Chapter VII

ARE THE HIEROGLYPHS OF COPAN AND PALENQUE IDENTICAL?

One of the first questions to be settled is whether the same system of writing was employed at Palenque and at Copan. Before any study of the meanings of the separate _chiffres_ can be made, we must have our material properly assorted, and must not include in the figures we are examining for the detection of a clue, any which may belong to a system possibly very different.

The opinion of STEPHENS and of later writers is confirmed by my comparison of the Palenque and the Copan series; that is, it becomes evident that the latter series is far the older.

In Nicaragua and Copan the statues of gods were placed at the foot of the pyramid; farther north, as at Palenque, they were placed in temples at the summit. Such differences show a marked change in customs, and must have required much time for their accomplishment. In this time did the picture-writing change, or, indeed, was it ever identical?

To settle the question whether they were written on the same system, I give here the results of a rapid survey of the card-catalogue of hieroglyphs. A more minute examination is not necessary, as the present one is quite sufficient to show that the system employed at the two places was the same in its general character and almost identical even in details. The practical result of this conclusion is that similar characters of the Copan and Palenque series may be used interchangeably.

A detailed study of the undoubted synonyms of the two places will afford much light on the manner in which these characters were gradually evolved. This is not the place for such a study, but it is interesting to remark how, even in unmistakable synonyms, the Palenque character is always the most conventional, the least pictorial; that is, the latest. Examples of this are No. 7, Plate V^a, and No. 1969, Plate LVI. The _mask_ in profile which forms the left-hand edge of No. 7 seems to have been conventionalized into the two hooks and the ball, which have the same place in No. 1969.

hieroglyphs from Copan and Palenque.]

The larger of these two was cut on stone, the smaller in stucco.

The mask has been changed into the ball and hooks; the angular nose ornament into a single ball, easier to make and quite as significant to the Maya priest. But to us the older (Copan) figure is infinitely more significant. The curious rows of little balls which are often placed at the left-hand edge of the various _chiffres_ are also conventions for older forms. It is to be noted that these balls always occur on the left hand of the hieroglyphs, except in one case, the _chiffre_ 1975 in the Palenque cross tablet, on which the left-hand acolyte stands.

The conclusion that the two series are both written on the same system, and that like _chiffres_ occurring at the two places are synonyms, will, I think, be sufficiently evident to any one who will himself examine the following cases. It is the _nature_ of the agreements which proves the thesis, and not the number of cases here cited. The reader will remember that the Copan series comprises Plates I to XXIII, inclusive; the Palenque series, Plate XXIV and higher numbers.

The sign of the group of Mexican gods who relate to hell, _i. e._, a circle with a central dot, and with four small segments cut out at four equally distant points of its circumference, is found in No. 4291, Plate XXII, and in many of the Palenque plates, as Plate LVI, Nos. 2090, 2073, 2045, 2021, etc. In both places this sign is worn by human figures just below the ear.

The same sign occurs as an important part of No. 4271, Plate XXII, and No. 4118, Plate XIII (Copan), and No. 2064, Plate LVI (Palenque), etc.

No. 7, Plate V^a, and No. 1969, Plate LVI, I regard as absolutely identical. These are both human figures. No. 12, Plate V^a, and No. 637, Plate LIII, are probably the same. These probably represent or relate to the long-nosed divinity, YACATEUCTLI, the Mexican god of commerce, etc., or rather to his Maya representative.

The sign of TLALOC, or rather the family of TLALOCS, the gods of rain, floods, and waters, is an eye (or sometimes a mouth), around which there is a double line drawn. I take No. 26, Plate V^a, of the Copan series, and Nos. 154 and 165, Plate XXIV, to be corresponding references to members of this family. No. 4, Plate V^a, and No. 155 also correspond.

No. 4242, Plate XXII, is probably related to No. 53, Plate XXIV and its congeners.

Nos. 14 and 34, Plate V^a, are clearly related to No. 900, Plate LIV, Nos. 127 and 176, Plate XXIV, No. 3010, Plate LVI, and many others.

Plate III^a of Copan is evidently identically the same as the No. 75 of the Palenque Plate No. XXIV.

The right half of No. 27, Plate V^a, is the same as the right half of Nos. 3020, 3040, and many others of Plate LVI.

No. 17, Plate V^a, is related to No. 2051, Plate LVI, and many others like it.

The major part of No. 4105, Plate XIII, is the same as No. 124, Plate XXIV, etc.

It is not necessary to add a greater number of examples here. The card-catalogue which I have mentioned enables me to at once pick out all the cases of which the above are specimens, taken just as they fell under my eye in rapidly turning over the cards. They therefore represent the _average_ agreement, neither more nor less. Taken together they show that the same signs were used at Copan and at Palenque. As the same symbols used at both places occur in like positions in regard to the human face, etc., I conclude that not only were the same signs used at both places, but that these signs had the same meaning; _i. e._, were truly synonyms. In future I shall regard this as demonstrated.