Chapter D

D minor Symphony (Dvořák), 194, 207, 216, 222.

D minor Concerto (Brahms), 244, 247, 261.

Dante, 7, 155, 296.

Danzic, 93.

Darwin, 6.

David, 255.

Davidsbund, 122.

Deiters, Dr, 243, 256.

Delacroix, 121, 133.

Der Freischütz, 101, 195.

Dessoff, 250.

Dettingen Te Deum, 264.

Development section, 52.

Dietrich, 259.

Dimitrij, 204.

Dobrovsky, 189.

Dorian mode, 154.

Dresden, 101, 111, 121, 122, 187, 234.

Dryden, 283.

Du bist wie eine Blume, 38.

Dufay, 277.

Dürer, 7.

Dumas, 134, 219.

Du Maurier, 63, 163.

Dumka, 220.

Dunstable, 277.

Dusseldorf, 120, 236, 239.

Dussek, 183.

Dvořák, Antonin, birth, 175;
early training, 176;
recalled from school, 176;
first composition, 178;
enters the organ school at Prague, 179;
difficulties, 180;
appointment in the orchestra of the Interimstheater, 188;
compositions during his second period of study, 190, 191;
first opera, 191-193, 194-196;
Heirs of the White Mountain, 193;
appointed organist of St Adalbert's, 194;
marriage, 194;
second and third operas, 196, 197;
symphony in F, 197;
applications to the Austrian Kultusministerium, 198, 199, 200;
resigns his post at St Adalbert's, 198;
Stabat Mater, 199;
relations with Brahms, 200;
Slavische Tänze, 200, 201;
the Cunning Peasant, 201;
publication of early works, 202;
Husitska and Tyl, 203, 204;
Dimitrij, 294;
first visit to England, 205;
Spectre's Bride, 206;
St Ludmila, 206, 207;
instrumental compositions and songs, 207;
Jakobin, 207, 208;
decoration from Austrian Court, 208;
doctorate at Cambridge and Prague, 208;
Requiem, 208;
appointment at New York, 208, 209.

Dvořák as composer. National element, 215;
exceptions, 216;
use of scale, 216-219;
form, 219, 220;
Dumka and Furiant, 220, 221;
orchestration, 222;
relation to classical style, 224, 225.

Dvořák, illustrations from, 20, 21, 33, 60, 62, 64, 160.

Dvořák, Frantisek, 174;
Josef, 179;
Adolf, 179;
Karel, 179.

Dziewanowski, 119.

E.

E minor Concerto (Chopin), 105, 109, 115, 117, 119.

Edinburgh, 144.

Ehrlich, Dr, 235, 237, 248.

Eighth Symphony (Beethoven), 32, 64, 288.

Eine Kapitulation, 262.

Elegies (Dvořák), 298, 221.

Elijah, the, 206.

Elsner, 86, 87, 91, 96, 99, 100, 105, 110, 117, 118, 233.

Emotional element in music, 21-23, 26-32.

Emperor Concerto, 43, 286.

Endymion, 157.

England, Chopin in, 123, 143;
Dvořák in, 205-208.

Epstein, 251.

Eroica Symphony, 22, 33, 43, 55, 184, 300.

Esser, 250.

Études (Chopin), 60, 105, 119, 120, 135, 136, 158, 160, 161, 166.

Euripides, 53, 88.

Eurydice, 187.

Exposition, 52.

F.

F major Symphony (Dvořák), 197;
(Brahms), 285, 297.

F minor Concerto (Chopin), 105, 106, 123.

F minor Quintett (Brahms), 255, 256, 301.

Faculties of musical appreciation, 13-15.

Faust (Berlioz), 21;
(Gounod), 42;
(Goethe), 101, 259.

Feldeinsamkeit, 269, 298.

Félix Meritis, 122.

Ferdinand, Emperor, 182.

Fernando Cortez, 94.

Fes Moll, 219.

Fétis, 83, 118.

Feuilles d'Automne, 213.

Field, 120.

Fifth Symphony (Beethoven), 22, 43, 57.

Filtsch, 135.

Florentine Revolution, 44, 216, 278.

Florence, 217.

Florestan, 94, 122.

Flying Dutchman, 180.

Fontana, 92, 93.

Fortuny, 177.

Franchomme, 117, 137, 139.

Franco-Prussian War, 262.

Frank, Dr, 17.

Fraser's Magazine, 270.

Freitag, 270.

Freude, 265.

Frogs, the, 62.

Function in music, 58, 63-69.

Furiant, 175, 220.

G.

G major Sestett (Brahms), 256, 257.

G minor Quartett (Brahms), 249, 252, 300.

G minor Quintett (Mozart), 39.

G minor Trio (Chopin), 60, 93, 96, 119.

Gabrielis, the, 45, 278.

Gainsborough, 212.

Galicia, 97.

Gallenberg, Count, 97.

Gautier, 11, 17, 134.

Gazette Musicale, 263.

Gebir, 73.

Germany, 122, 152, 157, 200, 217, 232, 235, 239, 242, 243, 245, 259,
267, 269.

German Requiem, 258, 259, 260, 262, 265, 272, 284.

Gesang der Parzen, 269.

Gesellschaft der Musikfreunde, 251, 253, 258, 263.

Gewandhaus, 240, 243, 244.

Gladkowska, Constance, 102, 107, 108.

Glasgow, 144.

Goethe, 43, 212, 259, 260, 303.

Goldmark, 18, 250, 264.

Göttingen, 235, 237.

Gothenburg, 185.

Gounod, 42.

Graff, 105.

Gray, 81.

Greek music, 274, 276.

Grieg, illustrations from, 41, 42, 47, 62, 66, 160, 218.

Grillparzer, 251.

Grün, 251.

Gutmann, 135, 138, 140, 145.

Gyrowetz, 81, 87, 98.

H.

Hálek, 184, 193.

Hamburg, 231, 233, 234, 235, 244, 245, 246, 265, 271.

Hammerclavier Sonata, 53, 63, 67, 287.

Hancke, 176, 178.

Handel, illustrations from, 19, 80, 94, 207, 208, 231, 264, 285.

Hanover, 234, 237.

Hanslick, Dr, 251, 254.

Haslinger, 97.

Hausmann, 273.

Haworth, 85.

Haydn, illustrations from, 46, 47, 48, 54, 55, 67, 80, 143, 223, 253,
264, 271, 280, 285.

Hegel, 10, 161.

Heide, 231.

Heine, 38, 82, 121, 126, 134, 212, 259.

Heinrich, 183-184.

Heirs of the White Mountain, 193, 202.

Heller, 107.

Helm, Dr, 262.

Hellmesberger, 251, 252, 253, 257, 266.

Herbeck, 250.

Herbstgefühl, 260.

Herold, 119.

Herz, 119, 158.

Hiller, 116, 118, 120, 151.

Histoire de ma vie, 127, 138.

Holderlin, 262.

Holland, 261.

Homer, 7.

Hoole, 35.

Horn Trio (Brahms), 256, 289, 298.

Hôtel Rambouillet, 133.

Hugo, Victor, 28, 64, 212, 254.

Humboldt, A. von, 95.

Hummel, 96.

Hungarian dances, 261, 266.

Hunten, 153.

Husitska, 203, 222.

Hymns Ancient and Modern, 41.