or speaking out as the leaders wished them to do, To the building of the water works? But I—Daisy Fraser who always passed Along the street through rows of nods and smiles, And coughs and words such as “there she goes.” Never was taken before Justice Arnett Without contributing ten dollars and costs To the school fund of Spoon River!

Benjamin Fraser

Their spirits beat upon mine Like the wings of a thousand butterflies. I closed my eyes and felt their spirits vibrating. I closed my eyes, yet I knew when their lashes Fringed their cheeks from downcast eyes, And when they turned their heads; And when their garments clung to them, Or fell from them, in exquisite draperies. Their spirits watched my ecstasy With wide looks of starry unconcern. Their spirits looked upon my torture; They drank it as it were the water of life; With reddened cheeks, brightened eyes, The rising flame of my soul made their spirits gilt, Like the wings of a butterfly drifting suddenly into sunlight. And they cried to me for life, life, life. But in taking life for myself, In seizing and crushing their souls, As a child crushes grapes and drinks From its palms the purple juice, I came to this wingless void, Where neither red, nor gold, nor wine, Nor the rhythm of life are known.

Minerva Jones

I am Minerva, the village poetess, Hooted at, jeered at by the Yahoos of the street For my heavy body, cock-eye, and rolling walk, And all the more when “Butch” Weldy Captured me after a brutal hunt. He left me to my fate with Doctor Meyers; And I sank into death, growing numb from the feet up, Like one stepping deeper and deeper into a stream of ice. Will some one go to the village newspaper, And gather into a book the verses I wrote?— I thirsted so for love I hungered so for life!

“Indignation” Jones

You would not believe, would you That I came from good Welsh stock? That I was purer blooded than the white trash here? And of more direct lineage than the New Englanders And Virginians of Spoon River? You would not believe that I had been to school And read some books. You saw me only as a run-down man With matted hair and beard And ragged clothes. Sometimes a man’s life turns into a cancer From being bruised and continually bruised, And swells into a purplish mass Like growths on stalks of corn. Here was I, a carpenter, mired in a bog of life Into which I walked, thinking it was a meadow, With a slattern for a wife, and poor Minerva, my daughter, Whom you tormented and drove to death. So I crept, crept, like a snail through the days Of my life. No more you hear my footsteps in the morning, Resounding on the hollow sidewalk Going to the grocery store for a little corn meal And a nickel’s worth of bacon.

“Butch” Weldy

After I got religion and steadied down They gave me a job in the canning works, And every morning I had to fill The tank in the yard with gasoline, That fed the blow-fires in the sheds To heat the soldering irons. And I mounted a rickety ladder to do it, Carrying buckets full of the stuff. One morning, as I stood there pouring, The air grew still and seemed to heave, And I shot up as the tank exploded, And down I came with both legs broken, And my eyes burned crisp as a couple of eggs. For someone left a blow—fire going, And something sucked the flame in the tank. The Circuit Judge said whoever did it Was a fellow-servant of mine, and so Old Rhodes’ son didn’t have to pay me. And I sat on the witness stand as blind As Jack the Fiddler, saying over and over, “I didn’t know him at all.”

Doctor Meyers

No other man, unless it was Doc Hill, Did more for people in this town than I. And all the weak, the halt, the improvident And those who could not pay flocked to me. I was good-hearted, easy Doctor Meyers. I was healthy, happy, in comfortable fortune, Blest with a congenial mate, my children raised, All wedded, doing well in the world. And then one night, Minerva, the poetess, Came to me in her trouble, crying. I tried to help her out—she died— They indicted me, the newspapers disgraced me, My wife perished of a broken heart. And pneumonia finished me.

Mrs. Meyers

He protested all his life long The newspapers lied about him villainously; That he was not at fault for Minerva’s fall, But only tried to help her. Poor soul so sunk in sin he could not see That even trying to help her, as he called it, He had broken the law human and divine. Passers by, an ancient admonition to you: If your ways would be ways of pleasantness, And all your pathways peace, Love God and keep his commandments.

Knowlt Hoheimer

I was the first fruits of the battle of Missionary Ridge. When I felt the bullet enter my heart I wished I had staid at home and gone to jail For stealing the hogs of Curl Trenary, Instead of running away and joining the army. Rather a thousand times the county jail Than to lie under this marble figure with wings, And this granite pedestal Bearing the words, “Pro Patria.” What do they mean, anyway?

Lydia Puckett

Knowlt Hoheimer ran away to the war The day before Curl Trenary Swore out a warrant through Justice Arnett For stealing hogs. But that’s not the reason he turned a soldier. He caught me running with Lucius Atherton. We quarreled and I told him never again To cross my path. Then he stole the hogs and went to the war— Back of every soldier is a woman.

Frank Drummer

Out of a cell into this darkened space— The end at twenty-five! My tongue could not speak what stirred within me, And the village thought me a fool. Yet at the start there was a clear vision, A high and urgent purpose in my soul Which drove me on trying to memorize The Encyclopedia Britannica!

Hare Drummer

Do the boys and girls still go to Siever’s For cider, after school, in late September? Or gather hazel nuts among the thickets On Aaron Hatfield’s farm when the frosts begin? For many times with the laughing girls and boys Played I along the road and over the hills When the sun was low and the air was cool, Stopping to club the walnut tree Standing leafless against a flaming west. Now, the smell of the autumn smoke, And the dropping acorns, And the echoes about the vales Bring dreams of life. They hover over me. They question me: Where are those laughing comrades? How many are with me, how many In the old orchards along the way to Siever’s, And in the woods that overlook The quiet water?

Conrad Siever

Not in that wasted garden Where bodies are drawn into grass That feeds no flocks, and into evergreens That bear no fruit— There where along the shaded walks Vain sighs are heard, And vainer dreams are dreamed Of close communion with departed souls— But here under the apple tree I loved and watched and pruned With gnarled hands In the long, long years; Here under the roots of this northern-spy To move in the chemic change and circle of life, Into the soil and into the flesh of the tree, And into the living epitaphs Of redder apples!

Doc Hill

I went up and down the streets Here and there by day and night, Through all hours of the night caring for the poor who were sick. Do you know why? My wife hated me, my son went to the dogs. And I turned to the people and poured out my love to them. Sweet it was to see the crowds about the lawns on the day of my funeral, And hear them murmur their love and sorrow. But oh, dear God, my soul trembled, scarcely able To hold to the railing of the new life When I saw Em Stanton behind the oak tree At the grave, Hiding herself, and her grief!

Andy The Night-Watch

In my Spanish cloak, And old slouch hat, And overshoes of felt, And Tyke, my faithful dog, And my knotted hickory cane, I slipped about with a bull’s-eye lantern From door to door on the square, As the midnight stars wheeled round, And the bell in the steeple murmured From the blowing of the wind; And the weary steps of old Doc Hill Sounded like one who walks in sleep, And a far-off rooster crew. And now another is watching Spoon River As others watched before me. And here we lie, Doc Hill and I Where none breaks through and steals, And no eye needs to guard.

Sarah Brown

Maurice, weep not, I am not here under this pine tree. The balmy air of spring whispers through the sweet grass, The stars sparkle, the whippoorwill calls, But thou grievest, while my soul lies rapturous In the blest Nirvana of eternal light! Go to the good heart that is my husband Who broods upon what he calls our guilty love:— Tell him that my love for you, no less than my love for him Wrought out my destiny—that through the flesh I won spirit, and through spirit, peace. There is no marriage in heaven But there is love.

Percy Bysshe Shelley

My father who owned the wagon-shop And grew rich shoeing horses Sent me to the University of Montreal. I learned nothing and returned home, Roaming the fields with Bert Kessler, Hunting quail and snipe. At Thompson’s Lake the trigger of my gun Caught in the side of the boat And a great hole was shot through my heart. Over me a fond father erected this marble shaft, On which stands the figure of a woman Carved by an Italian artist. They say the ashes of my namesake Were scattered near the pyramid of Caius Cestius Somewhere near Rome.

Flossie Cabanis

From Bindle’s opera house in the village To Broadway is a great step. But I tried to take it, my ambition fired When sixteen years of age, Seeing “East Lynne,” played here in the village By Ralph Barrett, the coming Romantic actor, who enthralled my soul. True, I trailed back home, a broken failure, When Ralph disappeared in New York, Leaving me alone in the city— But life broke him also. In all this place of silence There are no kindred spirits. How I wish Duse could stand amid the pathos Of these quiet fields And read these words.

Julia Miller

We quarreled that morning, For he was sixty—five, and I was thirty, And I was nervous and heavy with the child Whose birth I dreaded. I thought over the last letter written me By that estranged young soul Whose betrayal of me I had concealed By marrying the old man. Then I took morphine and sat down to read. Across the blackness that came over my eyes I see the flickering light of these words even now: “And Jesus said unto him, Verily I say unto thee, To-day thou shalt Be with me in paradise.”

Johnnie Sayre

Father, thou canst never know The anguish that smote my heart For my disobedience, the moment I felt The remorseless wheel of the engine Sink into the crying flesh of my leg. As they carried me to the home of widow Morris I could see the school-house in the valley To which I played truant to steal rides upon the trains. I prayed to live until I could ask your forgiveness— And then your tears, your broken words of comfort! From the solace of that hour I have gained infinite happiness. Thou wert wise to chisel for me: “Taken from the evil to come.”

Charlie French

Did you ever find out Which one of the O’Brien boys it was Who snapped the toy pistol against my hand? There when the flags were red and white In the breeze and “Bucky” Estil Was firing the cannon brought to Spoon River From Vicksburg by Captain Harris; And the lemonade stands were running And the band was playing, To have it all spoiled By a piece of a cap shot under the skin of my hand, And the boys all crowding about me saying: “You’ll die of lock-jaw, Charlie, sure.” Oh, dear! oh, dear! What chum of mine could have done it?

Zenas Witt

I was sixteen, and I had the most terrible dreams, And specks before my eyes, and nervous weakness. And I couldn’t remember the books I read, Like Frank Drummer who memorized page after page. And my back was weak, and I worried and worried, And I was embarrassed and stammered my lessons, And when I stood up to recite I’d forget Everything that I had studied. Well, I saw Dr. Weese’s advertisement, And there I read everything in print, Just as if he had known me; And about the dreams which I couldn’t help. So I knew I was marked for an early grave. And I worried until I had a cough And then the dreams stopped. And then I slept the sleep without dreams Here on the hill by the river.

Theodore the Poet

As a boy, Theodore, you sat for long hours On the shore of the turbid Spoon With deep-set eye staring at the door of the crawfish’s burrow, Waiting for him to appear, pushing ahead, First his waving antennæ, like straws of hay, And soon his body, colored like soap-stone, Gemmed with eyes of jet. And you wondered in a trance of thought What he knew, what he desired, and why he lived at all. But later your vision watched for men and women Hiding in burrows of fate amid great cities, Looking for the souls of them to come out, So that you could see How they lived, and for what, And why they kept crawling so busily Along the sandy way where water fails As the summer wanes.

The Town Marshal

The Prohibitionists made me Town Marshal When the saloons were voted out, Because when I was a drinking man, Before I joined the church, I killed a Swede At the saw-mill near Maple Grove. And they wanted a terrible man, Grim, righteous, strong, courageous, And a hater of saloons and drinkers, To keep law and order in the village. And they presented me with a loaded cane With which I struck Jack McGuire Before he drew the gun with which he killed me. The Prohibitionists spent their money in vain To hang him, for in a dream I appeared to one of the twelve jurymen And told him the whole secret story. Fourteen years were enough for killing me.

Jack McGuire

They would have lynched me Had I not been secretly hurried away To the jail at Peoria. And yet I was going peacefully home, Carrying my jug, a little drunk, When Logan, the marshal, halted me Called me a drunken hound and shook me And, when I cursed him for it, struck me With that Prohibition loaded cane— All this before I shot him. They would have hanged me except for this: My lawyer, Kinsey Keene, was helping to land Old Thomas Rhodes for wrecking the bank, And the judge was a friend of Rhodes And wanted him to escape, And Kinsey offered to quit on Rhodes For fourteen years for me. And the bargain was made. I served my time And learned to read and write.

Jacob Goodpasture

When Fort Sumter fell and the war came I cried out in bitterness of soul: “O glorious republic now no more!” When they buried my soldier son To the call of trumpets and the sound of drums My heart broke beneath the weight Of eighty years, and I cried: “Oh, son who died in a cause unjust! In the strife of Freedom slain!” And I crept here under the grass. And now from the battlements of time, behold: Thrice thirty million souls being bound together In the love of larger truth, Rapt in the expectation of the birth Of a new Beauty, Sprung from Brotherhood and Wisdom. I with eyes of spirit see the Transfiguration Before you see it. But ye infinite brood of golden eagles nesting ever higher, Wheeling ever higher, the sun-light wooing Of lofty places of Thought, Forgive the blindness of the departed owl.

Dorcas Gustine

I was not beloved of the villagers, But all because I spoke my mind, And met those who transgressed against me With plain remonstrance, hiding nor nurturing Nor secret griefs nor grudges. That act of the Spartan boy is greatly praised, Who hid the wolf under his cloak, Letting it devour him, uncomplainingly. It is braver, I think, to snatch the wolf forth And fight him openly, even in the street, Amid dust and howls of pain. The tongue may be an unruly member— But silence poisons the soul. Berate me who will—I am content.

Nicholas Bindle

Were you not ashamed, fellow citizens, When my estate was probated and everyone knew How small a fortune I left?— You who hounded me in life, To give, give, give to the churches, to the poor, To the village!—me who had already given much. And think you not I did not know That the pipe-organ, which I gave to the church, Played its christening songs when Deacon Rhodes, Who broke and all but ruined me, Worshipped for the first time after his acquittal?

Harold Arnett

I leaned against the mantel, sick, sick, Thinking of my failure, looking into the abysm, Weak from the noon-day heat. A church bell sounded mournfully far away, I heard the cry of a baby, And the coughing of John Yarnell, Bed-ridden, feverish, feverish, dying, Then the violent voice of my wife: “Watch out, the potatoes are burning!” I smelled them . . . then there was irresistible disgust. I pulled the trigger . . . blackness . . . light . . . Unspeakable regret . . . fumbling for the world again. Too late! Thus I came here, With lungs for breathing . . . one cannot breathe here with lungs, Though one must breathe Of what use is it To rid one’s self of the world, When no soul may ever escape the eternal destiny of life?

Margaret Fuller Slack

I would have been as great as George Eliot But for an untoward fate. For look at the photograph of me made by Penniwit, Chin resting on hand, and deep—set eyes— Gray, too, and far-searching. But there was the old, old problem: Should it be celibacy, matrimony or unchastity? Then John Slack, the rich druggist, wooed me, Luring me with the promise of leisure for my novel, And I married him, giving birth to eight children, And had no time to write. It was all over with me, anyway, When I ran the needle in my hand While washing the baby’s things, And died from lock—jaw, an ironical death. Hear me, ambitious souls, Sex is the curse of life.

George Trimble

Do you remember when I stood on the steps Of the Court House and talked free-silver, And the single-tax of Henry George? Then do you remember that, when the Peerless Leader Lost the first battle, I began to talk prohibition, And became active in the church? That was due to my wife, Who pictured to me my destruction If I did not prove my morality to the people. Well, she ruined me: For the radicals grew suspicious of me, And the conservatives were never sure of me— And here I lie, unwept of all.

Dr. Siegfried Iseman

I said when they handed me my diploma, I said to myself I will be good And wise and brave and helpful to others; I said I will carry the Christian creed Into the practice of medicine! Somehow the world and the other doctors Know what’s in your heart as soon as you make This high-souled resolution. And the way of it is they starve you out. And no one comes to you but the poor. And you find too late that being a doctor Is just a way of making a living. And when you are poor and have to carry The Christian creed and wife and children All on your back, it is too much! That’s why I made the Elixir of Youth, Which landed me in the jail at Peoria Branded a swindler and a crook By the upright Federal Judge!

“Ace” Shaw

I never saw any difference Between playing cards for money And selling real estate, Practicing law, banking, or anything else. For everything is chance. Nevertheless Seest thou a man diligent in business? He shall stand before Kings!

Lois Spears

Here lies the body of Lois Spears, Born Lois Fluke, daughter of Willard Fluke, Wife of Cyrus Spears, Mother of Myrtle and Virgil Spears, Children with clear eyes and sound limbs— (I was born blind) I was the happiest of women As wife, mother and housekeeper. Caring for my loved ones, And making my home A place of order and bounteous hospitality: For I went about the rooms, And about the garden With an instinct as sure as sight, As though there were eyes in my finger tips— Glory to God in the highest.

Justice Arnett

It is true, fellow citizens, That my old docket lying there for years On a shelf above my head and over The seat of justice, I say it is true That docket had an iron rim Which gashed my baldness when it fell— (Somehow I think it was shaken loose By the heave of the air all over town When the gasoline tank at the canning works Blew up and burned Butch Weldy)— But let us argue points in order, And reason the whole case carefully: First I concede my head was cut, But second the frightful thing was this: The leaves of the docket shot and showered Around me like a deck of cards In the hands of a sleight of hand performer. And up to the end I saw those leaves Till I said at last, “Those are not leaves, Why, can’t you see they are days and days And the days and days of seventy years? And why do you torture me with leaves And the little entries on them?

Willard Fluke

My wife lost her health, And dwindled until she weighed scarce ninety pounds. Then that woman, whom the men Styled Cleopatra, came along. And we—we married ones All broke our vows, myself among the rest. Years passed and one by one Death claimed them all in some hideous form And I was borne along by dreams Of God’s particular grace for me, And I began to write, write, write, reams on reams Of the second coming of Christ. Then Christ came to me and said, “Go into the church and stand before the congregation And confess your sin.” But just as I stood up and began to speak I saw my little girl, who was sitting in the front seat— My little girl who was born blind! After that, all is blackness.

Aner Clute

Over and over they used to ask me, While buying the wine or the beer, In Peoria first, and later in Chicago, Denver, Frisco, New York, wherever I lived How I happened to lead the life, And what was the start of it. Well, I told them a silk dress, And a promise of marriage from a rich man— (It was Lucius Atherton). But that was not really it at all. Suppose a boy steals an apple From the tray at the grocery store, And they all begin to call him a thief, The editor, minister, judge, and all the people— “A thief,” “a thief,” “a thief,” wherever he goes And he can’t get work, and he can’t get bread Without stealing it, why the boy will steal. It’s the way the people regard the theft of the apple That makes the boy what he is.

Lucius Atherton

When my moustache curled, And my hair was black, And I wore tight trousers And a diamond stud, I was an excellent knave of hearts and took many a trick. But when the gray hairs began to appear— Lo! a new generation of girls Laughed at me, not fearing me, And I had no more exciting adventures Wherein I was all but shot for a heartless devil, But only drabby affairs, warmed-over affairs Of other days and other men. And time went on until I lived at Mayer’s restaurant, Partaking of short-orders, a gray, untidy, Toothless, discarded, rural Don Juan. . . . There is a mighty shade here who sings Of one named Beatrice; And I see now that the force that made him great Drove me to the dregs of life.

Homer Clapp

Often Aner Clute at the gate Refused me the parting kiss, Saying we should be engaged before that; And just with a distant clasp of the hand She bade me good-night, as I brought her home From the skating rink or the revival. No sooner did my departing footsteps die away Than Lucius Atherton, (So I learned when Aner went to Peoria) Stole in at her window, or took her riding Behind his spanking team of bays Into the country. The shock of it made me settle down And I put all the money I got from my father’s estate Into the canning factory, to get the job Of head accountant, and lost it all. And then I knew I was one of Life’s fools, Whom only death would treat as the equal Of other men, making me feel like a man.

Deacon Taylor

I belonged to the church, And to the party of prohibition; And the villagers thought I died of eating watermelon. In truth I had cirrhosis of the liver, For every noon for thirty years, I slipped behind the prescription partition In Trainor’s drug store And poured a generous drink From the bottle marked “Spiritus frumenti.”

Sam Hookey

I ran away from home with the circus, Having fallen in love with Mademoiselle Estralada, The lion tamer. One time, having starved the lions For more than a day, I entered the cage and began to beat Brutus And Leo and Gypsy. Whereupon Brutus sprang upon me, And killed me. On entering these regions I met a shadow who cursed me, And said it served me right. . . . It was Robespierre!

Cooney Potter

I inherited forty acres from my Father And, by working my wife, my two sons and two daughters From dawn to dusk, I acquired A thousand acres. But not content, Wishing to own two thousand acres, I bustled through the years with axe and plow, Toiling, denying myself, my wife, my sons, my daughters. Squire Higbee wrongs me to say That I died from smoking Red Eagle cigars. Eating hot pie and gulping coffee During the scorching hours of harvest time Brought me here ere I had reached my sixtieth year.

Fiddler Jones

The earth keeps some vibration going There in your heart, and that is you. And if the people find you can fiddle, Why, fiddle you must, for all your life. What do you see, a harvest of clover? Or a meadow to walk through to the river? The wind’s in the corn; you rub your hands For beeves hereafter ready for market; Or else you hear the rustle of skirts Like the girls when dancing at Little Grove. To Cooney Potter a pillar of dust Or whirling leaves meant ruinous drouth; They looked to me like Red-Head Sammy Stepping it off, to “Toor-a-Loor.” How could I till my forty acres Not to speak of getting more, With a medley of horns, bassoons and piccolos Stirred in my brain by crows and robins And the creak of a wind-mill—only these? And I never started to plow in my life That some one did not stop in the road And take me away to a dance or picnic. I ended up with forty acres; I ended up with a broken fiddle— And a broken laugh, and a thousand memories, And not a single regret.

Nellie Clark

I was only eight years old; And before I grew up and knew what it meant I had no words for it, except That I was frightened and told my Mother; And that my Father got a pistol And would have killed Charlie, who was a big boy, Fifteen years old, except for his Mother. Nevertheless the story clung to me. But the man who married me, a widower of thirty-five, Was a newcomer and never heard it ’Till two years after we were married. Then he considered himself cheated, And the village agreed that I was not really a virgin. Well, he deserted me, and I died The following winter.

Louise Smith

Herbert broke our engagement of eight years When Annabelle returned to the village From the Seminary, ah me! If I had let my love for him alone It might have grown into a beautiful sorrow— Who knows?—filling my life with healing fragrance. But I tortured it, I poisoned it I blinded its eyes, and it became hatred— Deadly ivy instead of clematis. And my soul fell from its support Its tendrils tangled in decay. Do not let the will play gardener to your soul Unless you are sure It is wiser than your soul’s nature.

Herbert Marshall

All your sorrow, Louise, and hatred of me Sprang from your delusion that it was wantonness Of spirit and contempt of your soul’s rights Which made me turn to Annabelle and forsake you. You really grew to hate me for love of me, Because I was your soul’s happiness, Formed and tempered To solve your life for you, and would not. But you were my misery. If you had been My happiness would I not have clung to you? This is life’s sorrow: That one can be happy only where two are; And that our hearts are drawn to stars Which want us not.

George Gray

I have studied many times The marble which was chiseled for me— A boat with a furled sail at rest in a harbor. In truth it pictures not my destination But my life. For love was offered me and I shrank from its disillusionment; Sorrow knocked at my door, but I was afraid; Ambition called to me, but I dreaded the chances. Yet all the while I hungered for meaning in my life. And now I know that we must lift the sail And catch the winds of destiny Wherever they drive the boat. To put meaning in one’s life may end in madness, But life without meaning is the torture Of restlessness and vague desire— It is a boat longing for the sea and yet afraid.

Hon. Henry Bennett

It never came into my mind Until I was ready to die That Jenny had loved me to death, with malice of heart. For I was seventy, she was thirty—five, And I wore myself to a shadow trying to husband Jenny, rosy Jenny full of the ardor of life. For all my wisdom and grace of mind Gave her no delight at all, in very truth, But ever and anon she spoke of the giant strength Of Willard Shafer, and of his wonderful feat Of lifting a traction engine out of the ditch One time at Georgie Kirby’s. So Jenny inherited my fortune and married Willard— That mount of brawn! That clownish soul!

Griffy the Cooper

The cooper should know about tubs. But I learned about life as well, And you who loiter around these graves Think you know life. You think your eye sweeps about a wide horizon, perhaps, In truth you are only looking around the interior of your tub. You cannot lift yourself to its rim And see the outer world of things, And at the same time see yourself. You are submerged in the tub of yourself— Taboos and rules and appearances, Are the staves of your tub. Break them and dispel the witchcraft Of thinking your tub is life And that you know life.

Sersmith the Dentist

Do you think that odes and sermons, And the ringing of church bells, And the blood of old men and young men, Martyred for the truth they saw With eyes made bright by faith in God, Accomplished the world’s great reformations? Do you think that the Battle Hymn of the Republic Would have been heard if the chattel slave Had crowned the dominant dollar, In spite of Whitney’s cotton gin, And steam and rolling mills and iron And telegraphs and white free labor? Do you think that Daisy Fraser Had been put out and driven out If the canning works had never needed Her little house and lot? Or do you think the poker room Of Johnnie Taylor, and Burchard’s bar Had been closed up if the money lost And spent for beer had not been turned, By closing them, to Thomas Rhodes For larger sales of shoes and blankets, And children’s cloaks and gold-oak cradles? Why, a moral truth is a hollow tooth Which must be propped with gold.

A. D. Blood

If you in the village think that my work was a good one, Who closed the saloons and stopped all playing at cards, And haled old Daisy Fraser before Justice Arnett, In many a crusade to purge the people of sin; Why do you let the milliner’s daughter Dora, And the worthless son of Benjamin Pantier Nightly make my grave their unholy pillow?

Robert Southey Burke

I spent my money trying to elect you Mayor A. D. Blood. I lavished my admiration upon you, You were to my mind the almost perfect man. You devoured my personality, And the idealism of my youth, And the strength of a high-souled fealty. And all my hopes for the world, And all my beliefs in Truth, Were smelted up in the blinding heat Of my devotion to you, And molded into your image. And then when I found what you were: That your soul was small And your words were false As your blue-white porcelain teeth, And your cuffs of celluloid, I hated the love I had for you, I hated myself, I hated you For my wasted soul, and wasted youth. And I say to all, beware of ideals, Beware of giving your love away To any man alive.

Dora Williams

When Reuben Pantier ran away and threw me I went to Springfield. There I met a lush, Whose father just deceased left him a fortune. He married me when drunk. My life was wretched. A year passed and one day they found him dead. That made me rich. I moved on to Chicago. After a time met Tyler Rountree, villain. I moved on to New York. A gray-haired magnate Went mad about me—so another fortune. He died one night right in my arms, you know. (I saw his purple face for years thereafter. ) There was almost a scandal. I moved on, This time to Paris. I was now a woman, Insidious, subtle, versed in the world and rich. My sweet apartment near the Champs Elysees Became a center for all sorts of people, Musicians, poets, dandies, artists, nobles, Where we spoke French and German, Italian, English. I wed Count Navigato, native of Genoa. We went to Rome. He poisoned me, I think. Now in the Campo Santo overlooking The sea where young Columbus dreamed new worlds, See what they chiseled: “Contessa Navigato Implora eterna quiete.”

Mrs. Williams

I was the milliner Talked about, lied about, Mother of Dora, Whose strange disappearance Was charged to her rearing. My eye quick to beauty Saw much beside ribbons And buckles and feathers And leghorns and felts, To set off sweet faces, And dark hair and gold. One thing I will tell you And one I will ask: The stealers of husbands Wear powder and trinkets, And fashionable hats. Wives, wear them yourselves. Hats may make divorces— They also prevent them. Well now, let me ask you: If all of the children, born here in Spoon River Had been reared by the County, somewhere on a farm; And the fathers and mothers had been given their freedom To live and enjoy, change mates if they wished, Do you think that Spoon River Had been any the worse?

William and Emily

There is something about Death Like love itself! If with some one with whom you have known passion And the glow of youthful love, You also, after years of life Together, feel the sinking of the fire And thus fade away together, Gradually, faintly, delicately, As it were in each other’s arms, Passing from the familiar room— That is a power of unison between souls Like love itself!

The Circuit Judge

Take note, passers-by, of the sharp erosions Eaten in my head-stone by the wind and rain— Almost as if an intangible Nemesis or hatred Were marking scores against me, But to destroy, and not preserve, my memory. I in life was the Circuit Judge, a maker of notches, Deciding cases on the points the lawyers scored, Not on the right of the matter. O wind and rain, leave my head-stone alone For worse than the anger of the wronged, The curses of the poor, Was to lie speechless, yet with vision clear, Seeing that even Hod Putt, the murderer, Hanged by my sentence, Was innocent in soul compared with me.

Blind Jack