Chapter V: Part 5

He rung the bell a great many times, and yet nobody came. But at last, as he was sitting upon the box thinking about giants' castles, and princesses tied up to pegs by the hair of their heads, and dragons bursting out from behind gates, and other incidents of a like nature, common in story-books to youths on their first visit to strange houses, the door was gently opened, and a little servant-girl, very tidy, modest, and pretty, appeared.

"I suppose you're Christopher, sir?" said the servant-girl.

Kit got off the box, and said yes, he was, and was ushered in.

The old gentleman received him very kindly, and so did the old lady, whose previous good opinion of him was greatly enhanced by his wiping his boots on the mat. He was then taken into the parlour to be inspected in his new clothes; and then was shown the garden and his little room, and when the old gentleman had said all he had to say in the way of promise and advice, and Kit had said all he had to say in the way of assurance and thankfulness, he was handed over again to the old lady, who, summoning the little servant-girl (whose name was Barbara), instructed her to take him downstairs and give him something to eat and drink after his walk.

From that time Kit's was a useful, pleasant life, moving on in a peaceful routine of duties and innocent joys from day to day, and from week to week,--until the great, longed-for epoch of his life arrived--the day of receiving, for the first time, one-fourth part of his annual income of Six Pounds. It was to be a half-holiday, devoted to a whirl of entertainments, and little Jacob was to know what oysters meant, and to see a play.

The day arrived, and wasn't Mr. Garland kind when he said to him,--"Christopher, here's your money, and you have earned it well;"--which praise in itself was worth as much as his wages.

Then the play itself! The horses which little Jacob believed from the first to be alive,--and the ladies and gentlemen, of whose reality he could be by no means persuaded, having never seen or heard anything at all like them--the firing, which made Barbara (who had a holiday too) wink--the forlorn lady who made her cry--the tyrant who made her tremble--the clown who ventured on such familiarities with the military man in boots--the lady who jumped over the nine-and-twenty ribbons and came down safe upon the horse's back--everything was delightful, splendid, and surprising! Little Jacob applauded until his hands were sore; Kit cried "an-kor" at the end of everything; and Barbara's mother beat her umbrella on the floor, in her ecstasies, until it was nearly worn down to the gingham.

What was all this though--even all this--to the extraordinary dissipation that ensued, when Kit, walking into an oyster-shop, as bold as if he lived there, led his party into a box--a private box, fitted up with red curtains, white tablecloth, and cruet-stand complete--and ordered a fierce gentleman with whiskers, who acted as waiter, and called him "Christopher Nubbles, sir," to bring three dozen of his largest-size oysters, and look sharp about it! Then they fell to work upon the supper in earnest; and ate and laughed and enjoyed themselves so thoroughly that it did Kit good to see them, and made him laugh and eat likewise, from strong sympathy. But the greatest miracle of the night was little Jacob, who ate oysters as if he had been born and bred to the business. There was the baby, too, who sat as good as gold, trying to force a large orange into his mouth, and gazing intently at the lights in the chandelier,--there he was, sitting in his mother's lap, and making indentations in his soft visage with an oyster-shell, so contentedly that a heart of iron must have loved him! In short, there never was a more successful supper; and when Kit proposed the health of Mrs. and Mr. Garland, there were not six happier people in the world. But all happiness has an end, and as it was now growing late, they agreed that it was time to turn their faces homeward--and the great day was at an end.

One morning just before this, when Kit was out exercising the pony, he was called into the office where he had first seen Mr. and Mrs. Garland, to be examined by a strange gentleman concerning what he knew of little Nell and her grandfather. The gentleman told Kit that he was trying by every means in his power to discover their hiding-place; and, finally, after Kit had repeated all that he could remember of the life and words of his beloved Miss Nelly and the old man, the stranger slipped a half-crown into his hand and dismissed him. The strange gentleman liked Kit so much that he desired to have him in his own service, but the boy stoutly refused to leave his kind employer. At Mr. Garland's suggestion, however, he offered his services to the stranger for an hour or two every day, and from that came trouble to Kit.

Each day, going up and down, to and from the stranger's room, he had to pass through the office of one Sampson Brass, attorney; who, through the agency of Quilp, who was Sampson Brass's best client, was prejudiced against Kit, and pledged to the little dwarf to do him all the injury that he could, for venomous little Quilp had never forgiven the boy who had been connected with his ruined client, and had called him "the ugliest dwarf to be seen for a penny"; and he desired vengeance at any cost.

Every time that Kit passed through the office, Mr. Brass spoke kindly to him, and not seldom gave him half-crowns, which made Kit, who from the first had disliked the man, think that he had misjudged him. Then one day when Kit had been minding the office a few moments for Mr. Brass, and was running towards home, in haste to do his work there, Mr. Brass and his clerk, Dick Swiveller, rushed out after him.

"Stop!" cried Sampson, laying his hand on one shoulder, while Mr. Swiveller pounced upon the other. "Not so fast, sir. You're in a hurry?"

"Yes, I am," said Kit, looking from one to the other in great surprise.

"I--I--can hardly believe it," panted Sampson, "but something of value is missing from the office. I hope you don't know what."

"Know what! good heaven, Mr. Brass!" cried Kit, trembling from head to foot; "you don't suppose----"

"No, no," rejoined Brass, quickly, "I don't suppose anything. You will come back quietly, I hope?"

"Of course I will," returned Kit. "Why not?"

Kit did turn from white to red, and from red to white again, when they secured him, each by an arm, and for a moment he seemed disposed to resist. But, quickly recollecting himself, and remembering that if he made any struggle, he would perhaps be dragged by the collar through the public streets, he suffered them to lead him off.

"Now, you know," said Brass, when they had entered the office, and locked the door, "if this is a case of innocence, Christopher, the fullest disclosure is the best satisfaction for everybody. Therefore, if you'll consent to an examination, it will be a comfortable and pleasant thing for all parties."

"_SEARCH ME_" said Kit, proudly, holding up his arms. "But mind, sir,--I know you'll be sorry for this to the last day of your life."

"It is certainly a very painful occurrence," said Brass, with a sigh, but commencing the search with vigour. All at once an exclamation from Dick Swiveller and Miss Brass, Sampson's sister, who was also present, cut the lawyer short He turned his head, and saw Dick, who had been holding Kit's hat, standing with the missing bank-note in his hand.

"In the hat?" cried Brass, in a sort of shriek, "_Under the handkerchief, and tucked beneath the lining_," said Mr. Swiveller, aghast, at the discovery. Mr. Brass looked at him, at his sister, at the walls, at the ceiling, at the floor, everywhere but at Kit, who stood quite stupefied and motionless.

Like one entranced, he stood, eyes wide opened, and fixed upon the ground, until the constable came, and he found himself being driven away in a coach, to the jail, where he was lodged for the night--still dazed by the terrible change in his affairs.

It was a long night, but Kit slept, and dreamed too--always of being at liberty. At last the morning dawned, and the turnkey who came to unlock his cell, and show him where to wash, told him that there was a regular time for visiting every day, and that if any of his friends came to see him, he would be fetched down to the grate, and that he was lodged apart from the mass of prisoners, because he was not supposed to be utterly depraved and irreclaimable. Kit was thankful for this indulgence, and sat reading the Church Catechism, until the man entered again.

"Now then," he said. "Come on!"

"Where to, sir?" asked Kit.

The man contented himself by briefly replying "Wisitors," and led Kit down behind a grating, outside which, and beyond a railing, Kit saw with a palpitating heart, his mother with the baby in her arms; and poor little Jacob, who, when he saw his brother, and thrusting his arms between the rails to hug him, found that he came no nearer, began to cry most piteously, whereupon Kit's mother burst out sobbing and weeping afresh. Poor Kit could not help joining them, and not a word was spoken for some time.

"Oh, my darling Kit!" said his mother at last "That I should see my poor boy here!"

"You don't believe that I did what they accuse me of, mother, dear?" cried Kit, in a choking voice.

"I, believe it!" exclaimed the poor woman. "I, that never knew you tell a lie or do a bad action from your cradle. I believe it of the son that's been a comfort to me from the hour of his birth until this time! _I_ believe it of _you_, Kit!"

"Why then, thank God!" said Kit. "Come what may, I shall always have one drop of happiness in my heart when I think that you said that."

At this the poor woman fell a-crying again, and soon, all too soon, the turnkey cried "Time's up!" and Kit was taken off in an instant, with a blessing from his mother and a scream from little Jacob ringing in his ears.

Eight weary days dragged themselves along, and on the ninth the case of Christopher Nubbles came up in Court; and the aforesaid Christopher was called upon to plead guilty or not guilty to an indictment for that he, the aforesaid Christopher, did feloniously abstract and steal from the dwelling-house and office of one Sampson Brass, gentleman, one bank-note for five pounds, issued for Governor and Company of the Bank of England.

By a cleverly worked-up case on his opponent's side, Kit is so cross-examined as to be found guilty by the jury, and is sentenced to be transported for a term of years.

Kit's mother, poor woman, is waiting, and when the news is told a sad interview ensues. "_He never did it_!" she cries.

"Well," says the turnkey, "I won't contradict you. It's all one now, whether he did it or not."

"Some friend will rise up for us, mother," cried Kit. "I am sure. If not now, before long. My innocence will come out, mother, and I shall be brought back again, I feel confident of that. You must teach little Jacob and the baby how all this was, for if they thought I had ever been dishonest, when they grew old enough to understand, it would break my heart to know it, if I was thousands of miles away. Oh, is there no good gentleman here who will take care of her!"

In all Kit's life that was the darkest moment, when he saw his mother led away, half fainting, and heard the grating of his cell door as he entered--entangled in a network of false evidence and treachery from which there seemed no way of escape.

Meanwhile, however, while Kit was being found guilty, a young servant in the employ of the Brasses was also guilty of listening at keyholes, listening to a conversation which was not intended for her ears, in which she heard the entire plot by which Mr. Brass had entrapped and condemned Kit. How he had himself placed the money in Kit's hat while it lay upon the office table; and how the whole plan had been successful. The small servant, friendly to Kit, and hating her employers, lost no time in repeating what she had heard to Mr. Garland, and he, the notary, and the strange gentleman, after carefully arranging their plan, confronted the Brasses with evidence of their guilt so overwhelmingly true, that they could do nothing but confess their crime, and Kit's innocence, while Mr. Garland hastened to him with the glad news of his freedom.

Lighted rooms, bright fires, cheerful faces, the music of glad voices, words of love and welcome, warm hearts and tears of happiness--what a change is this! But it is to such delights that Kit is hastening. They are awaiting him, he knows. He fears he will die of joy before he gets among them.

When they are drawing near their journey's end he begs they may go more slowly, and when the house appears in sight that they may stop,--only for a minute or two, to give him time to breathe.

But there is no stopping then, for they are already at the garden gate. Next minute they are at the door. There is a noise of tongues and a tread of feet inside. It opens. Kit rushes in and finds his mother clinging round his neck. And there is Mrs. Garland, neater and nicer than ever, fainting away stone dead with nobody to help her; and there is Mr. Abel violently blowing his nose and wanting to embrace everybody; and there is the strange gentleman hovering round them all, and there is that good, dear little Jacob sitting all alone by himself on the bottom stair, with his hands on his knees, like an old man, roaring fearfully without giving any trouble to anybody; and each and all of them are for the time clean out of their wits.

Well! In the next room there are decanters of wine, and all that sort of thing set out as grand as if Kit and his friends were first-rate company; and there is little Jacob walking, as the popular phrase is, into a home-made plum cake at a most surprising rate, and keeping his eye on the figs and oranges which are to follow.

Kit no sooner comes in than the strange gentleman drinks his health, and tells him he shall never want a friend as long as he lives, and so does Mr. Garland, and so does Mrs. Garland, and so does Mr. Abel. But even this honour and distinction is not all, for the strange gentleman forthwith pulls out of his pocket a massive silver watch--and upon the back of this watch is engraved Kit's name with flourishes all over--and in short it is Kit's watch, bought expressly for him. Mr. and Mrs. Garland can't help hinting about their present, in store, and Mr. Abel tells outright that he has his; and Kit is the happiest of the happy.

There is one friend that Kit has not seen yet, and he takes the first opportunity of slipping away and hurrying to the stable, and when Kit goes up to caress and pat him, the pony rubs his nose against his coat and fondles him more lovingly than ever pony fondled man. It is the crowning circumstance of his earnest, heartfelt reception; and Kit fairly puts his arm round Whisker's neck and hugs him.

Happy Christopher!--the darkest days of his life are past--the brightest are yet to be. Let us wish him all joy and prosperity and leave him on the threshold of manhood!

JO, THE CROSSING SWEEPER

Jo lives in a ruinous place, known to the likes of him by the name of Tom-all-Alone's. It is a black dilapidated street, avoided by all decent people; where the crazy houses were seized upon when their decay was far advanced, by some bold vagrants, who, after establishing their possession, took to letting them out in lodgings.

Jo sweeps his crossing all day long, and if he is asked a question he replies that he "don't know nothink." He knows that it's hard to keep the mud off the crossing in dirty weather, and harder still to live by doing it. Nobody taught him that much--he found it out.

Indeed, everything poor Jo knows he has had to find out for himself, for no one has even taken the trouble to tell him his real name.

It must be a strange state to be like Jo, not to know the feeling of a whole suit of clothes--to wear even in summer the same queer remnant of a fur cap; to be always dirty and ragged; to shuffle through the streets, unfamiliar with the shapes, and in utter darkness as to the meaning, of those mysterious symbols so abundant over the doors and at corners of the streets, and on the doors and in the windows. To see people read, and to see people write, and to see the postman deliver letters, and not to have the least idea of all that language,--to be to all of it stone blind and dumb.

It must be very puzzling to be hustled and jostled, and moved on, and to really feel that I have no business here or there or anywhere; and yet to be perplexed by the consideration that I _am_ here somehow, too, and everybody overlooked me until I became the creature that I am.

One cold winter night when Jo was shivering near his crossing, a stranger passed him; turned, looked at him intently, then came back and began to ask him questions from which he found out that Jo had not a friend in the world.

"Neither have I, not one," added the man, and gave him the price of a supper and lodging. And from that day Jo was no longer friendless, for the stranger often spoke to him, and asked him whether he slept sound at night, and how he bore cold and hunger; and whether he ever wished to die; and other strange questions. Then when the man had no money he would say, "I am as poor as you to-day, Jo," but when he had any he always shared it with Jo.

But there came a time not long after this, when the stranger was found dead in his bed, in the house of Crook, the rag-and-bottle merchant, where he had lodgings; and nothing could be found out about his life or the reason for his sudden death. So a jury had to be brought together to ferret out the mystery, if possible, and to discover whether the man's death was accidental or whether he died by his own hand. No one knew him, and he had never been seen talking to a human soul except the boy that swept the crossing, down the lane over the way, round the corner,--otherwise Jo.

So Jo was called in as a witness at the inquest. Says the coroner, "Is that boy here?"

Says the beadle, "No, sir, he is not here."

Says the coroner, "Go and fetch him then."

"Oh, here's the boy, gentlemen!"

Here he is, very muddy, very hoarse, very ragged. Now, boy! But stop a minute. Caution. This boy must be put through a few preliminary paces.

Name Jo. Nothink else that he knows on. Don't know that everybody has two names. Don't know that Jo is short for a longer name. Thinks it long enough for him. Spell it? No. He can't spell it. No father, no mother, no friends. Never been to school. What's home? Knows a broom's a broom, and knows it's wicked to tell a lie. Don't recollect who told him about the broom or about the lie, but knows both. Can't exactly say what'll be done to him after he's dead if he tells a lie to the gentleman here, but believes it'll be something wery bad to punish him, and so he'll tell the truth. "He wos wery good to me, he wos," added the boy, wiping his eyes with his wretched sleeves. "When I see him a-laying so stritched out just now, I wished he could have heerd me tell him so. He wos wery good to me, he wos."

The jury award their verdict of accidental death, and the stranger is hurried into a pine box and into an obscure corner of that great home for the friendless and unmourned,--the Potter's field,--and night falls, hiding from sight the new-made grave.

With the night comes a slouching figure through the tunnel court, to the outside of the iron gate of the Potter's field. It holds the gate with its hands, and looks in between the bars. Stands looking in for a little while. It then takes an old broom it carries, softly sweeps the step, and makes the archway clean. It does so very busily and trimly; looks in again a little while, and so departs.

Jo, is it thou? Well, well?

Though thou art neither a gentleman nor the son of a gentleman, there is an expression of gratitude and of loyalty, worthy of gentle blood, indicative of noble character, in thy muttered reason for this:----

"He wos wery good to me, he wos."

Once more without a friend, Jo sweeps his crossing day after day. Before the stranger came into his life, he had drifted along in his accustomed place, more unreasoning than an intelligent dog; but the hand of a human comrade had been laid in his, and it had awakened his humanity; and now as he sweeps he thinks--about the stranger--wonders where he has gone to, and how he died.

As it seemed to Jo that the world was bounded on all sides by the events in Tom-all-Alone's, he was not at all surprised one day to have another stranger come to his crossing and ask him many questions concerning the dead man. He was glad to talk of him, to tell again all that he knew of his life and death, and to show where they had buried him. The interview over, Jo is overwhelmed to find his hand closed over a piece of money larger than he has ever owned before.

His first proceeding is to hold the piece of money to the gas-light, and to be overpowered at finding that it is yellow gold. His next is to give it a one-sided bite at the edge, as a test of its quality. His next, to put it in his mouth for safety, and to sweep the step and passage with great care. His job done, he sets off for Tom-all-Alone's, stopping in the light of innumerable gas-lamps to produce the piece of gold, and give it another one-sided bite as a reassurance of its being genuine; and then shuffles off, back to his crossing; little dreaming--poor Jo!--that because of his presence at the inquest, and because of this interview, the rest of his existence is to be even more wretched than his past has been. He little dreams that persons great and powerful in the outer world were connected with the secret of his friend's life and death; but it is even so, and those who fear to have anything brought to light concerning him, hire officers to hunt Jo away from Tom-all-Alone's,--the only home he has ever known,--to keep him as far out of reach as possible, because he knew more about the stranger than any one else. He does not understand it at all, but from that minute there seems always to be an officer in sight telling him to "move on."

At a summons to his shop one day, Mr. Snagsby, the law-stationer (in whose employ the dead man was, and who has always been kind to Jo when chance has thrown him in his way), descends to find a police constable holding a ragged boy by the arm. "Why, bless my heart," says Mr. Snagsby, "what's the matter?"

"This boy," says the constable, calmly, "although he's repeatedly told to, won't move on."

"I'm always a-moving on, sir," cries the boy, wiping away his grimy tears with his arm. "Where can I possibly move to more nor I do?"

"Don't you come none of that, or I shall make blessed short work of you," says the constable, giving him a passionless shake. "My instructions are that you are to move on."

"But where?" cries the boy.

"Well, really, constable, you know," says Mr. Snagsby, "really that _does_ seem a question. Where, you know?"

"My instructions don't go to that," replies the constable. "My instructions are that this boy is to move on, and the sooner you're five miles away the better for all parties."

Jo shuffles away from the spot where he has been standing, picking bits of fur from his cap and putting them in his mouth; but before he goes Mr. Snagsby loads him with some broken meats from the table, which he carries away hugging in his arms.

Jo goes on, down to Blackfriars Bridge, where he finds a baking stony corner wherein to settle his repast. There he sits munching and gnawing--the sun going down, the river running fast, the crowd flowing by him in two streams--everything passing on to some purpose, and to one end, until he is stirred up, and told to move on again.

Desperate with being moved on so many times, Jo tramps out of London down to St. Albans, where, exhausted from hunger and from exposure to extreme cold, he takes refuge in the cottage of a bricklayer's wife. A young lady who happens to be making a charity call on the woman in the cottage--sees his feverish, excited condition, and questions him.

"I am a-being froze," said the boy hoarsely, with his haggard gaze wandering about. "And then burnt up, and then froze, and then burnt up, ever so many times in an hour, and my head's all sleepy, and all a-going mad like--I'm so dry--and my bones isn't half as much bones as pains."

"When did he come from London?" the young lady asked.

"I come from London yesterday," said the boy himself, now flushed and hot. "I'm a-going somewheres. Somewheres," he repeated in a louder tone. "I have been moved on and moved on, more nor I wos afore. Mrs. Snagsby, she's allus a-watching and a-driving of me. What have I done to her? And they're all a-watching and a-driving of me. Everyone of them's doing of it from the time when I don't get up to the time when I don't go to bed. And I'm a-going somewheres, that's where I'm a-going!"

So in an oblivious half-insensible way he shuffled out of the house. The young lady hurried after him, and presently came up with him. He must have begun his journey with some small bundle under his arm, and must have lost it or had it stolen, for he still carried his wretched fragment of a fur cap like a bundle, though he went bareheaded through the rain, which now fell fast.

He stopped when she called him, standing with his lustrous eyes fixed on her, and even arrested in his shivering fit. She urged him to go with her, and though at first he shook his head, at last he turned and followed her. She led the way to her home, where the servants, sorry for his pitiable condition, made a bed for him in a warm loft-room by the stable, where he was safely housed for the night and cared for.

The next morning the young lady was awakened at an early hour by an unusual noise outside her window, and called out to one of the men to know the meaning of it.

"It's the boy, miss," said he.

"Is he worse?" she asked.

"Gone, miss!"

"Dead?"

"Dead, miss? No. Gone clean off!"

At what time of the night he had gone, or how or why, it seemed hopeless ever to divine. Every possible inquiry was made, and every place searched. The brick-kilns were examined, the cottages were visited, the woman was particularly questioned, but she knew nothing of him; the weather had been for some time too wet, and the night itself had been too wet, to admit of any tracing of footsteps. Hedge and ditch, and wall and rick, and stack were examined for a long distance round, lest the boy should be lying in such a place insensible or dead; but nothing was seen to indicate that he had ever been near. From the time when he left the loft-room he vanished, and after five days the search was given up as hopeless. Where had poor Jo moved on to now?

For some time it seemed that no one would ever know, but at last, not so very long after this, a physician, Allan Woodcourt by name--who had known something of Jo and his story--was wandering at night in the miserable streets of Tom-all-Alone's, impelled by curiosity to see its haunts by gas-light. After stopping to offer assistance to a woman sitting on a doorstep, who had evidently come a long distance, he walks away, and as he does so he sees a ragged figure coming very cautiously along, crouching close to the walls. It is the figure of a youth whose face is hollow, and whose eyes have an emaciated glare. He is so intent on getting along unseen, that even the apparition of a stranger in whole garments does not tempt him to look back. Allan Woodcourt pauses to look after him, with a shadowy belief that he has seen the boy before. He cannot recall how or where, but there is some association in his mind with such a form.

He is gradually emerging from Tom-all-Alone's in the morning light, thinking about it, when he hears running feet behind him, and, looking around, sees the boy scouring toward him at a great speed, followed by the woman.

"Stop him! stop him!" cries the woman; "stop him, sir!"

Allan, not knowing but that he has just robbed her of her money, follows in chase, and runs so hard that he runs the boy down a dozen times; but each time the boy makes a curve, ducks, dives under his hands, and scours away again. At last the fugitive, hard pressed, takes to a narrow passage which has no thoroughfare. Here he is brought to bay, and tumbles down, lying down gasping at his pursuer until the woman comes up.

"Oh you Jo," cries the woman, "what, I have found you at last!"

"Jo?" repeats Allan, looking at him with attention,--"Jo? Stay--to be sure, I recollect this lad, some time ago, being brought before the coroner!"

"Yes, I see you once afore at the Inkwich," whimpered the boy. "What of that? Can't you never let such an unfortnet as me alone? An't I unfortnet enough for you yet? How unfortnet do you want me for to be? I've been a-chivied and a-chivied, fust by one on you and nixt by another on you, till I'm worritted to skins and bones. The Inkwich warn't my fault; I done nothink. He wos very good to me he wos; he wos the only one I knowed to speak to me as ever come across my crossing. It ain't very likely I should want him to be Inkwich'd. I only wish I wos myself!"

He says it with such a pitiable air that Allan Woodcourt is softened toward him. He says to the woman, "What has he done?"--to which she only replies, shaking her head,----

"Oh you Jo! you Jo! I have found you at last!"

"What has he done?" says Allan. "Has he robbed you?"

"No, sir, no. Robbed me? He did nothing but what was kind-hearted by me, and that's the wonder of it. But he was along with me, sir, down at St. Albans, ill, and a young lady--Lord bless her for a good friend to me!--took pity on him and took him home--took him home and made him comfortable; and like a thankless monster he ran away in the night and never has been seen or heard from since, till I set eyes on him just now. And the young lady, that was such a pretty dear, caught his illness, lost her beautiful looks, and wouldn't hardly be known for the same young lady now. Do you know it? You ungrateful wretch, do you know that this is all along of her goodness to you?" demands the woman.

The boy, stunned by what he hears, falls to smearing his dirty forehead with his dirty palm, and to staring at the ground, and to shaking from head to foot.

"You hear what she says!" Allan says to Joe. "You hear what she says, and I know it's true. Have you been here ever since?"

"Wishermaydie if I seen Tom-all-Alone's till this blessed morning," replies Jo, hoarsely.

"Why have you come here now?"

Jo looks all around and finally answers, "I don't know how to do nothink and I can't get nothink to do. I'm very poor and ill and I thought I'd come back here when there warn't nobody about and lay down and hide somewheres as I knows on till arter dark, and then go and beg a trifle of Mr. Snagsby. He wos allus willing fur to give me something, he wos, though Mrs. Snagsby, she wos allus a-chivying me--like everybody everywheres."

"Now, tell me," proceeds Allan, "tell me how it came about that you left that house when the good young lady had been so unfortunate as to pity you and take you home?"

Jo suddenly came out of his resignation, and excitedly declares that he never known about the young lady; that he would sooner have hurt his own self, and that he'd sooner have had his unfortnet head chopped off than ever gone a-nigh her; and that she wos wery good to him she wos.

Allan Woodcourt sees that this is not a sham.

"Come, Jo, tell me," he urged.

"No, I durstn't," says Jo. "I durstn't or I would."

"But I must know," returns Allan, "all the same. Come, Jo!"

After two or three such adjurations, Jo lifts up his head again, and says in a low voice, "Well, I'll tell you something. I was took away. There!"

"Taken away?--In the night?"

Ah! very apprehensive of being overheard, Jo looks about him, and even glances up some ten feet at the top of the boarding, and through the cracks in it, lest the object of his distrust should be looking over, or hidden on the other side.

"Who took you away?"

"I durstn't name him," says Jo. "I durstn't do it, sir."

"But I want, in the young lady's name, to know. You may trust me. No one else shall hear."

"Ah, but I don't know," replies Jo, shaking his head fearfully, "as he don't hear. He's in all manner of places all at wunst."

Allan looks at him in perplexity, but discovers some real meaning at the bottom of this bewildering reply. He patiently awaits an explicit answer, and Jo, more baffled by his patience than by anything else, at last desperately whispers a name in his ear.

"Aye," says Allan. "Why, what had you been doing?"

"Nothink, sir. Never done nothink to get myself into no trouble 'cept in not moving on, and the Inkwich. But I'm moving on now. I'm moving on to the berryin'-ground--that's the move as I'm up to."

"No, no. We will try to prevent that. But what did he do with you?"

"Put me in a horspittle," replies Jo, whispering, "till I wor discharged, then gave me a little money. 'Nobody wants you here,' he ses. 'You go and tramp,' he ses. 'You move on,' he ses. 'Don't let me ever see you nowheres within forty mile of London, or you'll repent it.' So I shall if ever he does see me, and he'll see me if I'm above ground," concludes Jo.

Allan considers a little, then remarks, turning to the woman, "He is not so ungrateful as you supposed. He had a reason for going away, though it was an insufficient one."

"Thank 'ee, sir, thank 'ee!" exclaims Jo. "There, now, see how hard you was on me. But on'y you tell the young lady wot the genlmn ses, and it's all right. For you wos wery good to me, too, and I knows it."

"Now, Jo," says Allan, "come with me and I will find you a better place than this to lie down and hide in."

And Jo, repeating, "On'y you tell the young lady as I never went for to hurt her, and what the genlmn ses," nods and shambles and shivers and smears and blinks, and half-laughs and half-cries a farewell to the woman, and takes his creeping way after Allan Woodcourt.

In a quiet, decent place, among people whom he knows will only treat the boy with kindness, Allan finds Jo a room.

"Look here, Jo," says Allan, "this is Mr. George. He is a kind friend to you, for he is going to give you a lodging here. You are quite safe here. All you have to do at present is to be obedient, and to get strong; and mind you tell us the truth here, whatever you do, Jo."

"Wishermaydie if I don't, sir," says Jo, reverting to his favourite declaration. "I never done nothink yet but wot you knows on to get myself into no trouble. I never wos in no other trouble at all, sir, 'cept not knowing nothink and starwation."

"I believe it," said Allan; "and now you must lie down and rest."

"Let me lay here quiet, and not be chivied any more," falters Jo, after he has been assisted to his bed and given medicine; "and be so kind any person as is a-passing nigh where I used fur to sweep, as to say to Mr. Snagsby that Jo, wot he knowed wunst, is a-movin' on right forards with his duty, and I'll be wery thankful!"

At the boy's request, later, Mr. Snagsby is sent for, and Jo is very glad to see his old friend, and says when they are alone that he "takes it uncommon kind as Mr. Snagsby should come so far out of his way on account of sich as him."

"Mr. Snagsby," says Jo, "I went and give an illness to a lady, and none of 'em never says nothink to me for having done it, on account of their being so good and my having been so unfortnet. The lady come herself and see me yes'day, and she ses, 'Jo,' she ses, 'we thought we'd lost you, Jo,' she ses; and she sits down a-smilin' so quiet, and don't pass a word nor yit a look upon me for having done it, she don't; and I turns agin the wall, I doos, Mr. Snagsby. And Mr. Woodcot, he come to give me somethink to ease me, wot he's allus a-doing on day and night, and wen he come over me and a-speakin' up so bold, I see his tears a-fallin', Mr. Snagsby."

After this, Jo lies in a stupor most of the time, and Allan Woodcourt, coming in a little later, stands looking down on the wasted form, thinking of the thousands of strong, merry boys to whom the story of Jo's life would sound incredible. As he stands there, Jo rouses with a start.

"Well, Jo, what is the matter? Don't be frightened."

"I thought," says Jo, who had stared and is looking around, "I thought I wos in Tom-all-Alone's again. Ain't there nobody here but you, Mr. Woodcot?"

"Nobody."

"And I ain't took back to Tom-all-Alone's. Am I, sir?"

"No."

Jo closes his eyes, muttering, "I'm wery thankful!"

After watching him closely for a little while, Allan puts his mouth very near his ear, and says to him in a low, distinct voice:

"Jo, did you ever know a prayer?"

"Never knowed no think, sir!"

"Not so much as one short prayer?"

"No, sir. Nothink at all, sir. Mr. Chadbands he wos a-praying wunst at Mr. Snagsby's, and I heerd him, but he sounded as if he wos a-speaking to hisself and not to me. He prayed a lot, but I couldn't make out nothink on it. I never knowed wot it wos all about."

It takes him a long time to say this, and few but an experienced and attentive listener could hear, or hearing understand him. After a short relapse into sleep or a stupor he makes of a sudden a strong effort to get out of bed.

"Stay, Jo, what now?"

"It's time for me to go to that there berrying-ground, sir," he returned with a wild look.

"Lie down and tell me what burying-ground, Jo."

"Where they laid him as wos wery good to me; wery good to me indeed he wos! It's time for me to go down to that there berrying-ground and ask to be put along with him. I wants to go there and be berried. He used fur to say to me, 'I am as poor as you to-day, Jo,' he says. I wants to tell him that I am as poor as him now, and have come there to be laid along with him."

"By-and-by, Jo, by-and-by."

"Ah! P'raps they wouldn't do it if I wos to go myself. But will you promise to have me took there, sir, and laid along with him?"

"I will, indeed!"

"Thank 'ee, sir. Thank 'ee, sir. They'll have to get the key of the gate afore they can take me in, for it's always locked. And there 's a step there as I used fur to clean with my broom. It's turned very dark, sir. Is there any light a-coming?"

"It is coming fast, Jo, my poor fellow."

"I hear you, sir, in the dark, but I'm a-gropin'--a-gropin'--let me catch hold of your hand!"

"Jo, can you say what I say?"

"I'll say anythink as you say, sir, fur I knows it's good."

"OUR FATHER,"

"Our Father--yes, that's wery good, sir."

"WHICH ART IN HEAVEN,"

"Art in Heaven--is the light a-coming, sir?"

"It is close at hand--HALLOWED BE THY NAME."

"Hallowed be--thy----"

The light is come upon the dark benighted way. The bewildering path is cleared of shadows at last. Jo has moved on to a home prepared by Eternal Love for such as he.

PAUL DOMBEY

As Mrs. Dombey died when little Paul was born, upon Mr. Dombey--the pompous head of the great firm Dombey and Son--fell the entire responsibility of bringing up his two children, Florence, then eight years of age, and the tiny boy, Paul. Of Florence he took little notice; girls never seemed to him to be of any special use in the world, but Paul was the light of his eyes, his pride and joy, and in the delicate child with his refined features and dreamy eyes, Mr. Dombey saw the future representative of the firm, and his heir as well; and he could not do enough for the boy who was to perpetuate the name of Dombey after him. It seemed to Mr. Dombey that any one so fortunate as to be born his son could not but thrive in return for so great a favour. So it was a blow to him that Paul did not grow into a burly, hearty fellow. All their vigilance and care could not make him a sturdy boy.

He was a pretty little fellow, though there was something wan and wistful in his small face. His temper gave abundant promise of being imperious in after life; and he had as hopeful an apprehension of his own importance, and the rightful subservience of all other things and persons to it as heart could wish. He was childish and sportive enough at times, and not of a sullen disposition; but he had a strange, old-fashioned, thoughtful way, at other times of sitting brooding in his miniature arm-chair. At no time did he fall into it so surely as when after dinner he sat with his father by the fire. They were the strangest pair at such a time that ever fire-light shone upon. Dombey so erect and solemn, gazing at the blaze; Paul with an old, old face peering into the red perspective with the fixed and rapt attention of a sage, the two so much alike and yet so monstrously contrasted. On one of these occasions, when they had both been perfectly quiet for a long time, little Paul broke the silence thus:

"Papa, what's money?"

The abrupt question took Mr. Dombey by surprise.

"What is money, Paul?" he answered, "Money?"

"Yes," said the child, laying his hands upon the elbows of his little chair, and turning his face up towards Mr. Dombey. "What is money?"

Mr. Dombey was in a difficulty. He would have liked to give him some explanation, involving the terms, currency, bullion, rates of exchange, etc., but he feared he might not be understood, so he answered:

"Gold and silver and copper. Guineas, shillings, halfpence. You know what they are?"

"Oh yes, I know what they are," said Paul. "I don't mean that, papa. I mean what is money after all?"

"What is money after all!"--said Mr. Dombey, backing his chair a little, that he might the better gaze at the presumptuous atom who propounded such an inquiry.

"I mean, papa, what can it do?" returned Paul.

Mr. Dombey patted him on the head. "You'll know better by-and-by, my man," he said. "Money, Paul, can do anything."

"Anything, papa?"

"Yes, anything--almost," said Mr. Dombey.

"Why didn't money save me my mama?" returned the child. "It isn't cruel, is it?"

"Cruel?" said Mr. Dombey. "No. A good thing can't be cruel."

"If it's a good thing and can do anything," said the little fellow, thoughtfully, as he looked back at the fire, "I wonder why it didn't save me my mama."

He didn't ask the question of his father this time. Perhaps he had seen, with a child's quickness, that it had already made his father uncomfortable. But he repeated the thought aloud, as if it was quite an old one to him, and had troubled him very much.

"It can't make me strong and quite well, either, papa; can it?" asked Paul, after a short silence; rubbing his tiny hands.

"You are as strong and well as such little people usually are? Eh?" said Mr. Dombey.

"Florence is older than I am, but I'm not as strong and well as Florence, I know," returned the child; "I am so tired sometimes," said little Paul, "and my bones ache so that I don't know what to do."

The unusual tone of that conversation so alarmed Mr. Dombey that the very next day he began to inquire into the real state of Paul's health; and as the doctor suggested that sea-air might be of benefit to the child, to Brighton he was promptly sent, to remain until he should seem benefited. He refused to go without Florence to whom he clung with a passion of devotion which made Mr. Dombey both irritated and jealous to see, wishing himself to absorb the boy's entire affection.

So to Brighton Paul and Florence went, in charge of Paul's nurse, Wickam. They found board in the house of an old lady, Mrs. Pipchin by name, whose temper was not of the best and whose methods of managing children were rather peculiar.

At this exemplary old lady, Paul would sit staring in his little armchair for any length of time. He never seemed to know what weariness was when he was looking fixedly at Mrs. Pipchin. He was not fond of her, he was not afraid of her, but she seemed to have a grotesque attraction for him.

Once she asked him, when they were alone, what he was thinking about.

"You," said Paul, without the least reserve.

"And what are you thinking about me?" asked Mrs. Pipchin.

"I'm thinking how old you must be," said Paul.

"You mustn't say such things as that, young gentleman," returned the dame.

"Why not?" asked Paul.

"Because it's not polite," said Mrs. Pipchin, snappishly.

"Not polite?" said Paul.

"No."

"It's not polite," said Paul innocently, "to eat all the mutton-chops and toast, Wickam says."

"Wickam," retorted Mrs. Pipchin colouring, "is a wicked, impudent, bold-faced hussy."

"What's that?" inquired Paul.

"Never you mind, sir," retorted Mrs. Pipchin. "Remember the story of the little boy that was gored to death by a mad bull for asking questions."

"If the bull was mad," said Paul, "how did he know that the boy had asked questions? Nobody can go and whisper secrets to a mad bull. I don't believe that story."

"You don't believe it, sir?" repeated Mrs. Pipchin, amazed.

"No," said Paul.

"Not if it should happen to have been a tame bull, you little infidel?" said Mrs. Pipchin.

As Paul had not considered the subject in that light, he allowed himself to be put down for the present. But he sat turning it over in his mind with such an obvious intention of fixing Mrs. Pipchin presently, that even that hardy old lady deemed it prudent to retreat until he should have forgotten the subject.

From that time Mrs. Pipchin appeared to have something of the same odd kind of an attraction towards Paul as Paul had towards her. She would make him move his chair to her side of the fire, instead of sitting opposite, and there he would remain studying every line of Mrs. Pipchin's face, while the old black cat lay coiled up on the fender purring and winking at the fire, and Paul went on studying Mrs, Pipchin and the cat and the fire, night after night, as if they were a history of necromancy in three volumes.

At the end of a week, as Paul was no stronger, though he looked much healthier in the face, a little carriage was got for him, in which he could be wheeled down to the seaside. Consistent in his odd tastes, the child set aside a ruddy faced lad, who was proposed as the drawer of this carriage, and selected instead, his grandfather, Glubb by name, a weazen, old, crab-faced man, in a suit of battered oilskins, who smelt like a weedy sea-beach when the tide is out. With this notable attendant to pull him along and Florence always by his side, he went down to the margin of the ocean every day; and there he would sit or lie in his carriage for hours together, never so distressed as at the company of children.

He had even a dislike at such times to the company of nurse Wickham, and was well pleased when she strolled away. His favourite spot was quite a lonely one, far away from most loungers, and with Florence sitting by his side at work, or reading to him, and the wind blowing on his face, and the water coming up among the wheels of his bed, he wanted nothing more.

For a year the children stayed at Brighton, going home but twice during that time for a few days, but every Sunday Mr. Dombey spent with them at the Brighton Hotel.

During the year Paul had grown strong enough to give up his carriage, though he still looked thin and delicate, and still remained the same dreamy, quiet child that he had been when consigned to Mrs. Pipchin's care.

At length, on a Saturday afternoon, Mr. Dombey appeared with the news that he was thinking of removing Paul to the school of one Doctor Blimber, also at Brighton.

"I have had some communication with the doctor, Mrs. Pipchin," said Mr. Dombey, "and he does not think Paul at all too young for his purposes. My son is getting on, Mrs. Pipchin, really he is getting on."

"Six years old!" said Mr. Dombey, settling his neckcloth. "Dear me! six will be changed to sixteen before we have time to look about us; and there is no doubt, I fear, that in his studies he is behind many children of his age--or his youth," said Mr. Dombey--"his youth is a more appropriate expression.

"Now, Mrs. Pipchin, instead of being behind his peers, my son ought to be before them, far before them. There is an eminence ready for him to mount on. There is nothing of chance or doubt before my son. The education of such a young gentleman must not be delayed. It must not be left imperfect. It must be very steadily and seriously undertaken, Mrs. Pipchin."

"Well, sir," said Mrs. Pipchin, "I can say nothing to the contrary." And so to Doctor Blimber's Paul was sent.