Chapter M: The Tale of Attaf (7)

Aladdin; or the Wonderful Lamp, iii. Ali Baba and the Forty Thieves, iii. Ali Khwajah and the Merchant of Baghdad, iii. Al Malik Al-Zahir and the Sixteen Captains of Police, ii. Blind Man, Baba Abdullah, The Story of the, iii. Damsel Tuhfat al-Kulub, The, ii. Devout woman accused of Lewdness, The, ii. Fifteenth Constable's Story, The, ii. Firuz and his Wife, ii. Fuller, his Wife and the Trooper, The, ii. Khudadad and his Brothers, iii. Khwajah Hasan al-Habbal, History of, iii. King Aylan Shah and Abu Tammam, ii. King Dadbin and his Wazirs, ii. King Ins bin Kays and his Daughter, ii. King Shah Bakht and his Wazir Al-Rahwan, ii. King Sulayman Shah and his Niece, ii. King who kenned the Quintessence of things, The, ii. King who lost Kingdom, Wife and Wealth, The, ii. Melancholist and the Sharper, The, ii. Ninth Constable's Story, The, ii. Nur al-Din and the Damsel Sitt al-Milah, ii. On the Art of Enlarging Pearls, ii. Prince Ahmad and the Peri Banu, iii. Prince who fell in love with the Picture, The, ii. Sidi Nu'man, History of, iii. Simpleton Husband, The, ii. Singer and the Druggist; The, ii. Sleeper and the Waker, ii. Ten Wazirs, or the History of King Azadbakht and his son, ii. Thief's Tale, The, ii. Three men and our Lord Isa, The, ii. Two Sisters who envied their Cadette, The, iii. Weaver who became a leach by order of his wife, The, ii. Women's Wiles, ii. Zayn al-Asnarn, The tale of, iii.

Additional Notes.

By W. A. Clouston.

Aladdin, or the Wonderful Lamp, iii. Ali Baba and the Forty Thieves, iii. Firuz and his Wife, ii. Fuller, his wife and the Trooper, The, ii. Prince Ahmad, The Tale of, iii. Singer and the Druggist, The, ii. Zayn al-Asnam, The Tale of, iii.

By W. F. Kirby.

Additional Notes to some of Tales in vol. iv.; v. Additional Notes to some of Tales in vol. v.; v. Additional Notes to some of Tales in vol. vi.; vi. Additional Bibliographical Notes to the Tales in the Supplemental Nights, vi.

Additional Notes on the Bibliography of the Thousand
and One Nights. (Cf. Nights, X., App. Ii., P. 414.)

By W. F. Kirby.

Herewith I add notes on any works of importance which I had not seen when my "Contributions" were published, or which have appeared since.

Zotenberg's Work on Aladdin and on Various Manuscripts
of the Nights.

One of the most important works which has appeared lately in connection with the Thousand and One Nights, is the following:

Histoire d' 'Alâ Al-Dîn ou la Lampe Merveilleuse. Texte Arabe publié avec une notice sur quelques manuscrits des Mille et une Nuits par H. Zotenberg, roy. 8vo. Paris, Imprimérie Nationale, 1888

The publication of this work puts an end to the numerous conjectures of scholars as to the source of Galland's unidentified tales; and the notes on various MSS. of the Nights are also very valuable. It therefore appears desirable to give a tolerably full sketch of the contents of the book.[FN#431]

M. Zotenberg begins with general remarks, and passes on to discuss Galland's edition. [Section I.]--Although Galland frequently speaks of Oriental tales[FN#432], in his journal, kept at Constantinople in 1672 and 1673, yet as he informs us, in his Dedication to the Marquise d'O., he only succeeded in obtaining from Syria a portion of the MS. of the Nights themselves with considerable difficulty after his return to France.

There is some doubt as to the date of appearance of the first 6 vols. of Galland's "Mille et une Nuit." According to Caussin de Perceval, vols. 1 and 2 were published together in 1704, and vols. 3 and 4 in the course of the same year. Nevertheless, in the copy in the Bibliothèque Nationale, vols. 1 and 4 are dated 1704, and vols. 2, 5 and 6 are dated 1705; vol. 3 is missing, just as we have only odd volumes of the 2nd, 3rd and 4th English editions in the British Museum, the 1st being still quite unknown.

M. Zotenberg proceeds to give an account of Galland's MS. (cf. Nights, x. App., p. 414), and illustrates it by a specimen page in facsimile. Judging from the character of the writing, &c., he considers it to have been transcribed about the second half of the 14th century (Sir R. F. Burton suggests about A.D. 1384). It is curious that there is a MS. of the 15th century in the Library of the Vatican, which appears to be almost a counterpart of Galland's, and likewise contains only the first 282 Nights. Galland's MS. wants a leaf extending from part of Night 102 to the beginning of Night 104, and containing an account of the Hunchback and his buffooneries; this hiatus is filled up in the Vatican MS.

Habìcht's version is noted as more approaching Galland's MS. than do the texts founded on the Egyptian texts; but in thus speaking, Zotenberg does not notice the assertion that Habìcht's MS., though obtained at Tunis, came originally from Egypt. He considers the ordinary Egyptian texts to be generally abridged and condensed.

Although it is clear that Galland made great use of this MS. for his translation, yet M. Zotenberg points out numerous discrepancies, especially those at the commencement of the work, which led Caussin de Perceval to regard Galland's work as a mere paraphrase of the original. M. Zotenberg, however (p. 14), writes, "Evidemment, Galland, pour la traduction du commencement du rècit, à suivi un texte plus developpé que celui du MS. 1508, texte dont la rédaction égyptienne ne presente qu'un maladroit abrégé." He quotes other instances which seem to show that Galland had more than one text at his disposal.

[Section II.]--At the beginning of the 17th century, only two MSS. of the Nights existed m the libraries of Paris, one in Arabic, and the other in Turkish. The Arabic MS. contains 870 Nights, and is arbitrarily divided into 29 sections. M. Zotenberg considers that it was to this MS. that Galland referred, when he said that the complete work was in 36 parts The tales follow the order of our Table as far as No. 7 (Nos. 2ab, 2ac and 3ba are wanting), the remainder are irregular, and run as follows: 153, 154, 154a, 20; story of Khailedján ibn Háman, the Persian; Story of the Two Old Men, and of Báz al-Aschbáb Abou Lahab; 9, apparently including as episodes 9a, 9aa, 21, 8, 9b, 170, 181r to 181bb 137, 154 (commencement repeated), 181u to 181bb (repeated), 135a, Adventures of a traveller who entered a pond (étang) and underwent metamorphoses:[FN#433] anecdotes and apothegms; a portion of the Kalila and Dimna ?

The Turkish MS. (in 11 vols.) is made up of several imperfect copies, which have been improperly put together. The bulk is formed by vols. 2-10 which are written in three different hands, and some of which bear date 1046 A.H. The contents of these nine vols. are as follows: Introduction and 1-3 (wanting 2ab), Story of 'Abdallah of Basra, 5; Story of 'Attáf ibn Ismá'il al-Schoqláni of Damascus and the schaikh Abou-'l-Baraka al-Nawwám, 6; Story told by the Christian Merchant (relating to Qamar al-Zamán during the reign of Sultan Mahmoud, and different from the story known under this title); Story of Ahmad al- Saghir (the tattle) and Schams al-Qosour; Story of the Young Man of Baghdad and the Bathman (Baigneur, attendant in a Hammam), 7; 153; 21; Story of Khaledjan ibn Maháni; Story of Nour al-Din 'All and of Dounya (or Dinar) of Damascus, 133, Story of Prince Qamar-Khan and of the schaikh 'Ate, of the Sultan Mahmoud-Khán, of Bahrám-Scháh, of 'Abdallah ibn Hilal, of Harout and Marout, &c.; Story of Qowwat al-Qoloub; 9, including as episodes 9a; 8; Story of Moubaref who slept in the bath; ( ? = 96); and 170; Fables.

The other volumes (1 and 11 of the MS.) both contain the beginning of the MS. Vol. I was written towards the end of the 17th century, and extends about as far as Night 55, concluding with No. 7, which follows No. 3. Vol. 11., which once belonged to Galland, includes only a portion of the Introduction. The text of these two fragments is similar, but differs considerably from that of vol. 2 of the MS.; and specimens of the commencement of vols. 1 and 2 are given to show this. Yet it is singular that Galland does not seem to have used these Turkish volumes; and the second MS. which he actually used, like the 4th vol. of the copy preserved in the Bibliothèque Nationale, appears to be missing.

M. Zotenberg then remarks on the missing vol. 4 of Galland, and quotes extracts from Galland's Diary, strewing that Nos. 191, 192 and 192a, which were surreptitiously introduced into his work without his knowledge, and greatly to his annoyance, were translated by Petis de la Croix, and were probably intended to be included in the Thousand and One Days, which was published in 1710.

[Section III.]--This is one of the most important in the book, in which extracts from Galland's Diary of 1709 are quoted, shewing that he was then in constant communication with a Christian Maronite of Aleppo, named Hanna (Jean), who was brought to Paris by the traveller Paul Lucas, and who related stories to Galland, of which the latter took copious notes, and most of which he worked up into the later volumes of his "Mille et une Nuit" (sic). Among these were 193, 194a, 194b, 59, 197, 198, 174, 195, 194c, 196. The following tales he did not use: An Arab story of two cousins, Camar eddin and Bedr el Bodour; the Golden City (another version of the story of the Three Princes, in No. 198, combined with the story of the woman who slew pretenders who were unable to solve a riddle); The Three Princes, the Genius Morhagian, and his Daughters; and the story of the seller of ptisanne (or diet-drinks) and his son Hassan.

Further extracts from Galland's Diary are added, extending from the time of Hanna's departure from Paris between June and October, 1709, and the completion of the 12th volume of the Mille et une Nuit in 1712. These relate to the gradual progress of the work; and to business in connection with it; and Hanna's name is occasionally mentioned.

Hanna supplied Galland with a written version of No. 193, and probably of 194 a-c; (i.e. most of the tales in vol. 9 and 10); but the tales in vols. 11 and 12 were apparently edited by Galland from his notes and recollections of Hanna's narrations. These are Nos. 195, 196, 59, 197 and 198. M. Zotenberg concludes that Hanna possessed a MS. containing all these tales, part of which he copied for Galland, and that this copy, like several other important volumes which Galland is known or believed to have possessed, was lost. M. Zotenberg thinks that we may expect to meet with most of Hanna's tales either in other copies of the Nights, or in some other collection of the same kind. The latter supposition appears to me to be by far the most probable.

[Section IV.]--M. Zotenberg proceeds to give an account of one or two very important MSS. of the Nights in the Bibliothèque Nationale. One of these is a MS. which belonged to the elder Caussin, and was carefully copied by Michael Sabbagh from a MS. of Baghdad. Prof. Fleischer, who examined it, states (Journal Asiatique, 1827, t. II., p. 221) that it follows the text of Habicht, but in a more developed form. M. Zotenberg copies a note at the end, finishing up with the word "Kabíkaj" thrice repeated. This, he explains, "est le nom du génie préposé au régne des insectes. Les scribes, parfois, l'invoquent pour preserver leurs manuscrits de l'atteinte de vers."

This MS. was copied in Parts on European paper at the beginning of the century, though Caussin de Perceval was not acquainted with it in 1806, but only with a MS. of the Egyptian redaction. This MS. agrees with Galland's only as far as the 69th Night. It differs from it in two other points; it contains No. 1c, and the end of No. 3 coincides with the end of Night 69. The contents of Nights 70-1001 are as follows: 246, 4, 5, 6, 20, 7, 153, 21, 170, 247, The Unhappy Lover confined in the Madhouse (probably = 204c), 8, 191, 193,174, 9, 9b (not 9a, or 9aa) and as episodes, 155, 32, and the story of the two brothers 'Amír and Ghadir, and their children Djamil and Bathina.

Another MS., used by Chavis and Cazotte, and Caussin de Perceval, was written in the year 1772. It has hitherto been overlooked, because it was erroneously stated in the late M. Reinaud's Catalogue to be a MS. containing part of the 1001 Nights, extending from Night 282 to Night 631, and copied by Chavis. It is not from Chavis' hand, and does not form part of the ordinary version of the Nights, but contains the following tales: 174, 248, Story of King Sapor, 246, 3a, 36, 3c, 153, Story of the Intendant, the Interpreter, and the Young Man; 247, 204c, 240, 250, Story of the Caliph and the Fisherman (probably = 156), the Cat and the Fox, and the Little Bird and the Fowler.

Another MS., really written by Chavis, commences exactly where Vol. 3 of Galland's MS leaves off, i. e. in the middle of No. 21, and extends from Night 281 to Night 631. M. Zotenberg supposes it to have been written to supply the place of the last volume of Galland's set. It contains the following tales in addition to the conclusion of No. 21: 170, 247, 204c, 8, 191, 193 and 174. M. Zotenberg suggests that the first part of this MS may have been copied from Galland's last volume, which may have existed at the time in private hands.

The two last MSS. contain nearly the same tales, though with numerous variations.

M. Zotenberg discusses the hypothesis of Chavis' MS. being a translation from the French, and definitely rejects it.

[Section V.]--Here M. Zotenberg discusses the MSS. of the Nights in general, and divides them into three categories. 1. MSS. proceeding from Muslim parts of Asia. These, except the MSS. of Michael Sabbagh and that of Chavis, contain only the first part of the work. They are all more or less incomplete, and stop short in the middle of the text. They are not quite uniform, especially in their readings, but generally contain the same tales arranged in the same order. II. Recent MSS. of Egyptian origin, characterised by a special style, and a more condensed narrative; by the nature and arrangement of the tales, by a great number of anecdotes and fables; and by the early part of the work containing the great romance of chivalry of King Omar Bin Al-Nu'uman. III. MSS. mostly of Egyptian origin, differing as much among themselves in the arrangement of the tales as do those of the other groups.

The following MSS. are mentioned as belonging to the first group:--

I. Galland's MS. in the Bibliothèque Nationale, Nos. 1506-1508. II. MS. in the Vatican, No. 782. III. Dr. Russell's MS. from Aleppo. IV. MS. in the Bibl. Nat. (Suppl. 1715, I and II.). V. MS. in the Library of Christ Church College, Oxford (No. ccvii.). VI. MS. in the Library of the India Office, London (No. 2699). VII. Sir W. Jones' MS., used by Richardson. VIII. Rich's MS. in the Library of the British Museum (Addit. 7404). IX. MS. in Bibl. Nat. (Suppl. 2522 and 2523) X. MS. in Bibl. Nat. (Suppl. 1716).

The following MSS. are enumerated as belonging to the second group:--

I. Salt's MS. (printed in Calcutta in 4 vols.). II-IV. Three complete MSS. in Bibliothèque Nationale (Suppl. Arabe, Nos. 1717,1718, 1719). V. Incomplete MS. of Vol. II. in Bibl. Nat. (Suppl. Arabe, Nos 2198 to 2200). VI. Incomplete MS. of Vol. 4 (Suppl. Arabe, Nos. 2519 to 2521). VII. Odd vol. containing Nights 656 to 1001 (Suppl. Arabe, No. 1721, III.). XII. MS. containing Nights 284 to 327 (Suppl. Arabe, No. 1720). XIII. MS. in British Museum (Oriental MSS., Nos. 1593 to 1598). XIV. Ditto (Oriental MSS., Nos. 2916 to 2919). XV. Burckhardt's MS. in the University Library at Cambridge (B. MSS. 106 to 109). XVI. MS. in the Vatican (Nos. 778 to 781). XVII. MS. in the Ducal Library at Gotha. XVIII. Odd vol. in ditto. XIX. MS. in the Royal Library at Munich. XX. Ditto, incomplete (De Sacy's). XXI. Fragment in the Library of the Royal and Imperial Library at Vienna (No. CL.). XXII. MS. in the Imperial Public Library at St. Petersburg (Von Hammer's). XXIII.MS. in the Library of the Institute for the Study of Oriental languages at St. Petersburg (Italinski's). XXIV. Mr. Clarke's MS. (cf. Nights, x., App. pp. 444- 448). XXV. Caussin de Perceval's MS. XXVI. Sir W. Ouseley's MSS.

The above list does not include copies or fragments in various libraries of which M. Zotenberg has no sufficient information, nor miscellaneous collection in which tales from the Nights are mixed with others.

Portions of Habicht's MS. appear to belong to the Egyptian recension, and others to have come from further East.

There is a MS. in the Bibliothèque Nationale (Suppl. Arabe, No. 1721, IV.) from Egypt, containing the first 210 Nights, which somewhat resembles Habicht's MS. both in style and in the arrangement of the tales. The Third Shaykh's Story (No. 1 c.) is entirely different from those in the ordinary MSS., nor is it the same as that in the Turkish version of the Nights, which is again quite different from either. In this MS. (No. 1721, IV.) No. 6 is followed by Nos. 7, 174, and 133.

Then follow notices of Anderson's MS., used by Scott, but which cannot now be traced the Calcutta edition of the first 200 Nights; and of the Wortley Montague MS. These form M. Zotenberg's third group of MSS.

M. Zotenberg does not enter into the question of the original form, date and constituents of the primitive work, but concludes that the complete work as we now have it only assumed its present form at a comparatively recent period. But it must not be forgotten that the details, description, manners, and style of the tales composing this vast collection, are undergoing daily alteration both from narrators and copyists.

Then follows an Appendix, in which M. Zotenberg has copied two tales from Galland's journals, which he took down as related by the Maronite Hanna. One of these is new to me, it is the story of the Three Princes, and the Genius Morhagian and his Daughters (added at the end of this section); and the other is the well-known story of the Envious Sisters.

The remainder of M. Zotenberg's volume contains the Arabic text of the story of 'Ala Al-Din, or the Wonderful Lamp, with numerous critical notes, most of which refer to Galland's version. A few pages of Chavis' text are added for comparison.

The story itself, M. Zotenberg remarks, is modern, giving a faithful picture of Egyptian manners under the reign of the last Mamlouk Sultans. Some expressions which occur in the French Arabic Dictionary of Ellions Bocthor and of A. Caussin de Perceval, are apparently derived from the story of 'Ala Al-Din.

Story of the Three Princes and the Genius Morhagian and
His Daughters.

[Reprinted by M. Zotenberg (pp. 53-61) from Galland's Journal, MS. francais, No. 15277, pp. 120-131. The passages in brackets are added by the present translator (chiefly where Galland has inserted "etc.") to fill up the sense.]

When the Sultan of Samarcand had reached a great age, he called the three princes, his sons, and after observing that he was much pleased to see how much they loved and revered him, he gave them leave to ask for whatever they most desired. They had only to speak, and he was ready to grant them whatever they asked, let it be what it might, on the sole condition that he should satisfy the eldest first, and the two younger ones afterwards, each in his turn. The eldest prince, whose name was Rostam, begged the Sultan to build him a cabinet of bricks of gold and silver alternately, and roofed with all kinds of precious stones.

The Sultan issued his orders that very day, but before the roof of the cabinet was finished, indeed before any furniture had been put into it, Prince Rostam asked his father's leave to sleep there. The Sultan tried to dissuade him, saying that [the roof] ought to be finished first, but the prince was so impatient that he ordered his bed to be removed there, and he lay down. He was reading the Koran about midnight, when suddenly the floor opened and he beheld a most hideous genius named Morhagian rise from the ground, who cried out, "You are a prince, but even if you were the Sultan himself, I would not refrain from taking vengeance for your rashness in entering this house which has been built just above the palace of my eldest daughter." At the same time he paced around the cabinet, and struck its walls, when the whole cabinet was reduced to dust so fine that the wind carried it away, and left not a trace of it. The prince drew his sword, and pursued the genius, who took to flight until he came to a well, into which he plunged [and vanished]. When the prince appeared before his father the Sultan next morning, he was overwhelmed with confusion [not only at what had happened, but on account of his disobedience to his father, who reproached him severely for having disregarded his advice].

The second prince, whose name was Gaiath Eddin (Ghayáth al-Din), then requested the Sultan to build him a cabinet constructed entirely of the bones of fishes. The Sultan ordered it to be built, at great expense. Prince Gaiath Eddin had no more patience to wait till it was quite finished than his brother Rostam. He lay down in the cabinet notwithstanding the Sultan's warnings, but took care to keep his sword by his side The genius Morhagian appeared to him also at midnight, paid him the same compliment, and told him that the cabinet was built over the palace of his second daughter. He reduced it to dust, and Prince Gaiath Eddin pursued him, sword in hand, to the well, where he escaped; and next day the prince appeared before his father, the Sultan [as crestfallen as his brother].

The third prince, who was named Badialzaman (Badíu'l-Zamán = Rarity of the Age) obtained leave from the Sultan to build a cabinet entirely of rock crystal. He went to sleep there before it was entirely finished, but without saying anything to the Sultan, as he was resolved to see whether Morhagian would treat him in the same way. Morhagian arrived at midnight, and declared that the cabinet was built over the palace of his third daughter. He destroyed the cabinet' and when the prince seized his sword, Morhagian took to flight. The prince wounded him three times before he reached the well, but he nevertheless succeeded in escaping.

Prince Badialzaman did not present himself to the Sultan, but went to the two princes, his brothers, and urged them to pursue the genius in the well itself. The three went together, and the eldest was let down into the well by a rope, but after descending a certain distance, he cried out, and asked to be drawn up a rain. He excused his failure by saying that he felt a burning heat [and was almost suffocated]. The same thing happened to Prince Gaiath Eddin, who likewise cried out till he was drawn up. Prince Badialzaman then had himself let down but commanded his brothers not to draw him up again, even if he should cry out. They let him down, and he cried out, but he continued to descend till he reached the bottom of the well, when he untied himself from the rope, and called out to his brothers that the air was very foul. At the bottom of the well he found an open door and he advanced for some distance between two walls, at the end of which he found a golden door, which he opened, and beheld a magnificent palace. He entered and passed through the kitchen and the storerooms, which were filled with all kinds of provisions, and then inspected the rooms, when he entered one magnificently furnished with sofas and divans. He was curious to find out who lived there, so he hid himself. Soon afterwards he beheld a flight of doves alight at the edge of a basin of water in the middle of the court The doves plunged into the water, and emerged from it as women, each of whom immediately set about her appointed work. One went to the store room, another to the kitchen a third began to sweep [and so on]. They prepared a feast [as if for expected guests]. Some time afterwards, Badialza man beheld another flight of ten doves of different colours who surrounded an eleventh, which was quite white, and these also perched on the edge of the basin. The ten doves plunged into the basin and came forth as women, more beautiful than the first and more magnificently robed. They took the white dove and plunged her into a smaller basin, which was [filled with] rose [water] and she became a woman of extraordinary beauty. She was the eldest daughter of the genius, and her name was Fattane. (Fattánah = The Temptress.)

Two of her attendants then took Fattane under the armpits, and led her to her apartment, followed by the others. She took her seat on a small raised sofa, and her women separated, some to the right and some to the left, and set about their work. Prince Badialzaman had dropped his handkerchief. One of the waiting women saw it and picked it up, and when she looked round, she saw the prince. She was alarmed, and warned Fattane, who sent some of her women to see who the stranger was. The prince came forward, and presented himself before Fattane, who beheld a young prince, and gave him a most gracious reception. She made him sit next to her, and inquired what brought him there? He told his story from the beginning to the end, and asked where he could find the genius, on whom he wished to take vengeance. Fattane smiled, and told him to think no more about it, but only to enjoy himself in the good company in which he found himself. They spread the table, and she made him sit next to her, and her women played on all kinds of musical instruments before they retired to rest.

Fattane persuaded the prince to stay with her from day to day: but on the fortieth day he declared that he could wait no longer, and that it was absolutely necessary for him to find out where Morhagian dwelt. The princess acknowledged that he was her father, and told him that his strength was so great [that nobody could overcome him]. She added that she could not inform him where to find him, but that her second sister would tell him. She sent one of her women to guide him to her sister's palace through a door of communication, and to introduce him. He was well received by the fairy, for whom he had a letter, and he found her younger and more beautiful than Fattane. He begged her to inform him where he could find the genius, but she changed the subject of conversation, entertained him magnificently, and kept him with her for forty days. On the fortieth day she permitted him to depart, gave him a letter, and sent him to her youngest sister, who was a still more beautiful fairy. He was received and welcomed with joy. She promised to show him Morhagian's dwelling, and she also entertained him for forty days. On the fortieth day she tried to dissuade him from his enterprise, but he insisted. She told him that Morhagian would grasp his head in one hand, and his feet in the other, and would tear him asunder in the middle. But this did not move him, and she then told him that he would find Morhagian in a dwelling, long, high and wide in proportion to his bulk. The prince sought him out, and the moment he caught sight of him, he rushed at him, sword in hand. Morhagian stretched out his hand, seized his head in one hand and his feet in the other, rent him in two with very little effort, and threw him out of a window which overlooked a garden.

Two women sent by the youngest princess each took a piece of the body of the prince, and brought it to their mistress, who put them together, reunited them, and restored life to the prince by applying water [of life ?] to the wounds. She then asked the prince where he came from, and it seemed to him that he had just awakened from sleep; and she then recalled everything to his recollection. But this did not weaken his firm resolve to kill the genius. The fairy begged him to eat, but he refused; and she then urged that Morhagian was her father, and that he could only be killed by his own sword, which the prince could not obtain.[FN#434] "You may say what you please," answered the prince; "but there is no help for it, and he must die by my hand [to atone for the wrongs which my brothers and I have suffered from him]."

Then the princess made him swear solemnly to take her as his bride, and taught him how he might succeed in killing the genius. "You cannot hope to kill him while he wakes," said she, "but when he sleeps it is not quite impossible. If he sleeps, you will hear him snore, but he will sleep with his eyes open, which is a sign that he has fallen into a very profound slumber. As he fills the whole room, step upon him and seize his sword which hangs above his head, and then strike him on the neck. The blow will not kill him, but as he wakes, he will tell you to strike him a second time. But beware of doing this [for if you strike him again, the wound will heal of itself, and he will spring up and kill you, and me after you]."

Then Badialzaman returned to Morhagian's room, and found him snoring so loud that everything around him shook. The prince entered, though not without trembling, and walked over him till he was able to seize the sword when he struck him a violent blow on the neck. Morhagian awoke, cursing his daughter, and cried out to the prince, whom he recognised, "Make an end of me." The prince answered that what he had done was enough, and he left him, and Morhagian died.

The prince carried off Morhagian's sword, which he thought would be useful to him in other encounters; and as he went, he passed a magnificent stable in which he saw a splendid horse. He returned to the fairy and related to her what he had done, and added that he would like to carry off the horse, but he feared it would be very difficult. "Not so difficult as you think," said she. "Go and cut off some hair from his tail, and take care of it, and whenever you are in need, burn one or two of the hairs, and he will be with you immediately [and will bring you whatever you require]."

After this the three fairies assembled together, and the prince promised that the two princes, his brothers, should marry the other two sisters. Each fairy reduced her palace to the size of a small ball, which she gave to the prince

The prince then took the three fairies to the bottom of the well. His father, the Sultan, had long believed that he was dead, and had put on mourning for him. His two brothers often came to the well, and they happened to be there just at the time. Badialzaman attracted their attention by his shouts, told them what had happened, and added that he had brought the three fairies with him. He asked for a rope and fastened the eldest fairy to it, calling out, "Pull away, Prince Rostam, I send you your good fortune." The rope was let down again, and he fastened the second fairy to it, calling out "Brother Gaiath Eddin, pull up your good fortune too."

The third fairy, who was to marry Badialzaman, begged him to allow himself to be drawn up before her [as she was distrustful of his brothers], but he would not listen to her. As soon as the two princes had drawn her up so high that they could see her, they began to dispute who should have her. Then the fairy cried out to Badialzaman, "Prince, did I not warn you of this ?"

The princes were obliged to agree that the Sultan should settle their dispute. When the third fairy had been drawn out of the well, the three fairies endeavoured to persuade the two princes to draw up their youngest brother, but they refused, and compelled them to follow them. While they carried off the youngest princess, the other two asked leave to say adieu to Prince Badialzaman They cried out from the top of the well, "Prince have patience till Friday, when you will see six bulls pass by--three red ones and three black ones. Mount upon one of the red ones and he will bring you up to the earth, but take good care not to mount upon a black one, for he would carry you down to the Seventh Earth."[FN#435]

The princes carried off the three fairies, and on Friday, three days afterwards, the six bulls appeared. Badialzaman was about to mount upon a red one, when a black one prevented him, and compelled him to mount his back, when he plunged through the earth till he stopped at a large town in another world. He entered the town, and took up his abode with an old woman, to whom he gave a piece of gold to provide him with something to eat, for he was almost famished. When he had eaten enough, he asked for something to drink. "You cannot be a native of this country," said the old woman ["or you would not ask for drink"]. She then brought him a sponge, saying that she had no other water. She then informed him that the town was supplied with water from a very copious spring, the flow of which was interrupted by a monster. They were obliged to offer up a girl to be devoured by it on every Friday. To-day the princess, the Sultan's daughter, was to be given up to him, and while the monster emerged from his lair to devour her, enough water would flow for everyone to supply himself until the following Friday.

Badialzaman then requested the old woman to show him the way to the place where the princess was already exposed; but she was so much afraid that he had much trouble in persuading her to come out of her house to show him what direction to take. He went out of the town, and went on till he saw the princess, who made a sign to him from a distance to approach no nearer; and the nearer he came, the more anxiety she displayed. As soon as he was within hearing, he shouted to her not to be afraid; and he sat down beside her, and fell asleep, after having begged her to wake him as soon as the monster appeared. Presently a tear from the princess fell upon his face, and he woke up, and saw the monster, which he slew with the sword of Morhagian, and the water flowed in abundance The princess thanked her deliverer, and begged him to take her back to the Sultan her father, who would give proofs of his gratitude; but he excused himself. She then marked his shoulder with the blood of the monster without his noticing it. The princess then returned to the town, and was led back to the palace, where she related to the Sultan [all that had happened]. Then the Sultan commanded that all the men in the town should pass before himself and the princess under pain of death. Badialzaman tried to conceal himself in a khan, but he was compelled to come with the others. The princess recognised him, and threw an apple at him to point him out. He was seized, and brought before the Sultan, who demanded what he could do to serve him. The prince hesitated, but at length he requested the Sultan to show him the way to return to the world from whence he came. The Sultan was furious, and would have ordered him to be burned as a heretic [but the princess interceded for his life]. The Sultan then treated him as a madman, and drove him ignominiously from the town, and he wandered away without knowing where he was going. At length he arrived at a mountain of rock, where he saw a great serpent rising from his lair to prey on young Rokhs. He slew the serpent with the sword of Morhagian, and the father and mother of the Rokhs arrived at the moment, and asked him to demand whatever he desired in return. He hesitated awhile, but at length he asked them to show him the way to the upper world. The male Rokh then told him to prepare ten quarters of mutton, to mount on his back, and to give him some of the meat whenever he should turn his head either to one side or to the other on the journey.

The prince mounted on the back of the Rokh, the Rokh stamped with his foot, and the earth opened before them wherever he turned. They reached the bottom of the well when the Rokh turned his head, but there was no more meat left, so the prince cut off the calf of his leg and gave it to him. When the Rokh arrived at the top of the well, the prince leaped to the ground, when the Rokh perceived [that he was lame, when he inquired the reason, and the prince explained what had happened]. The Rokh then disgorged the calf of the leg, and returned it to its place, when it grew fast, and the prince was cured immediately.

As the prince left the well, he met a peasant, and changed clothes with him, but he kept the sword, the three balls, and the horse-hair. He went into the town, where he took lodgings with a tailor, and kept himself in retirement. The prince gradually rose in the tailor's esteem by letting him perceive that he knew how to sew [and all the arts of an accomplished tailor]. Presently, preparations were made for the wedding of Prince Rostam, and the tailor with whom Badialzaman lodged was ordered to prepare the fairy's robes. Badialzaman, who slept in the shop, took clothes from one of the balls similar to those which were already far advanced, and put them in the place of the others. The tailor was astonished [at their fine workmanship] and wished to take the prince with him to receive a present, but he refused, alleging as an excuse that he had so lately come to the town. When the fairies saw the clothes, they thought it a good omen.

The wedding day arrived, and they threw the jaríd[FN#436] [and practised other martial exercises]. It was a grand festival, and all the shops were closed. The tailor wished to take the prince to see the spectacle, but he put him off with an excuse. However, he went to a retired part of the town, where he struck fire with a gun,[FN#437] and burned a little of the horse hair. The horse appeared, and he told him to bring him a complete outfit all in red, and that he should likewise appear with trappings, jewels, &c., and a reed (jaríd) of the same colour. The prince then mounted the horse, and proceeded to the race-course, where his appearance excited general admiration. At the close of the sports, he cut off the head of Prince Rostam, and the horsemen pursued him, but were unable to overtake him, and soon lost sight of him. He returned to the shop dressed as usual before the arrival of the tailor, who related to him what had happened, of which he pretended to be entirely ignorant. There was a great mourning at the court; but three months afterwards, fresh robes were ordered for the wedding of the second prince. The fairies were confirmed in their suspicions when they saw the fresh clothes [which Badialzaman sent them].

On the wedding day they again assembled to throw the jaríd. Prince Badialzaman now presented himself on the white horse, robed in white, and with pearls and jewels to match, and again he attracted general admiration. He pushed himself into the midst of a guard of eight hundred horsemen, and slew Gaiath Eddin. They rushed upon him, and he allowed himself to be carried before the Sultan, who recognised him [and pronounced his decision]. "A brother who has been abandoned to die by his brothers has a right to kill them."

After this, Prince Badialzaman espoused the youngest princess, and the two others were given in marriage to two princes who were related to the Sultan.

Cazotte's Continuation, and the Composite Editions of
the Arabian Nights (Pp. 418-422).

P. 422.--There is a small Dutch work, the title of which is as follows:

Oostersche Vertellingen, uit de Duizend-en-cen-Nacht: Naar de Hoogduitsche Bewerking van M. Claudius,[FN#438] voor de Nederlandsche Jeugduiitgegeven door J. J. A. Gouverneur. Te Groningen, bij B. Wolters, n.d. 8vo., pp. 281, colt front. (illustrating No. 170).

A composite juvenile edition, including Introduction (very short), and Nos. 251g, 36a 163 (complete form), 6ef, 4, 5, 1, 52, 170, 6ee, 223, 207c, 6, 194c, 206a, 204h, 2a, 174a and Introduction (a).

Derived from at least four different sources.

Translations of the Printed Texts (Pp. 438-439).

Under this heading I have to record Sir Richard and Lady Burton's own works.

Lady Burton's Edition of her husband's Arabian Nights, translated literally from the Arabic, prepared for household reading by Justin Huntly McCarthy, M.P., London, Waterlow and Sons, Roy. 8vo. 6 vols.

In preparing this edition for the press, as much as possible has been retained, both of the translation and notes; and it has not been found necessary to omit altogether more than a very few of the least important tales. The contents of the 6 volumes are as follows:--

Vol. I. (1886), Front's piece (Portrait of Lady Burton), Preface, Translator's Foreword Introduction 1-9 (pp. xxiii. 476).

Vol. II. (1886), Front's piece (Portrait of Sir Richard F. Burton), 9 (continued), 9a-29 (pp. ii. 526).

Vol. III. (1887), 29 (continued)-133e (pp. viii. 511).

Vol. IV. (1887), 133e (continued)-154a (pp. iv. 514).

Vol. V. (1887), 154a (continued)-163 (pp. iv. 516).

Vol. VI. (1886) [? 1888], 163 (continued)-169 (pp. ii. 486).

Also includes Terminal Essay, Index to Tales and Proper Names, Contributions to Bibliography, as far as it relates to Galland's MS. and Translations; Comparative Table of Tales; Opinions of the Press; and Letters from Scholars.

Supplemental Nights to the Book of the Thousand Nights and a Night, with notes anthropological and explanatory, by Richard F. Burton. Benares, printed by the Kamashastra Society for private subscribers only. Roy. 8vo.

The contents of the 6 volumes are as follows:

Vol. I. (1886) Translator's Foreword, 170-181bb.

Vol. II. (1886) 182-189. Appendix: Variants and analogues of some of the tales in vols. i. and ii., by Mr. W. A. Clouston.

These two volumes contain the tales peculiar to the Breslau Text, and cover the same ground as Mr. Payne's 3 vols. of "Tales from the Arabic."

Vol. III. (1887) Foreword, 191-198. Appendix: Variants and Analogues of the Tales in the Supplemental Nights, vol. iii., by Mr. W. A. Clouston.

This volume, the bulkiest of the whole series, contains such of Galland's tales as are not to be found in the ordinary texts of the Nights.

Vol. IV. (1887) The Translator's Foreword, 203-209; App. A. Ineptiæ Bodleianae; App. B., The three untranslated tales in Mr. E. J. W. Gibb's "Forty Vezirs."

Vol. V. (1888) 210-241a, Translator's Foreword; App. i. Catalogue of Wortley Montague Manuscript, Contents, App. ii. Notes on the Stories contained in vols. iv. and v. of Supplemental Nights, by Mr. W. F. Kirby.

These two volumes contain tales translated from the Wortley Montague MS., used by Jonathan Scott, and now in the Bodleian Library at Oxford. The following tales, not in our table, are added:--

Vol. IV. Story of the Limping Schoolmaster (between 204i and 204j).

How Drummer Abu Kasim became a Kazi, and Story of the Kazi and his Slipper. (These two tales come between 206a and 206b.)

Adventure of the Fruit-seller and the Concubine (between 207c and 207d).

Tale of the third Larrikin concerning himself (between 208 and 209).

On the other hand, a few tales in the MS. are omitted as repetitions, or as too unimportant to be worth translating:--

Vol. VI. (1888) Translator's Foreword: 248; 246; The Linguist-Dame, the Duenna, and the King's Son; 247; The Pleasant History of the Cock and the Fox; History of what befel the Fowl-let with the Fowler; 249; 250.

App. i. Index to the Tales and Proper Names; ii. Alphabetical Table of the Notes (Anthropological, &c.); iii. Notes on the Stories contained in vol. vi. of Supplementary Nights, by W. F. Kirby; iv. Additional Notes on the Bibliography of the Thousand and One Nights, by W. F. Kirby; v. The Biography of the Book and the Reviewers Reviewed, Opinions of the Press.

This volume contains the originals of Chavis and Cazotte's Tales, omitting the four doubtful ones (cf. Nights, x. App., pp. 418, 419).

Collections of Selected Tales (P. 439).

"We have also 'Aladdin or the Wonderful Lamp,' 'Sindbad the Sailor, or the Old Man of the Sea' and 'Ali Baba, or the Forty Thieves,' revised by M. E. Braddon, author of 'Lady Audley's Secret,' etc. Illustrated by Gustav Doré and other artists. London: J. & R. Maxwell.

"Miss Braddon has contented herself with 'Englishing' the vulgar version, whose Gallicisms are so offensive to the national ear." (Sir R. F. Burton, in litt.)

Imitations and Miscellaneous Works Having More or less
Connection with the Nights (Pp. 448-453). B. English
(Pp. 452-453).

13. History of Rhedi, the Hermit of Mount Ararat, an Oriental Tale. By--Mackenzie, 16mo., Dublin, 1781.

I have not seen this little book.

14. Miscellanies, consisting of classical extracts, and Oriental Epilogues. By William Beloe, F.S.A. Translator of Herodotus, &c. London, 1795.

Includes some genuine Oriental tales, such as a version of that of Básim the Smith.

15. The Orientalist, or Letters of a Rabbi, with Notes by James Noble, Oriental Master in the Scottish Nasal and Military Academy. Edinburgh, 1831.

Noticed by Mr. W. A. Clouston, Suppl. Nights, iii., p. 377.

16. The Adventures of the Caliph Haroun Al-raschid. Recounted by the Author of "Mary Powell" [Miss Manning]. 8vo., London, 1855; Arthur Hall, Virtue & Co.

17. The 1001 Days, a Companion to the Arabian Nights, with introduction by Miss J.] Pardoe. 8vo., London 1857, woodcuts.

A miscellaneous collection partly derived from "Les Mille et un Jours" (cf. Nights x., pp. 499, 500). I have also seen a similar miscellaneous collection in French under the latter title. The tales in the English work are as follows:

I. Hassan Abdallah, or the Enchanted Keys Story of Hassan.
Hassan Abdallah the Basket Maker.
Hassan Abdallah the Dervise Abounader

II. Soliman Bey and the Story Tellers
The First Story Teller.
The Second Story Teller.
The Third Story Teller.

III. Prince Khalaf and the Princess of China
Story of Prince Al-Abbas.
Story of Liri-in.

IV. The Wise Dey.

V. The Tunisian Sage.

VI. The Nose for Gold.

VII. The Treasures of Basra.

History of Aboulcassem.

VIII. The Old Camel.

IX. The Story of Medjeddin (Grimm's "Haschem," cf. Nights, x., p. 422).

X. King Bedreddin Lolo and his Vizier.
Story of the Old Slippers.
Story of Atalmulk, surnamed the Sorrowful Vizier, and the Princess
Zelica.
Story of Malek and the Princess Schirine

18. The Modern Arabian Nights. By Arthur A'Beckett and Linley Sambourne. London: Bradbury, Agnew & Co., 1877, sm. 4to., with comic coloured frontispieces and woodcuts.

Four clever satires (social and political) as follows:

1. Alley Baber and Son, a Mock Exchange Story. 2. Ned Redding and the Beautiful Persian. 3. The Ride of Captain Alf Rashit to Ke-Vere-Street. 4. Mr. O'Laddin and the Wonderful Lamp.

19. Tales of the Caliph. By Al Arawiyah, 8vo., London, T. Fisher Unwin, 1887.

Belongs to Class 5 (Imitations). Consists of fictitious adventures supposed to have happened to Harun Al-Rashid, chiefly during his nocturnal rambles.

Separate Editions of Single or Composite Tales (Pp. 439
441).

P. 440.--No. 184 was published under the title of "Woman's Wit" in the "Literary Souvenir" for 1831, pp.217-237.derived from Langles' version (Mr. L.C. Smithers in litt.).

Translation of Cognate Oriental Romances Illustrative
of the Nights (Pp. 441-443).

P. 441, No. 1. Les Mille et un Jours.

Mr. L. C. Smithers (in litt.) notes English editions published in 1781 and 1809, the latter under the title of "The Persian and Turkish Tales."

P. 443, No. 5. Recueil de Contes Populaires de la Kabylie du Djurdjura recueillis et traduits par J. Riviere. 12mo. Paris: Leroux. 1882.

This collection is intended to illustrate the habits and ideas of the people. The tales are very short, and probably very much abridged, but many of them illustrate the Nights. I may note the following tales as specially interesting from their connection with the Nights, or with important tales in other collections, Oriental or otherwise.

Thadhillala. A brief abstract of No. 151.

Les deux Frères. A variant of Herodotus' Story of Rhampsinitus.

L'homme de bien et le méchant. A variant of No. 262; or Schiller's Fridolin.

Le Corbeau et l'Enfant. Here a child is stolen and a crow left in its place.

H'ab Sliman. Here an ugly girl with foul gifts is substituted for her opposite.

Le roi et son fils. Here we find the counterpart of Schaibar (from No. 197), who, however, is a cannibal and devours everybody.

Les Enfants et la Chauve-sourie. Resembles No. 198.

Le Joueur de Flute. Resembles Grimm's story of the Jew in the Bramble-Bush.

Jésus-Christ et la femme infidels (=261 b.; cf. Nights, x., p. 420).

Le Roitelet. This is the fable of the Ox and the Frog.

L'idiot et le coucou (=No. 206a).

Moh'amed teen Soltan. This is one of the class of stories known to folk-lorists as the Punchkin series. The life of a Ghúl is hidden in an egg, the egg in a pigeon, the pigeon in a camel, and the camel in the sea.

Les deux Frères. A Cinderella story. The slayer of a hydra is discovered by trying on a shoe.

Les trots Frères. Here a Ghúl is killed by a single blow from a magic dagger, which must not be repeated. (Cf. Nights, vii., p. 361.) In this story, too, the protection of a Ghúlah is secured by tasting her milk, a point which we find in Spitta Bey's "Comes Arabes Modernes," but not in the Nights.

9. Turkish Evening Entertainments. "The Wonders of Remarkable Incidents and the Rarities of Anecdotes," by Ahmed ibn Hemdem the Kethhoda called "Sobailee." Translated from the Turkish by John F. Brown. 8vo., New York, 1850.

Contains a great number of tales and anecdotes, divided into 37 chapters, many of which bear such headings as "Illustrative of intelligence and piety," "On justice and fostering care," "Anecdotes about the Abbaside Caliphs," &c.

"A translation of the Turkish story-book, 'Aja'ib al-ma'ásir wa ghará 'ib ennawádir,' written for Muád the Fourth Ottoman Sultan who reigned between 1623-40. A volume of interesting anecdotes from the Arabic and Persian" (Mr. L. C. Smithers, in litt.).

10. Contes Arabes Modernes, recueillis et traduits par Guillaume Spitta-Bey. 8vo., Leyden and Paris, 1883.

This book contains 12 orally collected tales of such great importance from a folk-lore point of view that I have given full abstracts of all. They are designed to illustrate the spoken Egyptian dialect, and are printed in Roman character, with translation and glossary. The hero of nearly all the tales is called "Mohammed l'Avisé," which Mr. Sydney Hartland renders "Prudent," and Mr. W. A. Clouston "Discreet." The original gives "Essâtir Mehammed." (Al-Shátir Mohammed, i.e., M. the Clever.) The frequent occurrence of the number 39 (forty less one) may also be noted. Ghúls often play the part which we should expect Jinn to fill. The bear, which occurs in two stories, is not an Egyptian animal. Having called attention to these general features we may leave the tales to speak for themselves.

I. Histoire de Mohammed l'Avise.