Chapter IV: Part 4

On all this the evening before me afforded a remarkable commentary. I paused a moment in front of the house and looked up at the windows. There he lives, I thought, and carries on his labours year by year, reads and annotates texts, seeks for analogies between western Asiatic and Indian mythologies, and it satisfies him, because he believes in the value of it all. He believes in the studies whose servant he is; he believes in the value of mere knowledge and its acquisition, because he believes in progress and evolution. He has not been through the war, nor is he acquainted with the shattering of the foundations of thought by Einstein (that, thinks he, only concerns the mathematicians). He sees nothing of the preparations for the next war that are going on all round him. He hates Jews and Communists. He is a good, unthinking, happy child, who takes himself seriously; and, in fact, he is much to be envied. And so, pulling myself together, I entered the house. A maid in cap and apron opened the door. Warned by some premonition, I noticed with care where she laid my hat and coat, and was then shown into a warm and well-lighted room and requested to wait. Instead of saying a prayer or taking a nap, I followed a wayward impulse and picked up the first thing I saw. It chanced to be a small picture in a frame that stood on the round table leaning back on its paste-board support. It was an engraving and it represented the poet Goethe as an old man full of character, with a finely chiseled face and a genius’ mane. Neither the renowned fire of his eyes nor the lonely and tragic expression beneath the courtly whitewash was lacking. To this the artist had given special care, and he had succeeded in combining the elemental force of the old man with a somewhat professional make-up of self-discipline and righteousness, without prejudice to his profundity; and had made of him, all in all, a really charming old gentleman, fit to adorn any drawing room. No doubt this portrait was no worse than others of its description. It was much the same as all those representations by careful craftsmen of saviours, apostles, heroes, thinkers and statesmen. Perhaps I found it exasperating only because of a certain pretentious virtuosity. In any case, and whatever the cause, this empty and self-satisfied presentation of the aged Goethe shrieked at me at once as a fatal discord, exasperated and oppressed as I was already. It told me that I ought never to have come. Here fine Old Masters and the Nation’s Great Ones were at home, not Steppenwolves.

If only the master of the house had come in now, I might have had the luck to find some favourable opportunity for finding my way out. As it was, his wife came in, and I surrendered to fate though I scented danger. We shook hands and to the first discord there succeeded nothing but new ones. The lady complimented me on my looks, though I knew only too well how sadly the years had aged me since our last meeting. The clasp of her hand on my gouty fingers had reminded me of it already. Then she went on to ask after my dear wife, and I had to say that my wife had left me and that we were divorced. We were glad enough when the professor came in. He too gave me a hearty welcome and the awkward comedy came to a beautiful climax. He was holding a newspaper to which he subscribed, an organ of the militarist and jingoist party, and after shaking hands he pointed to it and commented on a paragraph about a namesake of mine--a publicist called Haller, a bad fellow and a rotten patriot--who had been making fun of the Kaiser and expressing the view that his own country was no less responsible for the outbreak of war than the enemy nations. There was a man for you! The editor had given him his deserts and put him in the pillory. However, when the professor saw that I was not interested, we passed to other topics, and the possibility that this horrid fellow might be sitting in front of them did not even remotely occur to either of them. Yet so it was, I myself was that horrid fellow. Well, why make a fuss and upset people? I laughed to myself, but gave up all hope now of a pleasant evening.

I have a clear recollection of the moment when the professor spoke of Haller as a traitor to his country. It was then that the horrid feeling of depression and despair which had been mounting in me and growing stronger and stronger ever since the burial scene condensed to a dreary dejection. It rose to the pitch of a bodily anguish, arousing within me a dread and suffocating foreboding. I had the feeling that something lay in wait for me, that a danger stalked me from behind. Fortunately the announcement that dinner was on the table supervened. We went into the dining room, and while I racked my brains again and again for something harmless to say, I ate more than I was accustomed to do and felt myself growing more wretched with every moment. Good heavens, I thought all the while, why do we put ourselves to such exertions? I felt distinctly that my hosts were not at their ease either and that their liveliness was forced, whether it was that I had a paralysing effect on them or because of some other and domestic embarrassment. There was not a question they put to me that I could answer frankly, and I was soon fairly entangled in my lies and wrestling with my nausea at every word. At last, for the sake of changing the subject, I began to tell them of the funeral which I had witnessed earlier in the day. But I could not hit the right note. My efforts at humour fell entirely flat and we were more than ever at odds. Within me the Steppenwolf bared his teeth in a grin. By the time we had reached dessert, silence had descended on all three of us.

We went back to the room we had come from to invoke the aid of coffee and cognac. There, however, my eye fell once more on the magnate of poetry, although he had been put on a chest of drawers at one side of the room. Unable to get away from him, I took him once more in my hands, though warning voices were plainly audible, and proceeded to attack him. I was as though obsessed by the feeling that the situation was intolerable and that the time had come either to warm my hosts up, to carry them off their feet and put them in tune with myself, or else to bring about a final explosion.

“Let us hope,” said I, “that Goethe did not really look like this. This conceited air of nobility, the great man ogling the distinguished company, and beneath the manly exterior what a world of charming sentimentality! Certainly, there is much to be said against him. I have a good deal against his venerable pomposity myself. But to represent him like this--no, that is going too far.”

The lady of the house finished pouring out the coffee with a deeply wounded expression and then hurriedly left the room; and her husband explained to me with mingled embarrassment and reproach that the picture of Goethe belonged to his wife and was one of her dearest possessions. “And even if, objectively speaking, you are right, though I don’t agree with you, you need not have been so outspoken.”

“There you are right,” I admitted. “Unfortunately it is a habit, a vice of mine, always to speak my mind as much as possible, as indeed Goethe did, too, in his better moments. In this chaste drawing-room Goethe would certainly never have allowed himself to use an outrageous, a genuine and unqualified expression. I sincerely beg your wife’s pardon and your own. Tell her, please, that I am a schizomaniac. And now, if you will allow me, I will take my leave.”

To this he made objections in spite of his perplexity. He even went back to the subject of our former discussions and said once more how interesting and stimulating they had been and how deep an impression my theories about Mithras and Krishna had made on him at the time. He had hoped that the present occasion would have been an opportunity to renew these discussions. I thanked him for speaking as he did. Unfortunately, my interest in Krishna had vanished and also my pleasure in learned discussions. Further, I had told him several lies that day. For example, I had been many months in the town, and not a few days, as I had said. I lived, however, quite by myself, and was no longer fit for decent society; for in the first place, I was nearly always in a bad temper and afflicted with the gout, and in the second place, usually drunk. Lastly, to make a clean slate, and not to go away, at least, as a liar, it was my duty to inform him that he had grievously insulted me that evening. He had endorsed the attitude taken up by a reactionary paper towards Haller’s opinions; a stupid bull-necked paper, fit for an officer on half-pay, not for a man of learning. This bad fellow and rotten patriot, Haller, however, and myself were one and the same person, and it would be better for our country and the world in general, if at least the few people who were capable of thought stood for reason and the love of peace instead of heading wildly with a blind obsession for a new war. And so I would bid him good-bye.

With that I got up and took leave of Goethe and of the professor. I seized my hat and coat from the rack outside and left the house. Loud in my soul the wolf howled his glee, and between my two selves there opened an immense field of operations. For it was at once clear to me that this disagreeable evening had much more significance for me than for the indignant professor. For him, it was a disillusionment and a petty outrage. For me, it was a final failure and flight. It was my leave-taking from the respectable, moral and learned world, and a complete triumph for the Steppenwolf. I was sent flying and beaten from the field, bankrupt in my own eyes, dismissed without a shred of credit or a ray of humour to comfort me. I had taken leave of the world in which I had once found a home, the world of convention and culture, in the manner of the man with a weak stomach who has given up pork. In a rage I went on my way beneath the street lamps, in a rage and sick unto death. What a hideous day of shame and wretchedness it had been from morning to night, from the cemetery to the scene with the professor. For what? And why? Was there any sense in taking up the burden of more such days as this or of sitting out any more such suppers? There was not. This very night I would make an end of the comedy, go home and cut my throat. No more tarrying.

I paced the streets in all directions, driven on by wretchedness. Naturally it was stupid of me to bespatter the drawing-room ornaments of the worthy folk, stupid and ill-mannered, but I could not help it; and even now I could not help it. I could not bear this tame, lying, well-mannered life any longer. And since it appeared that I could not bear my loneliness any longer either, since my own company had become so unspeakably hateful and nauseous, since I struggled for breath in a vacuum and suffocated in hell, what way out was left me? There was none. I thought of my father and mother, of the sacred flame of my youth long extinct, of the thousand joys and labours and aims of my life. Nothing of them all was left me, not even repentance, nothing but agony and nausea. Never had the clinging to mere life seemed so grievous as now.

I rested a moment in a tavern in an outlying part of the town and drank some brandy and water; then to the streets once more, with the devil at my heels, up and down the steep and winding streets of the Old Town, along the avenues, across the station square. The thought of going somewhere took me into the station. I scanned the time-tables on the walls; drank some wine and tried to come to my senses. Then the spectre that I went in dread of came nearer, till I saw it plain. It was the dread of returning to my room and coming to a halt there, faced by my despair. There was no escape from this moment though I walked the streets for hours. Sooner or later I should be at my door, at the table with my books, on the sofa with the photograph of Erica above it. Sooner or later the moment would come to take out my razor and cut my throat. More and more plainly the picture rose before me. More and more plainly, with a wildly beating heart, I felt the dread of all dreads, the fear of death. Yes, I was horribly afraid of death. Although I saw no other way out, although nausea, agony and despair threatened to engulf me; although life had no allurement and nothing to give me either of joy or hope, I shuddered all the same with an unspeakable horror of a gaping wound in a condemned man’s flesh.

I saw no other way of escape from this dreadful spectre. Suppose that to-day cowardice won a victory over despair, to-morrow and each succeeding day I would again face despair heightened by self-contempt. It was merely taking up and throwing down the knife till at last it was done. Better to-day then. I reasoned with myself as though with a frightened child. But the child would not listen. It ran away. It wanted to live. I renewed my fitful wanderings through the town, making many detours not to return to the house which I had always in my mind and always deferred. Here and there I came to a stop and lingered, drinking a glass or two, and then, as if pursued, ran around in a circle whose centre had the razor as a goal, and meant death. Sometimes from utter weariness I sat on a bench, on a fountain’s rim, or a curb-stone and wiped the sweat from my forehead and listened to the beating of my heart. Then on again in mortal dread and an intense yearning for life.

Thus it was I found myself late at night in a distant and unfamiliar part of the town; and there I went into a public house from which there came the lively sound of dance music. Over the entrance as I went in I read “The Black Eagle” on the old signboard. Within I found it was a free night--crowds, smoke, the smell of wine, and the clamour of voices, with dancing in a room at the back, whence issued the frenzy of music. I stayed in the nearer room where there were none but simple folk, some of them poorly dressed, whereas behind in the dance-hall smart people were also to be seen. Carried forward by the crowd, I soon found myself near the bar, wedged against a table at which sat a pale and pretty girl against the wall. She wore a thin dance-frock cut very low and a withered flower in her hair. She gave me a friendly and observant look as I came up and with a smile moved to one side to make room for me.

“May I?” I asked and sat down beside her.

“Of course, you may,” she said. “But who are you?”

“Thanks,” I replied. “I cannot possibly go home, cannot, cannot. I’ll stay here with you if you’ll let me. No, I can’t go back home.”

She nodded as though to humour me, and as she nodded I observed the curl that fell from her temple to her ear, and I saw that the withered flower was a camellia. From within crashed the music and at the buffet the waitresses hurriedly shouted their orders.

“Well, stay here then,” she said with a voice that comforted me. “Why can’t you go home?”

“I can’t. There’s something waiting for me there. No, I can’t--it’s too frightful.”

“Let it wait then and stay here. First wipe your glasses. You can see nothing like that. Give me your handkerchief. What shall we drink? Burgundy?”

While she wiped my glasses, I had the first clear impression of her pale, firm face, with its clear grey eyes and smooth forehead, and the short, tight curl in front of her ear. Good-naturedly and with a touch of mockery she began to take me in hand. She ordered the wine, and as she clinked her glass with mine, her eyes fell on my shoes.

“Good Lord, wherever have you come from? You look as though you had come from Paris on foot. That’s no state to come to a dance in.”

I answered “yes” and “no,” laughed now and then, and let her talk. I found her charming, very much to my surprise, for I had always avoided girls of her kind and regarded them with suspicion. And she treated me exactly in the way that was best for me at that moment, and so she has since without an exception. She took me under her wing just as I needed, and mocked me, too, just as I needed. She ordered me a sandwich and told me to eat it. She filled my glass and bade me sip it and not drink too fast. Then she commended my docility.

“That’s fine,” she said to encourage me. “You’re not difficult. I wouldn’t mind betting it’s a long while since you have had to obey any one.”

“You’d win the bet. How did you know it?”

“Nothing in that. Obeying is like eating and drinking. There’s nothing like it if you’ve been without it too long. Isn’t it so, you’re glad to do as I tell you?”

“Very glad. You know everything.”

“You make it easy to. Perhaps, my friend, I could tell you, too, what it is that’s waiting for you at home and what you dread so much. But you know that for yourself. We needn’t talk about it, eh? Silly business! Either a man goes and hangs himself, and then he hangs sure enough, and he’ll have his reasons for it, or else he goes on living and then he has only living to bother himself with. Simple enough.”

“Oh,” I cried, “if only it were so simple. I’ve bothered myself enough with life, God knows, and little use it has been to me. To hang oneself is hard, perhaps. I don’t know. But to live is far, far harder. God, how hard it is!”

“You’ll see it’s child’s play. We’ve made a start already. You’ve polished your glasses, eaten something and had a drink. Now we’ll go and give your shoes and trousers a brush and then you’ll dance a shimmy with me.”

“Now that shows,” I cried in a fluster, “that I was right! Nothing could grieve me more than not to be able to carry out any command of yours, but I can dance no shimmy, nor waltz, nor polka, nor any of the rest of them. I’ve never danced in my life. Now you can see it isn’t all as easy as you think.”

Her bright red lips smiled and she firmly shook her waved and shingled head; and as I looked at her, I thought I could see a resemblance to Rosa Kreisler, with whom I had been in love as a boy. But she had a dark complexion and dark hair. I could not tell of whom it was she reminded me. I knew only that it was of someone in my early youth and boyhood.

“Wait a bit,” she cried. “So you can’t dance? Not at all? Not even a one-step? And yet you talk of the trouble you’ve taken to live? You told a fib there, my boy, and you shouldn’t do that at your age. How can you say that you’ve taken any trouble to live when you won’t even dance?”

“But if I can’t--I’ve never learnt!”

She laughed.

“But you learnt reading and writing and arithmetic, I suppose, and French and Latin and a lot of other things? I don’t mind betting you were ten or twelve years at school and studied whatever else you could as well. Perhaps you’ve even got your doctor’s degree and know Chinese or Spanish. Am I right? Very well then. But you couldn’t find the time and money for a few dancing lessons! No, indeed!”

“It was my parents,” I said to justify myself. “They let me learn Latin and Greek and all the rest of it. But they didn’t let me learn to dance. It wasn’t the thing with us. My parents had never danced themselves.”

She looked at me quite coldly, with real contempt, and again something in her face reminded me of my youth.

“So your parents must take the blame then. Did you ask them whether you might spend the evening at the Black Eagle? Did you? They’re dead a long while ago, you say? So much for that. And now supposing you were too obedient to learn to dance when you were young (though I don’t believe you were such a model child), what have you been doing with yourself all these years?”

“Well,” I confessed, “I scarcely know myself--studied, played music, read books, written books, travelled--”

“Fine views of life, you have. You have always done the difficult and complicated things and the simple ones you haven’t even learnt. No time, of course. More amusing things to do. Well, thank God, I’m not your mother. But to do as you do and then say you’ve tested life to the bottom and found nothing in it is going a bit too far.”

“Don’t scold me,” I implored. “It isn’t as if I didn’t know I was mad.”

“Oh, don’t make a song of your sufferings. You are no madman, Professor. You’re not half mad enough to please me. It seems to me you’re much too clever in a silly way, just like a professor. Have another roll. You can tell me some more later.”

She got another roll for me, put a little salt and mustard on it, cut a piece for herself and told me to eat it. I did all she told me except dance. It did me a prodigious lot of good to do as I was told and to have some one sitting by me who asked me things and ordered me about and scolded me. If the professor or his wife had done so an hour or two earlier, it would have spared me a lot. But no, it was well as it was. I should have missed much.

“What’s your name?” she asked suddenly.

“Harry.”

“Harry? A babyish sort of name. And a baby you are, Harry, in spite of your few grey hairs. You’re a baby and you need some one to look after you. I’ll say no more of dancing. But look at your hair! Have you no wife, no sweetheart?”

“I haven’t a wife any longer. We are divorced. A sweetheart, yes, but she doesn’t live here. I don’t see her very often. We don’t get on very well.”

She whistled softly.

“You must be difficult if nobody sticks to you. But now tell me what was up in particular this evening? What sent you chasing round out of your wits? Down on your luck? Lost at cards?”

This was not easy to explain.

“Well,” I began, “you see, it was really a small matter. I had an invitation to dinner with a professor--I’m not one myself, by the way--and really I ought not to have gone. I’ve lost the habit of being in company and making conversation. I’ve forgotten how it’s done. As soon as I entered the house I had the feeling something would go wrong, and when I hung my hat on the peg I thought to myself that perhaps I should want it sooner than I expected. Well, at the professor’s there was a picture that stood on the table, a stupid picture. It annoyed me--”

“What sort of picture? Annoyed you--why?” she broke in.

“Well, it was a picture representing Goethe, the poet Goethe, you know. But it was not in the least as he really looked. That, of course, nobody can know exactly. He has been dead a hundred years. However, some artist of to-day had painted his portrait as he imagined him to have been and prettified him, and this picture annoyed me. It made me perfectly sick. I don’t know whether you can understand that.”

“I understand all right. Don’t you worry. Go on.”

“Before this in any case I didn’t see eye to eye with the professor. Like nearly all professors, he is a great patriot, and during the war did his bit in the way of deceiving the public, with the best intentions, of course. I, however, am opposed to war. But that’s all one. To continue my story, there was not the least need for me to look at the picture--”

“Certainly not.”

“But in the first place it made me sorry because of Goethe, whom I love very dearly, and then, besides, I thought--well, I had better say just how I thought, or felt. There I was, sitting with people as one of themselves and believing that they thought of Goethe as I did and had the same picture of him in their minds as I, and there stood that tasteless, false and sickly affair and they thought it lovely and had not the least idea that the spirit of that picture and the spirit of Goethe were exact opposites. They thought the picture splendid, and so they might for all I cared, but for me it ended, once and for all, any confidence, any friendship, any feeling of affinity I could have for these people. In any case, my friendship with them did not amount to very much. And so I got furious, and sad, too, when I saw that I was quite alone with no one to understand me. Do you see what I mean?”

“It is very easy to see. And next? Did you throw the picture at them?”

“No, but I was rather insulting and left the house. I wanted to go home, but--”

“But you’d have found no mummy there to comfort the silly baby or scold it. I must say, Harry, you make me almost sorry for you. I never knew such a baby.”

So it seemed to me, I must own. She gave me a glass of wine to drink. In fact, she was like a mother to me. In a glimpse, though, now and then I saw how young and beautiful she was.

“And so,” she began again, “Goethe has been dead a hundred years, and you’re very fond of him, and you have a wonderful picture in your head of what he must have looked like, and you have the right to, I suppose. But the artist who adores Goethe too, and makes a picture of him, has no right to do it, nor the professor either, nor anybody else--because you don’t like it. You find it intolerable. You have to be insulting and leave the house. If you had sense, you would laugh at the artist and the professor--laugh and be done with it. If you were out of your senses, you’d smash the picture in their faces. But as you’re only a little baby, you run home and want to hang yourself. I’ve understood your story very well, Harry. It’s a funny story. You make me laugh. But don’t drink so fast. Burgundy should be sipped. Otherwise you’ll get hot. But you have to be told everything--like a little child.”

She admonished me with the look of a severe governess of sixty.

“Oh, I know,” I said contentedly. “Only tell me everything.”

“What shall I tell you?”

“Whatever you feel like telling me.”

“Good. Then I’ll tell you something. For an hour I’ve been saying ‘thou’ to you, and you have been saying ‘you’ to me. Always Latin and Greek, always as complicated as possible. When a girl addresses you intimately and she isn’t disagreeable to you, then you should address her in the same way. So now you’ve learnt something. And secondly--for half an hour I’ve known that you’re called Harry. I know it because I asked you. But you don’t care to know my name.”

“Oh, but indeed--I’d like to know very much.”

“You’re too late! If we meet again, you can ask me again. To-day I shan’t tell you. And now I’m going to dance.”

At the first sign she made of getting up, my heart sank like lead. I dreaded her going and leaving me alone, for then it would all come back as it was before. In a moment, the old dread and wretchedness took hold of me like a toothache that has passed off and then comes back of a sudden and burns like fire. Oh, God, had I forgotten, then, what was waiting for me? Had anything altered?

“Stop,” I implored, “don’t go. You can dance of course, as much as you please, but don’t stay away too long. Come back again, come back again.”

She laughed as she got up. I expected that she would have been taller. She was slender, but not tall. Again I was reminded of some one. Of whom? I could not make out.

“You’re coming back?”

“I’m coming back, but it may be half an hour or an hour, perhaps. I want to tell you something. Shut your eyes and sleep for a little. That’s what you need.”

I made room for her to pass. Her skirt brushed my knees and she looked, as she went, in a little pocket mirror, lifted her eyebrows, and powdered her chin; then she disappeared into the dance hall. I looked round me; strange faces, smoking men, spilt beer on marble-tops, clatter and clamour everywhere, the dance music in my ear. I was to sleep, she had said. Ah, my good child, you know a lot about my sleep that is shyer than a weasel. Sleep in this hurly-burly, sitting at a table, amidst the clatter of beer-pots! I sipped the wine and, taking out a cigar, looked round for matches, but as I had after all no inclination to smoke, I put down the cigar on the table in front of me. “Shut your eyes,” she had said. God knows where the girl got her voice; it was so deep and good and maternal. It was good to obey such a voice, I had found that out already. Obediently I shut my eyes, leant my head against the wall and heard the roar of a hundred mingled noises surge around me and smiled at the idea of sleep in such a place. I made up my mind to go to the door of the dance-hall and from there catch a glimpse of my beautiful girl as she danced. I made a movement to go, then felt at last how unutterably tired out I was from my hours of wandering and remained seated; and, thereupon I fell asleep as I had been told. I slept greedily, thankfully, and dreamt more lightly and pleasantly than I had for a long while.

I dreamt that I was waiting in an old-fashioned ante-room. At first I knew no more than that my audience was with some Excellency or other. Then it came to me that it was Goethe who was to receive me. Unfortunately I was not there quite on a personal call. I was a reporter, and this worried me a great deal and I could not understand how the devil I had got into such a fix. Besides this, I was upset by a scorpion that I had seen a moment before trying to climb up my leg. I had shaken myself free of the black crawling beast, but I did not know where it had got to next and did not dare make a grab after it.

Also I was not very sure whether I had been announced by a mistake to Matthisson instead of to Goethe, and him again I mixed up in my dream with Bürger, for I took him for the author of the poem to Molly. Moreover I would have liked extremely to meet Molly. I imagined her wonderful, tender, musical. If only I were not here at the orders of that cursed newspaper office. My ill-humour over this increased until by degrees it extended even to Goethe, whom I suddenly treated to all manner of reflections and reproaches. It was going to be a lively interview. The scorpion, however, dangerous though he was and hidden no doubt somewhere within an inch of me, was all the same not so bad perhaps. Possibly he might even betoken something friendly. It seemed to me extremely likely that he had something to do with Molly. He might be a kind of messenger from her--or an heraldic beast, dangerously and beautifully emblematic of woman and sin. Might not his name perhaps be Vulpius? But at that moment a flunkey threw open the door. I rose and went in.

There stood old Goethe, short and very erect, and on his classic breast, sure enough, was the corpulent star of some Order. Not for a moment did he relax his commanding attitude, his air of giving audience, and of controlling the world from that museum of his at Weimar. Indeed, he had scarcely looked at me before with a nod and a jerk like an old raven he began pompously: “Now, you young people have, I believe, very little appreciation of us and our efforts.”

“You are quite right,” said I, chilled by his ministerial glance. “We young people have, indeed, very little appreciation of you. You are too pompous for us, Excellency, too vain and pompous, and not outright enough. That is, no doubt, at the bottom of it--not outright enough.”

The little old man bent his erect head forward, and as his hard mouth with its official folds relaxed in a little smile and became enchantingly alive, my heart gave a sudden bound; for all at once the poem came to my mind--“The dusk with folding wing”--and I remembered that it was from the lips of this man that the poem came. Indeed, at this moment I was entirely disarmed and overwhelmed and would have chosen of all things to kneel before him. But I held myself erect and heard him say with a smile: “Oh, so you accuse me of not being outright? What a thing to say! Will you explain yourself a little more fully?”

I was very glad indeed to do so.

“Like all great spirits, Herr von Goethe, you have clearly recognised and felt the riddle and the hopelessness of human life, with its moments of transcendence that sink again to wretchedness, and the impossibility of rising to one fair peak of feeling except at the cost of many days’ enslavement to the daily round; and, then, the ardent longing for the realm of the spirit in eternal and deadly war with the equally ardent and holy love of the lost innocence of nature, the whole frightful suspense in vacancy and uncertainty, this condemnation to the transient that can never be valid, that is ever experimental and dilettantish; in short, the utter lack of purpose to which the human state is condemned--to its consuming despair. You have known all this, yes, and said as much over and over again; yet you gave up your whole life to preaching its opposite, giving utterance to faith and optimism and spreading before yourself and others the illusion that our spiritual strivings mean something and endure. You have lent a deaf ear to those that plumbed the depths and suppressed the voices that told the truth of despair, and not in yourself only, but also in Kleist and Beethoven. Year after year you lived on at Weimar accumulating knowledge and collecting objects, writing letters and gathering them in, as though in your old age you had found the real way to discover the eternal in the momentary, though you could only mummify it, and to spiritualise nature though you could only hide it with a pretty mask. This is why we reproach you with insincerity.”

The old big-wig kept his eyes musingly on mine, smiling as before.

Then to my surprise, he asked, “You must have a strong objection, then, to the _Magic Flute_ of Mozart?”

And before I could protest, he went on:

“The _Magic Flute_ presents life to us as a wondrous song. It honours our feelings, transient, as they are, as something eternal and divine. It agrees neither with Herr von Kleist nor with Herr Beethoven. It preaches optimism and faith.”

“I know, I know,” I cried in a rage. “God knows why you hit of all things on the _Magic Flute_ that is dearer to me than anything else in the world. But Mozart did not live to be eighty-two. He did not make pretensions in his own life to the enduring and the orderly and to exalted dignity as you did. He did not think himself so important! He sang his divine melodies and died. He died young--poor and misunderstood--”

I lost my breath. A thousand things ought to have been said in ten words. My forehead began to sweat.

Goethe, however, said very amiably: “It may be unforgivable that I lived to be eighty-two. My satisfaction on that account was, however, less than you may think. You are right that a great longing for survival possessed me continually. I was in continual fear of death and continually struggling with it. I believe that the struggle against death, the unconditional and self-willed determination to live, is the motive power behind the lives and activities of all outstanding men. My eighty-two years showed just as conclusively that we must all die in the end as if I had died as a schoolboy. If it helps to justify me I should like to say this too: there was much of the child in my nature--curiosity and love of wasting time in play. Well, and so it went on and on, till I saw that sooner or later there must be enough of play.”

As he said this, his smile was quite cunning--a downright roguish leer. He had grown taller and his erect bearing and the constrained dignity of his face had disappeared. The air, too, around us was now ringing with melodies, all of them songs of Goethe’s. I heard Mozart’s _Violets_ and Schubert’s _Again thou fillest brake and vale_ quite distinctly. And Goethe’s face was rosy and youthful, and he laughed; and now he resembled Mozart like a brother, now Schubert, and the star on his breast was composed entirely of wild flowers. A yellow primrose blossomed luxuriantly in the middle of it.

It did not altogether suit me to have the old gentleman avoid my questions and accusations in this sportive manner, and I looked at him reproachfully. At that he bent forward and brought his mouth, which had now become quite like a child’s, close to my ear and whispered softly into it: “You take the old Goethe much too seriously, my young friend. You should not take old people who are already dead seriously. It does them injustice. We immortals do not like things to be taken seriously. We like joking. Seriousness, young man, is an accident of time. It consists, I don’t mind telling you in confidence, in putting too high a value on time. I, too, once put too high a value on time. For that reason I wished to be a hundred years old. In eternity, however, there is no time, you see. Eternity is a mere moment, just long enough for a joke.”

And indeed there was no saying another serious word to the man. He capered joyfully and nimbly up and down and made the primrose shoot out from his star like a rocket and then he made it shrink and disappear. While he flickered to and fro with his dance-steps and figures, it was borne in upon me that he at least had not neglected learning to dance. He could do it wonderfully. Then I remembered the scorpion, or Molly, rather, and I called out to Goethe: “Tell me, is Molly there?”

Goethe laughed aloud. He went to his table and opened a drawer; took out a handsome leather or velvet box, and held it open under my eyes. There, small, faultless, and gleaming, lay a diminutive effigy of a woman’s leg on the dark velvet, an enchanting leg, with the knee a little bent and the foot pointing downwards to end in the daintiest of toes.

I stretched out my hand, for I had quite fallen in love with the little leg and I wanted to have it, but just as I was going to take hold of it with my finger and thumb, the little toy seemed to move with a tiny start and it occurred to me suddenly that this might be the scorpion. Goethe seemed to read my thought, and even to have wanted to cause this deep timidity, this hectic struggle between desire and dread. He held the provoking little scorpion close to my face and watched me start forward with desire, then start back with dread; and this seemed to divert him exceedingly. While he was teasing me with the charming, dangerous thing, he became quite old once more, very, very old, a thousand years old, with hair as white as snow, and his withered greybeard’s face laughed a still and soundless laughter that shook him to the depths with abysmal old man’s humour.

When I woke I had forgotten the dream; it did not come back to me till later. I had slept for nearly an hour, as I never thought I could possibly have done at a café-table with the music and the bustle all round me. The dear girl stood in front of me with one hand on my shoulder.

“Give me two or three marks,” she said. “I’ve spent something in there.”

I gave her my purse. She took it and was soon back again.

“Well, now I can sit with you for a little and then I have to go. I have an engagement.”

I was alarmed.

“With whom?” I asked quickly.

“With a man, my dear Harry. He has invited me to the Odéon Bar.”

“Oh! I didn’t think you would leave me alone.”

“Then you should have invited me yourself. Some one has got in before you. Well, there’s good money saved. Do you know the Odéon? Nothing but champagne after midnight. Armchairs like at a club, nigger band, jolly fine.”

I had never considered all this.

“But let me invite you,” I entreated her. “I thought it was an understood thing, now that we’ve made friends. Invite yourself wherever you like. Do, please, I beg you.”

“That is nice of you. But, you see, a promise is a promise, and I’ve given my word and I shall keep it and go. Don’t worry any more over that. Have another drink of wine. There’s still some in the bottle. Drink it up and then go comfortably home and sleep. Promise me.”

“No, you know that’s just what I can’t do--go home.”

“Oh--you--with your tales! Will you never be done--with your Goethe?” (The dream about Goethe came back to me at that moment.) “But if you really can’t go home, stay here. There are bedrooms. Shall I see about one for you?”

I was satisfied with that and asked where I could find her again? Where did she live? She would not tell me. I should find her in one place or another if I looked.

“Mayn’t I invite you somewhere?”

“Where?”

“Where and when you like.”

“Good. Tuesday for dinner at the old Franciscan. First floor. Good-bye.”

She gave me her hand. I noticed for the first time how well it matched her voice--a beautiful hand, firm and intelligent and good-natured. She laughed at me when I kissed it.

Then at the last moment she turned once more and said: “I’ll tell you something else--about Goethe. What you felt about him and finding the picture of him more than you could put up with, I often feel about the saints.”

“The saints? Are you so religious?”

“No, I’m not religious, I’m sorry to say. But I was once and shall be again. There is no time now to be religious.”

“No time. Does it need time to be religious?”

“Oh, yes. To be religious you must have time and, even more, independence of time. You can’t be religious in earnest and at the same time live in actual things and still take them seriously, time and money and the Odéon Bar and all that.”

“Yes, I understand. But what was that you said about the saints?”

“Well, there are many saints I’m particularly fond of--Stephen, St. Francis and others. I often see pictures of them and of the Saviour and the Virgin--such utterly lying and false and silly pictures--and I can put up with them just as little as you could with that picture of Goethe. When I see one of those sweet and silly Saviours or St. Francises and see how other people find them beautiful and edifying, I feel it is an insult to the real Saviour and it makes me think: Why did He live and suffer so terribly if people find a picture as silly as that satisfactory to them! But in spite of this I know that my own picture of the Saviour or St. Francis is only a human picture and falls short of the original, and that the Saviour Himself would find the picture I have of Him within me just as stupid as I do those sickly reproductions. I don’t say this to justify you in your ill-temper and rage with the picture of Goethe. There’s no justification. I say it simply to show you that I can understand you. You learned people and artists have, no doubt, all sorts of superior things in your heads; but you’re human beings like the rest of us, and we, too, have our dreams and fancies. I noticed, for example, learned sir, that you felt a slight embarrassment when it came to telling me your Goethe story. You had to make a great effort to make your ideas comprehensible to a simple girl like me. Well, and so I wanted to show you that you needn’t have made such an effort. I understand you all right. And now I’ve finished and your place is in bed.”

She went away and an old house porter took me up two flights of stairs. But first he asked me where my luggage was, and when he heard that I hadn’t any, I had to pay down what he called “sleep-money.” Then he took me up an old dark staircase to a room upstairs and left me alone. There was a bleak wooden bedstead and on the wall hung a sabre and a coloured print of Garibaldi and also a withered wreath that had once figured in a club festival. I would have given much for pyjamas. At any rate there was water and a small towel and I could wash. Then I lay down on the bed in my clothes, and, leaving the light on, gave myself up to my reflections. So I had settled accounts with Goethe. It was splendid that he had come to me in a dream. And this wonderful girl--if only I had known her name! All of a sudden there was a human being, a living human being, to shatter the death that had come down over me like a glass case, and to put out a hand to me, a good and beautiful and warm hand. All of a sudden there were things that concerned me again, which I could think of with joy and eagerness. All of a sudden a door was thrown open through which life came in. Perhaps I could live once more and once more be a human being. My soul that had fallen asleep in the cold and nearly frozen breathed once more, and sleepily spread its weak and tiny wings. Goethe had been with me. A girl had bidden me eat and drink and sleep, and had shown me friendship and had laughed at me and had called me a silly little boy. And this wonderful friend had talked to me of the saints and shown me that even when I had outdone myself in absurdity I was not alone. I was not an incomprehensible and ailing exception. There were people akin to me. I was understood. Should I see her again? Yes, for certain. She could be relied upon. “A promise is a promise.”

And before I knew, I was asleep once more and slept four or five hours. It had gone ten when I woke. My clothes were all creases. I felt utterly exhausted. And in my head was the memory of yesterday’s half-forgotten horror; but I had life, hope and happy thoughts. As I returned to my room I experienced nothing of that terror that this return had had for me the day before. On the stairs above the araucaria I met the “aunt,” my landlady. I saw her seldom but her kindly nature always delighted me. The meeting was not very propitious, for I was still unkempt and uncombed after my night out, and I had not shaved. I greeted her and would have passed on. As a rule, she always respected my desire to live alone and unobserved. To-day, however, as it turned out, a veil between me and the outer world seemed to be torn aside, a barrier fallen. She laughed and stopped.

“You have been on a spree, Mr. Haller. You were not in bed last night. You must be pretty tired!”

“Yes,” I said, and was forced to laugh too. “There was something lively going on last night, and as I did not like to shock you, I slept at an hotel. My respect for the repose and dignity of your house is great. I sometimes feel like a ‘foreign body’ in it.”

“You are poking fun, Mr. Haller.”

“Only at myself.”

“You ought not to do that even. You ought not to feel like a ‘foreign body’ in my house. You should live as best pleases you and do as best you can. I have had before now many exceedingly respectable tenants, jewels of respectability, but not one has been quieter or disturbed us less than you. And now--would you like some tea?”