Chapter I: Part 1

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STONES OF THE TEMPLE

R I V I N G T O N S

London _Waterloo Place_

Oxford _High Street_

Cambridge _Trinity Street_

Illustration: STONES OF THE TEMPLE

STONES OF THE TEMPLE or

Lessons from the fabric and furniture of the Church

By WALTER FIELD, M.A., F.S.A.

RIVINGTONS London, Oxford, and Cambridge 1871

"When it pleased God to raise up kings and emperors favouring sincerely
the Christian truth, that which the Church before either could not or
durst not do, was with all alacrity performed. Temples were in
all places erected, no cost was spared: nothing judged too
dear which that way should be spent. The whole world did
seem to exult, that it had occasion of pouring out gifts
to so blessed a purpose. That cheerful devotion which
David did this way exceedingly delight to behold,
and wish that the same in the Jewish people
might be perpetual, was then in Christian
people every where to be seen.
So far as our Churches and their
Temple have one end, what
should let but that they
may lawfully have one
form?"--Hooker's
"Ecclesiastical
Polity."
{~MALTESE CROSS~}

CONTENTS

PREFACE.
_Chap._ _Page_

I. THE LICH-GATE 1

II. LICH-STONES 11

III. GRAVE-STONES 19

IV. GRAVE-STONES 31

V. THE PORCH 43

VI. THE PORCH 51

VII. THE PAVEMENT 63

VIII. THE PAVEMENT 73

IX. THE PAVEMENT 81

X. THE PAVEMENT 91

XI. THE WALLS 103

XII. THE WALLS 111

XIII. THE WINDOWS 123

XIV. A LOOSE STONE IN THE BUILDING 145

XV. THE FONT 155

XVI. THE PULPIT 167

XVII. THE PULPIT 175

XVIII. THE NAVE 187

XIX. THE NAVE 197

XX. THE AISLES 209

XXI. THE TRANSEPTS 217

XXII. THE CHANCEL-SCREEN 225

XXIII. THE CHANCEL 235

XXIV. THE ALTAR 245

XXV. THE ORGAN-CHAMBER 255

XXVI. THE VESTRY 265

XXVII. THE PILLARS 275

XXVIII. THE ROOF 285

XXIX. THE TOWER 295

XXX. THE HOUSE NOT MADE WITH HANDS 311

INDEX OF ENGRAVINGS

_Page_

St. Mildred's Church and Lich-Gate, Whippingham 3

Lich-Gate at Yealmton 5

Lich-Gate at Birstal 7

Heywood Church, Manchester 13

Lich-Stone, Great Winnow, Cornwall 15

Lich-Stone at Lustleigh 18

Church of St. Nicholas, West Pennard 21

Grave-Stones in Streatham Churchyard 23

Grave-Stones in High-Week Churchyard 24

Easter Flowers 28

Stinchcombe Church 33

Grave-Stones 35, 39, 41

Llanfechan Church 42

Godmersham Church 45

Porch of Luebeck Cathedral 53

Porch and Parvise of St. Mary's Church, Finedon 55

Parvise, Westbury-on-Trim 60

Church of SS. Philip and James, Oxford 65

Brass of John Bloxham and John Whytton in Merton College, Oxford 67

Heywood Church 75

Brass of Henry Sever, at Merton College, Oxford 77

Chancel of Whippingham Church 83

Brass of Sir Roger de Trumpington 85

Church of St. John the Baptist, Kidmore End 93

Encaustic Tiles, Brooke Church 95, 97

St. Andrew's Church, Halstead 105

Ancient Wall Paintings in Kimpton Church 108, 109

St. Michael's Church, Gloucester 113

Ancient Wall Painting in Bedford Church 118

Wall Painting 121

Church of St. John, Brandenburg 125

Doorway, St. Stephen's Church, Tangermuende 127

Crowmarsh Church 131

Stained Glass Windows in Great Malvern Church 137, 139, 141

Rose Window, Cremona Cathedral 143

Amberley Church, in ruin, and restored 147

Ancient Font in West Rounton Church 157

Stone Pulpit in Dartmouth Church 169

Church of St. Mary, Henley-on-Thames 177

Stone Pulpit in North Kilworth Church 179

St. Mary's Church, Sherborne 189

All Saints' Church, Bradford 199

Castle Cary Church 211

Church of SS. Peter and Paul, Ringwood 219

Church of St. John, Walworth 227

Sutton Benger Church 237

Llanfaenor Church 243

St. Alban's Church, Holborn 247

Icklesham Church 257

Harpsden Church 267

Church of St. John, Highbridge 277

Keynsham Church 287

Clerestory Window 294

Meopham Church 297

Tower, Saragosa 303

Window, Church of St. Petronius, Bologna 309

"Who is able to build Him an house, seeing the heaven and heaven of
heavens cannot contain Him? who am I then, that I should build
Him an house, save only to burn sacrifice before Him?
"Send me now therefore a man cunning to work in gold, and
in silver, and in brass, and in iron, and in purple, and
crimson, and blue, and that can skill to grave with the
cunning men that are with me in Judah and in Jerusalem,
whom David my father did provide. Send
me also cedar-trees, fir-trees, and algum-trees,
out of Lebanon: for I know that thy servants
can skill to cut timber in Lebanon;
and, behold, my servants shall be
with thy servants, even to prepare
me timber in abundance:
for the house which
I am about to build
shall be great and
wonderful."--
2 Chron. ii.
6--9.
{~MALTESE CROSS~}

PREFACE

The following chapters are an attempt to explain in very simple language the history and use of those parts of the Church's fabric with which most persons are familiar.

They are not written with a view to assist the student of Ecclesiastical Art and Architecture--for which purpose the works of many learned writers are available--but simply to inform those who, from having paid little attention to such pursuits, or from early prejudice, may have misconceived the origin and design of much that is beautiful and instructive in God's House.

The spiritual and the material fabric are placed side by side, and the several offices and ceremonies of the Church as they are specially connected with the different parts of the building are briefly noticed.

Some of the subjects referred to may appear trifling and unimportant; those, however, among them which seem to be the most trivial have in some parishes given rise to long and serious disputations.

The unpretending narrative, which serves to embody the several subjects treated of, has the single merit of being composed of little incidents taken from real life.

The first sixteen chapters were printed some years since in the _Church Builder_.

The writer is greatly indebted to the Committee of the Incorporated Church Building Society for the use of most of the woodcuts which illustrate the volume.

W. F.

GODMERSHAM VICARAGE,
_Michaelmas_, 1871.

_CHAPTER I_

THE LICH-GATE

"These words which I command thee; thou shalt write them on thy gates."

Deut. vi. 6, 9.

"Who says the Widow's heart must break,
The Childless Mother sink?--
A kinder, truer Voice I hear,
Which even beside that mournful bier
Whence Parent's eyes would hopeless shrink,

"Bids weep no more--O heart bereft,
How strange, to thee, that sound!
A Widow o'er her only Son,
Feeling more bitterly alone
For friends that press officious round.

"Yet is the Voice of comfort heard,
For Christ hath touch'd the bier--
The bearers wait with wondering eye,
The swelling bosom dares not sigh,
But all is still, 'twixt hope and fear.

"Even such an awful soothing calm
We sometimes see alight
On Christian mourners, while they wait
In silence, by some Churchyard gate,
Their summons to the holy rite."

_Christian Year._

Illustration: St. Mildred's Church and Lich-Gate, Whippingham

THE LICH-GATE

Illustration: Lich-Gate at Yealmton

"Any port in a storm, Mr. Ambrose," said old Matthew Hutchison, as with tired feet, and scant breath, he hastened to share the shelter which Mr. Ambrose, the Vicar of the Parish, had found under the ancient and time-worn Lich-gate of St. Catherine's Churchyard. For a few big drops of rain that fell pattering on the leaves around, had warned them both to seek protection from a coming shower. "Ah, yes, my old friend," the Vicar replied, "and here we are pretty near the port to which we must all come, when the storm of life itself is past."

"I've known this place,--man and boy,--Mr. Ambrose, for near eighty years; and on yonder bit of a hill, under that broken thorn, I sit for hours every day watching my sheep; but my eye often wanders across here, and then the thought takes me just as you've said it, sir. Ah! it can't be long before Old Matthew will need some younger limbs than these to bring him through the churchyard gate;--that's what the old walls always seem to say to me;--but God's will be done." And as the old Shepherd reverently lifted his broad hat, his few white hairs, stirred by the rising gale, seemed to confirm the truth of his words.

"Well, Matthew, I am glad you have learnt, what many are slow to learn, that there are 'Sermons in stones,' as well as in books. Every stone in God's House, and in God's Acre--as our Churchyards used to be called,--may teach us some useful lesson, if we will but stop to read it."

"Please, sir, I should like to know why they call the gate at the new churchyard over the hill, a _lich_-gate;--these new names puzzle a poor man like me[1]."

"The name is better known in some parts of the country than it is here; but it is no new name, I assure you, for in the time of the Saxons, more than thirteen hundred years ago, it was in common use; but I will tell you all about this, and some other matters connected with the place where we now stand."

"I shall take it very kind if you will, sir, for you know we poor people don't know much about these things."

"Very often quite as much as many who are richer, Matthew,--but here comes our young squire, anxious like ourselves to keep a dry coat on his back; so I shall now be telling my story to rich and poor together, and I hope make it plain to both." After a few words of friendly greeting between Mr. Acres and himself, the three sat down on the stone seats of the Lich-Gate, and he at once proceeded to answer the old Shepherd's question. "The word _Lich_[2]," he said, "means a _Corpse_, and so _Lich-Gate_ means a Corpse-gate, or gate through which the dead body is borne; and that path up which you came just now, Matthew, used formerly to be called the _Lich-path_[3], because all the funerals came along that way. In some parts of Scotland is still kept up the custom of _Lyke-wake_ (_Lich-wake_), or watching beside the dead body before its burial[4]. The pale sickly-looking moss, which lives best where all else is dead or dying, we call _lichen_. Then you know the _Lich-owl_ is so called because some people are silly enough to think that its screech foretells death. And I must just say something about this word _lich_ in the name of a certain city; it is _Lichfield_. Now _lich-field_ plainly means the field of the dead: and where that city now stands is said to have been the burial-place of many Christian Martyrs, who were slain there about the year 290. You will remember, Mr. Acres, that the Arms of the City exhibit this field of the dead, on which lie three slaughtered men, each having on his head, as is supposed, a martyr's crown. Now, Matthew, I think I have fully replied to your question; but I should like to say something more about the use and the history of these Lich-Gates."

Illustration: Lich-Gate at Birstal

"Will you kindly tell us," said Mr. Acres, "how it is that there are so few remaining, and that of these there are probably very few indeed so much as four centuries old[5]."

"I think the reason is, that at first they were almost entirely made of wood, and therefore were subject to early decay--certainly they must at one time have been far more general than at present. The rubrical direction at the beginning of the Burial Office in our Prayer Book seems to imply some such provision at the churchyard entrance. It is there said 'the Priest and Clerks' are to 'meet the Corpse _at the entrance of the Churchyard_.' But in this old Prayer Book of mine, printed in the year 1549, you see the Priest is directed to meet the corpse at the 'Church-stile,' or Lich-Gate. Now as in olden times the corpse was always borne to its burial by the friends or neighbours of the deceased, and they had often far to travel, their time of reaching the Churchyard must have been very uncertain, and this uncertainty no doubt frequently caused delay when they had arrived, therefore it was desirable both to have a place of shelter on a rainy day, and of rest when the way was long. Hence I suppose it is, that the older Lich-Gates are to be found, for the most part, in widespread parishes and mountainous districts; they are most common in the Counties of Devon and Cornwall, and in Wales[6]. But even where the necessity of the case no longer exists, the Lich-Gate, adorned, as it ever should be, with some holy text or pious precept, is most appropriate as an ornament, and expressive as a symbol. Its presence should always be associated in our minds with thoughts of death, and life beyond it. It should remind us that though we must ere long 'go to the gates of the grave,' yet that it is 'through the grave and gate of death' that we must 'pass to our joyful resurrection.' It is here the Comforter of Bethany so often speaks, through the voice of His Church, to His sorrowing brethren in the world:--'I am the resurrection and the life: he that believeth in Me, though he were dead, yet shall he live[7]."

"Ah! sir," said the shepherd, "many's the poor heart-bowed mourner that's been comforted here with those words! They always remind me of Jesus saying to the widow of Nain, 'Weep not,' when he stopped the bier on which was her only son, and the bearers, and all the mourners, at the gate of the city."

"Yes! and all this makes us look on the old Lich-Gate as no gloomy object, but rather as a 'Beautiful Gate of the Temple' which is eternal,--a glorious arch of hope and triumph, hung all round with trophies of Christian victory. But I see the rain is over, and the sun is shining! so good-bye, Mr. Acres, we two shepherds must not stay longer from our respective flocks:--old Matthew's is spread over the mountains, mine is folded in the village below." The old shepherd soon took his accustomed seat under the weather-beaten thorn, the Vicar was soon deep in the troubles of a poor parishioner, and the young Squire went to the village by another way.

_CHAPTER II_

LICH-STONES

"Man goeth to his long home, and the mourners go about the streets."

Eccles. xii. 5.

"Say, was it to my spirit's gain or loss,
One bright and balmy morning, as I went
From Liege's lovely environs to Ghent,
If hard by the wayside I found a cross,
That made me breathe a prayer upon the spot--
While Nature of herself, as if to trace
The emblem's use, had trail'd around its base
The blue significant Forget-me-not?
Methought, the claims of Charity to urge
More forcibly, along with Faith and Hope,
The pious choice had pitch'd upon the verge
Of a delicious slope,
Giving the eye much variegated scope;--
'Look round,' it whisper'd, 'on that prospect rare,
Those vales so verdant, and those hills so blue;
Enjoy the sunny world, so fresh and fair,
But'--(how the simple legend pierced me thro'!)
'Priez pour les Malheureux.'"

_T. Hood._

Illustration: Heywood Church, Manchester

LICH-STONES

Illustration: Lich-Stone, Great Winnow, Cornwall

"Good morning, Mr. Acres, and a happy Easter-Tide to you. This is indeed a bright Easter sun to shine on our beautiful Lich-Gate at its re-opening. I little thought on what good errand you were bent when last we parted at this spot. Hardly however had I reached my door when William Hardy came with great glee to tell me you had engaged his services for the work. May God reward you, sir, for the honour you have shown for His Church."

"And an old man's blessing be upon you, sir, if you will let Old Matthew say so; for the Church-gate is dearer to me than my own, seeing it has closed upon my beloved partner, and the dear child God gave us, and my own poor wicket shuts on no one else but me now."

"Thank you heartily, honest Matthew, and you too, sir," replied the squire, giving to each the hand of friendship; "I am rejoiced that what has been done pleases you so well. The restored Gate is in every respect like the original one, even to the simple little cross on the top of it. I have added nothing but the sentence from our Burial Office, 'Blessed are the dead which die in the Lord,' which you see over the arch, and which I hope will bring comfort to some, and hope to all who read it. But the work would never have been done by me, Mr. Vicar, had you not so interested Matthew and myself in these Lich-Gates when last we met. And so, as you see, your good words have not been altogether lost, I hope you will kindly to-day continue the subject of our last conversation."

"Most gladly will I do so; and as I have already spoken of the general purpose and utility of these Lich-Gates, I will now say a little about their construction and arrangement.

"Their most common form, as you know, is a simple shed composed of a roof with two gable ends, covered either with tiles or thatch, and supported on strong timbers well braced together. But they are frequently built of stone, and in the manner of their construction they greatly vary. At Burnsall there is a curious arrangement for opening and closing the gate. The stone pier on the north side has a well-hole, in which the weight that closes the gate works up and down. An upright swivel post or 'heart-tree,' (as the people there call it,) stands in the centre, and through this pass the three rails of the gate; an iron bent lever is fixed to the top of this post, which is connected by a chain and guide-pulley to the weight, so that when any one passes through, both ends of the gate open in opposite directions. The Gate at Rostherne churchyard, in Cheshire, is on a similar plan. At Berry-harbour is a Lich-Gate in the form of a cross. At only one place, I believe,--Troutbeck, in Westmoreland,--are there to be found three stone Lich-Gates in one churchyard. Some of these gates have chambers over them, as at Bray[8], in Berkshire, and Barking[9], in Essex. At Tawstock there is a small room on either side of the gate, having seats on three sides and a table in the centre. It seems that in this, as in some other cases, provision is made either for the distribution of alms, or for the rest and refreshment of funeral attendants. It was once a common custom at funerals in some parts, especially in Scotland[10], to hold a feast at the Church-gate and these feasts sometimes led to great excesses: happily they are now discontinued, but the custom may help to point out the purpose for which these Lich-Gate rooms were sometimes erected. In Cornwall it is not customary to bear the corpse on the shoulders, but to carry the coffin, under-handed, by white cloths passed beneath and through the handles[11] and this partly explains the peculiar arrangement for resting the corpse at the entrance to the churchyard, common, even now, in that county, and which is called the _Lich-Stone_. The Lich-Stone is often found without any building attached to it, and frequently without even a gate. The Stone is either oblong with the ends of equal width, or it is the shape of the ancient coffins, narrower at one end than the other, but without any bend at the shoulder. It is placed in the centre, having stone seats on either side, on which the bearers rest whilst the coffin remains on the Lich-Stone. When there is no gate, the churchyard is protected from the intrusion of cattle by this simple contrivance:--long pieces of moor-stone, or granite, are laid across, with a space of about three inches between each, and being rounded on the top any animal has the greatest difficulty in walking over them, indeed a quadruped seldom attempts to cross them.

"Lich-Stones are,--though very rarely,--to be found at a distance from the churchyard; in this case, doubtless, they are intended as rests for the coffin on its way to burial.

"At Lustleigh, in Devonshire, is an octagonal Lich-Stone called Bishop's Stone, having engraved upon it the arms of Bishop Cotton[12]. It seems not unlikely that the several beautiful crosses erected by King Edward I. at the different stages where the corpse of his queen, Eleanor[13], rested on its way from Herdeby in Lincolnshire to Westminster, were built over the Lich-Stone on which her coffin was placed. And now, my kind listeners, I think I have told you all I know about Lich-Stones."

Illustration: Lich-Stone at Lustleigh

"These simple memorials of Church architecture are very touching," replied Mr. Acres, as he rose to depart; "and the Lich-Stone deserves a record before modern habits and improvements sweep them away. They have a direct meaning, and surely might be more generally adopted in connexion with the Lich-Gate, now gradually re-appearing in many of our rural parishes, as the fitting entrance to the churchyard."

_CHAPTER III_

GRAVE-STONES

"When I am dead, then bury me in the sepulchre wherein the man of God is buried; lay my bones beside his bones."

1 Kings xiii. 31.

"I've seen
The labourer returning from his toil,
Here stay his steps, and call the children round,
And slowly spell the rudely sculptured rhymes,
And in his rustic manner, moralize.
We mark'd with what a silent awe he'd spoken,
With head uncover'd, his respectful manner,
And all the honours which he paid the grave."

_H. Kirke White._

"I like that ancient Saxon phrase, which calls
The burial-ground God's acre! It is just;
It consecrates each grave within its walls,
And breathes a benison o'er the sleeping dust.

"Into its furrows shall we all be cast,
In the sure faith that we shall rise again
At the great harvest, when the archangel's blast
Shall winnow, like a fan, the chaff and grain.

"With thy rude ploughshare, Death, turn up the sod,
And spread the furrow for the seed we sow;
This is the field and acre of our God:
This is the place where human harvests grow."

_Longfellow._

Illustration: Church of St. Nicholas, West Pennard

GRAVE-STONES

Illustration: Grave-Stones in Streatham Churchyard

"And so, Matthew, the old sexton's little daughter is to be buried to-day. What a calm peaceful day it is for her funeral! The day itself seems to have put on the same quiet happy smile that Lizzie Daniels always carried about with her, before she had that painful lingering sickness, which she bore with a meekness and patience I hardly ever saw equalled. And then it is Easter Day too, the very day one would choose for the burial of a good Christian child. All our services to-day will tell us that this little maid, and all those who lie around us here so still beneath their green mounds, are not dead but sleeping, and as our Saviour rose from the grave on Easter Day, so will they all awake and rise up again when God shall call them. I see the little grave is dug under the old yew-tree, near to that of your own dear ones. Lizzie was a great favourite of yours, was she not, Matthew?"

"Ah, she was the brightest little star in my sky, I can tell you, sir; and I shall miss her sadly. She brought me my dinner, every day for near two years, up to the old thorn there, and then she would sit down on the grass before me, and read from her Prayer Book some of the Psalms for the day; and when she had done, and I had kissed and thanked her, she used to go trotting home again, with, I believe, the brightest little face and the lightest little heart in England. Well, sir, it's sorry work, you know, for a man to dig the grave for his own child, and so I asked John Daniels to let me dig Lizzie's grave: but it has been indeed hard work for me, for I think I've shed more tears in that grave than I ever shed out of it. But the grave is all ready now, and little Lizzie will soon be there; and then, sir, I should like to put up a stone, for I shall often come here to think about the dear child. Poor little Lizzie! she seemed like a sort of good angel to me,--children do seem like that sometimes, don't they, sir? Perhaps, Mr. Ambrose, you would be so good as to tell Robert Atkinson what sort of stone you would like him to put up."

"Certainly I will; and I think nothing would be so suitable as a simple little stone cross, with Lizzie's name on the base of it. And as she is to be buried on Easter Day, I should like to add the words, 'In Christ shall all be made alive.'"

"Thank you, sir; that will do very nicely. I'm only thinking, may be, that wicked boy of Mr. Dole's, at the shop, will come some night and break the cross, as he did the one Mr. Hunter put up over his little boy. But I think that was more the sin of the father than of the son, for I'm told the old gentleman's very angry with you, sir, 'cause he couldn't put what he call's a 'handsome monument' over his father's grave; and he says, too, he's going to law about it."

Illustration: Grave-Stones in High-Week Churchyard

"Ah, he'll be wiser not to do that, Matthew. The churchyard is the parson's freehold, and he has the power to prevent the erection of any stone there of which he disapproves; and I, for one, don't mean to give up this power. 'Tis true that every one of my parishioners has a right to be buried in this churchyard, nor could I refuse this if I would; but then, if I am to protect this right of my parishioners, as it is my duty to do, and to preserve my churchyard from disfigurement and desecration, I must take care that the ground is not occupied by such great ugly monuments as Mr. Dole wishes to build[14]. Why I hear he bought that large urn[15] which was taken down from Mr. Acres' park gates, to put on the top of the tomb. And then I suppose he would like to have the sides covered with skulls and crossbones, and shovels and mattocks, and fat crying cherubs, besides the usual heathen devices, such as inverted torches and spent hour-glasses; all which fitly enough mark an infidel's burial-place, but not a Christian's. For you see, my friend, that _none of these things represent any Christian truth_; the best are but emblems of mortality; some are the symbols of oblivion and despair, and others but mimic a heathen custom long gone by. The stones of the churchyard ought themselves to tell the sanctity of the place, and that it is a Christian's rest[16]. The letters we carve on them will hardly be read by our children's children. The lines on that stone there tell no more than is true of all the Epitaphs around us:

'The record some fond hand hath traced,
To mark thy burial spot,
The lichen will have soon effaced,
To write thy doom--Forgot.'

But even then, if the symbol of our redemption is there, 'the very stones will cry out,' and though time-worn and moss-grown, will declare that it is a _Christian's_ burial-place. If, then, as Christian men and women 'we sorrow not as others without hope,' let us not cover our monuments with every symbol of despair, or with heathen devices, but as we are not ashamed of the doctrine, so neither let us be ashamed of the symbol of the cross of Christ. Besides, if we wish to preserve our graves from desecration, this form of stone is the most likely to do so; for in spite of outrages like young Dole's, which have been sometimes committed, we continually find that such memorials have been respected and preserved when others have been removed and employed for common uses. Why, Matthew, I've seen hundreds of grave-stones converted into fire-hearths, door-steps, pavements, and such like, but I never saw a monument on which was graven the Christian symbol so desecrated; and I believe such a thing has hardly ever been seen by any one."

"Well, Mr. Ambrose, I should like there to be no doubt about little Lizzie's being a Christian's grave. I was thinking, too, to have a neat iron railing round the stone, sir."

"I would advise you not to have it, Matthew; for the grave will be prettier without it. Besides, it gives an idea of separateness, which one does not like in a place where all distinctions are done away with; and, moreover, the iron would soon rust, and then the railing would become very untidy."

"Yes, to be sure it would; I was forgetting that I shan't be here to keep it nicely painted:--but see, sir, here come the children from the village with their Easter flowers. I dare say little Mary Acres will give me some for Lizzie's grave."

"Ah, I like that good old custom of placing flowers and wreaths on Christian graves at Easter, and other special seasons[17]. It is the simple way in which these little ones both show their respect for departed friends, and express their belief in the resurrection of the dead. I would say of it, as Wordsworth wrote of the Funeral Chant:--

'Many precious rites
And customs of our rural ancestry
Are gone, or stealing from us; this, I hope,
Will last for ever.'

But you remember the time, Matthew, when there were very different scenes from this, at Easter, in St. Catherine's churchyard. If I mistake not, you will recollect when the Easter fair used to be kept here."

Illustration: Easter Flowers

"That I do, sir, too well. There was always a Sunday fight in the churchyard, and the people used to come from Walesborough and for miles round to see it. It's just forty years ago to-day poor Bill Thirlsby was killed in a fight, as it might be, just where I'm now standing[18]. But, thank God, that day's gone by."

"And, I trust, never to come back again. But have you heard, Matthew, that some great enemies of the Church are trying to spoil the peace and sacredness of our churchyards in another way? They want to bring in all kinds of preachers to perform all sorts of funeral services in them; and if they gain their ends, our long-hallowed churchyards, where as yet there has only been heard the solemn beautiful Burial Service of our own Church, may be desecrated by the clamour of ignorant fanaticism, the continual janglings of religious discord, or perhaps, the open blasphemy of godless men."

"What! then I suppose we should have first a service from Master Scoff, the bill-sticker and Mormon preacher, and next from Master Scole, the Baptist preacher, then from Father La Trappe, the Roman Catholic minister, and then, perhaps, sir, it might be your turn. Why, sir, 'twould be almost like going back to the Easter fair."

"Well, my friend, in one respect it would be worse; for it would be discord all the year round. But I trust God will frustrate these wicked designs of our Church's foes. Long, long may it be ere the sanctity of our churchyards is thus invaded."

"Amen, say I to that, sir, with all my heart."

"And, thanks be to God, Matthew, that Amen of yours is now re-echoing loudly throughout the length and breadth of England."

_CHAPTER IV_

GRAVE-STONES

"And he said, What title is that that I see? and the men of the city told him, It is the sepulchre of the man of God."

2 Kings xiii. 17.

"I never can see a Churchyard old,
With its mossy stones and mounds,
And green trees weeping the unforgot
That rest in its hallow'd bounds;
I never can see the old churchyard,
But I breathe to God a prayer,
That, sleep as I may in this fever'd life,
I may rest, when I slumber, there.

"Our Mother the Church hath never a child
To honour before the rest,
But she singeth the same for mighty kings,
And the veriest babe on her breast;
And the bishop goes down to his narrow bed
As the ploughman's child is laid,
And alike she blesseth the dark brow'd serf,
And the chief in his robe array'd.

"And ever the bells in the green churchyard
Are tolling to tell you this:--
Go pray in the church, while pray ye can,
That so ye may sleep in bliss."

_Christian Ballads._

"It is an awful thing to stand
With either world on either hand,
Upon the intermediate ground
Which doth the sense and spirit bound.
Woe worth the man who doth not fear
When spirits of the dead are near."

_The Baptistery._

Illustration: Stinchcombe Church

GRAVE-STONES

A golden haze in the eastern sky told that the sun which had set in all his glory an hour before was now giving a bright Easter Day to Christians in other lands. The evening service was ended, and a joyful peal had just rung out from the tower of St. Catherine's,--for such was the custom there on all the great festivals of the Church,--the low hum of voices which lately rose from a group of villagers gathered near the churchyard gate was hushed; there was a pause of perfect stillness; and then the old tenor began its deep, solemn tolling for the burial of a little child. The Vicar and his friend Mr. Acres, who had been walking slowly to and fro on the churchyard path, stopped suddenly on hearing the first single beat of the burial knell, and at the same instant they saw, far down the village lane, the flickering light of the two torches borne by those who headed the little procession of Lizzie's funeral. They, too, seemed to have caught the spell, and stood mutely contemplating the scene before them. At length Mr. Acres broke silence by saying, "I know of but few Parishes where, like our own, the funerals of the poor take place by torch-light; it is, to say the least, a very picturesque custom."

Illustration: Grave Stones

"It is, indeed," replied Mr. Ambrose, "I believe, however, the poor in this place first adopted it from no such sentiment, but simply as being more convenient both to themselves and to their employers. Their employers often cannot spare them earlier in the day, and they themselves can but ill afford to lose a day's wages. But these evening funerals have other advantages. They enable many more of the friends of the departed to show this last tribute of respect to their memory than could otherwise do so; and were this practice more general, we should have fewer of those melancholy funerals where the hired bearers are the sole attendants. Then, if properly conducted, they save the poor much expense at a time when they are little able to afford it. I find that their poor neighbours will, at evening, give their services as bearers, free of cost, which they cannot afford to do earlier in the day. The family of the deceased, too, are freed from the necessity of taxing their scanty means in order to supply a day's hospitality to their visitors, who now do not assemble till after their day's labour, and immediately after the funeral retire to their own homes, and to rest. I am sorry to say, however, this was not always so. When I first came to the Parish, the evening was too often followed by a night of dissipation. But since I have induced the people to do away with hired bearers, and enter into an engagement to do this service one for another, free of charge, and simply as a _Christian duty_, those evils have never recurred. I once preached a sermon to them from the text, 'Devout men carried Stephen to his burial' (Acts viii. 2), in which I endeavoured to show them that none but men of good and honest report should be selected for this solemn office; and I am thankful to say, from that time all has been decent and orderly. When it is the funeral of one of our own school-children, the coffin is always carried by some of the school-teachers; I need hardly say this is simply an act of Christian charity. Moreover, this custom greatly diminishes the number of our Sunday burials, which are otherwise almost a necessity among the poor[19]. The Sunday, as a great Christian Festival, is not appropriate for a public ceremony of so mournful a character as that of the burial of the dead; there is, too, this additional objection to Sunday burials: that they create _Sunday labour_. But, considering the subject generally, I confess a preference for these evening funerals. To me they seem less gloomy, though more solemn, than those which take place in the broad light of day. When the house has been closed, and the chamber of death darkened for several days (to omit which simple acts would be like an insult to the departed), it seems both consonant with this custom which we have universally adopted, and following the course of our natural feelings, to avoid--in performing the last solemn rite--the full blaze of midday light. There is something in the noiseless going away of daylight suggestive of the still departure of human life; and in the gathering shades of evening, in harmony with one's thoughts of the grave as the place of the _sleeping_, and not of the _dead_. The hour itself invites serious thought. When a little boy, I once attended a midnight funeral; and the event left an impression on my mind which I believe will never be altogether effaced. I would not, however, recommend midnight funerals, except on very special occasions; and I must freely admit that under many circumstances evening funerals would not be practicable."

"I see," said Mr. Acres, "that the system here adopted obviates many evils which exist in the prevailing mode of Christian burial, but it hardly meets the case of large towns, especially when the burial must take place in a distant cemetery. Don't you think we want reform there, even more, perhaps, than in these rural parishes?"

"Yes, certainly, my friend, I do; and I regret to say I see, moreover, many difficulties that beset our efforts to accomplish it. Still something should be done. We all agree, it is much to be deplored that, owing to the necessity for extramural burial, the connexion between the parishioner and his parish church is, with very rare exceptions, entirely severed in the last office which the Clergy and his friends can render him, and the solemn Service of the Burial of the Dead is said in a strange place, by a stranger's voice. Now this we can at least partly remedy. I would always have the bodies of the departed brought to the parish church previous to their removal to the cemetery; and the funeral knell should be tolled, as formerly, to invite their friends and neighbours to be present, and take part in so much of the service as need not be said at the grave. It would then be no longer true, as now it is, that in many of our churches this touching and beautiful Service has never been said, and by many of the parishioners has never been heard. Then let the bearers be men of good and sober character. How revolting to one's sense of decency is the spectacle, so common in London, of hired attendants, wearing funeral robes and hat-bands[20], drinking at gin-palaces, whilst the hearse and mourning coaches are drawn up outside! Then I would have the furniture of the funeral less suggestive of _sorrow without hope_; and specially I would have the coffin less gloomy,--I might in many cases say, less _hideous_: let it be of plain wood, or, if covered, let its covering be of less gloomy character, and without the trashy and unmeaning ornaments with which undertakers are used to bestud it. As regards our cemeteries, I suppose in most of them the Burial Service is said in all its integrity, but in some it is sadly mutilated. 'No fittings, sir, and a third-class grave,' said the attendant of a large cemetery the other day to a friend of mine, who had gone there to bury a poor parishioner; which in simple English was this:--'The man was too poor to have any other than a _common grave_, so you must not read all the Service; and his friends are too poor to give a hat-band, so you must not wear a hood and stole.' My friend did not of course comply with the intimation."

Illustration: Grave-Stones

"Well, Mr. Vicar, I hope we may see the improvements you have suggested carried out, and then such an abuse as that will not recur. Much indeed has already been done in this direction, and for this we must be thankful."

"Yes, and side by side with that, I rejoice to see an increasing improvement in the character of our tombstones and epitaphs."

"Ah, sir, there was need enough, I am sure, for that. How shocking are many of the inscriptions we find on even modern tombstones! To 'lie like an epitaph' has long been a proverb, and I fear a just one. What a host of false witnesses we have even here around us in this burial-ground! There lies John Wilk, who was--I suppose--as free from care and sickness to his dying hour as any man that ever lived; yet his grave-stone tells the old story:--

'Afflictions sore long time I bore,
Physicians was in vain.'

And beyond his stands the stone of that old scold Margery Torbeck, who, you know, sir, was the terror of the whole village; and of her we are told:--

'A tender wife, a mother dear,
A faithful friend, lies buried here.'

I often think, Mr. Ambrose, when walking through a churchyard, if people were only half as good when living, as when dead they are said to have been, what a happy world this would be; so full of 'the best of husbands,' 'the most devoted of wives,' 'the most dutiful of sons,' and 'the most amiable of daughters.' One is often reminded of the little child's inquiry--'Mamma, where are all the _wicked_ people buried?' But did you ever notice that vain and foolish inscription under the north wall to the 'perpetual' memory of 'Isaac Donman, Esq.'? Poor man! I wonder whether his friends thought the 'Esq.' would _perpetuate_ his memory. I wish it could be obliterated."

"I have told John Daniels to plant some ivy at the base of the stone, and I hope the words will be hidden by it before the summer is over. I find this the most convenient mode of concealing objectionable epitaphs. But is it not an instance of strange perversity, that where all earthly distinctions are swept away, and men of all degrees are brought to one common level, people will delight to inscribe these boastful and exaggerated praises of the departed, and so often claim for them virtues which in reality they never possessed? What can be more out of place here than pride? As regards the frail body on which is often bestowed so much vain eulogy, what truer words are there than these?--

'How loved, how valued once, avails thee not;
To whom related, or by whom begot:
A heap of dust alone remains of thee,
'Tis all thou art, 'tis all the proud shall be.'

These kind of epitaphs, too, are so very unfair to the deceased. We who knew old Mrs. Ainstie, who lies under that grand tombstone, knew her to be a good, kind neighbour; but posterity will not believe that, when posterity reads in her epitaph that 'she was a spotless woman.' It is better to say too little than too much; since our Bibles tell us that, even _when we have done all, we are unprofitable servants_. There are other foolish epitaphs which are the result of ignorance, not of pride. For instance, poor old Mrs. Beck, whose son is buried in yonder corner (it is too dark now to see the stone), sent me these lines for her son's grave-stone:--

'Here lies John Beck, aged 19 years,
Father and mother, wipe away your tears.'

I persuaded her instead to have this sentence from the Creed:--'I believe in the communion of Saints.' When I explained to her the meaning of the words, she was grateful that I had suggested them.

Illustration: Grave-Stones

The two things specially to be avoided in these memorials are flattery and falsehood; and, moreover, we should always remember that neither grave-stone nor epitaph can benefit the _dead_, but that both may benefit the _living_. Therefore a short sentence from the Bible or Prayer Book, expressive of hope beyond the grave, is always appropriate; such as:--'I look for the resurrection of the dead, and the life of the world to come;' or words which either may represent the dying prayer of the deceased, or express a suitable petition for ourselves when thus reminded of our own approaching departure, such as: 'Jesus, mercy,' or 'God be merciful to me a sinner,' or 'In the hour of death, good Lord, deliver us.' How much better is some simple sentence like these than a fulsome epitaph! But the funeral is nearly at the gate; so I must hasten to meet it."

"And I will say good evening," said Mr. Acres, "as I may not see you after the service; and I thank you for drawing my attention to a subject on which I had before thought too little."

Mr. Ambrose met the funeral at the lich-gate. First came the two torch-bearers, then the coffin, borne by six school-teachers; then John and Mary Daniels, followed by their two surviving children; then came old Matthew, and after him several of little Lizzie's old friends and neighbours. Each attendant carried a small sprig of evergreen[21], or some spring flowers, and, as the coffin was being lowered, placed them on it. Many tears of sadness fell down into that narrow grave, but none told deeper love than those of the old Shepherd, who lingered sorrowfully behind to close in the grave of his little friend.

Illustration: Llanfechan Church

_CHAPTER V_

THE PORCH

"Keep thy foot when thou goest to the house of God."

Eccles. v. 1.

"When once thy foot enters the church, be bare.
God is more there than thou: for thou art there
Only by His permission. Then beware
And make thyself all reverence and fear.
Kneeling ne'er spoilt silk stockings: quit thy state,
All equal are within the Church's gate.

"Let vain or busy thoughts have there no part:
Bring not thy plough, thy plots, thy pleasures thither.
Christ purged His temple; so must thou thy heart.
All worldly thoughts are but thieves met together
To cozen thee. Look to thy actions well;
For churches either are our heaven or hell."

_George Herbert._

"One place there is--beneath the burial sod,
Where all mankind are equalized by death:
Another place there is--the Fane of God,
Where all are equal who draw living breath."

_Thomas Hood._

Illustration: Godmersham Church

THE PORCH

Mr. Ambrose only remained in the churchyard a few moments after little Lizzie's funeral, just to say some kind words to the bereaved parents and the attendant mourners, and then hastened to comply with the urgent request of a messenger, that he would without delay accompany him to the house of a parishioner living in a distant part of the Parish.

It was more than an hour ere the Vicar began to retrace his steps. His nearest way to the village lay through the churchyard, along the path he had lately traversed in earnest conversation with Mr. Acres. He paused a moment at the gate, to listen for the sound of Matthew's spade; but the old man had completed his task, and all was still. He then entered, and turned aside to look at the quiet little grave. A grassy mound now marked the spot, and it was evident that no little care had been bestowed to make it so neat and tidy.

Mr. Ambrose was slowly walking on, musing on the patient sufferings of his little friend, now gone to her rest, when just as he approached the beautiful old porch of the church his train of thought was suddenly disturbed by hearing what seemed to him the low, deep sobbing of excessive grief. The night was not so dark but that he could see distinctly within the porch, and he anxiously endeavoured to discover whether the sound had proceeded from any one who had taken shelter there for the night; but the place was evidently tenant less. "It must have been only the hum of a passing breeze, which my fancy has converted into a human voice," thought he, "for assuredly no such restless sobs as those ever escape from the deep sleepers around me here." And so the idea was soon banished and forgotten. But as he stood there, his gaze became, almost unconsciously, fixed upon the old church porch. The dim light resting upon it threw the rich carvings of its graceful arches, and deep-groined roof, with its massive bosses of sculptured stone, into all sorts of fantastic forms, and a strange mystery seemed to hang about the solemn pile, which completely riveted his attention to it, and led him into the following reverie:--"Ah, thou art indeed a 'beautiful gate of the temple'! Well and piously did our ancestors in bestowing so much wealth and labour to make thy walls so fair and lovely. And well ever have they done in crowding these noble porches with the sacred emblems of our holy faith. Rightly have they deemed that the very highest efforts of human art could not be misapplied in adorning the threshold of God's House, so that, ere men entered therein, their minds might be attuned to the solemnity of the place[22]. All praise, too, to those honest craftsmen who cemented these old stones so well together that they have stood the storms of centuries, and still remain the unlettered though faithful memorials of ages long gone by. Ah, how many scenes my imagination calls up as I look on this old porch! Hundreds of years ago most of the sacred offices of our Church were there in part performed. Now, I think I see the gay bridal party standing in that dusky portal[23]; there comes the Priest to join the hands of the young and happy pair; he pronounces over them the Church's blessing; and the bridegroom endows with her bridal portion her whom he has sworn to love till one shall die. A thousand brides and bridegrooms, full of bright hopes of happy years, have been married in that porch. Centuries ago they grew old and died, and were buried in this churchyard, but the old porch still remains in all its beauty and all its strength. There, kneeling upon that well-worn pavement, I see the mother pour forth her thankfulness to God for her deliverance from sickness, and for the babe she bears[24]. And now, still beneath that porch, she gives her tender infant into the arms of God's priest, that he may present it to Him in holy Baptism. In yon dark corner I seem to see standing the notorious breaker of God's commands; his head is bent down with shame, and he is clothed in the robe of penance[25]. Now the scene is changed: the old walls resound with the voices of noisy disputants--it is a parish meeting[26], and passions long since hushed find there a clamorous expression; but there stands the stately form of the peace-maker, and the noisy tongue of the village orator is heard no more. Yes, rise up, Sir Knight, who, with thy hands close clasped as if in ceaseless prayer, hast lain upon that stony couch for five long centuries, and let thy manly step be heard beneath that aged roof once more; for, though a warrior, thou wast a good and peace-loving man, and a devout worshipper in this temple, or, I trust, thy burial-place would never have been in this old porch[27]."