Chapter VII

So clamorous and so persistent was the ringing that Cosmo Waynflete was roused at last. He found himself suddenly standing on his feet, with his hand clutching the back of the chair in which he had been sitting before the fire when the rays of the setting sun had set long ago. The room was dark, for it was lighted now only by the embers of the burnt-out fire; and the electric bell was ringing steadily, as though the man outside the door had resolved to waken the seven sleepers.

Then Cosmo Waynflete was wide-awake again; and he knew where he was once more--not in Japan, not in Persia, not in Lisbon, not in Sleepy Hollow, but here in New York, in his own room, before his own fire. He opened the door at once and admitted his friend, Paul Stuyvesant.

"It isn't dinner-time, is it?" he asked. "I'm not late, am I? The fact is, I've been asleep."

"It is so good of you to confess that," his friend answered, laughing; "although the length of time you kept me waiting and ringing might have led me to suspect it. No, you are not late and it is not dinner-time. I've come around to have another little chat with you before dinner, that's all."

"Take this chair, old man," said Cosmo, as he threw another hickory-stick on the fire. Then he lighted the gas and sat down by the side of his friend.

"This chair is comfortable, for a fact," Stuyvesant declared, stretching himself out luxuriously. "No wonder you went to sleep. What did you dream of?--strange places you had seen in your travels or the homely scenes of your native land."

Waynflete looked at his friend for a moment without answering the question. He was startled as he recalled the extraordinary series of adventures which had fallen to his lot since he had fixed his gaze on the crystal ball. It seemed to him as though he had been whirled through space and through time.

"I suppose every man is always the hero of his own dreams," he began, doubtfully.

"Of course," his friend returned; "in sleep our natural and healthy egotism is absolutely unrestrained. It doesn't make any matter where the scene is laid or whether the play is a comedy or a tragedy, the dreamer has always the centre of the stage, with the calcium light turned full on him."

"That's just it," Waynflete went on; "this dream of mine makes me feel as if I were an actor, and as if I had been playing many parts, one after the other, in the swiftest succession. They are not familiar to me, and yet I confess to a vague feeling of unoriginality. It is as though I were a plagiarist of adventure--if that be a possible supposition. I have just gone through these startling situations myself, and yet I'm sure that they have all of them happened before--although, perhaps, not to any one man. Indeed, no one man could have had all these adventures of mine, because I see now that I have been whisked through the centuries and across the hemispheres with a suddenness possible only in dreams. Yet all my experiences seem somehow second-hand, and not really my own."

"Picked up here and there--like your bric-a-brac?" suggested Stuyvesant. "But what are these alluring adventures of yours that stretched through the ages and across the continents?"

Then, knowing how fond his friend was of solving mysteries and how proud he was of his skill in this art, Cosmo Waynflete narrated his dream as it has been set down in these pages.

When he had made an end, Paul Stuyvesant's first remark was: "I'm sorry I happened along just then and waked you up before you had time to get married."

His second remark followed half a minute later.

"I see how it was," he said; "you were sitting in this chair and looking at that crystal ball, which focussed the level rays of the setting sun, I suppose? Then it is plain enough--you hypnotized yourself!"

"I have heard that such a thing is possible," responded Cosmo."

"Possible?" Stuyvesant returned, "it is certain! But what is more curious is the new way in which you combined your self-hypnotism with crystal-gazing. You have heard of scrying, I suppose?"

"You mean the practice of looking into a drop of water or a crystal ball or anything of that sort," said Cosmo, "and of seeing things in it--of seeing people moving about?"

"That's just what I do mean," his friend returned. "And that's just what you have been doing. You fixed your gaze on the ball, and so hypnotized yourself; and then, in the intensity of your vision, you were able to see figures in the crystal--with one of which visualized emanations you immediately identified yourself. That's easy enough, I think. But I don't see what suggested to you your separate experiences. I recognize them, of course----"

"You recognize them?" cried Waynflete, in wonder.

"I can tell you where you borrowed every one of your adventures," Stuyvesant replied, "But what I'd like to know now is what suggested to you just those particular characters and situations, and not any of the many others also stored away in your subconsciousness."

So saying, he began to look about the room.

"My subconsciousness?" repeated Waynflete. "Have I ever been a samurai in my subconsciousness?"

Paul Stuyvesant looked at Cosmo Waynflete for nearly a minute without reply. Then all the answer he made was to say: "That's a queer dressing-gown you have on."

"It is time I took it off," said the other, as he twisted himself out of its clinging folds. "It is a beautiful specimen of weaving, isn't it? I call it the dream-gown of the Japanese ambassador, for although I bought it in a curiosity-shop in Nuremberg, it was once, I really believe, the slumber-robe of an Oriental envoy."

Stuyvesant took the silken garment from his friend's hand.

"Why did the Japanese ambassador sell you his dream-gown in a Nuremberg curiosity-shop?" he asked.

"He didn't," Waynflete explained. "I never saw the ambassador, and neither did the old German lady who kept the shop. She told me she bought it from a Japanese acrobat who was out of an engagement and desperately hard up. But she told me also that the acrobat had told her that the garment had belonged to an ambassador who had given it to him as a reward of his skill, and that he never would have parted with it if he had not been dead-broke."

Stuyvesant held the robe up to the light and inspected the embroidery on the skirt of it.

"Yes," he said, at last, "this would account for it, I suppose. This bit here was probably meant to suggest 'the well where the head was washed,'--see?"

"I see that those lines may be meant to represent the outline of a spring of water, but I don't see what that has to do with my dream," Waynflete answered.

"Don't you?" Stuyvesant returned. "Then I'll show you. You had on this silk garment embroidered here with an outline of the well in which was washed the head of Kotsuke no Suke, the man whom the Forty-Seven Ronins killed. You know the story?"

"I read it in Japan, but----" began Cosmo.

"You had that story stored away in your subconsciousness," interrupted his friend. "And when you hypnotized yourself by peering into the crystal ball, this embroidery it was which suggested to you to see yourself as the hero of the tale--Oishi Kuranosuke, the chief of the Forty-Seven Ronins, the faithful follower who avenged his master by pretending to be vicious and dissipated--just like Brutus and Lorenzaccio--until the enemy was off his guard and open to attack."

"I think I do recall the tale of the Forty-Seven Ronins, but only very vaguely," said the hero of the dream. "For all I know I may have had the adventure of Oishi Kuranosuke laid on the shelf somewhere in my subconsciousness, as you want me to believe. But how about my Persian dragon and my Iberian noblewoman?"

Paul Stuyvesant was examining the dream-gown of the Japanese ambassador with minute care. Suddenly he said, "Oh!" and then he looked up at Cosmo Waynflete and asked: "What are those buttons? They seem to be old coins."

"They are old coins," the other answered; "it was a fancy of mine to utilize them on that Japanese dressing-gown. They are all different, you see. The first is----"

"Persian, isn't it?" interrupted Stuyvesant.

"Yes," Waynflete explained, "it is a Persian daric. And the second is a Spanish peso made at Potosi under Philip II. for use in America. And the third is a York shilling, one of the coins in circulation here in New York at the time of the Revolution--I got that one, in fact, from the farmer who ploughed it up in a field at Tarrytown, near Sunnyside."

"Then there are three of your adventures accounted for, Cosmo, and easily enough," Paul commented, with obvious satisfaction at his own explanation. "Just as the embroidery on the silk here suggested to you--after you had hypnotized yourself--that you were the chief of the Forty-Seven Ronins, so this first coin here in turn suggested to you that you were Rustem, the hero of the 'Epic of Kings.' You have read the 'Shah-Nameh?'"

"I remember Firdausi's poem after a fashion only," Cosmo answered. "Was not Rustem a Persian Hercules, so to speak?"

"That's it precisely," the other responded, "and he had seven labors to perform; and you dreamed the third of them, the slaying of the grisly dragon. For my own part, I think I should have preferred the fourth of them, the meeting with the lovely enchantress; but that's neither here nor there."

"It seems to me I do recollect something about that fight of Rustem and the strange beast. The faithful horse's name was Rakush, wasn't it?" asked Waynflete.

"If you can recollect the 'Shah-Nameh,'" Stuyvesant pursued, "no doubt you can recall also Beaumont and Fletcher's 'Custom of the Country?' That's where you got the midnight duel in Lisbon and the magnanimous mother, you know."

"No, I didn't know," the other declared.

"Well, you did, for all that," Paul went on. "The situation is taken from one in a drama of Calderon's, and it was much strengthened in the taking. You may not now remember having read the play, but the incident must have been familiar to you, or else your subconsciousness couldn't have yielded it up to you so readily at the suggestion of the Spanish coin, could it?"

"I did read a lot of Elizabethan drama in my senior year at college," admitted Cosmo, "and this piece of Beaumont and Fletcher's may have been one of those I read; but I totally fail to recall now what it was all about."

"You won't have the cheek to declare that you don't remember the 'Legend of Sleepy Hollow,' will you?" asked Stuyvesant. "Very obviously it was the adventure of Ichabod Crane and the Headless Horseman that the York shilling suggested to you."

"I'll admit that I do recollect Irving's story now," the other confessed.

"So the embroidery on the dream-gown gives the first of your strange situations; and the three others were suggested by the coins you have been using as buttons," said Paul Stuyvesant. "There is only one thing now that puzzles me: that is the country church and the noon wedding and the beautiful bride."

And with that he turned over the folds of the silken garment that hung over his arm.

Cosmo Waynflete hesitated a moment and a blush mantled his cheek. Then he looked his friend in the face and said: "I think I can account for my dreaming about her--I can account for that easily enough."

"So can I," said Paul Stuyvesant, as he held up the photograph of a lovely American girl that he had just found in the pocket of the dream-gown of the Japanese ambassador.

(1896.)

THE RIVAL GHOSTS

The good ship sped on her way across the calm Atlantic. It was an outward passage, according to the little charts which the company had charily distributed, but most of the passengers were homeward bound, after a summer of rest and recreation, and they were counting the days before they might hope to see Fire Island Light. On the lee side of the boat, comfortably sheltered from the wind, and just by the door of the captain's room (which was theirs during the day), sat a little group of returning Americans. The Duchess (she was down on the purser's list as Mrs. Martin, but her friends and familiars called her the Duchess of Washington Square) and Baby Van Rensselaer (she was quite old enough to vote, had her sex been entitled to that duty, but as the younger of two sisters she was still the baby of the family)--the Duchess and Baby Van Rensselaer were discussing the pleasant English voice and the not unpleasant English accent of a manly young lordling who was going to America for sport. Uncle Larry and Dear Jones were enticing each other into a bet on the ship's run of the morrow.

"I'll give you two to one she don't make 420," said Dear Jones.

"I'll take it," answered Uncle Larry. "We made 427 the fifth day last year." It was Uncle Larry's seventeenth visit to Europe, and this was therefore his thirty-fourth voyage.

"And when did you get in?" asked Baby Van Rensselaer. "I don't care a bit about the run, so long as we get in soon."

"We crossed the bar Sunday night, just seven days after we left Queenstown, and we dropped anchor off Quarantine at three o'clock on Monday morning."

"I hope we sha'n't do that this time. I can't seem to sleep any when the boat stops."

"I can, but I didn't," continued Uncle Larry, "because my state-room was the most for'ard in the boat, and the donkey-engine that let down the anchor was right over my head."

"So you got up and saw the sun rise over the bay," said Dear Jones, "with the electric lights of the city twinkling in the distance, and the first faint flush of the dawn in the east just over Fort Lafayette, and the rosy tinge which spread softly upward, and----"

"Did you both come back together?" asked the Duchess.

"Because he has crossed thirty-four times you must not suppose he has a monopoly in sunrises," retorted Dear Jones. "No; this was my own sunrise; and a mighty pretty one it was too."

"I'm not matching sunrises with you," remarked Uncle Larry calmly; "but I'm willing to back a merry jest called forth by my sunrise against any two merry jests called forth by yours."

"I confess reluctantly that my sunrise evoked no merry jest at all." Dear Jones was an honest man, and would scorn to invent a merry jest on the spur of the moment.

"That's where my sunrise has the call," said Uncle Larry, complacently.

"What was the merry jest?" was Baby Van Rensselaer's inquiry, the natural result of a feminine curiosity thus artistically excited.

"Well, here it is. I was standing aft, near a patriotic American and a wandering Irishman, and the patriotic American rashly declared that you couldn't see a sunrise like that anywhere in Europe, and this gave the Irishman his chance, and he said, 'Sure ye don't have 'm here till we're through with 'em over there.'"

"It is true," said Dear Jones, thoughtfully, "that they do have some things over there better than we do; for instance, umbrellas."

"And gowns," added the Duchess.

"And antiquities"--this was Uncle Larry's contribution.

"And we do have some things so much better in America!" protested Baby Van Rensselaer, as yet uncorrupted by any worship of the effete monarchies of despotic Europe. "We make lots of things a great deal nicer than you can get them in Europe--especially ice-cream."

"And pretty girls," added Dear Jones; but he did not look at her.

"And spooks," remarked Uncle Larry, casually.

"Spooks?" queried the Duchess.

"Spooks. I maintain the word. Ghost, if you like that better, or spectres. We turn out the best quality of spook----"

"You forget the lovely ghost stories about the Rhine and the Black Forest," interrupted Miss Van Rensselaer, with feminine inconsistency.

"I remember the Rhine and the Black Forest and all the other haunts of elves and fairies and hobgoblins; but for good, honest spooks there is no place like home. And what differentiates our spook--_spiritus Americanus_--from the ordinary ghost of literature is that it responds to the American sense of humor. Take Irving's stories, for example. The 'Headless Horseman'--that's a comic ghost story. And Rip Van Winkle--consider what humor, and what good humor, there is in the telling of his meeting with the goblin crew of Hendrik Hudson's men! A still better example of this American way of dealing with legend and mystery is the marvellous tale of the rival ghosts."

"The rival ghosts!" queried the Duchess and Baby Van Rensselaer together. "Who were they?"

"Didn't I ever tell you about them?" answered Uncle Larry, a gleam of approaching joy flashing from his eye.

"Since he is bound to tell us sooner or later, we'd better be resigned and hear it now," said Dear Jones.

"If you are not more eager, I won't tell it at all."

"Oh, do, Uncle Larry! you know I just dote on ghost stories," pleaded Baby Van Rensselaer.

"Once upon a time," began Uncle Larry--"in fact, a very few years ago--there lived in the thriving town of New York a young American called Duncan--Eliphalet Duncan. Like his name, he was half Yankee and half Scotch, and naturally he was a lawyer, and had come to New York to make his way. His father was a Scotchman who had come over and settled in Boston and married a Salem girl. When Eliphalet Duncan was about twenty he lost both of his parents. His father left him enough money to give him a start, and a strong feeling of pride in his Scotch birth; you see there was a title in the family in Scotland, and although Eliphalet's father was the younger son of a younger son, yet he always remembered, and always bade his only son to remember, that this ancestry was noble. His mother left him her full share of Yankee grit and a little old house in Salem which had belonged to her family for more than two hundred years. She was a Hitchcock, and the Hitchcocks had been settled in Salem since the year 1. It was a great-great-grandfather of Mr. Eliphalet Hitchcock who was foremost in the time of the Salem witchcraft craze. And this little old house which she left to my friend Eliphalet Duncan was haunted."

"By the ghost of one of the witches, of course?" interrupted Dear Jones.

"Now how could it be the ghost of a witch, since the witches were all burned at the stake? You never heard of anybody who was burned having a ghost, did you?" asked Uncle Larry.

"That's an argument in favor of cremation, at any rate," replied Dear Jones, evading the direct question.

"It is, if you don't like ghosts. I do," said Baby Van Rensselaer.

"And so do I," added Uncle Larry. "I love a ghost as dearly as an Englishman loves a lord."

"Go on with your story," said the Duchess, majestically overruling all extraneous discussion.

"This little old house at Salem was haunted," resumed Uncle Larry. "And by a very distinguished ghost--or at least by a ghost with very remarkable attributes."

"What was he like?" asked Baby Van Rensselaer, with a premonitory shiver of anticipatory delight.

"It had a lot of peculiarities. In the first place, it never appeared to the master of the house. Mostly it confined its visitations to unwelcome guests. In the course of the last hundred years it had frightened away four successive mothers-in-law, while never intruding on the head of the household."

"I guess that ghost had been one of the boys when he was alive and in the flesh." This was Dear Jones's contribution to the telling of the tale.

"In the second place," continued Uncle Larry, "it never frightened anybody the first time it appeared. Only on the second visit were the ghost-seers scared; but then they were scared enough for twice, and they rarely mustered up courage enough to risk a third interview. One of the most curious characteristics of this well-meaning spook was that it had no face--or at least that nobody ever saw its face."

"Perhaps he kept his countenance veiled?" queried the Duchess, who was beginning to remember that she never did like ghost stories.

"That was what I was never able to find out. I have asked several people who saw the ghost, and none of them could tell me anything about its face, and yet while in its presence they never noticed its features, and never remarked on their absence or concealment. It was only afterwards when they tried to recall calmly all the circumstances of meeting with the mysterious stranger that they became aware that they had not seen its face. And they could not say whether the features were covered, or whether they were wanting, or what the trouble was. They knew only that the face was never seen. And no matter how often they might see it, they never fathomed this mystery. To this day nobody knows whether the ghost which used to haunt the little old house in Salem had a face, or what manner of face it had."

"How awfully weird!" said Baby Van Rensselaer. "And why did the ghost go away?"

"I haven't said it went away," answered Uncle Larry, with much dignity.

"But you said it _used_ to haunt the little old house at Salem, so I supposed it had moved. Didn't it?" the young lady asked.

"You shall be told in due time. Eliphalet Duncan used to spend most of his summer vacations at Salem, and the ghost never bothered him at all, for he was the master of the house--much to his disgust, too, because he wanted to see for himself the mysterious tenant at will of his property. But he never saw it, never. He arranged with friends to call him whenever it might appear, and he slept in the next room with the door open; and yet when their frightened cries waked him the ghost was gone, and his only reward was to hear reproachful sighs as soon as he went back to bed. You see, the ghost thought it was not fair of Eliphalet to seek an introduction which was plainly unwelcome."

Dear Jones interrupted the story-teller by getting up and tucking a heavy rug more snugly around Baby Van Rensselaer's feet, for the sky was now overcast and gray, and the air was damp and penetrating.

"One fine spring morning," pursued Uncle Larry, "Eliphalet Duncan received great news. I told you that there was a title in the family in Scotland, and that Eliphalet's father was the younger son of a younger son. Well, it happened that all Eliphalet's father's brothers and uncles had died off without male issue except the eldest son of the eldest son, and he, of course, bore the title, and was Baron Duncan of Duncan. Now the great news that Eliphalet Duncan received in New York one fine spring morning was that Baron Duncan and his only son had been yachting in the Hebrides, and they had been caught in a black squall, and they were both dead. So my friend Eliphalet Duncan inherited the title and the estates."

"How romantic!" said the Duchess. "So he was a baron!"

"Well," answered Uncle Larry, "he was a baron if he chose. But he didn't choose."

"More fool he!" said Dear Jones, sententiously.

"Well," answered Uncle Larry, "I'm not so sure of that. You see, Eliphalet Duncan was half Scotch and half Yankee, and he had two eyes to the main chance. He held his tongue about his windfall of luck until he could find out whether the Scotch estates were enough to keep up the Scotch title. He soon discovered that they were not, and that the late Lord Duncan, having married money, kept up such state as he could out of the revenues of the dowry of Lady Duncan. And Eliphalet, he decided that he would rather be a well-fed lawyer in New York, living comfortably on his practice, than a starving lord in Scotland, living scantily on his title."

"But he kept his title?" asked the Duchess.

"Well," answered Uncle Larry, "he kept it quiet. I knew it, and a friend or two more. But Eliphalet was a sight too smart to put 'Baron Duncan of Duncan, Attorney and Counsellor at Law,' on his shingle."

"What has all this got to do with your ghost?" asked Dear Jones, pertinently.

"Nothing with that ghost, but a good deal with another ghost. Eliphalet was very learned in spirit lore--perhaps because he owned the haunted house at Salem, perhaps because he was a Scotchman by descent. At all events, he had made a special study of the wraiths and white ladies and banshees and bogies of all kinds whose sayings and doings and warnings are recorded in the annals of the Scottish nobility. In fact, he was acquainted with the habits of every reputable spook in the Scotch peerage. And he knew that there was a Duncan ghost attached to the person of the holder of the title of Baron Duncan of Duncan."

"So, besides being the owner of a haunted house in Salem, he was also a haunted man in Scotland?" asked Baby Van Rensselaer.

"Just so. But the Scotch ghost was not unpleasant, like the Salem ghost, although it had one peculiarity in common with its trans-atlantic fellow-spook. It never appeared to the holder of the title, just as the other never was visible to the owner of the house. In fact, the Duncan ghost was never seen at all. It was a guardian angel only. Its sole duty was to be in personal attendance on Baron Duncan of Duncan, and to warn him of impending evil. The traditions of the house told that the Barons of Duncan had again and again felt a premonition of ill fortune. Some of them had yielded and withdrawn from the venture they had undertaken, and it had failed dismally. Some had been obstinate, and had hardened their hearts, and had gone on reckless to defeat and to death. In no case had a Lord Duncan been exposed to peril without fair warning."

"Then how came it that the father and son were lost in the yacht off the Hebrides?" asked Dear Jones.

"Because they were too enlightened to yield to superstition. There is extant now a letter of Lord Duncan, written to his wife a few minutes before he and his son set sail, in which he tells her how hard he has had to struggle with an almost overmastering desire to give up the trip. Had he obeyed the friendly warning of the family ghost, the letter would have been spared a journey across the Atlantic."

"Did the ghost leave Scotland for America as soon as the old baron died?" asked Baby Van Rensselaer, with much interest.

"How did he come over," queried Dear Jones--"in the steerage, or as a cabin passenger?"

"I don't know," answered Uncle Larry, calmly, "and Eliphalet didn't know. For as he was in no danger, and stood in no need of warning, he couldn't tell whether the ghost was on duty or not. Of course he was on the watch for it all the time. But he never got any proof of its presence until he went down to the little old house of Salem, just before the Fourth of July. He took a friend down with him--a young fellow who had been in the regular army since the day Fort Sumter was fired on, and who thought that after four years of the little unpleasantness down South, including six months in Libby, and after ten years of fighting the bad Indians on the plains, he wasn't likely to be much frightened by a ghost. Well, Eliphalet and the officer sat out on the porch all the evening smoking and talking over points in military law. A little after twelve o'clock, just as they began to think it was about time to turn in, they heard the most ghastly noise in the house. It wasn't a shriek, or a howl, or a yell, or anything they could put a name to. It was an undeterminate, inexplicable shiver and shudder of sound, which went wailing out of the window. The officer had been at Cold Harbor, but he felt himself getting colder this time. Eliphalet knew it was the ghost who haunted the house. As this weird sound died away, it was followed by another, sharp, short, blood-curdling in its intensity. Something in this cry seemed familiar to Eliphalet, and he felt sure that it proceeded from the family ghost, the warning wraith of the Duncans."

"Do I understand you to intimate that both ghosts were there together?" inquired the Duchess, anxiously.

"Both of them were there," answered Uncle Larry. "You see, one of them belonged to the house, and had to be there all the time, and the other was attached to the person of Baron Duncan, and had to follow him there; wherever he was, there was that ghost also. But Eliphalet, he had scarcely time to think this out when he heard both sounds again, not one after another, but both together, and something told him--some sort of an instinct he had--that those two ghosts didn't agree, didn't get on together, didn't exactly hit it off; in fact, that they were quarrelling."

"Quarrelling ghosts! Well, I never!" was Baby Van Rensselaer's remark.

"It is a blessed thing to see ghosts dwell together in unity," said Dear Jones.

And the Duchess added, "It would certainly be setting a better example."

"You know," resumed Uncle Larry, "that two waves of light or of sound may interfere and produce darkness or silence. So it was with these rival spooks. They interfered, but they did not produce silence or darkness. On the contrary, as soon as Eliphalet and the officer went into the house, there began at once a series of spiritualistic manifestations--a regular dark seance. A tambourine was played upon, a bell was rung, and a flaming banjo went singing around the room."

"Where did they get the banjo?" asked Dear Jones, sceptically.

"I don't know. Materialized it, maybe, just as they did the tambourine. You don't suppose a quiet New York lawyer kept a stock of musical instruments large enough to fit out a strolling minstrel troupe just on the chance of a pair of ghosts coming to give him a surprise party, do you? Every spook has its own instrument of torture. Angels play on harps, I'm informed, and spirits delight in banjos and tambourines. These spooks of Eliphalet Duncan's were ghosts with all modern improvements, and I guess they were capable of providing their own musical weapons. At all events, they had them there in the little old house at Salem the night Eliphalet and his friend came down. And they played on them, and they rang the bell, and they rapped here, there, and everywhere. And they kept it up all night."

"All night?" asked the awe-stricken Duchess.

"All night long," said Uncle Larry, solemnly; "and the next night too. Eliphalet did not get a wink of sleep, neither did his friend. On the second night the house ghost was seen by the officer; on the third night it showed itself again; and the next morning the officer packed his gripsack and took the first train to Boston. He was a New-Yorker, but he said he'd sooner go to Boston than see that ghost again. Eliphalet wasn't scared at all, partly because he never saw either the domiciliary or the titular spook, and partly because he felt himself on friendly terms with the spirit world, and didn't scare easily. But after losing three nights' sleep and the society of his friend, he began to be a little impatient, and to think that the thing had gone far enough. You see, while in a way he was fond of ghosts, yet he liked them best one at a time. Two ghosts were one too many. He wasn't bent on making a collection of spooks. He and one ghost were company, but he and two ghosts were a crowd."

"What did he do?" asked Baby Van Rensselaer.

"Well, he couldn't do anything. He waited awhile, hoping they would get tired; but he got tired out first. You see, it comes natural to a spook to sleep in the daytime, but a man wants to sleep nights, and they wouldn't let him sleep nights. They kept on wrangling and quarrelling incessantly; they manifested and they dark-seanced as regularly as the old clock on the stairs struck twelve; they rapped and they rang bells and they banged the tambourine and they threw the flaming banjo about the house, and, worse than all, they swore."

"I did not know that spirits were addicted to bad language," said the Duchess.

"How did he know they were swearing? Could he hear them?" asked Dear Jones.

"That was just it," responded Uncle Larry; "he could not hear them--at least, not distinctly. There were inarticulate murmurs and stifled rumblings. But the impression produced on him was that they were swearing. If they had only sworn right out, he would not have minded it so much, because he would have known the worst. But the feeling that the air was full of suppressed profanity was very wearing, and after standing it for a week he gave up in disgust and went to the White Mountains."

"Leaving them to fight it out, I suppose," interjected Baby Van Rensselaer.

"Not at all," explained Uncle Larry. "They could not quarrel unless he was present. You see, he could not leave the titular ghost behind him, and the domiciliary ghost could not leave the house. When he went away he took the family ghost with him, leaving the house ghost behind. Now spooks can't quarrel when they are a hundred miles apart any more than men can."

"And what happened afterwards?" asked Baby Van Rensselaer, with a pretty impatience.

"A most marvellous thing happened. Eliphalet Duncan went to the White Mountains, and in the car of the railroad that runs to the top of Mount Washington he met a classmate whom he had not seen for years, and this classmate introduced Duncan to his sister, and this sister was a remarkably pretty girl, and Duncan fell in love with her at first sight, and by the time he got to the top of Mount Washington he was so deep in love that he began to consider his own unworthiness, and to wonder whether she might ever be induced to care for him a little--ever so little."

"I don't think that is so marvellous a thing," said Dear Jones, glancing at Baby Van Rensselaer.

"Who was she?" asked the Duchess, who had once lived in Philadelphia.

"She was Miss Kitty Sutton, of San Francisco, and she was a daughter of old Judge Sutton, of the firm of Pixley & Sutton."

"A very respectable family," assented the Duchess.

"I hope she wasn't a daughter of that loud and vulgar old Mrs. Sutton whom I met at Saratoga one summer four or five years ago?" said Dear Jones.

"Probably she was," Uncle Larry responded.

"She was a horrid old woman. The boys used to call her Mother Gorgon."

"The pretty Kitty Sutton with whom Eliphalet Duncan had fallen in love was the daughter of Mother Gorgon. But he never saw the mother, who was in Frisco, or Los Angeles, or Santa Fe, or somewhere out West, and he saw a great deal of the daughter, who was up in the White Mountains. She was travelling with her brother and his wife, and as they journeyed from hotel to hotel Duncan went with them, and filled out the quartette. Before the end of the summer he began to think about proposing. Of course he had lots of chances, going on excursions as they were every day. He made up his mind to seize the first opportunity, and that very evening he took her out for a moonlight row on Lake Winipiseogee. As he handed her into the boat he resolved to do it, and he had a glimmer of a suspicion that she knew he was going to do it, too."

"Girls," said Dear Jones, "never go out in a row-boat at night with a young man unless you mean to accept him."

"Sometimes it's best to refuse him, and get it over once for all," said Baby Van Rensselaer, impersonally.

"As Eliphalet took the oars he felt a sudden chill. He tried to shake it off, but in vain. He began to have a growing consciousness of impending evil. Before he had taken ten strokes--and he was a swift oarsman--he was aware of a mysterious presence between him and Miss Sutton."

"Was it the guardian-angel ghost warning him off the match?" interrupted Dear Jones.

"That's just what it was," said Uncle Larry. "And he yielded to it, and kept his peace, and rowed Miss Sutton back to the hotel with his proposal unspoken."

"More fool he," said Dear Jones. "It will take more than one ghost to keep me from proposing when my mind is made up." And he looked at Baby Van Rensselaer.

"The next morning," continued Uncle Larry, "Eliphalet overslept himself, and when he went down to a late breakfast he found that the Suttons had gone to New York by the morning train. He wanted to follow them at once, and again he felt the mysterious presence overpowering his will. He struggled two days, and at last he roused himself to do what he wanted in spite of the spook. When he arrived in New York it was late in the evening. He dressed himself hastily, and went to the hotel where the Suttons were, in the hope of seeing at least her brother. The guardian angel fought every inch of the walk with him, until he began to wonder whether, if Miss Sutton were to take him, the spook would forbid the banns. At the hotel he saw no one that night, and he went home determined to call as early as he could the next afternoon, and make an end of it. When he left his office about two o'clock the next day to learn his fate, he had not walked five blocks before he discovered that the wraith of the Duncans had withdrawn his opposition to the suit. There was no feeling of impending evil, no resistance, no struggle, no consciousness of an opposing presence. Eliphalet was greatly encouraged. He walked briskly to the hotel; he found Miss Sutton alone. He asked her the question, and got his answer."

"She accepted him, of course?" said Baby Van Rensselaer.

"Of course," said Uncle Larry. "And while they were in the first flush of joy, swapping confidences and confessions, her brother came into the parlor with an expression of pain on his face and a telegram in his hand. The former was caused by the latter, which was from Frisco, and which announced the sudden death of Mrs. Sutton, their mother."

"And that was why the ghost no longer opposed the match?" questioned Dear Jones.

"Exactly. You see, the family ghost knew that Mother Gorgon was an awful obstacle to Duncan's happiness, so it warned him. But the moment the obstacle was removed, it gave its consent at once."

The fog was lowering its thick, damp curtain, and it was beginning to be difficult to see from one end of the boat to the other. Dear Jones tightened the rug which enwrapped Baby Van Rensselaer, and then withdrew again into his own substantial coverings.

Uncle Larry paused in his story long enough to light another of the tiny cigars he always smoked.

"I infer that Lord Duncan"--the Duchess was scrupulous in the bestowal of titles--"saw no more of the ghosts after he was married."

"He never saw them at all, at any time, either before or since. But they came very near breaking off the match, and thus breaking two young hearts."

"You don't mean to say that they knew any just cause or impediment why they should not forever after hold their peace?" asked Dear Jones.

"How could a ghost, or even two ghosts, keep a girl from marrying the man she loved?" This was Baby Van Rensselaer's question.

"It seems curious, doesn't it?" and Uncle Larry tried to warm himself by two or three sharp pulls at his fiery little cigar. "And the circumstances are quite as curious as the fact itself. You see, Miss Sutton wouldn't be married for a year after her mother's death, so she and Duncan had lots of time to tell each other all they knew. Eliphalet got to know a good deal about the girls she went to school with; and Kitty soon learned all about his family. He didn't tell her about the title for a long time, as he wasn't one to brag. But he described to her the little old house at Salem. And one evening towards the end of the summer, the wedding-day having been appointed for early in September, she told him that she didn't want a bridal tour at all; she just wanted to go down to the little old house at Salem to spend her honeymoon in peace and quiet, with nothing to do and nobody to bother them. Well, Eliphalet jumped at the suggestion: it suited him down to the ground. All of a sudden he remembered the spooks, and it knocked him all of a heap. He had told her about the Duncan banshee, and the idea of having an ancestral ghost in personal attendance on her husband tickled her immensely. But he had never said anything about the ghost which haunted the little old house at Salem. He knew she would be frightened out of her wits if the house ghost revealed itself to her, and he saw at once that it would be impossible to go to Salem on their wedding trip. So he told her all about it, and how whenever he went to Salem the two ghosts interfered, and gave dark seances and manifested and materialized and made the place absolutely impossible. Kitty listened in silence, and Eliphalet thought she had changed her mind. But she hadn't done anything of the kind."

"Just like a man--to think she was going to," remarked Baby Van Rensselaer.

"She just told him she could not bear ghosts herself, but she would not marry a man who was afraid of them."

"Just like a girl--to be so inconsistent," remarked Dear Jones.

Uncle Larry's tiny cigar had long been extinct. He lighted a new one, and continued: "Eliphalet protested in vain. Kitty said her mind was made up. She was determined to pass her honeymoon in the little old house at Salem, and she was equally determined not to go there as long as there were any ghosts there. Until he could assure her that the spectral tenant had received notice to quit, and that there was no danger of manifestations and materializing, she refused to be married at all. She did not intend to have her honeymoon interrupted by two wrangling ghosts, and the wedding could be postponed until he had made ready the house for her."

"She was an unreasonable young woman," said the Duchess.

"Well, that's what Eliphalet thought, much as he was in love with her. And he believed he could talk her out of her determination. But he couldn't. She was set. And when a girl is set, there's nothing to do but to yield to the inevitable. And that's just what Eliphalet did. He saw he would either have to give her up or to get the ghosts out; and as he loved her and did not care for the ghosts, he resolved to tackle the ghosts. He had clear grit, Eliphalet had--he was half Scotch and half Yankee, and neither breed turns tail in a hurry. So he made his plans and he went down to Salem. As he said good-bye to Kitty he had an impression that she was sorry she had made him go; but she kept up bravely, and put a bold face on it, and saw him off, and went home and cried for an hour, and was perfectly miserable until he came back the next day."

"Did he succeed in driving the ghosts away?" asked Baby Van Rensselaer, with great interest.

"That's just what I'm coming to," said Uncle Larry, pausing at the critical moment, in the manner of the trained story-teller. "You see, Eliphalet had got a rather tough job, and he would gladly have had an extension of time on the contract, but he had to choose between the girl and the ghosts, and he wanted the girl. He tried to invent or remember some short and easy way with ghosts, but he couldn't. He wished that somebody had invented a specific for spooks--something that would make the ghosts come out of the house and die in the yard. He wondered if he could not tempt the ghosts to run in debt, so that he might get the sheriff to help him. He wondered also whether the ghosts could not be overcome with strong drink--a dissipated spook, a spook with delirium tremens, might be committed to the inebriate asylum. But none of these things seemed feasible."

"What did he do?" interrupted Dear Jones. "The learned counsel will please speak to the point."

"You will regret this unseemly haste," said Uncle Larry, gravely, "when you know what really happened."

"What was it, Uncle Larry?" asked Baby Van Rensselaer. "I'm all impatience."

And Uncle Larry proceeded:

"Eliphalet went down to the little old house at Salem, and as soon as the clock struck twelve the rival ghosts began wrangling as before. Raps here, there, and everywhere, ringing bells, banging tambourines, strumming banjos sailing about the room, and all the other manifestations and materializations followed one another just as they had the summer before. The only difference Eliphalet could detect was a stronger flavor in the spectral profanity; and this, of course, was only a vague impression, for he did not actually hear a single word. He waited awhile in patience, listening and watching. Of course he never saw either of the ghosts, because neither of them could appear to him. At last he got his dander up, and he thought it was about time to interfere, so he rapped on the table, and asked for silence. As soon as he felt that the spooks were listening to him he explained the situation to them. He told them he was in love, and that he could not marry unless they vacated the house. He appealed to them as old friends, and he laid claim to their gratitude. The titular ghost had been sheltered by the Duncan family for hundreds of years, and the domiciliary ghost had had free lodging in the little old house at Salem for nearly two centuries. He implored them to settle their differences, and to get him out of his difficulty at once. He suggested that they had better fight it out then and there, and see who was master. He had brought down with him all needful weapons. And he pulled out his valise, and spread on the table a pair of navy revolvers, a pair of shot-guns, a pair of duelling-swords, and a couple of bowie-knives. He offered to serve as second for both parties, and to give the word when to begin. He also took out of his valise a pack of cards and a bottle of poison, telling them that if they wished to avoid carnage they might cut the cards to see which one should take the poison. Then he waited anxiously for their reply. For a little space there was silence. Then he became conscious of a tremulous shivering in one corner of the room, and he remembered that he had heard from that direction what sounded like a frightened sigh when he made the first suggestion of the duel. Something told him that this was the domiciliary ghost, and that it was badly scared. Then he was impressed by a certain movement in the opposite corner of the room, as though the titular ghost were drawing himself up with offended dignity. Eliphalet couldn't exactly see those things, because he never saw the ghosts, but he felt them. After a silence of nearly a minute a voice came from the corner where the family ghost stood--a voice strong and full, but trembling slightly with suppressed passion. And this voice told Eliphalet it was plain enough that he had not long been the head of the Duncans, and that he had never properly considered the characteristics of his race if now he supposed that one of his blood could draw his sword against a woman. Eliphalet said he had never suggested that the Duncan ghost should raise his hand against a woman, and all he wanted was that the Duncan ghost should fight the other ghost. And then the voice told Eliphalet that the other ghost was a woman."

"What?" said Dear Jones, sitting up suddenly. "You don't mean to tell me that the ghost which haunted the house was a woman?"

"Those were the very words Eliphalet Duncan used," said Uncle Larry; "but he did not need to wait for the answer. All at once he recalled the traditions about the domiciliary ghost, and he knew that what the titular ghost said was the fact. He had never thought of the sex of a spook, but there was no doubt whatever that the house ghost was a woman. No sooner was this firmly fixed in Eliphalet's mind than he saw his way out of the difficulty. The ghosts must be married!--for then there would be no more interference, no more quarrelling, no more manifestations and materializations, no more dark seances, with their raps and bells and tambourines and banjos. At first the ghosts would not hear of it. The voice in the corner declared that the Duncan wraith had never thought of matrimony. But Eliphalet argued with them, and pleaded and persuaded and coaxed, and dwelt on the advantages of matrimony. He had to confess, of course, that he did not know how to get a clergyman to marry them; but the voice from the corner gravely told him that there need be no difficulty in regard to that, as there was no lack of spiritual chaplains. Then, for the first time, the house ghost spoke, a low, clear, gentle voice, and with a quaint, old-fashioned New England accent, which contrasted sharply with the broad Scotch speech of the family ghost. She said that Eliphalet Duncan seemed to have forgotten that she was married. But this did not upset Eliphalet at all; he remembered the whole case clearly, and he told her she was not a married ghost, but a widow, since her husband had been hanged for murdering her. Then the Duncan ghost drew attention to the great disparity in their ages, saying that he was nearly four hundred and fifty years old, while she was barely two hundred. But Eliphalet had not talked to juries for nothing; he just buckled to, and coaxed those ghosts into matrimony. Afterwards he came to the conclusion that they were willing to be coaxed, but at the time he thought he had pretty hard work to convince them of the advantages of the plan."

"Did he succeed? asked Baby Van Rensselaer, with a woman's interest in matrimony.

"He did," said Uncle Larry. "He talked the wraith of the Duncans and the spectre of the little old house at Salem into a matrimonial engagement. And from the time they were engaged he had no more trouble with them. They were rival ghosts no longer. They were married by their spiritual chaplain the very same day that Eliphalet Duncan met Kitty Sutton in front of the railing of Grace Church. The ghostly bride and bridegroom went away at once on their bridal tour, and Lord and Lady Duncan went down to the little old house at Salem to pass their honeymoon."

Uncle Larry stopped. His tiny cigar was out again. The tale of the rival ghosts was told. A solemn silence fell on the little party on the deck of the ocean steamer, broken harshly by the hoarse roar of the fog-horn.

(1883.)

SIXTEEN YEARS WITHOUT A BIRTHDAY

While the journalist deftly dealt with the lobster _a la_ Newburg, as it bubbled in the chafing-dish before him, the deep-toned bell of the church at the corner began to strike twelve.

"Give me your plates, quick," he said, "and we'll drink Jack's health before it's to-morrow."

The artist and the soldier and the professor of mathematics did as they were told; and then they filled their glasses.

The journalist, still standing, looked the soldier in the eye, and said: "Jack, this is the first time The Quartet has met since the old school-days, ten years ago and more. That this reunion should take place on your birthday doubles the pleasure of the occasion. We wish you many happy returns of the day!"

Then the artist and the mathematician rose also, and they looked at the soldier, and repeated together, "Many happy returns of the day!"

Whereupon they emptied their glasses and sat down, and the soldier rose to his feet.

"Thank you, boys," he began, "but I think you have already made me enjoy this one birthday three times over. It was yesterday that I was twenty-six, and----"

"But I didn't meet you till last night," interrupted the journalist; "and yesterday was Sunday; and I couldn't get a box for the theatre and find the other half of The Quartet all on Sunday, could I?"

"I'm not complaining because yesterday was my real birthday," the soldier returned, "even if you have now protracted the celebration on to the third day--it's just struck midnight, you know. All I have to say is, that since you have given me a triplicate birthday this time, any future anniversary will have to spread itself over four days if it wants to beat the record, that's all." And he took his seat again.

"Well," said the artist, who had recently returned from Paris, "that won't happen till we see 'the week of the four Thursdays,' as the French say."

"And we sha'n't see that for a month of Sundays, I guess," the journalist rejoined.

There was a moment of silence, and then the mathematician spoke for the first time.

"A quadruplex birthday will be odd enough, I grant you," he began, "but I don't think it quite as remarkable as the case of the lady who had no birthday for sixteen years after she was born."

The soldier and the artist and the journalist all looked at the professor of mathematics, and they all smiled; but his face remained perfectly grave.

"What's that you say?" asked the journalist. "Sixteen years without a birthday? Isn't that a very large order?"

"Did you know the lady herself?" inquired the soldier.

"She was my grandmother," the mathematician answered. "She had no birthday for the first sixteen years of her life."

"You mean that she did not celebrate her birthdays, I suppose," the artist remarked. "That's nothing. I know lots of families where they don't keep any anniversaries at all."

"No," persisted the mathematician. "I meant what I said, and precisely what I said. My grandmother did not keep her first fifteen birthdays because she couldn't. She didn't have them to keep. They didn't happen. The first time she had a chance to celebrate her birthday was when she completed her sixteenth year--and I need not tell you that the family made the most of the event."

"This a real grandmother you are talking about," asked the journalist, "and not a fairy godmother?"

"I could understand her going without a birthday till she was four years old," the soldier suggested, "if she was born on the 29th of February."

"That accounts for four years," the mathematician admitted, "since my grandmother _was_ born on the 29th of February."

"In what year?" the soldier pursued. "In 1796?"

The professor of mathematics nodded.

"Then that accounts for eight years," said the soldier.

"I don't see that at all," exclaimed the artist.

"It's easy enough," the soldier explained. "The year 1800 isn't a leap-year, you know. We have a leap-year every four years, except the final year of a century--1700, 1800, 1900."

"I didn't know that," said the artist.

"I'd forgotten it," remarked the journalist. "But that gets us over only half of the difficulty. He says his grandmother didn't have a birthday till she was sixteen. We can all see now how it was she went without this annual luxury for the first eight years. But who robbed her of the birthdays she was entitled to when she was eight and twelve. That's what I want to know."

"Born February 29, 1796, the Gregorian calendar deprives her of a birthday in 1800," the soldier said. "But she ought to have had her first chance February 29, 1804. I don't see how----" and he paused in doubt. "Oh!" he cried, suddenly; "where was she living in 1804?"

"Most of the time in Russia," the mathematician answered. "Although the family went to England for a few days early in the year."

"What was the date when they left Russia?" asked the soldier, eagerly.

"They sailed from St. Petersburg in a Russian bark on the 10th of February," answered the professor of mathematics, "and owing to head-winds they did not reach England for a fortnight."

"Exactly," cried the soldier. "That's what I thought. That accounts for it."

"I don't see how," the artist declared; "that is, unless you mean to suggest that the Czar confiscated the little American girl's birthday and sent it to Siberia."

"It's plain enough," the soldier returned. "We have the reformed calendar, the Gregorian calendar, you know, and the Russians haven't. They keep the old Julian calendar, and it's now ten days behind ours. They celebrate Christmas three days after we have begun the new year. So if the little girl left St. Petersburg in a Russian ship on February 10, 1804, by the old reckoning, and was on the water two weeks, she would land in England after March 1st by the new calendar."

"That is to say," the artist inquired, "the little girl came into an English port thinking she was going to have her birthday the next week, and when she set foot on shore she found out that her birthday was passed the week before. Is that what you mean?"

"Yes," answered the soldier; and the mathematician nodded also.

"Then all I have to say," the artist continued, "is that it was a mean trick to play on a child that had been looking forward to her first birthday for eight years--to knock her into the middle of next week in that fashion!"

"And she had to go four years more for her next chance," said the journalist. "Then she would be twelve. But you said she hadn't a birthday till she was sixteen. How did she lose the one she was entitled to in 1808? She wasn't on a Russian ship again, was she?"

"No," the mathematician replied; "she was on an American ship that time."

"On the North Sea?" asked the artist.

"No," was the calm answer; "on the Pacific."

"Sailing east or west?" cried the soldier.

"Sailing east," answered the professor of mathematics, smiling again.

"Then I see how it might happen," the soldier declared.

"Well, I don't," confessed the artist.

The journalist said nothing, as it seemed unprofessional to admit ignorance of anything.

"It is simple enough," the soldier explained. "You see, the world is revolving about the sun steadily, and it is always high noon somewhere on the globe. The day rolls round unceasing, and it is not cut off into twenty-four hours. We happen to have taken the day of Greenwich or Paris as the day of civilization, and we say that it begins earlier in China and later in California; but it is all the same day, we say. Therefore there has to be some place out in the middle of the Pacific Ocean where we lose or gain a day--if we are going east, we gain it; if we are going west, we lose it. Now I suppose this little girl of twelve was on her way from some Asiatic port to some American port, and they stopped on their voyage at Honolulu. Perhaps they dropped anchor there just before midnight on their February 28, 1808, thinking that the morrow would be the 29th; but when they were hailed from the shore, just after midnight, they found out that it was already March 1st."

As the soldier finished, he looked at the mathematician for confirmation of his explanation.

Thus appealed to, the professor of mathematics smiled and nodded, and said: "You have hit it. That's just how it was that my grandmother lost the birthday she ought to have had when she was twelve, and had to go four years more without one."

"And so she really didn't have a birthday till she was sixteen!" the artist observed. "Well, all I can say is, your great-grandfather took too many chances. I don't think he gave the child a fair show. I hope he made it up to her when she was sixteen--that's all!"

An hour later The Quartet separated. The soldier and the artist walked away together, but the journalist delayed the mathematician.

"I say," he began, "that yarn about your grandmother was very interesting. It is an extraordinary combination of coincidences. I can see it in the Sunday paper with a scare-head--

'SIXTEEN YEARS WITHOUT A BIRTHDAY!'

Do you mind my using it?"

"But it isn't true," said the professor.

"Not true?" echoed the journalist.

"No," replied the mathematician. "I made it up. I hadn't done my share of the talking, and I didn't want you to think I had nothing to say for myself."

"Not a single word of truth in it?" the journalist returned.

"Not a single word," was the mathematician's answer.

"Well, what of that?" the journalist declared. "I don't want to file it in an affidavit--I want to print it in a newspaper."

(1894.)

THE TWINKLING OF AN EYE