Chapter II: Front Matter (2)

"He does not care to know," she thought sullenly. And then she told herself that he did know, and a mocking devil of a smile settled on her lip and was there when he turned toward her again.

But the time never came when his manner altered, when he was less candid and gentle, or less grateful for the favor she was bestowing upon him.

She scarcely knew how it was that she first began to know the sound of his foot upon the stairway and to listen for it. Her earliest consciousness of it was when once she awakened suddenly out of a dead sleep at night and found herself sitting upright with her hand upon her heavily throbbing heart.

"What is it?" she cried in a loud whisper. But she spoke only to herself and the darkness. She knew what it was and did not lie down again until the footsteps had reached the top of the last flight and the door above had opened and closed.

The time arrived when there was scarcely a trifling incident in his everyday life which escaped her. She saw each sign of his poverty and physical weakness. He grew paler day by day. There were days when his step flagged as he went up and down the staircase; some mornings he did not go out at all. She discovered that each Sunday he went twice to the little American chapel in the Rue de Berri, and she had seen in his room a small Protestant Bible.

"You read that?" she asked him when she first saw it.

"Yes."

She leaned forward, her look curious, bewildered, even awed.

"And you believe in--God?"

"Yes."

She resumed her former position, but she did not remove her eyes from his face, and unconsciously she put her hand up to her swelling throat.

When at length the sitting was over and she left her chair he was standing before the easel. He turned to her and spoke hesitantly.

"Will you come and look at it?" he asked.

She went and stood where he bade her, and looked. He watched her anxiously while she did so. For the first moment there was amazement in her face, then some mysterious emotion he could not comprehend--a dull red crept slowly over brow and cheek.

She turned upon him.

"Monsieur!" she cried, passionately. "You mock me! It is a bad picture."

He fell back a pace, staring at her and suddenly trembling with the shock.

"A bad picture!" he echoed. "_I_ mock you--_I?_"

"It is my face," she said, pointing to it, "but you have made it what _I_ am not! It is the face of a good woman--of a woman who might be a saint! Does not _that_ mock me?"

He turned to it with a troubled, dreamy look.

"It is what I have seen in your face," he said in a soft, absent voice. "It is a truth to me. It is what _I_ have seen."

"It is what no other has seen," she said. "I tell you it mocks me."

"It need not mock you," he answered. "I could not have painted it if I had not felt it. It is yourself--yourself."

"Myself?" she said. "Do you think, Monsieur, that the men who have painted me before would know it?"

She gave it another glance and a shrill laugh burst from her, but the next instant it broke off and ended in another sound. She fell upon her knees by the empty chair, her open hands flung outward, her sobs strangling her.

He stood quite near her, looking down.

"I have not thought of anything but my work," he said. "Why should I?"

* * * * *

The following Sunday night the artist Masson met in going down-stairs a closely veiled figure coming up. He knew it and spoke.

"What, Natalie?" he said. "You? One might fancy you had been to church."

"I have been," she returned in a cold voice,--"to the church of the Americans in the Rue de Berri."

He shrugged his shoulders.

"Has it done you good?" he asked.

"No," she answered, and walked past him, leaving him to look after her and think the matter over.

She went to her own apartment and locked herself in. Having done so, she lighted every candle and lamp--flooding the place with a garish mockery of brightness. She sang as she did it--a gay, shrill air from some _opera bouffe_. She tore off her dark veil and wrappings. Her eyes and cheeks flamed as if touched by some unholy fire. She moved with feverish rapidity here and there--dragging a rich dress from a trunk, and jewels and laces from their places of safe keeping, and began to attire herself in them. The simple black robe she had worn to the chapel lay on the floor. As she moved to and fro she set her feet upon it again and again, and as she felt it beneath her tread a harsh smile touched her lips.

"I shall not wear you again," she stopped her song once to say.

In half an hour she had made her toilette. She stood before her glass, a blaze of color and jewels. For a moment she sang no more. From one of the rooms below there floated up to her sounds of riotous merriment.

"_This_ is myself," she said; "_this_ is no other."

She opened her door and ran down the staircase swiftly and lightly. The founder of the feast whose sounds she had heard was a foolish young fellow who adored her madly. He was rich, and wicked, and simple. Because he had heard of her return he had taken an apartment in the house. She heard his voice above the voices of the rest.

In a moment she had flung open the door of the _salon_ and stood upon the threshold.

At sight of her there arose a rapturous shout of delight.

"Natalie! Natalie! Welcome!"

But instantaneously it died away. One second she stood there, brilliant, smiling, defiant. The next, they saw that a mysterious change had seized upon her. She had become deathly white, and was waving them from her with a wild gesture.

"I am not coming," she cried, breathlessly. "No! No! No!"

And the next instant they could only gaze at each others' terror-stricken faces, at the place she had left vacant,--for she was gone.

She went up the stairs blindly and uncertainly. When she reached the turn of the fourth floor where the staircase was bare and unlighted, she staggered and sank against the balustrades, her face upturned.

"I cannot go back," she whispered to the darkness and silence above. "Do you hear? I cannot! And it is you--you who restrain me!"

But there were no traces of her passion in her face when she went to the little studio the next day as usual. When the artist opened the door for her, it struck him that she was calm even to coldness.

Instead of sitting down, she went to the easel and stood before it.

"Monsieur," she said, "I have discovered where your mistake lies. You have tried to paint what you fancied must once have existed, though it exists no longer. That is your mistake. It has never existed at all. I remember no youth, no childhood. Life began for me as it will end. It was my fate that it should. I was born in the lowest quarter of Paris. I knew only poverty, brutality, and crime. My beauty simply raised me beyond their power. Where should I gain what you have insisted in bestowing upon me?"

He simply stood still and looked at her.

"God knows!" he answered at length. "I do not."

"God!" she returned with her bitter little laugh. "Yes--God!"

Then she went to her place, and said no more.

But the next Sunday she was at the American chapel again, and the next, and the next. She could scarcely have told why herself. She did not believe the doctrines she heard preached, and she did not expect to be converted to belief in them. Often, as the service proceeded, a faint smile of derision curved her lips; but from her seat in the obscure corner she had chosen she could see a thin, dark face and a stooping figure, and could lean back against the wall with a sense of repose.

"It is quiet here," was her thought. "One can be quiet, and that is much."

"What is the matter with her?" the men who knew her began to ask one another. But it was not easy for them to discover how the subtle change they saw had been wrought. They were used to her caprices and to occasional fits of sullenness, but they had never seen her in just such a mood as she was now. She would bear no jests from them, she would not join in their gayeties. Sometimes for days together she shut herself up in her room, and they did not see her at all.

The picture progressed but slowly. Sometimes the artist's hand so trembled with weakness that he could not proceed with his work. More than once Natalie saw the brush suddenly fall from his nerveless fingers. He was very weak in these days, and the spot of hectic red glowed brightly on his cheek.

"I am a poor fellow at best," he would say to her, "and now I am at my worst. I am afraid I shall be obliged to rest sooner than I fancied. I wish first I could have finished my work. I must not leave it unfinished."

One morning when he had been obliged to give up painting, through a sudden fit of prostration, on following her to the door, he took her hand and held it a moment.

"I was awake all last night," he said. "Yesterday I saw a poor fellow who had fallen ill on the street, carried into the Hotel Dieu, and the memory clung to me. I began to imagine how it would be if such a thing happened to me--what I should say when they asked for my friends,--how there would be none to send for. And at last, suddenly I thought of you. I said to myself, 'I would send for her, and I think she would come.'"

"Yes, Monsieur," she answered. "You might depend upon my coming."

"I am used to being alone," he went on; "but it seemed to me as I lay in the dark thinking it over, that to die alone would be a different matter. One would want some familiar face to look at--"

"Monsieur!" she burst forth. "You speak as if Death were always near you!"

"Do I?" he said. And he was silent for a few seconds, and looked down at her hand as he held it. Then he dropped it gently with a little sigh. "Good-bye," he said, and so they parted.

In the afternoon she sat to Masson.

"How much longer," he said to her in the course of the sitting,--"how much longer does he mean to live--this American? He has lasted astonishingly. They are wonderful fellows, these weaklings who burn themselves out. One might fancy that the flame which finally destroys them, also kept them alive."

"Do you then think that he is so very ill?" she asked in a low voice.

"He will go out," he answered, "like a candle. Shall I tell you a secret?"

She made a gesture of assent.

"He starves! The _concierge_ who has watched him says he does not buy food enough to keep body and soul together. But how is one to offer him anything? It is easy to see that he would not take it."

There was a moment of silence, in which he went on painting.

"The trouble is," he said at last, "that a man would not know how to approach him. It is only women who can do these things."

Until the sitting was over neither the one nor the other spoke again. When it was over and Natalie was on the point of leaving the room, Masson looked at her critically.

"You are pale," he remarked. "You are like a ghost."

"Is it not becoming?" she asked.

"Yes."

"Then why complain?"

She went to her own room and spent half an hour in collecting every valuable she owned. They were not many; she had always been recklessly improvident. She put together in a package her few jewels, and even the laces she considered worth the most. Then she went out, and, taking a _fiacre_ at the nearest corner, drove away.

She was absent two hours, and when she returned she stopped at the entrance, intending to ask the _concierge_ a question. But the man himself spoke first. He was evidently greatly disturbed and not a little alarmed.

"Mademoiselle," he began, "the young man on the sixth floor--"

"What of him?" she demanded.

"He desires to see you. He went out in spite of my warnings. Figure to yourself on such a day, in such a state of health. He returned almost immediately, wearing the look of Death itself. He sank upon the first step of the staircase. When I rushed to his assistance he held to his lips a handkerchief stained with blood! We were compelled to carry him up-stairs."

She stood a moment, feeling her throat and lips suddenly become dry and parched.

"And he asked--for me?" she said at last.

"When he would speak, Mademoiselle--yes. We do not know why. He said, in a very faint voice, 'She said she would come.'"

She went up the staircase slowly and mechanically, as one who moves in a dream. And yet when she reached the door of the studio she was obliged to wait for a few seconds before opening it. When she did open it she saw the attic seemed even more cold and bare than usual; that there was no fire; that the American lay upon the bed, his eyes closed, the hectic spots faded from his cheeks. But when she approached and stood near him, he opened his eyes and looked at her with a faint smile.

"If--I play you--the poor trick of--dying," he said, "you will remember--that the picture--if you care for it--is yours."

After a while, the doctor, who had been sent for, arrived. Perhaps he had been in no great hurry when he had heard that his services were required by an artist who lay in a garret in the Latin Quarter. His visit was a short one. He asked a few questions, wrote a prescription, and went away. He looked at Natalie oftener than at the sick man. She followed him out on to the landing, and then he regarded her with greater interest than before.

"He is very ill?" she said.

"Yes," he answered. "He will die, of course, sooner or later."

"You speak calmly, Monsieur," she said.

"Such cases are an old story," he replied. "And--you are not his wife?"

"No."

"I thought not. Nevertheless, perhaps you will remain with him until--"

"As Monsieur says," she returned, "I will remain with him 'until--'"

When the sick man awoke from the sleep into which he had fallen, a fire burned in the stove and a woman's figure was seated before it.

"You are here yet?" he said faintly. She rose and moved toward him.

"I am not going away," she answered, "if you will permit me to remain."

His eyes shone with pathetic brightness, and he put out his hand.

"You are very kind--to a poor--weak fellow," he whispered. "After all--it is a desolate thing--to lie awake through the night--in a place like this."

When the doctor returned the next morning, he appeared even a shade disconcerted. He had thought it quite likely that upon his second visit he might find a scant white sheet drawn over the narrow bed, and that it would not be necessary for him to remain or call again; but it appeared that his patient might require his attention yet a few days longer.

"You have not left him at all," he said to Natalie. "It is easy to see you did not sleep last night."

It was true that she had not slept. Through the night she had sat in the dim glow of the fire, scarcely stirring unless some slight sound of movement from the bed attracted her attention. During the first part of the night her charge had seemed to sleep; but as the hours wore on there had been no more rest for him, and then she had known that he lay with his eyes fixed upon her; she had felt their gaze even before she had turned to meet it. Just before the dawn he became restless, and called her to his side.

"I owe you a heavy debt," he said drearily. "And I shall leave it unpaid. I wish--I wish it was finished."

"It?" she said.

"The picture," he answered, "the--picture."

Usually he was too weak for speech; but occasionally a fit of restlessness seized upon him, and then it seemed as if he was haunted continually by the memory of his unfinished work.

"It only needed a few touches," he said once. "One day of strength would complete it--if such a day would but come to me, I know the look so well now--I see it on your face so often." And then he lay watching her, his eyes following her yearningly, as she moved to and fro.

In the studios below, the artists waited in vain for their model. They neither saw nor heard anything of her, and they knew her moods too well to be officiously inquisitive. So she was left alone to the task she had chosen, and was faithful to it to the end.

It was not so very long it lasted, though to her it seemed a life-time. A few weeks the doctor made his visits, and at last one afternoon, in going away, he beckoned her out of the room.

He spoke in an undertone.

"To-night you may watch closely," he said; "perhaps toward morning--but it will be very quiet."

It was very quiet. The day had been bitter cold, and as it drew to a close it became colder still, and a fierce wind rose and whistled about the old house, shaking the ill-fitting windows and doors. But the sick man did not seem to hear it. Toward midnight he fell into a deep and quiet sleep.

Before the fire Natalie sat waiting. Now and then a little shudder passed over her as if she could not resist the cold. And yet the fire in the stove was a bright one. She had smiled to herself as she had heaped the coal upon it, seeing that there was so little left.

"It will last until morning," she said, "and that will be long enough." Through all the nights during which she had watched she had never felt the room so still as it seemed now between the gusts and soughing of the wind. "Something is in the air which has not been in it before," she said.

About one o'clock she rose and replenished the fire, putting the last fragment of coal upon it, and then sat down to watch it again.

Its slow kindling and glowing into life fascinated her. It was not long before she could scarcely remove her eyes from it. She was trying to calculate--with a weird fancy in her mind--how long it would last, and whether it would die out suddenly or slowly.

As she cowered over it, if one of the men who admired her had entered he might well scarcely have known her. She was hollow-eyed, haggard and pallid--for the time even her great beauty was gone. As he had left her that day, the doctor had said to himself discontentedly that after all, these wonderful faces last but a short time.

The fire caught at the coal, lighted fitful blazes among it, and crept over it in a dull red, which brightened into hot scarlet.

And the sick man lay sleeping, breathing faintly but lightly.

"It will last until dawn," she said,--"until dawn, and no longer."

When the first cinder dropped with a metallic sound, she started violently and laid her hand upon her breast, but after that she scarcely stirred.

The fitful blazes died down, the hot scarlet deepened to red again, the red grew dull, a gray film of ashes showed itself upon it, and then came the first faint gray of dawn, and she sat with beating heart saying to herself,

"It will go out soon--suddenly." And the dying man was awake, speaking to her.

"Come here," he said in a low, clear voice. "Come here."

She went to him and stood close by the bedside. The moment of her supreme anguish had come. But he showed no signs of pain or dread, only there was a little moisture upon his forehead and about his mouth.

His eyes shone large and bright in the snowy pallor of his face, and when he fixed them upon her she knew he would not move them away.

"I am glad--that it is--finished," he said. "It did not tire me to work--as I thought it would. I am glad--that it is--finished."

She fell upon her knees.

"That it is finished?" she said.

His smile grew brighter.

"The picture," he whispered--"the picture."

And then what she had waited for came. There was a moment of silence; the wind outside hushed itself, his lips parted, but no sound came from them, not even a fluttering breath; his eyes were still fixed upon her face, open, bright, smiling.

"I may speak now," she cried. "I may speak now--since you cannot hear. I love you! I love you!"

But there came to her ears only one sound--the little grating shudder of the fire as it fell together and was dead.

* * * * *

The next morning when they heard that "the American" had at last fulfilled their prophecies, the _locataires_ showed a spasmodic warmth of interest. They offered their services promptly, and said to each other that he must have been a good fellow, after all--that it was a pity they had not known him better. They even protested that he should not be made an object of charity--that among themselves they would do all that was necessary. But it appeared that their help was not needed--that there was in the background a friend who had done all, but whom nobody knew.

Hearing this they expressed their sympathy by going up by twos and threes to the little garret where there was now only icy coldness and silence.

Not a few among them were so far touched by the pathos they found in this as to shed a tear or so--most of them were volatile young Frenchmen who counted their sensibilities among their luxuries.

Toward evening there came two older than the rest, who had not been long in the house.

When they entered, a woman stood at the bed's head--a woman in black drapery, with a pale and haggard face which they saw only for a moment.

As they approached she moved away, and going to the window stood there with her back toward them, gazing out at the drifted snow upon the roof. The men stood uncovered, looking down.

"It is the face of an Immortal," said the elder of the two. "It is such men who die young."

And then they saw the easel in the shadow of the corner, and went and turned it from the wall. When they saw the picture resting upon it, there was a long silence. It was broken at last by the older man.

"It is some woman he has known and loved," he said. "He has painted her soul--and his own."

The figure near them stirred--the woman's hand crept up to the window's side and clung to the wooden frame.

But she did not turn, and was standing so when the strangers moved away, opened the door and passed, with heads still uncovered, down the dark rickety stairs.

* * * * *

A fiercer cold had never frozen Paris than held it ice and snow bound through this day and the next. When the next came to its close all was over and the studios were quiet again--perhaps a little quieter for a few hours than was their wont.

Through this second day Natalie lived--slowly: through the first part of the morning in which people went heavily up and down the stairs; through the later hours when she heard them whispering among themselves upon the landings; through the hour when the footsteps that came down were heavier still, and slower, and impeded with some burden borne with care; through the moment when they rested with this burden upon the landing outside her very door, and inside she crouched against the panels--listening.

Then it was all done, and upon those upper floors there was no creature but herself.

She had lighted no fire and eaten nothing. She had neither food, fuel, nor money. All was gone.

"It is well," she said, "that I am not hungry, and that I would rather be colder than warmer."

She did not wish for warmth, even when night fell and brought more biting iciness. She sat by her window in the dark until the moon rose, and though shudders shook her from head to foot, she made no effort to gain warmth. She heard but few sounds from below, but she waited until all was still before she left her place.

But at midnight perfect silence had settled upon the house, and she got up and left her room, leaving the key unturned in the lock. "To-morrow, or the day after, perhaps," she said, "they will wish to go in." Then she went up the stairs for the last time.

Since she had heard the heavy feet lumbering with their burden past her door, a singular calm had settled upon her. It was not apathy so much as a repose born of the knowledge that there was nothing more to bear--no future to be feared.

But when she opened the door of the little room this calmness was for a moment lost.

It was so cold, so still, so bare in the moonlight which streamed through the window and flooded it. There were left in it only two things--the narrow, vacant bed covered with its white sheet, and the easel on which the picture rested, gazing out at her from the canvas with serene, mysterious eyes.

She staggered forward and sank down before it, uttering a low, terrible cry.

"Do not reproach me!" she cried. "There is no longer need. Do you not see? This is my expiation!"

For a while there was dead silence again. She crouched before the easel with bowed head and her face veiled upon her arms, making no stir or sound. But at length she rose again, numbly and stiffly. She stood up and glanced slowly about her--at the bareness, at the moonlight, at the narrow, white-draped bed.

"It will be--very cold," she whispered as she moved toward the door. "It will be--very cold."

And then the little room was empty, and the face upon the easel turned toward the entrance seemed to listen to her stealthily descending feet.

* * * * *

The next morning the two artists who had visited the dead man's room together, were walking--together again--upon the banks of the Seine, when they found themselves drawing near a crowd of men and women who were gathered at the water's edge.

"What has happened?" they asked, as they approached the group. "What has been found?"

A cheerful fellow in a blue blouse, standing with his hands in his pockets, answered.

"A woman. _Ma foi!_ what a night to drown oneself in! Imagine the discomfort!"

The older man pushed his way into the centre, and a moment later uttered an exclamation.

"_Mon Dieu!_"

"What is it?" cried his companion.

His friend turned to him, breathlessly pointing to what lay upon the frozen earth.

"We asked each other who the original of the picture was," he said. "We did not know. The face lies there. Look!"

For that which life had denied her, Death had given.

TWO PURSE-COMPANIONS.

BY GEORGE PARSONS LATHROP.

_Scribner's Monthly, August, 1878._

Everybody in college who knew them at all was curious to see what would come of a friendship between two persons so opposite in tastes, habitudes and appearance as John Silverthorn and Bill Vibbard. John was a hard reader, and Bill a lazy one. John was thin and graceful, with something pensive yet free and vivid in his nature; Bill was robust, prosaic and conventional. There was an air of neglect and a prospective sense of worldly failure about Silverthorn, but you would at once have singled out Vibbard as being well cared for, and adapted to push his way. Their likes and dislikes even in the matter of amusement were dissimilar; and Vibbard was easy-going and popular, while Silverthorn was shy and had few acquaintances. Yet, as far as possible, they were always with each other; they roomed, worked, walked and lounged in company, and often made mutual concessions of taste so that they might avoid being separated. It was also discovered that though their allowances were unequal, they had put them together and paid all expenses out of a common purse. Their very differences made this alliance a great advantage in some respects, and it was rendered stronger by the fact that, however incompatible outwardly, they both agreed in acting with an earnest straightforwardness.

But perhaps I had better describe how I first saw them together. It was on a Saturday, when a good many men were always sure to be found disporting themselves on the ball-field. I used to exercise my own muscles by going to look at them, on these occasions; and on that particular day I came near being hit by a sudden ball, which was caught by an active, darting figure just in time to save my head from an awkward encounter. I nodded to my rescuer, and called out cordially, "Thank you!"

"All right," said he, in a glum tone meant to be good-naturedly modest. "Look out for your_self_ next time."

It was Bill Vibbard, then in the latter part of his freshman year; and not far distant I discovered his comrade Silverthorn, watching Bill in silent admiration. They continued slowly on their way toward an oak grove, which then stood near the field. Silverthorn, a smaller figure than Vibbard, wore a suit of uniform tint, made of sleazy gray stuff that somehow at once gave me the idea that it was taken out of one of his mother's discarded dresses. His face was nearly colorless without being pallid; and the faint golden down on his cheeks and upper lip, instead of being disagreeably juvenile, really added to the pleasant dreaminess that hung like a haze over his mild young features. He was slender, he carried himself rather quaintly; but his gait was buoyant and spirited. At that season the lilacs were in bloom, and Silverthorn held a glorious plume of the pale blossoms in his hand. What the first touch of fire is to the woods in autumn, the blooming of the lilac is to the new summer--a mystery, a beauty, too exquisite to last long intact; evanescent as human breath, yet, like that, fraught with incalculable values. All this Silverthorn must have felt to the full, judging from the tender way in which he held the flowers, even while absorbed in talk with his friend. His fingers seemed conscious that they were touching the clue to a finer life. In Vibbard's warm, tough fist, the lilacs would have faded within ten minutes. Vibbard was stocky and muscular, and his feet went down at each step as if they never meant to come up again. He wore stylish clothes, kept his hands much in his coat pockets, affected high-colored neck-scarfs, and had a red face with blunt features. When he was excited, his face wore a fierce aspect; when he felt friendly, it became almost foolishly sentimental; as a general thing it was morosely inert.

Being in my senior year, I did not see much of either Vibbard or his friend; but I sometimes occupied myself with attempts to analyze the sources of their intimacy. I remember stating to one of my young acquaintances that Vibbard probably had a secret longing to be feminine and ideal, and that Silverthorn felt himself at fault in masculine toughness and hardihood, so that each sought the companionship of the other, hoping to gain some of the qualities which he himself lacked; and my young acquaintance offended me by replying, as if it had all been perfectly obvious, "Of course."

After I had been graduated, and had entered the Law School, Silverthorn and Vibbard came to my room one day, on a singular errand, which--though I did not guess it then--was to influence their lives for many a year afterward.

"Ferguson," began Bill, rather shyly, when they had seated themselves, "I suppose you know enough of law, by this time, to draw up a paper."

"Yes, I suppose so; or draw it down, either," I replied. But I saw at once that my flippancy did not suit the occasion, for the two young fellows glanced at each other very seriously and seemed embarrassed. "What do you want me to do?" I asked.

Silverthorn now spoke, in his soft light inexperienced voice, which possessed a singular charm.

"It's all Bill's idea," said he, rather carelessly. "I would much rather have the understanding in words, but he--"

"Yes," broke in Bill, growing suddenly red and vehement, "I'm not going to have it a thing that can be forgotten. No one knows what might happen."

"Well, well," said I, "if I'm to help you, you'd better fire away and tell me what it is you're after."

"I will," returned Vibbard, with a touch of that fierceness which marked his resolute moods. "Thorny and I have agreed to stand by each other when we quit college. Men are always forming friendships in the beginning of life, and then getting dragged apart by circumstances, such as wide separation and different interests. We don't want this to happen, and so we've made a compact that whichever one of us, Thorny or me, shall be worth thirty thousand dollars first,--why that one is to give the other half. That is, unless the second one is already well enough off, so that to give him a full half would put him ahead of whichever has the thirty thousand. D'you see?"

"The idea is to keep even as long as we can, you know," said Silverthorn, turning from one of my books which he had begun to glance through, and looking into my eyes with a delighted, straightforward gaze.

"That's a very curious notion!" said I, revolving the plan with a caution born of legal readings. "Before we go on, would you mind telling me which one of you originated this scheme?"

I was facing Silverthorn as I spoke, but felt impelled to turn quickly and include Vibbard in the question. They were both silent. It was plain, after a moment, that they really didn't know which one of them had first thought of this compact.

"Wasn't it you?" queried Silverthorn, musingly, of his comrade.

"I don't know," returned Vibbard; then, as if so much subtilty annoyed him: "What difference does it make, anyway? Can't you draw an agreement for us, Ferguson?"

But I was really so much interested in getting at their minds through this channel, that I couldn't comply at once.

"Now, you two fellows, you know," said I, laughing, "are younger than I, and I think it becomes me to know exactly what this thing means, before proceeding any further in it. How can I tell but one of you is trying to get an advantage over the other?"

The pair looked startled at this, but it was only, I found, because they were so astonished at having such a construction put upon their project.

"Don't be alarmed," I hastened to say. "I wasn't serious."

But Vibbard persisted in a dogged expression of gloom.

"It's always this way," he presently declared, in a heavy, provoked tone. "My father, you know, is a shrewd man, and everybody is forever accusing me of being mean and overreaching. But I never dreamed that it could be imputed in such a move as--well, never mind!" he suddenly exclaimed in a loud voice, and with assumed indifference, getting up from his chair. "Of course it's all over now. I sha'n't do anything more about it, after what Ferguson has said." He was so sulky that he had to resort to thus putting me in the third person, although he was not addressing these words to Silverthorn. Then he gave his thick frame a slight shake, as if to get rid of the disagreeable feelings I had excited, and turned toward his friend. On the instant there came into his unmoved eyes and his matter-of-fact countenance a look of sentiment so incongruous as to be almost laughable. "I wish I could have done it, Thorny," said he, wistfully.

"Hold on, Vibbard," I interposed. "Don't be discouraged."

He paid no attention.

Upon this Silverthorn fired up.

"Hullo, Bill, this won't do! Do you suppose I'm going to let our pet arrangement drop that way and leave you to be so misconstrued? Come back here and sit down." (Vibbard was already at the door.) "As for _your_ getting any advantage out of this, is it likely? Why, you are well off now, to begin with; that is, your father is; and I am poor, downright poor--Ferguson must have seen that."

Here was a surprise! The dreamy youth was proving himself much more sensible than the beefy and practical one. Vibbard, however, seemed to enjoy being admonished by Silverthorn, and resumed his seat quite meekly. To me, in my balancing frame of mind, it occurred that one might go farther than Silverthorn had done, in saying that any advantage to Vibbard was very improbable; one might assume that it was surely Silverthorn who would reap the profit. But I decided not to disturb the already troubled waters any more.

Silverthorn, however, expressed this idea: "You'll be thinking," he said to me, with a smile, "that _I_ am going to get the upper hand in this bargain; and I know there seems a greater chance of it. But then I have hopes--I--" The dreamy look, which I have described by the simile of a haze, gathered and increased on his fair ingenuous young face, and his eyes quite ignored me for a moment, being fixed on some imaginary outlook very entrancing to him, until he recalled his flagging voice, to add: "Well, I don't know that I can put it before you, but there are possibilities which may make a great difference in my fortunes within a few years."

I fancied that Vibbard gave me a quick, confidential glance, as much as to say, "Don't disturb that idea. Let him think so." But the next moment his features were as inert as ever.

It turned out, on inquiry, that only Vibbard was of age; his friend being quick in study, had entered college early, and nearly two years stood between him and his majority; so that, if their contract was to be binding, they would have to defer it for that length of time. I was prepared for their disappointment; but Silverthorn, after an instant's reflection, seemed quite satisfied. As they were going, he hurried back, leaving his friend out of ear-shot, and explained himself,--

"You see, Vibbard has an idea that I shall never succeed in life,--financially, that is,--and so he wants to fasten this agreement on me, to prevent pride or anything making me back out, you know, by and by. But I like all the better to have it left just as it is for a while, so that if we should ever put it on paper he needn't feel that he had hurried into the thing too rashly."

"I understand," I replied; and I pressed his hand warmly, for his frankness and genuineness had pleased me.

When they were gone, I pondered several minutes on the novelty and boyish naivete of the whole proceeding, and found myself a good deal refreshed by the sincerity of the two young fellows and their fine confidence in the perfectibility of the future. It seemed to me, the more I thought of it, that I could hold on to this scheme of theirs as a help to myself in retaining a healthy freshness of spirit. "At any rate," I said, "I won't allow myself to go adrift into cynicism as long as they keep faith with their ideal."

From time to time during the two years, I encountered the friends casually; and I remember having a fancy that their faces--which of course altered somewhat, as they matured--were acquiring a kind of likeness; or, rather, were _exchanging_ expressions. Silverthorn's grew rounder and brightened a degree in color; his glance had less momentum in it; he looked more commonplace and contented. On the other hand, Vibbard, through mental exertion (for he had lately been studying hard) and the society of his junior, had modified the inertia of his own expression. The strength of his features began to be mingled with gentleness. But this I recalled only at a later time.

Near the end of the two years' limit, when the boon companions were on the eve of taking their degrees, I found that another element had come into their affairs.

Going out one evening to visit a friend who lived at some distance on one of the large railroads, I had a glimpse of a small manufacturing place, which the train passed with great rapidity at late twilight. The large mill was already lighted up, and every window flashed as we sped by. But the sunset had not quite faded, and, from the colored sky far away behind the mill, light enough still came to show the narrow glen with its wall of autumn foliage on either side, the black and silent river above the dam, the sudden shining screen of falling water at the dam itself, and again a smooth dark current below, running toward us and under the railroad embankment. There was a small settlement of operatives' houses near the factory, and two or three larger homes were visible, snugly placed among the trees. We were swept away out of sight in a moment; but there was something so striking in that single glimpse, that a traveller in the next seat, who had not spoken to me before, turned and asked me what place it was. I did not know. I afterward learned that it was Stansby, a factory village perhaps forty miles from Cambridge. Finding that the memory of the spot clung to me, I wished to know more about it; and one day in the following spring, when I needed a change from the city, I actually went out there. Stansby did not prove to be a very picturesque place; yet its gentle hills, with outcroppings of cold granite, the deep-hued river between, and the cotton-mill near the railroad, somehow roused a decided interest which I never have been able wholly to account for. I enjoyed strolling about, but was beginning to think of a train back to Boston, when a turn of the road, a quarter of a mile from the mill, brought me face to face with a young girl who was approaching slowly with a book in her hand, which she read as she walked.

She was not a beautiful girl, and not at all what is understood by a "brilliant" girl; yet at the very first look she excited my interest, as Stansby village itself had done. In every outline and motion she showed perfect health; her clear color was tonic to the eye; her deep brown hair, at the same time that it gave a restful look to her forehead, added something of fervency to her general aspect. In sympathy with the beautiful day, she had taken off her hat (which she carried on one arm), disclosing a spray of fresh lilacs in her hair. She was very simply, though not poorly, dressed. All this, and more, I was able to observe without disturbing her absorption in her book; but just as I was trying to decide whether the firm, compressed corners of her mouth only meant interest in the reading, or indicated some peculiar hardness of character, she glanced up and saw my eyes bent upon her.

Then, for an instant, there came into her own a look of eager search; no softly inquiring gaze, such as would be natural to most women on a casual meeting of this sort, but a full, energetic, self-reliant scrutiny. I don't think the compression about her lips was softened by her surprise at seeing me; but that keen level look from her eyes brought a wonderful change over her face, so that from being interesting it became attractive, and I was fired by a kind of enthusiasm in beholding it. Involuntarily I took off my hat, and paused at the side of the highway. She bent her head again,--perhaps with some acknowledgment of my bow, but not definitely for that purpose, because she continued reading as she passed me.

But now came the strangest part of the episode. This girl disappeared around the bend of the road, and after her two young fellows drew near whom I recognized as Vibbard and Silverthorn. It happened that Silverthorn, as on the very first day I had ever seen him, carried a sprig of lilac. Happened? No; the lilac in the girl's hair was too strong a coincidence to be overlooked, and I was not long in guessing that there was some tender meaning in it.

"Hullo! Ferguson."

"Did you know we were here?"

These exclamations were made with some confusion, and Silverthorn blushed faintly.

"No," said I. "Do you come often?"

They looked at each other confidentially.

"We have, lately," Vibbard admitted.

"Then perhaps you can tell me who that girl is that I just passed."

"Oh, yes," said Silverthorn, at once. "That's Ida Winwood, the daughter of the superintendent here at the mills."

"She is a very striking girl," I said. "You know her, of course?"

"A little."

Vibbard enlarged upon this: it was a curious habit they had fallen into, of each waiting for the other to explain what should more properly have been explained by himself.

"Thorny's father, you know," said Vibbard, "was a great machinist, and so they had acquaintances around at mills in different parts of the State. She--that is Ida, you know--is only sixteen now, but Thorny first saw her when he was a boy and came here, once or twice, with his father."

Silverthorn nodded his head corroboratively.

"But it seems to me," I said, addressing him, "that you treat her rather distantly for an old acquaintance; or else she treats you distantly. Which is it?"

They laughed, and Vibbard blurted out, with a queer, boyish grimace:

"It's _me_. She don't like me. Hey, Thorny?"

"It's nearer the truth," returned his friend, "to say that you're so bashful you don't give her half a chance to make known what she does think of you."

"Oh, time enough--time enough," said Vibbard, good-humoredly.

Remembering that I must hurry back to catch my train, I suddenly found that I had been in an abstracted mood, for I was still standing with my hat off.

"Well, let me know how you get on," I said, jocosely, as I parted from the comrades.

Yet for the life of me I could not tell which one of them it was that I should expect to hear from as a suitor for the girl's hand.

It was within a fortnight after this that they came to my office--for I had been admitted to the bar--and announced that the time for drawing up their long-pending agreement had arrived. They were still as eager as ever about it, and I very soon had the instrument made out, stating the mutual consideration, and duly signed and sealed.

Finding that they had been at Stansby again, I was prompted to ask them more about Ida.

"Do you know," I said, boldly, "that I am very much puzzled as to which of you was the more interested in her?"

They took it in good part, and Silverthorn answered:

"That's not surprising. I don't know, myself."

"I'm trying," said Vibbard, bluntly, "to make Thorny fall in love with her. But I can't seem to succeed."

"No," said his friend, "because I insist upon it that she's just the woman for _you_."

Vibbard turned to me with an expression of ridicule.

"Yes," he said, "Thorny is as much wrapped up in that idea as if his own happiness depended on my marrying her."

"You're rivals then, after a new fashion," was my comment. "Don't you see, though, how you are to settle it?"

"No."

"Why, each of you should propose in form, for the other. Then Miss Winwood would have to take the difficulty into her own hands."

"Ha, ha!" laughed Vibbard. "That's a good idea. But suppose she don't care for either of us?"

"Very well. I don't see that in that case she would be worse off than yourselves, for neither of you seems to care for her."

"Oh yes, we do!" exclaimed Silverthorn, instantly.

"Yes, we care a great deal," insisted Vibbard.

They both grew so very earnest over this that I didn't dare to continue the subject, and it was left in greater mystery than before.

At last the time of graduation came, and the two friends parted to pursue their separate ways. Silverthorn had a widowed mother living at a distance in the country, whose income had barely enabled her to send him through college on a meagre allowance. He went home to visit her for a few days, and then promptly took his place on a daily newspaper in Boston, where he spent six months of wretched failure. He had great hopes of achieving in a short time some prodigious triumph in writing, but at the end of this period he gave it all up, and decided to develop the mechanical genius which he thought he had perhaps inherited from his father. I began to have a suspicion when I learned that this new turn had led him to Stansby, where he procured a position as a sort of clerk to the superintendent, Winwood.

After some months, I went out to see him there. In the evening we went to the Winwoods', and I watched closely to discover any signs of a new relation between Silverthorn and the daughter. Mr. Winwood himself was a homely, perfectly commonplace man, whose face looked as if it had been stamped with a die which was to furnish a hundred duplicate physiognomies. Mrs. Winwood was a fat, woolly sort of woman, who knitted, and rocked in her rocking-chair, keeping time to her needles. A smell of tea and chops came from the adjoining room, where they had been having supper; and there was a big, hot-colored lithograph of Stansby Mills hung up over the fireplace, with one or two awkward-looking engravings of famous men and their families on the remaining wall-spaces. Yet, even with these crude and barren surroundings, the girl Ida retained a peculiar and inspiring charm. She talked in a full, free tone of voice, and was very sensible; but in everything she said or did, there was a mixture, with the prosaic, of something so sweet and fresh, that I could not help thinking she was very remarkable. In particular, there was that strong, fine look from the eyes which had impressed me on my first casual meeting in the road. It had a transforming power, and seemed to speak of resolution, aspiration, or self-sacrifice. I noticed with what enthusiasm she glanced up at Silverthorn, when he was showing her some drawings of machinery, executed by himself, and was dilating upon certain improvements which he intended to make. Still, there was a reserve between them, and a timidity on his part, which showed that no engagement to marry had been made, as yet.

He was very silent as we walked together beside the dark river toward the railroad, after our call. But, when we came abreast of the dam, with its sudden burst of noise, and its continual hissing murmur, he stopped short, with a look of passion in his face.

"Things have changed since Vibbard went away," he said. "Yes, yes; very much. I used to think it was he who ought to love her."

"And you have found out--" I began.

He laid his hand quickly on my arm.

"Yes, I have found that it is I who love her--eternally, truly! But don't tell any one of this; it seems to me strange that I should speak of it, even to you. I cannot ask her to marry me yet. But there seems to be a relief in letting you know."